The Wilkins Chronicle a Selection of Wilkins-Related Trove Articles, Incorporating Advertisements and Cartoons from the Day
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Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
The Famous Flying Lockheed Brothers
THE FAMOUS FLYING By Walter J. Boyne Lockheed Brothers The three inventive brothers got things rolling in the 1920s and 1930s. Then they checked out. harles A. Lindbergh’s 1927 The basic Vega design would be simplify matters, the name hereinafter New York-to-Paris flight pro- transmuted into a series of remarkable is spelled Lockheed.) duced an explosion of aviation aircraft. Moreover, the Vega introduced Victor was an automotive engineer, Cactivity, as designers brought forth a a new aviation company with an odd but he made his aviation bones as a multitude of new and sometimes very slogan: “It takes a Lockheed to beat a writer, creating a stir with his 1909 Ve- unusual aircraft. One of these was the Lockheed.” hicles of the Air. In 1912, he published Vega, which made its first flight within The leader of this new firm was Al- a second book, Aeroplane Designing two months of the historic transatlantic lan H. Lockheed, one of three brothers for Amateurs. Victor also designed the flight. who would become major American Taft-Pierce-Lockheed V-8 engine, in There was a stark contrast between industrialists. These three—Allan 1911. The engine is now on display at Lindbergh’s airplane, Spirit of St. Louis, and his brothers Victor and Mal- the National Air and Space Museum’s and the Vega. Lindbergh’s airplane, a colm—all began life with the surname Udvar-Hazy facility in Chantilly, Va., highly modified version of the Mahoney- “Loughead.” Its origin was Scottish, just outside Washington, D.C. Later in Ryan M-2, was from a bygone era. -
Back of Beyond Music Credits
Music: Sydney John Kay Sydney John Kay (1906-1970) was born Kurt Kaiser and after fleeing Germany in 1933, changed his name in honour of his new home town. He became the new composer on the block for Australian film scores in 1946 when he worked on A Son is Born. Kay has a wiki here. His score for The Back of Beyond is amongst his finest. The National Library of Australia holds various works by Kay, and his papers, see here. (Below: Sydney John Kay). The National Library of Australian provides this brief CV for Kay: Born in Germany as Kurt Kaiser, Kay studied engineering in Berlin, where in 1927 he became a member of the Jewish-German showband, the Weintraub Syncopators. With this leading German jazz group he appeared in the film The Blue Angel, accompanying Marlene Dietrich. As a victim of the racist policy of the Nazis, he had to leave Germany in 1933 and went on a world tour with the Weintraubs. Kaiser played trombone, clarinet, saxophone and wrote arrangements for the group. In 1937 they arrived in Australia and decided to stay. Kaiser settled in Sydney and changed his name by deed poll to Sydney John Kay. After the beginning of the war he and other members of the band were interned as enemy aliens. As a consequence the Weintraub Syncopators was dissolved. After his release, Kay became musical arranger for the Colgate-Palmolive radio unit and wrote musical scores for documentary and feature films in the late 1940s and early 1950s. He ran the Theatre for Children in Sydney (1944-45) and then became Managing Director of Mercury Theatre Pty Ltd and producer-director of the Mercury Mobile Players, which brought classic comedy to wide audiences. -
SP's Aviation
SP’s AN SP GUIDE PUBLICATION ED BUYER ONLY) ED BUYER AS -B A NDI I 100.00 ( ` aviationSHARP CONTENT FOR SHARP AUDIENCE www.sps-aviation.com vol 22 ISSUE 1 • 2019 CALL FOR SERIOUS ATTENTION 2019 TO WITNESS iaF’s FigHter squaDrons likely to SOME KEY inDuctions go FurtHer Down to • raFale arounD 27/29 PAGE 14 • APACHe • cHinook Hal: PAST perFECT, GLOBAL Future tense AVIATION SUMMIT a Huge step towarDs MUCH MORE... globalisation oF inDia’s PAGE 18 civil aviation IN THE NEWS F-35• 141 units contract by us DoD; • 147 units planneD procurement by japan; • 91 UNITS per YEAR PRODuction as in 2018, eXPECTED TO be RAMPED up FURTHer RNI NUMBER: DELENG/2008/24199 “In a country like India with limited support from the industry and market, initiating 50 years ago (in 1964) publishing magazines relating to Army, Navy and Aviation sectors without any interruption is a commendable job on the part of SP Guide“ Publications. By this, SP Guide Publications has established the fact that continuing quality work in any field would result in success.” Narendra Modi, Hon’ble Prime Minister of India (*message received in 2014) SP's Home Ad with Modi 2016 A4.indd 1 01/06/18 12:06 PM PUBLISHER AND EDITOR-IN-CHIEF Jayant Baranwal SENIOR EDITOR TABLE OF CONTENTS Air Marshal B.K. Pandey (Retd) DEPUTY MANAGING EDITOR Neetu Dhulia SENIOR TECHNICAL GROUP EDITOR Lt General Naresh Chand (Retd) AN SP GUIDE PUBLICATION GROUP ASSOCIATE EDITOR SP’s Vishal Thapar CONTRIBUTORS 100.00 (INDIA-BASED BUYER ONLY) BUYER 100.00 (INDIA-BASED ` aviationSHARP CONTENT FOR SHARP AUDIENCE India: Group Captain A.K. -
Air Transport
The History of Air Transport KOSTAS IATROU Dedicated to my wife Evgenia and my sons George and Yianni Copyright © 2020: Kostas Iatrou First Edition: July 2020 Published by: Hermes – Air Transport Organisation Graphic Design – Layout: Sophia Darviris Material (either in whole or in part) from this publication may not be published, photocopied, rewritten, transferred through any electronical or other means, without prior permission by the publisher. Preface ommercial aviation recently celebrated its first centennial. Over the more than 100 years since the first Ctake off, aviation has witnessed challenges and changes that have made it a critical component of mod- ern societies. Most importantly, air transport brings humans closer together, promoting peace and harmo- ny through connectivity and social exchange. A key role for Hermes Air Transport Organisation is to contribute to the development, progress and promo- tion of air transport at the global level. This would not be possible without knowing the history and evolu- tion of the industry. Once a luxury service, affordable to only a few, aviation has evolved to become accessible to billions of peo- ple. But how did this evolution occur? This book provides an updated timeline of the key moments of air transport. It is based on the first aviation history book Hermes published in 2014 in partnership with ICAO, ACI, CANSO & IATA. I would like to express my appreciation to Professor Martin Dresner, Chair of the Hermes Report Committee, for his important role in editing the contents of the book. I would also like to thank Hermes members and partners who have helped to make Hermes a key organisa- tion in the air transport field. -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers. -
Theatre Australia Historical & Cultural Collections
University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T. -
Smithy Head Credits
(Above: NFSA VHS release only) (Above: NFSA DVD only) Columbia proudly presents - animated logo "SMITHY" copyright MCMXLVI by Columbia Pictures Pty. Ltd. The Immortal Story of Sir Charles Kingsford Smith With Ron Randell Muriel Steinbeck as Mary Powell Charles Ulm played by John Tate Kay Sutton Joy Nichols Nan Kingsford Smith Nan Taylor Harold Kingsford Smith John Dunne Capt. Allan Hancock Alec Kellaway Sir Hubert Wilkins John Dease Arthur Powell Marshall Crosby Beau Sheil Edward Smith Tommy Pethybridge Alan Herbert Keith Anderson John Fleeting Stringer Joe Valli Warner G. J. Montgomery-Jackson Lyon Gundy Hill In Person: The Rt. Hon. William Morris Hughes Capt. P. G. Taylor • John Stannage Screen Play by John Chandler and Alec Coppel (Chandler was the pseudonym used by producer director Ken Hall) Based on an adaptation by Ken G. Hall and Max Afford Director of Photography George Heath Second Cameraman H. L. Nicholas Art Director J. Alan Kenyon Asst. Art Director George Hurst Assistant Director William Shepherd Film Editor Terry Banks Sound Engineers Clive Cross and Arthur Smith Special Effects Jack Gardiner Interior Decoration Joyce Brown Music and Musical Direction by Henry Krips Pacific Score by Alfred Hill Recorded by The Sydney Symphony Orchestra Research Norman Ellison Gowns Designed by Mavis Ripper Gowns Made by David Jones Ltd. Uniforms by Wardrop, Melbourne R.A.A.F. Liaison Officers: Wing Commander John Kingsford Smith Squadron Leader G. R. Chaseling Produced by N. P. Pery Directed by Ken G. Hall Title: Grateful acknowledgment is tendered to the Royal Australian Air Force and the Department of Civil Aviation for their generous help and co-operation. -
Googie Withers and John Mccallum Brian Mcfarlane
CLASS ACT: GOOGIE WITHERS AND JOHN MCCALLUM BRIAN MCFARLANE s I talked to the McCallums in May this year, I had to keep reminding myself that they are both in their nineties and that they’ve been in the business of entertaining us for over seventy years. Anyone who saw them in any of the films or plays in which they co-starred will know how well they Aplayed together professionally. As you watch them together now, complementing (and complimenting) each other, you can’t help wondering how much of their professional success was a spin-off from a stimulating partnership off-screen or off-stage. It seems timely to pay tribute to them for what they achieved in the performing arts in Australia and elsewhere. googie Googie Withers came to prominence in British films in the 1940s, when British cinema was enjoying its finest hours and when there was a flurry of memorable women stars. If they are not well known today, they certainly were then: Sally Gray with the eloquent voice and slightly melancholy mien; patrician Valerie Hobson; Ann Todd of the ambiguous, chiselled blonde features; Phyllis Calvert, so much smarter than the goody- goody image that was foisted on her; Margaret Lockwood, flaring her nostrils and baring her cleavage in a refined version of passion; sexy bad-girl Jean Kent getting into a lot of entertaining trouble; and Anna Neagle being so ladylike that you wanted her to slip 103 04_Essays.indd 103 29/7/09 3:36:53 PM on a banana skin. But Googie Withers was something else. -
1961-62 Year Book Canadian Motion Picture Industry
e&xri-i METRO-GOLDWYN-MAYERtl WITH THESE CURRENT AMD CANADIAN OPENING! TORO NTO—October 2t UNIVERSITY THEATRE MONTREAL—November 2 ALOUETTE THEATRE Metro-Golduyn-Mayer present. VANCOUVER-Dec. 21 Samuel Bronston's Proaua STANLEY THEATRE IRAMA TECHNICOLOR JEFFREY HUNTER'■ SIOBHAN McKENNA • HURD HATFIELD-RON RANDELL • VIVECA LINDFORS-RITA GAM • CARMEN SEVILLA • BRIGID BAZLEN HARRY GUARDINO • RIP TORN • FRANK THRING • GUY ROLFE • MAURICE MARSAC • GREGOIRE ASLAN • ROBERT RYAN^n,^. Screen Play by PHILIP YORDAN * Directed by NICHOLAS RAY • Produced by SAMUEL BRONSTON METRO GOLDWYN MAYER PRESENTS METRO GOLDWYN MAYER presents a JULIAN BLAUSTEIN production <cMy\KMFY HI</\NI)C) Starring AS FLETCHER CHRISTIAN ri<i-\OR Howard GLENN FORD AS CAPTAIN BUGH INGRID THULIN CHARLES BOYER RICHARD HARRIS AS JOHN mills IN AN ARCOLA PRODUCTION LEE J. COBB PAUL HENREID co starring QMUTluvy qjvT ui'HTt BcyujViy PAUL LUKAS YVETTE MIMIEUX KARL BOEHN co-sTunim HUGH GRIFFITH RICHARD HAYDN »»»TARITA screen play by ROBERT ARDREY and JOHN GAY BASED ON THf NOVEL BVCHARLES NOROHOff AND JAMS S NORMIN HAH based on the novel by directed by omcnm.LEWIS MILESTONE PRODUCE 0 BY AARON ROSENBERG VICENTE BLASCO IBANEZ • VINCENTE MINNELLI TECHNICOLOR • FILMED IN ULTRA PANAVISION in CINEMASCOPE and METROCOLOR 19 CONTINUES ITS SUCCESS STORY COMING BOX-OFFICE ATTRACTIONS! BRIDGE TO THE SUN BACHELOR IN PARADISE CARROLL BAKER, James Shigeta, BOB HOPE, LANA TURNER, James Yagi, Emi Florence Hirsch, Janis Paige, Jim Hutton, Paula Prentiss, Nori Elizabeth Hermann. Don Porter, Virginia Grey, Agnes Moorehead. A Cite Films Production. A Ted Richmond Production. ★ In CinemaScope and Metrocolor SWEET BIRD OF YOUTH ★ PAUL NEWMAN, GERALDINE PAGE, TWO WEEKS IN ANOTHER TOWN Shirley Knight, Ed Begley, Rip Torn, KIRK DOUGLAS, Mildred Dunnock. -
Film Collection
Film Collection 1. Abe Lincoln in Illinois, US 1940 (110 min) bw (DVD) d John Cromwell, play Robert E. Sherwood, ph James Wong Howe, with Raymond Massey, Ruth Gordon, Gene Lockhart, Howard de Silva AAN Raymond Massey, James Wong Howe 2. Advise and Consent, US 1962 (139 min) (DVD) d Otto Preminger, novel Allen Drury, ph Sam Leavitt, with Don Murray, Charles Laughton, Henry Fonda, Walter Pidgeon. 3. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, m Elmer Bernstein, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. 4. Alexander France/US/UK/Germany, Netherlands 2004 (175 min) (DVD) d Oliver Stone, m Vangelis, with Antony Hopkins, Val Kilmer, Colin Farrell 5. Alexander Nevsky, USSR 1938 (112 min) bw d Sergei Eisenstein, w Pyotr Pavlenko, Sergei Eisenstein, m Prokofiev, ph Edouard Tiss´e, with Nikolai Cherkassov, Nikolai Okhlopkov, Andrei Abrkikosov. 6. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. AA Best Costume Design AAN Best Music; Best Screenplay; Winona Ryder; 7. The Agony and the Ecstacy, US 1965 (140 min) (DVD) d Carol Reed, novel Irving Stone, ph Leon Shamroy, with Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews. 8. All Quiet on the Western Front, US 1930 (130 min) bw (DVD) d Lewis Milestone (in a manner reminiscent of Eisenstein and Lang), novel Erich Maria Remarque, ph Arthur Edeson, with Lew Ayres, Louis Wolheim, Slilm Sum- merville, John Wray, Raymond Griffith. -
The City Ascendant: America's Urban Economy
The City Ascendant: America’s Urban Economy by Edward L. Glaeser Harvard University and NBER December 19, 2006 Preliminary Draft ii Preface This book occupies an uncomfortable middle ground between economics and history. It does not look like a conventional piece of economics. Economic theory lies always in the background but is never trumpeted with algebra and graphs. The statistics it contains are unvarnished with fancy econometric techniques. Moreover, this book is certainly not history or even economic history. Apart from the use of census documents, I have used almost no original sources. As far as I know, none of the stories contained herein are actually new. Many of them are well known and I have no pretensions to being any sort of an original historian. This book is an attempt to make urban economics accessible through American history. I am trying to use the paths of America’s cities to show the power of economic theory. While I have tried not to cherry pick my examples too much, there can be no doubt that I have chosen my stories to illustrate the strength of urban economics. I have made constant use of urban history, but I am not adding to that great field. My hope is that this book will be interesting to both economists and non-economists. Economists will find few new ideas in this book. The basic thoughts have been previously expressed in my own writing and far more significantly in the broad literature of urban economics that includes von Thunen, Alfred Marshall and Paul Krugman. For economists, I hope that this book provides them with examples that enrich the theory.