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2 Uri Caine IN TRINCEA Cari amici, gennaio da Carlo Tenan, con le originali rielabo- razioni sulle Variazioni su un tema di Haendel di comincia un nuovo anno di musica in compa- Brahms con Uri Caine al pianoforte. gnia di Rete Toscana Classica. Tira una brutta Riproponiamo inoltre il ritratto biografico e aria per la cultura, ma vogliamo essere tenace- artistico di Giovanni Battista Lulli realizzato a mente ottimisti e sperare che qualcosa cambi in suo tempo da Sebastiano Bon, un’occasione per meglio per non disperdere il patrimonio più riaccendere l’attenzione su uno dei più importan- grande di questa Nazione, il fondamento della ti compositori toscani di tutti i tempi, creatore nostra civiltà. La musica è parte integrante di dell’opera francese. questo patrimonio e, da parte nostra, faremo di tutto per continuare a essere al vostro fianco e Insieme a tutti i collaboratori di Rete Toscana continuare il nostro servizio. Classica vi auguro un gioioso 2011 ringrazian- Il 6 gennaio trasmetteremo in differita (con dovi per la vostra fedeltà e per il vostro soste- replica il 30 gennaio) il tradizionale «Concerto gno. per l’Europa» organizzato a Capodanno dalla Scuola di Musica di Fiesole e diretto da Nicola Difendiamo insieme la musica e la cultura. Paszkowski. La programmazione del mese pre- Noi non abbasseremo la guardia. vede inoltre due dirette radiofoniche dal Teatro Verdi di Firenze con l’Orchestra della Toscana guidata il 12 gennaio da Thomas Dausgaard Alberto Batisti (con Alessandro Carbonare al clarinetto) e il 21 Direttore artistico 3 4 5 Rete Toscana Classica ringrazia gli abbonati sostenitori: ISTITUTO UNIVERSITARIO EUROPEO VINCENZO LEGNANTE MARIA AMOROSO MAURO LIPPARINI VINCENZO ANCONA BETTINO LOPES PEGNA ARTISTICA NICOLA LOPRIENO VALERIO ASCANI ANTONIO GINO LUCCHESI ASSOCIAZIONE CONTEMPOARTENSEMBLE SERENA MAGLIUCCI ATLAS SRL VEZIO MAGNELLI GIACOMO ATTOLICO PIER ANDREA MANDÒ MASSIMO BARONE GIANMARCO MANFRIDA BRUNO BARSELLA MURIEL MARKER GOULD ROSSELLA BARSOTTI CLELIA MARMUGI ANNA E LUIGI BARTOLETTI RUTH MCVEY BRUNO E ROSANNA BARTOLETTI CARLO MEGHINI CHIARA BARTOLETTI SILVIO MENCHETTI MARIA BARTOLETTI POGGI ANGELO MERLINO SILVIO E NICOLINE BASILE PIERO MOCALI PIERA BERNI ROMANO MOSCANI SERGIO BERNINI MIKLOS BOSKOVITS GIAMPAOLO MUNTONI CARLO BOSSI FEDERICO NANNICINI COSIMO BRACCI TORSI FRANCESCO NANNICINI GIOVANNI BRONZINI ED ELISABETTA MATERI FIAMMA NICOLODI ANTONIO CAMINATI MASSIMO NOCCHI GUSTAVO CAMMUSO ELENA PECCI GIANMARCO E ALESSANDRA CAPPUCCIO VALENTINO PELLEGRINI SILVANA CARRADORI BIANCHI ENZIDA PIAZZA FRANCESCO CECCHIN GIULIANO PINI CENTRO STUDI MUSICALI “FERRUCCIO BUSONI” LEONARDO E TAMARA PINZAUTI ANDREA E MARIA PIA CIACCI PAOLO PIQUÈ MARIA GIUSEPPINA COLOMBANI STIANTI MARIA POLLERA ORSUCCI ALVARO COMPANY MARIO E ANGELA PRIMICERIO RICCARDO E GIULIANA CORTI LUCIANA RASTRELLI EMILIO CRISTIANI LUCIA RENIERI MARY DA PREDA BROOK LUISA RIZZARDINI VERENA DE BOER CRISTIANO ROCCHI FRANCESCO DE ROBERTIS MARIA ROMANO GIACOMO DE SABATA GABRIELLA ROUSSEAU MARY E PIERO DOLARA MARINA SABLICH E GIAMPIERO GABELLI MELANIA DONATO PAOLO GIOVACCHINO SANESI GEORGE D’ALMEIDA BETTY SCHLERMAN ALESSANDRO DEGL’INNOCENTI NICOLÒ SEGHI RECLI JEAN DI MARINO in memoria di ALFRED DI MARINO MARIA ASSUNTA SESTINI E.F.M. KOK JEFFREY SMART FABRIZIO FERRI SERGIO E VIERI STOPPIONI FRANCESCA FORMICHI REMY DE TURICQUE STUDIO S.O.M.E. RICHARD FRANCE SERGIO TONELLI GIANEMILIO FRANCHINI MARESA TROUVÈ CARLA FRATI ANTONINO FUCILE MARIA CRISTINA URBANO ALGIMIRO E ELISABETH FUSARO MARIA CRISTINA VALENTINI ENRICO GALGANO GIANANDREA VENCHI GIOVANNI GASPARRI MARIA LUISA VENIER GROTTANELLI SERGIO GAVILLI EMILIO VENTURI FRANCESCO GIAMMANCO GIORGIO VENTURI LIONARDO GINORI LISCI SILVIA VENTURI FILIPPO GODI LUIGI VERONESI LAURA GRAGNANI FRANCO ZUCCHERMAGLIO MICHAEL R.A. GREGORKIEWITZ GAETANO ZUCCONI UGO GUARDUCCI GIOVANNI HYERACI ... e tutti gli abbonati al bollettino. 6 PROGRAMMA DEL MESE SABATO 1 GENNAIO Johann Christian Bach 1735-1782 Ouverture in re maggiore «La calamità» (4’38”). Orchestra da ■ ore 7.02-7.49 camera olandese, direttore David Zinman. Cd Philips KARAJAN DIRIGE OFFENBACH Jacques Offenbach 1819-1880 Il primo gennaio 1879 aveva luogo a Lipsia la prima esecuzio- Orfeo all’inferno, Ouverture (9’38”). Berliner Philharmoniker, ne del Concerto per violino in re maggiore op. 77 di Johannes direttore Herbert von Karajan. Cd DGG Brahms. Ne fu primo interprete il dedicatario Joseph Joachim, Jacques Offenbach 1819-1880 autore anche della cadenza. Dirigeva lo stesso Brahms. Barbablù, Ouverture (5’54”). Berliner Philharmoniker, direttore Johannes Brahms 1833-1897 Herbert von Karajan. Cd DGG Concerto per violino e orchestra in re maggiore op. 77 (34’41”). Jacques Offenbach 1819-1880 Jascha Heifetz, violino – Chicago Symphony Orchestra, diretto- La Granduchessa di Gerolstein, Ouverture (7’03”). Berliner re Fritz Reiner. Cd BMG Philharmoniker, direttore Herbert von Karajan. CD DGG Jacques Offenbach 1819-1880 Il primo gennaio di trentanove anni fa, moriva a Parigi il can- La Belle Hélène, Ouverture (9’16”). Berliner Philharmoniker, tante e attore Maurice Chevalier. Era nato a Parigi nel 1888, e direttore Herbert von Karajan. Cd DGG aveva inziato a esibirsi nel 1901 come cantante di caffè concer- Jacques Offenbach 1819-1880 to. Il genere che lo rese celebre fu comunque il Music-Hall, in Vert-Vert, Ouverture (8’37”). Berliner Philharmoniker, direttore cui eccelleva per l’eleganza della figura e la sottile ironia delle Herbert von Karajan. Cd DGG sue apparizioni, caratterizzate dall’immancabile paglietta. Fu Jacques Offenbach 1819-1880 presente in numerosissimi spettacoli di rivista e fu sovente al I racconti di Hoffmann, Barcarola (3’31”). Berliner fianco della grande Mistinguett. Nel 1929 esordiva negli Stati Philharmoniker, direttore Herbert von Karajan. Cd DGG Uniti, conquistando così una celebrità internazionale che lo ■ ore 7.50 - 8.47 porterà nel 1929 a debuttare nel cinema, dove recitò in film LE CANTATE DI BACH PER IL CAPODANNO I parte importanti di Lubitsch, quali Il principe consorte e soprattutto Johann Sebastian Bach 1685-1750 La vedova allegra. Nel 1947 interpretò Il silenzio è d’oro di René «Lobe den Herrn, meine Seele», Cantata BWV 143, per la festa Clair, capolavoro del cinema francese. Indimenticabile inoltre della Circoncisione (11’36’’). Jörg Dürmüller tenore, Klaus la sua apparizione in Gigi di Vincent Minnelli al fianco di Leslie Mertens basso, The Amsterdam Baroque Orchestra and Choir, Caron. direttore Ton Koopman. Cd Challenge Classics Maurice Chevalier 1888-1972 Johann Sebastian Bach 1685-1750 Ma pomme (2’56”). Maurice Chevalier, canto – Cd Old Fashion «Singet dem Herrn ein neues Lied», Cantata BWV 190 per la Maurice Chevalier 1888-1972 festa della Circoncisione, ricostruzione di Masaaki Suzuki Valentine (2’30”). Maurice Chevalier, canto – Cd Old Fashion (18’06’’). Robin Blaze, controtenore, James Gilchrist tenore, Willemetz – Oberfeld Peter Kooj basso – Bach Collegium Japan, direttore Masaaki Paris sera toujuours Paris (3’16”). Maurice Chevalier, canto – Suzuki. Cd BIS Cd Old Fashion Johann Sebastian Bach 1685-1750 ■ ore 10.30 - 10.40 «Jesu, nun sei gepreiset», Cantata BWV 41, per il Capodanno Carl Maria von Weber 1786-1826 ((25’ 19’’). Sibylla Rubens soprano, Annette Markert contralto, Invito alla danza op. 65 (9’43”). Bart van Oort, fortepiano. Cd Christoph Prégardien tenore, Klaus Mertens basso, The Quintone Amsterdam Baroque Orchestra and Choir, direttore Ton ■ ore 10.40 - 11.03 Koopman. Cd Challenge Classics L’ORATORIO DI NATALE IV giornata ■ ore 8.48 - 8.59 Johann Sebastian Bach 1685 - 1759 Giuseppe Verdi 1813-1901 «Fallt mit Danken», Cantata per il giorno di Capodanno, quar- da Aida: «Gloria all’Egitto» (7’19”). Coro e Orchestra del Teatro ta parte dell’Oratorio di Natale BWV 248 (22’29’’). Lynda alla Scala, direttore Claudio Abbado. Cd DGG Russell, soprano - Libby Crabtree, soprano in eco - Mark ■ ore 9.00 - 10.29 Padmore, tenore - Michael George, basso -The Sixteen, ALMANACCO Orchestra di The Sixteen, direttore Harry Christophers. Cd Il primo gennaio del 1782 moriva a Londra Johann Christian Collins Bach, penultimogenito di Johann Sebastian, maestro di Mozart ■ ore 11.04 - 11.18 e principale musicista del cosiddetto «stile galante». Era nato a Felix Mendelssohn-Bartholdy 1809-1847 Lipsia il cinque settembre 1735 e si era formato alla scuola del Sei Lieder op. 88 per coro a cappella (13’20”). Sächsisches padre e del cognato. Alla morte di Johann Sebastian, nel 1750, Vokalensemble, direttore Matthias Jung. Cd Tacet seguì il fratello Carl Philipp a Berlino alla corte prussiana di ■ ore 11.19 - 11.32 Federico II. Nel 1754 venne in Italia, si fece cattolico e divenne Frédéric Chopin 1810-1849 organista del Duomo di Milano. La ragione del suo spostamen- Tre Valzer op. 34 (12’39”). Adam Harasiewicz pianoforte. Cd to in Italia era tuttavia legata alla volontà di diventare un ope- Decca rista, cosa che accadde nel 1761 col suo debutto nel melodram- ■ ore 11.32 - 11.42 ma con l’Artaserse. Dal 1762 si trasferì a Londra, dove era stato Richard Strauss 1864-1949 invitato a scrivere opere. Qui divenne musicista da camera della Suite di Valzer dal primo e secondo atto del Cavaliere della rosa regina Carlotta e aprì insieme a Karl Friedrich Abel una (9’21”). Orchestra di Stato Bavarese, direttore Joseph Keilberth. Società di Concerti per sottoscrizione, per la quale scrisse le sue Cd Teldec numerose sinfonie e i suoi concerti per clavicembalo. Mozart gli ■ ore 11.43 - 11.56 fu allievo per quattro mesi durante il suo soggiorno londinese, AUGURI DI CAPODANNO quando aveva otto anni. Gioachino Rossini 1792 - 1868 Johann Christian Bach 1735 – 1782 Toast pour le nouvel an (2’23”) Coro della Radio di Stoccarda, Concerto in re maggiore op. 13 n. 2 per fortepiano e orchestra direttore Rupert Huber. Cd Carus (19’08”). Ingrid Haebler, fortepiano – Capella Academica di Felix Mendelssohn-Bartholdy 1809-1847 Vienna, direttore Eduard Melkus. Cd Philips «Herr Gott, du bist unsere Zuflucht» op. 79 n. 3, Canto per il Johann Christian Bach 1735-1782 Capodanno a otto voci miste (2’57”). Chamber Choir of Europe, Sinfonia in re maggiore op. 18 n. 3 (12’03”). Orchestra da came- direttore Nicol Matt. Cd Brilliant ra olandese, direttore David Zinman.
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    PLAYS SCHUMANN 3 18–21 AUGUST 2017 CONCERT PROGRAM ON SALE NOW! SEASON 2018 GREAT PASSIONS Featuring Anne-Sophie Mutter | Maxim Vengerov Thomas Hampson | Eva-Maria Westbroek mso.com.au Image Michelle Wood, cello Anne-Sophie Mutter supported by Mr Marc Besen AC and Mrs Eva Besen AO Melbourne Symphony Orchestra Johannes Fritzsch conductor Li-Wei Qin cello Dvořák Cello Concerto INTERVAL Trojahn Cinque sogni per Eusebius Schumann Symphony No.3 Rhenish Running time: 2 hours, In consideration of your fellow patrons, including 20-minute interval the MSO thanks you for dimming the lighting on your mobile phone. Please note, Saturday’s pre-concert talk by MSO violinist, Monica Curro The MSO acknowledge the Traditional will be recorded for podcast by Owners of the land on which we are 3MBS Fine Music Melbourne. performing. We pay our respects to their Elders, past and present, and the Elders from other communities who may be in attendance. mso.com.au (03) 9929 9600 3 MELBOURNE SYMPHONY ORCHESTRA Established in 1906, the Melbourne Symphony Orchestra (MSO) is an arts leader and Australia’s oldest professional orchestra. Chief Conductor Sir Andrew Davis has been at the helm of MSO since 2013. Engaging more than 2.5 million people each year, and as a truly global LI-WEI QIN orchestra, the MSO collaborates with CELLO guest artists and arts organisations from across the world. An exclusive Universal Music China Artist, Li-Wei Qin has appeared all over the world as a soloist and chamber musician. After being awarded the Silver Medal at the 11th Tchaikovsky International Competition, Li-Wei won the First Prize in the prestigious 2001 Naumburg Competition in New York.
  • Concerts Conducted by Carl Schuricht Including Music of Anton Bruckner (1912-1965) Original Source

    Concerts Conducted by Carl Schuricht Including Music of Anton Bruckner (1912-1965) Original Source

    Concerts conducted by Carl Schuricht including music of Anton Bruckner (1912-1965) Original source : http://carlschuricht.com/concert.htm Important Dates 3 July 1880 : Carl Adolph Schuricht was born at Danzig (Gdansk) into a family of organ-builders. His father, Carl Conrad Schuricht was born on 27 January 1856. He was an organ-builder and worked at his father's factory. He died on 9 June 1880 (3 weeks before his son was born !) when he tried to help an employee fallen into the sea, in the bay of Danzig. His mother, Amanda Ludowika Alwine Wusinowska was a well-known Polish Oratorio singer (1847-1935) . She didn't re-marry after her husband's death. 1886 : Began piano and violin lessons at the age of 6. Studied at the « Friedrichs Realgymnasium » in Berlin. 1891 : Began to compose at the age of 11. 1892 : Studied at the « Königliches Realgymnasium » in Wiesbaden. Written the music and the librettos for 2 Operas. 1895 : Started conducting at the age of 15. 1901-1902 : 1st professional job as « Korrepetitor » at the « Stadttheater » of Mainz. 1902 : Won a composition prize from the Kuszynski Foundation, and awarded a scholarship by Franz von Mendelssohn. Allowed him to continue his studies at the « Berliner Musikhochschule » (« der Königlichten Hochschule für Musik ») under Ernst Rudorff, piano ; Heinrich van Eyken (and not Engelbert Humperdink) , composition ; and, later, Max Reger in Leipzig. His musical compositions were published mostly by Drei-Lilien-Verlag, Berlin. Opus 1 : Piano Sonata in F minor. Opus 2 : « Herbst-Stücke » (Opuscules for autumn) for piano and orchestra. Opus 3 : « Fünf Lieder » (5 Songs) .
  • BASSOON CONCERTOS Mozart | Winter Hummel | Rossini

    BASSOON CONCERTOS Mozart | Winter Hummel | Rossini

    BASSOON CONCERTOS Mozart | Winter Hummel | Rossini Jaakko Luoma Tapiola Sinfonietta Janne Nisonen Johann Nepomuk Hummel Wolfgang Amadeus Mozart Gioachino Rossini Peter Winter 2 Bassoon Concertos Johann Nepomuk Hummel (1778–1837): Bassoon Concerto in F major, WoO 23 22:55 1 I. Allegro moderato 10:42 2 II. Romanza: Andante e cantabile 5:03 3 III. Rondo – Vivace 7:10 Wolfgang Amadeus Mozart (1756–1791): Bassoon Concerto in B-flat major, K191 16:09 4 I. Allegro 6:17 5 II. Andante ma adagio 5:33 6 III. Rondo: Tempo di menuetto 4:19 Peter von Winter (1754–1825): 7 Bassoon Concertino in C minor 12:46 Gioacchino Rossini (1792–1868): Bassoon Concerto 16:56 8 I. Allegro 7:30 9 II. Largo 4:28 10 III. Rondo 4:58 JAAKKO LUOMA, bassoon TAPIOLA SINFONIETTA JANNE NISONEN, concertmaster 3 Bassoon Concertos As an instrument, the bassoon has had a remarkable history. Beginning with its Renaissance ancestry as the dulcian, it developed during the Baroque period into an almost indispensable part of the ensemble. By 1700, it had achieved a permanent place in the continuo group, used as the bass foundation for trio sonatas and other larger works whenever the upper voices consisted of oboes. The double-reeds matched each other in pitch and timbre, and as time wore on further modifications in terms of bore and the addition of keys made it versatile enough to emerge from the shadow of the continuo group. The tone of the instrument by 1750 was smooth and mellow with a softer upper register, a solid middle, and a sonorous bass, with the capability by this date of descending down to a low B-flat.