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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Keith Hill on Keith Hill
June 1, 2015, Issue 450 Addressing SaladGate Six pages of in-depth reporting on Women In Country and a post-CRS panel write-up in which Keith Hill urged slashing female- voiced songs made nary a ripple outside the business a few months back. But the consultant’s lettuce-and-tomatoes analogy last week in this space touched off a social and, eventually, major media tidal wave. Go figure. We’ll get to Hill in the next story (right), after female PDs and MDs weigh in with their thoughts on a well-known though still confounding reality. In full disclosure, some of the women we contacted declined to contribute for lack of time or lack of what they felt would be helpful feedback. Some passed because they weren’t comfortable publicly commenting in a “no-win argument.” And some came to us asking to be part of the conversation. Lost In Translation: “I don’t think he phrased what he was trying to say especially well,” says Scripps/ Spark Plug: Big Spark/Star Farm’s Olivia Lane hosts industry Tulsa OM and KVOO PD Jules Riley, whose pros at Handlebar J in Phoenix over the weekend. Pictured station has averaged 9% female current/ (front, l-r) are Big Spark’s Dennis Kurtz, Handlebar J’s Ray Herndon, Susan Pohlman (wife of KMLE/Phoenix’s Tim recurrent airplay and 14% in gold since Jan.1, Pohlman), KIIM/Tucson’s Buzz Jackson and wife Dena, KTGX/ according to Mediabase 24/7. “It did strike a Tulsa’s Kristina Carlyle, Lane, KTEX/McAllen’s JoJo Cerda little bit of a nerve. -
April 20, 2015, Issue 444
April 20, 2015, Issue 444 Roam Team Advantage: B&R/New Revolution’s Big Kenny and John Rich congratulate 2015 ACM Broadcast Personalities of the Year at the off-camera awards reception Saturday afternoon at Globe Life Park’s Jack Daniel’s Club in Arlington, TX. Pictured (l-r) are: WUSY/ Chattanooga’s Gator Harrison, Cowboy Kyle and Styckman; KXKT/Omaha’s Steve Lundy and Gina Melton; Big D & Bubba’s Patrick Thomas, Big D and Bubba; WUSN/Chicago’s Lisa Dent and Ramblin’ Ray; and WUBE/Cincinnati’s Stattman, Chelsie and Big Dave. Below, Big & Rich hand hat awards for Station of the Year to WWKA/Orlando’s Drew Bland; KCLR/Columbia, MO’s Jamie Mac and Cara; WQMX/Akron’s Jody Wheatley and Sue Wilson; WWKA’s Ashley and AJ; and WUSN/Chicago’s Jeff Kapugi, Ramblin’ Ray and Lisa Dent. ©2015 Country Aircheck™ — All rights reserved. Sign up free at www.countryaircheck.com. Send news to [email protected] April 20, 2015 Page 4 ACMs Take Texas … & The Cake A good mix of country eras, a fast pace ... and could some- one please tell the winners where to look? Country Aircheck got the consensus on last night’s (4/19) 50th ACM Awards from some folks in radio. KFDI/Wichita APD Carol Hughes: I about fell off my sofa when they opened the show with “Pledge Allegiance To The Hag.” They included songs that would never be on an awards show. Jason Aldean’s medley was fantastic. I loved the Milestone Awards. Those artists were not just brought onstage as a courtesy but they were showcased in a wonderful way and given a huge spotlight to show just why they were Milestone winners. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
News Spinzone
"NEWS! "SPIN ZONE ! "CALENDARS! "CHART DATA ! "NO. 1 SONG! VOICES OF SECONDARY RADIO! " COVERING THE SECONDARY RADIO MARKET SINCE 2002 REPORTING ! PANEL! " Thursday, May 7, 2015 " SPINZONE CHART NEWS" " Toby Keith Adds More ‘Good Times’ To Tour Top Ten— Tim McGraw has the song at top of the MusicRow For The 2015 Toby Keith Good CountryBreakout Chart this week with “Diamond Rings And Times & Pick Up Lines Tour Old Barstools.” Eric Paslay holds strong at No. 2 with “She presented by Ford F-Series, Keith Don’t Love You.” Carrie Underwood’s “Little Toy Guns” moves tapped newcomer Chris Janson up one spot to No. 3, followed by Florida Georgia Line’s as his opening act on more than “Sippin’ On Fire” at No. 4. Brad Paisley remains at No. 5 with 20 tour dates this summer. Janson “Crushin’ It” while Kelsea Ballerini moves up one to No. 6 joins other artists, including Eli with “Love Me Like You Mean It.” Little Big Town is still Young Band and Colt Ford, who moving “Girl Crush” up the chart; this week they are at No. 7. will occasionally join the tour’s Brantley Gilbert jumps “One Hell Of An Amen” up two spots lineup. To read more and to see the full list of dates, click HERE. " to No. 8. Canaan Smith inally reaches the top 10 with “Love … You Like That” landing at No. 9. Blake Shelton also shows up in the top 10 for the Eirst time at No. 10 with “Sangria.” Butler And McCoy Receive No. 1 " Challenge Coin Greatest Gainers— Blake Shelton moves into the top 10 Songwriters Bart Butler after 352 new spins on “Sangria.” Zac Brown Band’s “Loving and Larry McCoy You Easy” received 335 additional plays this week. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -