DOCSLIB.ORG

Wafac Library by Author Call Numbercall No Bcall No Cauthor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

WaFAC library by author Call NumberCall No bCall NoAuthor c Title Publisher Date 30.3 I191i An Idea Takes Root (pamphlet) 0 Begin to Knit: All the Basic Stitches; Easy Novelty Stitches; Quick Things to American Thread Co. 41.2 B394b Make Star Book 201 0 9.22 C522c Cherry Blossoms; Traditional Patterns in Japanese Design PIE Books 2009 41.31 F853f Freedom Sincere; 100% Organic Cotton Twilleys of Stamford 2008 41.2 H228s Harmony Guide to Knitting Stitches, vol. 3 Lyric Books Limited 1990 41.2 H228t Harmony Guide to Knitting Techniques Lyric Books Limited 1990 41.1 K178k Knitting Samples; Looseleaf Notebook 0 51.2 K964k Kumihimo (pink cover, in Japanese) 0 36.71 S974s Swedish Rag Rugs; 35 New Designs Forlags AB Vavhasten 2004 35.3 T193 Tartan Design 0 9.22 W355w Wave, Cloud, Pine; Traditional Patterns in Japanese Design PIE Books 2008 37 V391w Weaver's Delight VavMagasinet 1989 0.1 W363w Weaver's Super Index 2000; for Weavers and PWV 1981-2000 XRX 2000 10 A243n Adrosko, Rita J. Natural Dyes and Home Dyeing Dover 1971 11 A243n Adrosko, Rita J. Natural Dyes in the United States Smithsonian 1968 5.1 A332i Albers, Jjsef Interaction of Color: Unabridged Text and Selected Plates Yale Univ. Press 1975 36.1 A361m Alderman, Sharon Mastering Weave Structures Interweave 2004 36.71 A425w Allen, Heather L. Weaving Contemporary Rag Rugs 36.71 A425w c.2 Allen, Heather L. Weaving Contemporary Rag Rugs Lark Books 1998 Wrap Style: Innovative to Traditional, 24 inspiritional shawls, ponchos, 41.31 A425w Allen, Pam and capelets Interweave Press 2005 American Federation Threads of History; An Education Exhibit Organized and Circulated by the American Federation of 8 A512t of Arts Decorative Arts Arts 1965 American Handweaving Museum & Thousand Islands American Handweaving 30 A512a Craft School American Handweaving Museum Museum 2000 American Tapestry American Tapestry 36.721 A512a v. 8 Alliance American Tapestry Biennial Eight Alliance 2010 American Tapestry American Tapestry 36.721 A512a v. 5 Alliance American Tapestry Biennial Five 2004/2005 Alliance 2004 American Tapestry American Tapestry 36.721 A512a v. 1 Alliance American Tapestry Biennial I Alliance 1996 American Tapestry American Tapestry 36.721 A512a v. 7 Alliance American Tapestry Biennial Seven Alliance 2008 American Tapestry Harmony Interpretations of Nature in Contemporary Tapestryl; American American Tapestry 36.721 A512a v. 2 Alliance Tapestry Biennial II Alliance 1998 American Tapestry Amercian Tapestry 36.721 A512p Alliance Panorama of Tapestry; a Tribute to Jean Lurcat Alliance 1986 American Tapestry American Tapestry 36.721 A512a v. 3 Alliance Thread by Thread; American Tapestry Biennial III - 2000 Alliance 2000 31.6 A528n Amsden, Charles Avery Navaho Weaving: Its Technic and History Rio Grande Press 1934 30.2 A545b Anderson, Clarita Biederwand Clarita Anderson 1982 30.2 A545w Anderson, Clarita Weave Structures Used in North American Coverlets Clarita Anderson 1979 30.2 A545w c. 2 Anderson, Clarita Weave Structures Used in North American Coverlets Clarita Anderson 1979 Jacob Angstadt His Weaver's Patron Book Replica of 18th Century 36.1 A593h Angstadt, Jacob Manuscript Book Ruth Holroyd 1976 Jacob Angstadt His Weaver's Patron Book Replica of 18th Century 36.1 A593h c.2 Angstadt, Jacob Manuscript Book Ruth Holroyd 1976 36.1 A593d Angstadt, Jacob Jacob Angstadt Designs Drawn from His Weaver's Patron Book Ruth Holroyd 1976 Jacob Angstadt Designs His Weaver's Patron Book Replica of 18th Century 36.1 A593d c.2 Angstadt, Jacob Manuscript Book Ruth Holroyd 1976 36.43 A742d Arn-Grischott Doubleweave of Four to Eight Shafts Interweave Press 1999 53.2 A813b Ascher, Shirley Beginner's Guide to Feltmaking Search Press 2006 9.53 A887g Atwater, Mary M. Gautemala Revisited: Shuttle Craft Guild Monograph 15 Shuttle Craft Guild 1965 31 A887b c.3 Atwater, Mary Meigs Byways in Handweaving Macmillan 1954 31 A887b c.1 Atwater, Mary Meigs Byways in Handweaving Macmillan 1954 31 A887b c.2 Atwater, Mary Meigs Byways in Handweaving Macmillan 1954 31 A887b c.5 Atwater, Mary Meigs Byways in Handweaving Macmillan 1954 31 A887b c.4 Atwater, Mary Meigs Byways in Handweaving Macmillan 1954 35 A887d Atwater, Mary Meigs Design and the Handweaver (Shuttlecraft Monograph #3) Shuttlecraft 1961 35 A887d c.2 Atwater, Mary Meigs Design and the Handweaver (Shuttlecraft Monograph #3) Shuttlecraft 1961 36.1 A887r Atwater, Mary Meigs Recipe Book- Patterns for Handweavers Wheelwright 1969 30 A887s Atwater, Mary Meigs Shuttle-Craft Book of American Hand-Weaving, The Macmillan 1941 34.1 B164f Baizerman, Suzanne Finishes in the Ethnic Tradition Dos Tejedoras 1978 36.62 B274b Barrett, Clotilde Boundweave Arana Press 1987 36.62 B274b c. 2 Barrett, Clotilde Boundweave Arana Press 1987 36.4 B274d Barrett, Clotilde Double Two-Tie Unit Weaves Weavers Journal 1983 36.4 B274d c.2 Barrett, Clotilde Double Two-Tie Unit Weaves Weavers Journal 1983 36.42 B274s Barrett, Clotilde Summer and Winter and Beyond The Weaver's Journal 1979 36.5 B277k Barron, Birgit Olson Knitting on the Loom irgit Olson Barron 1988 12.1 B282c Barsky, Naomi Complete Guide to Silk Painting; The New Grapevine IVY Crafts Imports 1989 2 F44f v. 5 Batchelder, Jan Fiberarts Design Book Five Lark Books 1995 36.41 B328b Bateman, William G. Bateman Blend Weaves Shuttle Craft Guild 1982 36.3 B328e Bateman, William G. Extended Divided Twill Weaves Shuttle Craft Guild 1988 Extended Manifold Twill Weaves; Based on Dr. William G. Bateman's 36.3 B328ex Bateman, William G. Manuscript Shuttle Craft Guild 1989 36.41 B328m Bateman, William G. Multiple Tabby Weaves Shuttle Craft Guild 1981 36.41 B328m c.2 Bateman, William G. Multiple Tabby Weaves Shuttle Craft Guild 1981 36.3 B328p Bateman, William G. Park Weaves; Based on Dr. William G. Bateman's Manuscript Shuttle Craft Guild 1984 37.6 B329w Bateson, Vivienne Woven Fashion Van Nostrand 1984 BC Tapestry on the Canadian Council for the 36.721 B36w Edge Weaving Between the Lines Arts 2000 37.6 B368f Beard, Betty Fashions from the Loom Interweave 1980 36.1 B395p Becker, John Pattern and Loom Rhodes 1987 36.1 B395p Supp Becker, John Pattern and Loom- Supplement: Enlarged Weaving Drafts Rhodes 1987 31.6 B471d Bennett, Noel Designing with the Wool: Advanced Techniques in Navajo Weaving Northland Press 1979 31.6 B471n Bennett, Noel Navajo Weaving Way; The Path from Fleece to Rug Interweave 1997 31.6 B471w Bennett, Noel Working with Wool: How to Weave a Navaho Rug Northland Press 1983 33 B511h Beriau, Oscar Home Weaving, Arts and Crafts 1947 51.2 B471s Berlin, Shirley Sixty Sensational Samples: A Kumihimo Collection Shirley Berlin 2004 35.1 B534t Berry, E.B. Textile Designing- Pure and Applied University of North 1964 36.4 B561d Best, Eleanor Donat's Weaving Patterns for Color; Two to Twenty-four Harnesses Bestudio 1994 j02 B563w Betlinski, Caren World of Fibers- Improving Academics through Creative Learning BOCES 1 1985 j02 B563s Betlinski, Caren World of Fibers- Improving Academics through Creative Learning BOCES 1 1985 j02 B563t Betlinski, Caren World of Fibers- Improving Academics through Creative Learning BOCES 1 1985 36.72 B567t Beutlich, Tadek Technique of Woven Tapestry BT Batesford 1979 36.72 B567t c. 2 Beutlich, Tadek Technique of Woven Tapestry BT Batesford 1979 5.1 B619t Birren, Faber Textile Colorist Van Nostrand Reinhold 1980 33 B627k 1949 Black, Mary E. Key to Weaving Macmillan 1949 33 B627k 1980 Black, Mary E. Key to Weaving Macmillan 1980 33 B627n 1957 c.1Black, Mary E. New Key to Weaving Macmillan 1957 35.3 B627s Black, Mary E. Sett and Weave of Tartans, The 0 51.1 B642k Blanford, Percy Knots and Splices Bell Publishers 1965 41.32 B649b Bliss, Debbie Bright Knits for Kids Trafalgar Square 1996 41.3 B649c Bliss, Debbie Country Knits: With over 30 Glorious Designs Trafalgar Square 2001 41.3 B649d Bliss, Debbie Debbie Bliss Number Two; 10 Designs for Adults and Children Designer Yarns, Ltd. 2001 30 B658l Blum, Herman Loom Has a Brain, The 1973 30 B658a Blumenau, Lili Art of Hand Weaving Crown Publishers 1955 37.7 B658c Blumenau, Lili Creative Designs in Wall Hangings Crown Publishers 1967 32 B662l Boalt, Eivor Lands Vav-Skola LTs Farlag 1978 41.6 B791i Boye Needle Co. I Taught Myself to Crochet Boye 1975 Surface Designer's Handbook: Dyeing, Printing, Painting, and Creating 12 B797s Brackman, Holly Resists on Fabric Interweave 2006 30.2 B754c Bress, Helene Coverlet Book Flower Valley Press 2003 36.1 B843w Bress, Helene Weaving Book Patterns and Ideas Charles Scribners 1981 36.1 B843w c.2 Bress, Helene Weaving Book Patterns and Ideas Charles Scribners 1981 36.1 B843w c. 3 Bress, Helene Weaving Book Patterns and Ideas Charles Scribners 1981 36.71 B864t Broden, Marta Trasmattor 0 30 B869e Bronson, J and R Early American Weaving and Dyeing Dover 1977 Brooklyn Botanic brooklyn Botanic 11 B885d Garden Record Dye Plants and Dyeing; a Handbook Garden 1964 36.43 B874d Brostoff, Laya Double Weave: Theory & Practice Interweave Press 1979 36.72 B874w Brostoff, Laya Weaving A Tapestry Interweave 1982 Book of Looms; a History of the Handloom from Ancient Times to the 32 B875b Broudy, Eric Present Brown University Press 1979 12.1 B875t Broughton, Kate Textile Dyeing Rockport Publishers 1995 33 B877h Brown, Harriette J. Hand Weaving for Pleasure and Profit- A Guide to Two Harness Weaving Harper 1952 33 B877w c.1 Brown, Rachel Weaving, Spinning and Dyeing Book, The Knopf 1980 11 B918d Buchanan, Rita Dyer's Garden: From Plant to Pot: Growing Dyes for Natural Fibers Interweave Press 1995 11 B918w Buchanan, Rita Weaver's Garden Interweave Press 1987 41.31 B927t Budd, Ann Top-Down Sweaters Interweave Press 2012 11 B955h Burgess, Rebecca Harvesting Color; How to Find and Make Natural Dyes Artisan 2011 41.3 B964p Burnett, Sarah Passion For Color; Designer Knitting With Natural Dyes Conron Octopus 1990 30 B966u Burnham, Dorothy K.
Recommended publications
  • October 2018

    October 2018

    YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line.
  • Oriental Rug Knotting & Construction

    Oriental Rug Knotting & Construction

    Oriental Rug Knotting & Construction Knotted, Tufted and Flat-Woven Rugs; Knot Types and Density Anatomy of A Hand Knotted Rug A. WARP - The parallel threads running through the entire length of the rug onto which the knots are tied. B. WEFT - The threads running across the width of the rug inserted between all the rows of knots. These threads pass through alternate warp threads. Their job is to secure the knots in parallel lines and to strengthen the fabric. C. KNOT - The term used for a strand of wool yarn which is looped around two adjacent warp threads and then cut to form the pile (surface of carpet). D. OVERCASTING - A simple wrapping of dyed yarn along the entire length of both sides of a handmade rug. E. FRINGE - The visible continuation of the warp threads at both ends of the carpet. F. KILIM - The pileless web of warp and weft between the rug's pile and the knotted fringe. This is also the name for a rug without pile. Types of Oriental Rug Construction Who Uses Which Knot? Line of division (dotted line): distinguishing Turkish Knot (west of line) and Persian Knot areas (east). PERSIAN KNOT WITH ALL OF THE WARP THREADS ON ONE LEVEL TURKISH KNOT WITH ALL OF THE WARP THREADS ON ONE LEVEL PERSIAN KNOT WITH THE WARP THREADS ON TWO DIFFERENT LEVELS OPEN BACK & CLOSED BACK OPEN BACK CLOSED Different methods for finishing the undersides of rugs BACK The FULL LOOP part of the In the CLOSED BACK KNOT is on the UPPER KNOT the FULL LOOP is warp thread on the LOWER warp thread .
  • Brosur Ingilizce

    Brosur Ingilizce

    Our Products We offer the 100% Acrylic HB yarns, from NM10 to NM40, ecru or dyed, single or twisted; for knitting, socks, circular knitting, weaving, tufting, bath mats and carpets. foundation 100% Acrylic Relax yarns, from NM10 to NM40, for fashion! ecru or dyed, single or twisted; for knitting, socks, weaving, upholstery and velvet. 100% Acrylic Relax yarns from Dralon fiber, from NE16 to NE30; for chenille, lace, knitting and socks. Wool Acrylic Blended yarns, from NM10 to NM40, HB or Relax, single or twisted; for knitting, socks, circular knitting and weaving. Cotton Acrylic Blended yarns, from NE12 to NE30, HB or Relax, ecru or dyed, single or twisted; for knitting, circular knitting and weaving. Viscose Acrylic Blended yarns, HB or Relax, ecru or dyed, single or twisted; for knitting, upholstery and weaving. Linen Viscose Blended yarns, NE12, NE20, NE30, Akren Iplik A.fi. is a member of Textileonly. www.textileonly.com single or twisted, ecru or dyed; for knitting, circular knitting and weaving. Center Office: Linen Cotton Blended yarns, NE12, NE20, NE30, Rumeli Caddesi, No: 2/5 Niflantafl› 34563 - ‹stanbul single or twisted, ecru or dyed; for knitting, circular Tel: +90 (212) 231 04 28 pbx Fax: +90 (212) 233 94 75 knitting and weaving. Yenibosna Plant: 29 Ekim Caddesi, No: 22, Yenibosna 34530 ‹stanbul Tel: +90 (212) 503 21 36 Fax: +90 (212) 639 95 62 100% Acrylic Chenille yarns from Dralon fiber, NM4 Çorlu Plant: and NM6, ecru or dyed; for knitting, upholstery and Velimefle Hac›fleremet Mevkii, Çorlu - Tekirda¤ weaving. Tel: +90 (282) 674 44 48 email: [email protected] Acrylic bouclet and frise yarns, ecru and dyed; for knitting, upholstery and weaving.
  • How to Make Métis Hooked Rugs

    How to Make Métis Hooked Rugs

    How to Make Métis Hooked Rugs There are six steps in making a hooked rug. These are: 1) Preparing Materials 2) Building a Frame 3) Preparing a Work Surface 4) Cutting and Tracing the Pattern 5) Hooking the Rug 6) Putting on the Backing and Finishing Touches 1) Preparing Materials • Use two-by-two inch pieces of wood for the frame • Make the frame slightly bigger than the rug • Use nails to attach the frame • Use burlap or jute for the frame’s backing • Use corduroy or denim to reinforce the frame’s border • Use quilting or upholstery thread to stitch the border • Use sealed wax to bind the border to the burlap/jute backing • Use wool or string to lace the burlap border to the frame • Use various big-eyed needles and a thimble for the lacing process • Use paper to make the pattern • Use paper scissors to cut out the pattern • Use small or large straight pins to pin down the pattern • Use sharp scissors to cut all fabric • Use a rug-hooking tool to begin the rug-hooking process • Rug-hooking tools can be found at craft or carpet stores, or can be made from a cork and a nail • Use various colours of cotton t-shirts for materials • Cut the seams out of the t-shirts, and then cut the material into thumb width strips • The strips can be rolled into balls for easy storage 2) Building a Frame • Make an adjustable frame by drilling holes in the wood • Use a nut and a bolt to adjust the frame’s size • If the frame is to be used only once, nail it together 3) Preparing a Work Surface • Choose either burlap or jute (which is finer grained) • Then
  • VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M

    VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M

    VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m.
  • September 2006.Pub

    September 2006.Pub

    Lambda Philatelic PUBLICATION OF THE GAY AND LESBIAN HISTORY ON STAMPS CLUB Journal Ï SEPTEMBER 2006, VOL. 25, NO. 2, WHOLE NO. 95 Plus the final installment of Paul Hennefeld’s Handbook Update September 2006, Whole No. 95, Vol. 25, No. 3 The Lambda Philatelic Journal (ISSN 1541-101X) is published MEMBERSHIP: quarterly by the Gay and Lesbian History on Stamps Club (GLHSC). GLHSC is a study unit of the American Topical As- Yearly dues in the United States, Canada and Mexico are sociation (ATA), Number 458; an affiliate of the American Phila- $10.00. For all other countries, the dues are $15.00. All checks should be made payable to GLHSC. telic Society (APS), Number 205; and a member of the American First Day Cover Society (AFDCS), Number 72. Single issues $3. The objectives of GLHSC are to promote an interest in the col- There are two levels of membership: lection, study and dissemination of knowledge of worldwide philatelic material that depicts: 1) Supportive, your name will not be released to APS, ATA or AFDCS, and 2) Active, your name will be released to APS, ATA and 6 Notable men and women and their contributions to society AFDCS (as required). for whom historical evidence exists of homosexual or bisex- ual orientation, Dues include four issues of the Lambda Philatelic Journal and 6 Mythology, historical events and ideas significant in the his- a copy of the membership directory. (Names will be with- tory of gay culture, held from the directory upon request.) 6 Flora and fauna scientifically proven to having prominent New memberships received from January through September homosexual behavior, and will receive all back issues and directory for that calendar 6 Even though emphasis is placed on the above aspects of year.
  • The United Church of Canada in Canadian Literature by Elizabeth A

    The United Church of Canada in Canadian Literature by Elizabeth A

    The United Church of Canada in Canadian Literature by Elizabeth A. Hogan A Thesis Submitted to Atlantic School of Theology, Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master Arts in Theology and Religious Studies March 1, 2016 Copyright Elizabeth A. Hogan, 2016 Approved: _________________________________ Rev. Dr. Robert Fennell Approved: _________________________________ Dr. Russell Perkin Approved: _________________________________ Rev. Dr. Hallett Llewellyn Date: ___________________________ The United Church of Canada in Canadian Literature Elizabeth A. Hogan Thesis Abstract This thesis traces the relationship of The United Church of Canada to the development of Canadian national identity in the years prior to Church Union, and in the first forty years of the denomination's history, with particular attention to the literary witness to this relationship manifest in a number of key works of Canadian literature. Major historical events and trends are surveyed in the history of the country and denomination in each of three historical periods -- from Confederation to Church Union, the Depression and Second World War, and 1945-1965 -- followed by an analysis of the way in which references to the United Church in various novels of each period reveal and reflect the denomination's changing influence on and relationship to Canadian identity. March 1, 2016 i Submitted with Thanks to Rev. Dr. Rob Fennell, Supervisor, for his manifestations of diligence (in reading, commenting, and correcting footnotes), temperance (and unshakeable calm), trust (that this would happen), usefulness (in offering excellent advice); and for his commitment to education and service (to which the existence of this thesis bears witness).
  • We Are the Rug Hooking Capital of the World”: Understanding Chéticamp Rugs (1927-2017)

    We Are the Rug Hooking Capital of the World”: Understanding Chéticamp Rugs (1927-2017)

    “We are the Rug Hooking Capital of the World”: Understanding Chéticamp Rugs (1927-2017) by © Laura Marie Andrea Sanchini A thesis submitted to the School of Graduate Studies In partial fulfilment of the Requirements for the degree of Doctor of Philosophy Department of Folklore Memorial University December 3rd, 2018 St John’s Newfoundland Abstract This thesis is the story of how utilitarian material culture was transformed into a cottage industry, and eventually into high art. Chéticamp rug hooking is an artistic practice, one wrapped up in issues of taste, creativity, class and economics. Rug hooking in Chéticamp rose to prominence in the first half of the 20th century when Lillian Burke, a visiting American artist, set up a rug hooking cottage industry in the area. She altered the tradition to suit the tastes of wealthy patrons, who began buying the rugs to outfit their homes. This thesis examines design in rug hooking focusing on Chéticamp-style rugs. Captured within design aesthetics is what the rugs mean to both those who make and consume them. For tourists, the rugs are symbols of a perceived anti-modernism. Through the purchase of a hooked rug, they are able to bring home material reminders of their moment of experience with rural Nova Scotia. For rug hookers, rugs are a symbol of economic need, but also agency and the ability to overcome depressed rural economic conditions. Rug hooking was a way to have a reliable income in an area where much of the labour is dependent on unstable sources, such as natural resources (fishing, lumber, agriculture etc.).
  • Page 1 Page 2 Title Author Publisher Year Call Material Conspiracy

    Page 1 Page 2 Title Author Publisher Year Call Material Conspiracy

    Ｅｎｇｌｉｓｈ Ｂｏｏｋｓ Title Author Publisher Year Call♯ Material♯ Conspiracy theories by Michael Robinson Flame Tree 2018 001.9/R19/ 0015029093 Help your kids with computer science Dorling Kindersley 2018 004/H19/ 0015028855 Windows Server 2019 administration Fundamentals by Bekim Dauti Packt 2019 005.447/D19/ 0015030323 The deep learning revolution by Terrence J. Sejnowski MIT Press 2018 006.31/S19/ 0015030216 The book thieves by Anders Rydell Penguin Books 2018 027.04/R19/ 0015028889 100 books that changed the world by Scott Christianson and Colin Salter Batsford 2018 028.8/C19/ 0015029127 Bibliophile by Jane Mount Chronicle Books c2018 028.9/M19/ 0015028558 This life by Martin Hägglund Pantheon Books 2019 110/H19/ 0015028467 Mind map mastery by Tony Buzan Watkins 2018 153.3/B19/ 0015029804 The dictionary of body language by Joe Navarro William Morrow c2018 153.69/N19/ 0015028814 The elephant in the brain by Kevin Simler and Robin Hanson Oxford University Press 2018 153.8/S19/ 0015030265 Farsighted by Steven Johnson John Murray 2019 153.83/J19/ 0015030232 Range by David Epstein Macmillan 2019 153/E19/ 0015030034 This chair rocks by Ashton Applewhite Melville House UK 2019 155.671/A19/ 0015028509 ACT with love by Russ Harris New Harbinger c2009 158.2/H19/ 0015029010 edited by Michael J. Sandel and Paul J. Encountering China Harvard University Press 2018 170.951/S19/ 0015029184 D'Ambrosio A Christian in the land of the gods by Joanna Reed Shelton Cascade c2016 266.5/S19/ 0015029861 Dominion by Tom Holland Little, Brown 2019 270/H19/ 0015030000 A secret history of Christianity by Mark Vernon Christian Alternative 2019 270/V19/ 0015030059 Norse mythology by Neil Gaiman W.
  • Kilim Rugs: Tribal Tales in Wool: Tribal Tales in Wool Pdf, Epub, Ebook

    Kilim Rugs: Tribal Tales in Wool: Tribal Tales in Wool Pdf, Epub, Ebook

    KILIM RUGS: TRIBAL TALES IN WOOL: TRIBAL TALES IN WOOL PDF, EPUB, EBOOK Susan Gomersall | 112 pages | 01 Jul 2000 | Schiffer Publishing Ltd | 9780764311581 | English | Atglen, United States Kilim Rugs: Tribal Tales in Wool: Tribal Tales in Wool PDF Book The resulting felt rug is also an eco friendly rug in every sense of the word. Good Wear consistent with age and use. February 6, by kilimrugs. The best rule of thumb is to stick to naturally occurring plant and animal fibres such as wool, cotton, hemp, bamboo, sea grass, jute, sisal, cashmere, mohair and silk obviously this list is not exhaustive. Blog at WordPress. Large Shyrdak Felt Rug. In Stock Unavailable. Our rug arrived yesterday and it is beautiful. This felt rug is made by sewing contrastings patterns of felt together and dyed with natural plant dyes these stunning rugs have been traditionally used to decorate yurts for thousands of years. Mark Blackburn has been a leading dealer in Oriental rugs for thirty years. The rugs were usually woven with un-dyed wool and the common colors were beige, ivory and brown. Buying a rug can be a traumatic experience. You May Also Like. Although the nomads of Kyrgyzstan are now largely settled; felt rugs continue to be made for the home, tourists and a small, yet dedicated, export market. About this product. As they were worn through daily use, they accumulated both value and significance. By Navajo. As in the originals, the knot density is still relatively low when compared to most other types of rugs. About the Seller.
  • Book Publishing 2006

    Book Publishing 2006

    The research was funded by the Department of Arts and Culture (DAC) through the South African Book Development Council (SABDC) and by the Publishers’ Association of South Africa (PASA) PASA ANNUAL INDUSTRY SURVEY 2006 REPORT SEPTEMBER 2007 Research Team SCHOOL OF INFORMATION TECHNOLOGY Dr Francis Galloway DEPARTMENT OF INFORMATION SCIENCE Dr Rudi MR Venter PUBLISHING STUDIES Willem Struik CONTENTS EXECUTIVE SUMMARY 3 BACKGROUND 6 DATA COLLECTION PROCESS 6 Core list of targeted publishers 7 List of entities that participated in the 2005 and 2006 industry surveys 10 Producer profile of entities that participated in the 2006 survey 11 DATA CAPTURING 14 DATA ANALYSIS 15 TURNOVER PROFILE 16 Total Net Turnover 16 Total Net Turnover: Business Activities 17 Net Turnover: Sales of Local vs. Imported Product – According to Sub-sector 19 Educational Net Turnover per Province 26 Net Turnover of Local Books per Language 27 PRODUCTION PROFILE 32 Local Production of First Editions vs. Subsequent Editions & Reprints According to Sub-sector 32 Total Title Production (incl. New Editions, excl. Subsequent Editions & Reprints) per Language and Sub-sector 34 AUTHOR PROFILE 38 Total Number of Authors / Other Parties Receiving Royalties 38 Author Profile According to Population Group and Sub-sector 38 ROYALTY PROFILE 40 Average % Royalty on Net Turnover According to Sub-sector and Publishers’ Category 40 Rand Value of Royalty as % of Net Turnover of Sales of Local Product According to Publishers’ Category 41 FINAL REMARKS 42 © 2007 Francis Galloway, Rudi MR Venter & Willem Struik, Publishing Studies, University of Pretoria PASA ANNUAL INDUSTRY SURVEY REPORT 2006 2 EXECUTIVE SUMMARY Data collection process The core list for the 2006 survey contained 99 targeted entities.
  • Rug Making • Oriental Rugs • Felting • Quilting 35

    Rug Making • Oriental Rugs • Felting • Quilting 35

    RUG MAKING • ORIENTAL RUGS • FELTING • QUILTING 35 FELT CRAFTS Combining Rug Hooking & Braiding: Ba- Fun Felt Crafts: Penny Rugs & Pretty From Ensign's Bars to Colonel's Stars: sics, Borders, & Beyond. Kris McDermet, Things from Recycled Wool. Tina Skinner. Making Quilts to Honor Those Who Serve. Christine Manges, and Dianne Tobias. The go- Christmas ornaments, decorative penny rugs, Renelda Peldunas-Harter. Six quilts honor the to book on rug hooking and braiding skills for pretty pouches, and fl oral brooches are among offi cer ranks between 2nd Lieutenant/Ensign all fi ber artists, especially those looking for a the simple, featured projects. Recycle some wool through Colonel/Captain. Original designs provid- comprehensive guide to combining the two arts clothing, buy a few pretty yarns and threads, ed to follow along or to inspire your own ideas. into fascinating and ornate projects. Includes sharp scissors, and a good needle and you’re Tips are given for fabric selection, constructing beginning-to-end projects: tote bag, chair pad, on your way. Clear, illustrated instructions and the quilt, appliquéing, squaring a quilt, border and a trivet. fun templates preparation, and binding while galleries show Size: 8 1/2" x 11" • 550+ illustrations • 272 pp. Size: 8 1/2" x 11" • 150+ color photos • 64 pp. versatility of quilts for non-military applications. ISBN: 978-0-7643-3789-5 • hard cover • $49.99 ISBN: 978-0-7643-3299-9 • soft cover • $12.99 Size: 8 1/2" x 11" • 118 color images • 96 pp. ISBN: 978-0-7643-4719-1 • soft cover • $19.99 Braiding with Barbara™: Wool Rug Braid- Felting.