Lot 1 Kurdish Rug Having Central Medallion on Deep Blue and Rust
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HO060710 Sale
For Sale by Auction to be held at Dowell Street, Honiton Tel 01404 510000 Fax 01404 44165 th Tuesday 6 July 2010 Ceramics, Glass & Oriental, Works of Art, Collectables & Pictures Furniture SALE COMMENCES AT 10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE HO09 Catalogues £1.50 On View: Order of Sale: Saturday 3rd July 9.00am – 12.00 Ceramics, Glass & Oriental Monday 5th July 9.00am – 7.00pm Lots 1 - 126 Morning of Sale from 9.00am Pictures Lots 131 - 195 Works of Art & Collectables Lots 200 - 361 Carpets, Rugs & Furniture Lots 362 - 508 TUESDAY 6TH JULY 2010 Sale commences at 10am. CERAMICS, GLASS & ORIENTAL 1. A pair of bookend flower vases in Whitefriars style. 2. A bohemian style green and clear glass vase, of trumpet shape, painted with floral sprays and gilt embellishment, 17cm high. 3. A pair of overlaid ruby glass decanters with floral knop stoppers. 4. An amber and milk glass globular vase, probably Stourbridge with vertical fluted decoration, 15cm high. 5. A pair of cut glass decanters with stoppers and one other. 6. A quantity of Carnival and other moulded glassware. 7. A quantity of cut and other glass. 8. A part suite of cut glass to include tumblers and wine glasses. 9. A quantity of various drinking glasses and glass ware. 10. A pair of cut glass decanters, two other decanters and stoppers, six tumblers and five brandy balloons. 11. A collection of twenty five various glass paperweights to include millefiore style paperweights, floral weights, candlestick and others. -
CELSIUS a Peer-Reviewed Bi-Annual Online Journal Supporting the Disciplines of Ceramics, Glass, and Jewellery and Object Design
CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. ISSUE 1 July 2009 Published in Australia in 2009 by Sydney College of the Arts The Visual Arts Faculty The University of Sydney Balmain Road Rozelle Locked Bag 15 Rozelle, NSW 2039 +61 2 9351 1104 [email protected] www.usyd.edu.au/sca Cricos Provider Code: 00026A © The University of Sydney 2009 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this publication may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the copyright owners. Sydney College of the Arts gratefully acknowledges the contribution of the artists and their agents for permission to reproduce their images and papers. Editor: Jan Guy Publication Layout: Nerida Olson Disclaimers 1. The material in this publication may contain references to persons who are deceased. 2. The artwork and statements in this catalogue have not been classified for viewing purposes and do not represent the views or opinions of the University of Sydney or Sydney College of the Arts. www.usyd.edu.au/sca/research/projects/celsiusjournal CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. Mission Statement The aims of Celsius are to - provide an arena for the publication of scholarly papers concerned with the disciplines of ceramics, glass and jewellery and object design - promote artistic and technical research within these disciplines of the highest standards -foster the research of postgraduate students from Australia and around the world - complement the work being done by professional journals in the exposure of the craft based disciplines -create opportunities of professional experience in the field of publication for USYD postgraduate students Editorial Board The Celsius Editorial Board advises the editor and helps develop and guide the online journal’s publication program. -
Australian Official Journal Of
Vol: 20 , No. 4 2 February 2006 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it at http://pericles.ipaustralia.gov.au/ols/epublish/content/olsEpublications.jsp or using the "Online Journals" link on the IP Australia home page. The Australian Official Journal of Designs is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 2 February 2006 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes ...................... 1175 Registrations/Protected IRs Amended and Changed ................ 1178 Applications for Extension of Time ...................... 1175 Applications/IRs Accepted for Registartion/Protection .......... 877 Applications/IRs Filed Nos 1092349 to 1093924 ............................. 841 Applications/IRs Lapsed, Withdrawn and Refused Lapsed ...................................... 1179 Withdrawn..................................... 1179 Refused ...................................... 1179 Assignments, Trasnmittals and Transfers .................. 1179 Cancellations of Entries in Register ...................... 1181 Corrigenda ...................................... 1183 Notices ........................................ 1175 Opposition Proceedings ............................ -
Visual Arts Program: a Parent's Guide to the Curriculum
Visual Arts Program: A Parent’s Guide to the Curriculum Curriculum Aligned to NJCCCS (Revised August 2015) District Mission The South Brunswick School District will prepare students to be lifelong learners, critical thinkers, effective communicators and wise decision makers. This will be accomplished through the use of the New Jersey Core Curriculum Content Standards (NJCCCS) and/or the Common Core State Standards (CCSS) at all grade levels. The schools will maintain an environment that promotes intellectual challenge, creativity, social and emotional growth and the healthy physical development of each student. ~Adopted 8.22.11 Board Approval of Visual Arts Curriculum August 2016 This curriculum is approved for all regular education programs as specified and for adoption or adaptation by all programs including those for Special Education, English Language Learners, At-Risk Students and Gifted and Talented Students in accordance with Board of Education Policy Note to Parents The curriculum guide you are about to enter is just that, a guide. Teachers use this document to steer their instruction and to ensure continuity between classes and across levels. It provides guidance to the teachers on what students need to know and able to do with regard to the learning of visual arts. The curriculum is intentionally written with some “spaces” in it so that teachers can add their own ideas and activities so that the world language classroom is personalized to the students. If you have any questions regarding the program, please contact Ms. Laskin, Visual Arts Supervisor, at [email protected] How to Read the Curriculum Document Curriculum Area of content (e.g. -
Some Products in This Line Do Not Bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal
# Some products in this line do not bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal Adhesives, Glue Newell Brands Elmer's Extra Strength School AP Glue Stick Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Gold Liner AP Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Silver Liner AP Adhesives, Glue New Port Sales, Inc. All Gloo CL Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Sparkler AP Adhesives, Glue Newell Brands Elmer's Xtreme School Glue AP Adhesives, Glue Newell Brands Elmer's Craftbond All-Temp Hot AP Glue Sticks Adhesives, Glue Daler-Rowney Limited Rowney Rabbit Skin AP Adhesives, Glue Kuretake Co., Ltd. ZIG Decoupage Glue AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2 Way Glue AP Squeeze & Roll Adhesives, Glue Kuretake Co., Ltd. Kuretake Oyatto-Nori AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Chisel Tip Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Jumbo Tip Adhesives, Glue EK Success Martha Stewart Crafts Fine-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts Wide-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts AP Ballpoint-Tip Glue Pen Adhesives, Glue STAMPIN' UP Stampin' Up 2 Way Glue AP Adhesives, Glue Creative Memories Creative Memories Precision AP Point Adhesive Adhesives, Glue Rich Art Color Co., Inc. Rich Art Washable Bits & Pieces AP Glitter Glue Adhesives, Glue Speedball Art Products Co. Best-Test One-Coat Cement CL Adhesives, Glue Speedball Art Products Co. Best-Test Rubber Cement CL Adhesives, Glue Speedball Art Products Co. -
English Slipware Pottery
24 GETTING THINGS DONE NAN MUSGROVE is a young potter working in the English Slipware tradition. She trained in the workshop of John Pollex, one of the best-known contemporary slipware potters, and moved to Marsden, near Huddersfield, in March 1979 to establish her own workshop. Training in slipware was a deliberate choice for her, partly because it gives great scope for decoration and partly because she responds to its intrinsic 'Englishness'. Most people are familar with craft copy of the Willow Pattern, in the 1702 said that it was nicknamed 'Little pottery that is glazed with sombre col- customary brown and yellow colours London' by the locals, presumably ours: greys, dull greens and soft of earthenware. because of its activity and smoke. browns. Often it is decorated with There is a little rhyme about the subtle brush patterns, but the overall Yearsley pottery, which was estab- impression is usually restrained. This 0174 lished by a branch of the Wedgewood is stoneware pottery in the oriental family in the late seventeenth tradition, which was introduced into century: this country by Bernard Leach, who "At Yearsley there were panche- did more than any other person to ons made re-establish a tradition of hand- 4 ry By Willie Wedgewood that thrown pottery here. He was trained lle young blade" Ga in Japan and, when he set up his work- t These potteries produced a great shop in St. Ives in the 1920's, he Ar naturally continued to use oriental range of slipware dishes, jugs, cups City glazes, although he adapted his r and chamber pots as well as the big shapes to his English market. -
ORIENTAL and EUROPEAN CERAMICS and GLASS
SECOND DAY’S SALE THURSDAY 21st APRIL 2011 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.30pm Oriental and European Ceramics and Glass will be on view on: Saturday 16th April 9.00am to 1.00pm Sunday 17th April 2.00pm to 4.00pm Monday 18th April 9.00am to 5.15pm Tuesday 19th April 9.00am to 5.15pm Wednesday 20th April 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 87 323 324 321. 323. 325. A pair of clear glass A champagne or sweetmeat A small sweetmeat glass or decanters of mallet shaped glass, the pan shaped bowl stand of shallow flaring and form with facet cut decoration with diamond moulded externally ribbed form, the fold beneath a mushroom stopper, exterior with double basal over rim applied with eight together with a claret jug en blade knops set on a teared loops terminating in strawberry suite, each 25.5 cm high, early and inverted baluster stem and prunts set on a short stem with 20th century. (3) diamond moulded and domed moulded domed and fold over £80-120 fold over foot, 12 cm high, foot, 10 cm diameter, mid 322. circa. 1730-40, retailer’s label 18th century. A pair of clear glass for Churchill to underside. £100-150 confitures of pedestal form £250-300 326. and with domed covers cut 324. A pair of glass patty pans of with fretted panels, 30 cm A sweetmeat glass the externally ribbed form with high, early 19th century, rounded funnel bowl with fold over rims, 8 cm diameter, staple repair to one together diamond moulded exterior mid 18th century. -
P4vor 6-44S Ana' P4por Cuase
P4vor 6-44s Ana' P4por Cuase Ashley Machum With information constantly shifting to online water. "The fibers from trees were discovered to formats it seems that a paperless society is quite be an ideal and cheap source" and are *hat the possible. However, the online format can never majority of today's papers are made froin (Garner, deliver the tactile experience that holding a piece 2006, p. 7). There are specialty papers made to of paper can. Those who seek the solace of paper satisfy any individual's needs. should consider paper crafts as a means to reconnect with the real thing. Making paper crafts involves using any type of paper, they "mix any form of paper or card stock The human connection with paper has existed for to create interesting and innovative craft projects" thousands of years. It began in Egypt when, "the (Garner, 2006, p. 8). It is not necessary to exceed first form of paper was invented over 5,000 years the budget when offering a craft progrgn. Paper ago." This type of paper is known as papyrus. for programs can be sourced "in fine art supply The name is derived from the "plant called and craft stores, as well as in home improvement Cyperus papyrus" of which the paper is made of stores, party and office supply stores, and from its thin slices layered (Garber, 2006, p. 6). Today's online suppliers. Recycled magazines and catalogs method for making paper is "attributed to the are another excellent source of paper" (Le Van, Chinese inventor T'sai Lun in the years around 2006, p.8). -
Wales, UK Canolfan Y Celfyddydau Aberystwyth, Cymru, DU
International Ceramics Festival Gwyl^ Serameg Ryngwladol Friday 28 – Sunday 30 June 2013 Dydd Gwener 28 - Dydd Sul 30 Mehefin 2013 Aberystwyth Arts Centre, Wales, UK Canolfan y Celfyddydau Aberystwyth, Cymru, DU Organised by Aberystwyth Arts Centre, North Wales Potters and South Wales Potters Trefnir gan Canolfan y Celfyddydau Aberystwyth, Chrochenwyr Gogledd Cymru a Chrocenwyr De Cymru Contents Awards & Special Events Cont’d 14 Welcome 3 Lectures & Films 14-15 Demonstrators & Guest Artists 4-8 Aberystwyth Arts Centre 16 Master of Ceremonies & North Wales Potters 16 Festival President 9 South Wales Potters 16 Exhibitions 10 Trade Stands 17 Activities, Awards & Special Events 11 General Information, Food & Drink 18 Programme of Events 12-13 Floor Plans 19 Directors and Organisers: Marketing: Louise Amery 01970 622889 [email protected] Aberystwyth Arts Centre Festival Directors: Useful Contacts: Alan Hewson, Kraig Pugh PR: Pandora George, Bullet PR 01273 775520 North Wales Potters Festival Directors: Pea Restall, Paul Lloyd [email protected] South Wales Potters Festival Directors: Jeffrey Taylor, Festival Photographer: Glenn Edwards Peter Bodenham www.glennedwardsphotojournalist.com For Aberystwyth University: Moira Vincentelli Festival Accommodation: Conference Office, For Aberystwyth University: Cath Sherrell Aberystwyth University. Festival Co-ordinator: Sophie Bennett 01970 622338 Email: [email protected] Tel: 01970 621960 [email protected] Festival Assistant: Gwen Morgan With thanks to all Aberystwyth Arts Centre Staff, in particular: Site Manager: Pete Goodridge Eve Ropek, Nick Bache, Pete Lochery and the Technical team; Joan Materials Organiser: Roger Guy Young Rowlands, Jim West, Sarah Hughes, Serena Michael and all the Cafe Stage Demonstrations Co-ordinator: Jez Waller and Bar staff; Lynette Evans and the Services Team; all the Box Student Demonstration Co-ordinator: Avril Ryan Office and Marketing team, and everyone else who has helped to Cup Sale: Kate Mills & Stephen Mills make the festival a success. -
“ANYTHING but WHITE”: EXCAVATING the STORY of NORTHEASTERN COLONOWARE a Dissertation Submitted to the Temple University Grad
“ANYTHING BUT WHITE”: EXCAVATING THE STORY OF NORTHEASTERN COLONOWARE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Keri J. Sansevere May 2019 Examining Committee Members: Paul Farnsworth, Advisory Chair, Department of Anthropology Patricia Hansell, Department of Anthropology Seth Bruggeman, Department of History Richard Veit, External Member, Monmouth University, Department of History and Anthropology © Copyright 2018 by Keri J. Sansevere All Rights Reserved ii ABSTRACT The study of historic-period pottery cuts across many disciplines (e.g., historical archaeology, material culture studies, American studies, art history, decorative arts, fine arts). Studies of historic pottery with provenience from the United States are largely centered on fine-bodied wares, such as porcelain, white salt-glazed stoneware, creamware, pearlware, whiteware, ironstone (or white granite), and kaolin smoking pipes. These wares share the common attribute of whiteness: white paste and painted, slipped, or printed decoration that typically incorporate the color white into its motif. Disenfranchised groups had limited direct-market access to these wares due to its high value (Miller 1980, 1991). White pottery was disproportionately consumed by White people until the nineteenth century. This dissertation examines colonoware—an earth-toned, non-white, polythetic kind of coarse earthenware. Archaeologists commonly encounter colonoware in plantation contexts and believe -
TROVE at ICFF 2014 Release FINAL
TROVE BRINGS STUNNING NEW SPRING COLLECTION TO ICFF New York, NY, May 17-20 Booth #2006 (May, 2014 – New York, NY) Returning to ICFF this year, Trove celebrates spring with an alluring new collection of images and patterns that once again push the dimension of wallpaper design in beautiful and unexpected ways. Jee Levin and Randall Buck, co- founders of Trove, are innovative multimedia designers who approach each new collection as artists to a blank canvas. Drawing influences from myriad media and experiences—from architecture, film and art history to travel and nature—this new collection exhibits the distinctive qualities of Trove designs: surprising scale, unconventional color palette, and a poetry and grace that transforms walls into works of art, inviting interpretation. At ICFF in the Javits Center (Booth #2006), Trove will present five arresting new designs: Allee, Rinceau, Grotte, Suichuka, and Macondo along with Trace, a recently released design that makes its ICFF debut this year. All of the patterns are available in 6 colorways and in Trove’s signature scale, which repeats at 12-foot high and 6-foot wide and can be customized to height. Allee Allee presents an expansive dreamscape inspired by Alain Resnais’ 1961 film, “Last Year at Marienbad.” Set in an unspecified formal garden, the film plays with spatial and temporal shifts in scenes to create an ambiguous narrative. The designers translate the cinematic repetition to photographic repetition, composing a landscape organized around a central pathway thereby inviting the passerby to wander into this mise en scene. Rinceau French for foliage, “rinceau” describes a style of filigree that is characterized by leafy stems, florid swirls and sinuous natural elements. -
North Devon Pottery Project a Research Framework 2014
North Devon Pottery Project Research Framework 2014 NORTH DEVON AND TORRIDGE COUNCILS MUSEUM OF BARNSTAPLE & NORTH DEVON AND BURTON ART GALLERY & MUSEUM, BIDEFORD NORTH DEVON POTTERY PROJECT A RESEARCH FRAMEWORK 2014 VICKY & DAVID DAWSON PARTNERSHIP 10 LINDEN GROVE, TAUNTON TA1 1EF 0 North Devon Pottery Project Research Framework 2014 CONTENTS INTRODUCTION 2 Summary 2 PART ONE: RESOURCE ASSESSMENT The Collection 3 Context of the Collection 5 Research resources 6 Human resources 10 Interpretive resources 11 Financial resources 11 PART TWO: RESEARCH AGENDA Deepening understanding 13 Influencing contemporary practice 13 Improving curatorial practice 14 Improving resilience 14 Widening audiences 14 PART THREE: RESEARCH STRATEGY Deepening understanding 16 Influencing contemporary practice 17 Improving curatorial practice 17 Improving resilience 18 Widening audiences 19 PART FOUR: OUTCOMES 20 REFERENCES 21 APPENDIX - Letters of support (see separate document) Cover image by courtesy of the Royal Albert Memorial Museum, Exeter V3, revised 27th June 2014 1 North Devon Pottery Project Research Framework 2014 INTRODUCTION This framework was commissioned by Alison Mills, Museum Development Manager for North Devon and Torridge Councils, and Miranda Clarke, Visual Arts Manager for Torridge District Council from Vicky & David Dawson Partnership as part of a study funded by Arts Council England to apply for recognition of the joint pottery collections of the Museum of Barnstaple and North Devon and the Burton Art Gallery and Museum, Bideford, for Designation as a collection of pre- eminent national and international significance. We are grateful to all who have expressed their support for the concept. SUMMARY The following document is set out in four parts. An assessment of the resource constitutes part one.