Un Film De Masaaki Yuasa
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Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Download the Program (PDF)
ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
Tightbeam 305 Part 1
Tightbeam 305 February 2020 Fairy Sword by Angela K. Scott Tightbeam 305 February 2020 The Editors are: George Phillies [email protected] 48 Hancock Hill Drive, Worcester, MA 01609. Jon Swartz [email protected] Art Editors are Angela K. Scott, Jose Sanchez, and Cedar Sanderson. Anime Reviews are courtesy Jessi Silver and her site www.s1e1.com. Ms. Silver writes of her site “S1E1 is primarily an outlet for views and reviews on Japanese animated media, and occasionally video games and other entertainment.” Regular contributors include Declan Finn, Jim McCoy, Pat Patterson, Tamara Wilhite, Chris Nuttall, Tom Feller, and Heath Row. Declan Finn’s web page de- clanfinn.com covers his books, reviews, writing, and more. Jim McCoy’s reviews and more appear at jimbossffreviews.blogspot.com. Pat Patterson’s reviews ap- pear on his blog habakkuk21.blogspot.com and also on Good Reads and Ama- zon.com. Tamara Wilhite’s other essays appear on Liberty Island (libertyislandmag.com). Chris Nuttall’s essays and writings are seen at chrishang- er.wordpress.com and at superversivesf.com. Some contributors have Amazon links for books they review; use them and they get a reward from Amazon. Regular short fiction reviewers Greg Hullender and Eric Wong publish at RocketStackRank.com. Cedar Sanderson’s reviews and other interesting articles appear on her site www.cedarwrites.wordpress.com/ and its culinary extension . Tightbeam is published approximately monthly by the National Fantasy Fan Federation and distributed electronically to the membership. The N3F offers four different memberships. Memberships with The National Fantasy Fan (TNFF) via paper mail are $18; memberships with TNFF via email are $6. -
Kotatsu Japanese Animation Film Festival 2017 in Partnership with the Japan Foundation
Kotatsu Japanese Animation Film Festival 2017 In partnership with the Japan Foundation Chapter - September 29th - October 1st, 2017 Aberystwyth Arts Centre – October 28th, 2017 The Largest Festival of Japanese Animation in Wales Announces Dates, Locations and Films for 2017 The Kotatsu Japanese Animation Festival returns to Wales for another edition in 2017 with audiences able to enjoy a whole host of Welsh premieres, a Japanese marketplace, and a Q&A and special film screening hosted by an important figure from the Japanese animation industry. The festival begins in Cardiff at Chapter Arts on the evening of Friday, September 29th with a screening of Masaaki Yuasa’s film The Night is Short, Walk on Girl (2017), a charming romantic romp featuring a love-sick student chasing a girl through the streets of Kyoto, encountering magic and weird situations as he does so. Festival head, Eiko Ishii Meredith will be on hand to host the opening ceremony and a party to celebrate the start of the festival which will last until October 01st and include a diverse array of films from near-future tales Napping Princess (2017) to the internationally famous mega-hit Your Name (2016). The Cardiff portion of the festival ends with a screening of another Yuasa film, the much-requested Mind Game (2004), a film definitely sure to please fans of surreal and adventurous animation. This is the perfect chance for people to see it on the big-screen since it is rarely screened. A selection of these films will then be screened at the Aberystywth Arts Centre on October 28th as Kotatsu helps to widen access to Japanese animated films to audiences in different locations. -
Desmemórias De Isabela
UNIVERSIDADE FEDERAL DE JUIZ DE FORA INSTITUTO DE ARTES E DESIGN BACHARELADO EM CINEMA E AUDIOVISUAL DESMEMÓRIAS DE ISABELA Ana Paula Sakajiri Érica Marques Filgueiras Juiz de Fora Novembro de 2018 2 Ana Paula Sakajiri Érica Marques Filgueiras DESMEMÓRIAS DE ISABELA Monografia apresentada à Universidade Federal de Juiz de Fora como requisito para obtenção do título de Bacharel em Cinema e Audiovisual. Orientador: Prof. Dr. Luis Antonio Dourado Junior Orientador: Prof. Dr. Sérgio José Puccini Soares Juiz de Fora 2018 3 5 AGRADECIMENTOS Aos nossos familiares que sempre nos apoiaram e se sacrificaram muito para que chegássemos até aqui. Gostaríamos de agradecer a eles pela paciência e dedicação. A todos os nossos amigos que nos apoiaram, em especial Jéssica e Renan que ajudaram durante algumas gravações sonoras. Aos nossos voice actors1 Fernando, Guilherme, Lara e Monique que ao aceitarem fazer as vozes originais dos nossos personagens tornaram nossa história possível. Aos nossos orientadores Luis Dourado e Sérgio Puccini, pela paciência e pelas palavras de motivação. A todos os professores que, de alguma forma, nos guiaram e nos incentivaram, além de compartilharem todo seu conhecimento durante esses anos. Ao Estúdio Almeida Fleming e ao Eduardo que tornaram possível essa realização. Finalmente, agradecemos pela nossa amizade que fez que esse curta-metragem nascesse e saísse do papel. 1 Profissionais que criam as vozes dos personagens. 6 RESUMO Desmemórias de Isabela é um curta-metragem de ficção animado com duração de 10 minutos e 20 segundos, que se passa em um ambiente acadêmico tendo como personagem principal uma jovem estudante chamada Isabela. No seu decorrer a protagonista se beneficia de suas habilidades, onde as fronteiras entre memória e realidade são flexíveis, sem que seus amigos tenham consciência disso. -
Con De Animaci Ó N Revista Anual De Investigación Nº 9
1 CON DE ANIMACI Ó N REVISTA ANUAL DE INVESTIGACIÓN Nº 9. 2019: ANIME Y VIDEOJUEGOS http://conadeanimacion.upv.es/ Edita: Grupo de Animación: Arte e Industria Coordinación de este número: Dep. Dibujo, Universitat Politècnica de València Antonio Horno López María Lorenzo Hernández Dirección de la revista: María Lorenzo Hernández Maquetación: Dep. Dibujo, Universitat Politècnica de València Patricia Lara Hernández Consejo de Redacción: Soporte técnico y diseño web: Sara Álvarez Sarrat Luis Morcillo Muñoz Dep. Dibujo, Universitat Politècnica de València Mª Susana García Rams Imagen de cubierta: Dep. Dibujo, Universitat Politècnica de València Masashi Kishimoto© Raúl González Monaj Noaoko Takeuchi© DCADHA, Universitat Politècnica de València Oh! Great!© Isabel Herguera Tatsuya Egawa© Kuntschochschule für Medien Köln (Alemania) Beatriz Herráiz Zornoza Colaboradores de este número: DCADHA, Universitat Politècnica de València Rocío Benavent Laura Montero Plata Mª Ángeles López Izquierdo Antonio Jesús Busto Algarín Adriana Navarro Álvarez Dep. Dibujo, Universitat Politècnica de València Mario Ceballos Fernández Lidia Núñez Sánchez Ignacio Meneu Oset Silvia Carpizo de Diego Maria Pagés Dep. Dibujo, Universitat Politècnica de València Celia Cuenca García José Manuel Palenzuela Miguel Vidal Ortega Marta García Villar Miguel Ángel Roque Dep. Dibujo, Universitat Politècnica de València Eliane Gordeeff Alberto Daniel Villa Gracia Paula Tavares Manuel Hernández-Pérez Samuel Viñolo Locubiche Escuela Superior de Diseño del Politécnico de Cávado y Ave (Portugal) Antonio Horno López Iris Wazarus Begoña Vicario Lydia Huijbregts Jaén Facultad de Bellas Artes, Euskal Herriko Unibertsitatea Pilar Yébenes Cortés Dep. Comunicación, Universidad Europea de Madrid Agradecimientos: Deconstructeam, Wild Frame, Nacho Rodríguez, José Luis Farias, Comité Científico: César Díaz, Sergio Lara, Sonia Iglesias, Sara Carramiñana, Abel Aramís Acosta Caulineau Góngora, Carlos Arenas, Emilio Martí, Adolfo Muñoz, Ana M. -
La Experiencia De Animadores Españoles Creando Anime En Japón. Entrevista Con Abel Góngora
58 La experiencia de animadores españoles creando anime en Japón. Entrevista con Abel Góngora LA EXPERIENCIA DE ANIMADORES ESPAÑOLES CREANDO ANIME EN JAPÓN. ENTREVISTA CON ABEL GÓNGORA Antonio Jesús Busto Algarín (Busto) Universitat Politècnica de València Abel Góngora (Barcelona, 1983) estudió en la Abel Góngora (Barcelona, 1983) studied at the Facultad de Bellas Artes de la Universitat Po- Faculty of Fine Arts in Universitat Politècnica de litècnica de València y se especializó en anima- València where he enrolled in the animation line. ción. Ha trabajado para prestigiosos estudios He has worked for prestigious animation studios de animación de todo el mundo: su primer around the world, having his first working year año laboral lo desarrolla en Irlanda, en Car- in Ireland, at Cartoon Saloon; during five years toon Saloon; durante cinco años en Francia he worked in France for the famous French-Ja- trabaja para el famoso estudio de coproducción panese co-production studio Ankama, specifically franco-japonesa Ankama, concretamente para for the series Wakfu (2008-); Since then, the last la serie Wakfu (2008-); desde entonces, los úl- five years until now he has continued his career timos cinco años hasta la actualidad ha conti- as animation and animation supervisor Flash in nuado su carrera como supervisor de animación Science Saru, the studio by the well-known Japa- y animador Flash en Science Saru, el estudio nese director Masaaki Yuasa, helping to develop del famoso director japonés Masaaki Yuasa, famous anime series such as Shin Chan -
Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth Is Organized by JETRO / UNIJAPAN with the Support from Agency for Cultural Affairs (Goverment of Japan)
JA P A N BOOTH 2 O 1 6 i n C A N N E S M a y 1 1 - 2 O, 2 O 1 6 Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth is Organized by JETRO / UNIJAPAN with the support from Agency for Cultural Affairs (Goverment of Japan). JETRO, or the Japan External Trade Organization, is a government-related organization that works to promote mutual trade and investment between Japan and the rest of the world. Originally established in 1958 to promote Japanese exports abroad, JETRO’s core focus in the 21st century has shifted toward promoting foreign direct investment into Japan and helping small to medium-sized Japanese firms maximize their global business potential. UNIJAPAN is a non-profit organization established in 1957 by the Japanese film industry under the auspice of the Government of Japan for the purpose of promoting Japanese cinema abroad. Initially named “Association for the Diffusion of Japanese Film Abroad” (UniJapan Film), in 2005 it joined hands with the organizer of Tokyo International Film Festival (TIFF), to form a combined, new organization. CONTENTS 1 Asmik Ace, Inc. 2 augment5 Inc. 3 CREi Inc. 4 Digital Frontier, Inc. 5 Gold View Co., Ltd 6 Hakuhodo DY music & pictures Inc. (former SHOWGATE Inc.) 7 nondelaico 8 Open Sesame Co., Ltd. 9 POLYGONMAGIC Inc. 10 Production I.G 1 1 SDP, Inc. 12 STUDIO4˚C Co., Ltd. 13 STUDIO WAVE INC. 14 TOHOKUSHINSHA FILM CORPORATION 15 Tokyo New Cinema, Inc. 16 TSUBURAYA PRODUCTIONS CO., LTD. 17 Village INC. CATEGORY …Action …Drama …Comedy …Horror / Suspense …Documentary …Animation …Other SCREENING SCHEDULE Title Day / Starting Time / Length of the Film / Place Asmik Ace, Inc. -
Highjacked Realities and Accidental Utopias in Shinichiro Watanabe’S Space Dandy
Caietele Echinox, vol. 29, 2015: Utopia, Dystopia, Film 156 Luiza-Maria Filimon “Beware the Cosmic String, My Son”: Highjacked Realities and Accidental Utopias in Shinichiro Watanabe’s Space Dandy ABSTRACT Hey, Everett,1 Anime series in the dystopia sci-fi subgenre What am I like in your world? are essentially what Miller Jr. describes as Let me take a peek. “investigations into the nature of human identity and its relation to sociocultural Hey, Everett, forces and structures.” The rarer utopian According to you, there are lots of counterparts tend to fall under Louis Marin’s different worlds suggested interpretation according to which I’m not sure I understand “Utopia, in its ever-changing state, is the symbolic destination of all travel nar- Oh, the dream of a never-ending dream ratives.” One of Watanabe’s recent ani- mated series, Space Dandy is at its core a From X Jigen e Youkoso space odyssey through the multiverse where (“Welcome to the Xth Dimension”) “normal” is the exception. The study ana- performed by Etsuko Yakushimaru lyzes five episodes set in utopian-like places and deconstructs world-building mechanisms, features and functions, while also recon- Introduction sidering the nature and conditions needed for utopias to function as organic but un- Prior to Space Dandy (2014), Shini- hinged realities in a subversion of the chirō Watanabe’s critically acclaimed anime dystopian tropes. series, Cowboy Bebop (1998-1999), was KEYWORDS conceived “not just [as] a space adventure Utopia; Anime; Space Opera; Science- series for adolescent boys but [as] a pro- 2 Fiction; Parallel Universes; Shinichirō gram that would appeal to adults.” Set in Watanabe. -
Download Your Free Digital Copy of the June 2018 Special Print Edition of Animationworld Magazine Today
ANIMATIONWorld GOOGLE SPOTLIGHT STORIES | SPECIAL SECTION: ANNECY 2018 MAGAZINE © JUNE 2018 © PIXAR’S INCREDIBLES 2 BRAD BIRD MAKES A HEROIC RETURN SONY’S NINA PALEY’S HOTEL TRANSYLVANIA 3 BILBY & BIRD KARMA SEDER-MASOCHISM GENNDY TARTAKOVSKY TAKES DREAMWORKS ANIMATION A BIBLICAL EPIC YOU CAN JUNE 2018 THE HELM SHORTS MAKE THEIR DEBUT DANCE TO ANiMATION WORLD © MAGAZINE JUNE 2018 • SPECIAL ANNECY EDITION 5 Publisher’s Letter 65 Warner Bros. SPECIAL SECTION: Animation Ramps Up 6 First-Time Director for the Streaming Age Domee Shi Takes a Bao in New Pixar Short ANNECY 2018 68 CG Global Entertainment Offers a 8 Brad Bird Makes 28 Interview with Annecy Artistic Director Total Animation Solution a Heroic Return Marcel Jean to Animation with 70 Let’s Get Digital: A Incredibles 2 29 Pascal Blanchet Evokes Global Entertainment Another Time in 2018 Media Ecosystem Is on Annecy Festival Poster the Rise 30 Interview with Mifa 71 Golden Eggplant Head Mickaël Marin Media Brings Creators and Investors Together 31 Women in Animation to Produce Quality to Receive Fourth Mifa Animated Products Animation Industry 12 Genndy Tartakovsky Award 72 After 20 Years of Takes the Helm of Excellence, Original Force Hotel Transylvania 3: 33 Special Programs at Annecy Awakens Summer Vacation Celebrate Music in Animation 74 Dragon Monster Brings 36 Drinking Deep from the Spring of Creativity: Traditional Chinese Brazil in the Spotlight at Annecy Culture to Schoolchildren 40 Political, Social and Family Issues Stand Out in a Strong Line-Up of Feature Films 44 Annecy -
Art-House Wonders on the Home Screen
GBA4 | GBAFOCUS Friday, August 21, 2020 HONG KONG EDITION | CHINA DAILY Creative Heads Making materials matter The winner of BMW Art Journey 2020, sculptor LeeLee Chan will travel around the world, studying the evolution of material cultures and community-engaged art. reports from Hong Kong. Rejected materials, such as the astroturf uprooted from this tennis court, tend to trigger LeeLee Chan’s creative impulses. Construction lights and crystals from a scavenged chandelier figure in LeeLee Chan’s Sunset Capsule, shown in UCCA Dune in Beidaihe, China. eeLee Chan could have been in Japan by now, checking out plastic pallet manufacturing bases, or Lperhaps in Pulpi Geode in Spain, or maybe even in a concrete research institute in Switzerland, watching how bacteria embedded in concrete LeeLee Chan paints clay units can be made to repair cracks. like the ones used in her Blindfold Chan is the winner of BMW Art Receptor sculpture. Journey 2020. Launched in 2015 by the luxury-car manufacturing brand wall, in a sculpture called Absorber and Art Basel, the generous annual #2 shown at Hong Kong’s Duddell’s, award sponsors an artist’s touring for example — she is reluctant to call of proposed destinations around the herself a crusader for environmental world with a view to enhancing their Detail from Pallet in Repose (Marine), protection and sustainability issues. artistic philosophy and helping to from a 2019 Capsule Shanghai “As an individual I try to be develop their practice. By August exhibition. responsible in my behavior towards end, Chan would have begun her the environment as far as I can. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi