DOCSLIB.ORG

Live Our Dreams

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Live Our Dreams LIVE OUR DREAMS All Rights Reserved, National Library Board, Singapore LIVE OUR DREAMS DVD All Rights Reserved, National Library Board, Singapore LIVE OUR DREAMS All Rights Reserved, National Library Board, Singapore All Rights Reserved, National Library Board, Singapore Join the Team. Share the Dream. “As our nation comes together, And as one we stand Strong and proud...“ All Rights Reserved, National Library Board, Singapore All Rights Reserved, National Library Board, Singapore “I see victory, I feel unity, I hear happiness in perfect harmony..." All Rights Reserved, National Library Board, Singapore "There is noplac e that I'd rather be today..." All Rights Reserved, National Library Board, Singapore "There is noplac e that I'd rather be today..." ”It's the reaching of dreams As one golden team...” All Rights Reserved, National Library Board, Singapore All Rights Reserved, National Library Board, Singapore "Now's the time to live our dreams." All Rights Reserved, National Library Board, Singapore EXECUTIVE PRODUCER David Tan COMPOSER Thomas Schonberg LYRICS David Tan & Robert Vicencio PRODUCER/ ARRANGEMENT Sydney Tan MAIN VOCAL Kit Chan BACKING VOCALS Joseph Aaron, George Chan, Clement Chow, Robert Fernando, Audrey Hoi, jasmine Liew, Quek Li Huan, Celine Tan ACOUSTIC/ ELECTRIC GUITARS Amir "Rain" Masoh STRINGS The LCM String Ensemble RECORDED/ MIXED BY Amir "Rain" Masoh, Sydney Tan MAKEUP FOR KIT CHAN Alvin Goh HAIR FOR KIT CHAN Ben Leong at Passion DESIGN Semco Design Communications PHOTOGRAPHY David Tan STUDIO FOOTAGES Mega Media Pte Ltd MUSIC VIDEO EXECUTIVE PRODUCER Serene Choo/ MediaCorp TV, Channel 5 MUSIC VIDEO PRODUCER/ DIRECTOR Wong Quen Yee/ MediaCorp TV, Channel 5 MUSIC VIDEO ASSOCIATE PRODUCER Sandra Lim/ MediaCorp TV, Channel 5 Special thanks to our national athletes: Mark Chay, Deng Yingzhi, Khor Poh Chin, Lionel Lewis, Muhammad Yusoff Shah Bin Khmamarudin, Marcus Ng, Poh Seng Song, Saiedah Binte Said, Gary Tan. Our warmest appreciation to students from the Singapore Sports School: Sonia Elicia D'Silva, Alfred Foo, Daryl Lim, Dennis Lim, Samanfha Ong Xin Hui, S Povaneswari, Beverly Siew May Shaddick, AllSuhaila Rightsh Bte Kariman , Reserved,Christina Suriadjaja, Keshi Nationala Serrano Tan, Kyse Libraryr Tan Zhi Wei, Board,Melody Teo. Singapore KIT CHAN Since her debut in 1993, Singaporean Kit Chan has proven herself in many diverse areas - singing, theatre, television drama, poetry, song writing, and community work. After enjoying much success in Taiwan, Kit got her big break in Hong Kong in 1997 when she starred opposite Jacky Cheung and Sandy Lam in the Cantonese musical Snow. Wolf.Lake. Kit was once again invited in 2004-2005 to play the leading female in the tour of the Mandarin version of Snow.Wolf.Lake in cities like Beijing, Shanghai and Guangzhou. Back home in Singapore, Kit was the first solo artiste commissioned by the National Arts Council to perform the Sing Singapore community song Home in both English and Mandarin. Both versions made it to the local pop charts - an unprecedented first for community songs. As Singapore's Youth Ambassador, Kit also worked with World Vision, leading a group of Singaporean youths in building latrines and a playground for a primary school in Cambodia. Her visit to Ethiopia was subsequently made into a documentary to bring attention to the plight of the needy and less fortunate. Kit now sponsors two Ethiopian children. THOMAS SCHONBERG Born in France in 1980 to renowned composer Claude-Michel Schonberg, Thomas Schonberg started learning piano at the age of four and wrote his first movie soundtrack, La Joule, when he was 17. Thomas has been producing shows and concerts since he moved to London in 2001 to work alongside theatre producer Cameron Mackintosh. Thomas has been involved in worldwide productions of Miss Saigon, My Fair Lady, Les Miserobies, Mary Poppins, The Witches of Eastwick and Oliver!. In November 2004, he put together a special concert of Les Miserobies for The Queen of England and French President Jacques Chirac at Windsor Castle, UK, to celebrate the centenary of the Entente Cordiale between the two countries. Thomas has just finished writing the music for a national television campaign on the integration of disabled people in France. ROBERT VICENCIO Born in Australia, Robert Vicencio made his theatrical debut in the Original Australian Cast of Miss Saigon - the youngest in the world to play Thuy- after which he was flown to London's West End and performed in Miss Saigon there. Robert later made his film debut as one of the twelve Apostles in the Universal/Really Useful Group movie version of Jesus Christ Superstar. Robert has also established his own company The EARS (The Entertainment and Arts Related Society), which aims to develop the entertainment industry throughout the ASEAN region. Robert has produced and directed many cabarets, music film clips and concerts with his most prominent being the All You Need Is concert commemorating John Lennons 20th Anniversary at the Palace Theatre in London. SYDNEY TAN A well-known figure in Singapore's music industry, Dr Sydney Tan has been involved professionally in music for the last 24 years as a Music Director, Arranger and Producer. His artiste roster includes Dick Lee, Jacky Cheung, Jacintha, Tracy Huang, Kit Chan, and Taufik to name a few. Some of Sydney's more memorable works include arranging and producing Home by Kit Chan and Jacky Cheung's Snow.Wolf.Lake, His music direction and theatre credits include (the original as well as the 10th anniversary version of) Beauty World, A Twist of Fate, Jesus Christ Superstar, Hot Pants, Godspell and Forbidden City. DAVID TAN Born in Singapore, David holds a Master of Laws from Harvard, and degrees in law and commerce from the University of Melbourne. In addition, the Singapore's 1999 Outstanding Young Person of the Year is an accomplished fine art fashion photographer with seven solo exhibitions to his name, and had published coffeetable books in association with Cartier and the fashion house of Versace. David has also served on the editorial boards of the Harvard International Law Journal and Melbourne University Low Review, and has published numerous articles in areas as diverse as outer space environmental law, moral rights in musical compositions, and comparative constitutional law. He is presently Director (Sports) at theAll Ministr Rightsy of Communit Reserved,y Development, Yout hNational and Sports. Library Board, Singapore Live Our Dreams On this land that we share Where we build our hopes and dreams To become the best we can Is what life really means Live our dreams On this day that we sing With our hearts beating loud As our nation comes together And as one we stand strong and proud Let our voices, rise through the clouds I see victory I feel unity I hear happiness in perfect harmony There is no place that I'd rather be today Where the spirit shines and runs through you and me (2x) Win or lose is not the game Nor the reason why we came It's the reaching of dreams As one golden team We see victory We feel unity We hear happiness in perfect harmony There is no place that la rather be today Where the spirit shines and runs through you and me (2x) There is no place that I'd rather be today Where the spirit shines and runs through you and me (It's our time) Take your place (Born to shine) And embrace (Now's the time) To live our dreams ©All Copyrigh Rightst 2005. Musi Reserved,c by Thomas Schonberg National. Lyrics by Rober Libraryt Vicencio an Board,d David Tan. Singapore LIVE OUR DREAMS Audio CD All Rights Reserved, National Library Board, Singapore LIVE OUR DREAMS All Rights Reserved, National Library Board, Singapore LIVE OUR DREAMS Performed by Kit Chan All Rights Reserved, National Library Board, Singapore CD Live Our Dreams (Performed by Kit Chan) 3:31 Executive Producer David Tan Composer Thomas Schonberg Lyrics David Tan & Robert Vicencio Producer/Arrangement Sydney Tan Artiste Management Banshe e Productions DVD Live Our Dreams Music Video Executive Producer Serene Choo/ MediaCorp TV, Channel 5 Music Video Producer/Director Wong Quen Yee/ MediaCorp TV, Channel 5 Music Video Associate Producer Sandra Lim/ MediaCorp TV Channel 5 All Rights Reserved, National Library Board, Singapore.
Load more

Recommended publications
  • 2019-20 Annual Report
    PRINCETON UNIVERSITY DEPARTMENT AND PROGRAM OF EAST ASIAN STUDIES Annual Report 2019-2020 1 COVER: The wooden doors to 202 Jones. Photo taken by Martin Kern. 2 Annual Report 2019-20 Contents Director’s Letter 4 Department and Program News 6 Language Programs 8 Undergraduates 11 Graduate Students 14 Faculty 18 Events 24 Summer Programs 26 Affiliated Programs 29 Libraries & Museum 34 3 Director’s Letter, 2019-20 In normal years, the Director’s Letter is a retrospective of the year in East Asian Studies—but where to begin? Annual disasters and upheavals are standard topics in traditional East Asian chronicles. By June of 2020 (a gengzi 庚子 year), we had already lived through more than our share: the coronavirus pandemic, severe economic downturn, government inaction and prevarication, Princeton’s shift to online teaching, dislocation of undergraduate and graduate life, shuttering of libraries and labs, disruption to travel, study, and research for students, staff, and faculty, the brutal murder of George Floyd, and the international renaissance of the Black Lives Matter movement. invigorate campus intellectual life, completing book This spring semester, the usual hum of summer manuscripts, or starting new projects. The heaviest burden, programming and plans for next academic year grew no doubt, fell on our language instructors. The faculty quiet, and many EAS projects were cancelled, postponed, in Chinese, Japanese, and Korean innovated non-stop to shifted online, or put on hold. As this Annual Report goes insure that, in the era of Zoom, students would remain fully to press, plans for undergraduate residence on campus engaged in all four language skills of speaking, listening, and the format for classes in fall of 2020 are still being reading, and writing.
    [Show full text]
  • CELEBRITY INTERVIEWS a A1 Aaron Kwok Alessandro Nivola
    CELEBRITY INTERVIEWS A A1 Aaron Kwok Alessandro Nivola Alexander Wang Lee Hom Alicia Silverstone Alphaville Andrew Lloyd Webber Andrew Seow Andy Lau Anita Mui Anita Sarawak Ann Kok Anthony Lun Arthur Mendonca B Bananarama Benedict Goh Billy Davis Jr. Boris Becker Boy George Brett Ratner Bruce Beresford Bryan Wong C Candice Yu Casper Van Dien Cass Phang Celine Dion Chow Yun Fat Chris Rock Chris Tucker Christopher Lee Christy Chung Cindy Crawford Cirque du Soleil Coco Lee Conner Reeves Crystals Culture Club Cynthia Koh D Danny Glover David Brown David Julian Hirsh David Morales Denzel Washington Diana Ser Don Cheadle Dick Lee Dwayne Minard E Edward Burns Elijah Wood Elisa Chan Emil Chau Eric Tsang F Fann Wong Faye Wong Flora Chan G George Chaker George Clooney Giovanni Ribisi Glen Goei Gloria Estefan Gordan Chan Gregory Hoblit Gurmit Singh H Halle Berry Hank Azaria Hugh Jackman Hossan Leong I Irene Ang Ix Shen J Jacelyn Tay Jacintha Jackie Chan Jacky Cheung James Ingram James Lye Jamie Lee Jean Reno Jean-Claude van Damme Jeff Chang Jeff Douglas Jeffrey Katzenberg Jennifer Paige Jeremy Davies Jet Li Joan Chen Joe Johnston Joe Pesci Joel Schumacher Joel Silver John Travolta John Woo Johnny Depp Joyce Lee Julian Cheung Julianne Moore K KC Collins Karen Mok Keagan Kang Kenny G Kevin Costner Kim Robinson Kit Chan Koh Chieng Mun Kym Ng L Leelee Sobieski Leon Lai Lim Kay Tong Lisa Ang Lucy Liu M Mariah Carey Mark Richmond Marilyn McCoo Mary Pitilo Matthew Broderick Mel Gibson Mel Smith Michael Chang Mimi Leder Moses Lim N Nadya Hutagalung Nicholas
    [Show full text]
  • ANNEX B Hong Kong Music Fair 2007 Participating Companies at the Singapore Pavilion
    ANNEX B Hong Kong Music Fair 2007 Participating companies at the Singapore Pavilion 1) De Claffer Music Productions Established in 1998, De Claffer Music Productions provides specialised services in the following areas: Motion Picture Scoring, Original Music Composition, Music Arrangement and Orchestration, Sound Design, 5.1 Audio Mixing and Post Production Services. Tay Chee Wei, principal composer from the company, was recently awarded “Best Original Music Score (Runner Up)” for his score for the documentary ‘Emperor of the Seas: the Voyages of Zheng He’ at the Asian Television Awards 2006. With its headquarters based in Singapore, De Claffer Music has also expanded its services to Melbourne, Rome and New York and is now seeking for production and collaboration opportunities with producers from Mainland China as well as other parts of the world. Contact Mr TAY Chee Wei E: [email protected] T: (65) 6858 1646 F: (65) 6585 1602 www.declaffer.com 2) Didadee Didadee is a leading mobile service provider in delivering mobile music contents for consumers in Singapore and Malaysia. Established in 2003, it provides a wide range of mobile music products including poly tones, true tones, ringback tones, music video and full track mp3. By working closely with songwriters, music publishers and recording labels, Didadee delivers licensed digital music through mobile media as a new media channel. Contact Mr HEE Yew Han E: [email protected] T: (65) 6347 9475 F: (65) 6347 9414 www.didadee.com 3) Easternworld Holdings Easternworld was incorporated in 1996, providing the Asian music industry with a complete range of services in music education, training, publishing, production, distribution and artistes & repertoire.
    [Show full text]
  • Tax Administration Report CFD #6 – Mission Bay South Public
    SUCCESSOR AGENCY TO THE REDEVELOPMENT AGENCY OF THE CITY AND COUNTY OF SAN FRANCISCO COMMUNITY FACILITIES DISTRICT NO. 6 (MISSION BAY SOUTH PUBLIC IMPROVEMENTS) CFD TAX ADMINISTRATION REPORT FISCAL YEAR 2020-21 December 1, 2020 333 University Ave, Suite 160 • Sacramento, CA 95825 Phone: (916) 561-0890 • Fax: (916) 561-0891 www.goodwinconsultinggroup.net Community Facilities District No. 6 CFD Tax Administration Report TABLE OF CONTENTS Section Page Executive Summary ............................................................................................................. i I. Introduction ..........................................................................................................................1 II. Purpose of Report ................................................................................................................2 III. Special Tax Requirement .....................................................................................................3 IV. Special Tax Levy .................................................................................................................4 V. Development Update ...........................................................................................................5 VI. Prepayments .........................................................................................................................6 VII. State Reporting Requirements .............................................................................................7 Appendix A – Summary of Fiscal Year
    [Show full text]
  • A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong B
    Paper Number: 7 January 2003 Between Globalisation and Localisation: A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong Baptist University The author welcome comments from readers. Contact details: Ho Wai Chung, Department of Music & Fine Arts, Hong kong Baptist University Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. The preferred type is Times New Roman, not less than 11 point.
    [Show full text]
  • KIT CHAN One of the Most Established and Multi-Faceted Artists
    KIT CHAN One of the most established and multi-faceted artists in Singapore, Kit Chan is often dubbed Singapore's "national treasure". Since her debut in 1993, she has been a trailblazer who has proven herself in diverse areas including singing, theatre, television drama, poetry, songwriting, entrepreneurship, creative direction and community work. In 1994, Kit propelled Singapore’s pop music into the region when she took the Taiwanese market by storm with the album " 心痛" ( Heartache ) and went on to establish herself in the scene as a powerhouse songstress. A dynamic performer, Kit took her performances to many parts of Asia, the USA, Korea, and New Zealand. She has collaborated with symphonies and orchestras in Hong Kong, Taiwan and Singapore, winning numerous musical awards and accolades in Asia. Kit earned her moniker as Singapore’s “national treasure” when she became the first artist to do a solo performance of the National Day Parade theme song “Home” ( 家) in 1998. Her status as a national icon was further affirmed when she was appointed World Vision Singapore’s first celebrity goodwill ambassador, the National Youth Council’s first Youth Ambassador, followed by many firsts in her enduring career. In 2004, Kit took a hiatus from her illustrious performing career to further her studies, and hit the headlines when she joined prestigious international PR consultancy Hill & Knowlton as their Campaign Specialist in 2007. Even during the long break from her performing career, Kit was invited to front the first-ever Singapore Day in New York City in 2007. After her corporate sojourn, Kit performed the commissioned theme song “ One World ” at the APEC 2009 Gala Night before prominent world leaders, and made her much-anticipated return to the stage as leading lady (Li Qing) in the highest grossing Mandarin musical to-date in Singapore, “ 雨季” ( December Rains ) at Esplanade Theatre in 2010.
    [Show full text]
  • About Leslie Low a Music Composer and Sound Designer by Profession
    About Leslie Low A music composer and sound designer by profession, Leslie Low is the former frontman of veteran folk-rock band Humpback Oak and is currently fronting one of Singapore’s greatest musical efforts, The Observatory. His works stem from the very basic need to express and frame his sentiments within an aural context. Leslie’s first solo outing was an experimental instrumental album titled Volcanoes in 2005. He released his first solo album of songs Worm in 2007. In 2008, Leslie made two recorded but previously unreleased albums available by web download, A Walking Purgatory and Black Book. Leslie’s solo work, The Ground, a special album by order only, was released in 2009. He has also released Triangular as a limited run live CD. Early 2014 saw the release of his second instrumental solo album, Longing, on vinyl only. He has since released No Such Thing as Ghosts, Child of the Island, Nature, Currents and To My Shadow. Active in the experimental circuit, Leslie is one-third of free improvisation unit Snake Blood Union, half of Magus with Canadian drummer Mark Dolmont, and a member of doom foursome Meddle, among other music groups and collaborations. Sound Design by Shah Tahir Shah Tahir has been involved in various aspects of the audio and music industry for over 20 years. As a musician, he has played guitar on numerous albums for Singapore and regional artists such as Dick Lee, Kit Chan, Jeremy Monteiro and Sandy Lam. As a music producer, he’s worked with many homegrown talents, including Humpback Oak and Michaela Therese.
    [Show full text]
  • IEEE Hong Kong Section 2012 Report
    IEEE Hong Kong Section 2012 Report This report was prepared with the collective efforts of the IEEE Hong Kong Section’s volunteers. 1 2012 Report for the IEEE Hong Kong Section PART A - SECTION SUMMARY A.1 Executive Summary – (Please follow the format given below) • Section Executive Committee Member List IEEE Hong Kong Section Executive Committee 2012 Chair Henry Chan Chair-Elect Norbert Cheung Honorary Treasurer S.W. Cheung Honorary Secretary Eric Ma Immediate Past Chair / Nominations & Appointments C Y Chung Chapters Operation/Promotion Coordinator Stanley Wong Educational Activities Rosanna Chan External Liaison Coordinator Edward Cheung Membership Development Peter Tam Newsletter Editor & Webmaster Y W Liu Student Activities Wilson Chu Technical Activities Coordinator Ricky Lau Professional & Career Activities Tim Woo Public Relations Ray Cheung Chapter Chairs AP03/MTT17 Antennas and Propagation/Microwave Hang Wong Theory and Techniques Joint Chapter Chair CAS04/COM19 Circuits and Systems/Communications W H Lau Joint Chapter Chair CE08 Consumer Electronics Chapter Chair Bernard C Fong CIS11 Computational Intelligence Chapter Chair Chi Wing Wong C16 Computer Chapter Chair Y T Yu CPMT21 Components Packaging and Manufacturing Joseph P Choy Technology Chapter Chair CS23/RA24 Robotics and Automation/Control Systems Wei-Hsin Liao Joint Chapter Chair E25 Education Chapter Chair Rosanna Chan ED15/SSC37 Electron Devices/Solid State Circuit Joint Ka Nang Leung Chapter Chair EMB18 Engineering in Medicine and Biology Chapter Alfred Cheukhang
    [Show full text]
  • Limited Pidgin‑Type Patois? Policy, Language, Technology, Identity and the Experience of Canto‑Pop in Singapore
    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Limited pidgin‑type patois? policy, language, technology, identity and the experience of canto‑pop in Singapore Liew, Kai Khiun 2003 Liew, K. K. (2003). Limited Pidgin‑Type Patois? Policy, Language, Technology, Identity and the Experience of Canto‑Pop in Singapore. Popular Music, 22(2), 217‑233. https://hdl.handle.net/10356/92192 https://doi.org/10.1017/S0261143003003131 © 2004 Institution of Engineering and Technology. This is the author created version of a work that has been peer reviewed and accepted for publication by IEE Proceedings Circuits Devices and Systems, Institution of Engineering and Technology. It incorporates referee’s comments but changes resulting from the publishing process, such as copyediting, structural formatting, may not be reflected in this document. The published version is available at: http://dx.doi.org/10.1049/ip‑cds:20040226. Downloaded on 26 Sep 2021 22:06:06 SGT Popular Music (2003) Volume 22/2. Copyright 2003 Cambridge University Press, pp. 217–233. DOI:10.1017/S0261143003003131 Printed in the United Kingdom Limited pidgin-type patois? Policy, language, technology, identity and the experience of Canto-pop in Singapore LIEW KAI KHIUN Abstract This article explores the interactions and tensions arising from a vibrant Canto-pop industry exported from Hong Kong to an interventionist nation-state of Singapore bent on discouraging the use of dialects by its ethnic Chinese population. Aside from highlighting the roles of technological and com- mercial factors behind the regional music networks, it seeks further to position this contemporary relationship within the larger historical and cultural context.
    [Show full text]
  • THE TENG ENSEMBLE in Collaboration with Esplanade – Theatres on the Bay
    THE TENG ENSEMBLE In Collaboration with Esplanade – Theatres on the Bay 11 OCT 2019, FRI, 7.30PM ESPLANADE CONCERT HALL 2 CREATIVE DIRECTOR’S MESSAGE uch is the melting pot that is known as Singapore network of instrument dealers, luthiers, teachers and - I grew up in an English-educated family, but musicians. Many of these practitioners had other day jobs have been playing the traditional Chinese Pipa and stopped playing music for a decade or so, out of fear for the past 25 years. I dream in English, but of being labelled as communist in Singapore’s early years. my ears are most familiar with melodies from Chinese traditions. I also discovered the very different trajectory that S Chinese music took in Singapore, as compared to in Ten years ago, as a graduate student studying Singapore’s China. In Singapore, Chinese migrants who had brought Chinese music history, I learnt that the first Chinese music from their respective provinces began to integrate orchestra in Singapore was set up by the late Mr Yeo their traditions with each other, creating new methods of How Jiang in 1959, under the auspices of Thau Yong performance and even inventing new instruments. Amateur Musical Association. I had the honour of being the last student taught by Mr In 2016, I had the honour of finally meeting Mr Yeo, Yeo, who passed away in 2017. Through his experiences, who was still with Thau Yong. A very humble man and an I discovered how Chinese music innovated and adapted expert Pipa player himself, Mr Yeo had however stopped itself to Singapore, and how the Chinese forefathers in playing Chinese orchestral music for decades.
    [Show full text]
  • Table of Contents (PDF)
    August 24, 2021 u vol. 118 u no. 34 From the Cover e2026212118 Evolutionary effects of seed dormancy e2106130118 Tree fecundity and senescence e2103081118 Economics of climate tipping points e2026111118 Forest refugium and glacial–interglacial cycles e2101985118 Moonrise timing and coral spawning Contents THIS WEEK IN PNAS—This week’s research highlights Cover image: Pictured is the primrose eiti3421118 In This Issue moth (Schinia florida), a pest of evening primroses (Oenothera biennis). Anurag A. Agrawal et al. studied the effects SCIENCE AND CULTURE—How science intersects with culture of dormancy on the evolutionary e2113327118 Wildfires pose a burning problem for wines and winemakers adaptation of the evening primrose. The Jyoti Madhusoodanan authors either exposed five generations of experimental plantings to insect predation or sheltered the plantings RETROSPECTIVE and allowed the seeds to remain dormant in the soil for at least 5 years e2112969118 Stephen T. Warren: Human geneticist who advanced understanding of before reviving the seeds and mutational mechanisms and developmental disorders genotyping the resulting colonizers. All David L. Nelson and C. Thomas Caskey of the resurrected evening primrose populations recovered a level of genetic diversity comparable with the start of COMMENTARIES the experiment, but insect-exposed e2110556118 Uncoupling in intrinsic brain activity populations maintained differences in Manu S. Goyal and Abraham Z. Snyder fruit chemical defense and life-history See companion article, e2021913118, in vol. 118, issue 27 traits. The results suggest that dormancy can have long-term effects on the e2112191118 Linking amorphous ice and supercooled liquid water evolutionary responses of plants to Thomas E. Gartner III environmental change.
    [Show full text]
  • 2021 Program.Pdf
    The 146th Annual Ceremony Saturday, June 12, 2021 UNIVERSITY OF WASHINGTON 146th Annual Commencement Saturday, June 12, 2021 Program of Exercises table of contents Order of Events .............................................................................................................................2 A World of Good ...........................................................................................................................4 University Awards and Medalists .................................................................................................6 Commencement Speaker ............................................................................................................8 UW Administration .......................................................................................................................9 Baccalaureate Honors ................................................................................................................10 Professional Degrees .................................................................................................................14 Doctoral Degrees ........................................................................................................................18 Master’s Degrees ........................................................................................................................22 Baccalaureate Degrees ..............................................................................................................36 Commissions ..............................................................................................................................68
    [Show full text]