Lent Term 2014
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Adam Lay Ybounden Sebastian ADAMS
Adam Lay yBounden Sebastian ADAMS Commissioned by RTÉ lyric fm Adam Lay yBounden Adam Lay yBounden is a text written in England around 1400. Mediaeval thinkers believed that Adam (and other notable Old Testament figures) were stuck in limbo until the crucifixion of Christ, and this idea is the subject of the text, which is ‘macaronic’, meaning it combines different languages1. I got to know these words from a beautiful setting of them by Boris Ord which I used to sing as a choirboy in St Bartholomew’s Church in Dublin. The strange text is tense and explosive, and the idea that the whole story hinged on a stolen apple drew me in as a small child, and I looked forward to singing it every advent – I think I was by far my favourite carol. When I was commissioned to write a carol by RTÉ lyric fm, the text jumped at me as I began working on a frosty winter evening. My setting is dedicated to Malcolm Wisener, who was my choirmaster and without whom I could never have become a composer. Synopsis: Adam lay bound in limbo for so long that 4000 winters passed without his noticing. And his imprisonment was simply because of the apple that he took from Eve, according to the ancient books. But if Adam hadn’t eaten the apple, then Mary never would have become Queen of Heaven, because Christ would not have been born man and died for our sins. Because of this, the time when the apple was eaten is blessed, and we must praise God. -
Wolfgang Amadeus Mozart
Saturday, September 8 1979 Arts Guild Fair, Central Park, Northfield Overture to the Magic Flute (Wolfgang Amadeus Mozart) Finlandia (Jean Sibelius) London Suite (Eric Coates) Country Gardens (Percy Grainger) Berceuse and FInale- Firebird (Igor Stravinsky) Dance Rhythms (Wallingford Riegger) Simple Gifts (Aaron Copland) Hoedown (Aaron Copland) August 23, 1986 Carleton College Concert Hall Carneval Overture (Antonin Dvorak) Valse Triste (Jan Sibelius) Konzertstuck for Four Horns and Orchestra Wedding Day at Troldhaugen (Edvard Grieg) Highlights from Showboat (Jerome Kern/Oscar Hammerstein) Why Do I Love You? Can’t Help Lovin Dat Man You Are Love - soloist- Myrna Johnson The Moldau from Ma Vlast (Bedrich Smetana) American Salute (Morton Gould) August 28, 1986 Fairbault Junior High Auditorium- 7:30 pm Carneval Overture (Antonin Dvorak) Valse Triste (jan Sibelius) Konzertstuck for Four Horns and Orchestra Prelude to Act III of Lohengrin First Movement from Violin Concerto no. 3 in G, K216 (W.A. mozart) The Moldau from Ma Vlast (Bedrich Smetana) American Salute (Morton Gould) Saturday, May 14, 1994 United Methodist Church, Northfield- 2:30pm Northfield Cello Choir (Directed by Stephen Peckley): Pilgrim’s Chorus (Richard Wagner) Sarabande and Two Gavottes (J.S. Bach) Red Rose Rag (Traditional) Suite for Strings in Olden Style from Holberg’s Time, Op.40 (Edvard Grieg) Prelude: Allegro Vivace Sarabande: Andante Rigaudon: Allegro Con Brio Geraldine Casper- violin solo Paul Tarabek- viola solo Concerto in D Major for Cello and Orchestra (Josef Haydn) -
Ancient English Christmas Carols 1400 to 1700
Klirtetes THE NEW MEDIEVAL LIBRARY THE NEW MEDIEVAL LIBRARY THE CHATELAINE OF VERGI. Translated by ALICE KEMP- WELCH. With Introduction by L. BRANDIN. THE BOOK OF THE DUKE OF TRUE LOVERS. Translated and edited by ALICE KEMP- WELCH. OF THE TUMBLER OF OUR LADY. Translated and edited by ALICE KEMP-WELCH. THE LEGEND OF THE HOLY FINA, VIRGIN OF SANTO GEMINIANO. Translated and edited by M. MANSFIELD. THE BABEES' BOOK : Medieval Manners for the Young. Modern ised and edited by EDITH RlCKERT. THE BOOK OF THE DIVINE CONSOLATION OF SAINT ANGELA DA FOLIGNO. Translated by MARY G. STEECJ- MANN. With an Introduction by ALGAR THOROLD. EARLY ENGLISH ROMANCES OF LOVE. Edited by EDITH RlCKERT. EARLY ENGLISH ROMANCES OF FRIENDSHIP. Edited by EDITH RICKERT. THE CELL OF SELF-KNOW LEDGE : Seven Early English Mystical Treatises. Edited by EDMUND G. GARDNER, M.A. ANCIENT ENGLISH CHRISTMAS CAROLS MCCCC TO MDCC COLLECTED & ARRANGED BY EDITH RICKERT CHATTO &" WINDUS : LONDON NEW YORK : DUFFIELD 6f CO. 1910 r, TO E.Q.R. and F.E.R. MY SISTERS FOR WHOSE UNWEARIED ASSISTANCE IN THE PREPARATION OF THIS LITTLE VOLUME I AM DEEPLY GRATEFUL CONTENTS PART I CAROLS OF THE NATIVITY PAGE VIRGO ROSA VIRGINUM 3 ECCE ANCILLA DOMINI 28 IN DIE NATIVITATIS 41 O JESU PARVULE 59 GLORIA IN EXCELSIS DEO ...... 96 REGES DE SABA VENIENT no NUNC GAUDET ECCLESIA 121 APPENDIX I 131 APPENDIX II 139 NOTES 149 PART II CAROLS OF THE DIVINE MYSTERY MlRABILE MlSTERIUM 159 IN DULCI IUBILO ..... 203 ix CONTENTS PART III CAROLS OF YULETIDE FESTIVITY PAGE PROFACE 217 WASSAIL 243 CAPUT APRI DEFERO 256 VENI CORONABERIS 262 APPENDIX I 269 APPENDIX II 287 NOTES 299 GLOSSARY 303 INDEX TO FIRST LINES . -
Lessons and Carols 2018
Lessons and Carols 2018 Lesson 1: Genesis 3:8-13 Reader: Sandy Bowles Adam Lay Ybounden – Sheldon Curry (15th c. medieval poem) Adam lay yBounden, bounden in a bond, (Adam was bound by bonds) Forwe thowsand wynter thowt he not to long (Four thousand winters, thought he not too long) And al was for an appil, appil tha he tok, (and all was for an apple, apple that he took) Ase clerk is fynden wretyn in here bok. (as the clerk (monk) has found written in the book (the Bible)) Allelu, alleluia. Sing alleluia. Ne hadde appil tak ben, Appil take ben (had the apple not been taken) Ne hadde neuer our laddde aben heuene quen, never would have Our Lady Mary been heavens queen And blyssid be the tyme that appil take was, (and blessed be the time that apple was taken) Therefore we mown syngyn, Deo gracias! Therefore we sing, Thanks be to God! Adam Lay Ybounden relates the events of Genesis, Chapter 3. According to a medieval tradition, Adam was held in bonds with the other patriarchs in the limbus patrum patriarchs limbo from the time of his death until the crucifixion of Christ (the "4000 winters"). The second verse ties Eves apple to Mary, who became the Queen of Heaven, and hails the apple taking the Fall for leading to our redemption, for which we sing a song of thanksgiving to God. Lesson 2: Isaiah 9:2, 6-7 Reader: Jack Grimm People Look East – Philip Dietterich (Besancon Carol Tune) People, look East. The time is near of the crowning of the year. -
Sacred Music and Female Exemplarity in Late Medieval Britain
UNIVERSITY OF CALIFORNIA Los Angeles The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Gillian Lucinda Gower 2016 © Copyright by Gillian Lucinda Gower 2016 ABSTRACT OF THE DISSERTATION The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain by Gillian Lucinda Gower Doctor of Philosophy in Musicology University of California, Los Angeles, 2016 Professor Elizabeth Randell Upton, Chair This dissertation investigates the relational, representative, and most importantly, constitutive functions of sacred music composed on behalf of and at the behest of British queen- consorts during the later Middle Ages. I argue that the sequences, conductus, and motets discussed herein were composed with the express purpose of constituting and reifying normative gender roles for medieval queen-consorts. Although not every paraliturgical work in the English ii repertory may be classified as such, I argue that those works that feature female exemplars— model women who exemplified the traits, behaviors, and beliefs desired by the medieval Christian hegemony—should be reassessed in light of their historical and cultural moments. These liminal works, neither liturgical nor secular in tone, operate similarly to visual icons in order to create vivid images of exemplary women saints or Biblical figures to which queen- consorts were both implicitly as well as explicitly compared. The Iconography of Queenship is organized into four chapters, each of which examines an occasional musical work and seeks to situate it within its own unique historical moment. In addition, each chapter poses a specific historiographical problem and seeks to answer it through an analysis of the occasional work. -
Performances from 1974 to 2020
Performances from 1974 to 2020 2019-20 December 1 & 2, 2018 Michael Slon, Conductor September 28 & 29, 2019 Family Holiday Concerts Benjamin Rous, Conductor MOZART Symphony No. 32 February 16 & 17, 2019 ROUSTOM Ramal Benjamin Rous, Conductor BRAHMS Piano Concerto No. 2 in B-flat Major RAVEL Pavane pour une infante défunte RAVEL Piano Concerto in G Major November 16 & 17, 2019 MOYA Siempre Lunes, Siempre Marzo Benjamin Rous & Michael Slon, Conductors KODALY Variations on a HunGarian FolksonG MONTGOMERY Caught by the Wind ‘The Peacock’ RICHARD STRAUSS Horn Concerto No. 1 in E-flat Major March 23 & 24, 2019 MENDELSSOHN Psalm 42 Benjamin Rous, Conductor BRUCKNER Te Deum in C Major BARTOK Violin Concerto No. 2 MENDELSSOHN Symphony No. 4 in A Major December 6 & 7, 2019 Michael Slon, Conductor April 27 & 28, 2019 Family Holiday Concerts Benjamin Rous, Conductor WAGNER Prelude from Parsifal February 15 & 16, 2020 SCHUMANN Piano Concerto in A minor Benjamin Rous, Conductor SHATIN PipinG the Earth BUTTERWORTH A Shropshire Lad RESPIGHI Pines of Rome BRITTEN Nocturne GRACE WILLIAMS Elegy for String Orchestra June 1, 2019 VAUGHAN WILLIAMS On Wenlock Edge Benjamin Rous, Conductor ARNOLD Tam o’Shanter Overture Pops at the Paramount 2018-19 2017-18 September 29 & 30, 2018 September 23 & 24, 2017 Benjamin Rous, Conductor Benjamin Rous, Conductor BOWEN Concerto in C minor for Viola WALKER Lyric for StrinGs and Orchestra ADAMS Short Ride in a Fast Machine MUSGRAVE SonG of the Enchanter MOZART Clarinet Concerto in A Major SIBELIUS Symphony No. 2 in D Major BEETHOVEN Symphony No. 7 in A Major November 17 & 18, 2018 October 6, 2017 Damon Gupton, Conductor Michael Slon, Conductor ROSSINI Overture to Semiramide UVA Bicentennial Celebration BARBER Violin Concerto WALKER Lyric for StrinGs TCHAIKOVSKY Symphony No. -
Sunday, December 24, 2019 Christmas
The Riverside Church in the City of New York DECEMBER 24, 2019 CHRISTMAS EVE LESSONS & CAROLS WELCOME TO THE RIVERSIDE CHURCH WORSHIP is at the center of the life of The Riverside Church. As you prepare yourself for Worship, we invite you to reflect quietly on these words: The evergreen singing aloud its poem of constant renewal, The festive mood spreading lilting magic everywhere, The gifts of recollection calling to heart the graces of life, The star in the sky calling to mind the wisdom of hope, The warmth of candlelight glowing against the darkness, The birth of a child linking past to future, The symbol of love absorbing all violence, This is Christmas. – Howard Thurman THE LITURGICAL YEAR: The Riverside Church follows the liturgical calendar to mark the seasons of our life together. We are currently in the season of Christmas, as signified by white altar pieces and clergy stoles, symbolizing joy in the light of day. CARILLON Introit for Christmas Eve Ronald Barnes Cantique de Noël arr. Albert Gerken Noels L. Daquin, arr. J. S. H. Wagenaarn What Child is This? arr. A. Gerken Silent Night arr. Theophil Rusterholz The Huron Carol arr. Milford Myhre Jesus, Rest Your Head arr. Charles Ward Come, All Ye Shepherds arr. Ronald Barnes O Come All You Faithful arr. Ronald Barnes Charles Semowich, carillonneur HANDBELLS Seven Traditional Carol O Come, O Come, Emmanuel arr. John Klein The Riverside Ringers Daniel Potter, director HARP Selected Carol Arrangements Carlos Salzedo Jennifer Hoult, harp PROCESSIONAL HYMN O Come All Ye Faithful Adeste Fideles O come, all ye faithful, See how the shepherds, joyful and triumphant, summoned to his cradle, O come ye, O come ye to Bethlehem; Leaving their flocks, Come, and behold him, born the draw nigh to gaze; King of angels; We too will thither bend our Chorus: joyful footsteps; O come, let us adore him, Chorus O come, let us adore him, Yea, Lord, we greet thee, O come, let us adore him, born on Christmas morning; Christ, the Lord. -
January 8, 2012 First Sunday After Epiphany Baptism of the Lord 10:45 A.M
January 8, 2012 First Sunday after Epiphany Baptism of the Lord 10:45 a.m. Please enter the sanctuary and prepare for worship in silence. In the beginning when God created the heavens and the earth, the earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the waters. (Genesis 1:1-2) The voice of the LORD is over the waters; the God of glory thunders, the LORD, over mighty waters. (Psalm 29:3) And just as he was coming up out of the water, he saw the heavens torn apart And the Spirit descending like a dove on him. (Mark 1:10) On hearing this, they were baptized in the name of the Lord Jesus. When Paul had laid his hands on them, the Holy Spirit came upon them… (Acts 19:6-7) GATHERING Prelude Please sign the attendance pad at the end of the pew and pass it down the row. Welcome *Choral Introit “I Sing the Mighty Power of God” (hymn 58, v.2) ELLACOMBE *Call to Worship: Hebrew Scripture, Genesis 1:1-5 In the beginning when God created the heavens and the earth, The earth was a formless void and darkness covered the face of the deep, while a wind swept over the face of the waters. Then God said, “Let there be light”; And there was light. And God saw that the light was good; and God separated the light from the darkness. God called the light Day, and the darkness he called Night. -
A Rose There Is A-Springing “Es Ist Ein Ros’ Entsprungen”
A Festival of Nine Lessons & Carols for Christmas Presented by: The Grand Rapids Choir of Men & Boys Director of Music – Scott Bosscher Organ Scholar – Dr. Kenneth Bos Partner Churches & Appearance Dates All Saints Episcopal Church, Saugatuck St. Paul’s Episcopal Church, Muskegon 252 Grand Street – Saugatuck, MI 1006 Third Street – Muskegon, MI Sunday, December 5, 2010 - 7 PM Sunday, December 12, 2010 - 7 PM First Congregational Church, Fremont Cathedral Church of St. Andrew, Grand Rapids 714 Hillcrest Avenue – Fremont, MI 301 Sheldon Avenue – Grand Rapids, MI Saturday, December 11, 2010 – 7 PM Friday December 17, 2010 – 7 PM & Saturday, December 18, 2010 – 7 PM Mm The Service Shall Begin Here ~ Prelude ~ Preludes on “Es ist ein’ Ros entsprungen” Austin Lovelace (b. 1919) Gerald Near (b. 1942) John Leavitt (b. 1956) ~ Bidding Carol ~ The Truth From Above English Text 1847 (from A Good Christmas Box) Traditional English (Solo Treble) This is the truth sent from above, The truth of God, the God of Love: Therefore don’t turn me from your door, But hearken all, both rich and poor. ~ Introit ~ A Rose There Is A-Springing “Es ist ein Ros’ entsprungen” English text by Donald Cashmore Michael Praetorius (1571-1621) Arranged: Donald Cashmore (1926-1968) A rose there is a-springing from tender roots on earth; As ancient men were singing, from Jesse came its birth. And now this little flow’r appears in coldest winter, At this, the midnight hour. This Rose, the stem of Jesse, by prophets once foretold; Mary alone has brought us the child promised of old. -
A Festival of Nine Lessons and Carols
A Festival of Nine Lessons and Carols December 2020 St. John Neumann Catholic Church 9000 Warfield Road Gaithersburg, Maryland PRELUDE: O Come, O Come, Emmanuel arr. Brian Childers PROCESSIONAL HYMN: Once in Royal David’s City IRBY Once in royal David's city And through all His wondrous childhood Stood a lowly cattle shed, He would honor and obey, Where a mother laid her Baby Love and watch the lowly maiden, In a manger for His bed: In whose gentle arms He lay: Mary was that mother mild, Christian children all should be Jesus Christ her little Child. Kind, obedient, good as He. He came down to earth from heaven, For he is our childhood's pattern; Who is God and Lord of all, Day by day, like us He grew; And His shelter was a stable, He was little, weak and helpless, And His cradle was a stall; Tears and smiles like us He knew; With the poor, and mean, and lowly, And He feels for all our sadness, Lived on earth our Savior holy. And He shares in all our gladness. And our eyes at last shall see Him, Through His own redeeming love; For that Child so dear and gentle Is our Lord in heaven above, And He leads His children on To the place where He is gone. OPENING PRAYER Priest: In the Name of the Father a and of the Son and of the Holy Spirit. All: Amen. Priest: The grace and peace of God our Father and the Lord Jesus Christ be with you all. -
1 Music Before the Service: Suite from Henry V Sir William Walton (1902
Music before the service: Suite from Henry V Sir William Walton (1902-83) Adagio in E Frank Bridge (1879-1941) Toccata, Adagio and Fugue in C J S Bach (1685-1750) Excerpt from Suite No. 3 in G from Water Music G F Handel (1685-1759) Excerpt from Suite No. 1 in F from Water Music G F Handel (1685-1759) Romance in E Flat Major for String Orchestra Gerald Finzi (1901-56) Farewell to Stromness Sir Peter Maxwell Davies (b. 1934) Serenade for Strings Sir Edward Elgar (1857-1934) Last Spring from Two Elegiac Melodies Edvard Grieg (1843-1907) Adagio from Oboe Concerto No. 2 in D Minor Tomaso Albinoni (1671-c1751) The music for the service is performed by: Members of the Philharmonia Orchestra, Conductor, Christopher Warren-Green The Choir of St George’s Chapel, Director of Music,Timothy Byram-Wigfield Organist, Roger Judd Soloist, Ekaterina Semenchuk of the Marinsky Theatre The musical arrangements are by Rosemary Furniss and Julian Milone 1 All stand as Members of the Royal Family, having been received at the Galilee Porch by the Canons of Windsor, are conducted to their places in the Quire. All stand as Her Majesty The Queen and His Royal Highness The Duke of Edinburgh are conducted by way of the North Quire Aisle and the Organ Screen to their places in the Quire by the Dean of Windsor. All stand as Their Royal Highnesses The Prince of Wales and The Duchess of Cornwall are conducted to the Quire by way of the North Quire Aisle and the Organ Screen by the Dean of Windsor. -
Program Dec 2019.Pdf
In memoriam: Lauren Scott We are extremely sad to note the passing of Lauren Scott, long-time chorus manager, stalwart member of the alto section, loyal tour-goer, expressive cabaret performer, and hard-working board member. Lauren passed away in late May 2019, only a few days after attending our concert. She was a great friend to many of us, and we’ll miss her warmth, graciousness, and good humor. Our condolences are extended to Ed Schultz, who has been a dear and indefatigable friend to New Amsterdam Singers. New Amsterdam Singers Clara Longstreth, Music Director David Recca, Assistant Conductor Nathaniel Granor, Assistant Chamber Chorus Conductor Only in Sleep Ēriks Ešenvalds (b. 1977) Lauren Goff, soprano Benedicamus Urmas Sisask (b.1960) Nathaniel Granor, conductor Ave Maria Per Gunnar Petersson (b. 1954) Dana Crowell (12/13), Michelle Neary (12/14), sopranos Adam lay Ybounden Colin Mawby (b. 1936) Chamber Chorus Peace Upon You, Jerusalem Arvo Pärt (b. 1935) David Recca (12/13), Conductor O Gloriosa György Orbán (b. 1947) Women’s Voices Four Carols Halsey Stevens (1908-1989) All This Night Shrill Chanticleer What Sweeter Music David Recca (12/13), Conductor As I Out Rode This Enderes Night A Virgin Most Pure Men’s Voices INTERMISSION Mass for Double Chorus Frank Martin (1890-1974) Kyrie Gloria Credo Sanctus Agnus Dei Full Chorus Please turn off all phones and other devices during the performance. The use of cameras (including smart phones) and recording devices during the performance is prohibited. PROGRAM NOTES, TEXTS, AND TRANSLATIONS Today’s program begins with short works for a cappella chorus from Latvia, Estonia, Hungary, England, Sweden, and the United States.