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July 17, 2017 for IMMEDIATE RELEASE
July 17, 2017 FOR IMMEDIATE RELEASE CONTACTS FOR MEDIA ASSISTANCE: Megan Contreras & Jackie Parker 239-338-3500 THE BEACHES OF FORT MYERS & SANIBEL KICKS OFF POPULAR MUSIC FESTIVAL WITH STAR-STUDDED PERFORMANCES The fourth annual Island Hopper Songwriter Fest returns Sept. 22-Oct. 1, 2017 LEE COUNTY, FLORIDA – The 2017 Island Hopper Songwriter Fest returns to The Beaches of Fort Myers & Sanibel, Sept. 22-Oct. 1. This showcase, now in its fourth year, is a great way to see singer-songwriters perform in intimate settings on Captiva Island, Fort Myers Beach and historic downtown Fort Myers. This year’s headliners include Lindsay Ell and Brooke Eden. The artists will be performing at Pinchers Crab Shack at The Marina at Edison Ford on Sept. 27. Ell has opened for The Band Perry and Luke Bryan, and is currently on tour with Brad Paisley. The Canadian Country Music Association recently nominated Ell for Female Artist of the Year. Her debut single, “Worth the Wait,” was recently released in the U.S. Eden is a Florida native and graduate of the University of Florida. She has opened for Alan Jackson, Brooks & Dunn, Sugarland and Florida Georgia Line. Billboard Music recognized Eden as a “fiery country star-in-the-making.” Some of her accolades include being identified as an Amazon Music Artist to watch. Vogue Magazine called her one of the “10 Country ‘It’ Girls,” and she’s one of “CMT’s Next Women of Country.” “We look forward to surprising fans with some high-profile acts,” said Louis Kaplan, iHeartMedia, senior vice president of programming. -
Keith Hill on Keith Hill
June 1, 2015, Issue 450 Addressing SaladGate Six pages of in-depth reporting on Women In Country and a post-CRS panel write-up in which Keith Hill urged slashing female- voiced songs made nary a ripple outside the business a few months back. But the consultant’s lettuce-and-tomatoes analogy last week in this space touched off a social and, eventually, major media tidal wave. Go figure. We’ll get to Hill in the next story (right), after female PDs and MDs weigh in with their thoughts on a well-known though still confounding reality. In full disclosure, some of the women we contacted declined to contribute for lack of time or lack of what they felt would be helpful feedback. Some passed because they weren’t comfortable publicly commenting in a “no-win argument.” And some came to us asking to be part of the conversation. Lost In Translation: “I don’t think he phrased what he was trying to say especially well,” says Scripps/ Spark Plug: Big Spark/Star Farm’s Olivia Lane hosts industry Tulsa OM and KVOO PD Jules Riley, whose pros at Handlebar J in Phoenix over the weekend. Pictured station has averaged 9% female current/ (front, l-r) are Big Spark’s Dennis Kurtz, Handlebar J’s Ray Herndon, Susan Pohlman (wife of KMLE/Phoenix’s Tim recurrent airplay and 14% in gold since Jan.1, Pohlman), KIIM/Tucson’s Buzz Jackson and wife Dena, KTGX/ according to Mediabase 24/7. “It did strike a Tulsa’s Kristina Carlyle, Lane, KTEX/McAllen’s JoJo Cerda little bit of a nerve. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
News Spinzone
"NEWS! "SPIN ZONE ! "CALENDARS! "CHART DATA ! "NO. 1 SONG! VOICES OF SECONDARY RADIO! " COVERING THE SECONDARY RADIO MARKET SINCE 2002 REPORTING ! PANEL! " Thursday, May 7, 2015 " SPINZONE CHART NEWS" " Toby Keith Adds More ‘Good Times’ To Tour Top Ten— Tim McGraw has the song at top of the MusicRow For The 2015 Toby Keith Good CountryBreakout Chart this week with “Diamond Rings And Times & Pick Up Lines Tour Old Barstools.” Eric Paslay holds strong at No. 2 with “She presented by Ford F-Series, Keith Don’t Love You.” Carrie Underwood’s “Little Toy Guns” moves tapped newcomer Chris Janson up one spot to No. 3, followed by Florida Georgia Line’s as his opening act on more than “Sippin’ On Fire” at No. 4. Brad Paisley remains at No. 5 with 20 tour dates this summer. Janson “Crushin’ It” while Kelsea Ballerini moves up one to No. 6 joins other artists, including Eli with “Love Me Like You Mean It.” Little Big Town is still Young Band and Colt Ford, who moving “Girl Crush” up the chart; this week they are at No. 7. will occasionally join the tour’s Brantley Gilbert jumps “One Hell Of An Amen” up two spots lineup. To read more and to see the full list of dates, click HERE. " to No. 8. Canaan Smith inally reaches the top 10 with “Love … You Like That” landing at No. 9. Blake Shelton also shows up in the top 10 for the Eirst time at No. 10 with “Sangria.” Butler And McCoy Receive No. 1 " Challenge Coin Greatest Gainers— Blake Shelton moves into the top 10 Songwriters Bart Butler after 352 new spins on “Sangria.” Zac Brown Band’s “Loving and Larry McCoy You Easy” received 335 additional plays this week. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
LIVE! on TRACK 2018 Concerts
The Maryland State Fair M&T Bank Concert Series LIVE! ON TRACK 2018 Concerts Show -- 7:30 p.m. Limited Premium Seats $20 On-Sale 10 a.m. May 11 CHASE BRYANT: Music defines Chase Bryant. The top-flight guitar player, head-turning songwriter, recording artist and producer is one of the most celebrated new artists in today’s Country music landscape. His guitar wielding, vocally-charged Top 10 debut single, “Take It On Back,” spent 15 consecutive weeks on the CMT Hot 20 Countdown, seven weeks on the GAC Top 20 Country Countdown and was a Top 20 Most Watched Video on VEVO TV Nashville. Most recently, Bryant toured as support on Brad Paisley’s Weekend Warrior World Tour and dropped his new single, the high-energy track, “Hell If I Know.” CHRIS LANE: Chris Lane, one of Country music’s most groundbreaking new stars, mixes earth-shattering high notes with banjo plucks and a danceable beat. He may have some Girl Problems, as the title of his debut album suggests, but he has no problem creating a fresh sound that thrills Country fans and excites the Pop faithful. His first single, “Fix,” topped the Country radio charts and was certified Gold in both the US and Canada. From the smooth, R&B vibe of “Who’s It Gonna Be,” to the twang Disco of “All The Time,” and the mid-tempo “For Her,” Lane brings fans on a ride from one exciting corner of the genre to the next, reinventing Country with every octave. Show -- 7:30 p.m. -
Delightful Holiday Dinner Ideas for the Apocalypse
November 27, 2017 Hearty Tortilla Soup Delightful Holiday Dinner Ideas For the Apocalypse Survivalist foods go mainstream p40 Savory Roasted Beef Teriyaki Style Chicken November 27, 2017 3 PHOTOGRAPH BY IKE EDEANI FOR BLOOMBERG BUSINESSWEEK BLOOMBERG EDEANI FOR IKE BY PHOTOGRAPH 36 Richard Plepler, chief executive officer of HBO CONTENTS Bloomberg Businessweek November 27, 2017 IN BRIEF 8 ○ Uber belatedly discloses a data hack ○ Janet Yellen says so long ○ This year, give thanks for cheaper turkey REMARKS VIEW 12 Finish college in three 10 One fix for fake news: Bring radical years—not four—and start transparency to Facebook and Google your career with a whole lot less debt 1 BUSINESS2 TECHNOLOGY 3 FINANCE 14 The songwriters 19 VIPKid’s virtual 24 Would you trust who want to stop classrooms may a stock call that the music run afoul of real-life came from a robot? labor laws 15 For Asians, “Made in Asia” 26 In the event of nuclear has new appeal war, two things will survive: 20 Google struggles to Cockroaches and bitcoin machete through the lies 4 17 Selling Europe’s soccer in its search results fans American-style sports 27 Venezuela’s oil bonds memorabilia might not be a bargain 22 Man vs. Machine: QuickSee isn’t after your optometrist’s job—yet 4 ECONOMICS 5 POLITICS 28 A Chinese drone 32 “Merkel was 32 Angela Merkel’s maker is taking a historical coalition teeters transportation into figure as far 33 Cutting the health-care Jetsons territory as Europe’s mandate to cut taxes: concerned, Deft maneuver or daft 30 How mobile homes got -
Our Story Is Telling Your Story
KEITH URBAN Break On Me Capitol Records Nashville (UMGN) Our Story Is Telling CONTENTS Your Story — Charts Dear Readers; CDX continues its drive headlong into 2016. We’re also continuing our progress with the TRACtion chart and monitored panel. As promised, perennial crowd favorite WKSR’s Ed Carter joins the TRACtion monitored panel this week. Also, big congratulations to the following... • This week, Keith Urban and the Capitol Records Nashville (UMGN) team stay atop the TRACtion chart at #1 with “Break On Me.” • The Greatest Spin Gainer on the panel this week goes to TIM MCGRAW “Humble and Kind” Big Machine Records (BMLG.) • The most added single on the TRACtion panel this week was DAN + SHAY “From The Ground Up” Warner Bros. Records (WMN.) PAGE 2-4 Big congrats also to the following making their chart debut this week... — 40 DAN + SHAY/From The Ground Up/Warner Bros. Records (WMN) Chart Breakouts 53 KANE BROWN/Used To Love You Sober/RCA Nashville (SMN) PAGE 5-6 58 RANDY ROGERS BAND, THE/Neon Blues/Thirty Tigers — 60 CLARE DUNN/Tuxedo/MCA Records (UMGN) Currently On CDX 61 SPENCER’S OWN/Livin’ In The Moment/Electric House 68 TARA THOMPSON/Someone To Take Your Place/Valory Music Co. (BMLG) PAGE 6 77 HIGH VALLEY/Make You Mine/Atlantic (WMN) — 79 SAMMY SADLER/No Place To Land/S Records Our story has always been about helping artists tell their story. As we navigate this new chapter of the CDX story, it’s our hope and commitment to deliver these stories to listeners The CDX-TRACtion weekly newsletter is published on Wed. -
THE BANJO IS BACK It’S a Clanky Little Five-String Instrument with a Bluegrass History That Thompson Square Joins Was All but Extinct in Mainstream Country Music
BILLBOARD.BIZ/NEWSLETTER/EDITED BY TOM ROLAND, [email protected] APRIL 16, 2012 | PAGE 1 OF 17 INSIDE THE BANJO IS BACK It’s a clanky little five-string instrument with a bluegrass history that Thompson Square Joins was all but extinct in mainstream country music. But as Rascal Billboard Summit Flatts’ “Banjo” enters the top five on Hot Country Songs, it’s clear >page 4 that the banjo is once again relevant to contemporary country sound. Ilya Toshinsky has the distinct privilege of playing banjo on “Banjo,” though he’s hardly the only guy working it in Nashville studios. Producer Nathan Chapman plucked one on Taylor Keith Urban, Swift’s Jonathan Yudkin Vince Gill “Hall” Grammy Award-winning “Mean,” In $465k handles it on Big & Rich’s “Save a Horse (Ride a Cowboy),” and >page 6 Keith Urban plays the banjo — or, to be precise, a six-string Deer- ing ganjo—on a bundle of songs that get heavy recurrent attention on country radio. In fact, Urban’s “Somebody Like You,” which cel- Blake Shelton ebrates its 10th anniversary this summer, was a significant factor Has Cause For in the banjo’s return to prominence. Celebration >page 6 “He has an extremely unique take on it,” says Urban’s co-producer Dann Huff, who is also one of Nashville’s most accomplished gui- Rascal Flatts performs “Banjo” with Steve Martin at tarists. “He has a way of attacking it. His is a real reckless banjo the ACM Awards. From left are group member Joe Don playing, and it stems from his style as a guitar player. -
GS Nlwebmaraprmay08.Qxd (Page 1)
MARCH, APRIL, MAY 2008 VOL. 26 NO. 1 “Troubadour” Sets A New Standard For Strait CDs Each time a new George Strait CD arrives that are instant classics as well. Satcher. on the desk to be listened to, we do so with “Troubadour” is packed with 12 sensa- Long time contributor Dean Dillon con- great excitement, but at the same time, that tional songs produced by Strait and his tributed his writing talents on a duet with little thought in the back of the mind long-time co-producer Tony Brown. In Strait on the song “West Texas Town” that always asks the question, “How can this addition to Strait’s incredible vocals, he has he wrote with Texas tunesmith Robert Earl CD live up to the one Keen. before it”. The good news The other songs on the is that each CD has always album include managed to take that next “Troubadour” by Monty leap to greatness. George Holmes and Leslie Satcher, Strait’s new CD “It Was Me” by Buddy “Troubadour” has not only Cannon and Randy surpassed our expectations Hardison, “Brothers of the but may very well have Highway” by Doug raised the bar a couple of Johnson, Nicole Witt and notches more than normal. Kim Williams, “River of It is simply the greatest Love” by Shawn Camp, George Strait CD we have Billy Burnette and Dennis ever heard and we have Morgan, “Give Me More heard them all. We also Time” by Dean Dillon, realize that we are a little Scotty Emerick and Al prejudiced toward his music Anderson, “When You’re In but we are also usually Love” by Dean Dillon and guarded in our praise so as Kerry Phillips, “Make Her not to seem like cheerlead- Fall In Love With Me ers. -
Concert History of the Allen County War Memorial Coliseum
Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire