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U.S. House of Representatives Committee on Energy and Commerce
U.S. HOUSE OF REPRESENTATIVES COMMITTEE ON ENERGY AND COMMERCE December 8, 2016 TO: Members, Subcommittee on Commerce, Manufacturing, and Trade FROM: Committee Majority Staff RE: Hearing entitled “Mixed Martial Arts: Issues and Perspectives.” I. INTRODUCTION On December 8, 2016, at 10:00 a.m. in 2322 Rayburn House Office Building, the Subcommittee on Commerce, Manufacturing, and Trade will hold a hearing entitled “Mixed Martial Arts: Issues and Perspectives.” II. WITNESSES The Subcommittee will hear from the following witnesses: Randy Couture, President, Xtreme Couture; Lydia Robertson, Treasurer, Association of Boxing Commissions and Combative Sports; Jeff Novitzky, Vice President, Athlete Health and Performance, Ultimate Fighting Championship; and Dr. Ann McKee, Professor of Neurology & Pathology, Neuropathology Core, Alzheimer’s Disease Center, Boston University III. BACKGROUND A. Introduction Modern mixed martial arts (MMA) can be traced back to Greek fighting events known as pankration (meaning “all powers”), first introduced as part of the Olympic Games in the Seventh Century, B.C.1 However, pankration usually involved few rules, while modern MMA is generally governed by significant rules and regulations.2 As its name denotes, MMA owes its 1 JOSH GROSS, ALI VS.INOKI: THE FORGOTTEN FIGHT THAT INSPIRED MIXED MARTIAL ARTS AND LAUNCHED SPORTS ENTERTAINMENT 18-19 (2016). 2 Jad Semaan, Ancient Greek Pankration: The Origins of MMA, Part One, BLEACHERREPORT (Jun. 9, 2009), available at http://bleacherreport.com/articles/28473-ancient-greek-pankration-the-origins-of-mma-part-one. -
Wolfgang Amadeus Mozart
Saturday, September 8 1979 Arts Guild Fair, Central Park, Northfield Overture to the Magic Flute (Wolfgang Amadeus Mozart) Finlandia (Jean Sibelius) London Suite (Eric Coates) Country Gardens (Percy Grainger) Berceuse and FInale- Firebird (Igor Stravinsky) Dance Rhythms (Wallingford Riegger) Simple Gifts (Aaron Copland) Hoedown (Aaron Copland) August 23, 1986 Carleton College Concert Hall Carneval Overture (Antonin Dvorak) Valse Triste (Jan Sibelius) Konzertstuck for Four Horns and Orchestra Wedding Day at Troldhaugen (Edvard Grieg) Highlights from Showboat (Jerome Kern/Oscar Hammerstein) Why Do I Love You? Can’t Help Lovin Dat Man You Are Love - soloist- Myrna Johnson The Moldau from Ma Vlast (Bedrich Smetana) American Salute (Morton Gould) August 28, 1986 Fairbault Junior High Auditorium- 7:30 pm Carneval Overture (Antonin Dvorak) Valse Triste (jan Sibelius) Konzertstuck for Four Horns and Orchestra Prelude to Act III of Lohengrin First Movement from Violin Concerto no. 3 in G, K216 (W.A. mozart) The Moldau from Ma Vlast (Bedrich Smetana) American Salute (Morton Gould) Saturday, May 14, 1994 United Methodist Church, Northfield- 2:30pm Northfield Cello Choir (Directed by Stephen Peckley): Pilgrim’s Chorus (Richard Wagner) Sarabande and Two Gavottes (J.S. Bach) Red Rose Rag (Traditional) Suite for Strings in Olden Style from Holberg’s Time, Op.40 (Edvard Grieg) Prelude: Allegro Vivace Sarabande: Andante Rigaudon: Allegro Con Brio Geraldine Casper- violin solo Paul Tarabek- viola solo Concerto in D Major for Cello and Orchestra (Josef Haydn) -
Madeline Plays Mendelssohn
Madeline Plays Mendelssohn TIMPANOGOS SYMPHONY ORCHESTRA JOHN PEW MUSIC DIRECTOR CELEBRATING Mendelssohn, Violin Concerto 10 YEARS Schubert, Unfinished Symphony February 12 & 13, 2021 7:30 pm Timberline Middle School Concert Program Donna Diana Overture (1894) Emil von Reznicek (1860-1945) Symphony No. 8 “Unfinished” (1822) Franz Schubert (1797-1828) Violin Concerto in E minor, Op. 64 (1845) Felix Mendelssohn (1809-1847) 1. Allegro molto appassionato 2. Andante 3. Allegretto non troppo – Allegro molto vivace Madeline Adkins, violin 1 Violinist Madeline Adkins joined the Utah Symphony as Concertmaster in 2016. Prior to this appointment, she was a member of the Baltimore Symphony Orchestra, performing as Associate Concertmaster for 11 seasons. She was also Concertmaster of the Baltimore Chamber Orchestra from 2008-2016. Adkins performs on the "ex-Chardon" Guadagnini of 1782, graciously loaned by Gabrielle Israelievitch to perpetuate the legacy of her late husband, former Toronto Symphony concertmaster, Jacques Israeliev- itch. She has served as Guest Concertmaster of the Pittsburgh Symphony, the Cincinnati Symphony, the Houston Symphony, the Hong Kong Philharmonic, the Indianapolis Symphony Orchestra, the Grand Teton Music Festival Orchestra, and the Grant Park Symphony Orchestra in Chicago. Adkins has also been a guest artist at numer- ous festivals including the Stellenbosch International Chamber Music Festival in South Africa, the Sarasota Music Festival, Jackson Hole Chamber Music, Music in the Mountains, and the Sewanee Summer Music Festival, as well as a clinician at the National Orchestral Institute, the National Youth Orchestra at Carnegie Hall, and the Haitian Orchestra Institute. In addition, she has served as the Music Director of the NOVA Chamber Music Series in Salt Lake City. -
Curriculum Vitae
Curriculum Vitae Lowell E. Graham 1058 Eagle Ridge El Paso, Texas 79912 Residence Work Home e-mail (915) 581-9741 (915) 747-7825 [email protected] Education Doctor of Musical Arts, Catholic University of America, 1977, Orchestral Conducting Graduate Studies in Music, University of Missouri at Kansas City, summers 1972 and 1973 Master of Arts, University of Northern Colorado, 1971, Clarinet Performance Bachelor of Arts, University of Northern Colorado, 1970, Music Education Military Professional Education Air War College, 1996 Air Command and Staff College, 1983 Squadron Officer School, 1977 Work Experience 2009 to Present Director of Orchestral Activities Music Director, UTEP Symphony Orchestra University of Texas at El Paso El Paso, Texas As the Director or Orchestral Activities I am responsible for the training and development of major orchestral ensembles at the university. I began a tradition of featuring faculty soloists as well as winners of the annual student Concerto Competition, now with an award offered by Olivas Music, providing the orchestra the opportunity to perform significant concerto literature as well as learning the art of accompanying. In 2012, I developed a new chamber orchestra called the “UTEP Virtuosi” focusing on significant string orchestra repertoire. I initiated a concert featuring music in movies and for stage in which that music is presented and integrated via multimedia with lectures and video. It has become the capstone event for the year featuring the artistry of faculty soloists and comments per classical music used in movies and music composed exclusively for that medium. Each year six performances are scheduled. Repertoire for each year covers all eras and styles. -
Ufc 153 Weights
UFC 153 WEIGHTS Las Vegas, Nevada – The Ultimate Fighting Championship® organization returns to Pay-Per- View tomorrow when the world’s greatest martial artist – long-reigning UFC middleweight king Anderson “The Spider” Silva – steps up to light heavyweight to face Stephan “The American Psycho” Bonnar. The three-round special attraction is the main event of the six-fight UFC 153 event. This afternoon in Rio, the fighters hit the scales for the official weigh-in. Official weights were: UFC 153 Pay-Per-View (7pm/10pm PT/ET) Light heavyweight: Anderson Silva (202 pounds) vs. Stephan Bonnar (205 pounds) Heavyweight: Minotauro Nogueira (243 pounds) vs Dave Herman (244 pounds) Light heavyweight: Glover Teixeira (204 pounds) vs Fabio Maldonado (203 pounds) Welterweight: Jon Fitch (170 pounds) vs. Erick Silva (169 pounds) Light heavyweight: Phil Davis (206 pounds) vs. Wagner Prado (204 pounds) Welterweight: Demian Maia (170 pounds) vs. Rick Story (170 pounds) FX Prelims (live on FX in USA, 5pm/8pm PT/ET) Welterweight: Rony “Jason” (145 pounds) vs. Sam Sicilia (146 pounds) Lightweight: Gleison Tibau (155 pounds) vs. Francisco Trinaldo (154 pounds) Featherweight: Diego Brandao (144 pounds) vs. Joey Gambino (146 pounds) Welterweight: Sergio Moraes (169 pounds) vs Renee Forte (169 pound) Facebook Fights (4pm/7pm PT/ET) Middleweight: Luiz Cane (184 pounds) vs Chris Camozzi (185 pounds) Lightweight Cristiano Marcello (155 pounds) vs Reza Madadi (155 pounds) Flash quotes: Anderson Silva, UFC middleweight champion, fights at light heavyweight tomorrow: “I owe this fight to all my fans and I can’t wait to fight.” Stephan Bonnar, UFC light heavyweight: “I always fight my ass off and tomorrow is going to be no different. -
Performances from 1974 to 2020
Performances from 1974 to 2020 2019-20 December 1 & 2, 2018 Michael Slon, Conductor September 28 & 29, 2019 Family Holiday Concerts Benjamin Rous, Conductor MOZART Symphony No. 32 February 16 & 17, 2019 ROUSTOM Ramal Benjamin Rous, Conductor BRAHMS Piano Concerto No. 2 in B-flat Major RAVEL Pavane pour une infante défunte RAVEL Piano Concerto in G Major November 16 & 17, 2019 MOYA Siempre Lunes, Siempre Marzo Benjamin Rous & Michael Slon, Conductors KODALY Variations on a HunGarian FolksonG MONTGOMERY Caught by the Wind ‘The Peacock’ RICHARD STRAUSS Horn Concerto No. 1 in E-flat Major March 23 & 24, 2019 MENDELSSOHN Psalm 42 Benjamin Rous, Conductor BRUCKNER Te Deum in C Major BARTOK Violin Concerto No. 2 MENDELSSOHN Symphony No. 4 in A Major December 6 & 7, 2019 Michael Slon, Conductor April 27 & 28, 2019 Family Holiday Concerts Benjamin Rous, Conductor WAGNER Prelude from Parsifal February 15 & 16, 2020 SCHUMANN Piano Concerto in A minor Benjamin Rous, Conductor SHATIN PipinG the Earth BUTTERWORTH A Shropshire Lad RESPIGHI Pines of Rome BRITTEN Nocturne GRACE WILLIAMS Elegy for String Orchestra June 1, 2019 VAUGHAN WILLIAMS On Wenlock Edge Benjamin Rous, Conductor ARNOLD Tam o’Shanter Overture Pops at the Paramount 2018-19 2017-18 September 29 & 30, 2018 September 23 & 24, 2017 Benjamin Rous, Conductor Benjamin Rous, Conductor BOWEN Concerto in C minor for Viola WALKER Lyric for StrinGs and Orchestra ADAMS Short Ride in a Fast Machine MUSGRAVE SonG of the Enchanter MOZART Clarinet Concerto in A Major SIBELIUS Symphony No. 2 in D Major BEETHOVEN Symphony No. 7 in A Major November 17 & 18, 2018 October 6, 2017 Damon Gupton, Conductor Michael Slon, Conductor ROSSINI Overture to Semiramide UVA Bicentennial Celebration BARBER Violin Concerto WALKER Lyric for StrinGs TCHAIKOVSKY Symphony No. -
Concerts Conducted by Carl Schuricht Including Music of Anton Bruckner (1912-1965) Original Source
Concerts conducted by Carl Schuricht including music of Anton Bruckner (1912-1965) Original source : http://carlschuricht.com/concert.htm Important Dates 3 July 1880 : Carl Adolph Schuricht was born at Danzig (Gdansk) into a family of organ-builders. His father, Carl Conrad Schuricht was born on 27 January 1856. He was an organ-builder and worked at his father's factory. He died on 9 June 1880 (3 weeks before his son was born !) when he tried to help an employee fallen into the sea, in the bay of Danzig. His mother, Amanda Ludowika Alwine Wusinowska was a well-known Polish Oratorio singer (1847-1935) . She didn't re-marry after her husband's death. 1886 : Began piano and violin lessons at the age of 6. Studied at the « Friedrichs Realgymnasium » in Berlin. 1891 : Began to compose at the age of 11. 1892 : Studied at the « Königliches Realgymnasium » in Wiesbaden. Written the music and the librettos for 2 Operas. 1895 : Started conducting at the age of 15. 1901-1902 : 1st professional job as « Korrepetitor » at the « Stadttheater » of Mainz. 1902 : Won a composition prize from the Kuszynski Foundation, and awarded a scholarship by Franz von Mendelssohn. Allowed him to continue his studies at the « Berliner Musikhochschule » (« der Königlichten Hochschule für Musik ») under Ernst Rudorff, piano ; Heinrich van Eyken (and not Engelbert Humperdink) , composition ; and, later, Max Reger in Leipzig. His musical compositions were published mostly by Drei-Lilien-Verlag, Berlin. Opus 1 : Piano Sonata in F minor. Opus 2 : « Herbst-Stücke » (Opuscules for autumn) for piano and orchestra. Opus 3 : « Fünf Lieder » (5 Songs) . -
1 Music Before the Service: Suite from Henry V Sir William Walton (1902
Music before the service: Suite from Henry V Sir William Walton (1902-83) Adagio in E Frank Bridge (1879-1941) Toccata, Adagio and Fugue in C J S Bach (1685-1750) Excerpt from Suite No. 3 in G from Water Music G F Handel (1685-1759) Excerpt from Suite No. 1 in F from Water Music G F Handel (1685-1759) Romance in E Flat Major for String Orchestra Gerald Finzi (1901-56) Farewell to Stromness Sir Peter Maxwell Davies (b. 1934) Serenade for Strings Sir Edward Elgar (1857-1934) Last Spring from Two Elegiac Melodies Edvard Grieg (1843-1907) Adagio from Oboe Concerto No. 2 in D Minor Tomaso Albinoni (1671-c1751) The music for the service is performed by: Members of the Philharmonia Orchestra, Conductor, Christopher Warren-Green The Choir of St George’s Chapel, Director of Music,Timothy Byram-Wigfield Organist, Roger Judd Soloist, Ekaterina Semenchuk of the Marinsky Theatre The musical arrangements are by Rosemary Furniss and Julian Milone 1 All stand as Members of the Royal Family, having been received at the Galilee Porch by the Canons of Windsor, are conducted to their places in the Quire. All stand as Her Majesty The Queen and His Royal Highness The Duke of Edinburgh are conducted by way of the North Quire Aisle and the Organ Screen to their places in the Quire by the Dean of Windsor. All stand as Their Royal Highnesses The Prince of Wales and The Duchess of Cornwall are conducted to the Quire by way of the North Quire Aisle and the Organ Screen by the Dean of Windsor. -
Lent Term 2014
CLARE COLLEGE, CAMBRIDGE CHAPEL SERVICES LENT TERM 2014 SERVICES HOLY COMMUNION is celebrated every Sunday morning at 9.30 a.m. – a service with hymns and a homily, followed by breakfast in E3. On 16 February members of Trinity Hall will join with us for the service at 9.00 a.m. and we will go there afterwards for breakfast. MORNING PRAYER is said every Monday-Thursday at 8.15 a.m. On Friday, it is said at 8.00 a.m. and is followed by breakfast in buttery. EVENING PRAYER is said every Monday and Friday at 6.15 p.m. and Wednesday at 5.00 p.m. MIDDAY PRAYER is said every Wednesday at 12.45 p.m. Silence for meditation and private prayer is kept in Chapel every day from noon until 1.00 p.m. CHORAL SERVICES Tuesdays Evensong, 6.15 p.m. Wednesdays Compline, 10.00 p.m. on 29 January and 12 February Thursday Evensong, 6.15 p.m. Sundays Evensong, 6.00 p.m. Members of College are warmly encouraged to wear gowns to Sunday evening services. This service is followed by drinks and supper in Hall, to which all who attend Chapel are warmly invited (subject to places available). Cost: £4.50 members of College; £7.50 others. SPECIAL SERVICES Tuesday, 28 January Choral Eucharist for Saint Thomas Aquinas, 6.15 p.m. Sunday 2 February Corporate Communion for The Presentation of Christ in the Temple (or Candlemas), 6.00 p.m. Saturday 15 February Evensong for College Family Day, 5.00 p.m. -
Updated Official Bellator Mma™ Fighter Rankings
UPDATED OFFICIAL BELLATOR MMA™ FIGHTER RANKINGS LOS ANGELES – BELLATOR MMA returns to action on Saturday, July 31 with BELLATOR 263 headlined by Featherweight World Champion Patricio Pitbull (32-4) squaring off with No. 1 ranked AJ McKee (17-0) in the Featherweight Grand Prix Finals with both the title and one million dollars on the line. Also, top-ten featherweights collide in the co-main event as No. 2 ranked Emmanuel Sanchez (20-5) takes on the surging No. 8 ranked Mads Burnell (15-3). BELLATOR 263 emanates from The Forum in Los Angeles andairs live on SHOWTIME at 10 p.m. ET/7 p.m. PT. Limited tickets remain and are available at www.bellator.com. Click here for additional information detailing fighter eligibility, as well as additional voting criteria. MEN’S HEAVYWEIGHTC. Ryan Bader (28-6)IC. WOMEN’S POUND-FOR- MEN’S POUND-FOR- Valentin POUND1. Cris Cyborg POUND1. Patricio Moldavsky (24-2, 1 NC)2. Pitbull (32-4)2. (11-1) 2. Tim Juliana Velasquez Vadim Nemkov (14-2)3. Johnson (12-0)3. Ilima-Lei Gegard Mousasi (15-7) 3. Cheick Macfarlane (11-1)4. (47-7-2)4. Ryan Bader Kongo Julia Budd (15-3)5. (28-6, 1 NC)5. (30-11-2) 4. Liz Carmouche Yaroslav Amosov Tyrell Fortune (16-7)6. Denise (26-0)6. AJ McKee (11-1) ?15. Kielholtz (6-3) ?17. (17-0)7. Sergio Linton Vassell Arlene Blencowe Pettis (21-5)8. (20-8) ?16. (14-8) ?18. Cat Douglas Lima (32-9)9. Steven Mowry Zingano (12-4)9. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Sat, Aug 07, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 06:37 Bernstein, E. Suite from The Buccaneer Cincinnati Pops/Kunzel 06515 Telarc 80682 089408068225 00:09:2231:05 Mozart Clarinet Concerto in A, K. 622 Brymer/Royal 05860 EMI 67601 724356760127 Philharmonic/Beecham Classics 00:41:4217:08 Bach Lute Suite in E, BWV 1006a Sharon Isbin 02307 Virgin 90717 075679071729 01:00:20 10:18 Brahms Academic Festival Overture, Royal Concertgebouw 01897 Philips 438 320 717794777222 Op.80 Orchestra/Haitink 01:11:3823:46 Kabalevsky Second Concerto in G minor Stott/BBC 08162 Chandos 10052 095115105221 for Piano and Orchestra, Op. Philharmonic/Sinaisky 23 01:36:2422:19 Rachmaninoff The Isle of the Dead, Op. 29 London 08655 LPO 0004 506000967600 Philharmonic/Jurowski 47 02:00:1308:00 Rozsa Spellbound Concerto Wild/London 04966 Ivory 70801 264405708019 Promenade Classics Orchestra/Gerhardt 02:09:1319:54 Bantock Celtic Symphony Royal 02311 Hyperion 20450 034571104508 Philharmonic/Handley 02:30:07 29:44 Mendelssohn Symphony No. 4 in A, Op. 90 NY 05458 Sony 61843 074646184325 "Italian" Philharmonic/Bernstein Classical 03:01:2113:47 Chopin Andante Spianato & Grand Olejniczak/Warsaw 06032 Sony 87739 D146195 Polonaise in E flat, Op. 22 Philharmonic/Strugala Classical 03:16:08 26:04 Strauss, R. Metamorphosen, for 23 Solo Academy of St. 10015 Decca 478 2759 028947827597 Strings Martin-in-the-Fields/Ma rriner 03:43:1216:46 Walton Suite from Henry V Bournemouth 06474 London 448 134 028944813425 Symphony/Litton 04:01:2838:50 Schubert String Quintet in C, D. -
Dramatic Form in the Early Modern English History Play
THE CATHOLIC UNIVERSITY OF AMERICA Dramatic Form in the Early Modern English History Play A DISSERTATION Submitted to the Faculty of the Department of English School of Arts and Sciences Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Shaun Stiemsma Washington, DC 2017 Dramatic Form in the Early Modern English History Play Shaun Stiemsma, Ph.D. Director: Michael Mack, Ph.D. The early modern history play has been assumed to exist as an independent genre at least since Shakespeare’s first folio divided his plays into comedies, tragedies, and histories. However, history has never—neither during the period nor in literary criticism since—been satisfactorily defined as a distinct dramatic genre. I argue that this lack of definition obtains because early modern playwrights did not deliberately create a new genre. Instead, playwrights using history as a basis for drama recognized aspects of established genres in historical source material and incorporated them into plays about history. Thus, this study considers the ways in which playwrights dramatizing history use, manipulate, and invert the structures and conventions of the more clearly defined genres of morality, comedy, and tragedy. Each chapter examines examples to discover generic patterns present in historical plays and to assess the ways historical materials resist the conceptions of time suggested by established dramatic genres. John Bale’s King Johan and the anonymous Woodstock both use a morality structure on a loosely contrived history but cannot force history to conform to the apocalyptic resolution the genre demands.