Muscle Shoals Discussion Guide
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Russell Gulley Alabama Touring Artist Program
Alabama Touring Artist Program Study Guide Russell Gulley Intro: FROM TRADITIONAL MUSIC TO AMERICAN POP 265-845-0203 [email protected] Artistic Genre: Music Performing Artist: Russell Gulley 1 Alabama Touring Artist Program Study Guide presented by Alabama State Council on the Arts 201 Monroe Street, Suite 110; Montgomery, AL 36130-1800 334-242-4076 Ext. 241 Alabama Touring Artist Program presented by the Alabama State Council on the Arts This Study Guide has been prepared for you by the Alabama State Council on the Arts in collaboration with the performing artist. All vocabulary that is arts related is taken directly from the Alabama Course of Study, Arts Education. With an understanding that each teacher is limited to the amount of time that may be delegated to new ideas and subjects, this guide is both brief and designed in a way that we hope supports your school curriculum. We welcome feedback and questions, and will offer additional consulting on possible curriculum connections and unit designs should you desire this support. Please feel free to request further assistance and offer your questions and feedback. Hearing from educators helps to improve our programs for other schools and educators in the future. Please Contact: Diana F. Green, Arts in Education Program Manager at: 334/242-4076 Ext. 241 [email protected] Set up: Artists typically arrive 60 minutes before their scheduled performance in order to set up. Please have the space available to the artist as soon as she arrives. All artists will need some kind of setup prior to arrival. -
"May Day to Present Percy Sledge and Carla Thomas"
tte Hilltop Bctos "Representing Georgia's Oldest Independent Institution of Higher Learning." Vol. XI, No. 10 THE HILLTOP NEWS. LAGRANGE COLLEGE. LAGRANGE GEORGIA April 30. 1969 "May Day to Present Percy Sledge and Carla Thomas" Honors Day and May Day at LaGrange College -previous- ly a combined one-day event ~ are scheduled this year on Fri- day and Saturday, May 2 and 3, respectively. Dr. Judson C. Ward Jr. of Atlanta, vice president and dean of faculties at Emory University, wi 11 speak at the student honors and recognition program on Fri- day at 10 a.m. in the college gymnasium. Parents and alumni have been invited to arrive for Satur- day's May Day activities by lunchtime, Thomas Baynard of St. Petersburg, Fla., president of the Student Government Asso- ciation, said. Following the 12:30 lunch in the dining hall, there will be a meeting of the LC Parents As- PERCY SLEDGE ... an unu- SLEDGE found himself on a spi- sociation in the same place. sual name and an unusual voice! ral ing road to the top. A highlight of the tradi- The Soul of Sledge has had ane- Carla Thomas' early in- recording contract. Her first re- Many observers felt PERCY tional May Day festivities will ver growing legion of fans troduction to showbusiness was SLEDGE would be around as long be the presentation of Queen lease, "Gee Whiz, Look At His throughout the world since he no accident. Her father is Rufus as the popularity of WHEN A Nancy Beth James of Auburn- Eyes" became a smash hit and- burst on the Pop - R &B scene Thomas, who for over 20 years launched Carla on an exciting MAN LOVES A WOMAN but he dale, Fla., and her court, and with the now classic WHEN A was one of the top Disc Jockeys corrected the image by building step-singing competition. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Most Requested Songs of 2019
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2019 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Journey Don't Stop Believin' 4 Cupid Cupid Shuffle 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Walk The Moon Shut Up And Dance 7 Justin Timberlake Can't Stop The Feeling! 8 Earth, Wind & Fire September 9 Usher Feat. Ludacris & Lil' Jon Yeah 10 V.I.C. Wobble 11 DJ Casper Cha Cha Slide 12 Outkast Hey Ya! 13 Black Eyed Peas I Gotta Feeling 14 Bon Jovi Livin' On A Prayer 15 ABBA Dancing Queen 16 Bruno Mars 24k Magic 17 Garth Brooks Friends In Low Places 18 Spice Girls Wannabe 19 AC/DC You Shook Me All Night Long 20 Kenny Loggins Footloose 21 Backstreet Boys Everybody (Backstreet's Back) 22 Isley Brothers Shout 23 B-52's Love Shack 24 Van Morrison Brown Eyed Girl 25 Bruno Mars Marry You 26 Miley Cyrus Party In The U.S.A. 27 Taylor Swift Shake It Off 28 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 29 Montell Jordan This Is How We Do It 30 Beatles Twist And Shout 31 Ed Sheeran Thinking Out Loud 32 Sir Mix-A-Lot Baby Got Back 33 Maroon 5 Sugar 34 Ed Sheeran Perfect 35 Def Leppard Pour Some Sugar On Me 36 Killers Mr. Brightside 37 Pharrell Williams Happy 38 Toto Africa 39 Chris Stapleton Tennessee Whiskey 40 Flo Rida Feat. -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Muscle Shoals Sound Records
WHO'S WHO AT MUSCLE SHOALS SOUND RECORDS 1000 Alabama Avenue, P.O. Box 915, Sheffield, Ala. 35660 (205) 381-9200 Muscle Shoals Sound Records was more or less the natural extension of what had become one of the most successful production organizations in the business. The four principals of the production company, Jimmy Johnson, Barry Beckett, David Hood and Roger Hawkins made up what became the legendary "Muscle Shoals Rhythm Section". Jimmy and Roger met while playing in local bands at school dances and clubs along the state line. They were later members of an early 60's group called the Delrays. At the same time David Hood was playing in a group called the Mystics. Johnson was the first to move into studio work when he began working with producer Rick Hall as an engineer and their session guitarist. By 1964 Jimmy and Roger were working regularly at Fame Studios with the occasional assistance of David Hood, when Hood could get away from his father's tire store a block and a half away from the studio. In 1966 Hawkins and Johnson played on their first million seller, "When A Man Loves A Woman" by Percy Sledge. In 1967 Barry Beckett came to Muscle Shoals to cut "I'm Your Puppet" by James and Bobby Purify. It was about that time that Spooner Oldham, the Muscle Shoals keyboard player, decided to move to Mem- phis. Shortly thereafter, Barry Becket and his family came to Muscle Shoals and the Rhythm Section was formed. By the late 1960's there were 3 studios in Muscle Shoals and the Rhythm Section was working at all of them. -
Pallbearers (Dan Penn)
Mark V, Dan Penn & The Pallbearers/Muscle Shoals, Alabama Band Directories Copyright 2004 How would like to have had the Mark V or its sucessor, Dan Penn & The Pallbearers play for your fraternity some Saturday night in the 60s. If Dan Penn's Pallbearers played for your gig, they may have arrived in a hearse. Otherwise, members of one of the two groups may have been back in Muscle Shoals at Fame Studios providing the backing, producing, or engineering for some of the greatest hits of T he Heeey Baby Days of Beach Music. See the Del-Rays for a similar effect. Brief Description Hear Dan Penn on the Soundtrack to The Heeey Baby Days of Beach Music Year Established Favorite Venues Music Genre/Recordings R&B Performer ` Instrument Years In The Band Notes Havely, Dan Trumpet FROM ALABAMA MUSIC HALL OF FAME: WWW.alamhof.org - Joined Gregg and Duanne Allman in 1966 as the drummer for the Southern rock band The HourglassProduced the Allman's "Brothers and Sisters" and "Win Lose or Draw"Also produced albums for Delbert McClinton, The Outlaws, Wet Willie and many more Sandlin, Johnny Guitar FROM ALABAMA MUSIC HALL OF FAME: WWW.alamhof.org :We laid the groundwork for the whole Muscle Shoals R&B movement to begin," Carrigan says of himself and fellow musicians David Briggs and Norbert Putnam, who were part of the original "Muscle Shoals Rhythm Section" in the early Sixties. They played on Arthur Alexander's "You Better Move On" (the first R&B hit out of Muscle Shoals), followed that with Jimmy Hughes' chartbuster "Steal Away" and later, on numerous hits by Tommy Roe and by The Tams, including "What Kind of Fool". -
PRESS RELEASE December 10, 2020 Contact: Rachel Preisel Marketing Coordinator 810.237.5131 [email protected]
PRESS RELEASE December 10, 2020 Contact: Rachel Preisel Marketing Coordinator 810.237.5131 [email protected] CAPITOL MUSIC AT HOME THE CAPITOL THEATRE IS NOW STREAMING MUSIC DOCUMENTARIES FLINT, MICH. – The Capitol Theatre is proud to announce Capitol Music at Home, a series of streaming music documentaries that you can watch at home. Streaming is available for purchase online at CapitolTheatreFlint.com. A third party provides streaming and ticketing. You can pay now and watch within 72 hours, except for Zappa. Zappa is available for 30 days from purchase with 72 hours to finish when started. UPCOMING STREAMING OPPORTUNITIES: DECEMBER: Dec. 15 Bad Reputation is a 2018 American documentary film about the career of rock musician Joan Jett, directed by Kevin Kerslake and written by Joel Marcus. The documentary traces Jett’s musical career from the formation of the Runaways through her subsequent partnership with songwriter and producer Kenny Laguna. Bad Reputation is available for purchase from December 15 until December 20 Dec. 22 Zappa tells the story of a rock musician and composer Frank Zappa, a trove of home movies, filmed interview and more from the family’s vaults. Zappa, who died of cancer in 1993, comes off more driven and thought is, and less of a provocateur, than his public image. Zappa is available for purchase from December 22 until December 27 Dec. 29 Once Were Brothers is a confessional, cautionary, and occasionally humorous tale of Robbie Robertson’s young life and the creation of one of the most enduring groups in the history of popular music, The Band. -
Wind Creek Casino & Resort Bethlehem, Pa
Dear Friends, As we begin our 39th Year of conducting Quality Motorcoach Tours, we want to say “Thank You” to all of our loyal Sunshine Travelers. If you have not traveled with us before, we want to welcome you to the “Sunshine Family.” Every tour is escorted on modern Touring Motor Coaches, giving our passengers the most comfortable ride. Because we Own Our Motor Coaches, we have complete control over the Quality and Cleanliness of each Motorcoach. In ad- dition to being climate controlled and rest room equipped, each state of the art motorcoach has video equipment. You will feel safe and secure with the knowledge that your Personal Tour Director and Motorcoach Driver will handle all the details, leaving you free to ENJOY YOUR VACATION. All tours include Deluxe Motorcoach Transportation and Admission to all Listed Attractions. Baggage Handling is provided at each night’s lodging as indicated in the catalog. From the moment you Step Aboard our Motorcoach, Wonderful Things Begin to Happen. Your Sunshine Tour is more than just places and things. It is a Happy Time Good Feelings and Fond Memories with Family and Friends. , filled with We hope you enjoy your “New Tour Catalog”. We have made lots of revisions to existing tours as well as adding new destinations for 2020. We have listened to your suggestions, asking for Better Hotel Accommodations and Attraction Seating, therefore, you will notice price increases on some of the tours. The Federal Government has increased the fees for Motorcoach traveling into the National Parks, thus another price increase. For 38 years we were able to generously offer a full refund on ALL of our tours, due to changing times we have found it necessary to update our refund policy. -
Spooner Oldham's Life in Music by Haley Walden
An Unlikely Place and Time: Spooner Oldham’s Life in Music By Haley Walden (published in Alabama Music Magazine, 2009) A passing glance at Spooner Oldham’s quiet life in Rogersville, Alabama would give few people reason for pause. His country home is situated on several lush acres off a scenic county road, and a creek flows steadily behind the house. Visitors to the neighborhood might notice Oldham relaxing on the patio with his dogs, Oscar and Porter, and his cats, Waylon and Cash. Or if the front screen door is propped open, a hint of a familiar tune from his baby grand piano may reach their ears. What they probably won’t realize is how much Oldham’s musical career has influenced their lives. Oldham handles the extraordinary details of his life with little ego and a great deal of humility. From Muscle Shoals to Memphis to Los Angeles and all over the world, he has worked with the likes of musical talents Neil Young, Bob Dylan, Aretha Franklin, Duane Allman, Jewel, Wilson Pickett, and Percy Sledge, among many others. His songs have appeared on albums by Janis Joplin, Hank Williams, Jr., and The Box Tops. He’s a seasoned songwriter and studio musician with a flair for piano and organ, and on April 4th, he’s being inducted into the Rock ‘n’ Roll Hall of Fame. Born June 14, 1943 in Sheffield, Alabama, Oldham grew up as the music business was blooming in Muscle Shoals, a city a few miles from his hometown of Center Star. Music was a shared passion among many of his family members.