Pressemitteilung Zu CMA Songwriters Series
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Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
Country Airplay; Brooks and Shelton ‘Dive’ In
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 24, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Thomas Rhett’s Behind-The-Scenes Country Songwriters “Look” Cooks >page 4 Embracing Front-Of-Stage Artist Opportunities Midland’s “Lonely” Shoutout When Brett James sings “I Hold On” on the new Music City Puxico in 2017 and is working on an Elektra album as a member >page 9 Hit-Makers EP Songs & Symphony, there’s a ring of what-ifs of The Highwomen, featuring bandmates Maren Morris, about it. Brandi Carlile and Amanda Shires. Nominated for the Country Music Association’s song of Indeed, among the list of writers who have issued recent the year in 2014, “I Hold On” gets a new treatment in the projects are Liz Rose (“Cry Pretty”), Heather Morgan (“Love Tanya Tucker’s recording with lush orchestration atop its throbbing guitar- Someone”), and Jeff Hyde (“Some of It,” “We Were”), who Street Cred based arrangement. put out Norman >page 10 James sings it with Rockwell World an appropriate in 2018. gospel-/soul-tinged Others who tone. Had a few have enhanced Marty Party breaks happened their careers with In The Hall differently, one a lbu ms i nclude >page 10 could envision an f o r m e r L y r i c alternate world in Street artist Sarah JAMES HUMMON which James, rather HEMBY Buxton ( “ S u n Makin’ Tracks: than co-writer Daze”), who has Riley Green’s Dierks Bentley, was the singer who made “I Hold On” a hit. done some recording with fellow songwriters and musicians Sophomore Single James actually has recorded an entire album that’s expected under the band name Skyline Motel; Lori McKenna (“Humble >page 14 later this year, making him part of a wave of writers who are and Kind”), who counts a series of albums along with her stepping into the spotlight with their own multisong projects. -
Showcase Program
THE ILLINOIS WESLEYAN SCHOOL OF THEATRE ARTS PRESENTS SHINE LIKE THE SUN F E A T U R I N G T H E M E M B E R S O F T H E C L A S S O F 2 0 2 1 A P R I L 2 0 2 1 Filmed by KATIE WESTON, CURTIS KELCH, DAVID O'NEAL, & JUSTIN PIOTROWSKI Program Photography by MEGAN CHRISTOFERSON, PETE GUITHER, & ANGIE CORNWELL Graphic Design by A N G I E C O R N W E L L Produced by S C O T T S U S O N G Edited by A N G I E C O R N W E L L Choreographed by J E S S I C A R I S S - W A L T R I P Music Directed by C H A R L I E B E R G G R E N shine like the sun 01 Instructed/Directed by N O L E J O N E S 2021 ORDER O P E N I N G "SUN'S GONNA SHINE" from Bright Star by Steve Martin and Edie Brickell “ONCE MORE I CAN SEE” from Wonderland by Frank Wildhorn C H E R O N “GOOD GIRL” by Chris DeStefano, Ashley Gorley, and Carrie Underwood “TUESDAYS, THURSDAYS” from Far from Heaven by Scott Frankel and Michael Korie A N G I E “HERE I AM” from Dirty Rotten Scoundrels by David Yazbek O Beautiful by Theresa Rebeck C I A R A jellyfish pine by Michael Yichao “THIS IS NOT OVER YET” from Parade by Jason Robert Brown M A T T H E W “VIENNA” by Billy Joel J A Z Z D A N C E “YOU DESERVE IT" from Bandstand by Richard Oberacker and Robert Taylor K I E R A N The Curious Incident of the Dog in the Night-Time by Simon Stephens Much Ado About Nothing by William Shakespeare "It’s A Perfect Relationship” from Bells Are Ringing by Jule Styne, Betty Comden, & Adolph Green P E A R L I E A Moon for the Misbegotten by Eugene O’Neill “YOUR TRUE LOVE” by Andrew Lippa J . -
Fresh Off the Most Successful Album of His Prolific Career, I'm Comin' Over
Fresh off the most successful album of his prolific career, I’m Comin’ Over, which earned him a #1 debut and numerous industry accolades, Chris Young says he kept getting asked the same question about his hotly anticipated follow up: “Are you feeling the pressure?” But in truth, he wasn’t. Back in the co-producer’s chair with Corey Crowder for the second time (third if you count the 2016 holiday classic, It Must Be Christmas), Young felt completely at ease working on his seventh studio album, Losing Sleep. “I would argue there was less pressure,” says the star, who was just inducted as the newest member of the Grand Ole Opry. “We were even more comfortable than we were last time, and instead of it being like ‘We have to nail this,’ now it was like ‘OK, we did something really cool last time. Let’s try and build on that.’” Young is no stranger to building on success. Over his nearly 12 years with RCA Nashville, he’s steadily taken on more and more responsibility with each project, writing a few more songs each time, staying immersed in his craft and eventually taking the reins completely. With his last project, I’m Comin’ Over, the Tennessee native funneled his wide range of influences into a sound that miXed reverence for country’s past with a sense of eXcitement about its future – and it connected with fans like never before. “I’m Comin’ Over,” “Think of You” (featuring Cassadee Pope), and “Sober Saturday Night” (featuring Vince Gill) all reached the top of the country radio charts, while the first two singles from the project have both earned Platinum-record status. -
TOP SONGWRITER CHART Sunday, March 10, 2019
Sunday, October 14, 2018 TOP SONGWRITER CHART Sunday, March 10, 2019 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Ashley Gorley What Makes You Country Luke Bryan Eyes On You Chase Rice Love Ain’t Eli Young Band Rumor Lee Brice I Don’t Know About You Chris Lane 2 3 Kevin Welch Millionaire Chris Stapleton 3 2 Shane McAnally Burn Out Midland Make It Sweet Old Dominion Down To The Honky Tonk Jake Owen Love Ain’t Eli Young Band Rainbow Kacey Musgraves I Don’t Remember Me (Before You) Brothers Osborne 4 4 Brett James Love Wins Carrie Underwood On My Way To You Cody Johnson 5 5 Luke Combs She Got The Best Of Me Luke Combs Beautiful Crazy Luke Combs 6 6 Ben Burgess Whiskey Glasses Morgan Wallen The Difference Tyler Rich 7 9 Ross Copperman Love Ain’t Eli Young Band Love Someone Brett Eldredge 8 11 David Garcia Meant To Be Bebe Rexha & Florida Georgia Line Women Florida Georgia Line (Featuring Jason Derulo) Love Wins Carrie Underwood 9 12 Josh Osborne Burn Out Midland One That Got Away Michael Ray 10 7 Riley Green There Was This Girl Riley Green 11 8 Erik Dylan There Was This Girl Riley Green 12 14 Robert Williford Beautiful Crazy Luke Combs 13 15 W. Durrette Beautiful Crazy Luke Combs 14 26 Jason Gantt Take It From Me Jordan Davis 15 27 Jacob Davis Take It From Me Jordan Davis 16 28 Jordan Davis Take It From Me Jordan Davis 17 30 Shay Mooney Speechless Dan + Shay Tequila Dan + Shay Back To Life Rascal Flatts All To Myself Dan + Shay 18 10 Luke Laird Down To The Honky Tonk Jake Owen Somebody’s Daughter Tenille Townes 19 16 Frank Rogers This Is It Scotty McCreery 20 17 A. -
News Spinzone
"NEWS! "SPIN ZONE ! "CALENDARS! "CHART DATA ! "NO. 1 SONG! VOICES OF SECONDARY RADIO! " COVERING THE SECONDARY RADIO MARKET SINCE 2002 REPORTING ! PANEL! " Thursday, April 23, 2015 " SPINZONE CHART NEWS" " Schedule Set For CMA Music Fest’s Nightly Top Ten— Kenny Chesney barely beats out A Thousand Concerts Horses for the top spot. “Wild Child” takes the No. 1 position while “Smoke” is at No. 2. Eric Paslay is up one spot to No. 3 The nightly schedule for performances at LP Field during CMA Music Festival with “She Don’t Love You,” followed by Tim McGraw’s is now available. The event will be “Diamond Rings And Old Barstools” at No. 4. Carrie held June 11-14. Four-day tickets, Underwood’s moves two to No. 5 with “Little Toy Guns.” Brad which include access to the nightly Paisley is also up two spots with “Crushin’ It” landing at No. 6. concerts, are sold out. Some of the Little Big Town saw “Girl Crush” jump three spots to No. 7. headliners include Jason Aldean on Kelsea Ballerini continues to move closer to the top with Thursday, Luke Bryan on Friday, “Love Me Like You Mean It” coming in at No. 8. New to the Top Little Big Town on Saturday and Brad 10 are Florida Georgia Line at No. 9 with “Sippin’ On Fire” Paisley on Sunday. To see the full lineup click HERE. and Canaan Smith at No. 10 with “Love You Like That.” … " DeStefano And Gorley Receive No. 1 Greatest Gainers— Blake Shelton saw the biggest gain with Challenge Coins “Sangria” up 398 spins. -
TOP SONGWRITER CHART Sunday, March 3, 2019
Sunday, October 14, 2018 TOP SONGWRITER CHART Sunday, March 3, 2019 This Last Songwriter’s Name Song(s) Artist Week Week 1 2 Ashley Gorley Eyes On You Chase Rice I Don’t Know About You Chris Lane Love Ain’t Eli Young Band Rumor Lee Brice What Makes You Country Luke Bryan 2 1 Shane McAnally Burn Out Midland Down To The Honky Tonk Jake Owen I Don’t Remember Me (Before You) Brothers Osborne Love Ain’t Eli Young Band Make It Sweet Old Dominion Rainbow Kacey Musgraves Space Cowboy Kacey Musgraves 3 3 Kevin Welch Millionaire Chris Stapleton 4 4 Brett James Love Wins Carrie Underwood On My Way To You Cody Johnson 5 5 Luke Combs Beautiful Crazy Luke Combs She Got The Best Of Me Luke Combs 6 7 Ben Burgess The Difference Tyler Rich Whiskey Glasses Morgan Wallen 7 10 Riley Green There Was This Girl Riley Green 8 11 Erik Dylan There Was This Girl Riley Green 9 8 Ross Copperman Love Ain’t Eli Young Band Love Someone Brett Eldredge 10 9 Luke Laird Butterflies Kacey Musgraves Down To The Honky Tonk Jake Owen Space Cowboy Kacey Musgraves Somebody’s Daughter Tenille Townes 11 6 David Garcia Love Wins Carrie Underwood Meant To Be Bebe Rexha & Florida Georgia Line Women Florida Georgia Line (Featuring Jason Derulo) 12 12 Josh Osborne Burn Out Midland One That Got Away Michael Ray 13 13 T. Lane On My Way To You Cody Johnson 14 14 Robert Williford Beautiful Crazy Luke Combs 15 15 W. Durrette Beautiful Crazy Luke Combs 16 16 Frank Rogers This Is It Scotty McCreery 17 17 A. -
Chart Action News
Thursday, July 14, 2016 NEWS CHART ACTION ! ! Jason Aldean Set To Release New Album New On The Chart —Debuting This Week On September 9 Artist/song/label—chart pos. Aldean’s seventh studio album Bobby Wills/Down By The River/MDM— 74 for Broken Bow Records, titled Jessie G/Drop A Line/Hook & Line—76 They Don’t Know, was produced Mickey Guyton/Heartbreak Song/Capitol Nashville—77 by Aldean’s longtime producer Michael Knox and includes the Thompson Square/You Make It Look So Good/Stoney Creek Records—78 same band he has worked with Steve Dorian/Edge Of 18/VIMH— 79 for a decade, both on and off Shane Owens/Country Never Goes Out Of Style/AmeriMonte Records—80 stage. The lead single is “Lights ! Come On,” and the project also Greatest Spin Increase includes “First Time Again,” Artist/song/label—Spin Increase featuring Kelsea Ballerini. Read Tim McGraw/How I’ll Always Be/Big Machine— 389 more about it here. Maren Morris/80s Mercedes/Columbia Nashville— 294 ! Chris Lane/Fix/Big Loud Records— 263 ! Blake Shelton/She’s Got A Way With Words/Warner Bros—238 Chris Lane’s ‘Girl Problems’ Track List Announced Old Dominion/Song For Another Time/RCA Nashville—226 Big Loud Records artist Chris Lane has released the track list ! Most Added for his debut album, Girl Problems, to be released on Aug. Artist/song/label—No. of Adds 5. The set features his single, Tim McGraw/How I’ll Always Be/Big Machine—20 “Fix,” and songs by several ace Presley & Taylor/My Hometown/SMG Records Nashville— 14 songwriters including Rodney Dustin Lynch/Seein’ Red/Broken Bow—13 Clawson, Matt Dragstrem, Luke Maren Morris/80s Mercedes/Columbia Nashville—13 Laird, Shane McAnally, and more. -
Chair, Debbie White , and Ken Kraus, Channing Johnson , Scott Zolke , Barry Slotnick and Rebel Steiner ,” Notes Frankenheimer
AN ATTORNEYS SPECIAL his is truly an extra- category in the 2021 edition of Chair, Debbie White, and Ken “ ordinary moment U.S. News – Best Lawyers’ Best Kraus, Channing Johnson, in the history of the Law Firms rankings. This is the Scott Zolke, Barry Slotnick music industry,” notes fifth year the firm has earned and Rebel Steiner,” notes JohnT Frankenheimer, Chair of the title since the ranking’s Frankenheimer. “And with Loeb & Loeb’s Music Industry inception in 2012. the range of legal, business and practice. “Music is ubiquitous in In addition to the 18 trans- practical knowledge and expe- our culture, art and social inter- actional attorneys at the core rience from the rest of Loeb action, and the current recogni- of Loeb’s Music practice, a full behind us, we truly excel at tion of the value of music-based complement of lawyers from keeping pace with our clients’ intellectual property finally across the firm, including from growth and ambitions, whether reflects that impact. We believe the Corporate, Litigation, Intel- they are emerging talent, new we are uniquely positioned to lectual Property, Brand Pro- companies or established cli- serve our clients and the industry tection, Tax, Advertising & ents with sophisticated expan- as a whole in this moment.” Media, Technology and Trusts sion plans.” Loeb’s Music practice has & Estates groups regularly col- Loeb is particularly proud consistently been recognized laborate to service client needs. of the continued growth and as the premier music-industry “We are fortunate to have a success of the firm’s Nashville practice, once again earning the diverse and experienced group office.