DOCSLIB.ORG

©Studentsavvy Dance Around the World Unit Thank You for Downloading! Studentsavvy © 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
©Studentsavvy Dance Around the World Unit Thank You for Downloading! Studentsavvy © 2016 ©studentsavvy Dance Around the WorLd Unit thank you for downloading! StudentSavvy © 2016 Thank you for downloading StudentSavvy’s Dance Around the World Unit! If you have any questions regarding this product, please email me at [email protected] Be sure to stay updated and follow for the latest freebies and giveaways! TeachStudentSavvy.com ShopStudentSavvy.com www.facebook.com/studentsavvy www.pinterest.com/studentsavvy This work is licensed under a Creative CREDIT: Commons Attribution 4.0 International License. clipart by EduClips Dollar Photo Club Deposit Photos Adobe Photo Stock Disclaimer The information and sound clips provided in this resource are suitable for all elementary ages, HOWEVER YouTube may have inappropriate user comments on the videos. If students decide to research dances on their own listed in this product, they may find inappropriate content/videos. Caution students if they want to explore further information about the dances. Otherwise, Enjoy ☺ StudentSavvy © 2016 shopStudentSavvy.com Other Related Resources you might enjoy… StudentSavvy © 2016 Photo Credit – Dollar Photo Club QR Code Links……………………………….……………………………………..6-7 Dances of Mexico - Read & Learn.……………………………..………8 Dances of Mexico – What I Learned.………………………………....9 Exploring Mexican Music………………………………………......…………10 Dances of Mexico Activity – Learn a Dance!……….…………..11 Dances of India – Read & Learn…………………………………..……12 Dances of India – What I Learned.…………………………….........13 Exploring Indian Music……………………...…………………....…………..14 Dances of India Activity – Learn a Dance!………..……….……15 Dances of Africa – Read & Learn………….……………...…………...16 Dances of Africa – What I Learned.……………...……..……….….17 Exploring African Music…………………………...….………..………....…18 Dances of Africa Activity – Learn a Dance!…..………….……19 Dances of Russia – Read & Learn……………..……………..……...20 Dances of Russia – What I Learned.……………………………..….21 Exploring Russian Music………………….……...……………………...…22 Dances of Russia Activity – Learn a Dance!…………………23 Dances of Italy – Read & Learn ………………………………..…….24 Dance of Italy – What I Learned.……………………..……………….25 Exploring Italian Music……………………...………………………....…26 Dances of Italy Activity – Learn a Dance! .………….……..27 Dances of China – Read & Learn…………………………..……...28 Dances of China – What I Learned……………..……………….29 Exploring Chinese Music……………………...……………......………30 Dances of China – Learn a Dance!……………………………....31 Thank You / Resources……………………………………………..…32-33 Don’t have a QR Code Reader? That’s okay! Here are the URL links to all the video clips in the unit! Mexico: Jarabe Tapatio: https://www.youtube.com/watch?v=Z32890GLm4k Ballet Folklorio & Dance of the Deer: https://www.youtube.com/watch?v=Q2npNtRk_Kc How to do the Mexican Hat Dance (with a partner): https://www.youtube.com/watch?v=JcTnrKRlnT0 Russia: Round Dance: https://www.youtube.com/watch?v=t9EqQ7LOAq0 Squatting Dance: https://www.youtube.com/watch?v=rNXKuwhhC1c How to do Squatting Dance: (Russian Kick Dance Footwork) https://www.youtube.com/watch?v=0diog3r9EZo Italy: The Tarantella: https://www.youtube.com/watch?v=cDt0mWbFHM0 The Trescone: https://www.youtube.com/watch?v=UotvppyaPtY How to do various Italian dance steps: https://www.youtube.com/watch?v=EqZou4qFlAM India: Bharatanatyam: https://www.youtube.com/watch?v=2UFQJo_UsoA Dollu Kunitha: https://www.youtube.com/watch?v=TiBpqD9NSLs How to Dance Contemporary (Bollywood): https://www.youtube.com/watch?v=17MviKId1II Don’t have a QR Code Reader? That’s okay! Here are the URL links to all the video clips in the unit! China: Flower Drum Lantern Dance: https://www.youtube.com/watch?v=lUAYFY_ICP8 The Dragon Dance: https://www.youtube.com/watch?v=ipvjaV9qcJw The Lion Dance: https://www.youtube.com/watch?v=LjJRW1TLAsA How to Lion Dance: https://www.youtube.com/watch?v=K0JTmCXF5i8 How to do Dai folk dance, more advanced: https://www.youtube.com/watch?v=Y6gVHfbFq7Q Africa: Jumping (Warrior) Dance: https://www.youtube.com/watch?v=BpJSUpGT4Eg Traditional African Dance: https://www.youtube.com/watch?v=epz7wYXCY6Y How to African Dance (traditional moves) Activity: https://www.youtube.com/watch?v=Ewqq-3xJFdI Dances of Mexico Read and Learn! Overview: Dances of Mexico honor the Mexican culture and represent the joys of life. Mexico is a country with many regions. Each region embraces its own culture which can often be diverse. When the Spanish arrived in Mexico, they brought with them European influences. Africa, Asia, and other European immigrants added to the Mexican culture. Some Mexican dances reflect history, while other focus on religion, culture, and folklore. The Jarabe Tapatio is often referred to as the National Dance of Mexico. This popular dance is a Jarabe dance which represents courtship. The costumes for the Mexican Hat Dance are colorful and traditional. Tapatio During the dance, the man tosses his hat on the (The Mexican ground. He kicks, hops, and slides around his Hat Dance) sombrero. Finally his partner bends forward to pick up his hat. The man then kicks his leg over his partner’s head. The Dance of the Deer is a traditional folk dance reflecting the early traditions and culture of Mexico. The dancers portray the characters of Dance hunters and deer. Costumes in the deer dance are elaborate, with large masks being worn throughout of the the performance. The dancer who performs the deer wears an intricate headdress and moves and Deer jumps in deer like motions. Hunters wear bells and wooden masks. The Dance of the Deer is meaningful to the Mexican culture because the deer was at one time a main source of food in the area. Ballet Folklorico is a dance with some characteristics of ballet, such as Mexican pointed toes and large sweeping movements. However, the dance is also Ballet a very different form of ballet than seen in other countries in Europe and - America. Male dancers usually wear black slacks, sombreros, ties and Folklorico belts. Women wear traditional full, colorful skirts with boots. The traditional Ballet Folklorico dancers are accompanied by guitars, trumpets, harps, and violins. ©studentsavvy Dances of Mexico What I learned! My FAVORITE dance of Mexico was (and why): Drawing: One FUN FACT I learned about the dances of Mexico: A QUESTION I have about the dances of Mexico would be… ©studentsavvy Dances of Mexico Explore Mexican Dance! Directions: For homework, research Mexican dances. Choose to either write about a dancer or style of dance. Fill out the questions below. Drawing: What did you research? Three FUN FACTS I learned from my research! 1. 2. 3. ©studentsavvy Dance Activity! Dances of Mexico Directions: Watch the video clip and learn how to do the Mexican Hat Dance! ©studentsavvy Dances of India Read and Learn! Overview: India is a diverse country with diverse cultures. Dances in India originated in different locations with different styles. Indian dances often reflect a particular group or region of the country. Dances of India are often divided into classical and folk dances. Classical dances are most often religious or spiritual. Folk dances are usually expressions of feelings and celebration. Bharatanatyam is a popular classical dance of India. The Bharatanatyam evolved from the Hindu temples of South India. The focus in this Bharatanatyam dance is on hand gestures and movements to depict emotion and expression. This dance became extremely popular when the queen of Bharatanatyam worked to popularize it. Dollu Kunitha is a very popular drum dance of Dollu South West India. This dance emphasizes quick, light leg and feet movement by the Kunitha dancers. Men dancers wear colorful drums around their necks. The songs symbolize battle and religion. Dumhal is a dance performed in Kasmir by the Wattal tribe. The Durmal is danced by only male dancers on special occasions. The dancers sing Dumhal as drums accompany them. Dancers wear tall cone shaped caps and long colorful robes. A banner is placed on the ground during this dance while the dancers dance around it. Many contemporary dances in India were developed in early Hindi films. These Contemporary dances were based on early folk dances combined with some Western dance Dance styles. Many combine song and dance with beautiful costumes and backdrops. Dances of Bollywood style can encompass all dance forms including belly dancing, jazz, folk and hip hop. ©studentsavvy Dances of India What I Learned! My FAVORITE dance of India was (and why): Drawing: One FUN FACT I learned about the dances of India: A QUESTION I have about the dances of India would be… ©studentsavvy Dances of India Explore Indian dance! Directions: For homework, research Indian dances. Choose to either write about a dancer or style of dance. Fill out the questions below. What did you research? Drawing: Three FUN FACTS I learned from my research! 1. 2. 3. ©studentsavvy Dance Activity! Dances of India Directions: Watch the video clip and learn how to do contemporary Bollywood style dancing! ©studentsavvy Dances of Africa Read and Learn! Overview: Dance in Africa is deeply woven into its society. African dances are centered on the earth. Singers and percussion instruments provide the rhythm for the dancers. Spectators are often part of the dances. There are no set barriers between the dancers and the spectators in traditional African dance. Dances of Africa most often express life. African dance celebrate life passages as well as each area’s own history, language, and song. Circle dances were historically the earliest form of African Circle dances. They were arranged as a call and response format. Dancers either link arms or hold hands during the Dances circle dance. There is also interaction between the singers and the dancers as they perform. The Adumu is popularly known as the “jumping dance”. It is a coming of age dance and ceremony for young men in Africa. The Maasai warriors often Adumu performed this dance. It included a contest for jumping in the ceremonial dance. In the Adumu Dance dance a circle is formed and one or two warrior dancers will jump as high as they can in competition. Moribayassa is a dance performed by African women. This dance symbolizes a woman’s overcoming of some adversities in her life.
Load more

Recommended publications
  • Tarantism and Tarantella in a Doll's House
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives SANDRA COLELLA TARANTISM AND TARANTELLA IN A DOLL’S HOUSE MASTER THESIS IBSEN STUDIES 2007 INDEX INTRODUCTION………………………………………………………………………………pg 3 CHAPTER 1 TARANTELLA IN A DOLL’S HOUSE . IBSENIAN SCHOLARS’ VIEWS..........………………………………………………...…...pg 15 CHAPTER 2 TARANTISM AND TARANTELLA. BERGSØE’S TREATISE AND THE SCANDINAVIAN STUDIES…………………………………………………….pg 31 CHAPTER 3 THE ITALIAN FOLK DANCE TARANTELLA………………………………………..….pg 45 CHAPTER 4 THE PHENOMENON OF TARANTISM. DE MARTINO’S WORKS AND THE OTHER STUDIES……………………………………………………………..…pg 55 CHAPTER 5 TARANTISM AND TARANTELLA IN A DOLL’S HOUSE . A NEW HYPOTHESIS OF INTERPRETATION……………………………………….…pg 85 CONCLUSION...………………………………………………………………………………pg 99 BIBLIOGRAPHY………………………………………………………………………....…pg 101 2 INTRODUCTION Echoes of the controversies about the meaning of the drama A Doll’s House and Nora’s character continue to reach us from 1879, the year in which Ibsen completed his probably most famous work in Amalfi. Up till now, the complexity of the characters and the wise webbing of the drama, scattered of symbolic moments, widening its study, are the cause of divergent interpretations by the scholars. An example, exemplifying for all the discussions, could be the famous problem of Ibsen’s “feminism”. In the chapter “The poetry of feminism” in her book Ibsen’s women the American scholar Joan Templeton (2001) tries to say a definitive word about the sense to attribute to the drama. She quotes an impressive series of evidences with great accuracy, coming not only from works, but also from specific events and stands of which Ibsen was protagonist, to be opposed to only one point in favour of the detractors of the feminist vision about A Doll’s House .
    [Show full text]
  • Music for Dancing
    Chapter Music for Dancing 4 FOCUS Western Dance Music World Dance Music POINTS Estampie Balinese Gamelan Dance Suite Tibetan Buddhist Skeleton Dance Waltz Italian Saltarello Ballet African Ritual Dances Square Dance Celtic Reel Dance, the art form that finds its expression through bodily movement, has been an inspiration for music from ancient times to the present. Whether music was the cata- lyst for dance or whether dance existed before music is a question that may never be answered definitively, but since such a large portion of the music in existence is dance music it deserves our attention and a thoughtful examination. The written record of dance is not as old as the written record of music. The earli- est descriptive texts on dance date from the fifteenth century. Understandable manu- scripts of music date from nearly a thousand years earlier. References to dance are as old as Old Testament Bible stories and the ancient Greeks wrote of dance, but what the movements that constituted those dances looked like is lost to us. Understanding what the dances looked like or how they were performed is not our purpose in studying them in a music class, rather, we will be examining dance music for its musical con- tent, such as its form and rhythmic characteristics, and its purpose in a social context. RHYTHM AND METER IN DANCE MUSIC Any discussion of dance must begin with rhythm since that musical element is the foundation of dance. As was mentioned in Chapter 1, rhythm is the aspect of music that animates it, makes it feel like it is alive and vibrant.
    [Show full text]
  • Blaising Star
    ANNUAL CONVENTION, NIAGARA FALLS, CANADA - OCT. 31, NOV. 1-2 (Details In Enclosed Flier) Vl'!UIi1€: 8 1986 Number 4 Message From The President BLAISING STAR I J :ll hOllored to serv>:: ~JS Pr eSidenT o f !FJ\F,'; III.] ~) l t 1Sl)urg'l Pe nnsyivanliJ, 1$ one of til (~ rial Ion '·, r : -, 'y rll O S~ Sin ce re thanks to Tt10S{-~ VV i'j O :ldve l-:d !) pd ITlost dynamiC centers of ethniC activity, and the ItaliAn ?Jtltreli (,r otflervvlSC extended best IN;sl1l:~:.> . i '1(lPP l'la' ·.:U!1!lriu,lliV IS weli represented by an uul starldllig i()CiJ' I '.: 'In i· ve up to lour expressions u t co n fldenc'.: d an L E~ t rr)L. :J r0, I CiH'1pagnoll VVe owe d deot of gratitude to our· pas t prc~;ld (m1'-, Anl'Jn\-j 'lie perfor mers,' is tile BI31sIng Star who have laid 2 firm foundation from \r,hlch we be~;!1l Bla !se Pall lll!, ,I ve!·sdirie teac her, ci·wreographer and ,'lIS cJd'~llillstrdtl()n I tlilV'.o been with tile Federal lOt' p()rf ~) r ' ~ w r Bldlse studied profeSSional danCing al rlF: SIfl Clc Its inceptlOll and am most sinc(~rely and v',ry University:)! Plllsbu ryll and ilis training rncluc:Jed serlousi-y- dedicated to preservrng that part of till" ballet and folk danCing He minoreli :n italian Bialst: /.\meIICal) heritage which IS Italian I feel that IFAFA utilizes a perceptive If1tultion anci keen cr·eaTlve iIlslght h as arrived at a pOint where past experience perillits when researching and learnrng Italian !ulk dances.
    [Show full text]
  • 'Tradizione E Contaminazione': an Ethnography of The
    ‘TRADIZIONE E CONTAMINAZIONE’: AN ETHNOGRAPHY OF THE CONTEMPORARY SOUTHERN ITALIAN FOLK REVIVAL Stephen Francis William Bennetts BA (Hons), Australian National University, 1987 MA, Sydney University, 1993 Graduate Diploma (Communication), University of Technology, Sydney, 1999 This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia, School of Social Sciences, Discipline of Anthropology and Sociology 2012 ‘Pizzicarello’, Tessa Joy, 2010. 1 2 I have acquired the taste For this astringent knowledge Distilled through the Stringent application of the scientific method, The dry martini of the Intellectual world, Shaken, not stirred. But does this mean I must eschew Other truths? From ‘The Bats of Wombat State Forest’ in Wild Familiars (2006) by Liana Christensen 3 4 ABSTRACT The revival since the early 1990s of Southern Italian folk traditions has seen the ‘rediscovery’ and active recuperation, especially by urban revivalist actors, of le tradizioni popolari, popular traditional practices originating in peasant society which are still practiced by some traditional local actors in remote rural areas of Southern Italy. This thesis draws on interviews, participant observation and historical research carried out mainly during fieldwork in Rome and Southern Italy in 2002-3 to present an ethnography of the urban revivalist subculture which has been the main driving force behind the contemporary Southern Italian folk revival. In the course of my enquiry into why the movement has emerged, I combine both synchronic and diachronic perspectives, as well as a phenomenological analysis of revivalist motivation and agency, to explore the question of why contemporary urban revivalists have begun to take an interest in the archaic and marginalised cultural practices of rural Southern Italy.
    [Show full text]
  • 40569 Fall 2012 29056GRIAA Papfall07 9/4/12 8:05 AM Page 1
    40569 fall 2012_29056GRIAA_PapFall07 9/4/12 8:05 AM Page 1 Funded by the Greater Rockford Italian American Association - GRIAA Fall 2012 P.O. Box 1915 • Rockford, Illinois 61110-0415 Greater Rockford Italian American Association Hall of Fame & Special Recognition Banquet October 6, 2012 Giovanniʼs Restaurant Dinner $30.00 per person Social hour from 6:00 p.m. to 7:00 p.m. Please see page 2 for the menu and information on how to make a reservation for the event. Hall of Fame Awards for 2012 are: Dr. Albert L. Pumilia Amici Italian Adult Group and Amici Italian Youth Group 40569 fall 2012_29056GRIAA_PapFall07 9/4/12 8:05 AM Page 2 Pappagallo ’12 Pappagallo ’12 2 continued on next page 40569 fall 2012_29056GRIAA_PapFall07 9/4/12 8:05 AM Page 3 Pappagallo ’12 Pappagallo ’12 Italian Hall of Fame Awardees for 2012 Dr. Albert L. Pumilia father into dentistry. Dr. Pumilia continues to teach at the Dental Careers Foundations where he has trained more than 300 dental assistants. He recently published an e-book “Your Travel Companion: A Chapbook of Short Stories”, where he depicts several historical incidences in the Rockford Italian Community. Dr. Albert L. Pumilia, a retired Rockford dentist, will also be inducted into the Hall of Fame. Over the years he has and continues to significantly impact the Italian-American community. Dr. Pumilia is a longtime Festa Italiana volunteer, and active in parish activities at St. Anthony of Padua Church. He has positively impacted the community by play- ing integral roles in the formation of the local Head Start Program and in the establishment of Crusader Dental Clinic.
    [Show full text]
  • Scene March 2011.Book
    FOLK DANCE SCENE First Class Mail 19 Village Park Way U.S. POSTAGE Santa Monica, CA 90405 PAID Los Angeles, CA Permit No. 573 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ E-MAIL _________________________________________ PHONE (_____)_____–________ ADDRESS _________________________________________ STATE __________________ CITY _______________________________________ ZIP __________–________ Please mail subscription orders to the address at the top left corner of this page. (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 47, No. 2 March 2011 Folk Dance Scene Committee Club Directory Coordinator Jay Michtom [email protected] (818) 368-1957 VINTAGE ISRAELI DANCING CAL TECH FOLKDANCERS ISRAELI DANCING-Yoni Carr Calendar Gerri Alexander [email protected] (818) 363-3761 1 Sat per month confirm 8:16 - 12:00 Tue 7:30 (619) 227-0110 Yoni On the Scene Jill Michtom [email protected] (818) 368-1957 (818) 990-8925 Louis (626) 797-5157 Nancy Mulligan NEWPORT BEACH, Avant Garde Club Directory Steve Himel [email protected] (949) 646-7082 [email protected] PASADENA, Dabney Hall, Cal Tech Ballroom, 4220 Scott Dr Sun 7:00-12 Dancers Speak Sandy Helperin [email protected] (310) 391-7382 SHERMAN OAKS, Anisa's School campus SAN DIEGO, Jewish Academy, 11860 Federation Corner Beverly Barr [email protected] (310) 202-6166 of Dance, 14252 Ventura Blvd.
    [Show full text]
  • Call for Contributions Italy and the Dance
    Call for Contributions Italy and the Dance Dance in Italy, Italian Dance in Europe 1400 - 1900, for Barbara Sparti (1932 - 2013) 25 - 29 May 2016 Burg Rothenfels am Main, Germany With our next symposium we would like to honour Barbara Sparti, one of the leading dance researchers of the 20 th century, who died in 2013. In keeping with the central emphasis of her research activities, the highly diverse dance culture of Italy - from the final phase of the Middle Ages to the time of the Risorgimento - is to be the main theme of the symposium. One central thematic area is to be the dance styles and forms which evolved in different regional, cultural and institutional contexts in Italy, their historical and stylistic development, their dissemination in Europe, their influence on other national dance styles, and their role (as style, as form, as cultural practice) in transmitting Italian culture in Europe. We likewise wish to examine the influences which emanated from other dance cultures (e.g. France) and left corresponding traces in Italy. In this context, light is also to be shed on the artists who had a decisive share in this: Italian dancers, dancing masters, choreographers and teachers who worked in Euro- pean palaces and major cities, spread Italian dance art in Europe and, conversely, absorbed a diversity of influences. A further focus of the symposium will be on the Italian contribution to the develop- ment of theatrical dance in Europe. Here we wish to concentrate on the characteris- tics of the Italian style and its distinguishing features vis-à-vis other “national” styles, but not neglecting the relationships between theatrical dance and theatre, especially Italian opera and also the influence of the Commedia dell’arte (e.g.
    [Show full text]
  • 2007 at Age 71
    America in History Landing of Columbus Designs created & implemented by Constantino Brumidi (1805-1880) The Michaelangelo of the United States Capitol OCTOBER IS ITALIAN HERITAGE MONTH COMMITTEE Post Office Box 185, Medford, MA 02155-0185 [email protected] 617-499-7955 www.ItalianHeritageMonth.com Dr. Stephen F. Maio, President Dr. Liborio Stellino, Consul General of Italy, Honorary Chairman Kevin A. Caira, Chairman of the Board Dr. John Christoforo, Director of Public Relations & Education Cecile Bianco, Vice President for Administration Hon. Peter W. Agnes, Jr., Past President Salvatore Bramante, Vice President Fiscal Affairs Hon. Joseph V. Ferrino, Chairman Emeritus Lucia Clark, Recording Secretary Cav. Uff. Lino Rullo, Executive President Emeritus NINTH ITALIAN-AMERICAN HERITAGE MONTH NEWSLETTER No celebration of our heritage would be complete this year without recognition of the illustrious life and career of Luciano Pavarotti who passed away on September 6, 2007 at age 71. His special talent has been acclaimed for decades by music lovers and critics all over the world. The true measure of his greatness was encapsulated in his own words as they appear in the New York Times obituary: “I care about giving people a place where they can go to enjoy themselves and to begin to live again. To the man you have to give the spirit, and when you give him the spirit, you have done everything.” Messaggio Del Console Generale D’Italia per L’inaugurazione Dell’ “ October is Italian American Heritage Month” E’ sempre un grande onore ed un sincero privilegio dare avvio, ad ottobre, alle celebrazioni dell’ “October as Italian American Heritage Month”, inaugurando la straordinaria messe di iniziative che costellano ogni anno la prestigiosa rassegna.
    [Show full text]
  • Italian Dances and Lore the Magazine of Folk & Square Dancing • January • 1955
    my , THE MAGAZINE OF FOJ^K & SQUARE DANCING I J JANUARY • 1955 • 25c ITALIAN DANCES AND LORE THE MAGAZINE OF FOLK & SQUARE DANCING • JANUARY • 1955 Vol. 12 No. 1 Official Publication of The PAGE TABLE OF CONTENTS Page TABLE OF CONTENTS The Folk Dance Federation of Calif., Inc. 2 Calendar of Events 12 Meet a Girl Who Lives Folk 3 Host Cities Dancing 4 Italy Expresses Gaiety in Dance 13 Tarantella Villaggio and Music 14 Fresnotes CHARLES E. ALEXANDER 5 Origins of Italian Dance Forms 15 Tell It to Danny 6 A Designer's Paradise 15 Promenade ANNE ALEXANDER 6 Recipe of the Month 16 The Record Finder 7 Granddaddies of Dance 17 President's Message 8 Beauties in Miniature 17 Report from the Southland HILDA SACHS 8 Folk Dancers' Quiz I 8 Let's Dance Squares 9 A Do-lt-Yourself 19 Sacramento, North Bay Notes REN BACULO 10 Stockton Festival Program 19 The Editor Speaks PEG ALLMOND ROBERT H. CHEVALIER PHIL ENG ED FERRARIO LEE KENNEDY PHIL MARON DANNY MCDONALD ELMA McFARLAND PAUL PRITCHARD CARMEN SCHWEERS MARY SPRING LEE KENNEDY, 146 Dolores Street, San Francisco DOROTHY TA.M6URINI WILMA YOUNG ELMA McFARLAND, !77'/2 N. Hill Ave., Pasadena 4 Federation Festivals Regional Festivals President, North— Wm. F. Sorensen, 94 Cas- tro St., San Francisco, UNderhill 1-5402. JANUARY 9, 1955, SUNDAY, 1:30-5:30 p.m. JANUARY 31, MONDAY—7-11 p.m. Recording Secretary—Bea Whittier, 3435 T Street, Sacramento, Calif. Glendale Civic Auditorium Long Beach Silverado Park Club House President, South-Minne Anstine, 24211/2 New Year's Resolution Festival.
    [Show full text]
  • Letter from the President Dear IFAFA Members, Since I Last Wrote You, Several Very Important Developments Concerning IFAFA Have Taken Place
    NEWSLETTER OF THE ITALIAN FOLK ART FEDERATION OF AMERICA Editor: Jackie Capurro IFAFA Website: www.ItalianFolkArtFederation.org VOLUME 28 2009 No. 1 Letter From the President Dear IFAFA Members, Since I last wrote you, several very important developments concerning IFAFA have taken place. I’d like to share these developments with you, and hope I can keep your attention until the final few paragraphs, where I will reveal the most important of them all – information regarding our upcoming IFAFA conference! First, let me just express how extremely pleased I am at the number of responses I’ve received over the past few months in regards to our latest registration drive. This year, IFAFA has more than quadrupled the amount of revenue received via donations and dues over last year. Donations alone, from our most generous givers, reached an amount just under $1000! In these tough economic times, that level of giving far exceeded our expectations, and simply goes to show one thing – that the desire to preserve our Italian heritage is ultimately unaffected by life’s challenges. Along with the incoming registration cards, came several wonderful notes and letters from individuals wishing IFAFA well, ex- pressing their gratitude to our organization for keeping the Italian culture so strong here in America. I’d like to thank those mem- bers for their positive message, and let them know that we will continue on that path for many years to come. In related news, it is my pleasure to announce that IFAFA was recently awarded a $1000 mini-grant for its cultural work.
    [Show full text]
  • Sicilians Bring Hard Work, a Rich History, and Talents to Rockford
    Funded by the Greater Rockford Italian American Association - GRIAA Spring 2012 P.O. Box 1915 • Rockford, Illinois 61110-0415 SICILY~SICILIA! (Continued from last issue) Sicilians bring hard work, alterations for Marshall Field’s for two years and then for Weise’s (now Bergner’s) for another 18 years. a rich history, and talents Phil and Nina both came from large families and had to Rockford four children of their own. Just five years after moving to American, they became U.S. citizens. Their family By Peggy Sagona Werner has now grown to include nine grandchildren. Three sons live in the Rockford area, and their only daughter Sicily is a country rich with natural beauty, history, cul- lives in Antioch, IL. ture, tradition, agriculture, and a character that is intrin- As much as they had embraced Rockford as their sically tied to its people, who are known for their warm home, the couple never forgot their roots and wanted and engaging ways, hard work and indomitable spirit. their children to be well aware of the places and people Many people made their way from Sicily to Rockford, where it all began. The family traveled to Sicily often. IL, decades ago and impacted the city with their talents “We wanted our children to see their grandparents and and strength of character. Two of those couples still live other relatives. We wanted them to know about the in Rockford, have made their mark, and have fond people we talked about all of the time. Now, with fami- memories and strong ties to their homeland.
    [Show full text]
  • Lrou1zl00l NEWSLETTER of the ITALIAN FOLK ART FEDERATION of AMERICA
    LROU1Zl00l NEWSLETTER OF THE ITALIAN FOLK ART FEDERATION OF AMERICA VOLUME 5 1984 NUMBER 1 "There is nothing more difficult to take in hand, more perilous to conduct, or more uncertain in its success, than to take a lead in the introduction of a new order of things." Niccolo Machiavelli Yes, we at I.F.A.F.A. have taken the lead. In 1977 we embarked on a new and bold venture, uncertain of its success. We formed a Federation of Italian Folk Groups for the purpose of preserving and fostering interest in Italian folklore in the U.S. Because of you, members, friends and readers of Tradizioni who have supported us spiritually and financially, our venture has been given recognition and a direction clearly for success. Our firm committment is to go forward. To date, contributions to our special fund appeal amount to $1611.00. The list of contributors appears elsewhere in this issue. We wish to thank all who responded to date and encourage others to make a donation, large or small, to keep Tradizioni alive. We cherish and need your support. The next issue is scheduled for January, 1985. Count on it. Anthony F. LePera, Editor in Chief FOLK DANCE by Dr. Pino Gala geometric designs, portray ceremony and characteristics of a culture, because it I S il (Translated and adapted fo r Tradi zioni by myth of ml mic daily activities and spontaneous creation, a soc ial !an8u~"~:e Karen Marie Breda) iu nctions. a style that perpetuates itself, ,,- s ,r is handed down through generations.
    [Show full text]