Scientific Dive Procedures
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Stone Tidal Weirs, Underwater Cultural Heritage Or Not? Akifumi
Stone Tidal Weirs, Underwater Cultural Heritage or Not? Akifumi Iwabuchi Tokyo University of Marine Science and Technology, Tokyo, Japan, 135-8533 Email: [email protected] Abstract The stone tidal weir is a kind of fish trap, made of numerous rocks or reef limestones, which extends along the shoreline on a colossal scale in semicircular, half-quadrilateral, or almost linear shape. At the flood tide these weirs are submerged beneath the sea, while they emerge into full view at the ebb. Using with nets or tridents, fishermen, inside the weirs at low tides, catch fish that fails to escape because of the stone walls. They could be observed in the Pacific or the Yap Islands, in the Indian Ocean or the east African coast, and in the Atlantic or Oleron and Ré Islands. The UNESCO’s 2001 Convention regards this weir as underwater cultural heritage, because it has been partially or totally under water, periodically or continuously, for at least 100 years; stone tidal weirs have been built in France since the 11th century and a historical record notes that one weir in the Ryukyu Islands was built in the 17th century. In Japan every weir is considered not to be buried cultural property or cultural heritage investigated by archaeologists, but to be folk cultural asset studied by anthropologists, according to its domestic law for the protection of cultural properties. Even now in many countries stone tidal weirs are continuously built or restored by locals. Owing to the contemporary trait, it is not easy to preserve them under the name of underwater cultural heritage. -
NIKONOS Speedlighf
Nikon NIKONOS Speedlighf INSTRUCTION MANUAL NOMENCLATURE _______ CD Synchro socket index Joint collar @ Flash head positioning index @ Joint plate ® i ion mark @ i ion mark (@I (J) Sensor socket ® ro socket ® Synchro socket cover Joint @ @ Snp,erllinlht Arm@ ® Camera plug and locking ring Grip @ Sensor holder socket O-rings and lubricant @ @ Sensor holder positioning pin @ Bracket slot @ Bracket screw @Bracket Arm knob @ @ Buckle lock/release latch Battery chamber cap index @ Target -light holder @ @ calculation dial screw ® Exposure calculation dial Exposure calculation dial ® Distance scale scale mode selector ® @ Distance lines T-S switch ®> @ Non-TTL auto shooting aperture scale @ Non-TTL auto shooting aperture index Power switch ® scale 2 CONTENTS _________ NOMENCLATURE . 2 FOREWORD .. ... .. ...... ........ .. ..... 4 PREPARATION .......... ................... 4-6 Examining and lubricating the O-rings ... .. 5 The O-rings and their sealing method .... 6 TIPS ON SPEEDLIGHT CARE. .. 7 BASIC OPERATIONS . .. ..... ............... 8-16 CONTROLS IN DETAIL . ......... .... .. .... 17-30 Bracket ... .. ... .. .... .... ... .. .. ... ... 17 Arm .... .. ... ....... .. .. .. .. .. 17 Joint . ....... .... .. .. ... 18 Close-Up Shooting in the Non-TTL Automatic Mode . .. 18 Synchro Socket . .. 19 Sensor Socket . .. 19 Sensor Unit SU-101 (Optional). ... .. ... ... 20 Synchronization Speed . .. ....... ........ 20 Shooting Mode Selector. .. 21 Exposure Calculation Dial . ... ... .. 22 TTL Automatic Flash Control . .... 22-23 Non-TTL Automatic -
Nikon Report2017
Nikon 100th Anniversary Special Feature A Look Back at Nikon’s 100-Year History of Value Creation Nikon celebrated the 100th anniversary of its founding on July 25, 2017. Nikon has evolved together with light-related technologies over the course of the past century. Driven by our abundant sense of curiosity and inquisitiveness, we have continued to unlock new possibilities that have shined light on the path to a brighter future, creating revolutionary new products along the way. We pride ourselves on the contributions we have made to changing society. Seeking to make our hopes and dreams a reality, the Nikon Group will boldly pursue innovation over the next 100 years, striving to transform the impossible of yesterday into the normal of tomorrow. We will take a look back at Nikon’s 100-year history of value creation. 1917 Three of Japan’s leading optical 1946 Pointal ophthalmic lens manufacturers merge to form is marketed a comprehensive, fully integrated Nikon’s fi rst ophthalmic lens optical company known as Nikon brand name is adopted for Nippon Kogaku K.K. small-sized cameras Pointal Oi Dai-ichi Plant (now Oi Plant) Tilting Level E and Transit G 1918 is completed 1947 surveying instruments are marketed Nikon’s fi rst surveying instruments after World War II MIKRON 4x and 6x 1921 ultra-small-prism binoculars are marketed Nikon Model I small-sized 1948 camera is marketed The fi rst binoculars developed, designed and manufactured The fi rst Nikon camera and the by Nikon fi rst product to bear the MIKRON 6x “Nikon” name Nikon Model I Model -
A Field Guide to Bulkhead Connectors for Aquatica Digital Camera Housing: a Field Guide to Aquatica’S Strobe Connectors
A field guide to bulkhead connectors for Aquatica digital camera housing: A Field Guide to Aquatica’s strobe connectors This comprehensive guide is to help Aquatica users in selecting the proper strobe connectors for their housing it is divided in sec- tions addressing the various generation and brand for which we have manufactured housing for over the years. Please make sure to visit our website www.aquatica.ca for updated version of this document. Section 1: The classic Nikon type. These are found in the following legacy Aquatica housings for these cameras; Fuji S2 Pro Fuji S5 (same as Nikon D200) Nikon D2x Nikon D3 / D3x (not the D3s version) Nikon D40 / D40x / D60 Nikon D70 /D70s Nikon D80 Nikon D100 Nikon D200 Nikon D300 (not the D300s) Section 2: The newer Nikon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Nikon D3s (not the older D3/D3x version) Nikon D90 Nikon D300s Nikon D700 Section 3: The Classic Canon type. These are found in the following legacy Aquatica housings for these cameras; Canon 1Ds Mk III & 1D Mk IV Canon 5D (not 5D Mk II) Canon 30D Canon 40D / 50D Canon Digital Rebel / 300D Section 4: The newer Canon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Canon 5D Mk II (not the original 5D) Canon 7D Canon Digital Rebel T2i / 550D Section 5: The optical type. -
Digital Camera Fully Compatible, Newly Developed S-TTL System
Digital Camera Fully Compatible, Newly Developed S-TTL System "S-TTL" enables TTL auto shooting by an external strobe for a digital SLR camera as well as for a point & shoot digital camera. INON S-TTL auto strobe supports any manufactures' model providing highly accurate exposure control. Film camera era without strobe selection problem TTL stands for "Through The Lens" and TTL auto strobe system controls flash amount to provide correct exposure based on calculation by camera's internal sensor metering reflecting strobe light from a subject through the lens. This TTL system meters actual light amount reflecting from a subject providing accurate exposure. When we start with the history of underwater TTL auto strobe, underwater camera "NIKONOS V" released in 1984 was the first to provide automatic TTL flash control for underwater strobe SB-102, SB-103 succeeded by NIKONOS V compatible underwater strobes form other manufactures. The 5 pin electrical sync connector for NIKONOS V is most popular and widely adopted to connect an underwater strobe and underwater film camera (underwater camera / housing). A film SLR camera has flexibility to select an underwater strobe. As far as housing has NIKONOS type electrical sync connector and properly NIKONOS type 5 pin electrical wired, automatic TTL flash control is usable with any TTL auto strobe sync connector and NIKONOS V like Nikon SB-105, INON Z-220, Z-22 connected via electrical sync with INON Z-22 strobe cable. Film camera compatible strobe is not usable for a digital camera!? Underwater TTL strobe circumstances have been drastically altered with the spread of digital camera among divers. -
La Belle Agreement
AGREEMENT BETWEEN THE GOVERNMENT OF THE UNITED STATES OF AMERICA AND THE GOVERNMENT OF THE FRENCH REPUBLIC REGARDING THE WRECK OF LA BELLE The Government of the United States of America and the Government of the French Republic (hereinafter, “the Parties”), Considering that the vessel La Belle, which had been provided to Cavelier de La Salle, by the King of France in 1684 to establish a colony at the mouth of the Mississippi River, sank in 1686 in what is now Matagorda Bay, in the State of Texas of the United States of America; Recognizing that the Texas Historical Commission, an agency of the State of Texas (hereinafter, “the Commission”), located the remains of La Belle in July 1995 and that the State of Texas is currently in possession of the hull of La Belle and its associated artifacts (herein, “the wreck of La Belle”); Recognizing also the historical and archaeological importance of the wreck of La Belle, the site of the sinking, and the related documentation; Desiring to preserve and conserve the remains of the wreck of La Belle, and excavation records as well as the site of the sinking in order to transmit to future generations the historical evidence of the exploratory mission of Cavelier de La Salle in what is now Texas; Considering further that, to this end, cooperation in the field of research, preservation and display of the wreck of La Belle, in particular through the organization of exhibitions throughout the world, is necessary and that this can not be possible without a prior agreement on ownership of the wreck of La Belle, its use and any other legal issues of this nature; Have agreed as follows: - 2 - Article 1 1. -
Underwater Photographyphotography a Web Magazine
UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 Nikon D100 housings Fuji S2 housing Sony F707 housing Kodak DCS Pro 14n Sperm whale Nai’a liveaboard U/w photojournalist - Jack Jackson Henry the seadragon Scilly Seals Lights & divers Easy macro British fish Underwater tripod Visions 2002 UwP 1 What links these sites? Turn to page 7 to find out... UwP 2 UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 e mail [email protected] Contents 4 Travel & events 30 Meet Henry 43 Easy macro 8 New products 14 Sperm whale by Andy & Angela Heath with Ee wan Khoo 35 Scilly Seals 47 British fish with Tony Wu 19 Nai’a liveaboard with Will & Demelza by Mark Webster Posslethwaite 54 Size matters 35 Lights & divers by Jukka Nurminen & Alex Mustard by Pete Atkinson 25 U/w photojournalist by Martin Edge Cover photo by Tony Wu 58 Visions 2002 by Jack Jackson UwP 3 Travel & events Jim Breakell Tahiti talk at Dive Show, Oct 12/13 2002 In September Jim Breakell of Scuba Safaris went on a fact finding trip to the Pacific. First off he went to Ryrutu for for a few days humpback whale watching, then a week on the inaugural trip of the Tahiti Aggressor and then on to Bora Bora (what a hard life he has!) He will be giving an illustrated talk about his trip at the Dive Show in Birmingham on October 12/13th 2002. For more information contact Scuba Safaris, PO Box 8, Edenbridge, Kent TN8 7ZS. Tel 01342 851196. www.scuba-safaris.com John Boyle video trip May 2003 INVITATION John Boyle will be hosting a video diving trip from Bali to Komodo on Kararu next year. -
Raising La Belle Discovery Questions 1.) What Large Artifact Did Divers Find Under the Water That Told Them They Might Be At
Raising La Belle Discovery Questions 1.) What large artifact did divers find under the water that told them they might be at a sunken ship site? 2.) What early French Canadian city did La Salle help to settle? 3.) What kind of boats did La Salle and his men use to voyage down the Mississippi River in? 4.) Which French King did La Salle meet with at the Palace of Versailles to discuss plans for the French colonization of America? 5.) What country was France at war with at the time? 6.) Where did La Salle want to build his French fort/settlement? 7.) What tribe of Indians did La Salle and the French pioneers encounter after first landing in Texas? 8.) Which tribe assisted the French on their march north? 9.) What agency of our Texas state government identify and recover the Belle shipwreck? 10.) Name the part of the ship was preserved under the mud? 11.) What were some of the artifacts found on the ship? (Some of these are on display at the Texas State history museum in downtown Austin.) 13.) How did archeologists remove La Belle from the bottom of Matagorda Bay? 14.) Where is the ship today? Where will the public be able to see the ship when it is put on public display someday? Exercise # 1 Raising ‘La Belle’ Word Search Puzzle (Find and encircle in the letter puzzle the words listed below.) D B T F I F Y G A Q A E S Q Q Y X T O N Z R L T C O X Z T V A R M S E F G E A T H P V F R B O S E A L S Q M S P E L I E A B T R D O L W M J H D O G R D E S E R K C E G K U I U P O R R I J X B C S B S U T I U L O T G X E C S E A F R I S I P G C O J -
Underwater Photography Jul/Aug 2016 Issue 91
Underwater Photography Jul/Aug 2016 Issue 91 The magazine that doesn’t have to say anything here An experience without equal At Wakatobi, we take great pride in providing the ultimate in exclusive and personalised service. Our dive staff and private guides ensure your in-water experiences are perfectly matched to your abilities and interests. While at the resort, or on board our luxury dive yacht Pelagian, you need only ask and we will gladly provide any service or facility within our power. For all these reasons and more, Wakatobi takes top honors among discerning divers and photographers. “Simply put, it doesn’t get any better than this. Everything is about service and maximizing your diving experience. The dives were amazing, and the dive and hotel staff are first class. They will accommodate any request, but you hardly need to make any since they have thought of essentially everything!” Dr. Jim & Laurie Benjamin www.wakatobi.com Contents Underwater Photography 3 Editorial A web magazine UwP91 Jul/Aug 2016 4 News Travel & Events 34 Glowdive dome lighting by Phil Rudin 75 Bimini and Cat sharks by Albert Kok 13 New Products 56 Cave photography by Jean-Michel Machefert 37 Macro etiquette by Alex Tattersall 79 Seahorses and Pipefish by Mark Webster 62 Liveaboards 85 Book review 27 Pelican Air 1535 case by Colin Marshall by Peter Rowlands by Phil Rudin 76 Parting Shot 45 Fluo lighting by Peter Rowlands by Steve Miller Cover shot by Bassem Jamour Underwater Photography 2001 - 2016 29 Sony A6300 review © PR Productions 69 Secrets of the forest Publisher/Editor Peter Rowlands by Jim Decker 50 Monaco by Tom Burd www.pr-productions.co.uk by Bassem Jamour [email protected] Issue 91/3 www.uwpmag.com 4k stills in agreement that such practices are Editorial no longer acceptable. -
Introduction
NON-CONVENTIONAl SYSTEM IN UNDERWATER PHOTOGRAMMETRY A.Capra Istituto di Topografia, Geodesia e Geofisica Mineraria, Universita di Bologna. Viale Risorgimento,2- 40136 Bologna, ITAL Y Abstract The non-conventional monoscopic photogrammetric systems have been recently developped: they permit a low cost aquisition and data reduction, with an adequate accuracy in object coordinates in terrestrial and close range photogrammetry. The results of experiments with one of these systems in underwater photogrammetry are here presented with particular attention to obtainable accuracy. Key words : Non-conventional Monoscopic Analytical System Non-metric cameras Underwater Photogrammetry Introduction The employment of non-conventional coordinates at different photographie scales monoscopic photogrammetric systems of data in terrestrial and close range reduction has been remarkably developped in photog ram metry. the latest years. The author made some different applications These systems have a low cost of aquisition of one of these systems with non-metric (are utilizable with metric and non-metric cameras in underwater photogrammetry using cameras) and a low cost of data reduction ( an appropriate methodology. they cost about 10 times less than a classical The aim was to determine the accuracy of analytical reduction system). They are the method, that has been tested comparing photogrammetric multi-image restitution the coordinates obtained throgh systems that permit 3-D mesurements of an photogrammetric mesurements and the known. object or of a structure. The system is coordinates of the control points of a composed by a PC computer ( a good reference frame configuration is with microprocessor 386 ), The experiments have been executed with an a digitizer and a reduction software ( fig. -
Chapter 6 Underwater Photography
Chapter 6 Underwater Photography It is hard to imagine a more difficult endeavor than taking pictures underwater. You have to be at least partially crazy to get involved in it, and if you are not crazy when you start, it is virtually guaranteed to make you crazy. First, you have to learn to survive in an alien environment. Before you even think about the highly specialized photographic equipment required, you have to learn how to safely breathe and move about underwater. That means you have to become a certified diver. The most important qualification required to become a good underwater photographer is to be a good diver. You can’t worry about things like f- stops, depth of field, shutter speeds, exposure, point of focus, and other technical photographic stuff if you are not comfortable underwater. Things like breath and buoyancy control, awareness of time, depth and tank air pressure, must become second nature, like shifting while driving a car with a manual transmission. Underwater photography, even with excellent diving skills, state-of-the-art equipment, and plentiful subjects, is still a very low batting average endeavor. You fail much more often than you succeed. That means that you discard a lot more images than you keep. But the occasional “keeper” can make up for all the throwaways. Underwater photography offers the highest highs, and the lowest lows of any endeavor I know. Everything in underwater photography is stacked against success. First, unlike taking pictures topside, you have a very limited amount of time to capture your image (before you have to surface or drown.) Whatever underwater subject you are seeking on each dive, you have to find it in less than an hour, you can’t hang around all day waiting for something to appear. -
Underwater Speleology
( Underwater Speleology <" VOL. 11, no. 5 f"'" ....... ,', .. ,' ... ," ,m '"'''' "', ............. ,''', .................... ,,, ........... , ... ',,, ,.... ' " ........ ,...... , ..... " ....,""""'" '" 1; ", .. ". .. ,,:. THESE PHOTOS REPRESENT THE SORTS OF VISUAL REWARDS TO BE FOUND WHILE 6ETTIN6 WET IN 'DRY' CAVES, WHICH IS THE THE"E OF THIS YEAR'S WINTER WORKSHOP. SEE RELATED ARTICLE ON PA6E 4. NATIONAL SPELEOLOGICAL SOCIETY D~DgBH!rgB Sfg~gQ~QgI is the otticial CAVE DIVING SECTION publication ot the CAVE DIVING SECTION BOARD OF DIRECTORS of the NATIONAL SPELOLOGICAL SOCIETY, I~C. It is published bi-Montbly g.n~M.tf beginning in February. STEVE ORMEROID (NSS 1qB17) b2q REST FOURTH ST. Opinions expressed in this publication MARYSVILLE. OHIO 43B40 are those ot the autbor and do not (513) b42-7775 necessarily reflect tbe position of tbe Section, its Board of Directors or that !I!;a;=gBHBtlM~ of the National Speleological Society. MARl LONG P.O. BOI1b33 All SUbMissions to the newsletter are LEESBURG, FL. 32748 gratefully accepted and encouraged. There can be no newsletter if there is rBUSDB~B no news! A notice of receipt and the SANDY FEHRING estiMated tiMe of pUblication will be 35B8 BOLLOR OAI PLACE Mailed only if specifically requested. BRANDON, FL. 33511 (813) &89-752B Membership in the Ca~e Diving Section, which includes a subscription to the rB!I~I~g DIBggIQB newsletter, is open to all _eMbers in RES SKILES good standing of the National Speleolog P.O. BOI 73 ical Society at an annual cost of $5. Be. BRANFORD, FL. 32998 Subscriptions to non-Members are $7.B0 (994) 935-24&9 per year. Rhen making application for Membership or requesting subscription Hg"~gBS=.I=~!Bgg inforMation please contact: RAYNE MARSHALL P.