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Georgia Douglas Johnson and Eulalie Spence As Figures Who Fostered Community in the Midst of Debate
Art versus Propaganda?: Georgia Douglas Johnson and Eulalie Spence as Figures who Fostered Community in the Midst of Debate Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Caroline Roberta Hill, B.A. Graduate Program in Theatre The Ohio State University 2019 Thesis Committee: Jennifer Schlueter, Adviser Beth Kattelman Copyright by Caroline Roberta Hill 2019 Abstract The Harlem Renaissance and New Negro Movement is a well-documented period in which artistic output by the black community in Harlem, New York, and beyond, surged. On the heels of Reconstruction, a generation of black artists and intellectuals—often the first in their families born after the thirteenth amendment—spearheaded the movement. Using art as a means by which to comprehend and to reclaim aspects of their identity which had been stolen during the Middle Passage, these artists were also living in a time marked by the resurgence of the Ku Klux Klan and segregation. It stands to reason, then, that the work that has survived from this period is often rife with political and personal motivations. Male figureheads of the movement are often remembered for their divisive debate as to whether or not black art should be politically charged. The public debates between men like W. E. B. Du Bois and Alain Locke often overshadow the actual artistic outputs, many of which are relegated to relative obscurity. Black female artists in particular are overshadowed by their male peers despite their significant interventions. Two pioneers of this period, Georgia Douglas Johnson (1880-1966) and Eulalie Spence (1894-1981), will be the subject of my thesis. -
Negroes Are Different in Dixie: the Press, Perception, and Negro League Baseball in the Jim Crow South, 1932 by Thomas Aiello Research Essay ______
NEGROES ARE DIFFERENT IN DIXIE: THE PRESS, PERCEPTION, AND NEGRO LEAGUE BASEBALL IN THE JIM CROW SOUTH, 1932 BY THOMAS AIELLO RESEARCH ESSAY ______________________________________________ “Only in a Negro newspaper can a complete coverage of ALL news effecting or involving Negroes be found,” argued a Southern Newspaper Syndicate advertisement. “The good that Negroes do is published in addition to the bad, for only by printing everything fit to read can a correct impression of the Negroes in any community be found.”1 Another argued that, “When it comes to Negro newspapers you can’t measure Birmingham or Atlanta or Memphis Negroes by a New York or Chicago Negro yardstick.” In a brief section titled “Negroes Are Different in Dixie,” the Syndicate’s evaluation of the Southern and Northern black newspaper readers was telling: Northern Negroes may ordain it indecent to read a Negro newspaper more than once a week—but the Southern Negro is more consolidated. Necessity has occasioned this condition. Most Southern white newspapers exclude Negro items except where they are infamous or of a marked ridiculous trend… While his northern brother is busily engaged in ‘getting white’ and ruining racial consciousness, the Southerner has become more closely knit.2 The advertisement was designed to announce and justify the Atlanta World’s reformulation as the Atlanta Daily World, making it the first African-American daily. This fact alone probably explains the advertisement’s “indecent” comment, but its “necessity” argument seems far more legitimate.3 For example, the 1932 Monroe Morning World, a white daily from Monroe, Louisiana, provided coverage of the black community related almost entirely to crime and church meetings. -
Living Newspaper Program
Ursinus College's Theater Capstone Course presents Isolated Together: Stories from the COVID-19 Pandemic A Living Newspaper Radio Play Mission Statement We have created this piece to share different experiences from the COVID-19 pandemic in the hope of fostering understanding of varying perspectives and beginning a conversation about what we can and should do during these unprecedented times. Our Process For our original Capstone project, we wanted to focus on the effects of technology on young people in society today. We spent the first few weeks of the semester narrowing down our research and coming to a consensus on the ideas we wanted to include in our living newspaper. Before going on spring break, we were going to finish working on our scenes for each vignette, with the goal of finalizing our product for our return. When COVID-19 hit, everything changed and the college moved to remote learning before anyone returned from Spring Break. With all of this change, we came together to figure out the future of our original plans. When we met over a video call, we decided to change our topic to the coronavirus pandemic. Although we could no longer stage our living newspaper for a live audience, we decided to write and perform it as a radio play to share the perspectives of different groups of people, bringing us together in our isolation. What is a living newspaper? As a part of the New Deal initiative, on April 8th, 1935 the Roosevelt administration passed the Emergency Relief Appropriation act which funded the Works Progress Administration (WPA). -
The Living Newspaper in Philadelphia, 1938-1939
332 The Living Newspaper in Philadelphia, 1938-1939 Arthur R. Jarvis, Jr. Penn State University Bythe mid-i 930s American live theatre was crippled by the combined effects of a faltering economy and motion picture innovations. More than 14,000 theatres were wired for movie sound by 1932 simply to cut expenses. Weekly film audiences in the tens of millions encouraged other theatres to convert to motion picture screens from vaudeville. One reason audiences were attracted to sound films was because admission cost a fraction of attending live theatre. As the Depression continued, road companies of stage shows were stranded across the country and vaudeville acts had difficulty finding adequate bookings. Under Works Progress Administration Federal Project Number One, the Federal Theatre Project was created in 1935 to put unemployed theatre people back to work, including actors, directors, playwrights, set designers, vaudeville acts, and even stage workers. I Hallie Flanagan Davis, Professor of Theatre at Vassar College and director of her school's experimental theatre, was appointed national director of the project. She divided the country into thirteen regions, each with its own director, to implement the Federal Theatre Project. The largest region was New York City because it was also the capital of the American theatrical world, but major units also existed in Chicago and Los Angeles. Flanagan's experience at Vassar's experimental theatre led her to encourage innovative plays and productions, but 95 percent of the FTP productions were standard -
African American Performance and Theater History: a Critical Reader
African American Performance and Theater History: A Critical Reader Harry J. Elam, Jr. David Krasner, Editors OXFORD UNIVERSITY PRESS African American Performance and Theater History This page intentionally left blank ‘ ‘ African American Performance and Theater History a critical reader ‘‘‘ Edited by Harry J. Elam, Jr. David Krasner 1 2001 1 Oxford New York Athens Auckland Bangkok Bogota´ Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence HongKong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sa˜o Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright ᭧ 2001 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-PublicationData African American performance and theater history: a critical reader / edited by Harry J. Elam, Jr. and David Krasner. p. cm. Includes bibliographical references and index. ISBN 0–19–512724–2; ISBN 0–19–512725–0 (pbk.) 1. Afro-American theater. 2. American drama—Afro-American authors—History and criticism. I. Elam,Harry Justin. II. Krasner, David, 1952– PN2270.A35A46 2000 792'.089'96073—dc21 00–022463 987654321 Printed in the United States of America on acid-free paper Acknowledgments Many people have contributed to making this book possible. We would like to begin by thanking our first editor, T. -
Harlem Renaissance Special Points of Interest
Harlem Renaissance Special points of interest: The Harlem Renaissance was also know as the New Negro Movement. Plainfield Public Library Pathfinder September 2010 This captivating period of African American history began after Harlem Renaissance WWI and lasted until about 1935, in the mid- Do you have a special project for Black History dle of the Great involving ? Per- Depression. Month The Harlem Renaissance haps you are working on a college paper and are This great out flux of currently studying this very interesting and creative creativity, artistic period of American arts and letters. If you are start- expression, and ing a book club at home, and would like to begin it intellectualism repre- investing some time in this period of African Ameri- sented a marked can writing, can help concentration of pro- The Plainfield Public Library test, ideological you find the materials you need to form an outline advancement, and the for a discussion group. Or perhaps you saw a film furthering of civil rights or documentary on a title or author in this time peri- for African Americans. od, and you would like to simply find the printed ver- sion for your reading enjoyment. The goal of the move- ment was to create a Romare Bearden doubled disconnect between The Reference Department staff can help you find throughout his life as a social peoples’ perception of printed and electronic resources/items to enlighten worker by day and a visual African Americans and you about this time in American history, and the per- artist by night and weekends. those perpetuated by sonalities and talents that contributed to the flower- The prolific artist was a part mainstream American of the Harlem Artists Guild culture and its ing of African American arts and literature in the after studying art in NYC and institutions. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Sitcom Fjernsyn Programmer Liste : Stem P㥠Dine
Sitcom Fjernsyn Programmer Liste Chespirito https://no.listvote.com/lists/tv/programs/chespirito-56905/actors Lab Rats: Elite Force https://no.listvote.com/lists/tv/programs/lab-rats%3A-elite-force-20899708/actors Jake & Blake https://no.listvote.com/lists/tv/programs/jake-%26-blake-739198/actors Bibin svijet https://no.listvote.com/lists/tv/programs/bibin-svijet-1249122/actors Fred's Head https://no.listvote.com/lists/tv/programs/fred%27s-head-2905820/actors Blackadder Goes Forth https://no.listvote.com/lists/tv/programs/blackadder-goes-forth-2740751/actors Brian O'Brian https://no.listvote.com/lists/tv/programs/brian-o%27brian-849637/actors Hello Franceska https://no.listvote.com/lists/tv/programs/hello-franceska-12964579/actors Malibu Country https://no.listvote.com/lists/tv/programs/malibu-country-210665/actors Maksim Papernik https://no.listvote.com/lists/tv/programs/maksim-papernik-4344650/actors Chickens https://no.listvote.com/lists/tv/programs/chickens-16957467/actors Toda Max https://no.listvote.com/lists/tv/programs/toda-max-7812112/actors Cover Girl https://no.listvote.com/lists/tv/programs/cover-girl-3001834/actors Papá soltero https://no.listvote.com/lists/tv/programs/pap%C3%A1-soltero-6060301/actors Break Time Masti Time https://no.listvote.com/lists/tv/programs/break-time-masti-time-3644055/actors Mi querido Klikowsky https://no.listvote.com/lists/tv/programs/mi-querido-klikowsky-5401614/actors Xin Hun Gong Yu https://no.listvote.com/lists/tv/programs/xin-hun-gong-yu-20687936/actors Cuando toca la campana https://no.listvote.com/lists/tv/programs/cuando-toca-la-campana-2005409/actors -
Enacting Cultural Identity : Time and Memory in 20Th-Century African-American Theater by Female Playwrights
Enacting Cultural Identity: Time and Memory in 20th-Century African-American Theater by Female Playwrights Dissertation zur Erlangung des akademischen Grades des Doktors der Philosophie (Dr. phil.) vorgelegt von Simone Friederike Paulun an der Geisteswissenschaftliche Sektion Fachbereich Literaturwissenschaft Tag der mündlichen Prüfung: 13. Februar 2012 Referentin: Prof. Dr. Dr. h.c. Aleida Assmann Referentin: PD Dr. Monika Reif-Hülser Konstanzer Online-Publikations-System (KOPS) URL: http://nbn-resolving.de/urn:nbn:de:bsz:352-0-269861 Acknowledgements 1 Acknowledgements This dissertation would not have been possible without the guidance and support of several individuals who in one way or another contributed to the writing and completion of this study. It gives me a great pleasure to acknowledge the help of my supervisor Prof Dr. Aleida Assmann who has supported me throughout my thesis and whose knowledge, guidance, and encouragement undoubtedly highly benefited my project. I would also like to thank PD Dr. Monika Reif-Hülser for her sustained interest in my work. The feedback that I received from her and the other members of Prof. Assmann’s research colloquium was a very fruitful source of inspiration for my work. The seeds for this study were first planted by Prof. David Krasner’s course on African- American Theater, Drama, and Performance that I attended while I was an exchange student at Yale University, USA, in 2005/2006. I am immensely grateful to him for introducing me to this fascinating field of study and for sharing his expert knowledge when we met again in December 2010. A further semester of residence as a visiting scholar at the African American Department at Yale University in 2010 enabled me to receive invaluable advice from Prof. -
Jury Convicts Man in Killing
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Olympics: USA men’s boxing has revival in Tokyo /B1 THURSDAY T O D A Y C I T R U S C O U N T Y & n e x t m o r n i n g HIGH 84 Numerous LOW storms. Localized flooding possible. 73 PAGE A4 www.chronicleonline.com AUGUST 5, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 302 SO YOU KNOW I The Florida Depart- ment of Health Jury convicts man in killing has ceased the daily COVID-19 re- ports that have been used to track Michael Ball, 64, faces possibility of life in prison for shooting of neighbor changes in the MIKE WRIGHT It’s as simple as prison. Sentenc- video recording of an in- video. “I hate it but he number of corona- Staff writer that,” Ball said. ing was set for terview detectives con- didn’t give me no virus cases and A four-man, Sept. 15. ducted with Ball at the choice.” deaths in the state. A Beverly Hills man on two-woman jury Ball, 64, was county jail after the Ball said he had just trial for second-degree held Ball respon- charged in the shooting. finished cleaning the murder in the shooting sible, convicting March 25, 2020, During the interview, handgun when he stuffed NEWS death of a neighbor said him as charged death of 32-year- Ball repeatedly states he it in his waistband, cov- he was afraid for his life Wednesday eve- old Tyler Dorbert shot Dorbert out of fear ered with a sweatshirt, BRIEFS when he pulled the ning at the conclu- Michael on a street outside based on an assault that and went outside to get trigger. -
UNIVERSITY of CALIFORNIA the Role of United States Public Health Service in the Control of Syphilis During the Early 20Th Centu
UNIVERSITY OF CALIFORNIA Los Angeles The Role of United States Public Health Service in the Control of Syphilis during the Early 20th Century A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Public Health by George Sarka 2013 ABSTRACT OF THE DISSERTATION The Role of United States Public Health Service in the Control of Syphilis during the Early 20th Century by George Sarka Doctor of Public Health University of California, Los Angeles, 2013 Professor Paul Torrens, Chair Statement of the Problem: To historians, the word syphilis usually evokes images of a bygone era where lapses in moral turpitude led to venereal disease and its eventual sequelae of medical and moral stigmata. It is considered by many, a disease of the past and simply another point of interest in the timeline of medical, military or public health history. However, the relationship of syphilis to the United States Public Health Service is more than just a fleeting moment in time. In fact, the control of syphilis in the United States during the early 20th century remains relatively unknown to most individuals including historians, medical professionals and public health specialists. This dissertation will explore following question: What was the role of the United States Public Health Service in the control of syphilis during the first half of the 20th century? This era was a fertile period to study the control of syphilis due to a plethora of factors including the following: epidemic proportions in the U.S. population and military with syphilis; the ii emergence of tools to define, recognize and treat syphilis; the occurrence of two world wars with a rise in the incidence and prevalence of syphilis, the economic ramifications of the disease; and the emergence of the U.S. -
AMERICAN-MADE the Enduring Legacy of the WPA by Nick Taylor
NEW DEAL CHRONOLOGY 1929–1946 From AMERICAN-MADE The Enduring Legacy of the WPA By Nick Taylor www.americanmadebook.com October 29, 1929: The “Black Tuesday” stock market crash that ushers in the Great Depression. November 1, 1931: New York State under Governor Franklin Delano Roosevelt establishes Temporary Emergency Relief Administration (TERA), the first state agency to provide assistance for the unemployed. January 21, 1932: FDR announces his candidacy for the Democratic nomination. March 1, 1932: Infant son of famous aviator Charles Lindbergh is kidnapped. March 7, 1932: Four killed by police in march of unemployed on Ford plant in Dearborn, Michigan. April 7, 1932: FDR “forgotten man” speech. May 26, 1932: FDR speech at Oglethorpe University calling for “bold, persistent experimentation.” June 16, 1932: Herbert Hoover nominated by Republicans as candidate for second term. July 1, 1932: Democratic National Convention in Chicago nominates FDR as party’s candidate for president. July 2, 1932: FDR breaks tradition by accepting nomination in person at convention. July 8, 1932: Dow Jones Industrials hit a low of 41.22, down 89 percent from the pre-depression peak of 381.17. July 21, 1932: President Herbert Hoover sets aside $300 million in Reconstruction Finance Corporation funds for loans to states and cities to fight unemployment. July 28, 1932: “Bonus Army” of world war veterans petitioning for immediate payment of a deferred service bonus is evicted from their camps in Washington by army troops under General Douglas MacArthur. August 11, 1932: Hoover is officially informed of his renomination as Republican presidential candidate, and accepts. November 8, 1932: Roosevelt defeats Hoover.