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2017-18 MVB Guide Sect 2.Indd
CHAMPIONSHIP HISTORY Since 1970, UCLA has won 19 NCAA volleyball titles, all under the direction of coach 1979 - AT UCLA Al Scates. Among UCLA sports, that total is a school record. Below are capsule After a two-year title drought, summaries of UCLA’s 19 NCAA title teams. the Bruins returned to the NCAA Championships on their home 1970 - AT UCLA court unbeaten and primed to be- The Bruins won the fi rst NCAA championship in Pauley Pavilion by surviving a round-robin come collegiate volleyball’s fi rst tournament and easily sweeping Long Beach State in the fi nal. The Bruins’ Dane Holtzman undefeated team. Despite drop- (MVP), and All-Tournament selections Kirk Kilgour and Ed Becker gave coach Al Scates ping the fi rst game, 12-15 to USC, the fi rst of 19 title trophies. Joe Mica sparked the comeback that gave UCLA its historic 31-0 season. Sinjin Smith was voted 1971 - AT UCLA Again UCLA played host and repeated as champion. The Bruins, despite an easy MVP and Steve Salmons, Peter victory in their fi rst match, survived the tough round-robin pool play format where they Ehrman and Mica were named to were extended to three games twice. In the fi nals, UCLA defeated UC Santa Barbara the All-Tournament team. in three games. Kirk Kilgour ended a brilliant UCLA career by sharing Co-MVP honors with the Gauchos’ Tim Bonynge. The Bruins’ Larry Griebenow and Ed Machado were 1981 - AT UC SANTA All-Tournament selections. BARBARA UCLA overcame injuries to win Joe Mica earned NCAA All-Tournament Team honors a fi ve-game match against arch 1972 — AT BALL STATE in 1979. -
13 • Kyle Gear • 6-8, 205 • Freshman • Middle Blocker-Opposite Hitter
JON RIVERA GERT LISHA CONNOR INLOW JACK WYETT 4 NCAA CHAMPIONSHIPS, 14 FINAL FOURS, 20 OLYMPIANS, 34 ALL-AMERICANS, 7 COLLEGE PLAYERS OF THE YEAR 2018 USC MEN’S VOLLEYBALL 2018 USC MEN’S2018 VOLLEYBALL USC MEN’S VOLLEYBALL NUMERICAL ROSTER No. Name Ht. Wt. Pos. Yr. Hometown (High School/Last School) 1 Jon Rivera 6-6 195 OP Sr. San Juan, Puerto Rico (Colegio San Ignacio de Loyola) 2 Mitch Haly 6-7 205 MB Fr. Corona del Mar (Corona del Mar) 3 Cole Paxson 5-11 165 L Fr. Laguna Beach (Laguna Beach) 4 Michael Chang 5-8 165 L Fr.* Irvine (Beckman) 5 Matt Douglas 5-10 170 L Jr. Pacific Palisades (Loyola) 6 Chris Hall 6-2 190 S Fr. Sherman Oaks (Notre Dame) 7 Gert Lisha 6-6 215 S Sr.* Naperville, IL (Naperville/Lewis) 8 Matt Faraimo 6-3 200 S So. San Diego (Cathedral Catholic) 9 Gianluca Grasso 6-2 195 OH Jr. Sao Paulo, Brazil (Andrews Osborne Academy/Orange Coast JC) 11 Billy Fauntleroy 6-7 200 OH-OP Fr. Winnetka, IL (New Trier) 13 Kyle Gear 6-8 205 MB-OP Fr. Rochester, NY (Gates Chili) 14 Noah Franklin 6-7 185 OH Fr. Huntington Beach (Huntington Beach) 15 Clay Dickinson 6-7 190 OH Fr. Corona del Mar (Corona del Mar) 16 Tyler Resnick 6-8 225 MB So.* Newbury Park (Newbury Park) 17 Aaron Strange 6-4 190 OP So. San Clemente (San Clemente) 18 Chris McBee 6-4 195 OH Fr. Palos Verdes Estates (Palos Verdes) 19 Connor Inlow 6-6 215 MB Jr.* Manhattan Beach (Mira Costa) 20 Jack Wyett 6-5 200 OH Jr.* Laguna Beach (Laguna Beach) 22 Lucas Lossone 6-8 190 OP So. -
Tarantism and Tarantella in a Doll's House
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives SANDRA COLELLA TARANTISM AND TARANTELLA IN A DOLL’S HOUSE MASTER THESIS IBSEN STUDIES 2007 INDEX INTRODUCTION………………………………………………………………………………pg 3 CHAPTER 1 TARANTELLA IN A DOLL’S HOUSE . IBSENIAN SCHOLARS’ VIEWS..........………………………………………………...…...pg 15 CHAPTER 2 TARANTISM AND TARANTELLA. BERGSØE’S TREATISE AND THE SCANDINAVIAN STUDIES…………………………………………………….pg 31 CHAPTER 3 THE ITALIAN FOLK DANCE TARANTELLA………………………………………..….pg 45 CHAPTER 4 THE PHENOMENON OF TARANTISM. DE MARTINO’S WORKS AND THE OTHER STUDIES……………………………………………………………..…pg 55 CHAPTER 5 TARANTISM AND TARANTELLA IN A DOLL’S HOUSE . A NEW HYPOTHESIS OF INTERPRETATION……………………………………….…pg 85 CONCLUSION...………………………………………………………………………………pg 99 BIBLIOGRAPHY………………………………………………………………………....…pg 101 2 INTRODUCTION Echoes of the controversies about the meaning of the drama A Doll’s House and Nora’s character continue to reach us from 1879, the year in which Ibsen completed his probably most famous work in Amalfi. Up till now, the complexity of the characters and the wise webbing of the drama, scattered of symbolic moments, widening its study, are the cause of divergent interpretations by the scholars. An example, exemplifying for all the discussions, could be the famous problem of Ibsen’s “feminism”. In the chapter “The poetry of feminism” in her book Ibsen’s women the American scholar Joan Templeton (2001) tries to say a definitive word about the sense to attribute to the drama. She quotes an impressive series of evidences with great accuracy, coming not only from works, but also from specific events and stands of which Ibsen was protagonist, to be opposed to only one point in favour of the detractors of the feminist vision about A Doll’s House . -
Springfield College Archives and Special Collections Springfield, Massachusetts
SPRINGFIELD COLLEGE ARCHIVES AND SPECIAL COLLECTIONS SPRINGFIELD, MASSACHUSETTS MANUSCRIPT NUMBER MS 511 William G. Morgan Papers 1892-2000 Written by Rachael A. Salyer August 2010 Shelf space occupied .5 linear feet Number of boxes 1 box ABSTRACT This collection documents some of the early life and achievements of William G. Morgan (1870- 1942), who graduated from the International YMCA Training School, now Springfield College, in Springfield, Massachusetts in 1894, and who created the game of volleyball at the Holyoke YMCA in Holyoke, Massachusetts in 1895. The materials within this collection relate primarily to Morgan‘s connections to Springfield College and Western Massachusetts and to his creation of volleyball. Items within the collection include photographs, Morgan‘s original application to the International YMCA Training School, articles about Morgan and early volleyball, correspondence with Morgan‘s daughter, a video entitled ―The William G. Morgan Story,‖ and a certificate of appreciation presented to Morgan by the United States Volley Ball Association. ORGANIZATION The collection is organized into a single series. ARRANGEMENT The collection has no original order, so the materials have been arranged by type and—wherever possible—chronologically. _____________________________________________________________________________________________ William G. Morgan Papers Page 2 Archives and Special Collections Babson Library, Springfield College, Springfield, Massachusetts INFORMATION ON USE OF THE COLLECTION TERMS OF ACCESS AND USE Unrestricted PREFERRED CITATION Researchers wishing to cite this collection should include the following information (in addition to any other information required by the citation style being used): William G. Morgan Papers, box #, folder #, Archives and Special Collections, Springfield College, Springfield, Mass. HISTORY OF COLLECTION Most of the materials within this collection—including Morgan‘s application to the School, alumni correspondence, and news articles—are Springfield College records. -
Music for Dancing
Chapter Music for Dancing 4 FOCUS Western Dance Music World Dance Music POINTS Estampie Balinese Gamelan Dance Suite Tibetan Buddhist Skeleton Dance Waltz Italian Saltarello Ballet African Ritual Dances Square Dance Celtic Reel Dance, the art form that finds its expression through bodily movement, has been an inspiration for music from ancient times to the present. Whether music was the cata- lyst for dance or whether dance existed before music is a question that may never be answered definitively, but since such a large portion of the music in existence is dance music it deserves our attention and a thoughtful examination. The written record of dance is not as old as the written record of music. The earli- est descriptive texts on dance date from the fifteenth century. Understandable manu- scripts of music date from nearly a thousand years earlier. References to dance are as old as Old Testament Bible stories and the ancient Greeks wrote of dance, but what the movements that constituted those dances looked like is lost to us. Understanding what the dances looked like or how they were performed is not our purpose in studying them in a music class, rather, we will be examining dance music for its musical con- tent, such as its form and rhythmic characteristics, and its purpose in a social context. RHYTHM AND METER IN DANCE MUSIC Any discussion of dance must begin with rhythm since that musical element is the foundation of dance. As was mentioned in Chapter 1, rhythm is the aspect of music that animates it, makes it feel like it is alive and vibrant. -
Blaising Star
ANNUAL CONVENTION, NIAGARA FALLS, CANADA - OCT. 31, NOV. 1-2 (Details In Enclosed Flier) Vl'!UIi1€: 8 1986 Number 4 Message From The President BLAISING STAR I J :ll hOllored to serv>:: ~JS Pr eSidenT o f !FJ\F,'; III.] ~) l t 1Sl)urg'l Pe nnsyivanliJ, 1$ one of til (~ rial Ion '·, r : -, 'y rll O S~ Sin ce re thanks to Tt10S{-~ VV i'j O :ldve l-:d !) pd ITlost dynamiC centers of ethniC activity, and the ItaliAn ?Jtltreli (,r otflervvlSC extended best IN;sl1l:~:.> . i '1(lPP l'la' ·.:U!1!lriu,lliV IS weli represented by an uul starldllig i()CiJ' I '.: 'In i· ve up to lour expressions u t co n fldenc'.: d an L E~ t rr)L. :J r0, I CiH'1pagnoll VVe owe d deot of gratitude to our· pas t prc~;ld (m1'-, Anl'Jn\-j 'lie perfor mers,' is tile BI31sIng Star who have laid 2 firm foundation from \r,hlch we be~;!1l Bla !se Pall lll!, ,I ve!·sdirie teac her, ci·wreographer and ,'lIS cJd'~llillstrdtl()n I tlilV'.o been with tile Federal lOt' p()rf ~) r ' ~ w r Bldlse studied profeSSional danCing al rlF: SIfl Clc Its inceptlOll and am most sinc(~rely and v',ry University:)! Plllsbu ryll and ilis training rncluc:Jed serlousi-y- dedicated to preservrng that part of till" ballet and folk danCing He minoreli :n italian Bialst: /.\meIICal) heritage which IS Italian I feel that IFAFA utilizes a perceptive If1tultion anci keen cr·eaTlve iIlslght h as arrived at a pOint where past experience perillits when researching and learnrng Italian !ulk dances. -
World Volley
Official Bulletin no.46 December 2009 World Volley Edition in English F É D É R AT I O N I N T E R N AT I O N A L E DE VOLLEYBALL News italy and Brazil top fiVB World Grand Grand champions all round champions cup podium ■ World champions Brazil successfully pions at their first at- defended their FIVB Men’s World Grand tempt after impressive Champions Cup title while Italy claimed victories over Brazil and the honours in the women’s competi- the hosts over the final tion as the fifth edition of the quadren- two days. Continues page 3 nial event was held in Ja- pan during the month of November, with packed stadiums and an interna- tional television audience Mr. Jizhong Wei, FIVB President including millions world- wide providing an unfor- s another busy year of Volleyball gettable atmosphere and draws to a close, the month of unrivalled passion both ANovember was no exception. The on and off the court. FIVB World Grand Champions Cup and Both teams progressed the Men’s Club World Championship through their respective were two key events which gripped week-long tournaments the Volleyball world while the curtain unbeaten with Brazil, came down on another successful the world number one, SWATCH FIVB Beach Volleyball season clinching key victories in Thailand. It made me very proud to see the re- over Cuba and Japan MVP Simona Gioli spikes for Italy against Japan as turn of the FIVB Men’s Club World while the Italian women the 2007 World Cup champions won their first FIVB Championship after 17 years. -
'Tradizione E Contaminazione': an Ethnography of The
‘TRADIZIONE E CONTAMINAZIONE’: AN ETHNOGRAPHY OF THE CONTEMPORARY SOUTHERN ITALIAN FOLK REVIVAL Stephen Francis William Bennetts BA (Hons), Australian National University, 1987 MA, Sydney University, 1993 Graduate Diploma (Communication), University of Technology, Sydney, 1999 This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia, School of Social Sciences, Discipline of Anthropology and Sociology 2012 ‘Pizzicarello’, Tessa Joy, 2010. 1 2 I have acquired the taste For this astringent knowledge Distilled through the Stringent application of the scientific method, The dry martini of the Intellectual world, Shaken, not stirred. But does this mean I must eschew Other truths? From ‘The Bats of Wombat State Forest’ in Wild Familiars (2006) by Liana Christensen 3 4 ABSTRACT The revival since the early 1990s of Southern Italian folk traditions has seen the ‘rediscovery’ and active recuperation, especially by urban revivalist actors, of le tradizioni popolari, popular traditional practices originating in peasant society which are still practiced by some traditional local actors in remote rural areas of Southern Italy. This thesis draws on interviews, participant observation and historical research carried out mainly during fieldwork in Rome and Southern Italy in 2002-3 to present an ethnography of the urban revivalist subculture which has been the main driving force behind the contemporary Southern Italian folk revival. In the course of my enquiry into why the movement has emerged, I combine both synchronic and diachronic perspectives, as well as a phenomenological analysis of revivalist motivation and agency, to explore the question of why contemporary urban revivalists have begun to take an interest in the archaic and marginalised cultural practices of rural Southern Italy. -
Rassegna Stampa Novembre 2020 Parte 3.Pdf
SPORTPRESS.IT Data pubblicazione: 27/11/2020 Link al Sito Web Link: https://www.sportpress.it/serie-b-la-nuova-formula-del-campionato-1127.html art 7.9 C Bologna venerdì, 27 Novembre 2020 HOME SPORT PRESS FREE PRESS TOP VOLLEY LAURA TOMMASINI HR SOLUTION CHI SIAMO CONTATTI Home News Volley News Volley Serie B, la nuova formula del campionato 27 Novembre 2020 BOLOGNA ARTICOLO NON CEDIBILE AD ALTRI USO ESCLUSIVO DI FEDERAZIONE ITALIANA PALLAVOLO 8.3° Il Consiglio Federale ha deliberato la nuova formula e la nuova struttura dei Campionati nazionali di Serie B. L’obiettivo della Federazione Italiana Pallavolo è quello di riprendere 7.9 7° l’attività nel week end del 23-24 gennaio 2021, sempre garantendo le migliori condizioni di sicurezza per tutte le componenti del mondo del volley. Di seguito il format che verrà adottato PRIMA FASE (inizio 23-24 gennaio 2021) I gironi di Serie B, attualmente composti da 12 squadre, verranno divisi e ciascuno di questi andrà a formare due sotto gironi da 6 squadre. Lo scopo è quello di creare raggruppamenti Novembre: 2020 “zonali” in maniera da agevolare in questa fase delicata gli spostamenti tra regioni e province. L M M G V S D Nella prima si disputeranno gare di andata e ritorno tra le sole squadre presenti nei sotto gironi: in totale ogni squadra giocherà 10 partite. 1 2 3 4 5 6 7 8 Calendario prima fase 9 10 11 12 13 14 15 1° Giornata: 23-24 gennaio 2021 16 17 18 19 20 21 22 2° Giornata: 30-31 gennaio 2021 23 24 25 26 27 28 29 30 ZZZ_WEB 139 SPORTPRESS.IT Data pubblicazione: 27/11/2020 Link -
All-Time Ucla Volleyball Records
ALL-TIME UCLA VOLLEYBALL RECORDS SINGLE SEASON TEAM RECORDS SINGLE SET TEAM RECORDS Best Records: (1.000) 38-0, 1984; 30-0, 1979; 29-0, 1982 Highest Game Score: 42-44 (Game 4, Hawaii d. UCLA, 1/19/01)* Worst Record: 14-16 (.466), 2009 Most Aces: 7, (vs. Stanford, 3/12/93) Most Matches Won: 38, 1984 and ‘87 Most Matches Lost: 16, 2009 SINGLE MATCH TEAM RECORDS Most Matches Played: 41, 1987 (38-3) Most Kills: 139 (vs. UCSB, 2/12/87) Least Matches Played: 17, 1976 (15-2) Fewest Kills: 27 (vs. USC, 4/14/11) Longest Winning Streak: 48 matches, 1983-85 Most Errors: 61 (vs. UCSB, 2/12/87) Longest Home Winning Streak: 83 matches, 1975-82 Most Total Attempts: 341 (vs. UCSB, 2/12/87) Longest Losing Streak: 5 matches, 2011 Fewest Total Attempts: 60 (vs. LMU, 2/17/84) Most Shutouts: 26 (3-0), 1995 Highest Hitting Percentage: .666 (vs. LMU, 2/17/84) Best Hitting Percentage: .420, 1993 (1891-467-3389, 89g) Lowest Hitting Percentage: .041 (vs. Stanford, 4/9/11) Most Kills Per Game: 21.74, 1989 Lowest Hitting Percentage, Opponent: -.041 Rutgers- Newark vs. Most Service Aces, Season: 232, 2001* UCLA, 3/16/05 (26-30-97)* Most Service Aces Per Game: 2.03, 1998 Most Service Aces: 14 (vs. USC, 3/7/93) and (vs. Pepperdine, 2/3/01)* Most Blocks Per Game: 7.6 (4.16), 1996 Most Block Solos: 17 (vs. Pepperdine, 3/18/83) Most Digs Per Game: 13.5, 1986 Most Block Assists: 44 (vs. -
CONGRESSIONAL RECORD— Extensions of Remarks E1739 HON. SANDER M. LEVIN HON. LYNN C. WOOLSEY HON. BENNIE G. THOMPSON HON. JANE
August 3, 2007 CONGRESSIONAL RECORD — Extensions of Remarks E1739 TRIBUTE TO FAYGO BEVERAGES number of children covered by SCHIP to 11 to its most celebrated player—Karch Kiraly. It million. Passing this bill will mean a real in- is with great pleasure that I acknowledge his HON. SANDER M. LEVIN vestment for our children, our seniors, and, in- accomplishments and congratulate him on his OF MICHIGAN deed, our Nation. retirement from professional beach volleyball. I urge ‘‘yes’’ vote on the CHAMP Act. IN THE HOUSE OF REPRESENTATIVES He will cap his illustrious career with the Asso- f ciation of Volleyball Professionals later this Friday, August 3, 2007 month, with a final appearance at the AVP AGRICULTURE, RURAL DEVELOP- Mr. LEVIN. Madam Speaker, Faygo Bev- Manhattan Beach Open—a tournament he has MENT, FOOD AND DRUG ADMIN- erages is part of our Michigan tradition, and I won an impressive eight times. ISTRATION, AND RELATED rise today to recognize their 100 years of op- With 148 domestic and international vic- AGENCIES APPROPRIATIONS erations. tories under his belt, Karch Kiraly is the ACT, 2008 Faygo was founded in Detroit on November winningest player in the history of the game. 4, 1907 as Feigenson Brothers Bottling Works SPEECH OF Remarkably, he has not only won more often by Russian immigrants Ben and Perry than anyone else, but he has won tour- Feigenson. The original flavors of Faygo, Fruit HON. BENNIE G. THOMPSON naments in each of the last four decades—a Punch, Strawberry and Grape, were based on OF MISSISSIPPI feat many consider to be unrepeatable. -
English Edition
No 116 July 2003 English edition F É D É R ATION INTERNATIONALE DE VOLLEYBALL FIVB $15 million World League: A superb climax to a superb edition of an enormously courageous encounter. It was a superb climax to a superb 14th edition. Brazil and Serbia and Montenegro represent two quite distinct styles of play, with Brazil, somewhat smaller in stature, relying on superb technical skills and game tactics, while Serbia and Montenegro represent a unique combination of athleticism, fighting spirit and a never-say-die approach that guarantees it will be thrilling until the final whistle. Both teams exited the tournament occupying first and second place in the FIVB World Rankings and after their first-ever clash in the final of a major international competition, with enormous respect for each other. Brazil was the winner, but in such a tiebreaker, where match points were traded with unprecedented ferocity, they left the court acutely aware of how close Serbia and Montenegro came to stealing Vistalegre in Madrid Brazil celebrate their 2003 World League title at the Palacio their glorious moment. But as well as a superb final, the 14th edi- When the world's two best teams clash in "Sometimes in such a tiebreak tion brought with it some surprises. the final of the elite men's annual maybe there should be a point Newcomers the Czech Republic, who, volleyball tournament, it is bound to be where we put up our hands and together with Bulgaria, were late starters spectacular. But when Brazil met Serbia declare both teams the winner. But to the 14th edition after coming in to and Montenegro in the final of the 14th sport is not like that and replace Argentina and China.