DOCSLIB.ORG

Show World (June 25, 1910)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

“Imagination is a wonderful factor in creating news, but authenticity is the greatest asset a newspaper can have in the minds of its subscribers and readers.’’—JAMES J. JEFFRIES. THE SHOW WORLD prints the News, and as an Independent Amusement N oaper is unafraid to tell the inside and outside doings of the show business. ^ . TEN CENTS THE COPY ISSUED FRIDAY DATED SATURDAY THE WORLDS GREATEST AMUSEMENT NEWSPAPER DEVOTED EXCLUSIVELY TO THE PROFESSION OF EN1X THIS WEEK’S NEWS THIS WEEK Vol. VI No. 1 CHICAGO ack 5\mm% FRANK WEJSBERQ PHQrOS (f POOPED BY JlMWEEDEN .apffiPitip, WttffWMWittIMfO. JESS D.BURNS. ANcr^ffwiS. GEORGE HALE PROMINENT FACTORS IN THE REALM OF BURLESQUE ARE YOU READING DOC WADDELL’S CIRCUS TALES IN THE SHOW WORLD ? HIS CONTRIBUTION THIS WEEK TELLS OF THE CLOWNS OF TODAY AND YESTERDAY. 2 THE SHOW WORLD June 25, 190<l -NOW PERMANENTLY ESTABLISI MOTOGRAPH FILMS Three Fast Daily Each successive release marked by higher quality; every “string” being pulled to bring this product up to and beyond the now favorite brands. It behooves YOU, an important spoke in the Motion Picture Wheel, to at once investigate MOTOGRAPH FILMS, by the most direct method known— Trains Insist on a Screen Exhibition And satisfy yourself there is one new and better product which will surely add to your earning power, be you Renter or Exhibitor. Our method of DIRECT SHIPMENTS keeps us in close touch with our from St. Louis to customers and friends at all times and does away with the possibility of mis¬ takes and mishaps which might occur were we entrusting our business to agen¬ cies or so-called sales companies. MOTOGRAPH FILMS REAL Texas - Oklahoma They represent a Real Factory, designed and built expressly for the manufacture of films by capable and experienced laboratory and studio work¬ men. They represent real, honest effort, backed by necessary capital and ex- pmShce, which must mean, ultimately, the production of Real Films of Merit. Via We'Want Stories, Ideas, Suggestions, Anything of Value from the Trade Don’t hesitate to get in touch with us. Whenever you think of some bright idea that will improve Moving Pictures generally, jot it down and mail to us. There is but one way to make Independent Pictures stand out as a beacon light to guide all others, and that is close co-operation between the manufacturer and whole trade. Let us aU get together and win. Wednesday OUR NEXT RELEASE °“e ** June 29 - — Reel iHiilf A MILLIONAIRE TRAMP Filmed From One of the Most Successful Plays of the Past Dozen Years, Brimming with Action, Clean Comedy, Pathos and Tears. YOUR PATRONS HAVE SEEN THE PLAY NOW SHOW THEM THE FILM Ask Your Exchange for Past Issues Leaving MORNING NOON NIGHT 9:00 A.M. 2:30 P.M. 8:25 P.M. Fred Harvey Meals gSaV'cSEEffst. Baltimore, U. S. A. FILM D’ART CET YOUR TO BE RELEASED THURSDAY, JULY 7th, 1910 JEMMY INDEPENDENT A wonderful dramatic story of a woman’s heroic and heart¬ rending sacrifice, wherein is perpetrated one of those soul-stir¬ ring wrongs that have made the history of the American frontier the most marvelous document in the progress of nations. FILM SERVICE _ f:__ Never-to-be-forgotten acting, by a cast of famous players, with settings that surpass even the grandest effortsof aBelasco. FROM Length 800 feet. W. E. GREENE Ill E. 14th Street Film Exchange J. W. MORGAN FILM CO. The Oldest and Largest Independent Film 1228-30*32 Grand Avenue, Kansas City, Missouri Exchange in New England 228 TREMONT STREET, BOSTON, MASS. A Member of the National Independent Moving Picture Alliance WORLD’S Branch Office: 511A Congress Street, Portland, Me. GREAT NORTHERN FILMS BEST “THE PAPER WITH J HEART ANT) A SOUL” The Show People’s Newspaper CHICAGO, JUNE 25, 1910. For All Kinds of Show People INTERSTATE CIRCUIT as he could not get along without the HANGS WITH K. & E. Imp films. COMBINE AGAINST THE Arthur Lucas coincided with Mr. Karl Hoblitzelle Assures the Syndi- McMahon, and said that he must have - cate of a String of Houses in Imp films, and that if it came to such the Lone Star State. SALES CO. IS FORMED a pass he would order a couple of Interviews with Karl Hoblitzelle prints of Imps and run his exchange and other prominent men of the In¬ Independent Film Manufacturers and Exchanges Meet in exclusively with that product. He terstate circuit have been published' said that he reserved the right to in many Texas papers to the effect Cincinnati and Plan Boycott Campaign. think for himself and run his business that the Syndicate attractions would himself, and that he did not consider be seen in the Inter-State theaters that the Alliance or the Associated next season,.or until such time as the Stirred to action by the appeal of carefully and decided that it was the manufacturers had any right to in¬ liter-State folks can erect legitimate Paul H. Cromelin, vice-president and thing to do. The Alliance had proven a terrogate him. general counsel of the Columbia farce, and the members had broken theaters paralleling their vaudeville George Magie stated that the Gau- houses. Phonograph Co., at the meeting held every rule and failed to * meet every at the Sinton Hotel, Cincinnati, June issue, not even paying their assess¬ mont Co. would not renew its con¬ B. S. Muckenfuss, of the Inter- tract with the Patents Co., and that State office in Chicago, would not 18-19, the Associated Independent ments and dues. The Cincinnati Film Film manufacturers decided to take Exchange had. I felt that the Alli¬ beginning this week its product would discuss the matter further than to be available to the adherents of the say that a night or two of each week drastic measures to whip the Motion ance was unable to cope with the Picture Distributing & Sales Co. into Associated manufacturers. This cre¬ ^roht be given up to legitimate at- situation, as there are too many in an agreement whereby an open mar¬ it that do not. regard their word ated the impression that George -fiactions, until such time as the new Kleine’s agency was involved, and a theaters are ready. ket would be created, and film ex¬ very much. The Sales Co. has treated changes permitted to purchase di¬ us fairly, and we are going to deal representative of The Show World ^KEoblitzelle made the offer to called attention to such misapprehen¬ J^harles Frohman and Klaw & Erlan- rect from such manufacturers as de¬ fairly with it until we find out they are sired to sell in that manner, or from crooked. sion. Mr. Magie, therefore, added ger and the telegram read: the statement that he referred to the ^ff‘The Inter-State Amusement Com¬ the Sales Co. “A split will injure the Independent Telegrams were sent out to all ex¬ American Gaumont Co., controlling pany will immediately start the erec¬ cause, and the Patents Co. will reap the Chronophone. tion of modern fireproof first-class changes that they must decide im¬ the harvest. L would like to see the mediately which faction they shall manufacturers get together and work Each one of the Associated manu¬ •theaters in the principal cities of facturers present then made a short -Texas, paralleling the Weis & Green- support, with the information that in harmony. such renters as remain loyal to the “I cannot be with you, or with the speech, expressing the intention of wall circuit. These theaters will play standing firmly together, and forcing the Klaw & Erlanger attractions. Sales Co. will not be supplied with Alliance. Frankly, there are men films by the insurgents. among you that I would not care to the Sales Co. to recede from its posi¬ Construction will start immediately, tion. and in the interim the Klaw & Er¬ The manufacturers present were as meet on a dark night if I had money langer attractions, will be taken care follows: Edwin Thanhouser; A. G. in my pockets. I don’t want to ap¬ The eastern film men left at 3:15 of in the vaudeville houses controlled vv'hyte; David Horsley, Centaur Film- pear to be here as an interloper, or a Sunday afternoon for New York. An by this company.” Co.; Mark M. Ditzenfass, Champion spy. If you want me to leave the effort was made to win J. W. Morgan Film Co. (formerly Actophone); L. room I will do so.” over, and he was assured that if he went back with them they could show CORT AND SHUBERT Prieur, Lux and Le Lion; George Mr. McMahon then took exception them the justice of their position. ; BUY MID-WEST CIRCUIT. Magie, Kinograph Co.; Arthur Mc¬ to a vulgar remark which Robert Millan, Actophone Co.; and I. W. Bachman had made to him, and said Mr. Morgan said he was from Mis¬ ft John Cort and J. J. Shubert pur¬ Ullman, Columbia Film Co. The he would repeat the statement he souri—a product of Joplin—and was chased a one-half _ interest in the Great Northern Film Co. and the had made at the time to Mr. Bach¬ willing to be shown, so he accom¬ Chamberlain, Harrington and Kindt Motograph Cp. were represented by man, that if there was anybody who panied them. circuit last Saturday for a considera¬ proxies. thought they could make him do Mr. Morgan said: “This proposition tion which is said to have been $500,- Representatives of film exchanges what the president of the Alliance is a serious thing.
Recommended publications
  • African American Performance and Theater History: a Critical Reader

    African American Performance and Theater History: a Critical Reader

    African American Performance and Theater History: A Critical Reader Harry J. Elam, Jr. David Krasner, Editors OXFORD UNIVERSITY PRESS African American Performance and Theater History This page intentionally left blank ‘ ‘ African American Performance and Theater History a critical reader ‘‘‘ Edited by Harry J. Elam, Jr. David Krasner 1 2001 1 Oxford New York Athens Auckland Bangkok Bogota´ Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence HongKong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sa˜o Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright ᭧ 2001 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-PublicationData African American performance and theater history: a critical reader / edited by Harry J. Elam, Jr. and David Krasner. p. cm. Includes bibliographical references and index. ISBN 0–19–512724–2; ISBN 0–19–512725–0 (pbk.) 1. Afro-American theater. 2. American drama—Afro-American authors—History and criticism. I. Elam,Harry Justin. II. Krasner, David, 1952– PN2270.A35A46 2000 792'.089'96073—dc21 00–022463 987654321 Printed in the United States of America on acid-free paper Acknowledgments Many people have contributed to making this book possible. We would like to begin by thanking our first editor, T.
  • Baseball Trail 14X8.5.Indd

    Baseball Trail 14X8.5.Indd

    Whittington Park Clockwise from top: Babe Ruth, Jackie Robinson, Cy Young at Whittington Park, Jackie Robinson. Clockwise from top: Baseball players at Whittington Park, Stan Musial, Honus Wagner. 1 The Eastman Hotel – Hosted many teams in Hot 15 Walter Johnson – Inducted into the Baseball Hall 18 Bathhouse Row – Players would “boil out” in Hot Springs during spring training. Plaque located in the of Fame in 1936. Plaque located on the sidewalk in Springs’ naturally thermal mineral waters to prepare for Hill Wheatley Plaza parking lot (629 Central Avenue). front of the historic Hot Springs High School building the upcoming season. Plaque located on the sidewalk near on Oak Street, between Orange and Olive Streets. the Gangster Museum of America (510 Central Avenue). 2 Buck Ewing – Inducted into the National Baseball Hall of Fame in 1939. Plaque located near the steps 16 Cy Young – Inducted into the National Baseball Hall of 19 Southern & Ohio Clubs – Two of the better known leading to the Rehabilitation Center (105 Reserve Street). Fame in 1937. Plaque located near the ticket windows nightspots frequented by players during spring training. of the Transportation Depot (100 Broadway Terrace). Plaque located on the Ohio Club Building (336 Central Avenue). 3 Dizzy and Daffy Dean – Brothers from Lucas, 17 Tris Speaker – Inducted into the National 20 Happy Hollow – Many legendary players Arkansas, who became the most famous pitching duo in Baseball Hall of Fame in 1937. Plaque located would hike the trails here to prepare for the baseball history. Plaque located on the sidewalk beside at the intersection of Court and Exchange Streets.
  • PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T

    PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T

    PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2.
  • Sitcom Fjernsyn Programmer Liste : Stem P㥠Dine

    Sitcom Fjernsyn Programmer Liste : Stem P㥠Dine

    Sitcom Fjernsyn Programmer Liste Chespirito https://no.listvote.com/lists/tv/programs/chespirito-56905/actors Lab Rats: Elite Force https://no.listvote.com/lists/tv/programs/lab-rats%3A-elite-force-20899708/actors Jake & Blake https://no.listvote.com/lists/tv/programs/jake-%26-blake-739198/actors Bibin svijet https://no.listvote.com/lists/tv/programs/bibin-svijet-1249122/actors Fred's Head https://no.listvote.com/lists/tv/programs/fred%27s-head-2905820/actors Blackadder Goes Forth https://no.listvote.com/lists/tv/programs/blackadder-goes-forth-2740751/actors Brian O'Brian https://no.listvote.com/lists/tv/programs/brian-o%27brian-849637/actors Hello Franceska https://no.listvote.com/lists/tv/programs/hello-franceska-12964579/actors Malibu Country https://no.listvote.com/lists/tv/programs/malibu-country-210665/actors Maksim Papernik https://no.listvote.com/lists/tv/programs/maksim-papernik-4344650/actors Chickens https://no.listvote.com/lists/tv/programs/chickens-16957467/actors Toda Max https://no.listvote.com/lists/tv/programs/toda-max-7812112/actors Cover Girl https://no.listvote.com/lists/tv/programs/cover-girl-3001834/actors Papá soltero https://no.listvote.com/lists/tv/programs/pap%C3%A1-soltero-6060301/actors Break Time Masti Time https://no.listvote.com/lists/tv/programs/break-time-masti-time-3644055/actors Mi querido Klikowsky https://no.listvote.com/lists/tv/programs/mi-querido-klikowsky-5401614/actors Xin Hun Gong Yu https://no.listvote.com/lists/tv/programs/xin-hun-gong-yu-20687936/actors Cuando toca la campana https://no.listvote.com/lists/tv/programs/cuando-toca-la-campana-2005409/actors
  • Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The

    Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The

    UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.
  • 2.28.14 Posting

    2.28.14 Posting

    Updated as of 2/25/14 - Dates, Times and Locations are Subject to Change For more information or to confirm a specific local competition, please contact the Local Competition Host B/G = Boys Baseball and Girls Softball Divisions Offered G = Only Girls Softball Division Offered B = Only Boys Baseball Division Offered State State City Zip Boys/Girls Local Host Phone Email Date Time Location Alaska AK Anchorage 99502 G Alaska ASA (907) 227-7558 [email protected] TBD TBD TBD AK Eielson AFB 99702 B/G Eielson Youth Programs (907) 377-1069 [email protected] TBD TBD Eielson AFB Youth Fields AK Elmendorf AFB 99506 B/G 3 SVS/SVYY - Youth Center/B&GC (907) 552-2266 [email protected] 17-May 10:00am AMC Little League Complex AK Homer 99603 B/G Homer Little League (907) 235-6659 [email protected] 17-May 12:00pm Karen Hornaday Field AK Nikiski 99635 B/G NPRSA (907) 776-6416 [email protected] 31-May 1:00pm NPRSA Alabama AL Alabaster 35007 B/G Alabaster Parks & Recreation (205) 664-6840 [email protected] 22-Mar TBD Veterans Park AL Birmingham 35211 B/G Piper Davis Youth Baseball League (205) 616-3309 [email protected] 29-Mar 9:30am Lowery Park West End AL Demopolis 36732 B/G Synergy Sports Training LLC (334) 289-2255 [email protected] TBD TBD Synergy Sports Field 1 AL Dothan 36302 G Dothan Leisure Services (334) 615-3730 [email protected] TBD TBD Doug Tew Park AL Dothan 36302 B Dothan Leisure Services/Dothan American (334) 615-3730 [email protected] TBD TBD Doug Tew Park AL Dothan 36302 B Dothan
  • Diss Final for Pdf2

    Diss Final for Pdf2

    HOME FRONT AS WARFRONT: AFRICAN AMERICAN WORLD WAR I DRAMA BY Copyright 2010 Anna Katherine Egging Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Iris Smith Fischer Committee Members:________________________________ Maryemma Graham ________________________________ Janet Sharistanian ________________________________ Henry Bial ________________________________ Omofolabo Ajayi-Soyinka Date Defended: ___27 August, 2010_______________ ii The Dissertation Committee for Anna Katherine Egging certifies that this is the approved version of the following dissertation: HOME FRONT AS WARFRONT: AFRICAN AMERICAN WORLD WAR I DRAMA ________________________________ Chairperson, Iris Smith Fischer Date approved:____27 August 2010_______ iii Abstract This dissertation recovers little-known African American World War I plays that blur the boundary between the home front and warfront. I argue that with this focus, the plays wage their own war for African American citizenship rights, using language and performance to gain access to the “imagined” community of the nation. Yet plays from different time periods focus on diverse aspects of the Great War; these differences provide insight into how World War I was thought of and employed, and for what purposes, in African American communities during the interwar years. The project fills an important gap in African American drama, theatre, and war literature scholarship; no book-length analysis exists, yet scholarly conversations surrounding African Americans in the Great War are energetic. Despite scholars’ arguments that the war “gave birth” to the New Negro, the plays that dramatize the subject have drifted into obscurity. Thus, this project is overdue; the plays complete the historical picture of African American drama and provide a better understanding of the ways contemporary life in the United States is still haunted by World War I.
  • Download Film Notes for Volumes 13-14-15

    Download Film Notes for Volumes 13-14-15

    Thanhouser Company Film Preservation, Inc. Presents Thanhouser Collection Volumes 13, 14 & 15 Nineteen New Silent Era Films Produced by The Thanhouser Studio New Rochelle, NY 1911 to 1916 Thanhouser Company Film Preservation, Inc. 2335 NE 41st Ave • Portland, Oregon 97212 • USA Press Contact: Ned Thanhouser Phone +1-503-226-7960 • e-mail: [email protected] www.thanhouser.org Press Kit: Thanhouser Collection Volumes 13,14 & 15 Credits The films in this collection are from nineteen recently discovered Thanhouser films produced by the pioneering studio that was based in New Rochelle, New York. During its short production run from early 1910 to late 1917, the studio produced over 1,000 silent films that were seen by audiences around the globe. This compilation presents these silent classics with new digital high-quality video transfers and new music for you to enjoy and brings to 101 the total number of surviving films available to the public. A three-disc DVD collector’s set is available for purchase for $24.95 at www.thanhouser.org and online video streaming for $1.99 for each film at www.vimeo.com/ondemand/thanhouser131415. NOTE: Some films in this collection (e.g. Toodles, Tom and Trouble) may include racist representations of African Americans and other minorities, (e.g. Caucasian actors in black face). Ned Thanhouser, president of Thanhouser Company Film Preservation, acknowledges racism is portrayed in these films. Rather than hide this part of our cinematic history, I am choosing to keep the original film material intact as a historical document. I recognize viewers may experience discomfort viewing this material.
  • The Westchester Historian Index, 1990 – 2019

    The Westchester Historian Index, 1990 – 2019

    Westchester Historian Index v. 66-95, 1990 – 2019 Authors ARIANO, Terry Beasts and ballyhoo: the menagerie men of Somers. Summer 2008, 84(3):100-111, illus. BANDON, Alexandra If these walls could talk. Spring 2001, 77(2):52-57, illus. BAROLINI, Helen Aaron Copland lived in Ossining, too. Spring 1999, 75(2):47-49, illus. American 19th-century feminists at Sing Sing. Winter, 2002, 78(1):4-14, illus. Garibaldi in Hastings. Fall 2005, 81(4):105-108, 110, 112-113, illus. BASS, Andy Martin Luther King, Jr.: Visits to Westchester, 1956-1967. Spring 2018, 94(2):36-69, illus. BARRETT, Paul M. Estates of the country place era in Tarrytown. Summer 2014, 90(3):72-93, illus. “Morning” shines again: a lost Westchester treasure is found. Winter 2014, 90(1):4-11, illus. BEDINI, Silvio A. Clock on a wheelbarrow: the advent of the county atlas. Fall 2000, 76(4):100-103, illus. BELL, Blake A. The Hindenburg thrilled Westchester County before its fiery crash. Spring 2005, 81(2):50, illus. John McGraw of Pelham Manor: baseball hall of famer. Spring 2010, 86(2):36-47, illus. Pelham and the Toonerville Trolley. Fall 2006, 82(4):96-111, illus. The Pelhamville train wreck of 1885: “One of the most novel in the records of railroad disasters.” Spring 2004, 80(2):36-47, illus. The sea serpent of the sound: Westchester’s own sea monster. Summer 2016, 92(3):82-93. Thomas Pell’s treaty oak. Summer 2002, 78(3):73-81, illus. The War of 1812 reaches Westchester County.
  • The Evidence of the Film by Ned Thanhouser

    The Evidence of the Film by Ned Thanhouser

    The Influence of D.W. Griffith on Thanhouser’s 1913 Release: The Evidence of the Film by Ned Thanhouser The transitional era in US cinema (ca. 1907 to 1913) bridged the end of the “primitive” period with the beginning of multi-reel “feature” films. Early “primitive” films were characterized by a single shot, in full frame, with a single point of view that told familiar stories people would recognize and understand. Editing was used to join shots to extend the action or to clarify the events for the audience by showing the same action from a different perspective. “Transitional” films developed new cinematic techniques that allowed the introduction of motivated characters and enabled more complex cause-and-effect narratives. Thanhouser Company was founded in 1909, early in the “transitional” era. The films it produced over the next four years were a reflection of the changes pioneered by D.W. Griffith from 1908 to 1913 while he was at American Biograph. The Thanhouser factory, based in New Rochelle, New York, was Forty-five Minutes from Broadway1 and the Biograph studio, located on 14th Street. By 1913 when D.W. Griffith ended his tenure at Biograph, he had directed over 450 films. It was during this period at Biograph that Griffith developed and refined his ideas on narrative development, cinematography, and editing.2 Griffith and Thanhouser had direct contact during this period. As recounted in a 1976 interview with Victor Heerman (who in 1909 worked at a New York theatrical booking agency while Thanhouser was just getting started), the first contact was the 1 As made popular by George M.
  • 1, 2015 Unionnewsdaily.Com Vol

    1, 2015 Unionnewsdaily.Com Vol

    National U n i o n C o u n t y Breast Cancer OURCE Awareness THURSDAY, OCTOBER 1, 2015 UNIONNEWSDAILY.COM VOL. 98 NO. 39 50 C E N T S Month Kean plans ‘dam aging’ layoffs Assemblywoman urges university to rescind planned support staff layoffs By Patrick Bober lege in record numbers, but they’re also Regional Editor ‘It would harm our students, specifically hurting their dropping out in droves.” As the start of the school year begins to ability to progress to graduation. Laying off support staff “There is a remedy at hand, though,” the feel routine for many of the students at opinion piece by David L. Kirp in the New Kean University, most are likely unaware will reduce student retention and graduation rates.* York Times reads, “and it’s pretty straight­ of a brewing controversy that could have a — James Castiglione forward. Nationwide, universities need to profound effect on their academic endeav­ give undergraduates the care and attention ors. The Board of Trustees and President The layoffs are expected in the Center progress to graduation. Laying off support akin to what’s lavished on students at elite Dawood Farahi have given notice of their for Academic Success, the Educational staff will reduce student retention and institutions.” intent to lay off up to 30 academic support Opportunity Center and the school library, graduation rates.” Kirp is a professor of public policy at the staff members while raising tuition by 3 but rest assured that the Kean Federation Castiglione is confident in this claim, University of California, Berkeley, and is percent.
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.