DOCSLIB.ORG

Introduction.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Introduction.Pdf (PSW\'LVSOD\ ■ DISPLAY STAND By using "Black" as tradition, in combination with "Yellow and Purple" as innovation, we present that Kuretake is a general manufacturer of Fude Pens, pens, and painting materials which provides a new life style to YB474-2 Empty Display Stand For ZIG Markers customers by developing drawing, writing, and painting products. The shapes like circles, squares, and triangles express a pleasure in the creation of unique items such as ・The set of empty display stand and crafts and handmade arts, which is Kuretake's future aim. <Example> empty header card holder. ・Markers are NOT included. ・Insert header card is NOT attached. Al usar el "negro" como símbolo de la tradición, en combinación con el "amarillo y el púrpura" en señal de ・If you need, please let us know when you innovación, ponemos de manifiesto que Kuretake es un fabricante general de Fude Pens, bolígrafos y place an order. materiales de pintura que enriquecen el estilo de vida de los clientes al ofrecerles nuevos productos de dibujo, SIZE DP stand：W87×D130×H272mm escritura y pintura. W3.43×D5.12×H10.71in Las formas de círculos, cuadrados y triángulos empleadas expresan el placer generado en la creación de Header card holder：W86×D20×H70mm W3.39×D0.79×H2.56in artículos únicos de artesanía y manualidades, que es la meta de Kuretake de cara al futuro. YB474-2 Packing Unit Inner Outer 1 set 1 set 4 sets ■ Paper Display "ZIG" is a trademark registered by Kuretake Co., Ltd. YB700 Empty Paper Display For ZIG Markers YB608 Paper Display Stand For Booklets All "ZIG products" are made in Japan. "ZIG products" are sold in more than 80 countries around the world. "ZIG" es una marca comercial registrada por Kuretake Co., Ltd. Todos los "productos ZIG" están hechos en Japón. Los "productos ZIG" se comercializan en más de 80 países por todo el mundo. Remark : Paper display itself Remark : Paper display itself does not include does not include any markers. any booklets. SIZE： W342×D195×H204mm SIZE： W160×D135×H210mm W13.46×D7.68×H8.03in W6.30×D5.31×H8.27in YB700 Packing YB608 Packing SAFETYSAFETY MARKSMARKS / S SÍMBOLOSÍMBOLOS DEDE S SEGURIDADEGURIDAD Unit Inner Outer Unit Inner Outer 1 pc. 10 pcs. 100 pcs. 1 pc. 10 pcs. 100 pcs. AP SEAL This means that products bearing the AP (Approved Product) seal are certified in a program of toxicological ■ DESKTOP STAND ■ COLLECTION BOX evaluation by a medical expert, to contain no materials in sufficient quantities to be toxic or injurious to humans or to cause acute or chronic health problems. The program is reviewed by ACMI’s* Toxicological TUT/84VE DESKTOP STAND MS/48VE COLLECTION BOX Advisory Board. These products are certified by ACMI to be labeled in accordance with the chronic hazard for 84 MARKERS (Empty case for twin tip marker) labeling standard, ASTM D-4236 and Federal law P.L. 100-695. In addition, there is no physical hazard as defined within 29 CFR Part 1910.1200(c). *ACMI=The Art and Creative Materials Institute, Inc., U.S.A. Empty Desktop Stand for ZIG ART & GRAPHIC SELLO AP TWIN series 84 pcs. Esto significa que los productos que llevan el sello AP (Producto Aprobado) están certificados dentro de un programa de evaluación toxicológica por un experto médico, certificando que no contienen materiales en SIZE： W190×D215×H205mm SIZE： W177×D77×H180(+Handle45)mm cantidades suficientes para ser tóxicos o perjudiciales para los seres humanos o para causar problemas de W7.48×D8.46×H8.07in W6.97×D3.03×H7.09(+Handle1.77)in TUT/84VE Packing MS/48VE Packing salud agudos o crónicos. El programa es supervisado por la Junta de Asesoramiento sobre Toxicología de Unit Inner Outer Unit Inner Outer ACMI*. Estos productos están certificados por ACMI para que sean etiquetados de acuerdo con la norma sobre 1 pc. 1 pc. 4 pcs. 1 pc. 1 pc. 12 pcs. el etiquetado de peligros crónicos, ASTM D-4236 y la Ley Federal P.L. 100-695. Adicionalmente, no supone un peligro físico según la definición contenida en la normativa 29 CFR Parte 1910.1200(c). *ACMI=The Art and Creative Materials Institute, Inc de los EE.UU. In U.S.A., only available for special order. 89 Special order ships from Japan. Must be ordered in inner box quantities and accepted 90-day lead time until completion. HowHow toto useuse / CómoCómo usarusar Sign ■ POSTERMAN ❶… Product Materials INK TYPE Water-based Pigment, Hi-Opaque, Lightfast, Odourless, Xylene Free Water resistant after drying / Suitable for various surfaces / Erasable from non porous surfaces using APPLICATIONS & FEATURES ZIG POSTERMAN CLEANER (Item NO.PMACL-50) Arts & Crafts Body：PP ／ Cap：PP ／ Clip（PMA-10, PMA-20, PMA-30, PMA-50）：PP ／ Tip（PMA-10）：POM,（PMA-20, PMA- PRODUCT MATERIALS ❷… Item No. 30, PMA-50）：Polyester,（PMA-120）Acrylic fiber,［101, 102： Polyester］,（PMA-130, PMA-150）：Acrylic fiber Sign TIPO DE TINTA Pigmento de base acuosa, Alta Opacidad, Resistente a la luz, Inodoro, Sin xileno Resistente al agua después de seco / Adecuado para varias superficies / Borrable de superficies no porosas ❶ APLICACIONES Y CARACTERISTICAS utilizando ZIG POSTERMAN CLEANER(Articulo NO.PMACL-50) ❸… Description Cuerpo：PP ／ Tapón：PP ／ Prendedor（PMA-10, PMA-20, PMA-30, PMA-50）：PP ／ Punta（PMA-10）：POM,（PMA-20, MATERIALES DEL PRODUCTO PMA-30, PMA-50）：Poliéster,（PMA-120）：Fibra acrílica,［101, 102： Poliéster］,（PMA-130, PMA-150）：Fibra acrílica ❷ ❹… Line Width ❸ Arts & Crafts ❹ ❺… Available Color(s) (The colors represented within this ❺ catalogue are as close as the photographic and printing Memory System processes will allow.) Memory System * Main materials are provided. Please refer to "Material Watercolor System Watercolor term details" for more information. ⒶⒶⒶⒶⒶⒶⒶⒶ Graphic & Cartoonist Color Set Ⓐ ❶… Materiales del producto ❷… Artículo n.º Brush & Nib ❸… Descripción System Watercolor ⒶⒶⒶⒶⒶⒶⒶⒶ Ink ❹… Grosor del trazo Color Set Ⓐ ❺… Colores disponibles (los colores que aparecen en este Fude Pen catálogo son tan fidedignos como lo permiten los procesos de fotografía e impresión.) ⒶⒶⒶⒶⒶⒶⒶⒶ Stationery * Los materiales principales aparecen indicados. Consulte Color Set Ⓐ 6 Hang-tag cutout included on packaging los "Especificación de los nombres de los materiales" Graphic & Cartoonist para más información. MaterialMaterial t termerm detailsdetails / EspecificaciónEspecificación d dee loslos nombresnombres d dee l losos m materialesateriales Brush & Nib Notation/Notación Material term Nombre de los materiales ABS Acrylonitrile-butadiene-styrene plastic Plástico acrilonitrilo butadieno estireno PA Polyamide Poliamida PE Polyethylene Polietileno Ink PET Poly(ethylene terephthalate) Tereftalato de polietileno POM Polyacetal Poliacetal Fude Pen PP Polypropylene Polipropileno PS Polystyrene Poliestireno PUR Polyurethane Poliuretano TPE Thermoplastic elastomer Elastómero termoplástico Stationery 3 ONTENTS ■ POSTERMAN …………………………………… 6,7 ■ CLEAN COLOR f Metallic …………………… 47 ■ POSTERMAN WET-WIPE ……………………… 8 ■ CLEAN COLOR Real Brush …………………… 48,49 C ■ ILLUMIGRAPH …………………………………… 9,10 ■ CLEAN COLOR FB ……………………………… 49 ■ POSTERMAN DRY-WIPE ……………………… 10 ■ FUDEBIYORI ……………………………………… 50 Sign ■ POSTERMAN CLEANER ……………………… 11 ■ FUDEBIYORI METALLIC ……………………… 50 ■ Handy Booklet …………………………………… 11 ■ BRUSH WRITER ………………………………… 51 ■ Display Set ……………………………………… 11,12 ■ BLENDER ………………………………………… 51 ■ Handy Booklet …………………………………… 51 ■ FABRICOLOR TWIN …………………………… 14 ■ KALEIDOLINES ………………………………… 52,53 Watercolor System ■ FABRICOLOR …………………………………… 14 ■ Display Set ……………………………………… 54 ■ LAUNDRY PEN ………………………………… 15 ■ LAUNDRY CLEAR ……………………………… 15 ■ KURECOLOR TWIN WS ……………………… 56,57 ■ CLEAN COLOR DOT …………………………… 16 ■ KURECOLOR REFILL INK …………………… 57 ■ KURETAKE CAMBIO TAMBIEN …………… 16 ■ KURECOLOR OPTION ………………………… 57 ■ EMBOSS …………………………………………… 17 ■ KURECOLOR Fine & Brush for MANGA … 58 ■ ACRYLISTA ……………………………………… 18 ■ BRUSH PEN ……………………………………… 59 ■ VARNISH MARKER …………………………… 19 ■ BRUSH PEN WHITE …………………………… 59 ■ PAINTY FX Xylene Free ……………………… 19 ■ MANGAKA ………………………………………… 60,61 ■ PAINTY FX Ink …………………………………… 20 ■ MANGAKA FLEXIBLE ………………………… 61 ■ CALLIGRAPHY II ………………………………… 20 Graphic & Cartoonist ■ Display Set ……………………………………… 62 Arts & Crafts ■ CALLIGRAPHY PEN …………………………… 21 ■ PHOTO SIGNATURE …………………………… 22 ■ WATERCOLOR SYSTEM BRUSH2O ……… 64 ■ SUITTO CRAFTERS …………………………… 22 ■ SENGAKI BRUSH ……………………………… 65 ■ ERASER PEN FOR SUITTO CRAFTERS … 23 ■ KUMADORI BRUSH …………………………… 65 ■ ARTIST SKETCHING PEN …………………… 23 ■ KURETAKE "WAHITSU" ……………………… 65 ■ Display Set ……………………………………… 24 ■ MENSO BRUSH ………………………………… 66 ■ Empty Display …………………………………… 24 ■ Pen Nib for MANGA …………………………… 67 ■ Pen Nib Holder for MANGA ………………… 67 Brush & Nib ■ MILLENNIUM …………………………………… 26,27 ■ PALETTE ………………………………………… 68 ■ WINK OF STELLA ……………………………… 27 ■ Display Set ……………………………………… 68 ■ WINK OF STELLA BRUSH …………………… 28 ■ WINK OF LUNA BRUSH ……………………… 28 ■ SUMI INK ………………………………………… 70 ■ CALLIGRAPHY II ………………………………… 29 ■ BLACK INK ……………………………………… 70 ■ BLENDER CALLIGRAPHY …………………… 29 ■ WHITE INK ………………………………………… 71 ■ CALLIGRAPHY …………………………………… 30 Ink ■ SHUEKI (VERMILLION INK) ………………… 71 ■ CALLIGRAPHY Chalk Pastel Colours …… 31 ■ GOLD MICA PASTE …………………………… 72 ■ CALLIGRAPHY Metallic Colours …………… 31 ■ GOLD MICA / SILVER MICA ………………… 72 ■ JOURNAL & TITLE ……………………………… 32 ■ SCROLL & BRUSH ……………………………… 32 ■ BIMOJI FUDE PEN ……………………………… 74 ■ WRITER …………………………………………… 33 ■ KURETAKE BIMOJI“CAMBIO” ……………… 75 ■ WRITER Metallic Colours …………………… 33 ■ FUDEGOKOCHI ………………………………… 76 Memory System ■ BRUSHABLES …………………………………… 34 ■ KURETAKE FUDE PEN series …… 76,77,78,79 ■ COLLECTION BOX(Empty case for twin tip marker) …… 34 ■ MANNEN MOUHITSU
Load more

Recommended publications
  • Visual Arts Program: a Parent's Guide to the Curriculum
    Visual Arts Program: A Parent’s Guide to the Curriculum Curriculum Aligned to NJCCCS (Revised August 2015) District Mission The South Brunswick School District will prepare students to be lifelong learners, critical thinkers, effective communicators and wise decision makers. This will be accomplished through the use of the New Jersey Core Curriculum Content Standards (NJCCCS) and/or the Common Core State Standards (CCSS) at all grade levels. The schools will maintain an environment that promotes intellectual challenge, creativity, social and emotional growth and the healthy physical development of each student. ~Adopted 8.22.11 Board Approval of Visual Arts Curriculum August 2016 This curriculum is approved for all regular education programs as specified and for adoption or adaptation by all programs including those for Special Education, English Language Learners, At-Risk Students and Gifted and Talented Students in accordance with Board of Education Policy Note to Parents The curriculum guide you are about to enter is just that, a guide. Teachers use this document to steer their instruction and to ensure continuity between classes and across levels. It provides guidance to the teachers on what students need to know and able to do with regard to the learning of visual arts. The curriculum is intentionally written with some “spaces” in it so that teachers can add their own ideas and activities so that the world language classroom is personalized to the students. If you have any questions regarding the program, please contact Ms. Laskin, Visual Arts Supervisor, at [email protected] How to Read the Curriculum Document Curriculum Area of content (e.g.
    [Show full text]
  • Some Products in This Line Do Not Bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal
    # Some products in this line do not bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal Adhesives, Glue Newell Brands Elmer's Extra Strength School AP Glue Stick Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Gold Liner AP Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Silver Liner AP Adhesives, Glue New Port Sales, Inc. All Gloo CL Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Sparkler AP Adhesives, Glue Newell Brands Elmer's Xtreme School Glue AP Adhesives, Glue Newell Brands Elmer's Craftbond All-Temp Hot AP Glue Sticks Adhesives, Glue Daler-Rowney Limited Rowney Rabbit Skin AP Adhesives, Glue Kuretake Co., Ltd. ZIG Decoupage Glue AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2 Way Glue AP Squeeze & Roll Adhesives, Glue Kuretake Co., Ltd. Kuretake Oyatto-Nori AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Chisel Tip Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Jumbo Tip Adhesives, Glue EK Success Martha Stewart Crafts Fine-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts Wide-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts AP Ballpoint-Tip Glue Pen Adhesives, Glue STAMPIN' UP Stampin' Up 2 Way Glue AP Adhesives, Glue Creative Memories Creative Memories Precision AP Point Adhesive Adhesives, Glue Rich Art Color Co., Inc. Rich Art Washable Bits & Pieces AP Glitter Glue Adhesives, Glue Speedball Art Products Co. Best-Test One-Coat Cement CL Adhesives, Glue Speedball Art Products Co. Best-Test Rubber Cement CL Adhesives, Glue Speedball Art Products Co.
    [Show full text]
  • Lot 1 Kurdish Rug Having Central Medallion on Deep Blue and Rust
    Lawrences Auctioneers Ltd - ANTIQUES AND COLLECTIBLES - Starts 23 Jul 2019 Lot 1 Kurdish rug having central medallion on deep blue and rust ground with multiple borders, 5ft x 3ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 2 Indo Persian style carpet of all-over floral design with multiple borders on a beige ground, 9ft 10ins x 13ft 6ins Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 3 Indo Persian silk rug having central gol with all-over floral design on a wine ground with multiple borders, 31ins x 49ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 4 Indo Persian silk rug, the central panel of figures having all-over floral design on a black ground with multiple borders, 30ins x 50ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 5 Indo Persian silk rug having central medallion with all-over floral design on a beige ground having multiple borders, 37ins x 60ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 6 Small rug having four central gols with multiple borders on a wine ground, 3ft x 1.5ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding
    [Show full text]
  • Intuition. Memory Directed Towards the Future
    Intuition. Memory directed towards the future. Vita artist Axel Neumann Axel Neumann is painter and film actor. Since more than 25 years he pursues both professions equally. He never wanted to imitate but rather to innovate. He is convinced that an artist may only produce of him or herself. And he paints because he is driven. The artist accepts his calling unconditionally. “I am nothing, my mission is everything.” Obsession or inspiration? Such a determinism may seem quite strange in the modern context of free will, but stems from the realisation of his artistic key moment. This took place in 1992. The artist let himself be locked up in his completely darkened flat for 21 days. He was ready to risk the ride on the blade. This retreat into dark silence turned into a slow immersion into himself. After a few days, his awareness of his own mental space changed. He lost his sense of time and at once he began to see previously unseen motifs in himself. The amount and diversity of these motifs was enormous. They were intricately interwoven worlds and subtle colour gradients of almost tactile softness. In the first moment the experience was alarming but he knew intuitively that he had to save as many motifs as possible in his mind. He learnt only years later that he had performed an enkoimesis (lat. incubation), a temple sleep. This is an exercise, richly documented in ancient Greek culture, which is designed to provide healing effects in phases of illness and transformation. It usually was done under the guidance of priests and was closely related to the initiation rites of mystery cults.
    [Show full text]
  • Copyright Statement This Copy of the Thesis Has Been Supplied On
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2017 Dutch Artists in England: Examining the Cultural Interchange between England and the Netherlands in 'Low' Art in the Seventeenth Century. Ruddock, Joanna Mavis http://hdl.handle.net/10026.1/8632 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. 1 Dutch Artists in England: Examining the Cultural Interchange between England and the Netherlands in ‘Low’ Art in the Seventeenth Century. by Joanna Mavis Ruddock A thesis submitted to Plymouth University in partial fulfillment for the degree of ResM Art History Arts and Humanities Doctoral Training Centre April 2016 2 Contents I. Abstract 4 II. List of Illustrations 6 III. Acknowledgements 9 IV. Authors declaration and word count 11 V. Introduction 12 VI. Chapter One - Research Methodology 20 VII. Chapter Two – Marine 34 VIII. Chapter Three – Landscape 64 IX. Chapter Four – Still Life 80 X. Conclusion 105 XI.
    [Show full text]
  • A R E V Ie W
    International Journal of Robotics Research and Development (IJRRD) ISSN(P): 2250–1592; ISSN(E): 2278–9421 Vol. 9, Issue 2, Dec 2019, 1–18 © TJPRC Pvt. Ltd. THE MACHINES THAT DRAW—A REVIEW JOSIN HIPPOLITUS. A, MANAV BHARGAVA & PRANALI DESAI Department of Mechatronics Engineering, SRM University, India ABSTRACT Since the industrial revolution after the Second World War, machines have been used for various activities to increase productivity. But rarely machines have been used to produce or reproduce art, as people think it needs creativity to create or reproduce art. In this age of artificial intelligence it is possible to create and reproduce art using machines. The present study discusses about having an overview of the evolution of machines that draw, techniques used in it, and the fields in which this is used. KEYWORDS: Drawing Robots, Intelligent Machines, Kinematics & Machines for Art Received: Apr 11, 2019; Accepted: May 01, 2019; Published: Jul 27, 2019; Paper Id.: IJRRDDEC20191 INTRODUCTION Designing a machine that draw is a challenging work as it requires very high precision and necessarily AREVIEW fast. So that the efficiency of the machine stays high. What made the scientists to stay away from inventing a machine to draw is the fear of missing minute details in a drawing. But from the idea of scientists of the twentieth century, it has come a long way to make dreams into reality. DATA ACQUISITION Acquiring data from the primary source has been different. Few scientists acquired data from an already existing art, whereas few scientists acquired real time data by recording an image on the spot.
    [Show full text]
  • 1967 , 28/09/2020 Class 11 1836000 03/07/2009 to Be Associated With
    Trade Marks Journal No: 1967 , 28/09/2020 Class 11 1836000 03/07/2009 INDIAWIN SPORTS PRIVATE LIMITED SECOND FLOOR, CHITRAKOOT, SKREERAM MILLS PREMISES, GANPATRAO KADAM MARG, WORLI, MUMBAI-400013 MANUFACTURERS AND MERCHANTS A COMPANY INCORPORATED UNDER THE COMPANIES ACT, 1956 Used Since :01/04/2008 To be associated with: 1673207 MUMBAI APPARATUS FOR LIGHTING, HEATING, STEAM GENERATING, COOKING, REGRIGERATING, DRYING VENTILATING, WATER SUPPLY AND SANITARY PURPOSES 3624 Trade Marks Journal No: 1967 , 28/09/2020 Class 11 4057618 15/01/2019 RAHUL KALRA Aadhar Impex, 2607, Hudson Line, Behind Tata Power, Delhi - 110009 Sole Proprietor Address for service in India/Agents address: PURI & PURI (ADVOCATES) 4969/5, IST FLOOR, SIRKIWALAN, (NEAR HAUZ QAZI POLICE STATION) HAUZ QAZI, DELHI-6 Proposed to be Used DELHI Water taps, Washers for water taps, Bathtubs, Bath installations, Bath fittings, Bath screens, Bath cubicles, Bath boilers, Shower baths, Bathtub jets, Bathtub spouts, Bathtub enclosures, Bathroom sinks, Bath plumbing fixtures, Fitted liners for baths, Waste pipes for sanitary installations, water jets, Sanitary installations and apparatus, Water-pipes for sanitary installation, Toilet cisterns, Toilet bowls, Toilet tank balls, Flushing apparatus for toilets, Float balls and Ball cocks for toilet cisterns, Faucets, Showers 3625 Trade Marks Journal No: 1967 , 28/09/2020 Class 11 4082930 09/02/2019 MOHD KAASIM PROPRIETOR OF AVON ELECTRON CARE H 2ND 11, MADANGIR DR AMBEDKAR NAGAR SINGLE FIRM Address for service in India/Attorney address: SANJEEV KUMAR AG-7, Ground Floor, Shalimar Bagh, New Delhi - 110088 Used Since :15/04/2011 DELHI Air conditioners; Refrigerators; Water purifiers; Air purifiers; Ovens; Microwave ovens THE MARK SHALL BE LIMITED TO THE COLOURS AS SHOWN IN THE REPRESENTATION ON THE FORM OF THE APPLICATION THIS IS CONDITION OF REGISTRATION THAT BOTH/ALL LABELS SHALL BE USED TOGETHER.
    [Show full text]
  • S.No Record Titles
    List of World Record Titles which can be Challenged S.No Record Titles 1 Largest Seeds Mosaic by a Team 2 Largest Footprint Painting by a Team 3 Largest Flowers Mosaic by a Team 4 Largest Candy Mosaic by a Team 5 Largest Salt Mosaic by a Team 6 Largest Rice Mosaic by a Team 7 Largest Seeds Mosaic by a Team 8 Largest Egg Mosaic by a Team 9 Largest Cookie Mosaic by a Team 10 Most Number of People Reading “A Pledge” Aloud Simultaneously (Single Venue) 11 Largest Finger Painting by a Team 12 Largest National Flag made with Food Grains by a Team 13 Largest Bean Mosaic by an Individual (Female) 14 Largest Seeds Mosaic by an Individual (Female) 15 Longest Cartoon Strip by a Team 16 Largest One Day Writing Competition (Single Venue) 17 Largest One Day Art Competition 18 Largest Brand Logo made with Grains by a Team 19 Most Number of People Involved in a Dental Health Checkup (Single Venue) 20 Largest Footprint Painting by a Team 21 Most Number of Postcards Sent from a Single Location 22 Most Number of People Shaking Hands Simultaneously (Single Venue) 23 Most Number of People Twirling Indian National Flags Simultaneously (Single Venue) 24 Longest Drawing Marathon by an Individual (Female) 25 Most Number of People Painting Simultaneously (Single Venue) 26 Most Number of People Tossing Coins Simultaneously (Single Venue) 27 Most Number of People Dancing with Umbrella Simultaneously (Single Venue) 28 Longest Cartoon Strip by an Individual (Male) 29 Longest Cartoon Strip by a Team Most Number of People Dressed as Mohandas Karamchand Gandhi Simultaneously
    [Show full text]
  • The Swatch Art Peace Hotel
    表面与痕迹 The Vision Come to Shanghai, take a walk along the legendary Bund. 40 countries have occupied our 18 workshops and apart- You can’t miss it. At the corner of Nanjing Road stands an ments, and all of them left us a trace as a testimony of their amazing landmark – the Peace Hotel South Building. In its work in our magic and unique residency. more than one-hundred-year history the hotel has hosted all kinds of guests, and many traces of their presence have Now it’s time to show and celebrate the faces and traces survived in historic documents and photographs. Shortly of this vibrant place. We at Swatch want to share with all of after the hotel opened, it was the site of the first meeting you the passion, fun and strength of those who have made of the International Opium Commission, which sought ways this place vibrant and alive with their emotions, projects to counter the devastating effects of the opium trade. and new energies. Chiang Kai-shek and his fiancée Soong Mei-ling celebrated their engagement at the hotel. Its ballroom was a favored Every trace is different, but all were created in one place: destination for dancers, its elevators the first in Shanghai The Swatch Art Peace Hotel. to transport people rather than freight. Since five years now the Swatch Art Peace Hotel has become our iconic hotel, it is filled with life, with the spirit of fun and positive provocation. There is creativity in everything and everywhere you look. It’s open to every- body.
    [Show full text]
  • 2011 ANNUAL REPORT ART & EDUCATION Diana Bracco BOARD of TRUSTEES COMMITTEE W
    NATIONAL GALLERY OF ART 2011 ANNUAL REPORT ART & EDUCATION Diana Bracco BOARD OF TRUSTEES COMMITTEE W. Russell G. Byers Jr. (as of 30 September 2011) Victoria P. Sant Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Robert W. Duemling Frederick W. Beinecke Barney A. Ebsworth Mitchell P. Rales Gregory W. Fazakerley Sharon P. Rockefeller Doris Fisher John Wilmerding Aaron I. Fleischman Juliet C. Folger FINANCE COMMITTEE Marina K. French Mitchell P. Rales Lenore Greenberg Chairman Rose Ellen Greene Timothy F. Geithner Richard C. Hedreen Secretary of the Treasury Helen Henderson Frederick W. Beinecke John Wilmerding Victoria P. Sant Benjamin R. Jacobs Chairman President Sharon P. Rockefeller Sheila C. Johnson Victoria P. Sant Betsy K. Karel John Wilmerding Linda H. Kaufman Mark J. Kington AUDIT COMMITTEE Robert L. Kirk Frederick W. Beinecke Jo Carole Lauder Chairman Leonard A. Lauder Timothy F. Geithner Secretary of the Treasury LaSalle D. Leffall Jr. Mitchell P. Rales Robert B. Menschel Harvey S. Shipley Miller Sharon P. Rockefeller Frederick W. Beinecke Mitchell P. Rales Victoria P. Sant Diane A. Nixon John Wilmerding John G. Pappajohn Sally E. Pingree TRUSTEES EMERITI Diana C. Prince Roger W. Sant Robert F. Erburu B. Francis Saul II John C. Fontaine Thomas A. Saunders III Julian Ganz, Jr. Fern M. Schad Alexander M. Laughlin Albert H. Small David O. Maxwell Michelle Smith Ruth Carter Stevenson Benjamin F. Stapleton Sharon P. Rockefeller John G. Roberts Jr. Luther M. Stovall Chief Justice of the EXECUTIVE OFFICERS Ladislaus von Hoffmann United States Victoria P. Sant President Alice L. Walton William L.
    [Show full text]
  • Old Master Paintings New Bond Street, London | 5 December 2018
    Old Master Paintings New Bond Street, London | 5 December 2018 Specialists for this auction Europe Andrew McKenzie Director, Head of Department, London Caroline Oliphant Group Head of Pictures, London Lisa Greaves Department Director and Head of Sale, London Poppy Harvey-Jones Specialist, London Bun Boisseau Junior Cataloguer, London Brian Koetser Consultant, London North America Mark Fisher Director, European Paintings, Los Angeles Madalina Lazen Senior Specialist, European Paintings, New York Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, Old Master
    [Show full text]
  • Pen-Skill-Der-What? by Jeanne Willoz-Egnor Posted on May 11, 2020
    Pen-skill-der-what? By Jeanne Willoz-Egnor Posted on May 11, 2020 Penschilderij. For those of you who read my recent blog post on the wash drawing by the Willem Van de Veldes (https://blog.marinersmuseum.org/2020/04/wanted-one-fae-who-knows- dutch/) you might remember my mention of the elder’s specialized art form of ‘penschilderij’ or ‘pen painting.’ While it’s not by Van de Velde we are lucky enough to have a beautiful little pen painting by Adriaen Cornelisz Salm (he also went by Van Salm and Van der Salm), in the collection. ‘Dutch whaling in the arctic.’ Circa 1706 Penschilderij by Adriaen Cornelisz [Van der] Salm (Accession# QO 31) The medium of penschilderij was developed in the late 16th or early 17th century. It was born from the efforts of Dutch engraver, publisher and artist Hendrick Goltzius who began drawing with a pen on paper or vellum in order to simulate the characteristics of an engraving. By the early 17th century Goltzius included drawing on a canvas primed with paint–the forerunner of the pen painting–in his oeuvre. In his time Goltzius was quite famous so Van de Velde was probably familiar with his artwork and prints. However, Goltzius only produced three pen paintings during his life so it seems unlikely that Van de Velde was familiar with the medium Goltzius was employing. Consequently, experts like Rijksmuseum curator Friso Lammertse credit Van de Velde as the “true founding father” of the penschilderij. Willem Van de Velde the Elder considered himself first and foremost, a ship’s draughtsman, so drawing, not painting, was his preferred medium.
    [Show full text]