Winkie Country
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
Children's Books & Illustrated Books
CHILDREN’S BOOKS & ILLUSTRATED BOOKS ALEPH-BET BOOKS, INC. 85 OLD MILL RIVER RD. POUND RIDGE, NY 10576 (914) 764 - 7410 CATALOGUE 94 ALEPH - BET BOOKS - TERMS OF SALE Helen and Marc Younger 85 Old Mill River Rd. Pound Ridge, NY 10576 phone 914-764-7410 fax 914-764-1356 www.alephbet.com Email - [email protected] POSTAGE: UNITED STATES. 1st book $8.00, $2.00 for each additional book. OVERSEAS shipped by air at cost. PAYMENTS: Due with order. Libraries and those known to us will be billed. PHONE orders 9am to 10pm e.s.t. Phone Machine orders are secure. CREDIT CARDS: VISA, Mastercard, American Express. Please provide billing address. RETURNS - Returnable for any reason within 1 week of receipt for refund less shipping costs provided prior notice is received and items are shipped fastest method insured VISITS welcome by appointment. We are 1 hour north of New York City near New Canaan, CT. Our full stock of 8000 collectible and rare books is on view and available. Not all of our stock is on our web site COVER ILLUSTRATION - #307 - ORIGINAL ART BY MAUD HUMPHREY FOR GALLANT LITTLE PATRIOTS #357 - Meggendorfer Das Puppenhaus (The Doll House) #357 - Meggendorfer Das Puppenhaus #195 - Detmold Arabian Nights #526 - Dr. Seuss original art #326 - Dorothy Lathrop drawing - Kou Hsiung (Pekingese) #265 - The Magic Cube - 19th century (ca. 1840) educational game Helen & Marc Younger Pg 3 [email protected] THE ITEMS IN THIS CATALOGUE WILL NOT BE ON RARE TUCK RAG “BLACK” ABC 5. ABC. (BLACK) MY HONEY OUR WEB SITE FOR A FEW WEEKS. -
Press Release FULL NEW CAST ANNOUNCED for RECORD-BREAKING WICKED UK TOUR NEW CAST BEGINS 16 SEPTEMBER at LIVERPOOL EMPIRE
Monday 4 August 2014 Press Release FULL NEW CAST ANNOUNCED FOR RECORD-BREAKING WICKED UK TOUR NEW CAST BEGINS 16 SEPTEMBER AT LIVERPOOL EMPIRE WICKED, the global musical phenomenon that tells the incredible untold story of the Witches of Oz, is pleased to announce that Ashleigh Gray (Elphaba), Emily Tierney (Glinda), Samuel Edwards (Fiyero), Marilyn Cutts (Madame Morrible), Steven Pinder (The Wizard and Doctor Dillamond), Carina Gillespie (Nessarose), Richard Vincent (Boq), Jacqueline Hughes (Standby Elphaba), Joe Atkinson, Joshua Berg, Chrissy Brooke, Ben Carruthers, Harrison Clark, Lauren Ellis-Steele, Oliver Evans, Victoria Farley, Natasha Ferguson, Zoë George, Natalie Green, Will Knights, Sophie Leigh-Griffin, Candy Marriot, Tom Mather, Brian McCann, Ashley Morgan-Davies, Stephanie Powell, Wendy-Lee Purdy, Elisha Sherman, Grant Thresh, Hannah Veerapen and Danny Whitehead will star in the record-breaking UK Tour from Tuesday 16 September 2014 at Liverpool Empire Theatre. The tour is currently at Birmingham Hippodrome (until 6 September 2014) and continues to Liverpool Empire Theatre (16 September to 11 October 2014); Southampton Mayflower Theatre (21 October to 15 November 2014); Edinburgh Playhouse (19 November 2014 to 10 January 2015); Plymouth Theatre Royal (20 January to 14 February 2015); Bristol Hippodrome (18 February to 21 March 2015); Sunderland Empire Theatre (31 March to 25 April 2015); Aberdeen His Majesty’s Theatre (5 to 30 May 2015) and concludes at The Lowry in Salford (3 June to 25 July 2015). Tickets are now on sale at all venues and can be booked via www.WickedTheMusical.co.uk Acclaimed as “quite simply, the best musical I’ve ever seen” (Yorkshire Evening Post), the tour has already broken Box Office records and won multiple five star reviews across England, Scotland, Wales and Ireland. -
New Mexico Daily Lobo, Volume 078, No 45, 10/25/1974." 78, 45 (1974)
University of New Mexico UNM Digital Repository 1974 The aiD ly Lobo 1971 - 1980 10-25-1974 New Mexico Daily Lobo, Volume 078, No 45, 10/ 25/1974 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1974 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 078, No 45, 10/25/1974." 78, 45 (1974). https://digitalrepository.unm.edu/daily_lobo_1974/125 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1974 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Go.v. Candidates ~ack 1)/Jy Care, /JIIw Revisl.·ons .. ~ By JAN HOLLAND · . \ If you want change, then you better be ready to make the changes yourself, Gene Gonzales, American Independent cJndidate for governor said, during a candidates forum • ....;~ednesday at the convention center. uYou have voted for men and )eft the government in their hands, and they have ruined it for you," he said to the women. Gonzales, disa~reed with Joe Skeen and Jerry Apodaca, on several of the· nine topics relating to women. -'1 am opposed to day care support by this state and this nation," Gonzales said. 41Th is is sheer socialism, · "The -responsibility of the care and welfare of chilllren. lies with the parents and not the state,, he said. Skeen favored day care legisl11tion if th~e using it wquld be required to pay part of the c~t on a ,Wale 'based on their family income. -
The Good, the Bad, the Wicked: Lessons from Oz”
“The Good, The Bad, The Wicked: Lessons from Oz” by Dr. Brian Howell Assistant Professor of Anthropology , Wheaton College What could be a more unambiguous, self-identified portrait of evil than a green faced Witch surrounded by creepy flying monkeys? Her very name, the Wicked Witch of the West, sets the tone pretty clearly. She’s Bad; Glinda is Good; the wizard is a bumbler but a well-intentioned guy and Dorothy is haplessly caught in the middle. But the hottest ticket on Broadway says, “Not so fast.” Perhaps having a green face and wearing unfashionable black hats is not enough to make you Wicked. In fact, perhaps “goodness” and “wickedness” are not such clear-cut categories at all. In a musical “prequel” to the film “The Wizard of Oz,” the audience is challenged to re-evaluate the judgements of good and evil, tapping into the powerful cultural theme of authenticity at the same time. The Broadway musical “Wicked” is based on a book of the same name that tells the story of Elphaba (nee The Wicked Witch of the West) and her early history in the land of Oz. Born an unnatural shade of green due to the dalliances of her mother, Elphaba is misunderstood and ostracized, particularly when enrolling in a boarding school for aspiring Witches and Wizards (Shiz Academy). There she finds herself rooming with Galinda (later to become Glinda, The Good Witch), who inspires her to travel to the Emerald City in order to meet the Wizard. Elphaba, you see, has true magical gifts, and her only dream has been to meet and work with the Wizard, the Great and Powerful Oz. -
A Kidnapped Santa Claus Baum, Lyman Frank
A Kidnapped Santa Claus Baum, Lyman Frank Published: 1904 Categorie(s): Fiction, Fantasy, Short Stories Source: http://en.wikisource.org/wiki/ 1 About Baum: Lyman Frank Baum (May 15, 1856–May 6, 1919) was an American author, actor, and independent filmmaker best known as the creator, along with illustrator W. W. Denslow, of one of the most popular books ever written in American children's literature, The Wonderful Wizard of Oz, better known today as simply The Wizard of Oz. He wrote thirteen se- quels, nine other fantasy novels, and a plethora of other works, and made numerous attempts to bring his works to the stage and screen. Source: Wikipedia Also available on Feedbooks for Baum: • The Wonderful Wizard of Oz (1900) • The Marvelous Land of Oz (1904) • Dorothy and the Wizard in Oz (1908) • American Fairy Tales (1901) • The Emerald City of Oz (1910) • Ozma of Oz (1907) • The Lost Princess of Oz (1917) • Glinda of Oz (1920) • The Road to Oz (1909) • Tik-Tok of Oz (1914) Copyright: This work is available for countries where copy- right is Life+70 and in the USA. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 A Kidnapped Santa Claus Santa Claus lives in the Laughing Valley, where stands the big, rambling castle in which his toys are manufactured. His work- men, selected from the ryls, knooks, pixies and fairies, live with him, and every one is as busy as can be from one year's end to another. -
The Marvellous Land of Oz ______
The Chronicles of Oz: The Marvellous Land Of Oz __________________________ A six-part audio drama by Aron Toman A Crossover Adventures Production chroniclesofoz.com 44. EPISODE TWO 15 PREVIOUSLY Recap of the previous episode. 16 EXT. CLEARING The Sawhorse runs rampant, while Tip and Jack Pumpkinhead attempt to catch it and calm it down. JACK PUMPKINHEAD Whoah! Whoah! TIP (V.O.) Taming the Sawhorse now it was alive was proving ... tricky. When Jack came to life, he was full of questions and kinda stupid, but he was fairly calm, all things considered. The Sawhorse was frightened. And a little bit insane. JACK PUMPKINHEAD Calm down horsey! TIP Whoah, horse. Easy there boy -- look out Jack, it's coming through! JACK PUMPKINHEAD Whoooah! He leaps out of the way as the horse bounds past him. TIP Come on, there's nothing to be scared of. JACK PUMPKINHEAD I'm scared! TIP Nothing for the Sawhorse to be scared of. (to Sawhorse) We're your friends we're not going to hurt -- ahhh! He jumps aside as it rushes through. 45. JACK PUMPKINHEAD At least it's knocking you over as well as me, Dad. TIP I don't understand, why won't it listen to us? JACK PUMPKINHEAD Maybe it can't listen to us? TIP Oh? Oh, of course, that's it! Jack, find me some leaves or something. (he starts rummaging in the undergrowth) Big ones, about the size of my hand. We need two. JACK PUMPKINHEAD Why? TIP (finding leaves) Here we are, perfect. Ears, Jack! The Sawhorse doesn't have ears! JACK PUMPKINHEAD That's why he isn't listening! TIP We just need to fasten these on to his head and sprinkle a little more powder on. -
Gen. Jinjur's Army of Revolt Tip Was So Anxious to Rejoin His Man
Gen. Jinjur's Army of Revolt Tip was so anxious to rejoin his man Jack and the Saw-Horse that he walked a full half the distance to the Emerald City without stopping to rest. Then he discovered that he was hungry and the crackers and cheese he had provided for the Journey had all been eaten. While wondering what he should do in this emergency he came upon a girl sitting by the roadside. She wore a costume that struck the boy as being remarkably brilliant: her silken waist being of emerald green and her skirt of four distinct colors--blue in front, yellow at the left side, red at the back and purple at the right side. Fastening the waist in front were four buttons--the top one blue, the next yellow, a third red and the last purple. The splendor of this dress was almost barbaric; so Tip was fully justified in staring at the gown for some moments before his eyes were attracted by the pretty face above it. Yes, the face was pretty enough, he decided; but it wore an expression of discontent coupled to a shade of defiance or audacity. While the boy stared the girl looked upon him calmly. A lunch basket stood beside her, and she held a dainty sandwich in one hand and a hard-boiled egg in the other, eating with an evident appetite that aroused Tip's sympathy. 62 He was just about to ask a share of the luncheon when the girl stood up and brushed the crumbs from her lap. -
Baum's Dorothy and the Power of Identity
Pay 1 Camille Pay Baum’s Dorothy and the Power of Identity Discussions of Baum’s The Wonderful Wizard of Oz have highlighted the relationship between Dorothy as an individual and Oz as a whole. When this relationship is put into the context of change in American identity, one can see how Dorothy’s identity connects to the new- found identity of the middle-class American. Just before Baum wrote The Wizard , American identity had gone through a large shift. Because of a greater wage for the rising middle class, individuals found themselves playing a key role in their communities. Of course, there was a tension between the old American identity and the new American identity; and, dealing with this tension became the duty of authors (“American” 27.) Even as this change in identity was present, critics chose to focus on the political impact of Dorothy as a character in The Wizard . Most critics see Dorothy as the beginning of political change. An example of this is the work of J. Jackson Barlow, who argues that not only did Dorothy commence Oz’s change from an uncivilized land to a civilized land, but that this change was democratic (8). David Emerson agrees that Dorothy’s influence was felt in Oz, but he thinks that Dorothy’s role is to be the “motivating will (fire)” behind her and her companions achieving their goal (5). Littlefield adds to the conversation of Barlow and Emerson by inserting that even though Dorothy was the one to produce change, Dorothy gets involved in the politics of Oz, only to leave Oz to go “home” to Kansas. -
The Wizard of Oz 4Th-8Th Grades
Study Guide: The Wizard of Oz 4th-8th Grades Created as part of the Alliance Theatre’s Dramaturgy by Students program by: Barry Stewart Mann, Teaching Artist with: students at The Friends School of Atlanta and their educator: Ms. Amy Lighthill Written by L. Frank Baum Music and lyrics by Harold Arlen and E.Y. Harburg Book adaptation by John Kane Directed by Rosemary Newcott March 9 – April 14, 2019 Rich Theatre, Woodruff Arts Center 1 TABLE OF CONTENTS Pre- and Post-Show Questions ________________________________________________ pg. 3 About the Director __________________________________________________________ pg. 4 Curriculum Standards _______________________________________________________ pg. 5 Synopsis __________________________________________________________________ pg. 5 About the Author ___________________________________________________________ pg. 6 About the Film ____________________________________________________________ pg. 6 • Fun Film Facts ____________________________________________________ pg. 7 • The Wizard of Oz Time Line _________________________________________ pg. 8 Character Profiles on Oztagramchatbook _______________________________________ pg. 9 Folk Art __________________________________________________________________ pg. 10 Themes • (There’s No Place Like) Home ________________________________________ pg. 11 • (Somewhere Over the) Rainbow ______________________________________ pg. 12 • The Hero’s Journey (a Debate) _______________________________________ pgs. 13-14 STEAM Connections _________________________________________________________ -
The Wonderful Wizard of Oz & Glinda of Oz Ebook, Epub
THE WONDERFUL WIZARD OF OZ & GLINDA OF OZ PDF, EPUB, EBOOK L. Frank Baum | 304 pages | 06 Jul 2012 | Wordsworth Editions Ltd | 9781840226942 | English | Herts, United Kingdom The Wonderful Wizard of Oz & Glinda of Oz PDF Book She explains "I have lived here many years Glinda plays the most active role in finding and restoring Princess Ozma , the rightful heir, to the throne of Oz, the search for whom takes place in the second book, The Marvelous Land of Oz , although Glinda had been searching for Ozma ever since the princess disappeared as a baby. Baum's children's novel The Wonderful Wizard of Oz refers to Glinda as the "Good Witch of the South"; she does not appear in the novel until late in its development. With the army quickly approaching Finley, China Girl, and finally Oz fall after her. She was old then and considered ugly by the cruel King Oz, thus causing him to brand her a witch. And Instead initiated a long grueling search across all the land of Oz, for the rightful ruler of royal blood. As the series draws to an end, Glinda telepathically contacts and saves Dorothy from falling to her death from a tower, following a confrontation with the Nome King and his minions. It is revealed that she wishes to wed Aiden, the Wizard of Oz. Glinda occasionally exhibits a more ruthless, cunning side than her counterparts or companions. In the books, Glinda is depicted as a beautiful young woman with long, rich rare red hair and blue eyes, wearing a pure white dress. -
A Representação Do Feminino No Mundo De Oz, De L. Frank Baum
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS MODERNAS PROGRAMA DE ESTUDOS LINGUÍSTICOS E LITERÁRIOS EM INGLÊS SUBÁREA DE LÍNGUA A REPRESENTAÇÃO DO FEMININO NO MUNDO DE OZ, DE L. FRANK BAUM ANA CAROLINA LAZZARI CHIOVATTO São Paulo – SP 2017 UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS MODERNAS PROGRAMA DE ESTUDOS LINGUÍSTICOS E LITERÁRIOS EM INGLÊS SUBÁREA DE LÍNGUA A REPRESENTAÇÃO DO FEMININO NO MUNDO DE OZ, DE L. FRANK BAUM Ana Carolina Lazzari Chiovatto Dissertação apresentada ao Programa de Pós-Graduação em Estudos Linguísticos e Literários em Inglês, do Departamento de Letras Modernas da Faculdade de Filosofia, Letras e Ciências Humanas, para a obtenção do título de Mestre em Letras. Orientadora Profa. Dra. Elizabeth Harkot de la Taille São Paulo – SP 2017 Nome: CHIOVATTO, Ana Carolina Lazzari Título: A Representação do Feminino no Mundo de Oz, de L. Frank Baum Dissertação apresentada à Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para obtenção do título de Mestre em Estudos Linguísticos e Literários em Inglês Aprovado em: Banca Examinadora Prof(a). Dr(a). Instituição: Julgamento: Assinatura: Prof(a). Dr(a). Instituição: Julgamento: Assinatura: Prof(a). Dr(a). Instituição: Julgamento: Assinatura: RESUMO Nos livros de L. Frank Baum cuja ação se desenvolve na Terra de Oz, as personagens femininas aparecem nas mais diversas funções, de protagonista a vilã, de fada a bruxa, de princesa a general, entre outras, sejam elas humanas, feéricas ou animais, desdobrando-se em diversos papéis e, desse modo, reproduzindo alguns estereótipos e quebrando outros.