Dn Ay Cn Ei Cfi Fe Yg Re N E Tn Em Ev Or P Mi Yti La Uq Ru Ol

Total Page:16

File Type:pdf, Size:1020Kb

Dn Ay Cn Ei Cfi Fe Yg Re N E Tn Em Ev Or P Mi Yti La Uq Ru Ol nitmtAdagirein airtel otetrapeD tnemt fo lE tce r laci reenignE gni dna tamotuA noi era ytilauq ruoloc dna ycneicfife ygrenE ycneicfife dna ruoloc ytilauq era - o t l aA nI .gnithgi l ecfifo ni stcepsa tnatropmi stcepsa ni ecfifo l .gnithgi nI DD E ygren ycneicfife dna ecfifo eht thgil ot tnatropmi si ti ,noitidda ti si tnatropmi ot thgil eht ecfifo 602 derreferp ehT . gni thgi l derreferp ht iw moor iw ht derreferp l thgi gni . ehT derreferp / ecfifo na ni snoitidnoc suonimul snoitidnoc ni na ecfifo 6102 c ruolo ytilauq tnemevorpmi no tceffe evitisop a etaerc nac tnemnorivne nac etaerc a evitisop tceffe no a y i n aB j aR k a puR devorpmi ot sdael nrut ni taht rekrow ecfifo rekrow taht ni nrut sdael ot devorpmi laicos dna ,ytivitaerc ,ecnamrofrep krow ,ecnamrofrep ,ytivitaerc dna laicos a dn evitcejbus ecnereferp fo .ruoivaheb . L DE ecfifo gnithgil tnereffid ruof serolpxe siseht sihT siseht serolpxe ruof tnereffid ruoloc dna ycneicfife ygrene rof sehcaorppa rof ygrene ycneicfife dna ruoloc eseh .tneevorp ytilauq u a l i t y i pm r o v eme n t . hT e s e a r e gnithgil ,artceps DEL fo noitazimitpo fo DEL ,artceps gnithgil rm da ietphte-u n tfiorter t gni , taeh-euh sisehtopyh dna trams R kapu jaR ayinaB osla siseht ehT . lortnoc gnithgi l roodni l gnithgi lortnoc . ehT siseht osla DEL fo secnereferp evi tcejbus senimaxe tcejbus evi secnereferp fo DEL setagitsevni ti ,noitidda nI .gnithgil ecfifo .gnithgil nI ,noitidda ti setagitsevni spuorg c inhte eerht fo secnereferp TCC eht TCC secnereferp fo eerht inhte c spuorg E )a A n ,n A ap ruE( naepo , sA i na , dna fA r i )nac f o r DEL .gnithgi l ecfifo l .gnithgi NSI NBS 9-2607-06-259-879 ( p r i n t de ) + SSENISUB + gni thgi l ecfifo DEL fo ecnereferp evi tcejbus dna tnemevorpmi yt i lauq ruoloc dna ycneicfife ygrenE NSI NBS 2-1607-06-259-879 ( dp f ) E MONOC Y L-NSI NSS - L 9971 - 4394 NSI NSS 9971 - 4394 ( p r i n t de ) TRA + NSI NSS 9971 - 2494 ( dp f ) NGISED + HCRA I T TCE ERU ytisrevinU otlaA ytisrevinU gni reenignE laci r tcelE fo loohcS fo tcelE r laci reenignE gni ECNEICS + o aou n n engElc c Ef nm rapeD tnemt fo lE tce r laci reenignE gni dna tamotuA noi T E ONHC L GO Y if.otlaa.www . a a l t o . f i R VOSSORC RE COD T RO A L +jcgaha*GMFTSH9 COD T RO A L SNOITATRESSID SNOITATRESSID otlaA ytisrevinU 6102 Aalto University publication series DOCTORAL DISSERTATIONS 206/2016 Energy efficiency and colour quality improvement and subjective preference of LED office lighting Rupak Raj Baniya A doctoral dissertation completed for the degree of Doctor of Science (Technology) to be defended, with the permission of the Aalto University School of Electrical engineering, at a public examination held at the lecture hall T2 of the school on 11 November 2016 at 12 noon. Aalto University School of Electrical Engineering Department of Electrical Engineering and Automation Lighting Unit Supervising professor Prof. Liisa Halonen, Aalto university, Espoo, Finland Thesis advisors Dr. Eino Tetri, Aalto University, Espoo, Finland Dr. Pramod Bhusal, Aalto University, Espoo, Finland Preliminary examiners Prof. Tran Quoc Khanh, Technical University of Darmstadt, Germany Prof. Sermin Onaygil, Istanbul Technical University, Turkey Opponent Prof. Alexander Rosemann, Eindhoven University of Technology, The Netherlands Aalto University publication series DOCTORAL DISSERTATIONS 206/2016 © Rupak Raj Baniya ISBN 978-952-60-7062-9 (printed) ISBN 978-952-60-7061-2 (pdf) ISSN-L 1799-4934 ISSN 1799-4934 (printed) ISSN 1799-4942 (pdf) http://urn.fi/URN:ISBN:978-952-60-7061-2 Unigrafia Oy Helsinki 2016 Finland Abstract Aalto University, P.O. Box 11000, FI-00076 Aalto www.aalto.fi Author Rupak Raj Baniya Name of the doctoral dissertation Energy efficiency and colour quality improvement and subjective preference of LED office lighting Publisher School of Electrical Engineering Unit Department of Electrical Engineering and Automation Series Aalto University publication series DOCTORAL DISSERTATIONS 206/2016 Field of research Illumination Engineering and Electrical Building Services Manuscript submitted 21 June 2016 Date of the defence 11 November 2016 Permission to publish granted (date) 12 August 2016 Language English Monograph Article dissertation Essay dissertation Abstract The objectives of this thesis were to explore different approaches to improve energy efficiency and colour quality, and to find out the subjective preference of LED office lighting. Four approaches (optimization of LED spectra, lighting retrofitting, hue-heat hypothesis, and smart indoor lighting control) were studied for energy efficiency and colour quality improvement. Two experiments, one in lighting booths and the other in an office room, were conducted to examine subjective preferences. In the optimization of LED spectra, simulation work and subjective preference studies conducted in lighting booths suggested that preferred complex LED spectra (realized with 9 to 11 different types of LEDs) found in previous user acceptance studies can be optimized both for efficiency and cost without sacrificing the colour quality of the light. The lighting retrofitting case study showed that by replacing T8 fluorescent luminaires with LED luminaries, and the LED luminaries with inbuilt control systems, energy savings of up to 38% and 68% respectively, can be achieved with improvement of lighting quality and user satisfaction. The experiment conducted to test the hue-heat hypothesis using different correlated colour temperatures (CCTs) of white light did not provide support for the existence of a general correlation between CCT and thermal sensation or thermal comfort and indicated that people felt thermally more comfortable in an indoor workplace at the CCT of 4000 K than at the CCT of 2700 K or 6200 K. A methodology to incorporate data from lighting studies relating colour quality to comfort and productivity to the building automation system has been proposed and demonstrated. The subjective preferences in terms of illuminance and CCT and the CCT preference of three ethnic groups (Asian, European, and African) for LED office lighting were investigated in an office room. Nine different lighting situations (combining 300 lx, 500 lx, and 750 lx with 3000 K, 4000 K, and 5000 K) were compared. The combination of 750 lx with 4000 K was statistically significantly preferred over the other combinations for LED office lighting. It was also found that the CCT of 4000 K was preferred over the CCT of 3000 K for office lighting at 300 lx, 500 lx, and 750 lx. The results indicated that the impression of brightness, the feeling of stimulation, and the impression of spaciousness in office room increases with increased CCT. The study also showed that for office lighting the European group prefer the CCT of 4000 K, and with the Asian and African groups the preference between 4000 K and 5000 K depends upon illuminance levels. Keywords light emitting diode, energy efficiency, colour quality, lighting preference, correlated colour temperature, office lighting ISBN (printed) 978-952-60-7062-9 ISBN (pdf) 978-952-60-7061-2 ISSN-L 1799-4934 ISSN (printed) 1799-4934 ISSN (pdf) 1799-4942 Location of publisher Helsinki Location of printing Helsinki Year 2016 Pages 124 urn http://urn.fi/URN:ISBN:978-952-60-7061-2 Preface The research work in this thesis was carried out at the Lighting Unit, Aalto University School of Electrical Engineering. A Part of the work was carried out in the project “Solid State Lighting for Europe (SSL4EU)” funded by the European Commission in the Seventh Framework Programme. Another part of the work was supported by the project “RYM Indoor Environment” funded by the Finnish Funding Agency for Technology and Innovation (TEKES), Aalto University and several Finnish companies. The work was also partly carried out in the projects “Energy Efficiency with Nanotechnology (EffiNano)” and ”Light Energy” funded by Aalto University Energy Efficiency Research Programme. I acknowledge and thank all of the institutions for their support. I would also like to thank the Aalto ELEC Doctoral School for funding my doctoral studies for the duration of 2 years. I like to sincerely thank my supervisor, Professor Liisa Halonen, for believing in me and giving me opportunity to join in the Lighting Unit for my doctoral studies. I would like to express deepest appreciation to her for all of her help, support, advice, guidance and encouragement throughout the years that I have been working at the Lighting Unit. I would like to express my gratitude to my advisors Dr. Eino Tetri and Dr. Pramod Bhusal for their guidance, constructive criticism and encouragement that has helped me grow as a scientist. I would like to thank the preliminary examiners of this thesis, Professor Tran Quoc Khanh from Technical University of Darmstadt, Germany and Professor Sermin Onaygil from Istanbul Technical University, Turkey for their observations and comments on this thesis. I would also like to thank Professor Alexander Rosemann from Eindhoven University of Technology, the Netherlands for accepting to be my opponent. I am also grateful to Dr. Marjukka Puolakka, Dr. Rajendra Dangol, M.Sc. (Tech.) Jukka Virtanen, M.Sc. (Tech.) Marta Gavioli, Dipl-Ing (FH) Alexander Wilm and Dipl-Phys Elmar Baur for their cooperation in publications which have been included in this thesis. I would like to thank Dr. Mikko Hyvärinen, Dr. Mohammad Shahidul Islam, Dr. Paulo Pinho and M.Sc. (Tech.) Mikko Maksimainen, Leena Väisänen, Esa Kurhinen for their help, discussion and giving their time when needed. I would also like to thank all of my colleagues at the lighting Unit for the positive working atmosphere. My heartfelt gratitude go out to my family: To my parents, who have dedicated their life for me and made me what I am today---thank you for your 5 unconditional love, support and all the sacrifices you have made for me.
Recommended publications
  • Preferred Illuminance and Color Temperature Combination
    Oi, Preferred Illuminance and Color Temperature Combination PREFERRED COMBINATIONS BETWEEN ILLUMINANCE AND COLOR TEMPERATURE IN SEVERAL SETTINGS FOR DAILY LIVING ACTIVITIES Naoyuki Oi, Hironobu Takahashi Kyushu University ABSTRACT Illuminance and color temperature are widely recognized as important factors in interior lighting. Luminance and preferred color temperature are known to be related each other, since Kruithof showed the comfortable illuminance zone related to the color temperature of light sources. However, recent research papers showed the Kruithof's curve is not always useful. It seems to be because Kruithof does not consider the influence of activities to the preference of lighting condition. This paper shows the result of subjective evaluation of scale models on preferred combinations between luminance and color temperature in six settings of living activities at home. For the experiment, 1:10 scale models illuminated with the light source consists of red, green, and blue compact fluorescent tubes with controllers were used. Lighting conditions used are the combination of illuminance (50, 100, 200, 400, 800lux) and color temperature (3000, 4200, 5000, 6500K). Interior color is white, with a small color patch on the wall. Six settings of Living activities are the space for "relaxing", "family gathering", "dining", "cooking", "studying", and "retiring (bedroom before sleep)". Three variables: "preference", "brightness", and "naturalness of color appearance" are evaluated. In the space for relaxing, low color temperature and relatively low illuminance are preferred. In the space for family gathering, preferred conditions are similar to the Kruithof's comfortable zone except high illuminance over 200lux. These results are generally similar to Nakamura's result. In the space for dining, preferred conditions are similar to the Kruithof's comfortable zone.
    [Show full text]
  • Standard Colour Spaces
    Artists House t: +44 (0)20 7292 0400 14-15 Manette St f: +44 (0)20 7292 0401 London, W1D 4AP www.filmlight.ltd.uk UNITED KINGDOM Technical Note Standard Colour Spaces Richard Kirk Document ref. FL-TL-TN-0417-StdColourSpaces Creation date January 9, 2004 Last modified 30 November 2010 Version no. 4.0 Summary In 1931, the Commission Internationale d'Éclairiage (CIE) recommended a system for colour measurement. This system allowed the specification of colour matches using the CIX XYZ tristimulus values. In 1976, the CIE recommended the CIE LAB and CIE LUV colour spaces for the measurement of colour differences, and colour tolerances. These colour spaces, and their more modern variants are the basic tools for modern colorimetry. You can use Truelight without knowing all about CIE colour spaces. However, if you wonder why the XYZ and the L*a*b* calibration for the same monitor look different, you may find your explanation here. Whites are dealt with in a separate section. Most of us know what white paper and white paint is. We might think we know what white light is too. A full discussion of what is and what is not 'white' is much too big a task for this small note, but we introduce a few basic issues. Scanners and printers usually communicate in their own device-dependent RGB. Video has its own colour standard. Densitometers use Status A and Status M colour spaces. We describe all the spaces that Truelight uses to build up a colour transform. Finally we describe a number of effects that are not covered by the standard colour models.
    [Show full text]
  • Preferred Colour Temperatures of Ambient Light at Different Light Level Settings
    PO128 PREFERRED COLOUR TEMPERATURES OF AMBIENT LIGHT AT DIFFERENT LIGHT LEVEL SETTINGS Tommy Goven et al. DOI 10.25039/x46.2019.PO128 from CIE x046:2019 Proceedings of the 29th CIE SESSION Washington D.C., USA, June 14 – 22, 2019 (DOI 10.25039/x46.2019) The paper has been presented at the 29th CIE Session, Washington D.C., USA, June 14-22, 2019. It has not been peer-reviewed by CIE. CIE 2019 All rights reserved. Unless otherwise specified, no part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and microfilm, without permission in writing from CIE Central Bureau at the address below. Any mention of organizations or products does not imply endorsement by the CIE. This paper is made available open access for individual use. However, in all other cases all rights are reserved unless explicit permission is sought from and given by the CIE. CIE Central Bureau Babenbergerstrasse 9 A-1010 Vienna Austria Tel.: +43 1 714 3187 e-mail: [email protected] www.cie.co.at Govén, T., Laike, T. PREFERRED COLOUR TEMPERATURES OF AMBIENT LIGHT AT DIFFERENT LIGHT … PREFERRED COLOUR TEMPERATURES OF AMBIENT LIGHT AT DIFFERENT LIGHT LEVEL SETTINGS Tommy Govén1, Thorbjörn Laike2 1 Svensk Ljusfakta, Stockholm, SWEDEN, 2 Lund University, Lund, SWEDEN [email protected], [email protected] DOI 10.25039/x46.2019.PO128 Abstract Ambient light is taken more into account in today’s lighting design as it has a major impact on human well-being as well as reduction of glare.
    [Show full text]
  • Chapter 2 Incandescent Light Bulb
    Lamp Contents 1 Lamp (electrical component) 1 1.1 Types ................................................. 1 1.2 Uses other than illumination ...................................... 2 1.3 Lamp circuit symbols ......................................... 2 1.4 See also ................................................ 2 1.5 References ............................................... 2 2 Incandescent light bulb 3 2.1 History ................................................. 3 2.1.1 Early pre-commercial research ................................ 4 2.1.2 Commercialization ...................................... 5 2.2 Tungsten bulbs ............................................. 6 2.3 Efficacy, efficiency, and environmental impact ............................ 8 2.3.1 Cost of lighting ........................................ 9 2.3.2 Measures to ban use ...................................... 9 2.3.3 Efforts to improve efficiency ................................. 9 2.4 Construction .............................................. 10 2.4.1 Gas fill ............................................ 10 2.5 Manufacturing ............................................. 11 2.6 Filament ................................................ 12 2.6.1 Coiled coil filament ...................................... 12 2.6.2 Reducing filament evaporation ................................ 12 2.6.3 Bulb blackening ........................................ 13 2.6.4 Halogen lamps ........................................ 13 2.6.5 Incandescent arc lamps .................................... 14 2.7 Electrical
    [Show full text]
  • A World of Services for Passengers Improvement of Lighting Ambience
    Challenge D: A world of services for passengers Improvement of lighting ambience on board trains: experimental results on the combined effect of light parameters and seat colours on perception C. Talotte*, S. Ségrétain*, J. Gonac’h¤, J. Le Rohellec# *SNCF Innovative and Research Department, Paris, France ¤CNRS LCPE/LAM Laboratory, Paris, France #CNRS MNHN Laboratory, Paris, France Summary For the time being, lighting specifications for train interiors include only functional parameters of illuminance (level and uniformity) and standards are more oriented on security than on comfort target. Since three years now, SNCF has developed a research program on visual comfort in order to better understand customer's perception and expectations about lighting ambience and improve specifications for new trains and refurbishing for existing ones. The paper presents experimental results on the combined effect of light parameters and seat colours on passengers’ perception. The results confirmed thus obtained from commercial inquiries concerning the illuminance levels which are perceived as too high. Our results show that if a level <150 Lux is proposed, the lighting ambience is perceived as relaxing and soft while it is perceived as glaring, aggressive and tiring if the illuminance is >200 Lux which is usually the case in actual train interiors. 1. Introduction For the time being, lighting specifications for train interiors include only functional parameters of illuminance (level and uniformity) and standards are more oriented on security than on comfort target. The EN 13272 standard [EN 13 272, 2002] suggests to fix the illuminance in train coaches at least at 150 Lux. No maximum thresholds are proposed and some train configurations can reach in actual practice 200 Lux as 400 Lux without any specification.
    [Show full text]
  • Book IX Composition
    D DD DD Composition DDDDon.com DDDD Basic Photography in 180 Days Book IX - Composition Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Composition (visual arts) ....................................... 1 1.1.1 Elements of design ...................................... 1 1.1.2 Principles of organization ................................... 3 1.1.3 Compositional techniques ................................... 4 1.1.4 Example ............................................ 8 1.1.5 See also ............................................ 9 1.1.6 References .......................................... 9 1.1.7 Further reading ........................................ 9 1.1.8 External links ......................................... 9 1.2 Elements of art ............................................ 9 1.2.1 Form ............................................. 10 1.2.2 Line ............................................. 10 1.2.3 Color ............................................. 10 1.2.4 Space ............................................. 10 1.2.5 Texture ............................................ 10 1.2.6 See also ............................................ 10 1.2.7 References .......................................... 10 1.2.8 External links ......................................... 11 2 Day 2 12 2.1 Visual design elements and principles ................................. 12 2.1.1 Design elements ........................................ 12 2.1.2 Principles of design ...................................... 15 2.1.3 See also ...........................................
    [Show full text]
  • Book III Color
    D DD DDD DDDDon.com DDDD Basic Photography in 180 Days Book III - Color Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Theory of Colours ........................................... 1 1.1.1 Historical background .................................... 1 1.1.2 Goethe’s theory ........................................ 2 1.1.3 Goethe’s colour wheel .................................... 6 1.1.4 Newton and Goethe ..................................... 9 1.1.5 History and influence ..................................... 10 1.1.6 Quotations .......................................... 13 1.1.7 See also ............................................ 13 1.1.8 Notes and references ..................................... 13 1.1.9 Bibliography ......................................... 16 1.1.10 External links ......................................... 16 2 Day 2 18 2.1 Color ................................................. 18 2.1.1 Physics of color ....................................... 20 2.1.2 Perception .......................................... 22 2.1.3 Associations ......................................... 26 2.1.4 Spectral colors and color reproduction ............................ 26 2.1.5 Additive coloring ....................................... 28 2.1.6 Subtractive coloring ..................................... 28 2.1.7 Structural color ........................................ 29 2.1.8 Mentions of color in social media .............................. 30 2.1.9 Additional terms ....................................... 30 2.1.10 See also ...........................................
    [Show full text]
  • TAOS Colorimetry Tutorial "The Science of Color" Contributed by Todd Bishop and Glenn Lee February 28, 2006
    TAOS Inc. is now ams AG The technical content of this TAOS document is still valid. Contact information: Headquarters: ams AG Tobelbader Strasse 30 8141 Premstaetten, Austria Tel: +43 (0) 3136 500 0 e-Mail: [email protected] Please visit our website at www.ams.com Number 20 White Paper TAOS Colorimetry Tutorial "The Science of Color" contributed by Todd Bishop and Glenn Lee February 28, 2006 ABSTRACT The purpose of this paper is to give a brief overview of colorimetry. Colorimetry is the science of measuring color and color appearance. The main focus of colorimetry has been the development of methods for predicting perceptual matches on the basis of physical measurements. This topic is much too broad to be covered by one document, so a general coverage of the subject will be introduced. COLOR AND LIGHT The question of what is color would seem to be an easy one at face value. If a child was asked what color an apple was, they would say red. But what does red really mean? Most people have been asked the riddle, “if a tree falls in the forest and no one is there to hear it, does it make a sound?” The answer is it makes a sound wave, but it is not a sound until a brain interprets the sound wave. The same can be said if the riddle asks, “what color is a tree if no one is there to see it?” A ‘color’ is an interaction between a very small range of electromagnetic waves and the eyes and brain of a person.
    [Show full text]
  • How Smart Leds Lighting Benefit Color Temperature and Luminosity
    energies Article How Smart LEDs Lighting Benefit Color Temperature and Luminosity Transformation Yu-Sheng Huang 1, Wei-Cheng Luo 1, Hsiang-Chen Wang 1, Shih-Wei Feng 2, Chie-Tong Kuo 3 and Chia-Mei Lu 4,* 1 Graduate Institute of Opto-Mechatronics, National Chung Cheng University, 168 University Rd., Min-Hsiung, Chia-Yi 62102, Taiwan; [email protected] (Y.-S.H.); [email protected] (W.-C.L.); [email protected] (H.-C.W.) 2 Department of Applied Physics, National University of Kaohsiung, 700 Kaohsiung University Rd., Nanzih District, Kaohsiung 81148, Taiwan; [email protected] 3 Department of Physics, National Sun Yat-sen University, 70 Lienhai Rd., Kaohsiung 80424, Taiwan; [email protected] 4 Department of Digital Multimedia Design, Cheng Shiu University, 840 Chengcing Rd., Niaosong District, Kaohsiung 83347, Taiwan * Correspondence: [email protected]; Tel.: +886-7-735-8800 (ext. 5508) Academic Editor: Jean-Michel Nunzi Received: 20 February 2017; Accepted: 5 April 2017; Published: 11 April 2017 Abstract: Luminosity and correlated color temperature (CCT) have gradually become two of the most important factors in the evaluation of the performance of light sources. However, although most color performance evaluation metrics are highly correlated with CCT, these metrics often do not account for light sources with different CCTs. This paper proposes the existence of a relationship between luminosity and CCT to remove the effects of CCT and to allow for a fairer judgment of light sources under the current color performance evaluation metrics. This paper utilizes the Hyper-Spectral Imaging (HSI) technique to recreate images of a standard color checker under different luminosities, CCT, and light sources.
    [Show full text]
  • The Symbolism of Colour in English Language”
    THE MINISTRY OF HIGHER AND SECONDARY SPECIALIZED EDUCATION OF THE REPUBLIC OF UZBEKISTAN The uzbek state world languages university II ENGLISH PHILOLOGY FACULTY “ENGLISH APLIED SCIENCES” DEPARTMENT QUALIFICATION PAPER on “The symbolism of colour in English language” Written by the student of the 4 course Group 427 B Abdukarimona N.A ___________________________ Scientific supervisor PhD Atahanova G.Sh. ______________________________ This qualification paper is considered and admitted to defense Protocol №___9_______of ”_27_”___aprel____2011 TASHKENT 2011 Contents Introduction ……………………………………………………………… 3 Chapter I THE MAIN ASPECTS OF COLOR 1.1 Development of theories of color……………………………..……….6 1.2 Color naming and associations……………………………...……..…10 1.3 Color term ………………………………………………..…….…..…12 Chapter II THE ANALYSIS OF COLOR TERMS 2.1 Semantics of Symbol …………………………………………....……..18 2.2 Structural Features of Symbol…………………………….……..…….22 2.3 Comparative Analysis of Semantics and main tropes – metaphor and metonymy………………………………………………………….…..27 2.4 Semantic and Stylistic Analysis of Color Terms…………………..…51 Conclusion ……………………………………………………………….…63 Bibliography ……………………………………………………………..…65 INTRODUCTION It is probably useless to prove that vocabulary is an important part of language and hence its importance for any student of English Our work deals with words and expressions denominating colours, therefore the term colour words is used. Due to their nature knowledge of such words and some stores to look for them are essential for advertising, art students and other. Nowadays more and more people get access to different types of texts written in English. Understanding of fiction of different types, advertisements, names of food-stuffs and other goods, appearing both in typographic print and in the Internet become a professional and everyday need of more and more people.
    [Show full text]
  • Colour Rendering of Indoor Lighting with CIE Illuminants and White Leds for Normal and Colour Deficient Observers Joa˜O M
    Ophthal. Physiol. Opt. 2010 30: 618–625 Colour rendering of indoor lighting with CIE illuminants and white LEDs for normal and colour deficient observers Joa˜o M. M. Linhares, Paulo E. R. Felgueiras, Paulo D. Pinto and S. M. C. Nascimento Department of Physics, University of Minho, Campus de Gualtar, Braga, 4710-057, Portugal Abstract The goal of this work was to evaluate the colour rendering of indoor lighting with CIE illuminants and white LEDs by estimating the chromatic diversity produced for normal and colour deficient observers. Reflectance spectra of a collection of scenes made of objects typically found indoors were obtained with hyperspectral imaging. Chromatic diversity was computed for 55 CIE illuminants and five LED light sources by estimating the number of different colours perceived in the scenes analysed. A considerable variation in chromatic diversity was found across illuminants, with the best producing about 50% more colours than the worst. For normal observers, the best illuminant was CIE FL3.8 which produced about 8% more colours than CIE illuminant A and D65; for colour deficient observers, the best illuminants varied with the type of deficiency. When the number of colours produced with a specific illuminant was compared against its colour rendering index (CRI) and gamut area index (GAI), weak correlations were obtained. Together, these results suggest that normal and colour deficient observers may benefit from a careful choice of the illuminant, and this choice may not necessarily be based only on the CRI or GAI. Keywords: colour deficiencies, colour gamut, colour rendering, colour vision, illumination Colour Rendering Index (CRI)(CIE, 1995), has, how- Introduction ever, a number of limitations (Xu, 1993; CIE, 1995; van The visual perception of a scene is critically influenced Trigt, 1999) and other quality measures have been by the spectral composition of the illumination (Davis considered (Pointer, 1986; Xu, 1997; Davis and Ohno, and Ginthner, 1990; Fotios, 2001; Scuello et al., 2005; Li, 2008).
    [Show full text]
  • Modeling and Control of Color Tunable Lighting Systems
    Energy and Buildings 68 (2014) 242–253 Contents lists available at ScienceDirect Energy and Buildings j ournal homepage: www.elsevier.com/locate/enbuild Modeling and control of color tunable lighting systems a b,∗ a c Sina Afshari , Sandipan Mishra , Agung Julius , Fernando Lizarralde , d a John D. Wason , John T. Wen a Department of Electrical, Computer, and Systems Engineering, Rensselaer Polytechnic Institute, 110, 8th Street, Troy, NY 12180, USA b Department of Mechanical, Aerospace, and Nuclear Engineering, Rensselaer Polytechnic Institute, 110, 8th Street, Troy, NY 12180, USA c Department of Electrical Engineering, COPPE/UFRJ, P.O. Box 68504, CP 21945/970, Rio de Janeiro, Brazil d Wason Technology, LLC, 740, Hoosick Road, Box 4117, Troy, NY 12180, USA a r t i c l e i n f o a b s t r a c t Article history: Electric lighting has not substantially changed in over 100 years. From incandescent bulbs to fluorescent Received 8 April 2013 tubes, the efficiency remains low and control mostly involves on/off or dimming. The new wave of solid Received in revised form 15 July 2013 state lighting offers the possibility of sensor-based intensity regulation, color control, and energy effi- Accepted 20 August 2013 ciency, under varying needs and environmental conditions. This paper formulates the lighting control problem as an optimization problem balancing color fidelity, human perception and comfort, light field Keywords: uniformity, and energy efficiency. The optimization problem is solved based on the light propagation Smart lighting model, which is adaptively updated with color sensor feedback to account for changing ambient lighting Feedback control conditions, such as daylighting.
    [Show full text]