Maintenance Workers Back on the Job As Strike Ends by Michele Thomas Operating Costs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'Christian' Martial Arts
MY LIFE IN “THE WAY” by Gaylene Goodroad 1 My Life in “The Way” RENOUNCING “THE WAY” OF THE EAST “At the time of my conversion, I had also dedicated over 13 years of my life to the martial arts. Through the literal sweat of my brow, I had achieved not one, but two coveted black belts, promoting that year to second degree—Sensei Nidan. I had studied under some internationally recognized karate masters, and had accumulated a room full of trophies while Steve was stationed on the island of Oahu. “I had unwittingly become a teacher of Far Eastern mysticism, which is the source of all karate—despite the American claim to the contrary. I studied well and had been a follower of karate-do: “the way of the empty hand”. I had also taught others the way of karate, including a group of marines stationed at Pearl Harbor. I had led them and others along the same stray path of “spiritual enlightenment,” a destiny devoid of Christ.” ~ Paper Hearts, Author’s Testimony, pg. 13 AUTHOR’S NOTE: In 1992, I renounced both of my black belts, after discovering the sobering truth about my chosen vocation in light of my Christian faith. For the years since, I have grieved over the fact that I was a teacher of “the Way” to many dear souls—including children. Although I can never undo that grievous error, my prayer is that some may heed what I have written here. What you are about to read is a sobering examination of the martial arts— based on years of hands-on experience and training in karate-do—and an earnest study of the Scriptures. -
Episode 289 – Talking Sammo Hung | Whistlekickmartialartsradio.Com
Episode 289 – Talking Sammo Hung | whistlekickMartialArtsRadio.com Jeremy Lesniak: Hey there, thanks for tuning in. Welcome, this is whistlekick martial arts radio and today were going to talk all about the man that I believe is the most underrated martial arts actor of today, possibly of all time, Sammo Hung. If you're new to the show you may not know my voice I'm Jeremy Lesniak, I'm the founder of whistlekick we make apparel and sparring gear and training aids and we produce things like this show. I wanna thank you for stopping by, if you want to check out the show notes for this or any of the other episodes we've done, you can find those over at whistlekickmartialartsradio.com. You find our products at whistlekick.com or on Amazon or maybe if you're one of the lucky ones, at your martial arts school because we do offer wholesale accounts. Thank you to everyone who has supported us through purchases and even if you aren’t wearing a whistlekick shirt or something like that right now, thank you for taking the time out of your day to listen to this episode. As I said, here on today's episode, were talking about one of the most respected martial arts actor still working today, a man who has been active in the film industry for almost 60 years. None other the Sammo Hung. Also known as Hung Kam Bow i'll admit my pronunciation is not always the best I'm doing what I can. Hung originates from Hong Kong where he is known not only as an actor but also as an action choreographer, producer, and director. -
NO RETREAT NO SURRENDER 3 (1990): Producer: Ng See Yuen
NO RETREAT NO SURRENDER 3 (1990): Producer: Ng See Yuen Director: Lucas Lowe Co-Producer/Writer: Keith W. Strandberg Cast: Keith Vitali, Loren Avedon Locations: Tampa Bay Area, Florida Original Title: Blood Brothers Review courtesy of www.kungfucinema.com “Producer Ng See-Yuen reunites with screenwriter Keith W. Strandberg and tae kwon do expert Loren Avedon in this tale that takes a page from Ng's first film with Seasonal Film Corporation, THE SECRET RIVALS.” To complete his U.S.-Hong Kong crossover trilogy, launching Jean-Claude Van Damme in 1985 and Loren Avedon in 1987, producer Ng See-Yuen reunites with screenwriter Keith W. Strandberg and tae kwon do expert Loren Avedon in this tale that takes a page from Ng's first film with Seasonal Film Corporation, THE SECRET RIVALS. Only instead of North and South styles as the "rivals", we have two brothers whose political views gets the best of them until the death of their father brings them together. C.I.A. agent Casey Alexander (Keith Vitali) has a reputation as being one of the most respected agents in the company. Martial arts instructor Will Alexander (Loren Avedon), Casey's brother, doesn't believe in the entire federal agent shtick and as a result, the two brothers have a serious falling out that starts out at a hunting trip and culminates at the 65th birthday party of their retired agent father John (Joseph Campanella). When John becomes the target of Colombian terrorist Antonio "Franco" Franconi (Rion Hunter), the result of a job in which Franco's son was killed, John is brutally beaten and then ultimately killed by Franco. -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
New Line Cinema, Jackie Chan, and the Anatomy of an Action Star Jesse
New Line Cinema, Jackie Chan, and the Anatomy of an Action Star Jesse Balzer A Thesis in the Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montreal, Quebec, Canada April, 2014 © Jesse Balzer 2014 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Jesse Balzer Entitled: New Line Cinema, Jackie Chan, and the Anatomy of an Action Star and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Read and approved by the following jury members: Charles Acland External Examiner Marc Steinberg Examiner Haidee Wasson Supervisor Approved by April 14, 2014 Catherine Russell Date Graduate Program Director April 14, 2014 Catherine Wild Date Dean of Faculty Balzer iii ABSTRACT New Line Cinema, Jackie Chan, and the Anatomy of an Action Star Jesse Balzer Jackie Chan’s Hollywood career began in earnest with the theatrical wide release of Rumble in the Bronx in early 1996 by independent studio New Line Cinema. New Line released two more Chan films – Jackie Chan’s First Strike (1997) and Mr. Nice Guy (1998) – after they were acquired by the media conglomerate Time Warner. These three films, originally produced and distributed by the Golden Harvest studio in Hong Kong, were distributed and marketed by New Line for release in North America. New Line reedited, rescored, and dubbed these films in order to take advantage of the significant marketing synergies of their conglomerate parents at Time Warner. -
Va.Orgjackie's MOVIES
Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs. -
29 30 31 23 24 25 26 27 28 15 16 17 18 19 20 21 22 9 10 11 12 13 14 7
AUGUST THE CINEMA Program Guide ★…premiere ◆…golden roadshow MON TUE WED THU FRI SAT SUN 1 6:00 ★THE MAN WHO CRIED 8:00 ★TODO SOBRE MI MADRE 10:00 ★TWO MULES FOR SISTER SARA 12:00 INFORMATION 12:30 ★(J)MILE 22 14:15 ★THE BIG-BOSS 16:30 ★FIST OF FURY 18:30 ★RETURN OF THE DRAGON 20:30 The Cinema Style Recommendation Dojo 21:00 ★◆MILE 22 22:45 ★◆THE BIG SHORT 1:15 ★THE MEXICAN 3:45 ★THE THOMAS CROWN AFFAIR(1999) 2 3 4 5 6 7 8 6:00 ★FORGET ABOUT NICK 6:00 OFF-AIR FOR EQUIPMENT MAINTENANCE 6:00 ★LIZA 6:00 ★COUP DE FOUDRE 6:00 ★HOLY MOTORS 6:00 ★DOWNSIZING 6:00 ★TEXAS KILLING FIELDS 8:00 ★MONSTER TRUCKS 7:00 The Cinema Style Recommendation Dojo 8:00 ★EARTH 8:00 ★PRIDE AND PREJUDICE AND ZOMBIES 8:00 ★THE THIRTEENTH FLOOR 8:45 ★TRANSFORMERS: AGE OF EXTINCTION 8:00 ★BACKTRACE 10:00 INFORMATION 7:30 ★SAME KIND OF DIFFERENT AS ME 9:45 INFORMATION 10:00 INFORMATION 10:00 INFORMATION 11:45 ★TRANSFORMERS: THE LAST KNIGHT 10:00 ★GERONIMO: AN AMERICAN LEGEND 10:30 ★A FISH CALLED WANDA 9:45 INFORMATION 10:15 TWO MULES FOR SISTER SARA 10:30 ★DADDY'S HOME 2 10:30 ★MARGIN CALL 14:30 INFORMATION 12:15 ★(J)THE COMMUTER 12:30 ★THE GIRL WITH THE DRAGON TATTOO(2011) 10:15 ★ORDINARY PEOPLE 12:30 ★(J)MISSION: IMPOSSIBLE ROGUE NATION 12:30 ★(J)RONIN 12:30 ★(J)MORTAL ENGINES 15:00 ★THE HOBBIT: AN UNEXPECTED JOURNEY 14:15 ★DONNIE BRASCO 15:30 ★BANGKOK DANGEROUS 12:30 ★TIGERLAND 15:00 ★THE SWEETEST THING 14:30 ★NEW POLICE STORY(2004) 15:00 ★PRECIOUS CARGO 18:00 ★THE HOBBIT: THE DESOLATION OF SMAUG 16:30 ★FARGO 17:15 ★JOHNNY ENGLISH STRIKES AGAIN 14:30 ★FIGHT CLUB 16:45 -
Alternative Titles Index
VHD Index - 02 9/29/04 4:43 PM Page 715 Alternative Titles Index While it's true that we couldn't include every Asian cult flick in this slim little vol- ume—heck, there's dozens being dug out of vaults and slapped onto video as you read this—the one you're looking for just might be in here under a title you didn't know about. Most of these films have been released under more than one title, and while we've done our best to use the one that's most likely to be familiar, that doesn't guarantee you aren't trying to find Crippled Avengers and don't know we've got it as The Return of the 5 Deadly Venoms. And so, we've gathered as many alternative titles as we can find, including their original language title(s), and arranged them in alphabetical order in this index to help you out. Remember, English language articles ("a", "an", "the") are ignored in the sort, but foreign articles are NOT ignored. Hey, my Japanese is a little rusty, and some languages just don't have articles. A Fei Zheng Chuan Aau Chin Adventure of Gargan- Ai Shang Wo Ba An Zhan See Days of Being Wild See Running out of tuas See Gimme Gimme See Running out of (1990) Time (1999) See War of the Gargan- (2001) Time (1999) tuas (1966) A Foo Aau Chin 2 Ai Yu Cheng An Zhan 2 See A Fighter’s Blues See Running out of Adventure of Shaolin See A War Named See Running out of (2000) Time 2 (2001) See Five Elements of Desire (2000) Time 2 (2001) Kung Fu (1978) A Gai Waak Ang Kwong Ang Aau Dut Air Battle of the Big See Project A (1983) Kwong Ying Ji Dut See The Longest Nite The Adventures of Cha- Monsters: Gamera vs. -
Hong Kong Martial Arts Films
GENDER, IDENTITY AND INFLUENCE: HONG KONG MARTIAL ARTS FILMS Gilbert Gerard Castillo, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2002 Approved: Donald E. Staples, Major Professor Harry Benshoff, Committee Member Harold Tanner, Committee Member Ben Levin, Graduate Coordinator of the Department of Radio, TV and Film Alan B. Albarran, Chair of the Department of Radio, TV and Film C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Castillo, Gilbert Gerard, Gender, Identity, and Influence: Hong Kong Martial Arts Films. Master of Arts (Radio, Television and Film), December 2002, 78 pp., references, 64 titles. This project is an examination of the Hong Kong film industry, focusing on the years leading up to the handover of Hong Kong to communist China. The influence of classical Chinese culture on gender representation in martial arts films is examined in order to formulate an understanding of how these films use gender issues to negotiate a sense of cultural identity in the face of unprecedented political change. In particular, the films of Hong Kong action stars Michelle Yeoh and Brigitte Lin are studied within a feminist and cultural studies framework for indications of identity formation through the highlighting of gender issues. ACKNOWLEDGEMENTS First of all, I would like to thank the members of my committee all of whom gave me valuable suggestions and insights. I would also like to extend a special thank you to Dr. Staples who never failed to give me encouragement and always made me feel like a valuable member of our academic community. -
Police Story (15) 警察故事 THU 25 FEB, 20:15 Dir Jackie Chan/1985 HK/99 Mins/ Jackie Chan, Maggie Cheung, Brigitte Lin in Ca
Police Story (15) 警察故事 THU 25 FEB, 20:15 Dir Jackie Chan/1985 HK/99 mins/ Jackie Chan, Maggie Cheung, Brigitte Lin In Cantonese with English and Chinese subtitles Hong Kong superstar Jackie Chan considers Police Story (1985) to be one of his very best films and he’s not wrong. The film was developed following Chan’s disappointment with The Protector (James Glickenhaus, 1985) which he felt had not showcased his talents in a productive and appealing manner. He therefore set about creating a vehicle that he felt would both display his acting talents and his athletic abilities. He also wished to make a film that he felt was less exploitative in terms of things such as female nudity. The film is also notable for the appearances of two of the most enduringly popular actresses in Hong Kong cinema, Brigitte Lin as Selina and Maggie Cheung as the hero’s girlfriend May. An altogether more wholesome vehicle than The Protector (particularly in its US cut), Police Story also consolidated Chan’s reputation as a fearless stuntman, something that would contribute greatly to his popularity. Police Story contains some of his most famous stunt work including a downhill car chase through a shanty town and a climactic sequence in a shopping mall where Chan smashes through countless panes of glass and slides down a pole through a series of live light bulbs resulting in severe burning to his hands. As he landed he also managed to dislocate his pelvis. As ever in Chan’s films, these ‘stunt accidents’ are recorded and played under the final credits to show audiences just how far Jackie Chan is willing to go to entertain them. -
2006 October Kung Fu Schedule
OCTOBER 2006 PROGRAMMING SCHEDULE KUNG FU Time 09/25/06 - Mon 09/26/06 - Tue 09/27/06 - Wed 09/28/06 - Thu 09/29/06 - Fri 09/30/06 - Sat 10/01/06 - Sun Time CHINESE GHOST STORY II 6:00 AM CONT'D (4:25 AM) 6:00 AM TV-14-V 6:30 AM A CHINESE GHOST STORY III 6:30 AM 1:05 PM 7:00 AM 7:00 AM 7:30 AM 7:30 AM 8:00 AM PG-13 8:00 AM TWIN DRAGONS 8:30 AM 8:05 AM 8:30 AM 9:00 AM 9:00 AM 9:30 AM TV-14-V 9:30 AM A CHINESE GHOST STORY 10:00 AM 9:40 AM 10:00 AM 10:30 AM 10:30 AM 11:00 AM 11:00 AM TV-14-V A CHINESE GHOST STORY 11:30 AM PART II 11:30 AM 11:20 AM 12:00 PM 12:00 PM 12:30 PM 12:30 PM 1:00 PM TV-14-V 1:00 PM A CHINESE GHOST STORY III 1:30 PM 1:05 PM 1:30 PM 2:00 PM 2:00 PM 2:30 PM 2:30 PM 3:00 PM TV-14-V 3:00 PM A CHINESE GHOST STORY 3:30 PM 3:00 PM 3:30 PM 4:00 PM 4:00 PM 4:30 PM TV-14-V 4:30 PM A CHINESE GHOST STORY PART II 5:00 PM 4:40 PM 5:00 PM 5:30 PM 5:30 PM 6:00 PM 6:00 PM TV-14-LV 6:30 PM YES, MADAM! 6:30 PM 6:25 PM 7:00 PM 7:00 PM 7:30 PM 7:30 PM 8:00 PM TV-14-DLV 8:00 PM BEAST COP (AKA: BEAST COPS) 8:30 PM 8:00 PM 8:30 PM Satelliteguys.us 9:00 PM 9:00 PM 9:30 PM 9:30 PM R FIST OF FURY 10:00 PM (AKA: CHINESE CONNECTION) 10:00 PM 9:50 PM 10:30 PM 10:30 PM 11:00 PM 11:00 PM 11:30 PM TV-PG-V 11:30 PM RASHOMON 12:00 AM 11:40 PM 12:00 AM 12:30 AM 12:30 AM 1:00 AM TV-14-LV 1:00 AM YES, MADAM! 1:30 AM 1:10 AM 1:30 AM 2:00 AM 2:00 AM 2:30 AM 2:30 AM TV-14-DLV BEAST COP 3:00 AM (AKA: BEAST COPS) 3:00 AM 2:45 AM 3:30 AM 3:30 AM 4:00 AM 4:00 AM 4:30 AM R 4:30 AM FIST OF FURY (AKA: CHINESE CONNECTION) 5:00 AM 4:40 AM 5:00 AM 5:30 AM 5:30 AM -
The United States and China: Mutual Public Perceptions
Kissinger Institute on China and the United States The UniTed STaTeS and China: Mutual PUbliC PerCeptionS EditEd by Douglas G. Spelman Kissinger Institute on China and the United States The UniTed STaTeS and China: Mutual PUbliC PerCeptionS ESSAyS BY Terry Lautz Zhang Chuanjie Li Cheng Jiang Changjian, Shen Min, Ju Hong James Fallows Zhou Qingan Robert Daly Jerome A. Cohen Wang Zhenmin Xu Yihua Richard Madsen Liu Jianfei Jamie P. Horsley Sun Zhe Ellen L. Frost Tao Wenzhao EditEd by Douglas G. Spelman ©2011 Woodrow Wilson International Center for Scholars, Washington, D.C. www.wilsoncenter.org This publication is a collaborative effort between the Woodrow Wilson International Center for Scholars’ Kissinger Institute on China and the United States and Tsinghua University’s Center for U.S.-China Relations. http://www.wilsoncenter.org/program/kissinger-institute-china-and-the-united-states http://www.chinausa.org.cn/en/ Available from : Kissinger Institute on China and the United States Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, DC 20004-3027 ISBN 1-933549-62-9 The Woodrow Wilson International Center for Scholars, established by Congress in 1968 and headquartered in Washington, D.C., is a living national memorial to President Wilson. The Center’s mission is to commemorate the ideals and concerns of Woodrow Wilson by provid- ing a link between the worlds of ideas and policy, while fostering research, study, discussion, and collaboration among a broad spectrum of individuals concerned with policy and scholarship in national and international affairs. Supported by public and private funds, the Center is a nonpartisan institu- tion engaged in the study of national and world affairs.