12.11ST3.Gamechron.LO

Total Page：16

File Type：pdf, Size：1020Kb

START GAMES How Pong Invented the Internet Are videogames the stealth history of the tech universe? They were born during the Cold War on machines the size of refrigerators, and their tiny dots of light and frustrating riddles came to link the most unlikely icons. Steve Russell, the inventor of Spacewar – built at MIT in 1962 – had no idea that his game would find a fan in Nolan Bushnell, who would cofound Atari in 1972 and hire two punk kids to develop one of its hit games, Breakout. Their names: Steve Jobs and Steve Wozniak. Did we lose you? Then follow the dotted line from Pong to the Internet. Former Atari programmers spun off Activision, which merged with struggling game developer Infocom, which was founded by hackers at MIT, which produced consultants Bolt, Beranek, and Newman, who were contracted to build the Arpanet, X Prize precursor to the Internet. Assemble different paths to decompile the secret code. – Matthew Stibbe Touchstones Innovations Movies and TV Organizations Games People John Carmack Don Bluth Ronald Reagan Science Fiction Museum King Kong Peter Jackson Paul Allen MAZE Christopher Lee John Romero World Wide Web Ed Catmull Dave Lebling The Secret of NIMH Steve Wozniak Strategic Defense Initiative Tim Berners-Lee Steve Jobs Ed Logg Ted Nelson Internet (1962) (1972) (1979) (1989) (1993) Project Xanadu Shigeru Miyamoto Don Valentine Arpanet CIVILIZATION COLOSSAL CAVE ADVENTURE Trip Hawkins COMPUTER SPACE HyperCard ROGUE Nolan Bushnell Stanford AI Lab Steve Russell EMPIRE Seattle Ken Arnold/Michael Toy/Glenn Wichman Bill Gates Bill Budge George Lucas William Shatner Dan Bunten WIRED •11|2004 • 047.

Copy Link

Recommended publications

Video Games and the Mobilization of Anxiety and Desire
PLAYING THE CRISIS: VIDEO GAMES AND THE MOBILIZATION OF ANXIETY AND DESIRE BY ROBERT MEJIA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Kent A. Ono, Chair Professor John Nerone Professor Clifford Christians Professor Robert A. Brookey, Northern Illinois University ABSTRACT This is a critical cultural and political economic analysis of the video game as an engine of global anxiety and desire. Attempting to move beyond conventional studies of the video game as a thing-in-itself, relatively self-contained as a textual, ludic, or even technological (in the narrow sense of the word) phenomenon, I propose that gaming has come to operate as an epistemological imperative that extends beyond the site of gaming in itself. Play and pleasure have come to affect sites of culture and the structural formation of various populations beyond those conceived of as belonging to conventional gaming populations: the workplace, consumer experiences, education, warfare, and even the practice of politics itself, amongst other domains. Indeed, the central claim of this dissertation is that the video game operates with the same political and cultural gravity as that ascribed to the prison by Michel Foucault. That is, just as the prison operated as the discursive site wherein the disciplinary imaginary was honed, so too does digital play operate as that discursive site wherein the ludic imperative has emerged. To make this claim, I have had to move beyond the conventional theoretical frameworks utilized in the analysis of video games.
[Show full text]
"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
{"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated.
[Show full text]
Trigger Happy: Videogames and the Entertainment Revolution
Free your purchased eBook form adhesion DRM*! * DRM = Digtal Rights Management Trigger Happy VIDEOGAMES AND THE ENTERTAINMENT REVOLUTION by Steven Poole Contents ACKNOWLEDGMENTS............................................ 8 1 RESISTANCE IS FUTILE ......................................10 Our virtual history....................................................10 Pixel generation .......................................................13 Meme machines .......................................................18 The shock of the new ...............................................28 2 THE ORIGIN OF SPECIES ....................................35 Beginnings ...............................................................35 Art types...................................................................45 Happiness is a warm gun .........................................46 In my mind and in my car ........................................51 Might as well jump ..................................................56 Sometimes you kick.................................................61 Heaven in here .........................................................66 Two tribes ................................................................69 Running up that hill .................................................72 It’s a kind of magic ..................................................75 We can work it out...................................................79 Family fortunes ........................................................82 3 UNREAL CITIES ....................................................85
[Show full text]
Virtual Reality, Goggles and All, Attempts Return 29 March 2013, by Derrik J
Virtual reality, goggles and all, attempts return 29 March 2013, by Derrik J. Lang are going to be able to do cool things," said Oculus VR founder Palmer Luckey. "This is the first time when the technology, software, community and rendering power is all really there." While VR technology has successfully been employed in recent years for military and medical training purposes, it's been too expensive, clunky or just plain bad for most at-home gamers. Oculus VR's headset is armed with stereoscopic 3-D, low- latency head tracking and a 110-degree field of view, and the company expects it to cost just a few hundred bucks. This publicity image provided by Oculus VR shows a virtual reality headset. The virtual reality headset, the doodad that was supposed to seamlessly transport wearers to three-dimensional virtual worlds, has made a remarkable return at this year's Game Developers Conference. After banking $2.4 million from crowd funding and drumming up hype over the past year, Oculus VR captured the conference's attention this week with a virtual reality headset that's more like a pair of ski goggles than those bulky gaming helmets of the 1990s. (AP Photo/Oculus VR) It's back. The virtual reality headset, the gizmo that was supposed to seamlessly transport wearers to three-dimensional virtual worlds, has made a remarkable return at this year's Game Developers Conference, an annual gathering of video game makers in San Francisco. After drumming up hype over the past year and banking $2.4 million from crowdfunding, the Irvine, Calif.-based company Oculus VR captured the conference's attention this week with the Oculus Rift, its VR headset that's more like a pair of ski goggles than those bulky gaming helmets of the 1990s that usually left users with headaches.
[Show full text]
Reality Is Broken. Game Designers Can Fix It.”
GAME INDUSTRY VETERANS REVEAL 67 TFORIPS INDIE GAME DEVELOPMENT, LAUNCH, & MARKETING CONTENTS INTRODUCTION ..................................................................................................................................4 DESIGN ..............................................................................................................................................6 #1 ..................................................................................................................................................7 #2 ..................................................................................................................................................8 #3 ..................................................................................................................................................9 #4 ................................................................................................................................................ 10 #5 ................................................................................................................................................ 11 #6 ................................................................................................................................................ 12 #7 ................................................................................................................................................ 13 #8 ...............................................................................................................................................
[Show full text]
Music Games Rock: Rhythm Gaming's Greatest Hits of All Time
“Cementing gaming’s role in music’s evolution, Steinberg has done pop culture a laudable service.” – Nick Catucci, Rolling Stone RHYTHM GAMING’S GREATEST HITS OF ALL TIME By SCOTT STEINBERG Author of Get Rich Playing Games Feat. Martin Mathers and Nadia Oxford Foreword By ALEX RIGOPULOS Co-Creator, Guitar Hero and Rock Band Praise for Music Games Rock “Hits all the right notes—and some you don’t expect. A great account of the music game story so far!” – Mike Snider, Entertainment Reporter, USA Today “An exhaustive compendia. Chocked full of fascinating detail...” – Alex Pham, Technology Reporter, Los Angeles Times “It’ll make you want to celebrate by trashing a gaming unit the way Pete Townshend destroys a guitar.” –Jason Pettigrew, Editor-in-Chief, ALTERNATIVE PRESS “I’ve never seen such a well-collected reference... it serves an important role in letting readers consider all sides of the music and rhythm game debate.” –Masaya Matsuura, Creator, PaRappa the Rapper “A must read for the game-obsessed...” –Jermaine Hall, Editor-in-Chief, VIBE MUSIC GAMES ROCK RHYTHM GAMING’S GREATEST HITS OF ALL TIME SCOTT STEINBERG DEDICATION MUSIC GAMES ROCK: RHYTHM GAMING’S GREATEST HITS OF ALL TIME All Rights Reserved © 2011 by Scott Steinberg “Behind the Music: The Making of Sex ‘N Drugs ‘N Rock ‘N Roll” © 2009 Jon Hare No part of this book may be reproduced or transmitted in any form or by any means – graphic, electronic or mechanical – including photocopying, recording, taping or by any information storage retrieval system, without the written permission of the publisher.
[Show full text]
Personal Computing
Personal Computing Thomas J. Bergin ©Computer History Museum American University Recap: Context • By 1977, there was a fairly robust but fragmented hobbyist-oriented microcomputer industry: – Micro Instrumentation Telemetry Systems (MITS) – Processor Technology – Cromemco – MicroStuf – Kentucky Fried Computers • Two things were needed for the personal computer revolution: 1) a way to store and retrieve data, and 2) a programming language in which to write applications. Homebrew Computer Club • March 5, 1975: the Amateur Computer Users Group (Lee Felsenstein, Bob Marsh, Steve Dompier, BobAlbrecht and 27 others) met in Gordon French’s garage, Menlo Park, CA • 3rd meeting drew several hundred people and was moved to the Coleman mansion • Stanford Linear Accelerator Center’s auditorium – Steve Wozniak shows off his single board computer – Steve Jobs attends meetings Homebrew-ed • 21 companies formed: – Apcose Apple – Cromemco Morrow – North Star Osborne • West Coast Computer Faire • Byte magazine, September 1975 • Byte Shop Both: images.google.com And then there was Traf-O-Data • October 28, 1955: William H. Gates III born – father: attorney mother: schoolteacher • Lakeside School: Lakeside Programming Group – Mothers Club: access to time-shared system at GE – Students hired by local firm to debug software – First computer program: Tic-Tac-Toe (age 13) – Traf-O-Data to sell traffic mgt. software (age 16) • 1973, Bill Gates enrolls at Harvard in pre-law. • Paul Allen is in his second year. January 1975, Popular Electronics: Altair • Allen shows
[Show full text]
Mario Luis Ramirez STS 145—The History of Computer Game Design
Mario Luis Ramirez STS 145—The History of Computer Game Design Prof. Henry Lowood March 15, 2002 Galaga and Vintage Gaming: A Look at Galaga’s Place in the Classic Gaming Industry Because he was speaking in the early videogame days of the 1980’s, it is likely that even Steven Spielberg did not fully recognized the weight of his statement when he said that “The aliens have landed, and the world can never be the same again” (Amis, 7). Commenting on such early games as Missile Command and Space Invaders, Spielberg understood that these early “shooters” had infiltrated American pop culture in such a way that whether directly or not, the lives of most Americans after the 1980’s would be influenced by games such as these. 20 years later, his statement continues to ring true today. However, it not difficult to see that most recent videogames look considerably different than their predecessors of the 80’s—technological advancements have changed the face of gaming. Yet, as the Namco Arcade web page points out in speaking about the classic games, Galaga and Ms. PacMan, “These two games are unquestionably the two longest running hits in the history of videogames! After 20 years, they are still a ‘must have’ for all locations” (www.namcoarcade.com/nai_gamedisplay.asp?gam=mspcglga). One must wonder then, what is it about games such as these that continue to make them popular—why is it that in the face of clearly superior graphics, sound, and interface 1 options that primitive games are not only able to coexist, but continue to bring in profits for manufacturers and arcade operators? After conducting much research, including a variety of interviews with those involved in the classic gaming world, it certainly seems that the answer is rooted in the simplicity and nostalgia of these games.
[Show full text]
Kocurek Dissertation 201221.Pdf
Copyright by Carly Ann Kocurek 2012 The Dissertation Committee for Carly Ann Kocurek Certifies that this is the approved version of the following dissertation: Masculinity at the Video Game Arcade: 1972-1983 Committee: Elizabeth S.D. Engelhardt, Supervisor Janet M. Davis John Hartigan Mark C. Smith Sharon Strover Masculinity at the Video Game Arcade: 1972-1983 by Carly Ann Kocurek, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Acknowledgements Completing a dissertation is a task that takes the proverbial village. I have been fortunate to have found guidance, encouragement, and support from a diversity of sources. First among these, of course, I must count the members of my committee. Thanks in particular to Elizabeth S. D. Engelhardt who, as chair, served as both critic and cheerleader in equal measure and who has guided this project from its infancy. Janet M. Davis’s interest in the sinews that connect popular culture to broader political concerns has shaped my own approach. Mark C. Smith has been a source of support for the duration of my graduate studies; his investment in students, including graduate and undergraduate, is truly admirable. Were it not for a conversation with Sharon Strover in which she suggested I might consider completing some oral histories of video gaming, I might have pursued another project entirely. John Hartigan, through his incisive questions about the politics of race and gender at play in the arcade, shaped my research concerns.
[Show full text]
Unity Playground
Unity Playground Instructor: Prof Pisan [email protected] Overview Game Engine Architecture Unity's approach to creating a game engine Defining a game - components, criticism Role of Game Designer Unity Playground https://unity3d.com/learn/tutorials/s/unity-playground 2 HW1: Unity Basics Review answers Grading: #2 2pts #5 2pts #8 2pts Rest 4pts 3 Game Designer Advocate for the player See the world through the player's eyes Player experience Playtesters - providing feedback Game design as hosting a party - an interactive experience Communication - sell your game, good listener and compromiser Teamwork - personalities Process - games are fragile, prioritize goals Inspiration - world as challenges, structures and play. Money to relationships Beyond existing games Will Wright - ant colonies to SimAnt What parts of your life can be turned into games? 4 Fail and Fail Again https://officechai.com/startups/51-failed-games-rovio-created- angry-birds-now-going-public-1-billion-valuation/ Playcentric Design Process Keeping the player experience in mind and testing the gameplay with target players through every phase of development. Setting player experience goals Players have to cooperate to win, but structured so cannot trust each other Players will feel a sense of happiness and playfulness Prototyping and Playtesting Paper is easy to modify, software decisions harder to reverse Iteration Design → Test → Evaluate → Design → Test → …. 6 Game Development 1. Brainstorming 2. Physical prototype 3. Presentation (if you need $$s) 4. Software prototype 5. Design documentation - putting the notes together 6. Production 7. Quality assurance Approaches: Jump from concept to writing up design to coding. Works OK when the game is a variation of an existing game Game Jams: Tapping into community for ideas and prototypes Innovation: unique play mechniques, beyond existing genres, integrating into daily lives, taking on new business models, emotionally rich gameplay, ….
[Show full text]
Stephen M. Cabrinety Collection in the History of Microcomputing, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt529018f2 No online items Guide to the Stephen M. Cabrinety Collection in the History of Microcomputing, ca. 1975-1995 Processed by Stephan Potchatek; machine-readable finding aid created by Steven Mandeville-Gamble Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 2001 The Board of Trustees of Stanford University. All rights reserved. Special Collections M0997 1 Guide to the Stephen M. Cabrinety Collection in the History of Microcomputing, ca. 1975-1995 Collection number: M0997 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Stephan Potchatek Date Completed: 2000 Encoded by: Steven Mandeville-Gamble © 2001 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Stephen M. Cabrinety Collection in the History of Microcomputing, Date (inclusive): ca. 1975-1995 Collection number: Special Collections M0997 Creator: Cabrinety, Stephen M. Extent: 815.5 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Access restricted; this collection is stored off-site in commercial storage from which material is not routinely paged. Access to the collection will remain restricted until such time as the collection can be moved to Stanford-owned facilities. Any exemption from this rule requires the written permission of the Head of Special Collections.
[Show full text]
Bill Budge Named As 2Nd AIAS Pioneer Award Recipient
FOR IMMEDIATE RELEASE ACADEMY OF INTERACTIVE ARTS & SCIENCES NAMES BILL BUDGE AS ITS SECOND PIONEER AWARD RECIPIENT Visionary programmer recognized for revolutionizing game design and user interfaces CALABASAS, Calif. – January 21, 2011 – The Academy of Interactive Arts & Sciences (AIAS) has announced that Bill Budge will be its second AIAS Pioneer Award recipient. The Pioneer Award recognizes the contributions made by the men and women who helped to create the interactive entertainment industry. Budge has been an innovator in the video game space for more than 30 years and is recognized for a number of advancements in software engineering technologies that have helped pave the way for past and present generations of game designers everywhere. The Pioneer Award will be presented by Don Daglow, president and creative director, Daglow Entertainment, at the 14th Annual Interactive Achievement Awards, during the 2011 D.I.C.E. (Design, Innovate, Communicate, and Entertain) Summit on Thursday, February 10, 2011 at the Red Rock Resort in Las Vegas. The awards will be hosted by actor, comedian and game enthusiast Jay Mohr. “From writing quality codes to designing games that paved the way for future program designers, Bill Budge has been nothing less than an inspiration to everyone around him,” said Martin Rae, president, Academy of Interactive Arts & Sciences. “Rational, realistic, competent, professional and humble are all words I’ve heard people use to describe him over the years, but I feel nothing describes him better than pioneer.” Early in his career, while working for Apple, Budge designed games independently including the popular Raster Blaster in 1981 designed for the Apple II and distributed through his own company, BudgeCo.
[Show full text]