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Carnival Time Comes Tonight
- CARNIVAL TIME COMES TONIGHT FUN FOR ALL AT THE CARNIVAL 500-Driver Shows All Aclamsites To Car Safety Exhibit �N.£ � ii Attencl Gala Affair unusual and interesting exhibit willAn be on display in the auditorium today. It is an all-day program on Finally!! The opportunity many of automobile safety sponsored by the us have been eagerly anticipating is Champion Spark Plug Company. Mr. here. Surely there are many of you Jimmy Reese, who placed seventh in who have always wanted a chance to his first attempt at the 500-mile Me throw a pie at Larry Thompson! And morial Day Racing Classic at Indi where do you get this golden oppor anap0lis, will be program director. tunity? Why at the Senior Carnival, All students of driver education of course! will have access to this program as Tonight, from 7 to 9:30, any Adams well as those students who have student cannot only throw pies at study hall during the day. If at all either Larry Thompson or Ron Co possible, students should try to view hen, but they can play miniature goli this program because Mr. Reese, on the stage, throw basketballs in the holder of the third fastest time for gym, or send telegrams to any place the 500-mile track-145.513 m.p.h. in the carnival. Students with ro, should have a fast moving and sti Pie-throwing! Basketball! Get married! These are only samples he mantic inclinations can be married of t mulating program for all drivers. activities can find at tonight's Senior Carnival. -
Image – Action – Space
Image – Action – Space IMAGE – ACTION – SPACE SITUATING THE SCREEN IN VISUAL PRACTICE Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.) This publication was made possible by the Image Knowledge Gestaltung. An Interdisciplinary Laboratory Cluster of Excellence at the Humboldt-Universität zu Berlin (EXC 1027/1) with financial support from the German Research Foundation as part of the Excellence Initiative. The editors like to thank Sarah Scheidmantel, Paul Schulmeister, Lisa Weber as well as Jacob Watson, Roisin Cronin and Stefan Ernsting (Translabor GbR) for their help in editing and proofreading the texts. This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Copyrights for figures have been acknowledged according to best knowledge and ability. In case of legal claims please contact the editors. ISBN 978-3-11-046366-8 e-ISBN (PDF) 978-3-11-046497-9 e-ISBN (EPUB) 978-3-11-046377-4 Library of Congress Control Number: 2018956404 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche National bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de. © 2018 Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com, https://www.doabooks.org and https://www.oapen.org. Cover illustration: Malte Euler Typesetting and design: Andreas Eberlein, aromaBerlin Printing and binding: Beltz Bad Langensalza GmbH, Bad Langensalza Printed in Germany www.degruyter.com Inhalt 7 Editorial 115 Nina Franz and Moritz Queisner Image – Action – Space. -
Teacher Notes
Media Series - TV Teacher Notes Television in the Global Age Teachers’ Notes The resources are intended to support teachers delivering on the new AS and A level specifications. They have been created based on the assumption that many teachers will already have some experience of teaching Media Studies and therefore have been pitched at a level which takes this into consideration. Other resources are readily available which outline e.g. technical and visual codes and how to apply these. There is overlap between the different areas of the theoretical framework and the various contexts, and a “text-out” teaching structure may offer opportunities for a more holistic approach. Slides are adaptable to use with your students. Explanatory notes for teachers/suggestions for teaching are in the Teachers’ Notes. The resources are intended to offer guidance only and are by no means exhaustive. It is expected that teachers will subsequently research and use their own materials and teaching strategies within their delivery. Television as an industry has changed dramatically since its inception. Digital technologies and other external factors have led to changes in production, distribution, the increasingly global nature of television and the ways in which audiences consume texts. It is expected that students will require teacher-led delivery which outlines these changes, but the focus of delivery will differ dependent on texts chosen. THE JINX: The Life and Deaths of Robert Durst Episode Suggestions Episode 1 ‘The Body in the Bay’ is the ‘set’ text but you may also want to look at others, particularly Episode 6 with its “shocking” conclusion. -
Selena Y Los Dinos
Case Study CX005.1 Last revised: February 24, 2014 Selena y los Dinos Justin Ward Selena Quintanilla-Perez was born in Texas on April 16, 1971 into an English-speaking Latino family of Jehovah’s Witnesses.1 Her father, Abraham Quintanilla, Jr. (“Quintanilla”) was an enterprising man who had spent his youth trying to make it in the Texas music scene as manager and member of a band called Los Dinos. Quintanilla took a job at a chemical plant when he settled down, but later left to open his own restaurant. During his (ultimately unsuccessful) effort to keep the struggling business afloat, he had the musically talented nine- year-old Selena perform live music to help attract customers. Although the restaurant failed, Selena continued to perform under the name Selena y los Dinos. She learned to sing in Spanish and began recording with local producers. After the eighth grade, she dropped out of school to pursue her musical career. The band remained in many ways a family affair: Quintanilla (once described as “the ultimate stage father”2) managed the group, her brother A.B. played bass guitar and wrote many of Selena’s songs, and she married the band’s guitarist, Chris Perez. By 1993, Selena was an award-winning Tejano singer and a rising star, having signed a record deal with Capitol/EMI (which had asked Selena to release albums as “Selena,” not “Selena y los Dinos”). She would go on to further musical success and to open a chain of boutique stores called Selena Etc. On February 7, 1993, Selena y los Dinos gave a free concert at Corpus Christi Memorial Coliseum. -
UPC Platform Publisher Title Price Available 730865001347
UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435 -
4 | 2017 Volume 8 (2017) Issue 4 ISSN 2190-3387
4 | 2017 Volume 8 (2017) Issue 4 ISSN 2190-3387 Editorial: A Christmas Gift by Séverine Dusollier Designing Competitive Markets for Industrial Data – Between Propertisation and Access Law and Electronic Commerce Information Technology, Intellectual Property, Journal of by Josef Drexl From Cyberpunk to Regulation – Digitised Memories as Personal and Sensitive Data within the EU Data Protection Law by Krzysztof Garstka Copyright, Doctrine and Evidence-Based Reform by Stef van Gompel Non-Commercial Quotation and Freedom of Panorama: Useful and Lawful? by Eleonora Rosati Where is the Harm in a Privacy Violation? Calculating the Damages Afforded in Privacy Cases by the European Court of Human Rights by Bart van der Sloot Editors: Thomas Dreier Axel Metzger Gerald Spindler Lucie Guibault Miquel Peguera www.jipitec.eu Séverine Dusollier Chris Reed Karin Sein Journal of Intellectual Property, Information Technology and Electronic Commerce Law Table Of Contents Volume 8 Issue 4 December 2017 www.jipitec.eu [email protected] A joint publication of: Articles Prof. Dr. Thomas Dreier, M. C. J., KIT - Karlsruher Institut für Technologie, Zentrum für Angewandte Rechtswissenschaft (ZAR), Vincenz-Prießnitz-Str. 3, Editorial: A Christmas Gift 76131 Karlsruhe Germany by Séverine Dusollier 255 Prof. Dr. Axel Metzger, LL. M., Humboldt-Universität zu Designing Competitive Markets for Industrial Data – Between Berlin, Unter den Linden 6, Propertisation and Access 10099 Berlin by Josef Drexl 257 Prof. Dr. Gerald Spindler, Dipl.-Ökonom, Georg-August- From Cyberpunk to Regulation – Digitised Memories as Personal Universität Göttingen, and Sensitive Data within the EU Data Protection Law Platz der Göttinger Sieben 6, by Krzysztof Garstka 293 37073 Göttingen Copyright, Doctrine and Evidence-Based Reform Karlsruhe Institute of Technology, by Stef van Gompel 304 Humboldt-Universität zu Berlin and Georg-August-Universität Non-Commercial Quotation and Freedom of Panorama: Göttingen are corporations under Useful and Lawful? public law, and represented by their respective presidents. -
Imagined Histories: Biography, Fiction, and the Challenges of Historical Imagination
IMAGINED HISTORIES: BIOGRAPHY, FICTION, AND THE CHALLENGES OF HISTORICAL IMAGINATION Eric J. Morgan University of Wisconsin- Green Bay What we imagine, like what we remember, represents a good part of what we are and a good part of what we will become. -Tim O'Brien 1 There is Indiana Jones, the adventuring archaeologist clad in his trademark fedora, wielding both his trusty whip and a mischievous smile. He is looking down at my America in the Twentieth Century course from the projected image of a Raiders of the Lost Ark theatrical poster, revealing to my students who, in part, I am. I proceed to tell my students that the very first profession I desired to pursue was, like my childhood hero in the blockbuster 1981 film, archaeology. But after researching what life as an archaeologist was really like, the punch line concludes, I turned to a much more exciting field: that of modern American history. I open the first class meeting of every semester with my own self-deprecating biography, discussing my upbringing in a Midwestern Rust Belt city famous for its history ofdepressing sports disappointments, my experiences of being drawn to the exotic pictures of National Geographic at an early age, what it was like coming of age at the end of the Cold War, and (somewhat embarrassingly) my childhood obsessions with the films of George Lucas, particularly the original Star Wars and Indiana Jones trilogies, which taught me about storytelling and took my imagination to far-away places. Our own pasts matter, I tell my students, whether we are the most famous of people or more anonymous historical actors. -
The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards
Amy Grey / Ashley Mariner Phone: 818-508-1000 Dish Communications [email protected] / [email protected] The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards Best of Enemies, Listen to Me Marlon & HBO’s The Jinx Also Pick Up Awards LOS ANGELES, December 5, 2015 – Winners in the International Documentary Association’s 2015 IDA Documentary Awards were announced during tonight’s program at the Paramount Theatre, giving Joshua Oppenheimer’s THE LOOK OF SILENCE top honors with the Best Feature Award. This critically acclaimed, powerful companion piece to the Oscar®-nominated The Act of Killing, follows a family of survivors of the Indonesian genocide who discover how their son was murdered and the identities of the killers. Also announced in the ceremony was the Best Short Award, which honored LAST DAY OF FREEDOM, directed by Dee Hibbert-Jones and Nomi Talisman. The film is an animated account of Bill Babbitt’s decision to support and help his brother in the face of war, crime and capital execution. Grammy-nominated comedian Tig Notaro hosted the ceremony, which gathered the documentary community to honor the best nonfiction films and programming of 2015. IDA’s Career Achievement Award was presented to Gordon Quinn, Founder and Artistic Director of Kartemquin Films. He has produced, directed and/or been cinematographer on over 55 films across five decades. A longtime activist for public and community media, Quinn was integral to the creation of ITVS, public access television in Chicago; in developing the Documentary Filmmakers Statement of Best Practice in Fair Use; and in forming the Indie Caucus to support diverse independent voices on Public Television. -
Iacs2017 Conferencebook.Pdf
Contents Welcome Message •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 Conference Program •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 Conference Venues ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 10 Keynote Speech ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 16 Plenary Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 20 Special Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 34 Parallel Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 40 Travel Information •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 228 List of participants ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 232 Welcome Message Welcome Message Dear IACS 2017 Conference Participants, I’m delighted to welcome you to three exciting days of conferencing in Seoul. The IACS Conference returns to South Korea after successful editions in Surabaya, Singapore, Dhaka, Shanghai, Bangalore, Tokyo and Taipei. The IACS So- ciety, which initiates the conferences, is proud to partner with Sunkonghoe University, which also hosts the IACS Con- sortium of Institutions, to organise “Worlding: Asia after/beyond Globalization”, between July 28 and July 30, 2017. Our colleagues at Sunkunghoe have done a brilliant job of putting this event together, and you’ll see evidence of their painstaking attention to detail in all the arrangements -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
2010 Holiday Movie Guide - in Theaters November 28-December 4 - Movies - News - IFC.Com 11/29/10 11:17 AM
Page 7 - 2010 Holiday Movie Guide - In Theaters November 28-December 4 - Movies - News - IFC.com 11/29/10 11:17 AM IFC.com > News > Movies > 2010 Holiday Movie Guide - In Theaters November 28-December 4 > Page 7 KEEPIN' IT INDIE SINCE 1994 MOVIES | TV | MUSIC | GAMES SHARE Like permalink In theaters the week ending December 4 NATALIE PORTMAN IN "BLACK SWAN," FOX SEARCHLIGHT, 2010 "Black Swan" (IMDb, trailer, Facebook) The Cast: Natalie Portman, Vincent Cassel, Mila Kunis, Barbara Hershey, Winona Ryder Director: Darren Aronofsky Fest Cred: Venice, Telluride, Toronto, AFI The Gist: If Aronofsky's "The Wrestler" was an uplifting comeback story of a man trying to his best chase away his demons, "Black Swan" is the story of a young woman encouraged to embrace hers in the pursuit of perfection. Yet contrary to early comparisons to his last film, Aronofsky's latest is far more in line with "Requiem for a Dream" by way of Brian De Palma thrillers of the late '70s and early '80s, starring Portman as a strait-laced ballerina who vies for lead in the Lincoln Center's production of "Swan Lake" against a fun-loving newcomer (Kunis), but is suspected by the company's artistic director (Cassel) of not having the inherent danger and daring to play the Black Swan as well as the purer White. (Opens on December 1st.) "All Good Things" (IMDb) The Cast: Kirsten Dunst, Ryan Gosling, Kristen Wiig, Frank Langella, Diane Venora, Zoe Lister Jones, Trini Alvarado, Philip Baker Hall http://www.ifc.com/news/2010/10/2010-holiday-movie-guide-theaters.php?page=7 Page 1 of 3 Page 7 - 2010 Holiday Movie Guide - In Theaters November 28-December 4 - Movies - News - IFC.com 11/29/10 11:17 AM Director: Andrew Jarecki The Gist: Sometimes being the founder of Moviefone has its advantages as Jarecki was able to buy back the rights to his much anticipated narrative feature debut from the Weinstein Company over the summer and resettled with Magnolia Pictures after this murder mystery sat in completed form since 2008. -
Judging the Suspect-Protagonist in True Crime Documentaries
Wesleyan University The Honors College Did He Do It?: Judging the Suspect-Protagonist in True Crime Documentaries by Paul Partridge Class of 2018 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Film and the Moving Image Middletown, Connecticut April, 2018 Table of Contents Acknowledgments…………………………………...……………………….iv Introduction ...…………………………………………………………………1 Review of the Literature…………………………………………………………..3 Questioning Genre………………………………………………………………...9 The Argument of the Suspect-protagonist...…………………………………......11 1. Rise of a Genre……………………………………………………….17 New Ways of Investigating the Past……………………………………..19 Connections to Literary Antecedents…………………..………………...27 Shocks, Twists, and Observation……………………………..………….30 The Genre Takes Off: A Successful Marriage with the Binge-Watch Structure.........................................................................34 2. A Thin Blue Through-Line: Observing the Suspect-Protagonist Since Morris……………………………….40 Conflicts Crafted in Editing……………………………………………...41 Reveal of Delayed Information…………………………………………..54 Depictions of the Past…………………………………………………….61 3. Seriality in True Crime Documentary: Finding Success and Cultural Relevancy in the Binge- Watching Era…………………………………………………………69 Applying Television Structure…………………………………………...70 (De)construction of Innocence Through Long-Form Storytelling……….81 4. The Keepers: What Does it Keep, What Does ii It Change?..............................................................................................95