JOHN WATERS in Conversation with Paul Holdengräber in BRYANT
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Perkins, Anthony (1932-1992) by Tina Gianoulis
Perkins, Anthony (1932-1992) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2007 glbtq, Inc. Reprinted from http://www.glbtq.com The life and career of actor Anthony Perkins seems almost like a movie script from the times in which he lived. One of the dark, vulnerable anti-heroes who gained popularity during Hollywood's "post-golden" era, Perkins began his career as a teen heartthrob and ended it unable to escape the role of villain. In his personal life, he often seemed as tortured as the troubled characters he played on film, hiding--and perhaps despising--his true nature while desperately seeking happiness and "normality." Perkins was born on April 4, 1932 in New York City, the only child of actor Osgood Perkins and Janet Esseltyn Rane. His father died when he was only five, and Perkins was reared by his strong-willed and possibly abusive mother. He followed his father into the theater, joining Actors Equity at the age of fifteen and working backstage until he got his first acting roles in summer stock productions of popular plays like Junior Miss and My Sister Eileen. He continued to hone his acting skills while attending Rollins College in Florida, performing in such classics as Harvey and The Importance of Being Earnest. Perkins was an unhappy young man, and the theater provided escape from his loneliness and depression. "There was nothing about me I wanted to be," he told Mark Goodman in a People Weekly interview. "But I felt happy being somebody else." During his late teens, Perkins went to Hollywood and landed his first film role in the 1953 George Cukor production, The Actress, in which he appeared with Spencer Tracy. -
Till Death Do Us Part: a Study of Spouse Murder GEORGE W
Till Death Do Us Part: A Study of Spouse Murder GEORGE W. BARNARD, MD HERNAN VERA, PHD MARIA I. VERA, MSW GUSTAVE NEWMAN, MD Killers of members of their own families have long fueled the archetypical imagination. Our myths, literature, and popular arts are full of such charac ters as Cain, Oedipus, Medea, Othello, Hamlet, and Bluebeard. In our time the murderous children of movies like "The Bad Seed" and "The Omen"; the homicidal father of "The Shining"; the killer spouses of Hitchcock's "Midnight Lace" and "The Postman Always Rings Twice" bespeak a continuing fascination with the topic. In contrast, until recently the human sciences paid" selective inattention" I to the topic of family violence. Only in the past decade has violence in the family become "a high priority social issue,"~ an "urgent situation, ":1 on which privileged research energy needs to be expended. We deal here with the murder of one spouse by the other, a topic on which research remains sparse4 despite the growing interest in family vio lence. Based on data derived from twenty-three males and eleven females accused of such crime, we contrast and compare the two groups attempting to identify common and gender-related characteristics in the offense, the relationship between murderer and victim, as well as the judicial disposition of the accused. The importance of the doer-sufferer relation in acts of family criminal violence has been well established. In major sociological studies"-s it has been found that about one out of five (or nearly one out of four) deaths by murder in the U.S. -
MB?-®. Tampering with the Western and F
rence of Arabia” In three weeks New York premiere, November Bromwyn traveled back to Hol- THE EVENING STAR. Washington. D. C. A-31 Natalie and Tab GU Adds 5 New —using the Sues Canal on the 9. Before leaving, De Mille lywood from Ireland by herself, FRIDAY. SEPTEMBER SI. ISAS Members of Faculty way to Palestine. But Egyptian presented the cinema editors in time for school. Maureen’s Make Met's Film President Nasser will probably first award to Anne Bauchens, parents remain in Ireland for Georgetown University has decide otherwise. who has edited De Mille films another month before Joining announced the addition of five' for 40 years, starting “We their children here. Teen-Age Oater faculty with Maureen, new members to the; George Nader, just back from Can't Have Everything” and like Susan Hayward and Jeanne Department of International NEIGHBORHOOIT^tog. Japan and “Joe Butterfly,” can’t including his latest, “Ten Com- Crain, is in no hurry to wed " Werner the School "THE BURNINO HILIS ¦ Transportation and to go back again for some mandments.” igaln. Bros, picture, produced by Richard wait Films of More Thon Routine Merit . Whorl, directed by Stuart Hcleler icreen. of Business Administration. of the baths. "One time." he told drive in theaters ¦ley by lrylne Wallace, from e novel by Clem C. Llnnenberg, Jr., di- "THE AMBASSADOR'S DAUGHTER”—OIivia de Havllland ! Louie 1/Amour. In Cinemascope end me dreamily, “Ihad three beauti- Arthur Miller Is giving read- comedy setting. Warner Color At the Metropolitan end rector of the Transportation ful girls scrubbing my back.” ings of his censorable "View decorates a romantic In a Paris 17 I Ambassador Theater' Group Depart- WEEK "AWAY ALL BOATS”—Jeff Chandler and George Nader in Tht HEW SUP EH 29 The feat Economics in the It's the custom there and From the Bridge" play to small NOWINS.r an Tab Hunter i over war Drl ln Trace Jordan ment of-Agriculture, and Frank exciting narrative of in the Pacific. -
Post-Queer Desires
Post-Queer Desires: A Contemporary Queer Discourse in Pink Flamingos MA Thesis Media Studies: Film Studies Department of Humanities Author: Sidney Adelaar Supervisor: Abe Geil June 26, 2017 Word count: 13566 1 2 Contents Introduction……………………………………………………………………………. p. 5 1. The Anti-Social Queer Desiring-Machine: Going Beyond Queer………... p. 11 1.1 Antisocial Filth……………………………………………………………... p. 12 1.2 The Queer Desiring-Machine…………………………………………… p. 15 1.3 Desiring...Poop?…………………………………………………………... p. 19 2. Celebrating a Post-Queer Utopia or Dystopia?……………………………… p. 24 2.1 A Mudgey Dystopia……………………………………………………… p. 24 2.2 A Divine Utopia……………………………………………………………. p. 27 2.3 A Happy Post-Queer Birthday, Divine!………………………………... p. 30 Conclusion……………………………………………………………………………… p. 37 Acknowledgements………………………………………………………………….. p. 40 Appendix……………………………………………………………………………….. p. 41 Bibliography……………………………………………………………………………. p. 44 Films Cited……………………………………………………………………………… p. 45 3 4 Introduction Queer cinema is a fairly recent category in cinema history. Starting around 30 years ago, during the same time in the 1980’s that queer theory became a prominent academic discipline, queer cinema seems to encompass all films that deal with gay and lesbian themes, or ‘LGBT’ to use a recent term. As these themes focus mainly on the sexuality of the characters and their struggles in a ‘straight’ world because of it, there appears to be a major centring around desires, be it sexual or something else. If a desire is not desirable in heteronormative society, ‘queer’ is the right word for it. This thesis’ main focus is this notion of queer desires. By focusing on this aspect of the queer, I will show just how these desires can shape queer cinema and provide a unique framework for the analysis of the modern queer film. -
COVER ART by JEFF KNIGHT 1 Film Festival Goer, Treasure Hunter
COVER ART BY JEFF KNIGHT 1 Film Festival Goer, Treasure Hunter There are times when we walk into a cinema knowing exactly what to expect. We know that Nicolas Cage will deliver an awesomely bad punchline after riding a motorcycle through the flaming hull of a downed jetliner, Colin Firth will make us swoon in that totally respectable way, and Meryl Streep will meryl as only Meryl can. The familiar can be a lovely warm blanket, the White Hat saving the day, and an excellent night at the movies. But there are times when we feel a bit more adventurous – times when we seek art that grabs us by the collar Emily Beck and shakes us awake. These are the times when we are treasure hunters, boldly going beyond to find something FARGO THEATRE Executive Director of inmeasureable worth. If you are craving an adventure, then you are in the right place. A film festival is a wonderful place to explore. At any given moment may see something that leaves you scratching your head OR you may discover That Film (written in Denmark, shot in Rio, starring Nobody You’ve Ever Heard Of) that speaks to you in conversation, leaves you breathless, and reminds you why you struck out into the wild in the first place. On behalf of the entire team, it is my pleasure to welcome you to the 15th annual Fargo Film Festival. We welcome you aboard and are grateful to share the journey. Thank you for coming and enjoy the show! DAN FRANCIS PHOTOGRAPHY FARGO THEATRE STAFF: FARGO THEATRE BOARD FESTIVAL COMMITTEE AND VOLUNTEERS: Emily Beck, Executive Director Greg Carlson, President -
The Last Hunter an American Family Album 1St Edition Pdf, Epub, Ebook
THE LAST HUNTER AN AMERICAN FAMILY ALBUM 1ST EDITION PDF, EPUB, EBOOK Will Weaver | 9780873517768 | | | | | The Last Hunter An American Family Album 1st edition PDF Book The Island of Desire. So, you want to find out the value of your book. Many other factors play a role, including condition, scarcity, provenance, cultural or historic significance, etc. Guideposts Books. Treasure of St. He established Warner Bros. Lone Wolf Dever. About First Edition Books If the initial print run - known as the 'first printing' or 'first impression'- sells out and the publisher decides to produce a subsequent printing with the same typeset, books from that second print run can be described as a first edition, second printing. How does literary fiction benefit you? Kelm's father was Jewish, and his mother was a German Catholic immigrant from Hamburg. She was It entered The New York Times ' bestseller list for a third time on June 28, upon the release of Tab Hunter Confidential , an award-winning documentary based upon the memoir. Hot This Week. Shop signed books. Tolkien , Hardcover, Collector's. Letters to the Editor for Oct. He began acting on stage, appearing in a production of Our Town. Many essays and memoirs are novellas. Again, pay close attention to detail, comparing what you have to what is advertised for sale. In that case, the supply remains low while demand for rises. Total package Betts paying off big for Dodgers in every way Mookie Betts slid headfirst across home plate, then popped up and did a double pump with his right fist. The Last Hunter An American Family Album 1st edition Writer AbeBooks offers an immense collection of first edition books for sale, including some of the most famous books ever published. -
Spring 2017 Newsletter
Serving 50+ Adults Spring 2017 Enriching lives with learning opportunities ≈ Providing services that support well-being and independence ≈ Building Community INDEX (SS = supplement) 5K Run/Walk ……..7 & 16 DETROIT TIGERS Adult Day Service…..SS4 OPENING DAY Art Classes……..…….…8 Friday, April 7 Aquatics Classes........3-4 Honor your loved one with a tribute in support Billiards………….....…….8 (SEV17-B1701) Blood Pressure..........SS2 of therapeutic activities for Friendship Club, Book Club.......................8 Big screen pre-game excitement and ball park hot Meals on Wheels or Transportation services. Bridge ……………..…..8-9 Purchase a memorial paver brick, which will be BTSS Eligibility.…….…..2 dogs. Red Sox vs Detroit Tigers. Show your colors and come cheer them on. Tiger baseball placed along the BTSS walkways beginning Cancellations……………2 Spring 2017. Cardio Classes….........4-5 trivia contest! Sponsored by Woodward Hills. Cards/Games ...............8-9 Preregistration required. Res $3 / Non-Res $5 Each donor will receive a certificate and be Caregiver ……………..SS1 notified when their brick is installed. One size Clubs……..…...................8 12:30 PM (pregame fun) 1:10 PM (game time) Co mputers......................8 4” x 8” available for a contribution of $150. Order forms are available in the center or Day Trips…..….....…13-15 Unique Topics… uniquely for you! Donations ………….….....2 online at www.bloomfieldtwp.org/SeniorServices. Enrichment…….....….8-12 Check out our exciting schedule of speakers Fitness ..........................3-8 -
John Waters (Writer/Director)
John Waters (Writer/Director) Born in Baltimore, MD in 1946, John Waters was drawn to movies at an early age, particularly exploitation movies with lurid ad campaigns. He subscribed to Variety at the age of twelve, absorbing the magazine's factual information and its lexicon of insider lingo. This early education would prove useful as the future director began his career giving puppet shows for children's birthday parties. As a teen-ager, Waters began making 8-mm underground movies influenced by the likes of Jean-Luc Godard, Walt Disney, Andy Warhol, Russ Meyer, Ingmar Bergman, and Herschell Gordon Lewis. Using Baltimore, which he fondly dubbed the "Hairdo Capitol of the World," as the setting for all his films, Waters assembled a cast of ensemble players, mostly native Baltimoreans and friends of long standing: Divine, David Lochary, Mary Vivian Pearce, Mink Stole and Edith Massey. Waters also established lasting relationships with key production people, such as production designer Vincent Peranio, costume designer Van Smith, and casting director Pat Moran, helping to give his films that trademark Waters "look." Waters made his first film, an 8-mm short, Hag in a Black Leather Jacket in 1964, starring Mary Vivian Pearce. Waters followed with Roman Candles in 1966, the first of his films to star Divine and Mink Stole. In 1967, he made his first 16-mm film with Eat Your Makeup, the story of a deranged governess and her lover who kidnap fashion models and force them to model themselves to death. Mondo Trasho, Waters' first feature length film, was completed in 1969 despite the fact that the production ground to a halt when the director and two actors were arrested for "participating in a misdemeanor, to wit: indecent exposure." In 1970, Waters completed what he described as his first "celluloid atrocity," Multiple Maniacs. -
Trash Is Truth: Performances of Transgressive Glamour
TRASH IS TRUTH: PERFORMANCES OF TRANSGRESSIVE GLAMOUR JON DAVIES A thesis submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Arts Graduate Programme in Film and Video, Critical and Historical Studies. York University Toronto, Ontario June 2004 1 2 3 Abstract I will examine several transgressive and transformative performances of glamour in American queer cinema. Primarily, I will look at Mario Montez in the films of Andy Warhol and of Jack Smith (1960s), Divine in the films of John Waters (1970s), and George Kuchar in his own video diaries (1980s). These performances are contradictory, messy, abject, and defiant; they are also profoundly moving to identifying spectators. The power of these performances lies in their harnessing of the experience of shame from queer childhood as a force to articulate deviant queer subjectivities. By forging a radical form of glamour based on a revaluation of trash and low culture, these performances refuse to value authenticity over artifice, beauty over ugliness, truth over trash. This trash glamour is intimately connected to the intense star identification of Hollywood cinematic spectacle that was a survival strategy for queer male children in post-World War Two America. 4 Table of Contents Abstract 4 Table of Contents 5 Introduction 6 1. Theoretical Context 15 2. Super-Fans: Warhol, Smith, Montez 34 3. Divine Shame 62 4. Kuchar’s Queer “Kino-Eye” 97 Conclusion 122 Works Cited 126 Filmography 136 Videography 137 5 Introduction “As Walter Benjamin argued, it is from the ‘flame’ of fictional representations that we warm our ‘shivering lives’” – Peter Brooks I would like to begin with an anecdote that will serve as a point of origin for the connections and resonances among queer childhood, shame, Hollywood fandom, abjection, trash, glamour, and performance that I will develop in this thesis. -
Tab Hunter in . ..-.- J Tl,L,.:Sa
ttre" Illinois Guy S. Uttfe, Jr. Pr- $..a . Tab Hunter in . ..-.-J tl,l,.:sa JUNE 29 - JULY 4, 1965 Guy S. Little, Jr. PRESENTS TAB HUNTER "MISTER ROBERTS" By THOMAS EGGEN and JOSHUA LOGAN With VINCE DE DARlO Ralph Foody, Hal Frank, Arlene Drake, I. W. Klein Richard ~tadelmann, Hugh Kennedy Tirrdl, Lowell Christy DIRECTED BY JOHN KELSO SCENERY AN.D LIGHTING DESIGNED BY PAUL HOFFMAN I ENTIRE PRODUCTION UNDER THE SUPERVISION OF MR. LITTLE I CAST Lieutenant (JG) Roberts .......................................... TAB HUNTER Doc ........................................................... HAL FRANK Dowdy ..............................................HUGH KENNEDY TIRRELL The Captain .................................................... RALPH FOODY lnsigna .......................................................... PETER ROSS Mannion ......................................................DARRELL RUHL Lindstrom ..................................................... BILL FECHT Stefanowski ............................................RICHARD STADELMANN Wiley .........................................................BILL HADDAD Sehlemmer ...................................................... FRED HAHN Reber ........................................................ROBERT BURTON Ensign Pulver ................................................ VIMCE DE DARlO Dolan .......................................................... I. W. KLElN Gerhart ..................................................... LOWELL CHRISTY Lieutenant Ann Girard ........................................ -
'I'm SO FUCKING BEAUTIFUL I CAN't STAND IT MYSELF': Female Trouble, Glamorous Abjection, and Divine's Transgressive Pe
CUJAH MENU ‘I’M SO FUCKING BEAUTIFUL I CAN’T STAND IT MYSELF’: Female Trouble, Glamorous Abjection, and Divine’s Transgressive Performance Paisley V. Sim Emerging from the economically depressed and culturally barren suburbs of Baltimore, Maryland in the early 1960s, director John Waters realizes flms that bridge a fascination with high and low culture – delving into the putrid realities of trash. Beginning with short experimental flms Hag in a Black Leather Jacket (1964), Roman Candles (1966), and Eat Your Makeup (1968), the early flms of John Waters showcase the licentious, violent, debased and erotic imagination of a small community of self-identifed degenerates – the Dreamlanders. Working with a nominal budget and resources, Waters wrote, directed and produced flms to expose the fetid underbelly of abject American identities. His style came into full force in the early 1970s with his ‘Trash Trio’: Multiple Maniacs (1970), Pink Flamingos (1972), and Female Trouble (1974). At the heart of Waters’ cinematic achievements was his creation, muse, and star: Divine.1 Divine was “’created’ in the late sixties – by the King of Sleaze John Waters and Ugly-Expert [makeup artist] Van Smith – as the epitome of excess and vulgari- ty”2. Early performances presented audiences with a “vividly intricate web of shame, defance, abjection, trauma, glamour, and divinity that is responsible for the profoundly moving quality of Divine as a persona.”3 This persona and the garish aesthetic cultivated by Van Smith aforded Waters an ideal performative vehicle to explore a world of trash. Despite being met with a mix of critical condemnation and aversion which relegated these flms to the extreme periph- ery of the art world, this trio of flms laid the foundation for the cinematic body of work Waters went on to fesh out in the coming four decades. -
Automat Pictures “I Am Divine” March 15, 2013 Transcribed By: Word of Mouth (Rl)
AUTOMAT PICTURES “I AM DIVINE” MARCH 15, 2013 TRANSCRIBED BY: WORD OF MOUTH (RL) [FILM CLIP] [01:00:06] VOICEOVER : It was a Hollywood gala in Charm City tonight as Baltimore’s politicians, movie stars and counter culture turned out en masse for world premiere of John Waters’ latest film Hairspray. [01:00:29] MINK STOLE : It was a very exciting night. There was a real charge in the air. People were liking the movie. [01:00:36] MALE : We were so excited about it and thrilled that we had accomplished it. DENNIS DERMODY : We thought this is it. This is the one that Divine has been working towards. MINK STOLE : He was there, he looked wonderful and he was so proud. [FILM CLIP] I Am Divine - 2 NEWS REPORTER : In one sentence, can you sum up this movie experience? DIVINE : This is Divine, yeah. It’s great. It’s the greatest night for me in a long time. I love every minute of it. [01:01:04] DENNIS DERMODY : Everybody was really high on it, and they thought this could open doors for John to make movies, for Divine. JOHN WATERS : After those years of struggling, all those years of working, all the years of horrible reviews and really mean stuff, to finally be accepted, he certainly would’ve wanted to continue what was just starting. MALE : He was such a gregarious big, healthy, pink piece of flesh, you just figured he’d go on forever. [01:01:34] SHOW OPENING TITLES I Am Divine - 3 [FILM CLIP] DIVINE : People like to laugh at sex.