The Ramesside Tomb and the Construction of Sacred Space
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In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
A Comparison of the Polychrome Geometric Patterns Painted on Egyptian “Palace Façades” / False Doors with Potential Counterparts in Mesopotamia
A comparison of the polychrome geometric patterns painted on Egyptian “palace façades” / false doors with potential counterparts in Mesopotamia Lloyd D. Graham Abstract: In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting. The possibility that this too might have drawn inspiration from Mesopotamian precedents is raised by the observation of similar geometric frescoes at the Painted Temple in Tell Uqair near Baghdad, a Late Uruk structure (ca. 3400-3100 BCE) that predates the proposed timing of Mesopotamian influence on Egyptian architecture (Jemdet Nasr, ca. 3100-2900 BCE). However, detailed scrutiny favours the idea that the Egyptian polychrome panels were an indigenous development. Panels mimicking reed mats, animal skins and wooden lattices probably proved popular on royal and religious mudbrick façades in Early Dynastic Egypt because they emulated archaic indigenous “woven” shelters such as the per-nu and per-wer shrines. As with Mesopotamian cone mosaics – another labour-intensive technique that seems to have mimicked textile patterns – the scope of such panels became limited over time to focal points in the architecture. In Egyptian tombs, the adornment of key walls and funerary equipment with colourful and complex geometric false door / palace façade composites (Prunkscheintüren) continued at least into the Middle Kingdom, and the template persisted in memorial temple decoration until at least the late New Kingdom. -
Illuminating the Path of Darkness
ILLUMINATING THE PATH OF DARKNESS: Social and sacred power of artificial light in Pharaonic Period Egypt This thesis is submitted for the degree of Doctor of Philosophy Meghan E. Strong Girton College University of Cambridge January 2018 Illuminating the path of darkness: social and sacred power of artificial light in Pharaonic Period Egypt Meghan E. Strong ABSTRACT Light is seldom addressed in archaeological research, despite the fact that, at least in ancient Egypt, it would have impacted upon all aspects of life. When discussing light in Egyptology, the vast majority of scholarly attention is placed on the sun, the primary source of illumination. In comparison, artificial light receives very little attention, primarily due to a lack of archaeological evidence for lighting equipment prior to the 7th century BC. However, 19th and 20th century lychnological studies have exaggerated this point by placing an overwhelming emphasis on decorated lamps from the Greco-Roman Period. In an attempt to move beyond these antiquarian roots, recent scholarship has turned towards examining the role that light, both natural and artificial, played in aspects of ancient societies’ architecture, ideology and religion. The extensive body of archaeological, textual and iconographic evidence that remains from ancient Egypt is well suited to this type of study and forms three core data sets in this thesis. Combining a materials- based examination of artificial light with a contextualized, theoretical analysis contributes to a richer understanding of ancient Egyptian culture from the 3rd to 1st millennium BC. The first three chapters of this study establish a typology of known artificial lighting equipment, as well as a lexicon of lighting terminology. -
A Comparative Study with the Opet Festival- Masashi FUK
DISTRIBUTION OF LIFE FORCE IN THE FESTIVAL OF THE VALLEY -A Comparative Study with the Opet Festival- Masashi FUK.AYA * Among known festivals celebrated in ancient Thebes, many Egyptologists agree that the Festivals of the Valley and of Opet are the most important. This is verified by many historical documents, which juxtapose the two festivals in texts and pictorial depictions on a great scale. Thus, it is significant to compare the two festivals to obtain better insight into their detailed religious context and new perspectives for further research, which has not been pursued, particularly for the Valley Festival, since the 1950's. This article intends to shed light on the Valley Festival, focusing on the socio-religious function by an analogy with the Opet Festival, research of which has gained modest but not negligible progress in the last two decades. The most distinct feature of the Valley Festival was that it supplied not only a formal setting for the renewal of kingship and royal ancestral cult, but also a private setting for the common people to hold a banquet in their family tombs. These two dimensions were closely linked through the figure of Amen, who distributed offerings to convey his godly power in both spheres. According to records from the private tombs, the people received various offerings from the temples where the procession of Amen made a stop during the Valley Festival. Yet the distribution of temple offerings is not attributed only to the Valley Festival, but also to many other festivals. What distinguishes the Valley Festival then? By focusing on the differences in ideologies between the Valley and the Opet Festivals, this paper will explore how the god (or king) and the people were interrelated during the festivals in different manners. -
Cairo, the Egyptian Museum
Cairo, Egyptian Museum Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 15 August 2011): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor), Sue Hutchison and Tracy Walker Volume i2 Part 1 Thebes. Tomb 1. Sennedjem. i2.1, 3(5) Door, wood, in Cairo, Egyptian Museum, JE 27303. Inner face, Toda, Son Notém, pl. opp. 30. See Brief Descr. No. 2006; Maspero, Guide (1915), 510 [4912]. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Outer coffin and sledge, in Cairo, Egyptian Museum, JE 27301. Schmidt, Sarkofager figs. 625-730. See Brief Descr. No. 2001; Maspero, Guide (1915), 393 [3797]. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Inner coffin and mummy-board (as ‘case’ in Bibl.), in Cairo, Egyptian Museum, JE 27308. Ramsès le Grand (Galeries Nationales du Grand Palais. Paris 1976), Cats. xxxv-vi with col. pls. See Brief Descr. No. 2003. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Masks, in Cairo, Egyptian Museum, See Maspero, Guide (1915), 452 [4273-4]. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Canopic box, in Cairo, Egyptian Museum, JE 27307. Name and title, erný Nbk. 77, 1 [bottom]. Thebes. Tomb 1. Sennedjem. Objects of dec. i2.4 Two ushabti-coffins, in Cairo, Egyptian Museum, CG 48411-12. Newberry, Funeral Statuettes and Model Sarcophagi (Cat. -
Mechanical Engineering in Ancient Egypt, Part 53: Farming Tools
International Journal of Engineering and Techniques - Volume 3 Issue 4, July-August 2017 RESEARCH ARTICLE OPEN ACCESS Mechanical Engineering in Ancient Egypt, Part 53: Farming Tools Galal Ali Hassaan Department of Mechanical Design & Production, Faculty of Engineering, Cairo University, Giza, Egypt Email: [email protected] Abstract: rd This paper is the 53 research paper in a series investigating the evolution of mechanical engineering in ancient Egypt. It tries to achieve this purpose through investigating the farming tools during the ancient Egyptian Predynastic and Dynastic times. It outlines the farming techniques used by ancient Egyptians between land ploughing and grain storage. Extensive examples from different eras are presented for each process outlining the tools used and their location and time span. Keywords — Mechanical engineering; ancient Egypt; farming tools; ploughing; sowing; irrigation; harvesting; transportation; threshing; winnowing; grain storage. chemical analysis of ancient organics from the I. INTRODUCTION beginning of advanced ancient Egyptian cultures This is the 53 paper in a series of research (3150 BC) revealed that a range of national papers aiming at exploring the role of ancient products – specially herbs and tree resins were Egyptians in the evolution of mechanical disposed by grape wine [5]. El-Ramady, El- engineering. The paper presents the farming tools in Marsafawy and Lewis (2013) declared that the ancient Egypt. Egyptians were in charge of their own government Bowman and Rogan (1999) outlined that the and able to set their own environmental poliuces Egyptian agriculture has been capable of generating from before 3000 BC. They suggested that the enormous surplus because of the water of the Nile stability of Egyptian civilization was the result of in the annual renewal of topsoil provided by the silt the sustainability of Egypt's ecological relationships of the flood. -
STUDIES in the ARCHAEOLOGY of the VALLEY of the KINGS, With
STUDIES IN THE ARCHAEOLOGY OF THE VALLEY OF THE KINGS, with particular reference to tomb robbery and the caching of the royal mummies (Volumes I-II) Volume II: Notes to Text by Carl Nicholas Reeves Thesis submitted for the degree of Doctor of Philosophy School of Oriental Studies University of Durham 1984 The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. ) 'IV • -‘(- t• CONTENTS OF VOLUME II Notes to preface 1 Notes to introduction 2 Notes to chapter 1 7 Notes to chapter 2 21 Notes to chapter 3 43 Notes to chapter 4 65 Notes to chapter 5 72 Notes to chapter 6 77 Notes to chapter 7 85 Notes to chapter 8 90 Notes to chapter 9 108 Notes to chapter 10 114 Notes to chapter 11 131 Notes to chapter 12 138 Notes to conclusions 152 Notes to appendices 156 Preface 1 Notes 1) Maspero, New Light, 243. 2) TT1: P-M I 2 /i, 1 ff. 3) TT8: ibid., 17 f. 4) Cf. Rhind, Thebes, 62 ff. and passim. 5) Plato, Republic IV, 436a. 6) Cf. Ayrton & Loat, Mahasna, 1 f.; Caminos, in LA II, 866, n. 16. Introduction 2 Notes 1) Following Peet's restoration of the year: Tomb- Robberies, 37. 2) P. Abbott, 2, 1 ff.: ibid., pl. 1. 3) tern7's opinion (cited P-M I 2/ii, 599), that the tomb of Amenophis I has yet to be found, was based upon an identification of the 'house of Amenophis 1.p.h. -
The Last of the Experimental Royal Tombs in the Valley of the Kings: KV42 and KV34 Sjef Willockx
The last of the experimental royal tombs in the Valley of the Kings: KV42 and KV34 by Sjef Willockx The last of the experimental royal tombs in the Valley of the Kings: KV42 and KV34 © Sjef Willockx, 2011 . Table of Contents List of Figures ................................................................................................................ 3 List of Tables ................................................................................................................. 4 Bibliography .................................................................................................................. 5 Introduction ................................................................................................................... 7 1. The earliest development of the necropolis in the Valley of the Kings ...................... 11 2. KV42 ....................................................................................................................... 16 2.1. Carter ............................................................................................................ 16 2.2. Weigall .......................................................................................................... 20 2.3. Carter again: the foundation deposits of Hatshepsut-Meryetre ...................... 20 2.4. Hayes ............................................................................................................ 23 2.4.1. The tomb .................................................................................................... 23 -
The Ancient Egyptian Pyramid Texts"
CRITICAL ANALYSIS OF J. P. ALLEN’S "THE ANCIENT EGYPTIAN PYRAMID TEXTS" by Timofey T. Shmakov PRELIMINARY RESULTS Edited by A. K. Eyma Omsk-Tricht, 2012 2 source: http://www.ancient-egypt.org/ swt jrr nTrw.f m zSA nj zjn.f "He is the one who put his gods in a writing1 that cannot be erased" (painted plaster from the mastaba of Nefermaat and his wife Itet) 1 i.e. recorded them. 3 To my mom, Elena Leonidovna, who had patience with me making long hours, and to my friend, Marina Sokolova, who taught me a lot of things. 4 TABLE OF CONTENTS Dedication 4 Foreword 6 Lexicon 7 Part I: Unis’s PT corpus [W] 12 Part II: Teti’s PT corpus [T] 175 Part III: Pepi Merire’s PT corpus [P] 241 Part IV: Nemtiemzaf Merenre’s PT corpus [M] 345 Part V: Pepi Neferkare’s PT corpus [N] 354 Part VI: Neith’s PT corpus [Nt] 379 Supplemental Notes 391 Bibliography 402 Copyright © 2012 Timofey T. Shmakov All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means without reference to the work and the author. 5 Foreword The Pyramid Texts constitute the most ancient written text corpus of such a size to have reached us. They reflect the images of the ancient Egyptians about the life of a king after physical death and present a rich source of philological material still in need of urgent study. The correct reading of these monumental texts is necessary for an integral understanding of the funerary cult of a king. -
1 the Representation of Heart in Sheikh Abd El Qurna Private Tombs During the 18Th Dynasty Rasha M. Omran Faculty of Tourism
Journal of Association of Arab Universities for Tourism and Hospitality Vol 13 – No. 2 - Dec 2016 (part2) 1-26 The Representation of Heart in Sheikh Abd El Qurna Private Tombs during the 18th Dynasty Rasha M. Omran Faculty of Tourism and Hotels - Fayoum University Abstract The current research was dedicated to shed light on the heart and its symbolism in the Ancient Egyptian conception; to study the importance of heart in Ancient Egyptian religion; to focus on the representation of heart in both daily and funerary scenes like heart necklace which is represented either worn by the tomb owner or offered to him in Sheikh Abd El Qurna private tombs; to spotlight on the religious symbolism of the different colors and numbers of heart in the scenes decorating the walls of Sheikh Abd El Qurna private tombs; to spotlight on the specific locations of heart in scenes and their relation with the Ancient Egyptian conception. as well as to focus on the chapters dedicated to the heart protection in the book of the Dead. The preliminary results indicated that heart was illustrated in different locations inside the tombs like on the walls of the hall, inner room, burial chamber and passage. Heart was represented in both the funerary scenes like purification and opening of the mouth and daily life scenes like offering food to the deceased in the 18th dynasty private tombs at Thebes especially in Sheikh Abd El Qurna Necropolis. Key Words: Heart, Sheikh Abd- el - Qurna, Ancient Egypt, Funerary Scenes, Daily Life Scenes, Religious Symbolism, Private Tombs, New Kingdom. -
Lower Egypt (Delta Area) 6; Damietta 7; Port Said 12; Al Sharqia 5; Dakahlia 4; Kafr Es-Sheikh 9; Gharbia 11; Qalyubia
Updated list of current working missions in Egypt and Sudan June 2015 Lower Egypt (Delta area) 6; Damietta 7; Port Said 12; Al Sharqia 5; Dakahlia 4; Kafr es-Sheikh 9; Gharbia 11; Qalyubia Suez area 13; Ismailia 17; Suez Alexandria area 2; Alexandria 3; Beheira 10; Menofia Cairo area 16; Cairo 14; Giza Matruh (western Desert) 1; Matruh Faiyum area 15; Faiyum Red Sea and Sinai area 8; North Sinai 18; South Sinai 23 – Red Sea Middle Egypt 20; Minya 19; Beni Suef 22; Asyut 24; Sohag Luxor area 26; Luxor 25; Qena Aswan 27; Aswan Lower Egypt (Delta) 6 – Damietta 7 – Port Said 12 – Al Sharqia Tell el-Farkha (Ghazala) and Tell el-Murrah, Al Sharqia Mariusz Jucha, Polish Archaeology Center http://www.farkha.org/ https://www.facebook.com/farkha.org http://www.murra.pl/tell-el-murra/sezon-2014/?lang=en Página 1 Updated list of current working missions in Egypt and Sudan June 2015 Tell Basta Project, Al Sharqia Eva Lange, University of Würzburg, SCA http://tellbasta.tumblr.com/ Middle Kingdom Palace at Bubastis Manfred Bietak, OREA Institute of the Austrian Academy of Sciences, SCA, University of Wurzburg http://www.orea.oeaw.ac.at/egypt_.html Tell el-Iswid South, Al Sharqia Béatrix Midant-Reynes, IFAO http://www.ifao.egnet.net/archeologie/tell-el-iswid/ Qantir-Piramesse, Qantir, Al Sharqia Henning Franzmeier, Hildesheim Museum, Germany http://www.ucl.ac.uk/qatar/research/qantir-piramesse http://www.rpmuseum.de/?id=340 Tell Ibrahim Awad, Al Sharqia Willem M. Van Haarlem, Allard Pierson Museum, The Netherlands http://www.allardpiersonmuseum.nl/collectie-onderzoek/onderzoeksprojecten/opgraving-tell-ibrahim- awad/opgravingen.html http://www.nwo.nl/en/research-and-results/research-projects/67/2300165467.html Tell Dibgou (MATD), Al Sharqia Philippe Brissaud, Scientific School of High Studies, Dept. -
Inscription of the 18Th Dynasty Tombs
International Journal of Emerging Engineering Research and Technology Volume 8, Issue 6, 2020, PP 21-31 ISSN 2349-4395 (Print) & ISSN 2349-4409 (Online) Mechanical Engineering in Ancient Egypt, Part 94: Inscription of the 18th Dynasty Tombs Galal Ali Hassaan* Department of Mechanical Design & Production, Faculty of Engineering, Cairo University, Giza, Egypt *Corresponding Author: Galal Ali Hassaan, Department of Mechanical Design & Production, Faculty of Engineering, Cairo University, Giza, Egypt ABSTRACT This paper investigates the inscription of the tombs of the 18th Dynasty. This era is dived by the author to three divisions: Early, Middle and Late. In each division Royal and Nobel tombs are scanned to extract the philosophy of tomb inscription during this era. A quantitative analysis is performed for reliefs and scenes, Royal and Nobel tombs. The features of tomb inscription are outlined. A total number of 28 scenes and reliefs are studied and quantitatively analysed. Keywords: Mechanical engineering, ancient Egypt, tomb inscription, 18th Dynasty of Egypt INTRODUCTION (2008) in her Master of Arts Thesis presented many artistic works including tomb wall scenes This research paper is the 94th paper in a series as evidence for the roles of elite women in of research papers aiming at investigating the events, practices and rituals. She presented evolution of Mechanical Engineering in ancient scenes for Queen Ahmose, relief for Neithhotep Egypt through studying tomb inscription during hunting scene from tomb of Nefermaat, Medium the Pharaonic era of ancient Egypt. Geese from the tomb of Nefermaat, relief for Afshar (1993) in his study of the iconography Pharaoh Akhenaten and Nefertiti, scene for of the wall paintings in Queen Nefertari Tomb fowling in the marshes from the tomb of outlined that the tomb paintings were accompanied Nebamun, scene of Queen Ahmose Ne-fertari, by hieroglyphic inscriptions from the 'Book of scene of Sennefer and his wife Meryt [4].