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9781474451062 - Chapter 1.Pdf
Produced by Irving Thalberg 66311_Salzberg.indd311_Salzberg.indd i 221/04/201/04/20 66:34:34 PPMM 66311_Salzberg.indd311_Salzberg.indd iiii 221/04/201/04/20 66:34:34 PPMM Produced by Irving Thalberg Theory of Studio-Era Filmmaking Ana Salzberg 66311_Salzberg.indd311_Salzberg.indd iiiiii 221/04/201/04/20 66:34:34 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Ana Salzberg, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road 12(2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Monotype Ehrhardt by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 5104 8 (hardback) ISBN 978 1 4744 5106 2 (webready PDF) ISBN 978 1 4744 5107 9 (epub) The right of Ana Salzberg to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66311_Salzberg.indd311_Salzberg.indd iivv 221/04/201/04/20 66:34:34 PPMM Contents Acknowledgments vi 1 Opening Credits 1 2 Oblique Casting and Early MGM 25 3 One Great Scene: Thalberg’s Silent Spectacles 48 4 Entertainment Value and Sound Cinema -
Introduction
NOTES INTRODUCTION 1. Nathanael West, The Day of the Locust (New York: Bantam, 1959), 131. 2. West, Locust, 130. 3. For recent scholarship on fandom, see Henry Jenkins, Textual Poachers: Television Fans and Participatory Culture (New York: Routledge, 1992); John Fiske, Understanding Popular Culture (New York: Routledge, 1995); Jackie Stacey, Star Gazing (New York: Routledge, 1994); Janice Radway, Reading the Romance (Chapel Hill: University of North Carolina, 1991); Joshua Gam- son, Claims to Fame: Celebrity in Contemporary America (Berkeley: Univer- sity of California Press, 1994); Georganne Scheiner, “The Deanna Durbin Devotees,” in Generations of Youth, ed. Joe Austin and Michael Nevin Willard (New York: New York University Press, 1998); Lisa Lewis, ed. The Adoring Audience: Fan Culture and Popular Media (New York: Routledge, 1993); Cheryl Harris and Alison Alexander, eds., Theorizing Fandom: Fans, Subculture, Identity (Creekskill, N.J.: Hampton Press, 1998). 4. According to historian Daniel Boorstin, we demand the mass media’s simulated realities because they fulfill our insatiable desire for glamour and excitement. To cultural commentator Richard Schickel, they create an “illusion of intimacy,” a sense of security and connection in a society of strangers. Ian Mitroff and Warren Bennis have gone as far as to claim that Americans are living in a self-induced state of unreality. “We are now so close to creating electronic images of any existing or imaginary person, place, or thing . so that a viewer cannot tell whether ...theimagesare real or not,” they wrote in 1989. At the root of this passion for images, they claim, is a desire for stability and control: “If men cannot control the realities with which they are faced, then they will invent unrealities over which they can maintain control.” In other words, according to these authors, we seek and create aural and visual illusions—television, movies, recorded music, computers—because they compensate for the inadequacies of contemporary society. -
Process Paper and Bibliography
ANNOTATED BIBLIOGRAPHY Primary Sources Books Kenney, Annie. Memories of a Militant. London: Edward Arnold & Co, 1924. Autobiography of Annie Kenney. Lytton, Constance, and Jane Warton. Prisons & Prisoners. London: William Heinemann, 1914. Personal experiences of Lady Constance Lytton. Pankhurst, Christabel. Unshackled. London: Hutchinson and Co (Publishers) Ltd, 1959. Autobiography of Christabel Pankhurst. Pankhurst, Emmeline. My Own Story. London: Hearst’s International Library Co, 1914. Autobiography of Emmeline Pankhurst. Newspaper Articles "Amazing Scenes in London." Western Daily Mercury (Plymouth), March 5, 1912. Window breaking in March 1912, leading to trials of Mrs. Pankhurst and Mr. & Mrs. Pethick- Lawrence. "The Argument of the Broken Pane." Votes for Women (London), February 23, 1912. The argument of the stone: speech delivered by Mrs Pankhurst on Feb 16, 1912 honoring released prisoners who had served two or three months for window-breaking demonstration in November 1911. "Attempt to Burn Theatre Royal." The Scotsman (Edinburgh), July 19, 1912. PM Asquith's visit hailed by Irish Nationalists, protested by Suffragettes; hatchet thrown into Mr. Asquith's carriage, attempt to burn Theatre Royal. "By the Vanload." Lancashire Daily Post (Preston), February 15, 1907. "Twenty shillings or fourteen days." The women's raid on Parliament on Feb 13, 1907: Christabel Pankhurst gets fourteen days and Sylvia Pankhurst gets 3 weeks in prison. "Coal That Cooks." The Suffragette (London), July 18, 1913. Thirst strikes. Attempts to escape from "Cat and Mouse" encounters. "Churchill Gives Explanation." Dundee Courier (Dundee), July 15, 1910. Winston Churchill's position on the Conciliation Bill. "The Ejection." Morning Post (London), October 24, 1906. 1 The day after the October 23rd Parliament session during which Premier Henry Campbell- Bannerman cold-shouldered WSPU, leading to protest led by Mrs Pankhurst that led to eleven arrests, including that of Mrs Pethick-Lawrence and gave impetus to the movement. -
Hitchcock's Appetites
McKittrick, Casey. "Epilogue." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 159–163. Bloomsbury Collections. Web. 28 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 28 September 2021, 08:18 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Epilogue itchcock and his works continue to experience life among generation Y Hand beyond, though it is admittedly disconcerting to walk into an undergraduate lecture hall and see few, if any, lights go on at the mention of his name. Disconcerting as it may be, all ill feelings are forgotten when I watch an auditorium of eighteen- to twenty-one-year-olds transported by the emotions, the humor, and the compulsions of his cinema. But certainly the college classroom is not the only guardian of Hitchcock ’ s fl ame. His fi lms still play at retrospectives, in fi lm festivals, in the rising number of fi lm studies classes in high schools, on Turner Classic Movies, and other networks devoted to the “ oldies. ” The wonderful Bates Motel has emerged as a TV serial prequel to Psycho , illustrating the formative years of Norman Bates; it will see a second season in the coming months. Alfred Hitchcock Presents and The Alfred Hitchcock Hour are still in strong syndication. Both his fi lms and television shows do very well in collections and singly on Amazon and other e-commerce sites. -
The Women's Suffrage Movement
The Women’s Suffrage Movement Today, all citizens, living in Northern Ireland, over the age of eighteen share a fundamental human right: the right to vote and to have a voice in the democratic process. One hundred years ago, women in Great Britain and Ireland were not allowed to vote. The Suffrage Movement fought for the right for women to vote and to run for office. This Movement united women from all social, economic, political and religious backgrounds who shared the same goal. The Representation of the People Act in 1832 was led through Parliament by Lord Grey. This legislation, known as the Great Reform Act excluded women from voting because it used the word ‘male’ instead of ‘people’. The first leaflet promoting the Suffrage Movement was published in 1847 and Suffrage societies began to emerge across the country. In 1867, Isabella Tod, who lived in Belfast established the Ladies’ Institute to promote women’s education. She travelled throughout Ireland addressing meetings about Women’s Suffrage. Frustrated by their social and economic situation, Lydia Becker led the formation of the Manchester National Society for Women’s Suffrage (NSWS) in 1867. In 1868, Richard Pankhurst, an MP and lawyer from Manchester, made a new attempt to win voting rights for women. While he was unsuccessful, his wife and daughter, Emmeline and Christabel, go on to become two of the most important figures in the movement. In 1897 the National Union of Women’s Suffrage Societies (NUWSS) was established and Millicent Garrett Fawcett was elected as its President. Between 1866 and1902 peaceful activities by NUWSS and others societies led to numerous petitions, bills and resolutions going before the House of Commons. -
The Battle of Equality Contents 1
The Battle Of Equality Contents 1. Contents 2. Women’s Rights 3. 10 Famous women who made women’s suffrage happen. 4. Suffragettes 5. Suffragists 6. Who didn’t want women’s suffrage 7. Time Line of The Battle of Equality 8. Horse Derby 9. Pictures Woman’s Rights There were two groups that fought for woman's rights, the WSPU and the NUWSS. The NUWSS was set up by Millicent Fawcett. The WSPU was set up by Emmeline Pankhurst and her daughters. The WSPU was created because they didn’t want to wait for women’s rights by campaigning and holding petitions. They got bored so they created the WSPU. The WSPU went to the extreme lengths just to be heard. Whilst the NUWSS jus campaigned for women’s rights. 10 Famous women who made women’s suffrage happen. Emmeline Pankhurst (suffragette) - Leader of the suffragettes Christabel Pankhurst (suffragette)- Director of the most dangerous suffragette activities Constance Lytton (suffragette)- Daughter of viceroy Robert Bulwer-Lytton Emily Davison (suffragette)- Killed by kings horse Millicent Fawcett (suffragist)- Leader of the suffragist Edith Garrud (suffragette)- World professional Jiu-Jitsu master Silvia Pankhurst (suffragist)- Focused on campaigning and got expelled from the suffragettes by her sister Ethel Smyth (suffragette)- Conducted the suffragette anthem with a toothbrush Leonora Cohen (suffragette)- Smashed the display case for the Crown Jewels Constance Markievicz (suffragist)- Played a prominent role in ensuring Winston Churchill was defeated in elections Suffragettes The suffragettes were a group of women who wanted to vote. They did dangerous things like setting off bombs. The suffragettes were actually called The Women’s Social and Political Union (WSPU). -
Item Captions Teachers Guide
SUFFRAGE IN A BOX: ITEM CAPTIONS TEACHERS GUIDE 1 1 The Polling Station. (Publisher: Suffrage Atelier). 1 Suffrage campaigners were experts in creating powerful propaganda images which expressed their sense of injustice. This image shows the whole range of women being kept out of the polling station by the law and authority represented by the policeman. These include musicians, clerical workers, mothers, university graduates, nurses, mayors, and artists. The men include gentlemen, manual workers, and agricultural labourers. This hints at the class hierarchies and tensions which were so important in British society at this time, and which also influenced the suffrage movement. All the women are represented as gracious and dignified, in contrast to the men, who are slouching and casual. This image was produced by the Suffrage Atelier, which brought together artists to create pictures which could be quickly and easily reproduced. ©Bodleian Libraries, University of Oxford: John Johnson Collection; Postcards 12 (385) Bodleian Libraries, University of Oxford John Johnson Collection; Postcards 12 (385) 2 The late Miss E.W. Davison (1913). Emily Wilding Davison is best known as the suffragette who 2 died after being trampled by the King’s horse on Derby Day, but as this photo shows, there was much more to her story. She studied at Royal Holloway College in London and St Hugh’s College Oxford, but left her job as a teacher to become a full- time suffragette. She was one of the most committed militants, who famously hid in a cupboard in the House of Commons on census night, 1911, so that she could give this as her address, and was the first woman to begin setting fire to post boxes. -
The United Church of Canada in Canadian Literature by Elizabeth A
The United Church of Canada in Canadian Literature by Elizabeth A. Hogan A Thesis Submitted to Atlantic School of Theology, Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master Arts in Theology and Religious Studies March 1, 2016 Copyright Elizabeth A. Hogan, 2016 Approved: _________________________________ Rev. Dr. Robert Fennell Approved: _________________________________ Dr. Russell Perkin Approved: _________________________________ Rev. Dr. Hallett Llewellyn Date: ___________________________ The United Church of Canada in Canadian Literature Elizabeth A. Hogan Thesis Abstract This thesis traces the relationship of The United Church of Canada to the development of Canadian national identity in the years prior to Church Union, and in the first forty years of the denomination's history, with particular attention to the literary witness to this relationship manifest in a number of key works of Canadian literature. Major historical events and trends are surveyed in the history of the country and denomination in each of three historical periods -- from Confederation to Church Union, the Depression and Second World War, and 1945-1965 -- followed by an analysis of the way in which references to the United Church in various novels of each period reveal and reflect the denomination's changing influence on and relationship to Canadian identity. March 1, 2016 i Submitted with Thanks to Rev. Dr. Rob Fennell, Supervisor, for his manifestations of diligence (in reading, commenting, and correcting footnotes), temperance (and unshakeable calm), trust (that this would happen), usefulness (in offering excellent advice); and for his commitment to education and service (to which the existence of this thesis bears witness). -
Page 1 Page 2 Title Author Publisher Year Call Material Conspiracy
English Books Title Author Publisher Year Call♯ Material♯ Conspiracy theories by Michael Robinson Flame Tree 2018 001.9/R19/ 0015029093 Help your kids with computer science Dorling Kindersley 2018 004/H19/ 0015028855 Windows Server 2019 administration Fundamentals by Bekim Dauti Packt 2019 005.447/D19/ 0015030323 The deep learning revolution by Terrence J. Sejnowski MIT Press 2018 006.31/S19/ 0015030216 The book thieves by Anders Rydell Penguin Books 2018 027.04/R19/ 0015028889 100 books that changed the world by Scott Christianson and Colin Salter Batsford 2018 028.8/C19/ 0015029127 Bibliophile by Jane Mount Chronicle Books c2018 028.9/M19/ 0015028558 This life by Martin Hägglund Pantheon Books 2019 110/H19/ 0015028467 Mind map mastery by Tony Buzan Watkins 2018 153.3/B19/ 0015029804 The dictionary of body language by Joe Navarro William Morrow c2018 153.69/N19/ 0015028814 The elephant in the brain by Kevin Simler and Robin Hanson Oxford University Press 2018 153.8/S19/ 0015030265 Farsighted by Steven Johnson John Murray 2019 153.83/J19/ 0015030232 Range by David Epstein Macmillan 2019 153/E19/ 0015030034 This chair rocks by Ashton Applewhite Melville House UK 2019 155.671/A19/ 0015028509 ACT with love by Russ Harris New Harbinger c2009 158.2/H19/ 0015029010 edited by Michael J. Sandel and Paul J. Encountering China Harvard University Press 2018 170.951/S19/ 0015029184 D'Ambrosio A Christian in the land of the gods by Joanna Reed Shelton Cascade c2016 266.5/S19/ 0015029861 Dominion by Tom Holland Little, Brown 2019 270/H19/ 0015030000 A secret history of Christianity by Mark Vernon Christian Alternative 2019 270/V19/ 0015030059 Norse mythology by Neil Gaiman W. -
Bob Thomas Papers, 1914-2004
http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies. -
Library Notes Vol 10 No 1 Regular Save.Qxd
NOTES VOLUME 10, NUMBER 1, JANUARY 2003 S PECIAL P RESENTATION DONALD SPOTO BIOGRAPHY,ART AND CRAFT: A LECTURE/WORKSHOP SERIES PART I:THE CRAFT OF BIOGRAPHY:TECHNIQUE,METHODS AND MATERIALS TUESDAY,MARCH 18, 6:00 P.M., MEMBERS’ROOM PART II:THE ART OF BIOGRAPHY:TAKING LIVES SERIOUSLY WEDNESDAY,MARCH 19, 6:00 P.M., MEMBERS’ROOM Donald Spoto, who earned his Ph.D. in theology from Fordham University,is the author of 19 books, including highly praised biographies of Alfred Hitchcock,Tennessee Jerry Bauer Williams, Laurence Olivier, Marlene Dietrich, Marilyn Monroe, and Ingrid Bergman. His most recent books are best-selling biographies of Jesus of Nazareth and Francis of Assisi. His work has been translated into more than 25 languages, and reviewers praise his “impressive research skills,”“exhaustive thoroughness,”and “rich language, silken storytelling and tough scholarship.” “Inevitably,writing biography alters the perceptions of the writer - just as reading biography should alter the perceptions of the reader,”Spoto says.“The accurate and artful recreation of a life must, at its best, take us not only into the depths of the subject but also into those depths common to all life....Never a judge, the biographer must, however, assess the connecting threads of meaning in a subject’s life, and in so doing the biographer is unavoidably led to a consideration of the inner consistencies (or lack of them) in one’s own life.The best biographies enable the reader, as well, to experience this sort of thing.That these have been among the benefits of the biographer’s work has been a great blessing in my life. -
The Political History of Classical Hollywood: Moguls, Liberals and Radicals in The
The political history of Classical Hollywood: moguls, liberals and radicals in the 1930s Professor Mark Wheeler, London Metropolitan University Introduction Hollywood’s relationship with the political elite in the Depression reflected the trends which defined the USA’s affairs in the interwar years. For the moguls mixing with the powerful indicated their acceptance by America’s elites who had scorned them as vulgar hucksters due to their Jewish and show business backgrounds. They could achieve social recognition by demonstrating a commitment to conservative principles and supported the Republican Party. However, MGM’s Louis B. Mayer held deep right-wing convictions and became the vice-chairman of the Southern Californian Republican Party. He formed alliances with President Herbert Hoover and the right-wing press magnate William Randolph Hearst. Along with Hearst, Will Hays and an array of Californian business forces, ‘Louie Be’ and MGM’s Production Chief Irving Thalberg led a propaganda campaign against Upton Sinclair’s End Poverty in California (EPIC) gubernatorial election crusade in 1934. This form of ‘mogul politics’ was characterized by the instincts of its authors: hardness, shrewdness, autocracy and coercion. 1 In response to the mogul’s mercurial values, the Hollywood community pursued a significant degree of liberal and populist political activism, along with a growing radicalism among writers, directors and stars. For instance, James Cagney and Charlie Chaplin supported Sinclair’s EPIC campaign by attending meetings and collecting monies. Their actions reflected the economic, social and political conditions of the era, notably the collapse of US capitalism with the Great Depression, the New Deal, the establishment of trade unions, and the emigration of European political refugees due to Nazism.