28Th Leeds International Film Festival 5/20 November 2014
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Santa Fe Bite Takes Nob Hill by Storm Page 12 Music:A River
VOLUME 28 | ISSUE 31 | AUGUST 1-7, 2019 | FREE 2019 1-7, AUGUST | 31 ISSUE | 28 VOLUME PHOTOGRAPHY BY NICK TAURO JR JR TAURO NICK BY PHOTOGRAPHY NONSTOP CLEANUP A RIVER, A BAND SANTA FE BITE TAKES POWERPACK AND THE GUITAR NOB HILL BY STORM NEWS: PAGES 6 AND 7 MUSIC:PAGE 27 FOOD: PAGE 12 IN A VAN DOWN BY THE RIVER SINCE 1992 SINCE RIVER THE BY DOWN VAN A IN [ 2] WEEKLY ALIBI AUGUST 1-7, 2019 AUGUST 1-7, 2019 WEEKLY ALIBI [3] alibi VOLUME 28 | ISSUE 31 | AUGUST 1-7, 2019 Email letters, including author’s name, mailing address and daytime phone number to [email protected]. Letters can also be mailed to P.O. Box 81, Albuquerque, N.M., 87103. Letters—including comments posted on alibi.com—may be EDITORIAL published in any medium and edited for length and clarity; owing to the volume of correspondence, we regrettably can’t MANAGING EDITOR/ FILM EDITOR: respond to every letter. Devin D. O’Leary (ext. 230) [email protected] MUSIC EDITOR/NEWS EDITOR: August March (ext. 245) [email protected] Municipal Wells Ethylene dibromide is not a potent carcinogen FOOD EDITOR: unless you are a certain strain of rat or mouse. It’s Dan Pennington (Ext. 255) [email protected] Uncontaminated ARTS AND LIT.EDITOR: probably not a carcinogen in humans. After all, Clarke Condé (Ext. 239) [email protected] Dear Alibi, even the EPA acknowledges that it has COPY EDITOR: “inadequate evidence” from human studies to Samantha Carrillo (ext. 223) [email protected] The July 25 Kirtland fuel spill article by August CALENDARS EDITOR: March [v28 i30] quotes a representative of the show that EDB is carcinogenic in humans. -
Spatial Design Principles in Digital Animation
Copyright by Laura Beth Albright 2009 ABSTRACT The visual design phase in computer-animated film production includes all decisions that affect the visual look and emotional tone of the film. Within this domain is a set of choices that must be made by the designer which influence the viewer's perception of the film’s space, defined in this paper as “spatial design.” The concept of spatial design is particularly relevant in digital animation (also known as 3D or CG animation), as its production process relies on a virtual 3D environment during the generative phase but renders 2D images as a final product. Reference for spatial design decisions is found in principles of various visual arts disciplines, and this thesis seeks to organize and apply these principles specifically to digital animation production. This paper establishes a context for this study by first analyzing several short animated films that draw attention to spatial design principles by presenting the film space non-traditionally. A literature search of graphic design and cinematography principles yields a proposed toolbox of spatial design principles. Two short animated films are produced in which the story and style objectives of each film are examined, and a custom subset of tools is selected and applied based on those objectives. Finally, the use of these principles is evaluated within the context of the films produced. The two films produced have opposite stylistic objectives, and thus show two different viewpoints of applying the toolbox. Taken ii together, the two films demonstrate application and analysis of the toolbox principles, approached from opposing sides of the same system. -
December 2014 ONECELEBRATEWITHUS Join the Celebration As We Usher in a New Year of Cinema in Iowa City
A COLLABORATION WITH DEC FilmScene Staff THE EYE OPENER 12-21 Joe Tiefenthaler, Executive Director Andy Brodie, Program Director Complete info at www.icfilmscene.org/flam Andrew Sherburne, Sunday, December 14th Associate Director A curated week of new releases and restored classics on literature, art and music. Tickets: $35 for non-members / $25 for members / Emily Salmonson, Series Pass: $30 non-members / $20 members. Regular price for individual shows. $15 for supporting role and leading role members Director of Operations / FREE for Founders Circle and Screen Legend Ross Meyer, Head Projectionist and Facilities Manager Join FilmScene in celebrating the one year Dan DeMarco, Theater Staff anniversary of the opening of our downtown Jon Graf, Theater Staff Aaron Holmgren, Theater Staff cinema with a delicious brunch of chicken & DIALOGUE: Director Q&A NEWLY RESTORED! NEWLY RESTORED! waffles, scrambled eggs with local cheeses, Phil Ochs, Theater Staff MUSIC OF THE BURROUGHS: ROME, OPEN CITY Tony Pomales, Theater Staff beignets, mini donuts, mimosas and a cash MOMENT THE MOVIE (1983) (2014) Dir. Roberto Emily Brown, Projectionist bar. While you eat, be entertained by music (2014) Dir. Kevin Wisor. Dir. Howard Brookner. Rossellini. Legendary Kelly Gallagher, Projectionist from the films of our first year and the Iowa A locally-made feature The first and only doc Italian drama about the Kasia Plazinska, Projectionist premiere of an acclaimed short film. doc exploring the art of made with the Nazi occupation of Board of Directors improvised music, shot full participation of writer Rome and the brave few Michael Finlayson, Chair FILMFOODDRINKSMUSIC in Iowa City. William S. -
Pernille Fischer Christensen
A FAMILY EEN FILM VAN Pernille Fischer Christensen WILD BUNCH HAARLEMMERDIJK 159 - 1013 KH – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx A FAMILY – Pernille Fischer Christensen PROJECT SUMMARY Een productie van ZENTROPA Taal DEENS Originele titel EN FAMILIE Lengte 99 MINUTEN Genre DRAMA Land van herkomst DENEMARKEN Filmmaker PERNILLE FISCHER CHRISTENSEN Hoofdrollen LENE MARIA CHRISTENSEN (Brothers, Terribly Happy) JESPER CHRISTENSEN (Melancholia, The Young Victoria, The Interpreter) PILOU AESBAK (Worlds Apart) ANNE LOUISE HASSING Release datum 4 AUGUSTUS 2011 DVD Release 5 JANUARI 2012 Awards/nominaties FILM FESTIVAL BERLIJN 2010 NOMINATIE GOUDEN BEER WINNAAR FIPRESCI PRIJS Kijkwijzer SYNOPSIS Ditte Rheinwald vertegenwoordigt de jongste generatie van de beroemde Deense bakkersfamilie. Haar eigen dromen en ambities zijn echter anders dan die van haar familie. Als ze een droombaan bij een galerie in New York krijgt aangeboden, besluit ze samen met haar vriend Peter de kans aan te grijpen. De toekomst lijkt stralend, het leven vrolijk en simpel. Maar dan wordt Ditte’s charismatische vader Rikard, meesterbakker en hofleverancier, ernstig ziek. Als Rikard eist dat zij de leiding overneemt van het familiebedrijf, raakt haar hele leven uit balans. Plotseling is het leven niet meer zo simpel. CAST Ditte Lene Maria Christensen Far Jesper Christensen Peter Pilou Asbæk Sanne Anne Louise Hassing Chrisser Line Kruse Line Coco Hjardemaal Vimmer Gustav Fischer Kjærulff CREW DIRECTOR Pernille Fischer Christensen SCREENWRITERS Kim Fupz -
Appleseed - Tome 1 PDF TÉLÉCHARGER
Appleseed - Tome 1 PDF TÉLÉCHARGER TÉLÉCHARGER LIRE ENGLISH VERSION DOWNLOAD READ Appleseed - Tome 1 PDF TÉLÉCHARGER Description L'action se situe au tout début du 22ème siècle à la suite d'un conflit armé ayant débouché sur une guerre mondiale. La paix vient tout juste d'être rétablie, et les nouveaux pouvoirs politiques se mettent en place. Cette répartition des responsabilités est contrôlée de main de maître par un organisme nommé Aegis, dont une partie du personnel est constitué de Bioroïds (des humains artificiels). C'est alors que toutes les nations terriennes commencent à relever la tête et à réparer les dégâts causés par la guerre que débute l'histoire qui nous intéresse... Deunan exiting her Landmate exoskeleton in the original Appleseed manga series. Découvrez All You Need Is Kill, tome 1, de Takeshi Obata,Hiroshi. Appleseed, 1, Appleseed I, 06/1994, 2-87695-228-9. Appleseed, 5, Appleseed V, 07/1996, 2- 7234-2162-7. Bande à Tchô ! (La), 1, Tome 1, 03/2001. Bande à. 16 juil. 2005 . Couverture de l'album APPLESEED Tome #1 Apple Seed, vol1 Extrait de . Apple Seed est le premier chef d'oeuvre de Masamune SHIROW. 22 avr. 2007 . Okko - Le Cycle de L'eau Tome 1 de HUB, une bande dessiné dans l'univers médiéval du Japon avec des samouraïs et une . Appleseed. 10 juil. 1996 . Autre livre dans la même série. Apple seed., APPLESEED - TOME 1, 1. Masamune Shirō. Glénat. 13,25. Présentation. Maître Shirow lève enfin. [BD] - Appleseed/Appleseed tome 4.cbz, 39.55MB. [BD] - Appleseed/Appleseed tome 3.cbz, 37.20MB. -
Press-Kit Presents a Film by Konstantin Lopushansky THROUGH THE
Press-kit presents A film by Konstantin Lopushansky THROUGH THE BLACK GLASS The drama titled Through the Black Glass is a modern interpretation of such famous classical plots as Cinderella and Scarlet Sails, with a touch of Chaplin`s City Lights. The main heroine is an 18-year-old blind girl from a provincial orphanage, who unexpectedly gets a chance of a lifetime. A wealthy man offers to pay for an expensive eye surgery on the condition that she agrees to marry him before the operation, without a single glance at the groom. Alas, fate hands out happy endings sparingly, and the vision, miraculously regained by the heroine, gives her an unpleasant insight into stark realities of life. The film directed by Konstantin Lopushansly, who also wrote the original script, is not just a new rendition of the classical plot; it is a deep glance at the ambiguous relationship between men and women in the present-day Russia. The author makes an emphasis on dynamics of editing, music, photography, and, obviously, the choice of actors. The director says, “You can analyze the film in view of several genres: tragic melodrama, a modern rendition of the classical Cinderella plot, and a religious drama loosely based on the conceptual conflict in Dostoevsky`s Gentle Creature. The story is centered at the tragic collision of two world outlooks: the religious belief and the atheistic view, set against the newest Russian history. The latter interpretation is the closest to me, and is in tune with my views as a film director. Yet, this still leaves space for detailed elaboration into the other two variants, melodrama being the priority. -
Best Enjoyed As Property, Shoe and Hairdo Porn.”
”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Rauno Sainio Tampere University School of Language, Translation and Literary Studies English Philology Pro Gradu Thesis May 2011 ii Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SAINIO, RAUNO: ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Pro gradu -tutkielma, 135 sivua + liite (6 sivua) Kevät 2011 Tämän pro gradu -tutkielman tarkoituksena oli tutustua eri menetelmiin, joiden avulla englannin kielen sanastoa voidaan laajentaa. Lähdekirjallisuudesta kerättyä tietoa käsiteltiin tutkielman teoriaosuudessa, minkä jälkeen empiirinen osuus selvitti, kuinka kyseisiä menetelmiä sovelletaan käytännössä nykyenglannissa. Tämän selvittämiseksi käytiin manuaalisesti läpi korpusaineisto, joka koostui isobritannialaisen Total Film -elokuvalehden yhden vuoden aikana julkaistuista numeroista. Elokuvajournalismissa käytettävä kieli valittiin tutkimuksen kohteeksi kirjoittajan henkilökohtaisen kiinnostuksen vuoksi sekä siksi, että elokuva on paitsi merkittävä, myös jatkuvasti kehittyvä taiteen ja populaarikulttuurin muoto. Niinpä tämän tutkielman tarkoitus on myös tutustuttaa lukija sellaiseen sanastoon, jota alaa käsittelevä lehdistö nykypäivänä Isossa-Britanniassa käyttää. Korpuksen pohjalta koottu, 466 elokuva-aiheista uudissanaa käsittävä sanaluettelo analysoitiin -
Post-Postmodern Cinema at the Turn of the Millennium: Paul Thomas Anderson’S Magnolia
Revista de Estudios Norteamericanos, vol. 24, 2020. Seville, Spain, ISSN 1133-309-X, pp. 1-21. DOI: http://dx.doi.org/10.12795/REN.2020.i24.01 POST-POSTMODERN CINEMA AT THE TURN OF THE MILLENNIUM: PAUL THOMAS ANDERSON’S MAGNOLIA JESÚS BOLAÑO QUINTERO Universidad de Cádiz [email protected] Received: 20 May 2020 Accepted: 26 July 2020 KEYWORDS Magnolia; Paul Thomas Anderson; post-postmodern cinema; New Sincerity; French New Wave; Jean-Luc Godard; Vivre sa Vie PALABRAS CLAVE Magnolia; Paul Thomas Anderson; cine post-postmoderno; Nueva Sinceridad; Nouvelle Vague; Jean-Luc Godard; Vivir su vida ABSTRACT Starting with an analysis of the significance of the French New Wave for postmodern cinema, this essay sets out to make a study of Paul Thomas Anderson’s Magnolia (1999) as the film that marks the beginning of what could be considered a paradigm shift in American cinema at the end of the 20th century. Building from the much- debated passing of postmodernism, this study focuses on several key postmodern aspects that take a different slant in this movie. The film points out the value of aspects that had lost their meaning within the fiction typical of postmodernism—such as the absence of causality; sincere honesty as opposed to destructive irony; or the loss of faith in Lyotardian meta-narratives. We shall look at the nature of the paradigm shift to link it to the desire to overcome postmodern values through a recovery of Romantic ideas. RESUMEN Partiendo de un análisis del significado de la Nouvelle Vague para el cine postmoderno, este trabajo presenta un estudio de Magnolia (1999), de Paul Thomas Anderson, como obra sobre la que pivota lo que se podría tratar como un cambio de paradigma en el cine estadounidense de finales del siglo XX. -
Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
1 Picture House
Picture House - Issue No. 1 (1982) to No. 31 (2006) Part 1a: Subject Index Index layout: Subject Issue No.: Page No. (Page numbers in italics indicate illustrations) Please note that place name entries for the Greater London administrative area are listed under LONDON 1940s, The 27:33 Architecture School, Liverpool University 18:3 3D 26:15 Ardwick 27:47 Ardwick Green 25:50 A. Jackson Withers circuit 25:30 Argosy: Faversham 25:11,15 26:39; Sheerness Abbey: Wavertree 27:34 29:13 25:11,12,15 31:68; Whitstable 25:12,13,15 ABC 12:7 18:15,18 19:23-27 Arnolfini: Bristol 25:59 ABC cinema: Aylesbury 28:62; Birmingham 29:16; Art: Bury 27:44 Bournemouth 20:31; Brighton 28:14; Bristol Road, Art decoratif 26:4 Birmingham 29:11; Cosham 31:60; Edinburgh 29:16; Ashford (Middx) 25:53 27:40 Esher 25:51; Gerrards Cross 31:63; Glasgow 2:22- Ashington 31:11 24,22-24 3:28; Holloway Road 25:54; Hull 27:63; Ashton in Makerfield 8:10 19:5 Mansfield 23:31,32,36; Monkseaton 31:65; Ashton Under Lyne 27:40,42,45,46 Newcastle 31:66; Plymouth 27:40; Quinton 31:67; Ashworth-Hope, Marston Magna 27:46 Redditch 31:67; Rochdale 23:31,36; Shaftesbury Associated G P Cinemas 23:37-45 24:55 Avenue 25:50,52; Southport 31:69 25:63; Tunbridge Astor: Bebington 31:19; Bromley 20:28 Wells 31:73; Wester Hailes 23:31,33,36; (Carlton), Astoria: Aberdeen 27:45; Ashford 25:53 27:40; Beeston Essex Road 11:6 31:14,56; Boscombe 27:44; Brighton 25:23 26:47 ABC in North West London 8:26-31,26-30 27:39,44 28:63 29:16; Brixton 25:53 27:43 30:13; ABC in Scotland 12:7 Charing Cross Road 27:38,42 -
Download the Program (PDF)
ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
BROTHERHOOD [Broderskab]
Presents A FILM BY NICOLO DONATO BROTHERHOOD [Broderskab] STARRING THURE LINDHARDT DAVID DENCIK NICOLAS BRO MORTEN HOLST Country of Origin: Denmark / In Danish with English Subtitles Running time: 90 minutes Shot On: RED1 Sound: Dolby SR Digital Screen Ratio: 1:2:35 Rating: Not Rated PRESS CONTACT SASHA BERMAN SHOTWELL MEDIA TEL: 310.450.5571 [email protected] Please download photos from our website: www.olivefilms.com New York Premiere August 6, 2010 SYNOPSIS When Lars (Thure Lindhardt) is cheated out of promotion to sergeant following rumors about his unbecoming behavior towards some of his men, he decides to leave the army. Back home, his overly proper suburban parents succeed in driving him nuts in record time, as they do everything in their power to sweep the embarrassing incident under the carpet. By chance, Lars runs into a small radical group of neo-Nazis led by the charismatic Michael ‘Fatso’ (Nicolas Bro). Initially, Lars distances himself from their ideology and methods, but fuelled by defiance against the system in general – and his parents in particular – Lars decides to join the group. Fatso immediately spots the potential in the intelligent eloquent Lars, even though his right-hand man, Jimmy (David Dencik), does not agree. Lars rapidly advances through the ranks and is nominated as an A member, despite the fact that this promotion should really have gone to Jimmy’s younger brother, Patrick (Morten Holst). Lars moves out of his parents’ house and into board chairman Ebbe’s remotely situated summer cottage, which Jimmy is in the process of renovating. Despite their initial dislike of each other, the attraction between the two men soon becomes too strong to ignore, and even though they feel torn between ideology and emotions, they begin a secret relationship.