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1994 ANNUAL REPORT • 1994 Annual Report Copyright © 1995. Board of Trustees, Details illustrated at section openings: of . All rights p. 5: Joseph Cornell, (The Medici Prince), Gift reserved. of the Collectors Committee, 1982.54.1 p. 7: Giovanni Paolo Pannini, The Interior of the This publication was produced by the Pantheon, c. 1740, Samuel H. Kress , 1939.1.24 Editors Office, , Editor-in-chief, Frances P. Smyth, p. 9: Adriaen van Ostade, The Cottage Dooryard, 1673, Widener Collection, 1942.9.48 Editor, Tarn L. Curry p. 15: Israhel van Meckenem, a Portrait of the Virgin, Rosenwald Collection, Designed by Susan Lehmann, 1943.3.140 Washington, D.C. p. 57: , Cardbird Door, pub- Printed by Schneidereith & Sons, lished 1971, Gift of Gemini G.E.L., 1981.5.123 Baltimore, Maryland p. 61: , The Laundress, 1896, Rosen- The type is Meridien, set by wald Collection, 1950.16.5 BG Composition, Baltimore, Maryland p. 67: Master of the Catholic Kings, The Marriage at Cana, c. 1495/1500, Samuel H. Kress Collection, ISBN 0-89468-214-8 1952.5.42 p. 71: Pieter de Hooch, The Bedroom, c. 1660, Photographic credits: Widener Collection, 1942.9.33 p. 81: George Catlin, Nay as Indians, 1855/1869, p. 26 © Robert Frank Collection Works of art in the National Gallery of Art's collec- tions have been photographed by the department p. 105: Francis William Edmonds, The Bashful of imaging and visual services. Other photographs Cousin, c. 1842, Gift of Frederick Sturges Jr., are by: Rex Stucky (p. 13), Michael Pierce (p.28), 1978.6.4 Andrew Krieger (pp. 28-29, 58), Philip Charles (p. p. 107: Joan Miro, The Farm, 1921-1922, Gift of 32), Robert Shelley (pp. 39, 40-41), and Susan Mary Hemingway, 1987.18.1 Biddle (pp. 44-45). p. 115: , The Circus, published 1947, Cover: , The Dinner Horn, 1870, Gift of Mr. and Mrs. Andrew S. Keck, 1980.8.2 Collection of Mr. and Mrs. Paul Mellon, 1994.59.2 Title page: Jean-Baptiste Oudry, The Marquis de Beringhen, 1722, Eugene L. and Marie-Louise Gar- baty Fund, Patrons' Permanent Fund, and Chester Dale Fund, 1994.14.1 CONTENTS

President's Foreword 7 Administration 57 Director's Statement 9 External Affairs Art Programs Development 61 15 Corporate Relations 63 Baroque Paintings 15 Press and Public Information 64 American and British Paintings 17 Special Projects 65 French Paintings 18 Visitor Services 65 20th-century Art 19 Horticulture 65 and Decorative 20 at the Gallery 65 Old Master Drawings 21 Center for Advanced Study in the Old Master Prints 23 67 Modern Prints and Drawings 24 Photographs 26 Report of the Treasurer 71 Curatorial Records 27 Registration 27 Appendices Loans and the Acquisitions 81 National Lending Service 29 Changes of Attribution 92 Conservation 29 Loans 93 Exhibitions 36 Lenders 100 Design and Installation 39 Staff Publications 102 Education 43 Library 49 Trustees and Staff 105 Editors Office 53 Donors 115 Gallery 55 mmmmmmmmmm

(i i luimmiiwm PRESIDENT'S FOREWORD

The retirement of Franklin D. Murphy and appreciation to Jack Stevenson who and John R. Stevenson on 29 Septem- retired from the Board of Trustees after ber 1993 brought several changes to the many years of extraordinary service to Gallery's Board of Trustees in fiscal year the Gallery. His conscientious steward- 1994. It has been my great pleasure to ship of the institution and many accom- succeed John R. Stevenson as president, plishments constitute an inspiring and I am delighted to have the opportu- legacy. Jack brought the Gallery consid- nity to work closely with my fellow erable knowledge of business, corpo- longtime trustee, Ruth Carter Steven- rate, and government affairs, acquired son, who was elected to the office of through his career as chairman and chairman. Robert F. Erburu of Los senior partner of Sullivan & Cromwell Angeles and Louise W. Mellon of Mid- and legal advisor to the State Depart- dleburg, Virginia, were elected as new ment. Among the most important trustees, and we look forward to work- efforts he oversaw for the Gallery was ing with them. the creation and successful realization We were all deeply saddened by of the Patrons' Permanent Fund cam- Franklin Murphy's death in June 1994. paign in the early 1980s, exceeding the Franklin joined the Gallery's board in original goal of $50 million by raising 1964 and became chairman in 1985. In $56 million for art acquisition endow- 1991 he was awarded the Andrew W. ment in less than four years. A forward- Mellon Medal, the National Gallery's looking leader, Jack was a strong and highest honor, in gratitude for the early advocate of the Gallery's efforts to nearly 30 years he dedicated to advising implement a program to involve the and guiding the . We shall next generation of Gallery patrons. greatly miss his keen insight and gen- We are grateful to acknowledge the erosity of spirit, as will the many insti- continued leadership provided by tutions he served during his lifetime. Edwin L. Cox as chairman and Lois de I know I speak for everyone at the Menil as vice chairman of the Trustees' Gallery in saying that we were indeed Council. Two members of the Council Andrea Pozzo, Illusionistic Architecture for the Vault of San Ignazio, 1685/1690, Gift of Robert M. and Anne fortunate to have known him. resigned this year to accept ambassador- T. Bass, 1994.16.1 I would like to express my admiration ial posts. Donald M. Blinken was

7 Sol LeWitt, Wall Drawing No. 681 C (The members of the Trustees' Council and of enjoyment and enrichment for mil- and Herbert Vogel Collection), Gift of Dorothy and The Circle, took the reins from Katha- lions of visitors each year and as a Herbert Vogel, Trustees, 1993.41.1, installed near resource for schools and communities entrance to East Building auditorium rine Graham and me as co-chairs of The Circle. It was truly a privilege to work throughout the nation. with Kay as co-chair these past eight The trustees have also determined to appointed as the U.S. Ambassador to years, and I would like to thank her for launch the New Century Fund cam- Hungary and Edward E. Elson as the her distinguished service in building paign to raise $105 million in private U.S. Ambassador to Denmark. We wish The Circle from an idea into the thriv- funds for areas critical to the continued them well as they represent our country ing membership it is today. excellence of the Gallery as the year abroad. Trustees and staff have been 2000 draws near. The campaign was This year we welcomed Leonore together in the past few years to de- announced at the sixth Andrew W. Mel- Annenberg from Wynnewood, Pennsyl- velop long-range plans for the Gallery. lon gala dinner in May, by which time vania, Daniel N. Belin from Los Ange- This process began at the time of the we had secured several leadership com- les, Frederic C. Hamilton from Denver, 50th anniversary and led to the refine- mitments. The New Century Fund is a Linda H. Kaufman from Norfolk, Vir- ment of our goals on two fronts, federal high priority for the Gallery in the next ginia, Yvonne Lenart from Los Angeles, and private. few years, focusing on such commit- Frank H. Pearl from Washington, DC, We are tremendously grateful for the ments as art acquisition, education, and Sharon Percy Rockefeller from Wash- ongoing commitment of funds from the conservation research. We look forward ington, DC, and Richard M. Scaife from federal government to provide for the to meeting the challenge. as new members of the Gallery's day-to-day operations, and we Robert H. Smith Trustees' Council. look forward to our continuing relation- President I am pleased to note that Juliet C. ship with the Congress. It has been vital Folger and David O. Maxwell, both to maintaining the Gallery as a source

8 DIRECTOR'S STATEMENT

The National Gallery of Art has long people this year, both Gallery visitors been extremely proud of the quality of and citizens in communities across the the permanent collection. It is central to country and around the world. Other our mission of serving the people of the initiatives such as those in conservation by preserving, exhibiting, and our recent advances in technology and fostering the understanding of all focus on the collection. works of art at the highest possible During the year covered in this report museum and scholarly standards. some exemplary works of art entered The public/private partnership the collection for the nation, in some established by the Gallery's founder, cases filling lacunae and in others Andrew W. Mellon, and the 75th Con- adding to our strengths. gress in its Joint Resolution in 1937 The gift of Dian and Andrea Woodner continues successfully to this day. The of nine outstanding old master drawings ongoing support of the U.S. Congress from the Woodner Family Collection with federal funds ensures this cove- brings to 33 the number of major draw- nant for the upkeep and operations of ings the Woodner sisters have gener- the Gallery and the protection and care ously given to the Gallery since the of the works of art so that the Gallery death of their father, the noted art col- will be open to the public 363 days a lector Ian Woodner, four years ago. year, free of charge. Their gift this year makes a dramatic The New Century Fund capital cam- and significant contribution to our old paign launched this year affirms our master drawings collection. commitment to sustain the strength and We were very pleased by the Col- impact of the nation's distinguished col- lectors Committee's purchase for the lection. Our special exhibitions illumi- Gallery at its annual meeting of large- nate and reinforce particular aspects of scale paintings created in 1992 by two the collection as well as complement of 's leading artists: Sigmar our own works with those of other cul- Polke's Hope is: Wanting to Pull Clouds, a tures and periods. We also take great grand statement in scale and subject on pride in our education programs, which a romantic theme; and Gerhard Rich- reached an audience of over 41 million ter's Abstract Painting 780-1, a work of

9 rich, brilliantly hued paint and dark, acquisition, the Gallery now has an traits by Oudry are known to exist, we moody passages. Together with Anselm especially rich representation of the were thrilled to acquire this magnifi- Kiefer's monumental Zim Zum of 1990, oeuvre of America's premier 19th- cent, radiant example in the French an earlier gift of the Collectors Commit- century landscape painter. grand manner. tee, these works form the core of the An outstanding addition to the Singular paintings by leading Wash- Gallery's growing collection of the influ- Gallery's French portraits was the acqui- ington Color School artists of two gen- ential currents in contemporary Euro- sition of the newly discovered 18th-cen- erations, Morris Louis' epic Beth Chaf pean art. tury masterpiece, The Marquis de of 1959 and Sam Gilliam's Relative of Thomas Cole's Italian Coast Scene with Beringhen by Jean-Baptiste Oudry. The 1969, also came to the Gallery. The Ruined Tower was a gift of The Circle of favorite painter of Louis XV, Oudry is Louis is a partial and promised gift of the National Gallery of Art. Long inac- considered the most important French Gisela and Dennis Alter, and the Gilliam cessible in a and un- painter of and hunting scenes in is an anonymous gift. We were very available to scholars of American art, the first half of the 1700s. The purchase pleased to have these two works, which the painting speaks tellingly of the com- of this painting was made possible by were created in Washington, enter the plexity of Cole's vision and creative Eugene L. and Marie-Louise Garbaty, nation's art collection. They now can be process at a time when he was at the the Chester Dale Fund, and the Patrons' seen alongside earlier works of the New height of his artistic powers. With this Permanent Fund. As fewer than 20 por- School.

10 Thomas Cole, Italian Coast Scene with Ruined Tower, 1838, Gift of The Circle of the National Gallery of Art, 1993.55.1 fpV i - 4 - van Rijn, View of Houtewaal near the Sint Anthonispoort (recto), early 1650s, Woodner Family ' ; Collection. 1993.51.6.a

A wonderful close to the year was Peaches on a Plate by Henri Fantin- to enter the collection. Other paintings the gift from Paul Mellon of more than Latour, the second still life by this spe- in the Mellon gift are two still lifes by 30 paintings, watercolors, prints, and cialist in the genre to enter the Gallery's American painter Joseph Decker, which bronze sculpture, including 13 examples French collection; The Gardener—Old are beautiful additions to our 19th-cen- by French 19th-century masters. Fore- Peasant with Cabbage by Camilla Pissarro, tury American still lifes—Green Plums is most in the gift are 8 major works by one of the artist's charming depictions regarded as one of his best pictures. one of America's most beloved artists, of peasants and rustic subjects; the land- The year also saw the election of two Winslow Homer, among them The Din- scape Breton Village by , a new executive officers. I was pleased ner Horn, a delightful early painting (see striking counterpoint to Redon's more that the trustees named Darrell Willson cover illustration). The other Homer familiar symbolist works, of which there to the position of administrator follow- gifts are fine watercolors, including two are several examples in the Gallery's ing his five years at the Gallery, the last early examples, The Sick and collection; and Henri de Toulouse- three as deputy administrator. He Fresh Eggs, three splendid works from Lautrec's Seated Woman from Behind— replaces Anne Borden Evans, the able the artist's Houghton farm period of Study for "Au Moulin Rouge," a significant administrator of the Gallery for over 1878, and a rare watercolor from his addition to the Gallery's holdings by this seven years. I was also pleased to first trip to Nassau. Among other high- master. George Henry Durrie's Winter in announce the selection of Ann R. Leven are the elegant still life Three the Country is the first work by the artist as Gallery treasurer, succeeding Daniel

11 Herrick, who retired after nine years of for future generations. To carry out this and custody of the Gallery's collections distinguished service. Ann joined the responsibility, the Gallery maintains as well as public safety. Gallery in 1990 as deputy treasurer. I effective facilities management, includ- A highlight of the year was the sixth would like to express my gratitude to ing an extensive ongoing repair and Andrew W. Mellon Dinner, attended by both Anne Evans and Dan Herrick for renovation program. The West and East President and Mrs. Clinton, honoring the tremendous progress made at the Buildings are national monuments, as the Gallery's founder. The announce- Gallery in the areas under their respec- important as the great paintings, sculp- ment of the New Century Fund capital tive leadership. ture, and works of art on paper that campaign was made by Gallery presi- As keeper of the national patrimony, they house. With funding from the U.S. dent Robert H. Smith that evening. As the Gallery strives to fulfill the mandate Congress, we have been able to initiate the 21st century approaches, upholding of preserving and enhancing the Gallery major projects critical to the proper care the highest standards of excellence is

Morris Louis, Beth Chaf, 1959, Gift (Partial and Promised) of Gisela and Dennis Alter, 1994.38.1 Gallery president Robert H. Smith (rear) and director Earl A. Powell III escort President and Mrs. Clinton to the Andrew W. Mellon Dinner

the Gallery's first priority. For that rea- the American Express Foundation for around the world. Furthering scholar- son, a major component of the New supporting this project. When the Micro ship through exhibitions and the Century Fund is to provide an acquisi- Gallery is completed in 1995, visitors accompanying catalogues is key to these tion endowment to encourage the will have access to an electronic en- endeavors. Initiatives in the last several growth of the Gallery's collection of cyclopedia of works on view in the years reaffirm the importance of contin- great works of art. Gallery's collections with an easy-to-use uing to showcase excellent exhibitions Technological advances during the touchscreen, animation, sound, and at the Gallery. Our commitment to year in three major areas—conserva- personalized tours. Like all of our edu- exhibitions and to the permanent col- tion, education, and collections man- cation programs, the Micro Gallery lection defines our national role of pre- agement—are having a significant places new focus on the Gallery's senting great works of art to a world- impact on how the Gallery fulfills its extraordinary collections. wide audience. mission as an educational institution Our computerized collection manage- and extends its reach nationally and ment system, "Leonardo," serves as the Earl A. Powell III internationally. central repository of information used Director A number of projects in conservation by Gallery , staff, and scholars. have enhanced understanding of the Another exciting development during materials, methods of execution, and the year was jMIRA! (Spanish for "to construction of works of art for Gallery look with wonder"), a system that uses curators and conservators. Taking state-of-the-art and evolving hardware advantage of the latest technologies, a and software to display color images of team of outstanding conservators and works of art at the highest resolution. scientists has created one of the nation's A related pilot project under way will premier conservation facilities at the integrate the high-resolution digital Gallery. images in jMIRA! with the collection The Gallery's dedication to fostering information in "Leonardo," allowing an appreciation of works of art operates researchers to retrieve works based on on a broad spectrum. Production began selected criteria and to view images as if during the year on the Micro Gallery, a they were slides on a table. state-of-the-art interactive computer Exhibitions at the National Gallery system that will offer our visitors excit- are a natural outgrowth of the collec- ing new options for exploring the col- tions, providing visual pleasure and lections. We are particularly grateful to experience for Gallery visitors from

13 ft T"T ART PROGRAMS

Renaissance Paintings made possible by The Circle of the National Gallery of Art. In a particularly active and rewarding The department of Italian Renaissance year, the department of northern paintings began preparations for a Renaissance paintings brought several major exhibition on the painter Lorenzo major projects to fruition, publishing Lotto, scheduled to be shown in the systematic catalogue on German and Washington in 1997. Special gallery Paintings of the Fifteenth through Seven- talks this year focused on the three teenth Centuries and presenting two focus paintings by Piero di Cosimo in the col- exhibitions. Hans Memling's "Saint John lection. Work on the systematic cata- the Baptist" and "Saint Veronica" brought logues of the Gallery's Italian Renais- together the panel from the National sance paintings continued, with Gallery with its likely pendant from the emphasis on the 15th century; this is Alte Pinakothek, Munich, to commem- the first of three planned volumes on orate the 500th anniversary of Mem- this aspect of the collection. ling's death. Jan van Eyck's "Annun- ciation" celebrated the conservation and Baroque Paintings return to public view of one of the trea- sures of the permanent collection. The The systematic catalogues on 17th- latter show included illuminated manu- and 18th-century Italian and on 17th- scripts from the Walters Art Gallery and century Dutch paintings have been the J. Paul Getty Museum as well as completed for publication in 1995. text panels that explained the complex New research on the Italian paintings iconography, restoration, and technical produced notable results. Documents investigation of the painting. Numerous confirm that the Saint Cecilia and an tours and an afternoon of public lec- Angel was begun by tures on Van Eyck organized in con- and finished some years later by Gio- junction with the exhibition gave spe- vanni Lanfranco. Campo di SS. Giovanni e cial emphasis to The Annunciation. Jan van Eyck, The Annunciation, c. 1434/1436, Paolo, Venice, once unconvincingly Andrew W. Mellon Collection, 1937.1.39, after Booklets for both exhibitions and sup- attributed to Canaletto, has been cor- conservation port for the Van Eyck installation were rectly identified as an early painting by

15 Bernardo Bellotto. The nine paintings The Bauman Foundation. The video Gallery helping to organize the Steen by Giovanni Battista Tiepolo remain examines the life and art of this great exhibition. securely attributed to the master. 17th-century Flemish master by walk- Through the generosity of Lee and One noteworthy result of research on ing the viewer through the Van Dyck Juliet Folger, plans to build three new the northern baroque collection was a exhibition held at the National Gallery Dutch "cabinet" galleries have been reassessment of the attributions of a in 1990-1991. Also published this year, realized and construction of the galleries number of the Rembrandt paintings in as part of the Gallery's Studies in the has begun. The new galleries, due to the collection. Among the reattributions History of Art series, was Van Dyck 350, open in the fall of 1995, will house are two paintings now believed to have a volume of symposium papers given at small-scale Dutch and Flemish paintings been done by "Rembrandt and Work- the time of the exhibition, edited by the in suitably intimate spaces. Specially shop," including A Turk, and three of the department and by Susan designed cases will permit great flexibil- paintings now designated as by the J. Barnes, co-curator of the exhibition. ity in the type of art displayed, for it "Rembrandt Workshop," including Planning proceeded for two future will be possible to exhibit books, prints, Joseph Accused by Potiphar's Wife. exhibitions: Johannes Vermeer, scheduled and drawings in conjunction with The department of northern baroque for fall 1995; and Jan Steen, which will paintings. paintings worked with the education open in spring 1996. H. Perry Chapman Two painting acquisitions this year division to write and produce the video from the University of Delaware spent will be welcome additions to the new , generously funded by much of her sabbatical year at the cabinet galleries. Boy Making Faces is a

16 Willem van de Velde the Elder, Dutch Ships Near the Coast, early 1650s, Gift of Lloyd M. Rives, 1994.61.1

Joseph Decker, Green Plums, c. 1885, Collection of Mr. and Mrs. Paul Mellon, 1994.59.4

delightful small work by the early framed, for instance, thanks to a wel- included Green Plums and Grapes by 17th-century master , come contribution from The Circle of Joseph Decker and Winter in the Country who probably painted this panel upon the National Gallery of Art. by George Henry Durrie, the first works returning to his native after by these artists to enter the collection. A studying in Haarlem with . It American and British charming 19th-century view of West is the first painting by Brouwer to enter Paintings Point by an anonymous American artist the collection. The other acquisition is a came from Mrs. Rudolf J. Heinemann, rare "-painting," Dutch Ships Near the The National Gallery was fortunate to and a portrait by British artist Sir Coast, by the marine specialist William acquire several important American and Oswald of Joseph E. Widener, one van de Velde the Elder, given to the British paintings this year. Purchased of the Gallery's founding benefactors, Gallery by Mr. Lloyd M. Rives. Van de with funds provided by The Circle, was given by P.A.B. Widener III. Velde perfected this painstaking Thomas Cole's newly rediscovered Ital- The Gallery was the opening venue technique, which resembles , ian Coast Scene with Ruined Tower en- for the exhibition John James Audubon: during the early to mid-1650s. hances the Gallery's holdings by this Watercolor Paintings for the "Birds of Amer- A number of 17th-century frames key American landscape painter. Paul ica, " organized by the New-York Histori- have been acquired that greatly im- Mellon presented the Gallery with cal . A focus exhibition paired prove the appearance of the collection. Winslow Homer's well-known The Din- the Gallery's The Spirit of War by Jasper All paintings by Vermeer will be re- ner Horn. Mr. Mellon's generous gift also Francis Cropsey with its pendant, The

17 Spirit of Peace, lent by the Woodmere Art French Paintings Jasper Francis Cropsey was the focus of a small exhibition that brought together his pendants. The Museum, ; this is the first Spirit of War (National Gallery of Art, Avalon Fund, time these works have appeared to- The major acquisition in the department 1978.12.1) and The Spirit of Peace (Woodmere Art gether publicly since 1857. Plans pro- of French paintings this year was Jean- Gallery, Philadelphia), both 1851, for the first time in more than a century ceeded for the forthcoming Winslow Baptiste Oudry's portrait of The Marquis Homer retrospective and exhibitions on de Beringhen, purchased with income Thomas Moran and British paintings of from the Patrons' Permanent Fund. the Victorian era. Gallery curators also Oudry is best known as a painter of assisted in planning John Singleton Copley hunting pictures, still lifes, and scenes short guide to 24 masterpieces of in England, coorganized with the of animals and game. The Marquis de French painting in an attractive color Museum of Fine Arts, Houston, to be Beringhen is his masterpiece as a portrait brochure. seen in Washington next fall. painter. A focus exhibition on Toulouse- Progress continued on the systematic The department reinstalled the Lautrec's Marcelle Lender Dancing the catalogue project, with final proofs cor- French 19th-century galleries early in Bolero in "Chilperic," the gift (partial and rected for the volume on 18th-century the year and produced a new digitized promised) of Betsey Gushing Whitney paintings, the manuscript copyedited for type of recorded guide, known as in honor of John Hay Whitney, was the first volume on 19th-century paint- "Inform," which allows individualized organized for 1995. Research and writ- ings, and considerable research and access to interpretive commentary on ing continues for the systematic cata- writing accomplished on the second French impressionist and post-impres- logue on 15th- and 16th-century volume on 19th-century works. sionist paintings in the collection. It has proved very popular with the public. French paintings. The department also prepared a new

18 20th-century Art version of a large-scale sculpture of the a diverse group of 57 drawings, sculp- same title, it is made of polychromed ture, and photographs by 30 contempo- The Gallery made a number of exciting metal that the artist generated at the rary artists. Many of their most signifi- additions to its collection of 20th-cen- Lippincott Foundry from found and fab- cant gifts over the past several years tury art this year. Recent works by two ricated parts. were included in From Minimal to Con- of the most important postwar artists to The Gallery was especially pleased to ceptual Art: Works from The Dorothy and emerge in Germany were acquired add to the collection major paintings by Herbert Vogel Collection, the first exhibi- through the generosity of the Collectors Morris Louis and Sam Gilliam, two tion of the collection since it was ini- Committee: 's Abstract American artists closely associated with tially transferred to the Gallery in 1991. Painting 780-1 and 's Hope Washington, DC. The lushly painted, The Gallery opened the Willem de is: Wanting to Pull Clouds are the first monumental Beth Chafby Louis, among Kooning: Paintings exhibition, organized paintings by these artists to enter the the finest of his "veil" compositions, is a in association with the Tate Gallery, collection. They are installed in an East partial gift of Dennis and Gisela Alter. , and the Metropolitan Museum Building gallery devoted to current Ger- Gilliam's Relative, purchased with funds of Art, , to celebrate the man art. A major bronze by German donated anonymously, is a superb artist's 90th birthday. The Gallery's artist Kathe ICollwitz, The Lovers, was a example of the artist's technique of associate curator of 20th-century art gift from Dr. and Mrs. S. Lifschutz; it applying paint to unstretched canvas worked with David Sylvester, an Eng- will handsomely add to the Gallery's that he then folds to drape gracefully lish art historian, and , collection of graphic work by this artist. from the wall. director of the Tate Gallery, to assemble A very different sculpture by American New York collectors Dorothy and 84 of de Kooning's finest paintings, artist Nancy Graves, Kariate, was Herbert Vogel this year made additional spanning nearly 50 years of his career. donated by Lawrence Rubin. A tabletop gifts and promised gifts to the Gallery of The exhibition and its accompanying

19 The major : Paintings exhibition included spectacular loans from around the world, including Ruth's Zowie, 1957 (Collection of Mr. and Mrs. Thomas Dittmer), and Untitled VI, 1983 (Robert and Jane Meyerhoff, Phoenix, Maryland)

catalogue were made possible by J.P. tion of this great artist's work. The con- Sculpture and Decorative Morgan & Co. Incorporated; an indem- temporary art collection of Robert and Arts nity for the exhibition was granted by Jane Meyerhoff will be the subject of a the Federal Council on the Arts and the large exhibition in 1996. For 1998 the Two important exhibitions of old master Humanities. Gallery is planning major retrospectives sculpture highlighted the department's Work progressed on a number of of the work of and activities this year. The National Gallery future exhibitions, including the first . Publication of the cata- collaborated with the , survey of Claes Oldenburg's career in logue raisonne of Rothko's paintings, New York, in presenting The Currency of over 25 years, opening at the Gallery in which is being prepared at the Gallery, Fame: Portrait Medals of the Renaissance, February 1995. This will be followed by is slated for 1996. with Stephen Scher as curator. This fol- Arshile Gorky: The Breakthrough Years, the Dr. Jeffrey Weiss joined the Gallery lowed the Gallery's exhibition of the first exhibition ever devoted to Gorky's this year as assistant curator of 20th- newly cleaned marble Cesarini Venus by seminal paintings and drawings of the century art. Giambologna, lent by the U.S. Embassy 1940s, and by Piet Mondrian: 1872-1944, in courtesy of the Department of a definitive selection and - State. Anthony Radcliffe, keeper emeri-

20 tus of sculpture at the Victoria & Albert Western Decorative Arts, Part 1, was pub- Old Master Drawings Museum, London, and the Gallery's lished this year, with entries on the 1993-1994 Kress Professor, served as Suger chalice, medieval and Renais- The collection of old master drawings curator for the show and wrote the sance enamels and metalwork, stained continued to grow in breadth and qual- accompanying brochure. glass, Renaissance ceramics, and other ity, thanks to many important donations The National Gallery's medieval/ objects. Also published in 1994 was and purchases. An exceptionally rich Renaissance "treasury," where the jew- Sculpture: An Illustrated Catalogue, the gift of nine drawings came from the eled chalice of Abbot Suger is displayed, first National Gallery of Art summary Woodner Family Collection, ranging underwent a complete reinstallation catalogue dedicated to the sculpture col- from the earliest Dtirer in America, the this year. It now features a dalmatic lection. Work continued on the Renais- charming Virgin Annunciate, to a blackly with Florentine 15th-century woven sance plaquettes volume of the system- humorous Goya, Beggars Who Get About panels depicting the Assumption of the atic catalogue. on Their Own in Bordeaux. The Woodner Virgin lent by Washington's National gift also included two beautiful red . chalk drawings by — a sensitive The first systematic catalogue on the copy after an antique sculpture and an sculpture and decorative arts collection, exquisitely drawn study of the heads of

21 i MS*- • m !'*»*> tiF f&f &, ,.%r 2#/. '/#» # M jd

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eight apostles—an evocative landscape generosity of The Circle of the National Raphael, Eight Apostles, c. 1514/1516, Woodner by Rembrandt conveying light and Gallery of Art, incorporates the work of Family Collection, 1993.51.2 atmosphere with bold, spare touches of three individuals over three centuries: Pellegrino Tibaldi, Two Seated Women, 1527-1596, pen and brush; Anthony van Dyck's Giovanni Guerra (c. 1540-1618); Gift of Ruth B. Benedict, 1994.60.62 precocious Marriage of Saint Catherine, Domenico Maria Viani (1668-1711); made when he was a teenager but bear- and John Talman (d. 1726). Finally, the ing witness to a formidable talent; ex- Ailsa Mellon Bruce Fund made possible cellent drawings by Giovanni Domenico the purchase of an engaging drawing by Tiepolo and J.A.D. Ingres; and a rare a talented, imaginative 16th-century 16th-century design for a helmet from Italian artist, Illusionistic Ceiling with a charming sketch of a woman in a pearl the Fontainebleau School. A special Grape Arbor. necklace by Venetian artist Francesco exhibition celebrated this outstanding Another key architectural drawing Fontebasso, two of the four old master gift. was the partial and promised gift of Mr. drawings included with the large be- The Gallery added significantly to its and Mrs. Ladislaus von Hoffmann: the quest of prints from Ruth B. Benedict. collection of architectural drawings this great "Canopus" of the Villa Adriana at Another fine Italian drawing, a design year. One splendid drawing by the Tivoli by Giovanni Battista Piranesi is an for a complex wall decoration by the architect Andrea Pozzo, purchased with impressive red chalk study made in Veronese artist Brusasorci, was the first funds from Robert M. and Anne T. Bass, preparation for the etchings in his vol- drawing purchased through the Hen- is a study for his ceiling design in the ume of Vedute di Roma (a copy of which field Fund, established by 50th-anniver- baroque church of San Ignazio, Rome, the Gallery owns). sary donor Joseph McCrindle. The and a tour de force of foreshortening Other gifts this year included a bold Phillips Family Collection maintained its and architectural invention. A second study of Two Seated Women by the Bolog- long tradition of generosity toward the ceiling design, purchased through the nese mannerist Pellegrino Tibaldi and a National Gallery by donating funds for

22 the purchase of a dramatic landscape by quired four 19th-century Italian stage sculpture, and furniture dating from 18th-century French watercolorist designs by Alessandro Sanquirico and c. 1300 to 1800. All but one work in Claude-Louis Chatelet. Finally, the Antonio Basoli. the show was from the Gallery's perma- acquisition of a lovely monochrome In addition to installing the new gifts nent collection. watercolor by English Romantic artist from the Woodner Family Collection, The collection was enriched this year John Sell Cotman, particularly satisfying the department was involved in orga- by a number of notable gifts and pur- in the wake of last year's highly success- nizing two rotations of drawings from chases. Gifts included five 18th-century ful Great Age of British Watercolors exhibi- the Collection: Italian portrait prints and an etching by Salo- tion, strengthens the collection of drawings from Leonardo to Giovanni mon Gessner, Satyr Carrying a Nymph, all British drawings. Domenico Tiepolo, featuring the full- given by longtime donor John O'Brien. Among drawings acquired through scale cartoon for La Belle Jardiniere by Mr. and Mrs. Arthur Vershbow, also discretionary funds were several other Raphael; and landscape and architecture venerable friends of the Gallery, gave "firsts" for the Gallery, including Georg views from Albrecht Dtirer to Andrew two bound volumes of prints: one with Pecham's unusual The Way of Salvation; a Wyeth, emphasizing such 19th-century by Richard Bentley for six striking pastel portrait by John Russell, artists as van Gogh, Gauguin, Pissarro, poems by Thomas Gray, and the other still in its original frame; Jean-Baptiste Cezanne, Bodmer, and David Cox. containing lithographic vignettes and Deshayes' broadly gestural Semele Con- plates by Godefroy Engelmann I. sumed by the Fires of Jove; and a large, Old Master Prints The largest gift of the year came as a handsome study of a beech tree on blue bequest of Ruth B. Benedict, one of the paper by Paul Huet. Building on the The exhibition and accompanying bro- Gallery's most generous donors and a group of theatrical drawings that came chure for Fanciful Flourishes took as a frequent and beloved visitor. This splen- with the William B. O'Neal Collection theme ornamental design in European did gift comprised 68 prints and draw- three years ago, the Gallery also ac- prints, drawings, illustrated books, small ings by European and American artists

23 dating from the 1500s into the 20th among them Agostino Carracci's moving ing's print study room. Attendance was century. An outstanding group of prints Pieta after . Strengthen- 1,002 persons, up 10 percent from the are by and after designs by the great ing the 17th-century Dutch holdings are preceding year. Plans were drawn for Dutch mannerist Hendrik Goltzius. The ' Bust of a Bearded Old Man refurbishing the print study room in bequest is also especially rich in fine and a landscape by Geertruyd Roghman early 1995. 17th- and 18th-century etchings by after Roelandt Roghman, T Huys te such preeminent printmakers as Rem- Zuylen. French landscape prints were brandt, Francisco de Goya, and Stefano augmented by an excellent impression Modern Prints and Drawings della Bella. This gift was commemorated of Claude Lorrain's etching Harbor with with an exhibition and brochure, A Dis- a Large Tower and seven proofs of etch- This department organized three major cerning Eye: Prints and Drawings Given by ings by Nicolas Perignon, the first works exhibitions this year, all focusing on the Ruth B. Benedict. by this 18th-century artist to enter the permanent collection and promised Prints purchased for the Gallery this collection. gifts. Gemini G.E.L.: Recent Prints and year included important works by Visitors continued to view old master Sculpture featured editions completed Dutch, French, and Italian artists, prints and drawings in the East Build- since 1984 when the Gemini G.E.L.

24 stepped up for the 1994-1995 exhibi- Cunningham, Robert Morris, and Edda tion of the prints of Roy Lichtenstein. Renouf. was an international Several artists made gifts of their own exhibition of more than 70 paintings, works. Roy Lichtenstein and his wife watercolors, and drawings from every Dorothy gave his book of aquatint etch- major period in the artist's career. ings, La Nouvelle Chute de I'Amerique, Schiele's highly personal investigation with poems by Allen Ginsberg. Another of portraits, landscapes, and especially Lichtenstein print, Foot and Hand, came the human figure was highlighted in from former National Gallery employee thematic groups of watercolors punctu- Elizabeth J. Foy. Claes Oldenburg and ated by major paintings, many lent Coosje van Bruggen contributed the generously from the rich collections in original painted plaster maquette and Austria. two other studies for his Profiterole, an Great progress was made on our joint edition sculpture in the Gemini G.E.L. project with the Georgia O'Keeffe Foun- . Frank Stella and Tyler Graphics dation, the catalogue raisonne of paint- Ltd. jointly gave seven prints from ings, works on paper, and sculpture by Stella's brilliantly colored Moby Dick this seminal American artist; many Deckle Edges Series. Another print in the little-known works have come to light series, Ambergris, was acquired with as a result of this research. To enhance funds from The Circle of the National the scholarly usefulness of the Index of Gallery of Art, which also joined the American Design—the more than Collectors Committee in purchasing for 18,000 watercolor renderings of Ameri- the Gallery Stella's La penna di hu (black can decorative arts objects by artists and white). Tyler Graphics alone donated working on the WPA—the department one print in Stella's Moby Dick Deckle has begun to document the makers, Edges Series; nine others on the Moby dates, media, and sizes of the objects Dick theme, including the extraordinary depicted in the renderings and where 23-foot-long multimedia The Fountain; the objects were made. as well as seven prints from Lichten- An important gift from Paul Mellon stein's Series. this year included seven handsome Other gifts of prints this year included Milton Avery, Birds by Blue Sea, 1950, Gift of watercolors by Winslow Homer; the 36 works by Paul Albert Besnard— Prospero Foundation, Courtesy of Jane and Gallery's second monotype by Maurice several of them rare proofs and early Raphael Bernstein, 1992.53.1 Prendergast, his lovely Skipping Rope; states—from Professor and Mrs. Daniel the lithograph Par tie de Compagne by Bell; two rare proofs of etchings by Max Toulouse-Lautrec; and the late water- Klinger from the Epstein Family Fund; color Bouquet of Flowers, Vernon, by and two woodcuts by Karl Schmidt- Pierre Bonnard. Mr. and Mrs. Mark Rotluff as well as a drypoint by Oskar Borghi donated sheets in various media Kokoschka from Dr. Ruth Ivor. Dr. by Elihu Vedder. Four dynamic city- Thomas A. Mathews donated The North- Archive, formed in 1981, was last the scape abstractions by Abraham Walko- ern Shore by National Gallery exhibition subject of an exhibition at the National witz were given by the Prospero Foun- designer Mark Leithauser; and friends Gallery. Milton Avery: Works on Paper dation, courtesy of Jane and Raphael of former National Gallery docent Helen displayed selections from a 50th- Bernstein, who also donated the sump- C. Powers made a gift in her memory of anniversary gift from the artist's family tuous Birds by the Sea, our first mono- William T. Wiley's I Keep Foolin Around. that completed our representation of print by Milton Avery. As part of the bequest of 68 prints the artist's edition prints and included Two elegant by Robert Moth- and drawings from Dr. Ruth B. Bene- most etching plates and woodblocks erwell were the gift of Lawrence Rubin; dict, the Gallery received a sensitive used to make them; loans of beautiful and Sol LeWitt's powerful Wall Drawing black chalk landscape done by Henri- sketchbooks and watercolors rounded No. 681 C, given by Dorothy and Herbert Joseph Harpignies at age 92; three litho- out the exhibition. We also collaborated Vogel, was installed near the East Build- graphs by Daumier and one by Pissarro; with the department of 20th-century art ing auditorium. The Vogels donated and a color lithograph by Henri Jacques to organize the vibrant From Minimal to nine other drawings by contemporary Edouard Evenpoel. Of the lovely etch- : Works from The Dorothy artists , , Mel ings in the bequest, Rodolphe Bresdin's and Herbert Vogel Collection. Preparations Bochner, Jonathan Borofsky, Merce rare Holy Family with the Does is an espe-

25 Robert Frank, Look Out For Hope, Mabou—, 1979, Robert Frank Collection, Gift of the Evelyn and Walter Haas Jr. Fund, 1994.27.1

cially important addition to the collec- dramatic woodcut books by Frans Photographs tion. Frank and Jeanette Eyerly made a Masereel, the bequest of Mrs. Elizabeth gift of the Gallery's earliest print by Lukacs; and Mimmo Paladino's Piccolo Much of the department's attention this Wassily ICandinsky, the color woodcut circolo chiuso of 1991, with 18 etchings year focused on the Robert Frank: Moving Landscape with Figures and a Crucifix, and and a text by Salvatore Licitra, the gift Out exhibition, opening at the begin- its first print by surrealist Rene of Brenda and Robert Edelson. ning of the 1995 fiscal year. Working Magritte, Paysage de Baucis. The department assisted almost 400 closely with the artist, the curators Among gifts of illustrated books were visitors in the West Building prints and selected 159 photographs, ranging from Nicolai Gogol's Les Ames Mortes, contain- drawings study room, including classes Frank's earliest images made in Switzer- ing 107 etchings by , from from area high schools and colleges land during World War II to his most Mr. and Mrs. Gerhard E. Pinkus; Ma- such as the Corcoran School of Art, the recent composite works from the 1990s. tisse's Poemes de Charles d'Orleans, the Maryland Institute College of Art, and The catalogue, which includes superb bequest of Leonard Schlosser; nine the University of Richmond. tritone and four-color reproductions of

26 tors Committee, Evelyn Stefansson Nef, mentation from the registrar's office and Evelyn and Walter Haas Jr., Frederick the department of loans, the staff also and Diana Prince and the Prince Chari- vastly enlarged the exhibition histories table Trusts, Harvey S. Shipley Miller for paintings on the database to include and The Herbert and Nannette Roth- extended loans to U.S. embassies, gov- schild Memorial Fund, the Richard Flor- ernment offices, and other . sheim Art Fund, Gay Block and Malka This database is used by Gallery staff, Drucker, and anonymous donors have outside researchers, and systematic cata- helped the Gallery purchase many logue authors. important photographs by Frank and To keep curatorial files up to date, approach the goal of acquiring all of the the department incorporated the many images reproduced in his 1989 publica- original documents generated through tion, The Lines of My Hand. From rare expansion of the database as well as vintage prints in his London Bankers photocopies from auction and exhibi- series of the early 1950s to the 1984 sig- tion catalogues and other references. nature piece in the exhibition, Moving Systematic catalogue research also pro- Out, these works richly complement the duced a wealth of materials, as the Gallery's collection of photographs by authors of German Paintings and Decora- this seminal artist. tive Arts, Part 1, transferred files to this Among other donors, Robert and office upon publication of these vol- Joyce Menschel gave the Gallery two umes. In addition to Gallery staff, 88 1972 photographs of Cape Cod by Harry outside researchers consulted curatorial Callahan, whose work will be the files in person this year, and staff subject of a National Gallery exhibition responded to numerous written and in 1996. Continuing their generous gifts telephone inquiries. to the Gallery, Dorothy and Herbert One special accomplishment of the Vogel donated Vito Acconci's Step Piece department this year involved the reor- and Bernd and Hilla Becher's Cooling ganization of a large number of oversize Towers/Steel-Wood and Winding-Tower. photographs related to works in the col- The Gallery was the final venue for lection, which were transferred to the The Waking Dream: Photography's First Gallery's photographic archives with the Century. Selections from the Gilman Paper help of a summer volunteer. Other proj- Company Collection. Organized by the ects included the ongoing verification of Metropolitan Museum of Art, this exhi- object information, format, bition included approximately 250 pho- and exhibition histories for systematic tographs by well-known artists such as catalogue manuscripts; training educa- Julia Margaret Cameron and Edward tion division docents and interns in the Steichen as well as by obscure or anon- use of curatorial files and the collections ymous figures whose work enhances database; providing a great number of understanding of the art of photogra- files to the staff of the Micro Gallery phy. The department also commenced writing scripts for that new program; work on future exhibitions to focus on and working with Gallery Archives staff all works in the exhibition, is also the the photographs of Harry Callahan, to assess original Widener Collection first scholarly assessment of Frank's art. August Sander, and Alfred Stieglitz. files and distributing the material to Augmenting his 1990 gift, Robert individual object files or to the archives Frank gave the Gallery more than 90 Curatorial Records to make the information more acces- vintage silver gelatin prints and several sible to researchers. hundred work prints and contact sheets Augmenting the collections database, in 1994. Centered primarily on his years the department made available the Registration in in the 1940s, this gift Getty Provenance Index on the owner- presents remarkable insights into ship history of the Gallery's European The shipment arriving at Dulles Airport Frank's early schooling as a photogra- paintings, which brings the number of from Lisbon with the loans for The Age pher. In addition, funds donated by the accessible provenance histories for of the Baroque in Portugal was a mile- Horace W. Goldsmith Foundation, the sculpture, decorative arts, and paintings stone for this department. Because the Howard Gilman Foundation, the Collec- to more than 1,600. Based on docu- dimensions of the coach in the exhibi-

27 Royal coach for The Age of the Baroque in Portugal is tugal to , The Currency of Fame film in time for the annual . carefully packed by a National Gallery to New York and Edinburgh, Willem de Inventory of the entire photograph col- in Lisbon, specially wrapped, and loaded on a cargo plane bound for Washington Kooning: Paintings to New York, and lection was verified by computer record Helen Frankenthaler Prints to San Diego, for the first time this year, and the data- , , and Machita, Japan. base again enabled staff to conduct the The Matisse murals left the Gallery on general inventory in record time. tion exceeded the size of door openings tour to and Philadelphia, complet- The exhibition subsystem of the col- on all regular commercial aircraft, we ing our involvement with Great French lection management database was had to charter a belly-loading cargo Paintings from The Barnes Foundation. released this year, giving access to object plane similar to those used by the mili- Acquisitions of works of art this year lists as they are developed. This greatly tary. The coach also required special totaled 1,780, including 33 paintings, 13 facilitates shipment planning and the handling and packing designs as well as sculpture, 473 drawings, prints, bound creation of object labels, incoming cranes and forklift trucks to move it into volumes, and portfolios, and 1,261 pho- records, and shipping documents. The place in the East Building via the mez- tographs. For a complete listing of art loans subsystem should be operational zanine-level windows. This logistical acquisitions in fiscal year 1994, please in 1995. Management of extended loans challenge continued through an exten- see pages 81-91 of this report. to the collection was transferred to the sion of the tour of the exhibition to the Accessioning the gifts of Robert Frank registrar's office this year. San Diego Museum of Art, but we were photographs and archives was a signifi- The registrar's office assisted curators able to enlist the services of a U.S. Navy cant achievement in collection manage- in rehanging the entire collection of cargo plane for this domestic transit. ment this year. Staff from the registrar's 19th-century French paintings and also In addition to overseeing the move- office and departments of prints, draw- continued to assist with the ongoing ment of works of art for 22 exhibitions ings, and photographs worked diligently frame project, which entailed closing installed at the National Gallery of Art over six months to catalogue 161 fine several galleries at a time and trying this year, the registrar's office managed prints, 1,004 work prints, 2,237 proof prospective frames on the permanent the tours of The Age of the Baroque in Por- sheets, and more than 2,000 rolls of collection paintings.

28 The volume of office activity is re- administered the loans of 992 objects for ings for Bosch e 0 Eterno Retorno in Lis- flected in the following statistics: 2,403 110 temporary exhibitions at 152 insti- bon; 28 Renaissance portrait medals for incoming objects (702 exhibition ob- tutions and the extended loans of 242 The Currency of Fame in New York and jects, 65 loans, 1,124 objects on deposit works at 60 sites. Of these, works in the Edinburgh; 35 drawings by Richard Tur- or approval, and 512 returning loans, National Lending Service (NLS) consti- tle for The Poetry of Form in Indianapolis; 338 as part of the National Lending Ser- tuted 693 loans to 37 temporary exhibi- and 18 important works by Whistler for vice [NLS]), 1,952 outgoing objects tions at 46 venues and 239 extended the artist's retrospective in London. (including 417 NLS objects), and 112 loans. The department this year also The NLS exhibition program contin- copyist permits issued. processed the outgoing loans of three ued to flourish in fiscal year 1994, with Tina Kohler, registrar at the ICunst- Gallery works to other U.S. museum six exhibitions seen at 17 museums. museum in , spent a week at the collections as well as the incoming loans Mark Rothko: The Spirit of Myth, Early Gallery to observe operations and proce- of 173 works for display with the per- Paintings from the 1930s and 1940s was dures. The registrar's position is rela- manent collection before transferring again the most popular, traveling to six tively new in European museums, and the latter function to the registrar's museums. Four new exhibitions, all ver- we are eager to support our colleagues. office. sions of shows initially held at the Kohler, in turn, has offered to help us The Gallery lent several important Gallery, have been added to the NLS develop the German version of our groups of art objects for exhibition this schedule: Drawings from the 0 'Neal Collec- universal loan agreement form. year, including 47 Venetian paintings tion; Works from The Dorothy and Herbert and graphic works for The Glory of Venice Vogel Collection; Gemini G.E.L.; and Milton Loans and the National showing in London; major French Avery: Works on Paper. Lending Service paintings such as The Artist's Father by Cezanne for The Origins of Conservation The National Gallery is a generous in Paris and New York and Gare Saint- lender to exhibitions around the world, Lazare by Manet for The Year of Impres- Building on last year's generous gift of and in fiscal year 1994 this department sionism in Tokyo; 7 paintings and draw- artists' materials from Zora and Edward

29 Pinney, the conservation division has Painting Conservation established an archive and research cen- Conservators and scientists completed ter devoted to the subject. The William treatment and technical study of three R. Leisher Memorial Fellowship was major northern European paintings in created with endowment funds to orga- the Gallery's collection. Jan van Eyck's nize and catalogue the archival material exquisite Annunciation returned to pub- and allow future access via Internet. lic view after cleaning and , The Gallery also hosted a national meet- which shed light on its transfer from ing of conservators, scientists, and art wood to fabric support in the mid-19th material manufacturers to discuss con- century, including the almost complete cerns and formulate research plans. removal of the original glazes from the Computer imaging continues to aid Madonna's blue robe. Treatment of Gallery conservators and scientists in Petrus Christus' Nativity revealed a com- providing information on the structure plete scraping away of the Madonna's and composition of works of art as well blue robe and the addition of a gilded as on the artists' intentions, allowing paten-type halo around the Christ Child the overlay of reflectograms, in early treatments, which required spe- x-radiographs, and visible-light images. cial sensitivity in preserving both aes- Using this new technology, more than thetic unity and historical accuracy. 20 paintings by Thomas Moran were Woman Holding a Balance was the first of studied this year in anticipation of an the Gallery's paintings by Vermeer to be upcoming exhibition at the Gallery. A cleaned and inpainted in coordination summary of various studies using imag- with a new international study of the ing technology was presented to the artist. Treatment revealed highlights on Association of Directors. the right side of the frame depicted Providing leadership in a number of behind the woman that enliven the professional organizations, the conser- already complex composition and vation division hosted the annual meet- iconography. ing of the Washington Conservation The 12 other major conservation Guild and participated in workshops at treatments included two large Whistler the annual meeting of the American portraits, The White Girl and Mother of Association of Museums to update Pearl and Silver: The Andalusian; a large members on the Art in Transit study. landscape by Sebastiano and Marco Gallery staff served on the advisory Ricci, Memorial to Admiral Sir Clowdisley committee for an international research Shovell; Willem de Kooning's Woman project on the of paper conducted with a Hat and Legend and Fact; Barnett by the American Society for Testing and Newman's The Name II; an early Copley Materials, Institute for Standards Re- portrait, Epes Sargent; Cole's Italian Coast search, and on the technical committee Scene with Ruined Tower; Cuyp's Herdsmen for the protection of cultural resources Tending ; Gauguin's Landscape at Le of the National Fire Protection Associa- Pouldu; Reynolds' Lady Cornewall, and tion. The Gallery is participating in a the small Head of Saint Matthew attrib- study of the effects on works of art of uted to a follower of Rembrandt. a new fire suppression system that uses The department completed 113 minor a moisture fog rather than the more treatments of paintings and more than common water sprinkler. 1,250 minor examinations, including The Gallery this year published the those carried out by the intern during second volume of Artists' Pigments: A the annual inspection of the collection. Handbook of Their History and Characteris- The conservator for the systematic cata- tics, edited by Dr. Ashok Roy of the logue oversaw 55 major examinations National Gallery, London. The third vol- and continued editing, answering tech- ume is nearing publication, while nical questions, and organizing exami- research is under way for the fourth. nations for volumes in progress, includ- ing American 18th- and 19th-century

30 Johannes Vermeer, Woman Holding a Balance, c. 1664, Widener Collection, 1942.9.97, after conservation

31 paintings, Italian 13th- through 14th- Paper Conservation Florentine engraving, was removed from its lining, tears were repaired, and and 17th- through 18th-century paint- Exhibition-related activities occupied ings, and French paintings from 1800 to losses inpainted; computer imaging pre- much of this department's attention. viewed the results of inpainting. Con- I860. The Robert Frank exhibition required the The quest for new technical informa- servators used paper pulp to infill losses to perform tion on artists' underdrawings and in a drawing by Jacopo Bertoia and many condition examinations, major underpaintings led staff to explore the consolidated the fragile and flaking and minor treatments, and densitome- many uses of the Kodak infrared ther- gouache painting on paper, Mountain try and spectrophotometry readings to Landscape with Washerwoman, by mal imager. Conservators also continue monitor certain pieces for light sensitiv- Francesco Zuccarrelli. The contract book to offer tours of the faboratory, teach ity over the duration of the six-venue conservator completed the full-leather new guards and couriers about conser- tour. The department also assisted with rebinding of an 18th-century rare book, vation issues, assist with exhibitions, three other exhibitions featuring works Entretiens sur les vies et sur les ouvrages..., and inspect paintings prior to and dur- on paper: Works from The Dorothy and and partially resewed and added new ing long-term loan, among other Herbert Vogel Collection, Gemini G.E.L., and alum-tawed thongs and end bands to responsibilities. The chairman of the Milton Avery. For Willem de Kooning, con- department participated in the ongoing the rare vellum-bound book Descrittione servators completed a major treatment project to upgrade the framing of the di tutta Italia, dated 1550. of Woman with a Hat, an on Conservators began a number of permanent collection. paper. major projects relating to research and Getty Intern, Lesley Stevenson; Wil- Several graphic works in the Gallery's long-term oversight of the graphics col- liam R. Leisher Fellow, Paula Volent; collections received major treatment and new Culpeper Fellow, Ulrich Birk- lections. Most notably, the recent gift of this year. Man in Fantastic Helmet, a drawings from the Woodner Family maier worked with the department this unique impression of a 15th-century year. Collection prompted in-depth condition

32 Object Conservation working closely with the author of the volume and with the Kress Professor. Exhibitions presented an array of chal- Funding from the Kress Foundation lenges for this department. For The Age made possible the development of a of the Baroque in Portugal, decorative provenance study of the Gallery's mar- panels composed of hundreds of tiles ble sculpture from Renaissance and required special attention and a Chinese 17th- to 19th-century . This year candlestick from the Palacio National de conservators and collaborating scientists Queluz needed treatment. In Works from at the University of Georgia analyzed The Dorothy and Herbert Vogel Collection marble samples taken from a dozen eclectic objects in nontraditional formats and compared them with and materials such as wax, chalk, and samples collected in the field. foodstuffs demanded creative solutions Department staff completed mainte- to ensure the safety of the works as well nance of the entire outdoor contempo- as their accessibility. For Giambologna's rary sculpture collection and the annual "Cesarini Venus," this department helped cleaning and waxing of Henry Moore's facilitate the loan, oversee conservation, Knife Edge Mirror Two Piece. Completed and reinstall the exquisite marble sculp- were 11 major and 65 minor treat- ture in the Palazzo Margherita, site of ments, 5 major and 60 minor examina- the U.S. Embassy in Rome. tions, 41 technical examinations for the Objects in the collection receiving systematic catalogue, and condition major treatment included the poly- examinations for more than 770 exhibi- chromed terra-cotta relief Madonna and tion objects.

Mellon Fellow (1991-1994), Penelope Edmonds, Child from the circle of Giovanni di Richard Stone, conservator at the cleaning the polychrome terra-cotta relief Madonna Turino, which was the culminating pro- Metropolitan Museum of Art, came to and Child, c. 1430, Samuel H. Kress Collection, ject of the Mellon Fellow's third and the National Gallery as Andrew W. Mel- 1961.9.103 final year with the department. Treat- lon Visiting Scholar to consult on the ment stabilized the ceramic structure fabrication of certain Renaissance and returned the polychromy to a legi- bronzes; he presented a public lecture ble, harmonious state by removing dis- on "Two Exceptional Gold Fakes in the ruptive interventions. Treatment of the Metropolitan." Katherine Holbrow Widener chandelier disclosed that the began a two- to three-year Mellon Fel- examinations of these works and tech- silversmiths' marks, mid-18th-century lowship, and Martha Simpson became nical examinations and analyis of the French tax stamps, and much of the the new Getty Intern. artists' materials; this included the thor- original silver were still intact, adding to ough documentation of the large sheet its distinguished history. For the first Scientific Research of ten drawings that col- time in ten years the pair of Florentine lected and arranged in the 16th century. Annunciation Windows from the medieval In collaboration with conservators and Other ongoing projects begun this gallery was removed to prepare for re- curators, this department undertakes year were a computerized condition installation of the space. This allowed many technical studies of works of art. survey of the French drawings collec- conservators and curators to examine Among the technical analyses con- tion and the extension of the archive of the front and back surfaces of the nected with upcoming exhibitions, one radiographed images of watermarks to stained and painted glass panels and to study this year focused on the materials include 20th-century artists' papers. clean both windows thoroughly. and working methods of Jan Steen (the A 20th-century paper archive will Based on extensive research on the is conducting a similar greatly facilitate research on particular Saint-Porchaire ceramics and medieval study); another concentrated on the artists and will document the variety enamels in the collection, the depart- paintings by Vermeer in the Gallery's and quality of artists' papers available. ment published two technical appen- collection as well as an examination for The paper conservation department dices in the systematic catalogue on the of varnish samples from completed 79 major and 444 minor Western Decorative Arts, Part 1, that serve its Woman with a Pearl Earring and View treatments and examined more than as models for investigations of related of Delft-, and a third compared materials 1,700 objects for loan and exhibition. objects in international institutions. and techniques in the two versions of Moyna Stanton began her Mellon Conservators also began technical Georges de La Tour's Repentant Magda- Fellowship with the department this examinations of the Renaissance small lene from the Gallery and the Los Ange- year. bronzes for the systematic catalogue, les County Museum of Art. Technical

33 studies were also undertaken of Portrait Air-path energy dispersive x-ray spec- of a Man by Joseph Wright of Derby, troscopy (XRF) facilitated quantitative Epes Sargent by Copley, a sheet of draw- elemental analysis of the Gallery's pla- ings assembled by Vasari (Woodner Col- quette collection (comprising about 600 lection), The White Horse by Constable, objects), from which a multivariate sta- Christ at the Sea of Galilee by , tistical analysis of the data is being done and The Annunciation by Jan van Eyck. in collaboration with Dr. L. C. Hayek of Pigment dispersion identification and the Smithsonian Institution. XRF was cross-sectional analysis were used to also used to study 12 sculptures by study the Gallery's version of Nicolas Giambologna in the Cesarini Venus exhi- Poussin's Holy Family on the Steps for a bition; to analyze 4 patinated sculptures colloquy at the Center for Advanced by in the Gallery's col- Study in the Visual Arts. Research is lection; and to differentiate among under way on the paint binding media print-developing processes used by used by Edouard Vuillard to test the Stieglitz—including platinum-, palla- assertion that he painted in a hot glue dium-, and mercury-toned prints—as medium. part of the complete examination Department scientists collaborated of the Gallery's collection of Stieglitz with the Mellon Fellow in objects con- photographs. servation to study the polychromy relief During research into the history and of the Madonna and Child from the circle uses of yellow lake pigments, particu- of Giovanni di Turino, and with the larly buckthorn yellow, department staff contract conservator for the Kress prepared authentic yellow lakes and sap Frame Project to carry out cross-sec- green from unripe and ripe buckthorn tional analyses of gilded frames, distin- berries, respectively, and are studying guishing original work from restored or the nature of sap green and the fading repaired areas and elucidating gilded of buckthorn yellow. Research into nat- frame-making practices. Collaborating ural and accelerated aging characteris- with Dr. John Delaney of the Johns tics of new varnish materials continued, Hopkins University, Dr. Colin Fletcher with gel permeation chromatography of the National Cancer Institute, and used to study changes in molecular paintings conservators at the National weight distribution. Hydrogenated Gallery, department staff also studied hydrocarbon resins, sty rene- ethylene - the spectral properties of pigments in an styrene block copolymers, and aldehyde effort to develop the use of infrared resins were found to be suitable for pic- cameras for nondestructive analysis of ture varnishes, particularly when a hin- pigments. The pigments in Winslow dered amine light stabilizer was used. Homer's watercolor box were analyzed Collaborating with Jill Whitten, Mellon to enhance understanding of the Fellow at the Art Institute of , appearance of his watercolors. Gallery scientists studied applications for The eXL II energy dispersive the new materials and conducted work- spectrometer acquired a year ago has shop demonstrations in Valencia, , enabled scientists to characterize pig- and at the varnish symposium orga- ments in a more thorough manner. nized by the Canadian Conservation Specific findings include the frequent Institute in Ottawa. observation of dolomite in paint on The department puchased a single- Venetian pictures and the use of green stage quadrupole mass spectrometer and yellow glass as pigments. The de- with gas and liquid chromatography paintings, a study of the impact of neu- partment was made a beta site for the interfaces this fiscal year. It will be tron activation on various artists' paints DTSA program developed at the Na- upgraded to a triple-stage quadrupole was undertaken. Paints were irradiated tional Institute of Standards and Tech- mass spectrometer in 1995 and used to in the nuclear reactor at NIST and nology (NIST). We also acquired their analyze organic art materials. brought back to the Gallery to be stud- MACLISPIX program, designed for Although previous researchers have ied for possible changes, particularly in analysis of images obtained from the not found evidence of deleterious the organic components of the paints. scanning electron microscope. effects of neutron autoradiography on The Charles Evans Company made

34 Max Klinger, Philosopher, 1909, Epstein Family Fund, 1993.60.1

available to the Gallery microprobe Scientists will further investigate the department. Greg Hodgins, Pat Moran, time-of-flight secondary ion mass spec- possibility of identifying paint binding and Dr. Narayan Khandekar visited the trometry equipment for assessment of media using this method. This would be laboratory over the summer. its value in examining paint cross sec- the first "microprobe-type" method tions. Preliminary experiments indi- available to analyze organic components Loans and Exhibitions Conservation cated that it is possible to obtain mass of paint samples. Working closely with the registrar's spectra of individual paint layers Dr. Jacqueline Cuttle started work as office and the design and installation directly from painting cross sections. the Charles E. Culpeper Fellow in this staff, this department ensures the safe

35 transport and installation of art in tem- lection this year, completing 9 major porary exhibitions. In cooperation with and 227 minor treatments for works in Gallery scientists, the department also the galleries and 27 for paintings loaned devotes considerable time to evaluating to other institutions as well as 14 for and improving materials and techniques paintings loaned to the Gallery. The staff used at the National Gallery for display, resized or improved the appearance of storage, and packing of works of art. another 53 frames in the collection. A This year the staff concluded an exhaus- three-year study of Kress Collection tive study on the of micro- frames, supported by the Kress Founda- climate display cases used for paintings tion, led to 30 major and 27 minor on loan to other institutions. With the treatments and the creation of a data- completion of research on transporting base record of findings. The scientific two-dimensional works of art, attention research department collaborated in has now shifted to problems inherent in analyzing the pigments and media used the transport of three-dimensional art. in the construction of several frames. Of the year's exhibitions, The Age of the Baroque in Portugal presented the Exhibitions most unusual challenges. A large cere- monial coach that would not fit into a The exhibitions office oversaw the truck or a 747 cargo plane required the opening of 15 exhibitions at the Na- Gallery to devise an elaborate packing tional Gallery in the past fiscal year, to case and transport procedures. The which 116 lenders from 10 countries coach was safely returned to Lisbon fol- and 13 states loaned 887 works of art. lowing its exhibition at the Gallery and The department also worked on another the San Diego Museum of Art. For The 50 projects scheduled to open in the "" Murals of Henri Matisse, the very next four years and administered the large mural from the Barnes Collection tours of six exhibitions. U.S. govern- was transported to the National Gallery, ment indemnity was secured for four the Musee d'Art Moderne de la Ville de exhibitions, enabling a savings of more Paris, and the Philadelphia Museum of than $500,000 in insurance premiums. Art. The department assisted with ten Temporary Exhibitions at the other exhibitions this year, including National Gallery of Art preparations for the major showing of Georges de La Tour's "Repentant 15th-century Italian architectural mod- Magdalene" els at the Gallery in December 1994. continued from the previous fiscal year to The matter/framers had an unusually 3 October 1993 busy year because of the large number coordinated by Philip Conisbee of exhibitions composed primarily of Gauguin Drawings from the Armand works on paper. The department pre- Hammer Collection: Selections from Breton pared around 1,200 works for exhibi- Sketchbook No. 16 tion or archival storage, including 155 continued from the previous fiscal year to large and oversize pieces for Gemini 7 November 1993 coordinated by Margaret Morgan Grasselli G.E.L. and the Prints of Roy Lichtenstein John James Audubon: The Watercolors for exhibition opening in October 1994; the Lovis Corinth: Master Prints and Drawings "The Birds of America" from the Marcy Family and the National latter required the archival mounting of 3 October 1993-2 January 1994 a print that the artist wanted to have Gallery of Art coordinated by Nicolai Cikovsky, Jr. continued from the previous fiscal year to the appearance of wallpaper and special organized by The New-York Historical Society 21 February 1994 supported by NationsBank mounts for books to be displayed so vis- coordinated by Andrew C. Robison itors could view images on several pages Giambologna's "Cesarini Venus" The Age of the Baroque in Portugal at once. The staff also developed tech- continued from the previous fiscal year to 7 November 1993-3 April 1994 coordinated by Jay A. Levenson niques to make frames for the October 15 May 1994 supported by the Pacific Telesis Foundation, 1994 Robert Frank exhibition that main- coordinated by D. Dodge Thompson Espirito Santo Financial Holding S.A., Banco supported by Republic National Bank oi New tain a microclimate. Comercial Portugues, Banco Totta & Azores, York; an indemnity was provided by the Fed- The frame conservation studio fo- The Calouste Gulbenkian Foundation, Luso- eral Council on the Arts and the Humanities cused its efforts on the permanent col- American Development Foundation, Insti-

36 Hans Memling's Saint Veronica, c. 1470/1475 (Samuel H. Kress Collection, 1952.5.46.a), was the subject of a focus exhibition that included its likely pendant, Memling's Saint John the Baptist from the Alte Pinakothek, Munich

tuto Camoes, The Orient Foundation, Inves- The Currency of Fame: Portrait Medals of Egon Schiele timentos e Participates Empresariais S.A., the Renaissance 6 February-8 May 1994 and the International Corporate Circle of the 23 January-l May 1994 coordinated by Andrew C. Robison National Gallery of Art; an indemnity was coordinated by Donald Myers organized and circulated by Art Services provided by the Federal Council on the Arts coorganized with The Frick Collection, International and the Humanities New York supported by Goldman Sachs, Bank Austria, Italian Drawings from the Armand Hammer supported by the Ministry of Foreign Affairs Creditanstalt, the Austrian Federal Ministry for Foreign Affairs, the Austrian Cultural Collection of the Federal Republic of Germany; an indemnity was provided by the Federal Institute of New York, The City of , 14 November 1993-8 May 1994 Council on the Arts and the Humanities Austrian Airlines, Joan and David Maxwell, coordinated by Margaret Morgan Grasselli and The International Corporate Circle of the Hans Memling's "Saint John the Baptist" Nine Old Master Drawings: New Gifts from National Gallery of Art; an indemnity was and "Saint Veronica" the Woodner Family Collection provided by the Federal Council on the Arts 30 January-l 5 May 1994 5 December 1993-30 January 1994 and the Humanities coordinated by John Oliver Hand coordinated by Margaret Morgan Grasselli

37 A Discerning Eye: Prints and Drawings Exhibition Programs Given by Ruth B. Benedict This department coordinates interpre- 13 February-12 June 1994 coordinated by Andrew C. Robison tive programs for exhibitions and pro- vides materials to enhance Gallery visi- Jasper Francis Cropsey's "The Spirit of War" tors' understanding and appreciation of and "The Spirit of Peace" 6 March 1994-16 April 1995 works of art presented in special exhibi- coordinated by Franklin Kelly tions. To reach a broad public, the staff Lines of Thought: I. M. Pei's National oversees preparation of exhibition bro- Gallery and the Grand Louvre chures (usually in both regular and 11 March-20 April 1994 large-print formats), audio tours, ex- coordinated by Maygene F. Daniels planatory wall texts, videos, and multi- Fanciful Flourishes: Ornament in European image audiovisual productions. In fiscal Graphic Art and Related Objects, 1300-1800 year 1994 didactic materials were sup- 20 March-21 August 1994 plied for 14 exhibitions. coordinated by Virginia Clayton For John James Audubon an illustrated Willem de Kooning: Paintings brochure and wall texts explained the 8 May-5 September 1994 relationship of the artist's watercolors to coordinated by Maria Prather the publication of The Birds of America. supported by J.P. Morgan & Co. Incorpo- Accompanying The Age of the Baroque in rated; an indemnity was provided by the Federal Council on the Arts and the Portugal, an illustrated brochure, an Humanities audio tour narrated by the director, and Drawings of Landscape and Architecture wall texts discussed the history of the from the Armand Hammer Collection period, royal patronage, and the role of 15 May-6 November 1994 the arts in society. All of these educa- coordinated by Margaret Morgan Grasselli tional materials, as well as the brochure Jan van Eyck's "Annunciation" and wall texts for Egon Schiele, were 22 May-5 September 1994 made available to other U.S. museums coordinated by John Oliver Hand hosting the exhibitions. For The Waking supported by The Circle of the National Dream an illustrated brochure, a re- Gallery of Art corded tour narrated by the director, From Minimal to Conceptual Art: Works and extensive wall texts presented the from The Dorothy and Herbert Vogel history of photography and the contri- Collection butions of individual photographers. 29 May-27 November 1994 coordinated by Mark Rosenthal and Other didactic texts included those for To present this royal coach in the East Building for Ruth E. Fine The Currency of Fame: Portrait Medals of the The Age of the Baroque in Portugal, National Gallery supported by The Circle of the National Renaissance and for three exhibitions of designers created a platform of Belgian block in a pattern echoing the Gallery's Fourth Street Plaza Gallery of Art 20th-century art: Works from The Dorothy Gemini G.E.L.: Recent Prints and Sculpture and Herbert Vogel Collection, Gemini G.E.L., 5 June-2 October 1994 and Milton Avery. coordinated by Charles Ritchie More extensive booklets and texts The Waking Dream: Photography's First accompanied three exhibitions of works Century. Selections from the Gilman Paper from the collection: Hans Memling's Company Collection "Saint John the Baptist" and "Saint Veron- and A Discerning Eye: Prints and Drawings 19 June-2 5 September 1994 ica, " reuniting the two wings of a small, Given by Ruth B. Benedict. coordinated by Sarah Greenough devotional altarpiece; Jasper Francis For Willem de Kooning: Paintings the Milton Avery: Works on Paper Cropsey's "The Spirit of War" and "The department produced not only an illus- 18 September 1994-22 January 1995 trated brochure and wall texts but a coordinated by Carlotta G. Owens Spirit of Peace," bringing together two pendants for the first time in more than video that includes vintage footage of a century; and Jan van Eyck's "Annuncia- the artist at work, shots of his Long tion," exploring the iconography of the Island studio, and interviews with his painting and discoveries made during its daughter Lisa and wife Elaine. The conservation. Leaflets and texts were 12-minute program was screened con- prepared for two other in-house exhibi- tinuously in the East Building for the tions: Fanciful Flourishes: Ornament in duration of the exhibition and is now European Graphic Art and Related Objects; distributed nationally through the Gal-

38 lery's extension services. A 22-minute concentrating exclusively on temporary Four exhibition cases have also been video on the paintings of Anthony van exhibitions. Among the most exciting designed for the new galleries with Dyck was completed, also for national was the design of three permanent col- movable interior walls, fiber-optic light- distribution. The staff continues to re- lection galleries on the main floor of the ing, and special non-reflective glass. spond regularly to requests for educa- West Building to display the small The department is working on space tional materials from museums, schools, Dutch "cabinet paintings." The large, for the new Micro Gallery in the West and individuals across the nation. oak-paneled galleries designed by John Building information room, restoring Russell Pope have somewhat over- the interior oak woodwork and refur- Design and Installation whelmed these smaller pictures, and bishing the original bronze pendant the more intimate spaces now under light fixtures to replace existing recessed In fiscal year 1994 the design depart- construction, with architectural detail- lighting. The space will have 15 com- ment continued to shift its focus to a ing derived from the adjacent galleries, puter workstations and 2 centrally broader range of projects rather than will show them to great advantage. located, high-speed printers. A new

39 The Age of the Baroque in Portugal displayed rich ecclesiastical objects (left), a panorama of 18th- century Lisbon on a panel comprising hundreds of blue-and-white ceramic tiles (Museu Nacional do Azulejo, Lisbon, from the Palacio dos Condes de Tentugal, Lisbon; detail below), and a monumental carved and gilt reredos with canopy (Igreja de Sao Francisco, fivora; right)

40 information desk will be located in the tious was The Age of the Baroque in Portu- center of the room. gal, which began on the East Building The Ailsa Mellon Bruce Fund contin- mezzanine with the presentation of a ued to support the project to reframe fabulous 18th-century coach sur- more than 100 permanent collection rounded by trappings and musical paintings, funding the purchase of 32 instruments used in Portuguese ambas- antique frames this year as well as the sadorial processions. A 66-foot-long travel necessary for staff to examine wall of ceramic tiles depicting a rare and recommend frames for acquisition. panoramic view of Lisbon led to the The eight paintings reframed include main body of the exhibition, where Rembrandt's Man in Oriental Costume, carved furniture, engraved silver, and Murillo's Two Women at a Window, Seu- Chinese export and Portuguese ceramics rat's Lighthouse at Honfleur, Cezanne's revealed the influence of European and Flowers in a Vase, and Chase's A oriental design, and huge blue and Friendly Call. A generous grant from The white ceramic panels with robustly Circle of the National Gallery of Art also drawn maritime and allegorical scenes enabled the Gallery to purchase antique provided a backdrop for cases of exquis- frames for three Vermeers: Woman Flold- ite jewelry and scientific instruments. ing a Balance, Girl with a Red Hat, and A The show reached its crescendo in a Lady Writing. In conjunction with the sequence of spaces on the upper level, conservation of Jan van Eyck's Annunci- richly installed with ecclesiastical objects ation, a reproduction frame was de- to evoke the splendor of the rococo signed and fabricated. church in Portugal. A carved and gilded The frame project proceeded with reredos with canopy soared more than development of the computer imaging 20 feet in height. database of Gallery frames. Photo- For The Currency of Fame: Portrait graphic images are scanned into the Medals of the Renaissance the department system for visual reference, while created an innovative case system to detailed reports by Gallery frame con- minimize the sense of a barrier between servators on the condition and descrip- object and viewer. This included special Roy Lichtenstein, Reflections on The Scream, 1990, tion of each frame are incorporated in armatures, lighting, and nonglare glass Gift of Tyler Graphics Ltd., 1994.67.7 the database. This project, with an esti- for the cases, which were also conceived mated 2,500 frames targeted for inclu- for another building designed by John sion, is expected to continue through Russell Pope, the Frick Collection, New fiscal year 1997. York, which coorganized the exhibition. Renovation projects overseen this The Waking Dream: Photography's First year included the overall redesign of the Century was the first exhibition of pho- architecture and case lighting in the tographs to be presented in the main trated with special conservation photog- West Building decorative arts gallery, floor galleries of the West Building. raphy to reveal the fascinating history the addition of plywood walls in the Concerns that the scale and detailing of of the painting's restoration and to help East Building Small French Paintings gal- these galleries might overwhelm the the public understand the key function leries to facilitate art installation, and photographs were relieved by the of conservation within the museum. replacement of exhibition lighting to power of individual works, their aggre- Other illustrated panels explored the improve energy efficiency. For the West gate impact, and the effective control of complex iconography of the work. Building the department also redesigned light and pacing. Walls painted in neu- Fiscal year 1994 drew to a close with exterior signage boxes, fabricated and tral tones permitted the chromatic vari- a merging of the architect's office and installed two walnut desks for recorded ation in the photographs to be read the design department, the construction tours and security at the Mall entrance, clearly. Special cases with fiber optics of the Dutch cabinet galleries under and continued research and design of and light-absorbent fabric backgrounds way, and the excitement of Renaissance the skylights and updated lighting of the displayed the daguerreotypes. Architectural Models and other major facades. Restoration of the East Building One focus exhibition, Jan van Eyck's exhibitions in advanced stages of auditorium light fixtures returned them "Annunciation," was particularly illumi- planning. to I. M. Pei's original design. nating. Celebrating the recent cleaning In fiscal year 1994 the department and restoration of this jewel-like paint- installed 14 exhibitions. The most ambi- ing, it incorporated text panels illus-

42 Education of ways, the staff presented several gallery talks, films, and lectures. Several focused programs in 1994, including short courses focused on American art, The education division offers a broad "Celebrate France," a month-long con- northern Renaissance art, portraiture, spectrum of programs, publications, and sideration of in the collection and classical mythology in Renaissance information on works in the National through lectures, gallery talks, films, art. Two special series of lectures were Gallery of Art's collections or exhibi- and a new audio tour. offered: a series on English art, and a tions, seeking to increase the under- 26-part series on Western European and standing and appreciation of art for visi- Tours and Lectures: This section prepares American art from antiquity to the pre- tors as well as millions of people using and delivers public tours and lectures sent day. these programs across the United States free of charge, including tours of the Volunteer docents led daily tours of and abroad. collection and all special exhibitions, the collections in both East and West short gallery talks on selected works of Buildings—in French, Spanish, German, Adult Programs art, and introductory art appreciation Italian, and English—and began offering Through tours and lectures, academic programs on such topics as landscape, tours of the American collection. Volun- programs, and films, this department mythology, self-portraits, and archetypal teers and generous support from The provides adult audiences with opportu- images of women. A month-long pro- Circle of the National Gallery of Art nities for intellectual enrichment. gram, "Rediscovering Picasso at the enabled the department to revive the Approaching a single theme in a variety National Gallery of Art," incorporated "Tea and Tours" program, bringing

43 senior citizens to the Gallery for a light courses for The Age of the Baroque in Por- sion, supported this year by The Nathan breakfast and tour of the collections. tugal, Hans Memling's "Saint John the Bap- Cummings Foundation and by a gift in Docents also visit retirement homes, tist" and "Saint Veronica," Jan van Eyck's honor of Dr. and Mrs. Earl A. Powell III. using reproductions to lead discussions. "Annunciation," and Willem de Kooning: The office also organizes comprehensive Staff lecturers and volunteers contin- Paintings, as well as the first "Conversa- orientation programs for all interns to ued to offer group tours to adult visitors tions with Collectors" program, inter- introduce aspects of the collection and by appointment. This section also coor- viewing Dorothy and Herbert Vogel. To functions of the museum. dinated the preparation of 26 radio talks mark the bicentennial of the Louvre, and interviews to accompany the - the National Gallery presented a "con- Film Programs: The film program has day broadcasts of the National Gallery versation" with I. M. Pei, architect; two components: documentary films concerts, and developed a new digitized, Michel Laclotte, president-director of shown daily in support of both exhibi- random-access audio tour of the 19th- the Louvre; and Jean Lebrat, president tions and the collection; and weekend century French painting collection that of the Etablissement Public du Grand film series, often arranged by distin- has been a popular success. Louvre. The two fellows in the graduate guished scholars, on topics that relate to lecturing fellowship program delivered special exhibitions or the history of film. Academic Programs: This office oversees 48 gallery talks this year. The staff also Each series consists of 10 to 40 films programs for both public and scholarly worked with faculty advisors from the culled from archives, collectors, or pro- audiences, including the Sunday lecture local academic community to design ducers all over the world. This year the series and the Andrew W. Mellon Lec- eight new tours of the collection to be Portuguese Film Institute in Lisbon tures in the Fine Arts. Jonathan Brown offered to undergraduate classes in the helped organize a series on Manoel de gave this year's Mellon Lectures, Kings humanities. Oliveira, Portugal's most important and Connoisseurs: Art in Seven- This section administers a special director, who has written all of his own teenth-Century Europe. The office orga- internship program designed to bring films and often produced, photo- nized public symposia and lecture greater diversity to the museum profes- graphed, edited, and directed them as

44 Family program "Art in the Round" brought par- ents and children to the Gallery to see sculpture in the collection and to work on a sculpture project

well. In association with the Museum of researched each score and conducted charge in less than a year. The National and the Greek Ministry of the orchestral arrangements. The Golden Gallery of Art Activity Book, also devel- Culture, the Gallery presented Cine- Age of Mexican Cinema concluded the oped with Heinz Endowment funding, Mythology, a program of Greek films year with 12 classic Mexican films pre- was published for the Gallery by Harry spanning the country's entire produc- sented in association with the UCLA N. Abrams, Inc., and was a Book-of- tion history. Gaumont Presents: A Century Film and Television Archive. the-Month Club selection for fall 1994. of French Cinema included 24 classic It helps children explore important con- French films, many from the silent era Education Publications cepts in art using specific works from in newly minted prints. Austrian films Working with various departments in the collection, including point-of-view based on early 20th-century Austrian the Gallery, this office helps shape the as represented in works by Degas, Pis- and German literature were presented content, goals, and presentation of edu- sarro, and Caillebotte; and iconography in conjunction with the Egon Schiele cation division publications in both as employed in David's portrait of exhibition. Two other series featured print and electronic media. This year we Napoleon in His Study. A new guide for early films by Japanese director Yasujiro reviewed more than 4,000 texts for the adult visitors features 24 French paint- Ozu and works by Belgian director American art videodisc and the Micro ings from the 17th century through Andre Delvaux, who was present to Gallery and oversaw the production of post-impressionism. And the new introduce two of the screenings. For the five new books and brochures. West school packet for The Inquiring Eye series second summer in a row The Circle of Building Highlights, the third in a series includes a 48-page survey of Early Mod- the National Gallery of Art supported a of family guides made possible by the ernism: 1900-1940 along with 20 slides, season of rare silent films accompanied Vira I. Heinz Endowment, introduces reproductions, and a timeline for use in by their original musical scores in live selected works in the collection in terms classrooms around the country. performance. Gillian Anderson, musi- of , narrative, and visual This department continues its cologist for the and impact. More than 50,000 copies have research and development of gallery a leading authority on silent film music, been distributed to visitors free of guides, which upon completion in 1997

45 will provide information on almost hours. The majority of visitors live more every painting on display at the than 400 miles from Washington and National Gallery. The project received are most apt to visit between July and an initial grant from Knight Foundation December. More than 75 percent of and additional funding from Louise adults and teenagers rated their level of Mellon for the guide on British painting satisfaction with their experience at the and from Melvin Henderson-Rubio for Gallery as "excellent." translations of selected old master guides into European languages. In fis- Extension Programs: This section produces cal year 1994 guides were written pri- such educational resources as color slide marily on British, Italian, and French programs, films, videocassettes, and paintings and sculpture, with attention videodiscs and is responsible for nation- to Dutch and American paintings wide free-loan distribution of these pro- planned for next fiscal year. grams to schools, libraries, colleges and Other commitments include work on universities, civic organizations, and a new teaching packet on classical public and educational television sta- myths as reinterpreted in Western art; tions. Teaching packets and other publi- production oversight for a wide range of cations on the collections produced by brochures, announcements, barcode other education departments are also indexes, and other short education pub- distributed by the extension programs lications; and the development of a new section. Borrower reports indicate that series of longer information texts, pri- the extension programs viewing audi- marily on 20th-century art and artists, ence in fiscal year 1994 was 39,290,387, for the Gallery's corps of docents. a 16 percent increase over the previous year. Presentation of video programs by Education Resources individual public and educational televi- This department consists of two sec- sion stations through the affiliate loan tions, art information and extension system surpassed that of last year, programs. Staff and dedicated volun- accounting for much of the overall teers at the art information desks assist increase in program use. The total of all visitors asking about collections or exhi- program presentations this year was bitions; other staff develop and distrib- 85,098, exceeding last year's use by 14 ute educational resources via mail or percent. Videocassette distribution television to audiences across America remained an important segment of dis- and abroad. tribution, with levels of use more than double that for films. Art Information: The staff recruits, trains, Within the overall audience, 500 and supervises more than 140 volun- organizations across the country cur- teers who answer visitors' questions at rently use extension programs through the art information desks during all the affiliate (long-term) loan system, public hours. Collectively, these volun- and this number continues to grow. teers provide an average of 1,400 hours Joining the system this year were the of service per month, for a total of Museums of New ; Educational 16,716 this year. Staff and volunteers Service District 101 in Spokane; the Bogota arranged long-term loans of responded to an average of 6,000 ques- Wichita Art Museum; Madisonville extension programs to nine binational tions from visitors and about 700 tele- Community College (ICY); and public centers in Colombia, while programs phone inquiries from the public per and educational television stations in continued in use in DOD schools in the week. The staff also responded to 1,827 , , and Florida. Pacific region and on military installa- telephone and written inquiries requir- The Gallery continued to provide tions in the U.S., Europe, and Asia. The ing specialized research this year. extension programs to U.S. facilities department presented three films and The final report of a year-long survey abroad through USIA and this year sent videos—The Landscapes of Frederic Edwin of Gallery visitors revealed that three program transmissions on USIA's Church, at Shin- out of four are repeat visitors and spend WORLDNET television satellite to sta- necock, and The Feast of the Gods—and one to four hours per visit. First-time tions throughout Latin America, the two videodiscs, National Gallery of Art visitors are likely to stay more than four Middle East, and South Asia. USIS and American Art from the National

46 Winslow Homer, The Sick Chicken, 1874, Collection of Mr. and Mrs. Paul Mellon, 1994.59.21

Gallery of Art, at Films on Art, an inter- With the publication last year of the Members of Congress had been invited national festival in Asolo, Italy. Ten American Art videodisc, the department to nominate recipients in their districts programs were shown in a month-long this year undertook two supplements: or states, and the Gallery worked closely film festival at the Museum of Contem- a barcode index, giving audiences an with each congressional office to award porary Art in Oaxaca, Mexico. That alternative to the standard numerical and dispatch the videodiscs. Among museum and the Koahsiung Museum keypad method of retrieving individual congressional recipients were Walker of Fine Arts, Taiwan; Nationalmuseet, videodisc images; and texts for an ex- College and the Montgomery Public Copenhagen; Academia de Arta, tensive interactive program on Ameri- Schools (AL); University of Alaska in Bucharest; and Lincoln University's Col- can art. The staff also arranged for dis- Anchorage and Fairbanks; College of lege of Arts and Letters, Buenos Aires, tribution of the final 600 copies of the Wooster and Cuyahoga Community are also among institutions abroad now videodisc to educational organizations College in Cleveland (OH); Abington using extension programs on a long- across the country, as provided for in a Heights High School in Clarks Summit term basis. grant from The Annenberg Foundation. and South Alleghenies Museum in

47 Loretto (PA); College of Education, Uni- County Public Schools, will be contin- versity of Arizona; Vermont Alliance for ued and integrated into the art curricu- Arts Education; Colorado Council on lum. Two sessions of the high school the Arts and Humanities; and the state seminar involved 32 students from nine departments of education in Washing- area schools. Students learned about ton and West Virginia. Educational American art through lectures, discus- institutions in U.S. territories and all 50 sions, and drawing activities. Working states have received the American Art with their sponsoring teacher, each stu- videodisc. dent completed a final project and pre- Other educational resources added to sented it at a concluding program for the extension programs offerings in fis- teachers and parents. In conjunction cal year 1994 included a new teaching with John James Audubon: The Watercolors packet, Early : 1900-1940, and for "The Birds of America," two high slide programs reconfigured from bro- school days brought 309 students to the chures on various aspects of the collec- Gallery from five schools in the District tion: Landscape Paintings; French Paint- of Columbia and surrounding counties. ings-, and I Am Still Learning—Late Works The program featured a slide overview by Masters. Videos produced in conjunc- and tour of the exhibition, a presenta- tion with the Anthony van Dyck and tion of conservation issues by the Willem de Kooning exhibitions were also Audubon Society and Greensways Con- made available as extension programs. servation Fund, demonstrations by sci- The office produced a catalogue supple- entific illustrators, and a reading of ment to inform audiences of these new excerpts from Audubon's diary. The resources. Portuguese embassy arranged for 1,200 The department continued to serve students, teachers, and parents from the as editorial liaison for Scholastic Art, a northeastern U.S. and from magazine published by Scholastic, Inc., to attend The Age of the Baroque in Portu- for secondary schools. Artists featured gal, with the Portuguese ambassador in this year's issues included Rene making introductory remarks to both Magritte, Faith Ringgold, Frank Stella, groups and a volunteer docent and staff ICathe Kollwitz, and Frank Lloyd member presenting slide lectures prior Wright. Subscription levels remained to the tours of the exhibition. high—more than 100,000 for the Active involvement in the District 1993-1994 academic year. community continued through an expansion of the multiple-visit program Teacher and School Programs "Art Around the Corner," which This department provides tours, pro- brought 136 fifth- and sixth-grade stu- grams, and publications for teachers, dents from three elementary schools— schoolchildren, and their families. This Thomson, Seaton, and Savoy—to the year 110 volunteer school program Gallery for lessons that integrated look- docents, taught by the professional staff, ing, critical thinking, and writing skills. gave 2,600 tours to more than 48,000 Plans are in place to expand the pro- Geraldine R. Dodge Foundation. The schoolchildren, and 25 docent candi- gram to eight visits for each school next teacher workshop program this year dates completed an extensive education year, with support from the Ford Motor offered 7 teacher workshops, one spe- course of lectures, gallery discussions, Company. cial evening, and 15 inservices to more tour techniques, and teaching strategies. The National Teacher Institute offered than 550 area educators. A new hands-on tour, "The Elements of three six-day sessions on "Modern Art: The directory of Teacher Programs in Design," offered students the opportu- 1900-1940" to 160 teachers (K-12) Art Museums, first published by the nity to participate in art activities. from across the country. Emphasis was Gallery in 1992, was made available on All 12,000 sixth-grade students from placed on interdisciplinary teams of diskette free of charge to 1,500 teachers, Fairfax schools were invited to the educators. An advisory committee of with funding from the Bauman Foun- Gallery for a special tour, "Artists' local and national educators helped dation and the Geraldine R. Dodge Choices," which included both the East shape plans for two additional sessions, Foundation. The office collaborated on and West Buildings. This tour, devel- aiming to include more principals and several other publications this year. A oped in cooperation with the Fairfax supervisors, with funding from the teaching packet on Classical Mythology,

48 Ferdinand Bol, Old Man Reading, 1642, Gift of Ruth B. Benedict, 1994.60.5

the fifth in The Inquiring Eye series, wiil and exhibitions were offered on two almost 15,000 titles includes many rare complement an upcoming National Sundays a month. More than 660 fam- early works on impressionism that are Teacher Institute program. West Building ily members attended 23 weekend and otherwise impossible to obtain, espe- Highlights, the third in a series of family summer sessions. Tours for Spanish- cially a group of original catalogues guides funded by the Vira I. Heinz speaking families were offered twice in from the great Parisian dealers of the Foundation, joined Shapes and Patterns October. period. and Portraits and Personalities, which Gifts continue to be an important were reprinted to meet demand. The Library aspect of library acquisitions. Among National Gallery of Art Activity Book, a the most notable this year were the children's book on the collection, was The largest acquisition of the year, publications on from published by Abrams. Two additional indeed in the history of the library, was Max ICahn and rare titles on Venice and children's books on mythology and the personal library of John Rewald, the Venetian art from the estate of Carolyn museum work are in progress. noted impressionist scholar who died in Kolb. Donors who continue to think of Family programs on the collection early 1994. Rewald's collection of the library year after year include, most

49 especially, Pat England, who gave six the John Walker Fund. Other notable fine artists' books, including our first purchases were Breve discorso in difesa Sam Gilliam, Pulsars, and Ron King's della cupola di S. Pietro di N.N. Capomastro spectacular Anansi Company, Annemarie Muratore... (Rome?, 1744?); Ammianus Pope, who again added many valuable Marcellinus, Ammiani Marcellini Rerum books on oriental porcelain; and Mark gestarum qui de XXXI supersunt, libri XVIII Samuels Lasner, who presented a large (1693); George Catlin, Letters and Notes group of titles on 19th-century British on the Manners, Customs, and Condition of art. Howard Scott this year donated an the North American Indians (London, extraordinary artist's sketchbook by 1841); Der zu vielen nutzlichen wissen- Ford Crull, and Yvonne Brunhammer schafften diestlich anweisende... (Nurem- contributed numerous important titles burg, 1705); Notice des principaux tableaux in the decorative arts. Donors to the recueillis en Italie... (Paris, n.d.); Samuel library are named in the list on pp. 115- Marolois, Samuelis Marolois...Mathemati- 117 of this report. cum opus absolutissimum... (, The Circle of the National Gallery of 1633); Monsieur de Blainville, Travels Art funded the purchase of a collection through Holland, Germany, Switzerland, of minimalist and conceptual artists' and Italy (London, 1767); Adamo Chiu- books, comprising 213 titles in 232 vol- sole, Le pitture, sculture, ed architetture piu umes, and also two rare books by Carlo rare di Roma (Venice, 1782); Giovanni Labia: Simboli festivi per le solennita princi- Battista Ferrari, De Florum cultura libri iv pali de Christo Nostro signore... (Venice, (Rome, 1633); Athanasius Kircher, 1698) and Simboli predicabili estratti da Obeliscus pamphilius (Rome, 1650); Giu- sacra evangeli che corrono nella quadrage- seppe Vasi, Tesoro sacro e venerabile doe le sima... (Ferrara, 1692, 1696). basiliche di Roma (Rome, 1771). The following important titles were Major serials purchases included Mon- added to the reference collection: Archi- uments et memoires (Paris, 1894-1988); tecture on Screen: Films and Videos... (New Miscellaneen artischen Inhalts (Erfurt, York, 1993); Art on Screen: A Directory of 1779-1787); and Mitteilungen der K.K. Films and Videos about the Visual Arts Zentralkommission fur Denkmalpflege in (New York, 1991); Etienne Caveyrac, Wien (Vienna, 1856-1924). Guide des 600 salons et biennales (Paris, The Kate Steinitz Collection of mate- 1993); Bernard Denvir, The Thames and rials on Kurt Schwitters received special Hudson Encyclopaedia of Impressionism attention this year. Steinitz assembled (London, 1990); Le grand atlas de Vart this unusual collection—composed of (Paris, 1993); Louvre: The Collections photographs, scrapbooks, musical (France, 1991); Jan de Maere, Illustrated scores, letters, and clippings—during Dictionary of 17th-Century Flemish Painters her long friendship and artistic collabo- (, 1994); Pamela Scott, Buildings ration with the German artist. The of the District of Columbia (New York, library prepared a detailed guide to the 1993); Regina Soria, American Artists of collection and an exhibition (with Italian Heritage, 1776-1945: A Biographical accompanying brochure) that focused Dictionary (Rutherford, 1993); Spanish on their collaborative work. Another Artists from the Fourth to the Twentieth Cen- library exhibition, held to commemo- tury: A Critical Dictionary (New York, rate the centennial of the American 1993). Academy in Rome, presented images of considered standard by libraries Special purchases included Conte the Pantheon. throughout the country. Francesco Algarotti's Opere (Venice, The cataloguing section began a co- Two new guides explain the library's 1791-1794) through the Delmas Fund; operative project with the Library of specialized resources: an informational Hart Crane's The Bridge, A Poem, with Congress to provide authoritative infor- pamphlet for general distribution; and a three photographs by Walker Evans mation to a national database on the more detailed booklet for Gallery staff (Paris, 1930), through the names of artists, authors, and institu- and fellows of the Center for Advanced Fund; and Hans Sebald Beham's Das tions. Eleven other members of the Study in the Visual Arts that incorpo- Kunst und Lere Buchlin, malen und reissen Research Libraries Group are contribut- rates the database searching guide zu lernen... (Frankfurt, 1552) through ing to the LC's Name Authority File, developed last year. Use of the rare

50 Albrecht Diirer, The Virgin Annunciate, c. 1491/1492, Woodner Family Collection, 1993.51.1

book collection increased dramatically, LIBRARY STATISTICS (fiscal year 1994) Titles/volumes acquired by exchange 615/637 with a 42 percent increase over the last Total volumes acquired 183,035 Added microform titles five years. Interlibrary loan borrowing (monographs, bound serials 27 Added vertical file material 6,770 requests from the Library of Congress including auction catalogues, Reference inquiries 19,092 pamphlet, microforms) increased by more than 40 percent over Computer-based bibliographic Titles/volumes acquired with the same period, while materials ob- searches (run, oclc federal funds 4,992/5,706 2.879 artquest, dialog, tained from the LC increased by 21 Titles/volumes acquired with wilsonline) percent. trust funds 973/1,056 Outside visitors 2,295 Titles/volumes acquired by gift 1,535/1,544 Titles/volumes catalogued 4,187/5,453

51 Photographic Archives sibility of opening this resource to a the Courtauld Photo Survey added national and international community. 1,500 photographs of paintings from The photographic archives this year The department also acquired images private English collections, and a similar acquired the most up-to-date computer in a variety of formats, including pho- subscription to the Gernsheim Corpus hardware and software available for tographs, negatives, transparencies, added several thousand photographs of scanning and storing images. The com- microforms (both fiche and film), and drawings in private and public collec- bination of equipment makes it possible CD-ROMs. Photographs in the collec- tions worldwide. We also purchased to scan negatives and positives, in color tion at the close of the fiscal year num- two newly published microfiche collec- or black and white, and to store them bered 1,370,456, while microforms tions: The Archaeological Survey from the on-line in our database with the appro- totaled 5,673,046. One major purchase, ; and Georgian Architecture, priate catalogue information. This will the Five-Year Update from the Courtauld a study of early and late medieval make the department's holdings avail- Institute's Conway Library, added more Christian architectural arts in able for on-screen consultation through- than 85,000 images to the microfiche Transcaucasia. out the Gallery, with the eventual pos- collection. An ongoing subscription to Important purchases included 19th-

52 ful purchases was the rare set Le Tesor library acquired slides from the Wallace artistique de la France, Musee du Louvre Collection and National Gallery, Lon- (1873), with illustrations of objects in don; Museum of Fine Arts, Montreal; the Louvre's Galerie Apollon created by Peggy Guggenheim Collection, Venice; Leon Vidal using photography, chromo- and Gabinetto Disegni e Stampe degli lithograph^ and woodbury-types; these , Florence. Gifts of slides were "photographs" have a remarkable lumi- received from from the Los Angeles nosity and three-dimensionality. County Museum of Art, Kimbell Art Gallery offices transferred nearly Museum, and Museum of Fine Arts, 5,000 photographs to the archives, rep- Houston. resenting curatorial research, exhibition Upgrading and refiling the collection planning, and publicity. More than has led to many dupli- 8,000 duplicate photographs were sent cate or inferior slides, which explains to museums and universities around the the small increase in the size of the col- U.S. Gifts also added unique images to lection this year. The withdrawn slides every area of the archives collection. were donated to area colleges. The continued generosity of the Kress Foundation enabled the department to Editors Office fund a cataloguing position for much- needed work on the decorative arts The fiscal year began with the publica- photographs. Thanks to direct and in- tion of The Age of the Baroque in Portugal direct support from the foundation, exhibition catalogue. Other catalogues scholars were able to give the Gallery published by the Gallery were Robert photographs ranging from medieval Frank: Moving Out; Willem de Kooning: ivories to English manuscripts to works Paintings; From Minimal to Conceptual Art: by Jan Steen. Works from The Dorothy and Herbert Vogel Collection; Gemini G.E.L.: Recent Prints and Slide Library Sculpture; and Milton Avery: Works on Circulation of slides remained at nearly Paper. Exhibitions were also supported the same high level reached last year, by brochures published in regular and and borrowing by the public accounted large-type versions for Portugal, De Koon- for 15 percent of the total. The collec- ing, John James Audubon: The Watercolors tion included almost 153,000 slides at for "The Birds of America"; Egon Schiele; the end of the fiscal year, an increase and The Waking Dream: Photography's Theodore Gericault, Entrance to the Adelphi Wharf, 1821, Gift of Ruth B. Benedict, 1994.60.20 of 2 percent over last year. The slide First Century. More extensive brochures library added more than 3,400 records were edited, designed, and produced for to the database of its art and architec- the focus exhibitions Hans Memling's ture holdings, representing 9,640 slides. "Saint John the Baptist" and "Saint Veron- This information is accessible on termi- ica," Jan van Eyck's "Annunciation,"and nals located throughout the Gallery. Jasper Francis Cropsey's "The Spirit of War" Access to electronic images and text and "The Spirit of Peace." The office also century containing such extra- was made possible by the acquisition of produced press materials, labels, and ordinary photographs as views of Paris a multiple-drive compact disc player, wall texts for all temporary exhibitions. by Edouard Baldus published in 1860; a which will be part of a library-wide net- Many brochures, fliers, and gallery souvenir of platinum prints of work. Discs containing digitized images guides were published for the education the International Exhibition in Glasgow are available for use in the slide library. department, including two family (1901); more than 500 photographs of In an ongoing effort to offer repre- guides and a guide to the French drawings by 19th-century English archi- sentative images from American mu- paintings collection. tect A.W.N. Pugin in A Study of Medieval seum collections, the Gallery acquired Two volumes of the systematic cata- Architecture (1865); and stock books of slides from the Institute of Arts, logue appeared in print this year: Ger- the London Frost & Reed, Brooklyn Museum, Metropolitan Mu- man Paintings of the Fifteenth through Sev- with photographs and notes on their seum of Art, , enteenth Centuries and Western Decorative inventory, which document the collect- Prick Collection, and Baltimore Mu- Arts, Part 1. Other volumes we expect to ing tastes of the late 19th and early seum of Art. Expanding the focus to publish in 1995 are Dutch Paintings of the 20th centuries. One of the most beauti- include museums outside the U.S., the Seventeenth Century and American Paint-

53 w

? %

ings of the Eighteenth Century. Work con- efforts, and ongoing production of the Imaging and Visual Services tinued on more than 20 other volumes Circle Bulletin, Gallery Newsletter, and in various stages of completion, and on Annual Report. The office received sev- The office of visual services this year 4 volumes of the Mark J. Millard Archi- eral design awards from the American issued 1,829 contracts to reproduce tectural Collection catalogue. In addi- Association of Museums. works of art in the Gallery's collections, tion, we produced Sculpture: An Illus- Copublishing arrangements were loaned 1,295 transparencies for repro- trated Catalogue and the second volume made with Press, Oxford duction, sold 1,142 black-and-white of Artists' Pigments. University Press, University photographs and 1,132 duplicate slides, Three volumes of Studies in the His- Press, Harry N. Abrams, Bulfinch/Little, and supplied 5,615 color transparencies tory of Art were published: Intellectual Brown, Frances Lincoln, Ltd., Scalo, and and 4,322 black-and-white photographs Life at the Court of Frederick II Hohen- Abbeville Press. to other Gallery departments for official staufen (vol. 44), 500 (vol. 45), The editors office coorganized, with use. The office also obtained photo- and Van Dyck 350 (vol. 46). Also pro- the University of Chicago, a well- graphs and transparencies of works in duced for the Center for Advanced attended museum publishing seminar, temporary exhibitions at the Gallery, Study in the Visual Arts were Center 13 which met in Washington. At the coordinating the needs of other depart- and Center 14 and the final volume of Frankfurt Bookfair recent Gallery pub- ments and museums participating in Sponsored Research. lications, particularly the De Kooning exhibition tours, and did picture Other projects included a rethinking catalogue, were of special interest to a research on comparative illustrations for and redesign of the Gallery's calendar of number of publishers. the systematic catalogue. events, production of an award-winning The photographic laboratory this year brochure for the Gallery's fundraising produced 11,709 color transparencies,

54 department each month, about half Frances Smyth. John Fleckner, director being duplicates. of the Archives Center of the National Two darkrooms supply black-and- Museum of American Art, replaced white prints for many Gallery programs. Moss on the committee in July. These facilities are equipped with print- To make archival materials more ers and enlargers that use modern vari- accessible, department staff revised the able-contrast photographic papers and guide to the oral history collection, pre- with automatic processors that provide pared complete lists of Gallery publica- high efficiency and consistency of out- tions and press releases, and organized put. The department operates a separate historical records from various Gallery darkroom to make prints on archival departments. fiber-based papers for the Gallery's pho- Archival staff advised numerous insti- tographic archives. tutions and individuals in the U.S. and abroad concerning management of Gallery Archives archival and oral history programs and operation of archival databases. Archival materials relating to the his- An increasing number of scholarly tory of the National Gallery were aug- researchers used the Gallery Archives mented by a number of important to investigate subjects as diverse as acquisitions. Architectural perspectivist Jacqueline Kennedy Onassis' relation- Paul Stevenson Oles gave four drawings ship to the National Gallery, Andrew W. created during the East Building design Mellon's founding of the Gallery, and process. Conductor emeritus Richard the impact on the Gallery of World War Bales donated correspondence, photo- II. Subjects of extensive study were the graphs, memorabilia, and concert pro- East and West Buildings, including the grams relating to his life and early limestone and marbles used, the cre- Sigmar Polke, Hope is: Wanting to Pull Clouds, 1992, career. The family of Thelma Thomas, ation of the garden courts, and the Gift of the Collectors Committee, 1993.59.1 museum telephone operator from 1940 design and commissions for the East to 1972, contributed materials on the Building. Numerous architectural draw- Gallery's employee recreation associa- ings were made available for Gallery tion. Architectural historian John Dent- renovations. ing made available for copying his ex- To commemorate the bicentennial of tensive collection of materials relating the Louvre, department staff prepared to Lynnewood Hall, the Widener family an exhibition for the library display 29,684 35mm slides, 9,377 black-and- home. cases to explore aspects of the Grand white negatives, and 45,016 black-and- The oral history program, supported Louvre project that parallel design ele- white prints for Gallery staff, outside in part by a grant from The Circle of the ments of the East Building. The display scholars, publishers, and other institu- National Gallery of Art, continued to consisted primarily of archival materials tions. The department also processed conduct interviews with significant par- donated by I. M. Pel & Partners, with 552 rolls of black-and-white and color ticipants in the Gallery's past, including texts taken from oral histories. A draw- film for staff members. New photo- conservator Mario Modestini, senior ing of the Louvre at night by Paul graphs were taken of 1,980 works of copyist Thelma DeAtley and her daugh- Stevenson Oles was lent by Pel Cobb art. Each of four studio areas is dedi- ter Virginia Brown, Paul Stevenson Freed & Partners. cated to photographing either paintings, Oles, and J. Carter Brown. Interviews The Gallery doubled the capacity of works on paper, sculpture and other with Edwin Olsen, Clement Conger, and its state-of-the-art archival storage and three-dimensional objects, or non-art Nathan Pearson were completed and processing facility by installing movable materials and books. All film is pro- opened for research. Excerpts from compact shelving. A cold storage unit cessed in the laboratory, with a modern interviews with I. M. Pel and Edith was also added for long-term preserva- automatic color processor for trans- Standen, secretary to the Widener Col- tion of color film materials. parency film. A computer improves lection from 1929 to 1942, were pub- quality control for color film. A separate lished in the Circle Bulletin. The advisory laboratory area is designated for produc- committee for the oral history program tion of duplicate color transparencies in consisted of Richard Bales, Elizabeth sizes from 35mm to 8 x 10 inches. Sev- Croog, William Moss, John Hand, Philip eral thousand slides are produced by the C. Jessup Jr., Joseph ICrakora, and

55

ADMINISTRATION

In June 1994 Anne Evans resigned as force and the implementation of an administrator of the National Gallery advanced electronic security alarm and after having served for over seven years. access control system. James Davis, Her accomplishments included the formerly deputy chief of operations, strengthening of administrative and returned to the Gallery as chief of pro- support operations and enhancement of tection services following a year as the security program. In October deputy director of protection services at the administrator Darrell Willson was U.S. Holocaust Memorial Museum. appointed the new administrator. James Banks, formerly operations man- ager at the Oakland Museum, joined Protection Services the Gallery as deputy chief of opera- tions, managing the day-to-day protec- The office of protection services ensures tion functions of the uniformed security that the invaluable collections and land- force. mark buildings and other properties Architectural engineering services entrusted to the National Gallery are were completed in 1994 in preparation protected and secured, and that its for major fire protection improvements approximately 1,100 staff and several to be phased in starting in 1995. New million visitors each year are afforded a systems will make use of sophisticated high degree of safety and security while early warning fire detection technology permitting an appropriate level of access for museum spaces containing art and to the Gallery's collections and proper- personnel. Additional research to en- ties. The division also provides occupa- hance the fire suppression systems was tional and medical services to staff and undertaken to complement this compre- emergency first aid to visitors. hensive endeavor. Jay Chambers, chief of protection ser- Two major projects completed this vices 1990-1994, retired after more year were the upgrading of key, lock, than 40 years of combined military and and door systems with the Medeco high federal civilian service. He had overseen security lock system and the issuance of Thomas Rowlandson, with Robert Pollard and Francis Jukes, Vauxhall Gardens, 1785, Gift of Ruth the successful reorganization and ex- new employee identification badges. B. Benedict, 1994.60.55 panded training of the Gallery's security "Officer of the Month" and "Officer of

57 National Gallery art handlers and riggers bring a crate containing an altar for The Age of the Baroque in Portugal into the East Building through a mezza- nine-level window

the Year" programs were instituted, and and artistic significance of the pieces is of the continuing program of improve- Officer Nathaniel Tucker was selected as included with each item sold. ments to accommodate visitors with dis- the first Officer of the Year. The division Gallery publications products are abilities, the Gallery added a ramp to also implemented an art escort service available not only at the National the auditorium stage, special tables to for works of high value and political Gallery but in commercial markets the cafeteria, and casework for assistive significance. throughout the world because of the listening devices in the auditoriums. continued pursuit of distribution and Other accomplishments included reno- Publications Sales licensing agreements. These agreements vation of the general accounting and guarantee that products created under payroll offices, modifications to the The wide selection of publications the supervision of the National Gallery paper and painting conservation labora- offered for sale is an important way the are available nationally and internation- tories, and extensive remodeling of the Gallery extends a visitor's experience of ally, giving broad exposure to the editorial and Italian Renaissance curato- the museum beyond its walls. Visitors Gallery's collections and generating rial offices. Among the 31 projects purchased more than 200,000 exhibi- additional revenue to support scholarly under way for 1995 are new locker tion catalogues and art books and more publishing. room facilities for guards and laborers, than 1.5 million printed reproductions remodeling of the East Building prints this year. In addition, an expanded Gallery Architect and drawings study area, and an over- range of children's merchandise has sized East Building entrance for works proven very successful, with sales of The architect's office provides profes- of art. 30,000 items. sional architectural design and interior The architect's office completed 20 A new line of jewelry was introduced design services to ensure the aesthetic interior design projects and started 14 in the shops in September. The pieces, integrity and efficient and safe use of others in addition to overseeing the fur- adapted from works of art in the collec- the Gallery buildings designed by John nishing and finishing of public spaces tion, were produced in close collabora- Russell Pope and I. M. Pei & Partners. and private offices in the National tion with the Gallery's curatorial staff. In fiscal year 1994 the office com- Gallery. Information describing the historical pleted 25 architectural projects. As part The computer-aided design (CAD)

58 tion will begin in fiscal year 1995. The broaden understanding of related areas system, expected to be fully operational of responsibility. by 1997, will help protect works of art in the Gallery by more precisely con- Telecommunications trolling the buildings' temperature, humidity, and lighting levels. Inspec- Installation of a Gallery-wide fiber-optic tions of the East and West Buildings network continues, and limited use is identified necessary repair and mainte- now being made of it in retail sales and nance projects, some begun with exist- certain administrative areas. When fully ing resources and others for which spe- operational in 1998, the network will cial funding is sought to permit future serve the Gallery's internal communica- repair. tions needs and enable public and com- mercial communications networks to Audiovisual Services receive information and distribute Gallery programs to a wider audience. This department provides high-quality Communication with universities, for technical support for the Gallery's films, instance, will be enhanced through use lectures, concerts, exhibition-related of Internet. programs, special events, and press briefings. A design for replacement of Resource Acquisition the light-dimming systems in the East Building large and small auditoriums Jane Singley joined the Gallery as chief was completed this year, with installa- of resource acquisition and procurement tion scheduled for 1995. this year, having served in contracting Activities this year included the and management positions with the design and installation of specialized National Park Service and the Environ- video systems for the Robert Frank exhi- mental Protection Agency. A review of bition and technical support for a series office organization, policies, and proce- of original silent films presented with dures in 1994 defined the quality con- system has produced detailed plans of live orchestral accompaniment. The trol systems, work assignments, and job the entire Gallery complex, with a sup- Gallery improved its audio production training now under way. porting database of pertinent architec- substantially through conversion to tural information, as well as extensive fully digital recording and editing tech- Personnel/Affirmative drawings of sections, elevations, and niques. This enhances the quality of Employment perspectives. A series of menus and Gallery concerts and other programs "plot macros" have been developed for broadcast on National Public Radio and The supervisors' forum instituted last staff architects to facilitate use of the other outlets, including the 39 programs year met periodically this year to discuss CAD system on renovation projects. produced for local radio station WGTS. the employee assistance program, in- grade increases, and initiatives on pay, Facilities Management leave transfer, training, and buyouts. Administrative Services The personnel office conducted three With responsibility for the operation workshops to help supervisors and and maintenance of 1.2 million square The administrative services division managers at all levels recognize and feet of floor space in the Gallery, this obtained a printing press and camera prevent cases of sexual harassment. A division provides daily cleaning and care through the GSA excess property pro- labor-management partnership council for the buildings as well as maintenance gram and placed both in active use, sav- was also established in 1994 to help of the climate control systems. The staff ing the Gallery more than $40,000 and identify and resolve employment- completed plans for a new off-site car- providing higher quality in-house workplace issues. In anticipation of dis- pentry shop this year and continued to reproduction. A monthly newsletter placements that may be caused by the collaborate with architect's offices on developed this year gives job-related installation of a new building automa- renovation projects and with the exter- information and cites individual staff tion system in the next few years, a nal affairs office on special events. accomplishments. The Gallery also of- transition plan has been developed in Designs for a new energy manage- fered expanded cross-training to staff in cooperation with the local union repre- ment and building automation system the warehouse and property movement senting Gallery employees to retrain were completed this year, and construc- sections to increase cooperation and affected staff.

59

EXTERNAL AFFAIRS

Development In the first change of leadership since the founding of The Circle of the Na- The greatest opportunity and challenge tional Gallery of Art in 1986, Juliet C. for the development office this year was Folger and David O. Maxwell became the launching of the Gallery's $105 mil- the new co-chairs, succeeding Katharine lion New Century Fund campaign, Graham and Robert H. Smith. Mrs. Fol- organized in consultation with the ger and Mr. Maxwell, both familiar with trustees and executive officers. The the Gallery through their service as campaign was formally announced at Trustees' Council and Circle members, the Andrew W. Mellon Dinner in May bring great enthusiasm to their new 1994, and thanks to strong support roles. The Circle this year contributed from generous donors and outstanding some $670,000—for a total of over volunteer leadership, the Gallery was $4 million since 1986—funding a range more than a third of the way toward of projects, including conservation the campaign goal by the end of the fis- research, a popular silent film series, a cal year. The New Century Fund will film trilogy on Roy Lichtenstein's print- provide long-term support for areas making, a prototype for the Micro central to the future strength of the Gallery, purchases of rare 17th-century institution: the art collection, scholar- Italian emblem books and an unusual ship and research, and unrestricted old master drawing page, as well as endowment. The Gallery is seeking exhibitions and publications. donations from long-time friends as Struck by how interested people are well as new sources of private support. in what goes on behind the scenes at In addition to commitments to the the Gallery, Nancy L. Powell, wife of New Century Fund, the Gallery was Gallery director Earl A. Powell III, inau- again fortunate this year to receive gifts gurated a special series, inviting small of over $11 million from private donors, groups from the worlds of art collecting, excluding corporate exhibition support. diplomacy, politics, philanthropy, and We would like to acknowledge grate- business to join her each month in Frank Stella, La penna di hu (black and white), 1988, fully each of these donors, whose Gift of the Collectors Committee and The Circle of exploring what lies beyond the exhibi- the National Gallery of Art, 1993.52.1 names appear on pages 115-122. tion gallery walls. In its first year the

61 The bronze Don Inigo d'Avalos, Grand Chamberlain of Naples from 1442 (obverse) and Sphere Representing Earth, Sea, and Sky (reverse), c. 1448/1449, Samuel H. Kress Collection, 1957.14.614, was exhibited in The Currency of Fame: Portrait Medals of the Renais- sance

series included an inside look at the Several foundations provided for fellow- Exhibitions that received significant conservation laboratories, the design ships and programs at the Center private funding this year include Robert and installation of The Age of the Baroque for Advanced Study in the Visual Arts Frank: Moving Out, opening in October in Portugal, the acquisition and care of (see pp. 67-68). A challenge grant from 1994, supported by a substantial grant works in the collection, and the rare The Annenberg Foundation, which was from Lannan Foundation combined book room. met with contributions from the with corporate and additional monies The Gallery continues to work toward Dorothy Jordan Chadwick Fund and for the exhibition and catalogue from building a foundation for its future lead- other generous donors, enabled work to The Robert Mapplethorpe Foundation, ership and support through the National begin on a European art videodisc, a Inc., Pro Helvetia, Arts Council of Gallery Forum. A four-member sub- still-frame archive of some 3,000 works Switzerland, and The Circle of the Na- committee of the Trustees' Council ad- from the collection. Like the American tional Gallery of Art. The catalogue and vises Gallery staff on the development Art videodisc released in 1993, the new brochure for the 1995 Winslow Homer of this effort. The day-and-a-half-long videodisc will combine the latest digital exhibition will be published with a gen- program this year offered 100 partici- technology with a flexible classroom erous grant from The Henry Luce Foun- pants a preview of Willem de Kooning: format; it will likewise be distributed to dation, Inc., while the booklet for Jasper Paintings and special curatorial sessions. educational institutions throughout the Francis Cropsey's "The Spirit of War" and Gifts from the private sector—the U.S. and will be available as a free loan "The Spirit of Peace" was made possible Gallery's sole means of acquiring works through the Gallery's extension pro- through the generosity of Mrs. John C. of art—this year included continued grams. Melvin Henderson-Rubio gave Newington. support from the Horace W. Goldsmith funds for the translation of 18 lami- It is gratifying to have the next gener- Foundation for the acquisition of photo- nated gallery guides into German, Span- ation of donors come forward in support graphs, funds from the Prospero Foun- ish, Italian, and French, to allow inter- of the Gallery. This year Edward G. dation to purchase early 20th-century national visitors to enjoy the collection Kaufman and Claire K. Benjack, already drawings, and income from the Patrons' more fully. A gallery guide on British donors with their parents to the Patrons' Permanent Fund combined with monies art was made possible by a gift from Permanent Fund, made a generous gift from other sources to acquire Jean-Bap- Gallery trustee Louise W. Mellon. The toward the Linda H. Kaufman Floral tiste Oudry's Marquis de Beringhen, a Geraldine R. Dodge Foundation is sup- Fund established by their parents, masterpiece of 18th-century portraiture. porting two projects related to the George and Linda Kaufman, in honor Plans to create new "cabinet" galleries National Teacher Institute: one that of the Gallery's 50th anniversary. This in the West Building for the display of aims to bring principals from around fund enhances each visitor's experience small Dutch paintings in the collection the country to attend the institute in of the Gallery by providing floral ar- are moving forward thanks to a gift 1995; and the other, a fellowship to rangements at the building entrances from The Folger Fund. help bring ten educators from New Jer- throughout the year. Private gifts to support scholarly sey to the institute in 1994 and 1995. research and educational initiatives at The Gallery hopes to provide such fel- the Gallery have considerable impact. lowships to educators in other states.

62 John James Audubon: Watercolors for "The Birds of America" included his Gyrfalcon, 1835-1836, Collec- tion of The New-York Historical Society

Corporate Relations that relationships are mutually benefi- exhibition-related special events, press cial. In fiscal year 1994 the Gallery materials, and advertising. This office secures corporate support for received $2,799,000 from a total of 22 Republic National Bank of New York Gallery exhibitions and related projects, national and international corporations returned to the Gallery for its 6th spon- acting as a liaison between the museum to support exhibitions, publications, and sorship, supporting Giambologna's "Cesa- and corporate representatives to ensure educational programming as well as rini Venus." NationsBank, expanding its

63 presence in the Washington area, spon- selected previews and receptions, special sored John James Audubon: The Watercol- passes to popular exhibitions, and ors for "The Birds of America," the first art Gallery publications. Members' contri- exhibition supported by this rapidly butions supported The Age of the Baroque growing financial institution. With The in Portugal and Egon Schiele. Currency of Fame: Portrait Medals of the Renaissance, the Ministry of Foreign Press and Public Information Affairs of the Federal Republic of Ger- many contributed to its second Gallery In fiscal year 1994 this office coordi- exhibition. J.P. Morgan & Co. Incorpo- nated worldwide coverage of The Age of rated sponsored Willem de Kooning: Paint- the Baroque in Portugal, beginning with a ings not only at the Gallery but at the press tour of the centers of baroque art Metropolitan Museum of Art, New and architecture in Portugal led by York, and the Tate Gallery, London; guest curator Jay Levenson. The exhibi- J.P. Morgan also made possible a varied tion received coverage in the Interna- educational program, including an tional Herald Tribune, while a USIA audiovisual presentation, and long-lead WORLDNET live satellite conference publicity and extensive advertising in enabled Levenson and Gallery director both the U.S. and Europe. Earl A. Powell III to appear jointly with The funding consortium supporting cultural leaders and press representa- The Age of the Baroque in Portugal in- tives in Portugal. cluded Pacific Telesis Foundation, Espf- Television coverage of Gallery exhibi- attended the Andrew W. Mellon Dinner, rito Santo Financial Holding S.A., Banco tions was especially extensive this year. the Gallery's press office coordinated Comercial Portugues, Banco Totta & John James Audubon: The Watercolors for coverage with the White House press Azores, The Calouste Gulbenkian Foun- "The Birds of America " drew reports on pool, network television, and reporters dation, Luso-American Development CBS-TV's "Sunday Morning," CNN-TV, from and the New Foundation, Instituto Camoes, The Ori- and local stations as well as articles in York Times. ent Foundation, Investimentos e Parti- Harper's Bazaar and Town and Country. In other areas of interest, the launch- cipates Empresariais S.A., and the In addition to reviews on Willem de ing of the Micro Gallery and the Ameri- International Corporate Circle of the Kooning: Paintings in Newsweek, Time, can Art videodisc established the Nation- National Gallery of Art (ICC). The exhi- and other major publications, ABC-TV's al Gallery as a leader in the develop- bition was organized in cooperation "World News Tonight" featured de ment of new technologies; the press with the Portuguese Secretary of State Kooning as its "Person of the Week" office coordinated interviews and dem- for Culture, which, with the Luso- during the opening week of the exhibi- onstrations for CBS-TV's "Sunday Morn- American Development Foundation, tion—a first for the Gallery. In another ing," the Associated Press, New York agreed to support separately the trans- first, collectors Dorothy and Herbert Times, Washington Post, and Art and Auc- port of a spectacular Portuguese royal Vogel were taped for CBS-TV's "60 Min- tion, among others. The office worked coach. utes," while also making many appear- closely with the Louvre to promote A second funding consortium sup- ances on local television and giving "Celebrate France" programs in New ported the Egon Schiele retrospective. numerous interviews. York and Washington, commemorating This group included Goldman Sachs, Gallery publications received particu- the bicentennial of the Louvre. Each of Bank Austria, Creditanstalt, the Aus- lar attention, including two articles in the silent films in the summer series trian Federal Ministry for Foreign Af- the Washington Post and reviews in spe- "Grand Music Cinema II: 1920-1928" fairs, the Austrian Cultural Institute of cialized periodicals that focused on the received a review in the Washington Post. New York, The City of Vienna, Joan and sixth in a projected 30-volume system- The office also coordinated publicity for David Maxwell, and the Gallery's ICC. atic catalogue of the collection. Re- the acquisitions from the Woodner fam- The International Corporate Circle, search by O'Keeffe catalogue raisonne ily and the Collectors Committee and for chaired by John C. Whitehead, added author Barbara Lynes into unknown the National Teacher Institute; oversaw four new members this year: American works by the artist was the subject of a the redesign of the monthly calendar of Express Company, MCI, J.P. Morgan & feature in ARTnews and newspapers events and bimonthly staff newsletter; Co. Incorporated, and Trust Company of articles in New Mexico, , Virginia, and wrote and coordinated a growing the West (see listing on p. 117). The Wisconsin, and Nebraska, generating number of advertisements to promote ICC's 46 members enjoy a variety of responses from owners of possible Gallery events. Gallery benefits, including special works by O'Keeffe. The press office received the Ameri- behind-the-scenes tours, invitations to When President and Mrs. Clinton can Association of Museums' golden

64 tribution to a tourism packet distributed through all Washington metropolitan area hotel concierges and more than 300 tour operators attending the National Tour Association conference. The program gives information on the Gallery's collections, with the goal of increasing appreciation for the special attractions the museum offers visitors from around the world.

Horticulture

The department incorporated plantings Claes Oldenburg, Study for Profiterole, 1989, Gift of into two exhibitions this year: John Claes Oldenburg and Coosje van Bruggen, 1994.68.1 James Audubon: The Watercolors for "The Birds of America" featured plants that serve as food and shelter for "birds of America"; while The Currency of Fame: Portrait Medals of the Renaissance included plants in the West Garden Court of the West Building that became AMIE (Award for Marketing Institu- director of the Louvre, Michel Laclotte, an integral part of the installation and tional Excellence) for its promotion of and the director of the National Gallery required special care while the works Great French Paintings from The Barnes of Art, Earl A. Powell III. of art were in place. The horticulture Foundation. The office also demonstrated the department continued to work with Gallery's leading role in developing landscape architects and other consul- Special Projects technologies for conservation and edu- tants to advance plans for the sculpture cational programs, presenting a number garden to be located on the grounds Initiating and developing projects to of projects at the Association of Art between 7th and 9th Streets. reach national and international con- Museum Directors conference in Seattle. stituencies, this office expands the Gal- At the request of the President's Com- Music at the Gallery lery's influence as a cultural resource. mittee on the Arts and Humanities, the Its work with members of the 103rd Gallery participated in the "Breaking The National Gallery presented 36 Congress enabled the Gallery to serve the Barriers to the National Information Sunday evening concerts in the East congressional districts and states more Infrastructure" conference, sponsored and West Garden Courts in fiscal year effectively through such means as by the Council on Competitiveness and 1994, the 52nd season of free concerts extension programs, the National Lend- the Clinton Administration's informa- at the Gallery. Concerts were supported ing Service, and the annual National tion infrastructure taskforce. by funds bequeathed to the Gallery Teacher Institute. This enhances the by William Nelson Cromwell and F. Gallery's activity in communities Visitor Services Lammot Belin, with additional sub- throughout the nation as well as its vention from the Ann and Gordon presence in the nation's capital. A To ensure that the public enjoys safe Getty Foundation. newly designed brochure, sent to every and pleasant visits to the National The National Gallery Orchestra per- congressional office and supplied upon Gallery, this office provides assistance to formed nine concerts under the direc- request for constituent tourist packets, people with special needs, facilitates tion of George Manos, two honoring the promotes the unique attractions of the entry into the most popular exhibitions John James Audubon and Egon Schiele nation's art museum. and programs, records and responds to exhibitions; the latter consisted of works The office of special projects helped visitors' concerns and comments either by Schiele's contemporary and fellow organize a month-long "Celebrate in writing or by phone, and tabulates Austrian, Gustav Mahler. The National France" festival to honor the bicenten- attendance figures. The staff analyzes Gallery Vocal Arts Ensemble, likewise nial of the Louvre, with a concert by public participation in Gallery programs, under Manos' artistic direction, gave one the Ysaye Quartet, lectures, films, and based on comment cards and atten- performance at the Gallery. The 51st tours of the National Gallery's French dance, and prepares reports for depart- American Music Festival featured a paintings. A special panel discussion ments that use this information. concert by the Stanley Co well Trio and featured architect I. M. Pei with the The office oversees the Gallery's con- the Washington premiere

65 51st American Music Festival 10 April through 8 May

APRIL 10 National Gallery Orchestra 17 The Monticello Trio 24 Eugene Gratovich, violinist, and Sylvia Golman, pianist

MAY 1 The Stanley Co well Trio 8 Richard Lalli, baritone, and Gary Chapman, pianist

15 National Gallery Orchestra 22 James Buswell, violinist 29 Grant Johannesen, pianist

JUNE George Manos conducting the National Gallery 5 Carl Halvorson, tenor, and Steven Blier, Orchestra pianist 12 National Gallery Orchestra 19 Charles Wadsworth and Samuel Sanders, piano duo 26 Jeffrey Biegel, pianist

World Premiere Performance

h. stevens brewster jr. of six works by American composers. NOVEMBER Four Songs, 20 February 1994 For the concert on 16 January two 7 National Gallery Orchestra 14 The Maggini String Quartet First Washington Performances major song cycles by Dominick Argento 21 Oleg Volkov, pianist dan locklair were performed with the composer in 28 Ney Salgado, pianist Dream Steps, 24 October 1993 attendance. A concert to celebrate the eleanor alberga DECEMBER bicentennial of the Louvre was given by String Quartet (1993), 14 November 1993 5 National Gallery Orchestra, with Claudia the Ysaye Quartet, the official ensemble Chudacoff, violinist, Marcio Botelho, cellist, helmers pavasars for the Louvre's anniversary concerts in and Robert Boguslaw, pianist Concertino, 12 December 1993 the U.S. 12 Rasma Lielmane, violinist, and Arthur john anthony lennon Local broadcast of Gallery concerts Ozolins, pianist Sirens, 23 January 1994 19 The Maryland Camerata—Christmas continued on radio station WGTS, and ronald perera Concert Sleep Now, 20 February 1994 selections from several concerts were gunther schuller rebroadcast on National Public Radio's JANUARY 9 National Gallery Orchestra—New Year Six Early Songs, 20 February 1994 "Performance Today." Local broadcast of Concert lee hoiby the concerts continued weekly through 16 Virginia Dupuy, soprano, and David Evitts, Three Ages of Woman, 20 February 1994 the summer, as WGTS-FM and WETA- baritone sotireos vlahopoulos FM rebroadcast selected performances. 23 The Mannes Trio The Phantom Ship, 6 March 1994 30 Peter Takacs, pianist The Gallery printed a color brochure pascal dusapin again this year to announce the con- FEBRUARY Quartet No. 3, 13 March 1994 certs. Gallery concerts were the subject 6 National Gallery Orchestra, with Catherine gordon getty of 11 reviews and 8 photo previews in Robbin, mezzo-soprano Three Waltzes, 10 April 1994 13 Gilead Mishory, pianist area newspapers. howard hanson 20 Phyllis Bryn-Julson, soprano, Donald , 10 April 1994 A complete listing of the 1993-1994 Sutherland, pianist, and Sarah Watkins, oboist barbara kolb concert season follows: 27 Dmitri Ratser, pianist Monticello Trio, 17 April 1994

OCTOBER MARCH david lang 3 National Gallery Orchestra 6 National Gallery Orchestra, with Claudia Bum Notice, 17 April 1994 10 Joseph Holt, pianist Chudacoff, violinist, and Susan Midkiff, charles ives 17 National Gallery Vocal Arts Ensemble violinist Pre-First Sonata, 24 April 1994 24 Mallarme Chamber Players 13 The Ysaye Quartet ralph shapey 31 Sharon Robinson, cellist, and liana Vered, 20 Beverly Benso, contralto, and George Fantasy, 24 April 1994 pianist Manos, pianist 27 Marcantonio Barone, pianist

66 CENTER FOR ADVANCED S"rUD Y IN THE

VISUAL ARTS Report for the Academic Year 1993-1994

At the founding of the Center in 1979 a and David Rosand, Columbia University, four-part program of fellowships, meet- completed their terms. In August 1994 ings, publications, and research was Lisa Golombek, Royal Ontario Museum, instituted. The resident community of and Linda Seidel, University of Chicago, scholars at the Center in 1993-1994 completed their terms. In September included the Samuel H. Kress Professor, 1994 James Marrow, Princeton Univer- the Andrew W. Mellon Lecturer, 6 sity, and Marianna Shreve Simpson, senior fellows, 12 visiting senior fellows Freer Gallery of Art and Arthur M. (2 of whom were Soros visiting senior Sackler Gallery, Smithsonian Institution, research travel fellows), and 6 pre- began their terms. Five others contin- doctoral fellows. Nonresident scholars ued to serve: Kathleen Weil-Garris included 12 predoctoral fellows. Re- Brandt, Institute of Fine Arts, New York search by scholars in residence involved University; Elizabeth Broun, National diverse media, including architecture, Museum of American Art; Rosalind painting, photography, decorative arts, Krauss, Columbia University; Larry Sil- and sculpture, originating in cultures ver, Northwestern University; and ranging from Precolumbian Antilles to Andrew Stewart, University of Califor- early 20th-century Russia. Scholars nia, Berkeley. focused on such issues as Aztec pictorial A variety of private sources supports histories, early Japanese porcelain pro- the programs of the Center. Senior, duction, the painting procedures of Paul predoctoral, and curatorial fellowships Gauguin, and photography and the are funded by endowments from the development of Egyptology. Andrew W. Mellon Foundation and the The board of advisors, composed of Chester Dale bequest and by Robert H. art historians from academic institutions and Clarice Smith for the Smith predoc- and museums, meets annually to con- toral fellowship in Northern Renais- sider policies and programs of the Cen- sance painting. The Samuel H. Kress ter. Members of the board serve over- Foundation provides funds for the Kress lapping appointments, usually for Professor, Kress senior fellowships, a three-year terms. In December 1993 Kress postdoctoral fellowship, and Kress Kirk Varnedoe, Museum of Modern Art, and Mary Davis predoctoral fellowships.

67 The Wyeth Endowment for American SAMUEL H. KRESS PROFESSOR, Meredith Clausen, University of Washington, Ailsa Mellon Bruce Visiting Senior Fellow, 1993-1994 Art and the Ittleson Foundation also spring 1994 support predoctoral fellowships. The Anthony Radcliffe received his masters Alan Darr, Detroit Institute of Arts, Paul Open Society Fund provides funds for from Gonville and Caius College, Cam- Mellon Visiting Senior Fellow, spring- summer 1994 visiting senior research travel fellow- bridge, and has been affiliated with the Vojtech Jirat-Wasiutynski, Queen's University, ships for scholars from central Europe Victoria & Albert Museum since 1958, Kingston, Ontario, Ailsa Mellon Bruce Visit- and the former Soviet Union. The as personal assistant to the director ing Senior Fellow, winter 1994 Arnold D. Frese Foundation, Inc., has (1967-1974), assistant keeper, depart- John Pohl, Fowler Museum of Cultural His- provided funds for a fellowship for ment of architecture and sculpture tory, University of California, Los Angeles, Paul Mellon Visiting Senior Fellow, summer scholars from Germany. The Inter- (1974-1979), keeper of sculpture 1994 American Development Bank and the (1979-1989), head of research (1989- Vadim Sadkov, Pushkin State Museum of Fine Andrew W. Mellon Foundation have 1990), and keeper emeritus (1990-pre- Arts, Paul Mellon Visiting Senior Fellow and provided funds to establish a visiting sent). He was Mellon Senior Visiting Soros Visiting Senior Research Travel Fellow, fall 1993 senior research fellowship for scholars Curator at the National Gallery of Art Victor Schmidt, Rijksuniversiteit, Groningen, from Latin America. This fellowship, and a guest scholar at the J. Paul Getty Instituut voor Kunst-, Architectuurge- intended for scholars from Mexico, Museum in 1991. He received a bronze schiedenis en Archeologie, Ailsa Mellon the Caribbean, and Central and South medal from the Accademia delle Arti del Bruce Visiting Senior Fellow, fall 1993 America, includes a period of two Disegno, Florence, in 1986, and is a fel- Marcio Veloz Maggiolo, Universidad National Pedro Henrfquez Urena, Santo Domingo, months at the Center for research in low of the Society of Antiquaries of Ailsa Mellon Bruce Visiting Senior Fellow, Washington libraries and collections fol- London (1993). He has published on winter 1994 lowed by an additional two months of Jean-Baptiste Carpeaux, Italian Renais- Malcolm Warner, San Diego Museum of Art, travel to visit collections, libraries, and sance bronzes, and Giambologna and Ailsa Mellon Bruce Visiting Senior Fellow, summer 1994 other institutions in the U.S. The Center has contributed numerous articles and Joanna Woods-Marsden, University of Califor- received support for a symposium from reviews in collected studies and schol- nia, Los Angeles, Paul Mellon Visiting Senior The Circle of the National Gallery of Art arly journals. While at the Center he Fellow, fall 1993 and from the Arthur Vining Davis Foun- worked on a monograph on the dations. The Graham Foundation sup- sculptor Andrea Riccio (1470-1532). SAMUEL H. KRESS POSTDOC- ported the acquisition of photographs TORAL CURATORIAL FELLOWS of architectural drawings from the Vati- SENIOR FELLOWS Patricia A. Bochi, University of Pennsylvania can collections for the Gallery's photo- Andreas Beyer, Kunsthistorisches Institut, and National Gallery of Art, 1993-1994 graphic archives. Rheinische Friedrich-Wilhelms-Universitat Pauline Thayer Maguire, National Gallery of Bonn, Frese Senior Research Fellow, The Center continued meetings with Art, Department of Southern Baroque Paint- 1993-1994 ings, 1993-1994 the Association of Research Institutes in Elizabeth Boone, Dumbarton Oaks, Paul Art History, a union of 16 North Ameri- Mellon Senior Fellow, 1993-1994 PREDOCTORAL FELLOWS can institutions that support advanced Yvonne Brunhammer, Union des Arts Decorat- Roann Barris [University of Illinois], Samuel research through fellowships and re- ifs, Palais du Louvre, Ailsa Mellon Bruce Senior Fellow, 1993-1994 H. Kress Fellow, 1993-1995 lated programs. Incorporated in 1988, A. A. Donohue, Bryn Mawr, Pennsylvania, Aline Brandauer* [City University of New ARIAH enables member institutions, as Samuel H. Kress Senior Fellow, 1993-1994 York, Graduate School and University Cen- a group, to develop and seek funding ter], Paul Mellon Fellow, 1991-1994 Sally Promey, University of Maryland at Col- for jointly sponsored programs and pro- lege Park, Ailsa Mellon Bruce Senior Fellow, Leah Dickerman [Columbia University], David E. Finley Fellow, 1993-1996 jects and to share visiting scholars. The 1993-1994 Karen Fiss* [Yale University], Mary Davis Center also took part in meetings of the David Smith, University of New Hampshire, Samuel H. Kress Senior Fellow, 1993-1994 Fellow, 1992-1994 Washington Collegium for the Humani- Maria Gough [Harvard University], Paul ties, made up of 9 research institutions. Mellon Fellow, 1992-1995 VISITING SENIOR FELLOWS Jodi Hauptman [Yale University], Wyeth Richard Becherer, Carnegie Mellon University, Fellow, 1993-1995 Paul Mellon Visiting Senior Fellow, summer Kathleen Howe [University of New Mexico], 1994 Chester Dale Fellow, 1993-1994 Peter Betthausen, , Paul Mellon Visiting Kenneth Lapatin* [University of California, Senior Fellow, fall 1993 Berkeley], David E. Finley Fellow, Victor Carpov, Russian Academy of Architec- 1991-1994 ture and Building Sciences, Institute for Architectural and Urban Theory, Moscow, Lyle Massey [University of California, Los Paul Mellon Visiting Senior Fellow and Soros Angeles], Chester Dale Fellow, 1993-1994 Visiting Senior Research Travel Fellow, Donald McColl [University of Virginia], Robert summer 1994 H. and Clarice Smith Fellow, 1993-1994

68 Abby McGehee [University of California, 12 April 1994 Cleveland Museum of Art; Richard Verdi, Berkeley], Paul Mellon Fellow, 1993-1996 T. Barton Thurber, "Alia Similtudine di Santo University of Birmingham. Cynthia Robinson [University of Pennsylva- Pietro Novo': Pellegrino Tibaldi's Reconstruc- Observers: Forrest Bailey, Nelson-Atkins nia], Andrew W. Mellon Fellow, 1993-1995 tion of the Cathedral" Museum of Art; Keith Christiansen, Metropoli- Nicole Coolidge Rousmaniere* [Harvard Univer- 5 May 1994 tan Museum of Art; Anthony Colantuono, Uni- sity], Andrew W. Mellon Fellow, 1992-1994 Nicole Coolidge Rousmaniere, "The Construction versity of Maryland at College Park; Diane De of the Other: Chinese Influence on Japanese Grazia, National Gallery of Art; Gail Feigen- Kathryn Smith [Institute of Fine Arts, New in the Early Seventeenth Century" baum, National Gallery of Art; Sarah Fisher, York University], Mary Davis Fellow, National Gallery of Art; Pauline Thayer 1993-1995 Incontro Maguire, Center for Advanced Study in the Lydia Thompson [Institute of Fine Arts, New 8 March 1994 Visual Arts; Stephen Pepper, Leesburg, Vir- York University], Ittleson Fellow, 1993-1995 Boris Marshak, State Hermitage Museum, ginia; Carol Sawyer, Virginia Museum of Fine T. Barton Thurber* [Harvard University], St. Petersburg, "Crusader Silver in Siberia" Arts; Richard Spear, Oberlin College. Samuel H. Kress Fellow, 1992-1994 Symposia Lecture Martine Westermann [Institute of Fine Arts, ], David E. Finley Fel- imagining modern german culture: Irving Lavin, Institute for Advanced Study, low, 1992-1995 1889-1910 "Bernini and the Art of Social Satire," 28-29 January 1994 14 April 1994 Dorothy Wong* [Harvard University], Ittleson Fellow, 1992-1994 Participants: Kenneth Barkin, University of California, Riverside: Patricia Berman, Welles- ley College; John Czaplicka, Harvard Univer- Publications sity; Marion Deshmukh, George Mason Uni- Meetings versity; Fran^oise Forster-Hahn, University of The Center annually compiles a record California, Riverside; Mark Jarzombek, Cornell of the scholarly events and research of Colloquia University; Karen Lang, [University of Califor- the preceding year. Center 14, published 21 October 1993 nia, Los Angeles]; Robin Lenman, University in 1994, contains general information Anthony Radcliffe, "The Bronze Sculpture of of Warwick; Maria Makela, Maryland Insti- Riccio as a Visual Expression of Ideas Current tute, College of Art; Charles McClelland, Uni- about fellowships, meetings, publica- versity of New Mexico; Richard Pettit, Council in the University of Padua in the Early Six- tions, and research as well as lists of the teenth Century" for International Exchange of Scholars, Washington, DC; Elizabeth Streicher, Center board of advisors, members of the Cen- 7 December 1993 for Advanced Study in the Visual Arts; ter, and activities for 1993-1994. Center Elizabeth Boone, "Aztec Pictorial Histories" Christopher With, National Gallery of Art; John 14 also contains summary reports on 16 December 1993 Zukowsky, . Yvonne Brunhammer, "Decorative Arts in the research conducted by resident mem- middle atlantic symposium in the 1930s" history of art: 24th annual sessions, bers of the Center in 1993-1994 and by 13 January 1994 9 April 1994 several fellows from the previous acade- A. A. Donohue, "Studies in the Historiography Cosponsored with the Department of Art mic year. of Classical Art" History and , University of Mary- Papers presented at symposia spon- 10 February 1994 land at College Park sored by the Center are often gathered David Smith, "Comedy and Social Vision in Participants: Gretchen Holtzapple Bender Jan Steen" [American University], introduced by Mary and published in the National Gallery's 10 March 1994 Garrard; Christopher Chadwick Wilson [George series of Studies in the History of Art. Andreas Beyer, "'Hie Habitant Nymphae Washington University], introduced by To date, 25 symposium volumes have Dulces'—Palazzo Carafa di Maddaloni and Barbara von Barghahn; Renee Deanne Ater the Greek Renewal of Aragonese Naples" [University of Maryland at College Park], appeared, with 3 published in fiscal year 7 April 1994 introduced by Sally Promey; Kathleen S. 1994: Intellectual Life at the Court of Fred- Placidi [University of Virginia], introduced Sally Promey, "Interchangeable Art: Warner erick II Hohenstaufen (vol. 44); Titian 500 Sallman (1892-1968) and the Critics of Mass by Christopher M.S. Johns; Tania Beasley (vol. 45); and Van Dyck 350 (vol. 46). Culture" [Howard University], introduced by Floyd Coleman; Deborah Gaston [University of A complete list of titles in the series is Shoptalks Delaware], introduced by Patricia Leighton; printed in the front of each volume. 14 October 1993 Ivy Schroeder [University of Pittsburgh], intro- Kenneth Lapatin, "Pheidias' Zeus Olympios: duced by Kirk Savage; Jane Blocker [Univer- Papers from other symposia are in vari- Rediscovering a Lost Wonder of the Ancient sity of at Chapel Hill], intro- ous stages of preparation. This year saw duced by Carol Mavor. World" the final publication in the series Spon- 9 December 1993 Curatorial/Conservation Colloquy VI sored Research in the History of Art (vol. Aline Brandauer, "'Et le Mexique? C'est la que l'on voudrait vivre!'" 's HOLY FAMILY ON THE 13, covering 1993-1994). STEPS, 23-24 May 1994 6 January 1994 Elizabeth Kryder-Reid is working for Karen Fiss, "'Deutschland in Paris': French Cochairs: Philip Conisbee and Ross Merrill, the Center as Keywords in American National Gallery of Art Perceptions of National-Socialist Cultural Landscape/Garden Design Project Asso- Production at the 1937 Paris 'Exposition Participants: Hugh Brigstocke, Sotheby's, Lon- Internationale'" don; Alan Chong, Cleveland Museum of Art; ciate, and Elizabeth Streicher is serving 3 March 1994 Bruce Christman, Cleveland Museum of Art; as Kress Professorship Commemorative Dorothy Wong, "The Rise of Chinese Buddhist Ann Sutherland Harris, University of Pitts- Publication Project Head. Steles in the Period c. 500-530" burgh; Ann Tzeutschler Lurie, Cleveland Museum of Art; Denis Mahon, London; Pierre Rosenberg, Musee du Louvre; Timothy Stand- * in residence 13 September 1993-31 August 1994 ring, University of Denver; Marcia Steele,

69

REPORT OF THE TREASURER

The operating results for fiscal year Federal Funds 1994 reflect the Clinton Administra- Appropriated funds in the amount of tion's efforts to restrain growth govern- $50,481,650 supported major opera- ment-wide, the slowing economy in the tions of the Gallery, including the cura- early 1990s, which affected corporate torial and education departments, spe- giving for special exhibitions, and cial exhibitions, security, maintenance related changes in the patterns of and day-to-day functions. An additional Gallery expenditures. Gallery income $3,150,727 was made available for totaled $62,905,137 against expendi- needed equipment, repairs, and renova- tures of $62,793,983, less than 1% tions in the Gallery's buildings. more than in fiscal year 1993. In keeping with President Clinton's After a private funds deficit in fiscal 1992 executive order to reduce federal year 1993 of $135,002 attributable to employment, the Gallery's federal sup- the costs of special exhibitions, the port staff was decreased to 849 persons Gallery was able to recover some of in fiscal year 1994 from 862 during those costs in fiscal year 1994. It fin- 1993. Personnel costs represent the ished the year with a surplus of largest single expense category for $111,154 to be applied to future exhibi- museums—specifically salaries for cura- tions. torial, guardianship, and maintenance The sources of funding for 1994 oper- staffs so integral to the care of the col- ations are summarized below: lections and their presentation to the public. Sixty-seven percent of the fed- (millions) (% of total) eral funds appropriated to the Gallery Federal Funds $ 53.6 85% go to salaries and related benefit costs. Private Funds The use of federal funds to operate Income from the Gallery stems from a 1937 Joint endowments 4.9 8 Resolution of Congress, which accepted Gifts, grants and Andrew W. Mellon's gift to the people Jean-Baptiste Oudry, Misse and Luttine, 1729, Gift designated income 4.4 _7__ of Mr. and Mrs. Eugene Victor Thaw, in honor of Total Operating of the United States. The resolution stip- the 50th Anniversary of the National Gallery of Funds $ 62.9 100% ulates that the Gallery be open to the Art, 1994.53.169 public free of charge.

71 Equipment / Renovation Curatorial

Administration

Conservation

Development Total Special Exhibitions Operating Expenses Fiscal Year 1994 $62.8 Million Editorial / Photography

Security Research

Music Education

Fellowships Operations / Maintenance

Andrew Melton's gift consisted of his Private Funds that supported exhibitions this year: a art collection, funds to construct a The $9.2 million of non-federal funds consortium of American and Portuguese building (now the West Building), and utilized in fiscal year 1994 was drawn sponsors for The Age of the Baroque in an endowment fund. The Congress in from unrestricted income from the Mel- Portugal, J.P. Morgan & Co. Incorporated turn pledged the faith of the U.S. to ton endowment, grants from corpora- for Willem de Kooning: Paintings, The provide funds for the upkeep, adminis- tions and foundations to complement Gilman Paper Company for The Waking tration, and operations of the Gallery, federal support of special exhibitions, Dream: Photography's First Century, the including the protection and care of and designated monies for other Gallery Austrian Cultural Institute and others works of art subsequently acquired by programs, including the Center for for Egon Schiele, and the Federal Repub- the Board of Trustees through donation Advanced Study in the Visual Arts. lic of Germany for The Currency of Fame: or through purchase from private funds. The income from unrestricted funds is Portrait Medals of the Renaissance. The East Building, opened in 1978, is used for the compensation of executive The Center for Advanced Study in the also a gift to the nation from the Melton personnel, payment of professional fees, Visual Arts supported 37 fellowships in family. insurance, fundraising, and other oper- its 1994 community of scholars on pri- The federal government is a major ating costs not covered by federal funds. vate funds in addition to its ongoing factor in the international component of Because these categories of expenses program of meetings, publications, and the Gallery's exhibitions through its have been growing faster than endow- research. Private monies also financed 6 indemnity program, managed by the ment income, as in 1993, income fellowships, staff research, and several Federal Council on the Arts and the earned on the Gallery's contingency seminars in conservation. Humanities. Under this program, the fund was utilized. Supplementing federal funds, the National Gallery and other museums Although 15 special exhibitions were Gallery used designated private monies across the country have been relieved of mounted in 1994, one more than in to purchase books and photographs much of the burden of insuring art trea- 1993, expenditures for exhibitions con- totaling $354,874. Designated income sures coming to the U.S. from abroad. tinued a downward trend that began in from two endowments given by William The Age of the Baroque in Portugal, an 1989. Funds from private sources to Nelson Cromwell and by F. Lammont exhibition shared with the San Diego support these exhibitions amounted to Belin matched federal monies available Museum of Art, received such coverage $1,722,657 or 37% of the cost for the for the regular, free Sunday evening in 1994. year, the lowest level in many years. concerts. The federal investment in art The Gallery is especially grateful to education was enhanced by grants from the businesses and government agencies the American Express Foundation,

72 Geraldine R. Dodge Foundation, and represent the healthy increase noted in ist, previously reporting to the Gallery's Mrs. Harry Lenart. this balance sheet item. administrator. Responsibility for mer- chandising activity was also assumed by Investments Art Acquisitions the treasurer's office, effective 1 October The Gallery's portfolio was buffeted by The Gallery made purchases of works of 1994. market forces in fiscal year 1994 includ- art totaling in the aggregate $3,837,145. Coopers & Lybrand have once again ing the lackluster performance of stocks A major French painting by Jean- given the Gallery's financial statements and the setbacks leveled at bonds by Baptiste Oudry was acquired using a an unqualified opinion. The statements successive increases in interest rates by bequest from Eugene and Marie-Louise have been prepared by the Gallery's the Federal Reserve. Garbaty plus income from the Patrons' comptroller, Dale C. Rinker, his assis- The investment portfolio of the Permanent Fund and the Chester Dale tant, Kelly Liller, and the assistant trea- Gallery had a market value of Fund. Significant purchases of 20th- surer, Michael W. Levine. Delorace $258,809,938 on 30 September 1994. century art were made through the Bowman provided invaluable data pro- This value was 6.6% higher than that of generosity of the Collectors Committee cessing assistance. We commend their the preceding year, based on equity per- and with funding received from the extraordinary skills and dedicated formance and the strength of additions estate of Mrs. Marie-Louise Garbaty. efforts. to principal generated by payments against pledges for the Patrons' Perma- Publications Fund Conclusion nent Fund, the 50th Anniversary Cam- Publication revenue totaled $8,910,444, This narrative covers Daniel Herrick's paign, and the New Century Fund. of which $8,120,666 represented sales last year as treasurer of the National The portfolio comprises the original in the Gallery shops. Although the Gallery of Art. He is serving as special Mellon endowment and others subse- Gallery's merchandising activities con- advisor to the director from 1 October quently given to the Gallery by various tinue to be healthy, revenues did not 1994 until he retires on 31 March 1995. donors; gifts and grants designated for cover all expenses charged to the Publi- Daniel Herrick's first annual report for specific purposes by individuals, founda- cations Fund. The net proceeds of sales the Gallery, published in 1986, details tions, and corporate sponsors; and the activity along with income earned on total operating expenditures of $42.7 Patrons' Permanent Fund, dedicated to existing fund balances are used to million and an investment portfolio of the purchase of works of art. finance, through a revolving fund, the $ 132 million. The Gallery's growth since Fifty-three percent of the portfolio production of catalogues, research pub- then is a tribute to his extraordinary was common and preferred stocks, lications, and other scholarly efforts stewardship through the intervening compared with 51 % at the end of fiscal related to the Gallery's collections. years. year 1993. Bonds made up 7% and cash The publications completed in 1994 For the treasurer of an art museum, equivalents 40%. Investments are are listed on page 53 of this report. perhaps the greatest reward of solid supervised by the finance committee of Other major publication efforts, investing in conjunction with a strong the Board of Trustees and managed by reflected in work-in-process inventory, development program is "signing the an investment advisory team of Scud- include 27 volumes of the systematic check" for a significant work of art. der, Stevens & Clark, New York; Sound catalogue, the Rothko and O'Keeffe cat- During Daniel Herrick's tenure, the Shore Management, Inc., , alogues raisonnes, and catalogue manu- Gallery purchased The Martyrdom of Connecticut; and Trust Company of the scripts for future exhibitions. Saint Bartholomew by Ribera, The Fall of West, Los Angeles, California. The Gal- Phaeton by Rubens, Lake Lucerne by Treasurer's Office lery also has a small position in T. Rowe Bierstadt, Personnage Gothique, Oiseau- Price's Strategic Partners II, which The treasurer's office is responsible for Eclair by Miro, and The Fortress of Konig- invests in emerging growth companies. general financial management and pol- stein by Bellotto. The Gallery's custodian is The Riggs icy, overseeing investment manage- The treasurer's office heartily National Bank of Washington, DC. ment, budgeting, accounting, payroll, applauds Daniel Herrick's leadership and insurance. The office manages the from 1985 through 1994 and wishes New Century Fund systems and the controls for security him every happiness as he charts a new As detailed elsewhere in this annual and disposition of the funds described in course. report, the Gallery has embarked on a the accompanying financial statements. capital campaign. Cash received in fiscal It also has oversight of the Gallery's Ann R. Leven year 1994 was deposited, following computer operations, both fiscal and Treasurer donors' wishes, in the appropriate curatorial, and telecommunications. endowment or specific purpose account. Telecommunications activity was Pledges of $12,500,000 have been enhanced by the addition of the tele- recorded as accounts receivable and phone office and a networking special-

73 Coopers & Lybrand L.L.P. I Coopers | &Lybrand a professorial services fir

Report of Tndependent Accountants

To the Board of Trustees of The National Gallery of Art

We have audited the accompanying balance sheet of the National Gallery of Art (the "Gallery") as of September 30, 1994, and the related statements of activity of the funds for operations, and changes in fund balances for the year then ended. We previously audited and reported on the financial statements of the National Gallery of Art for the year ended September 30, 1993, totals of which are included in the accompanying financial state- ments for comparative purposes only. These financial statements are the responsibility of the Gallery's management. Our responsibility is to express an opinion on these financial statements based on our audit.

We conducted our audit in accordance with generally accepted auditing standards and generally accepted government auditing standards. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements. An audit also includes assessing the accounting principles used and significant estimates made by management, as well as evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion.

In our opinion, the financial statements referred to above present fairly, in all material respects, the financial position of the National Gallery of Art as of September 30, 1994, and the results of its operations for the year then ended in conformity with generally accepted accounting principles.

Washington, D.C. December 23, 1994

South German 16th Century, Door Pull in the Form of a Lion's Head, c. 1500, Gift of Janos Scholz, 1993.42.1

74 BALANCE SHEET 30 SEPTEMBER 1994 (with comparative totals as of 30 September 1993)

7994 Non-federal Federal Total Totals

ASSETS Cash, including interest-bearing demand deposits and amounts on deposit with U.S. Treasury (Note 2) $ 3,628,605 $13,666,804 $ 17,295,409 $ 19,875,526 Receivables (Note 3) 22,492,012 986,614 23,478,626 9,816,245

Investments (Notes 1 and 4) 258,809,938 — 258,809,938 242,254,317

Publications inventory (Notes I and 5) 3,539,600 — 3,539,600 3,003,146 Deferred charges (Note 1) 2,116,895 217,448 2,334,343 2,165,202 Fixed assets (Notes 1 and 6) 71,720,186 23,300,857 95,021,043 96,330,088 TOTAL ASSETS $362,307,236 $38,171,723 $400,478,959 $373,444,524

LIABILITIES AND FUND BALANCES Liabilities: Accounts payable, accrued expenses, and undelivered orders (Note 1) $ 8,986,585 $ 6,549,457 $ 15,536,042 $ 12,681,423 Deferred grants and appropriations 20,803,336 217,448 21,020,784 7,036,439 Total liabilities 29,789,921 6,766,905 36,556,826 19,717,862 Commitments and contingencies (Note 10)

Fund balances (Note 7):

Funds for operations 124,503 — 124,503 185,859

Funds for special purposes 44,148,339 — 44,148,339 38,581,049

Endowment funds 216,524,287 — 216,524,287 212,443,843

Unobligated appropriations — 8,103,961 8,103,961 6,185,823 260,797,129 8,103,961 268,901,090 257,396,574 Capital invested in fixed assets 71,720,186 23,300,857 95,021,043 96,330,088 Total fund balances 332,517,315 31,404,818 363,922,133 353,726,662 TOTAL LIABILITIES AND FUND BALANCES $362,307,236 $38,171,723 $400,478,959 $373,444,524

The accompanying notes are an integral part of these financial statements.

75 STATEMENT OF ACTIVITY OF THE FUNDS FOR OPERATIONS FOR THE YEAR ENDED 30 SEPTEMBER 1994 (with comparative totals for the year ended 30 September 1993)

/994 1993 Non-federal Federal Total Totals

SUPPORT AND REVENUE U.S. government utilized (Note 1) $53,632,377 $53,632,377 $52,589,015

Return from endowment funds 4,851,916 — 4,851,916 4,677,135

Grants for special exhibitions 1,722,657 — 1,722,657 2,510,626

Special purpose funds utilized 2,667,374 — 2,667,374 2,222,497

Income from food services, recorded tours, reimbursements, and other 30,813 — 30,813 390,077

TOTAL SUPPORT AND REVENUE 9,272,760 53,632,377 62,905,137 62,389,350

OPERATING EXPENSES Programs: Curatorial 2,403,722 7,042,264 9,445,986 8,796,455 Conservation 465,048 2,243,381 2,708,429 2,584,514 Special exhibitions 1.996,763 2,692,206 4,688,969 5,505,351

Editorial and photography — 1,223,613 1,223,613 1,078,586 Research services 354,874 2.484,660 2,839,534 2,655,168 Educational services 1,338,351 3,864.824 5,203,175 4,933,990

Fellowships 604,539 — 604,539 554,625 Music 330,000 208,521 538,521 518,011 Total program expenses 7,493,297 19,759,469 27,252,766 26,626,700

Operations, security, and administration: Operations and maintenance 110,606 11,167,578 11,278,184 1 1,175,082

Security — 10,734,005 10,734,005 10,767,599 Administration, fiscal and legal 903,207 8,636,728 9,539,935 9,281,217 Development 654,496 183,870 838,366 826,777

Total operations, security, and administration 1,668,309 30,722,181 32,390,490 32,050,675

Renovation expenditures — 2,063,771 2,063,771 2,548,715

Equipment expenditures — 1,086,956 1,086,956 1,298,262

TOTAL EXPENSES 9,161,606 53,632,377 62,793.983 62,524,352

Excess/(deficiency) of support and revenue over expenses ; 111,154 $ — $ 111.154 $ (135,002)

The accompanying notes are an integral part of these financial statements.

76 STATEMENT OF CHANGES IN FUND BALANCES FOR THE YEAR ENDED 30 SEPTEMBER 1994 (with comparative totals for the year ended 30 September 1993) J 994 J99j Non-federal Federal No-year Funds for No-year special Funds for special Endowment One-year renovation exhibitions operations purposes funds funds funds funds Total Totals

BALANCES, BEGINNING OF YEAR $ 185,859 $38,581,049 $212,443,843 $ 624,329 $3,836,648 $1,724,846 $257,396,574 $238,308,140 Additions: U.S. government appropriation received 48,882,000 2,831,000 3,026,000 54,739,000 54,718,902 U.S. government funds provided for prior years 418,149 418,149 309,646 Return from endowment funds restricted to special purposes 3,051,309 3,051,309 3,726,099 Endowment fund income returned to principal (Note 1) — 39,049 Investment income 1,763,986 1,763,986 1,690,316 Change in investment appreciation/(depreciation) (Note 4) (832,703) (1,338,468) (2,171,171) 17,087,319 Gifts and bequests 8,221,005 5,848,372 14,069,377 12,388,313 Excess (deficiency) of support and revenue over expenses 111,154 111,154 (135,002) Publications revenue 8,910,444 8,910,444 11,332,633 Total additions 111,154 21,114,041 4,509,904 49,300,149 2,831,000 3,026,000 80,892,248 101,157,275

Deductions: Art purchases 3,837,145 3,837,145 16,199,359 Publications expenses 9,523,590 9,523,590 10,481,601 Fixed asset expenditures 120,612 120,612 243,992 Fellowships, projects, and other 2,667,374 2,667,374 2,222,497 Federal operating expenses obligated 48,876,392 2,064,871 2,297,748 53,239,011 52,921,392 Total deductions — 16,148,721 — 48,876,392 2,064,871 2,297,748 69,387,732 82,068,841

Transfers In (out), net (Note 7) (172,510) 601,970 (429,460)

BALANCES, END OF YEAR $ 124,503 $44,148,339 $216,524,287 $ 1,048,086 $4,602,777 $2,453,098 $268,901,090 $257,396,574

The accompanying notes are an integral part of these financial statements.

77 Notes to Financial included in undelivered orders and are avail- recorded as revenue to the Gallery to the Statements able until expended. Non-federal funds do extent that shared costs are incurred by the not account for undelivered orders. Gallery. Pledges for the purchase of works of art 1. Summary of significant accounting art collection—In conformity with are recorded when collected. policies accounting policies generally followed by art museums, the value of art has been excluded operating income from endowment fund accounting—To ensure observance of fund—Income derived from investments of limitations and restrictions placed on the use from the balance sheet. The Gallery acquires endowment funds is accounted for as rev- of resources available to the National Gallery its art collections through purchase or by enue of the appropriate operating fund or, if of Art (the Gallery), the accounts of the donation-in-kind. Only current-year pur- applicable, as additions to funds for special Gallery are classified for accounting and chases, but not donations-in-kind, are re- purposes. It is the policy of the Board of reporting purposes into separate funds estab- flected in the statement of changes in fund Trustees to limit the amount of dividends lished according to their nature and purpose. balances. and interest available for expenditure in Separate accounts are maintained for each investments—Investments are carried at operations in any year and to return unused fund; however, in the accompanying finan- current market value based upon the last income to the principal of the appropriate cial statements, funds that have similar char- reported sales price at the end of the fiscal endowments. In keeping with this policy, the acteristics have been combined into fund year or, in the absence of a reported sale, amount of interest and dividends available groups: upon the average of the bid and ask prices. for expenditures is equal to 5.5% of the four- Operating funds, which include unrestricted Purchases and sales of securities are reflected year average market value of the invested and restricted resources, are those expend- on a trade-date basis. Gain or loss on sales of funds. Total income generated by endow- able funds that support the Gallery's securities is based on average historical value ments for operations was $4,851,916 and operations. (cost of securities if purchased or the fair $4,716,184 for the years ended 30 Septem- Funds for special purposes include the publica- market value at the date of receipt if received ber 1994 and 1993. Of these amounts, tions fund, which is used to finance, in a by donation). Dividends and interest are $4,851,916 and $4,677,135 was used for revolving fund manner, the production of recorded on the accrual basis. In accordance operating purposes and, pursuant to the catalogues, and other scholarly activities with the policy of stating investments at fair Trustees' policy noted above, $39,049 was directly related to the programs and collec- value, the net change in unrealized apprecia- returned to principal for 1993. No endow- tions of the Gallery. Publications revenue and tion or depreciation for the year is reflected ment income was returned to principal for expenses are recorded as additions and in the statement of changes in fund balances 1994. deductions, respectively, in the statement of (see Note 4). changes in fund balances. Other funds for annual leave—The Gallery's employees publications inventory—Publications special purposes are primarily restricted to earn annual leave in accordance with federal inventory is carried at the lower of cost or laws and regulations. The cost of leave is art acquisitions, capital construction, and market. Cost is determined using the retail fellowships. recorded as salary expense only as leave is cost method. taken. Endowment funds require in perpetuity that deferred charges—Deferred charges repre- principal be invested and that only the contributed services—A substantial num- sent expenses incurred in connection with income be used. Permanent endowment ber of unpaid volunteers have made signi- future special exhibitions and other activities funds are subject to restriction by donor, ficant contributions of their time in the fur- and are recognized in the period in which grantor, or other outside party. Funds func- therance of the Gallery's programs. This they occur. tioning as endowment are subject to restric- contributed time is not reflected in these tion by the Gallery's Board of Trustees. fixed assets—The land occupied by the statements, since no objective basis is avail- Federal funds represent appropriations from Gallery's buildings was appropriated and able for determining the value of these the Congress of the United States for the reserved by the Congress of the United States services. operations of the Gallery. The Gallery for that purpose. No value has been assigned authoritative pronouncements—Effective receives "one-year" appropriations, which, in the accompanying financial statements. for the year ending 30 September 1996, when not obligated or expended, are Buildings are recorded at cost and depreci- the Gallery will be required to implement retained by the Gallery for a period of five ated on a straight-line basis over the esti- SPAS No. 116, "Accounting for Contributions years prior to being returned to the U.S. mated useful life of 50 years. Equipment, Received and Contributions Made," and Treasury; and "no-year" appropriations, for furniture, and computer software are also SPAS No. 117, "Financial Statements of the repair, renovation, and restoration of its recorded at cost and depreciated on a Not-For-Profit Organizations." The most sig- buildings and for special exhibitions. No-year straight-line basis over estimated useful lives nificant provision of SPAS No. 116 is the appropriations are retained until expended. ranging from 5 to 25 years. Upon retirement recognition of promises (pledges) in the of fixed assets, the related cost and accumu- financial statements. SPAS No. 117 requires a undelivered orders—In accordance with lated depreciation are removed from the change in the display of financial statements accounting principles prescribed by the accounts (see Note 6). Comptroller General of the United States as from those based on fund accounting to a set forth in the Policy and Procedures Manual revenue recognition—Grants, gifts, and display based on the concept of "net assets." for Guidance of Federal Agencies, the obligation bequests are recognized as support and rev- Management will be reviewing the impact of basis of accounting used for federal funds dif- enue or additions to funds for operations, these required changes in the coming fiscal fers in some respects from generally accepted special purposes, or endowment funds on the year. accounting principles. Obligations, such as accrual basis. Support and revenue received for future periods is deferred. purchase orders and contracts, are recognized 2. Cash as expenses and are carried as liabilities even Contributions received by the Gallery in though the related goods or services may not support of special exhibitions occurring at The Gallery invests its excess non-iederal have been received. Such amounts are one or more participating museums are cash in money market funds that are

78 converted into cash as needed to meet the Gallery's obligations. As of 30 September 1994 and 1993, federal cash of $13,666,804 and $14,684,443, respectively, was on deposit with the U.S. Treasury and represents appropriated amounts yet to be disbursed.

3. Receivables

As of 30 September, receivables were composed of the following: 1994 1993 New Century Fund pledges $12,500,000 $ — Special exhibition and other program grants and pledges 4,329,199 5,796,192 Due from brokers on sales of securities and accrued investment income 3,263,168 2,670,260 Other 3,386,259 1,349,793 $23,478,626 $9,816,245

4. Investments

As of 30 September, the Gallery's endowment and other special purpose funds were invested as follows: 1994 1993 Cost Market value Cost Market value Loan to the U.S. Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $ 5,000,000 Government obligations and cash equivalents 99,778,548 97,654,402 83,078,933 90,773,167 Bonds and notes 18,537,644 18,863,836 21,129,950 22.770,098 Common and preferred stocks 125,041,769 137,291,700 107,372,003 123,711,052 TOTAL $248,357,961 $258,809,938 $216,580,886 $242,254,317

In 1942 the Gallery, under authority of an Act of Congress, made a $5,000,000 perma- nent loan to the United States Treasury. This loan bears interest at %% below the average monthly rate for long-term funds paid by the United States Treasury (ranging from 5.25% to 7.25% during fiscal year 1994). Interest income on this loan was $321,684 and $317,309 for the years ended 30 September 1994 and 1993, respectively. The change in investment appreciation for the years ended 30 September 1994 and 1993 is as follows: 1994 1993 Net increase/(decrease) in market value of investments $(15,221,454) $ 4,253,476 Realized gain on sale of investments, net 13,050,283 12,833,843 $ (2,171,171) $17,087,319

5. Publications inventory As of 30 September, inventory consists of the following: 1994 1993 Gallery shops inventory $ 1,538,413 $ 1,897,513 Work-in-process 1,527,426 642,194 Other 473,761 463,439 total 6. Fixed assets 8. Retirement benefits All permanent employees of the Gallery, Depreciation is charged directly against both federal and non-federal, hired prior to "Capital invested in fixed assets" and is 1 January 1984, participate in the Civil Ser- excluded from the statement of activity of vice Retirement System (CSRS) and those the funds for operations and statement of hired subsequent to 1 January 1984 partici- changes in fund balances. Depreciation in pate in both the Social Security Retirement the amount of $3,918,293 in 1994 com- System and the Federal Employees' Retire- prises $2,454,378 of non-federal funds and ment System (FERS), which went into effect $1,463,915 of federal funds. 1 January 1987. Under FERS, employees Buildings and equipment consist of the have the option to make tax-deferred contri- following as of 30 September: butions to a Thrift Savings Plan and in some 1994 J 993 instances receive a matching portion from the Gallery. Non-federal Federal Total funds Total funds The Gallery funds all retirement contribu- Buildings (121,749,895 $ 12,652,888 $134,402,783 £ 1 34,145,411 tions on a current basis and accordingly Equipment 4,052,779 30,237,643 34,290,422 31,849,958 there are no unfunded retirement costs. Total Construction-in-progress 651,651 651,651 755,614 pension expense of the Gallery was approxi- 125,802,674 43,542,182 169,344,856 166,750,983 mately $3,983,000 and $3,839,000 for the years ended 30 September 1994 and 1993, Less accumulated depreciation (54,082,488) (20,241,325) (74,323,813) (70,420,895) respectively. $ 71,720,186 $ 23,300,857 $ 95,021,043 $ 96,330,088 9. Income taxes The Gallery is a nonprofit organization 7. Non-federal fund balances exempt from federal income taxes under Non-federal funds include the following as of 30 September: the provisions of §501(c)(3) of the Internal 1994 1993 Revenue Code and the applicable income tax Funds for operations 124,503 $ 185,859 regulations of the District of Columbia. Funds for special purposes: Accumulated income, gifts, grants, and bequests 10. Rental commitments that are available for: The Gallery has entered into two operating Art purchases 15,079,783 10,680,149 leases for warehouse space. Under these Capital construction 9,855,339 9,634,197 leases, the Gallery has the right to cancel Publications 14,949,693 15,249,123 upon 12 months' written notice to the lessor Fellowships and other projects 4,263,524 3,017,580 prior to the end of the initial lease term. Total funds for special purposes 44,148,339 38,581,049 Future minimum rental commitments under these leases at 30 September 1994 are Endowment funds: approximately as follows: Endowment funds, the income from which is available for: Restricted purposes 93,308,484 91,838,961 For the years ending Federal Publications Gallery operations 90,853,556 90,329,374 30 September fund fund Funds functioning as endowment funds, the principal and income from which are available for: 1995 $334,000 $167,000 Special purposes 15,445,971 15,578,620 1996 344,000 172,000 Unrestricted purposes 16,916,276 14,696,888 1997 86,000 43,000 1998 5,000 3,000 Total endowment funds 216,524,287 212,443,843 Total $769,000 $385,000 TOTAL NON-FEDERAL FUNDS $260,797,129 $251,210,751 The terms of these leases include additional rent for operating expenses, real estate taxes, Interfund transfers in (out) for the year ended 30 September 1994 included: utilities, and maintenance. Rent expense Funds for on the above leases was approximately Funds for special Endowment $597,000 and $573,000 for the years ended operations purposes funds 30 September 1994 and 1993, respectively. Art purchases $ — $567,041 $(567,041) Other (172,510) 34,929 137,581 Total transfers among funds $(172,510) $601,970 $(429,460)

80 APPENDICES

Acquisitions Downes, Rackstraw, American, born 1939 Bird's Eye View of the New York Convention Center under Construction, 1982, oil on canvas, 1994.59.5, Paintings Collection of Mr. and Mrs. Paul Mellon American 19th Century Durrie, George Henry, American, 1820-1863 Winter in the Country, c. 1858, oil on canvas, View at West Point, c. 1850, oil on canvas, 1994.59.1, Collection of Mr. and Mrs. Paul Mellon 1993.64.1, Gift of Mrs. Rudolf J. Heinemann Birley, Sir Oswald Hornby Joseph, British, Fantin-Latour, Henri, French, 1836-1904 Three Peaches on a Plate, 1868, oil on paper on 1880-1952 canvas, 1994.59.7, Collection of Mr. and Mrs. Paul Joseph E. Widener, 1928, oil on canvas, 1994.32.1, Mellon Gift of P.A.B. Widener British 20th Century Gilliam, Sam, American, born 1933 Relative, 1969, acrylic on canvas, 1994.39.1, Hertford Castle, possibly c. 1920, oil on canvas, Anonymous Gift 1993.65.1, Paul Mellon Collection Giroux, Andre, French, 1801-1879 Brouwer, Adriaen, Flemish, Forest Interior with a Painter, Civita Castellana, 1605/1606-1638 1825/1830 Boy Making Faces, c. 1632-1635, oil on panel, Forest Interior with a Waterfall, Papigno, 1994.46.1, Anonymous Purchase 1825/1830 Coignet, Jules, French, 1798-1860 oil on paper, 1994.52.3-4, Gift of Mrs. John Jay Ide View of Botzen with a Painter, 1837 in memory of Mr. and Mrs. William Henry Donner View of Lake Nemi, 1843 Homer, Winslow, American, 1836-1910 oil on paper laid down on canvas, 1994.52.1-2, Gift of The Dinner Horn, 1870, oil on canvas, 1994.59.2, Mrs. John Jay Ide in memory of Mr. and Mrs. William Collection of Mr. and Mrs. Paul Mellon Henry Donner John, Gwen, British, 1876-1939 Cole, Thomas, American, 1801-1848 The Convalescent, probably late 1910s to Italian Coast Scene with Ruined Tower, 1838, oil on mid-1920s canvas, 1993.55.1, Gift of The Circle of the National Rue Terre Neuve, Meudon, probably late 1910s to Gallery of Art early 1920s Decker, Joseph, American, 1853-1924 oil on canvas, 1994.59.15-16, Paul Mellon Collection Grapes, c. 1890/1895 Lepine, Stanislas, French, 1835-1892 Green Plums, c. 1885 A Plow Horse in a Field, 1870/1874, oil on canvas oil on canvas, 1994.59.3-4, Collection of Mr. and View of the Louvre, 1880/1886, oil on board Mrs. Paul Mellon 1994.59.8-9, Collection of Mr. and Mrs. Paul Mellon Delacroix, Eugene, French, 1798-1863 Louis, Morris, American, 1912-1962 A Horse Hitched to a Post, c. 1820, oil on canvas, Beth Chaf, 1959, acrylic on canvas, 1994.38.1, Gift 1994.59.17, Collection of Mr. and Mrs. Paul Mellon (Partial and Promised) of Gisela and Dennis Alter

81 mmA

Sir Oswald Hornby Joseph Birley, Joseph E. Widener, 1928, Gift of P.A.B. Widener, 1994.32.1

Morisot, Berthe, French, 1841-1895 Misse and Luttine, 1729, oil on canvas, 1994.53.1, Polke, Sigmar, German, born 1941 Peonies, c. 1869, oil on canvas, 1994.59.10, Collec- Gift of Mr. and Mrs. Eugene Victor Thaw, in Honor of Hope is: Wanting to Pull Clouds, 1992, polyester tion of Mr. and Mrs. Paul Mellon the 50th Anniversary of the National Gallery of Art resin and acrylic on fabric, 1993.59.1, Gift of the Collectors Committee Oudry, Jean-Baptiste, French, 1686-1755 Pissarro, Camille, French, 1830-1903 The Marquis de Beringhen, 1722, oil on canvas, The Gardener-Old Peasant with Cabbage, Redon, Odilon, French, 1840-1916 1994.14.1, Eugene L. and Marie-Louise Garbaty Fund, 1883-1895, oil on canvas, 1994.59.6, Collection of Breton Village, c. 1890, oil on canvas, 1994.59.11, Patrons' Permanent Fund, and Chester Dale Fund Mr. and Mrs. Paul Mellon Collection of Mr. and Mrs. Paul Mellon

82 Acconcl, Vito, American, born 1940 Step Piece, 1970, 5 silver gelatin developed-out prints, type on 4 sheets of bond paper, mounted together on paperboard with felt-tip pen anno- tations, 1994.17.1, The Dorothy and Herbert Vogel Collection, Gift of Dorothy Vogel and Herbert Vogel, Trustees

Basoli, Antonio, Italian, 1774-1848 Mountain Torrents Flooding a City, before 1839 Entrance to the Bowels of the Earth, before 1839 pen and brown with brown-gray wash over graphite, 1994.9.3-4, Ailsa Mellon Bruce Fund

Beckmann, Max, German, 1884-1950 Young Man Holding a Pole Three Heads graphite, 1993.70.1-2, Gift of Max Kahn, New York, N.Y.

Beuys, Joseph, German, 1921-1986 Untitled (recto and verso), 1970, graphite and rubber stamp on paper from spiral bound draw- Central Italian 16th Century, The Holy Family with ing pad; graphite, 1994.17.4.a,b, The Dorothy and the Infant Saint John, probably second half 16 th cen- Herbert Vogel Collection, Gift of Dorothy Vogel and tury, Gift of Kimberly Nasatir in memory of her Herbert Vogel, Trustees mother Victoria, 1993.43.2 Bochner, Mel, American, born 1940 Triangular + Square Numbers, 1972, brown felt- tip pen and graphite, 1994.17.5, The Dorothy and Herbert Vogel Collection, Gift of Dorothy Vogel and Herbert Vogel, Trustees

Bonnard, Pierre, French, 1867-1947 Bouquet of Flowers, Vernon, 1930/1935, water- color and graphite, 1994.59.28, Collection of Mr. Richter, Gerhard. German, born 1932 Kienholz, Edward, American, 1927-1994, and Mrs. Paul Mellon Abstract Painting 780-1, 1992, oil on canvas, and Nancy Reddin Kienholz, American, Borofsky, Jonathan, American, born 1942 1993.62.1, Gift of the Collectors Committee born 1943 Upside Down Flowers, 1976, charcoal, 1994.17.6, Toulouse-Lautrec, Henri de, French, Bound Duck-Black, 1991, wall sculpture with The Dorothy and Herbert Vogel Collection, Gift of 1864-1901 screenprinting, acrylic, cast aluminum object, Dorothy Vogel and Herbert Vogel, Trustees galvanized steel air duct, wood shelf, leather The Trap, 1880, oil on wood Boucher, Frangois, French, 1703-1770 Hussars, 1878, oil on canvas helmet, Formica, and resin hand-applied by the artists, 1993.77.1, Anonymous Gift Faith and Charity (after Giovanni Battista Gaulli), 1994.59.13-14, Collection of Mr. and Mrs. Paul Mellon 1728/1731, black chalk counterproof on oat- Velde the Elder, Willem van de, Dutch, Kollwitz, Kathe, German, 1867-1945 meal paper, 1993.38.1, Gift of Regina Slatkin 1611-1693 The Lovers, model 1913 (cast posthumously Brevoort, James Renwick, American, Dutch Ships Near the Coast, early 1650s, oil on c. 1955), bronze, 1994.33.1, Gift of Dr. and Mrs. S. Lifschutz 1832-1918 wood, 1994.61.1, Gift of Lloyd M. Rives Farmington, Connecticut, 1865 Oldenburg, Claes, American, born 1929 Gloucester, Massachusetts, 1872 Sculpture Study for Profiterole, 1989, plaster, styrofoam, and graphite, 1994.34.1-2, Gift of Betty Boj-Sode paper painted with acrylic Albertazi, Gaetano, Italian, active 1450/1525 Master for Profiterole, 1989, plaster Brusasorcl, Felice, Italian, c. 1542-1605 Table Bell, late 15th century or first quarter 16th Color Study for Profiterole, 1990, cast aluminum A Palatial Wall Ornamented with Sculptures and century, bronze, 1993.43.1, Gift of Justin Nasatir in painted with acrylic Paintings, c. 1590/1600, pen and brown ink with memory of his mother Victoria 1994.68.1-3, Gift of Claes Oldenburg and Coosje van brown wash over graphite, 1994.9.5, Gift of Joseph Central Italian 16th Century Bruggen F. McCrindle The Holy Family with the Infant Saint John, proba- Pullan, Tessa, British, born 1953 Chatelet, Claude-Louis, French, 1753-1794 bly second half 16th century, bronze with traces Paul Mellon, 1984, cast 1990, bronze, 1994.59.19, River Rapids by Wooded Cliffs, c. 1780, gray wash of gilding, 1993.43.2, Gift of Kimberly Nasatir in Paul Mellon Collection with white gouache over traces of black chalk memory of her mother Victoria on blue paper, 1994.7.1, Gift of Neil and Ivan Phillips South German 16th Century Conner, Angela, British, 20th century in memory of Jacqueline Getty Phillips Door Pull in the Form of a Lion's Head, c. 1500, Paul Mellon, 1986, bronze, 1994.59.18, Paul Cogniet, Leon, after brass, 1993.42.1, Gift of Janos Scholz Mellon Collection The Blacksmith's Shop, after 1822, graphite with Tuttle, Richard, American, born 1941 Graves, Nancy, American, born 1940 brown wash heightened with white, 1993.39.1, Turn, 1965, acrylic on wood board, 1994.17.12, Kariate, 1981, bronze, steel, aluminum, copper, Gift of Paul Mellon The Dorothy and Herbert Vogel Collection, Gift of brass, and polyurethane paint, 1993.66.1, Gift of Dorothy Vogel and Herbert Vogel, Trustees Corneille, Michel, French, 1642-1708 Lawrence Rubin The Purification of Aeneas, c. 1663, pen and Hagenauer, Friedrich, German, active Drawings brown ink with blue wash, squared in graphite, 1525/1546 1994.1.1, Ailsa Mellon Bruce Fund Abraham!, Elie, Iranian, born 1941 Johannes Pistorius (1504-1583) (obverse), Inscrip- Cotman, John Sell, British, 1782-1842 Early Morning, 1993, watercolor, 1993.69.1, Gift of tion (reverse), 1543, bronze, I993.44.1.a,b, Gift of A Cottage at in , c. 1800/1801, gray Elie Abraham! Stephen K. Scher and Janie Woo Scher, in gratitude to wash and graphite, 1994.13.1, Ailsa Mellon Bruce the staff of the National Gallery of Art Spring, 1993, watercolor, 1994.8.1, Gift of George Fund and Janet Jaffin

83 O&cm,

Cunningham, Merce, American, born 1919 white gouache, and touches of brown ink, ing executed after 1690; gold leaf and cut-out Rune: Company Sequence #7, 1959, colored 1994.15.1, Ailsa Mellon Bruce Fund attachments added by John Talman in the first quarter of the 18th century, pen and brown ink on paper mounted to paperboard, 1994.17.7, The Fontainebleau School, French, 16th century with brown wash over black chalk (outer draw- Dorothy and Herbert Vogel Collection, Gilt ol Dorothy Design for the Morion Helmet of a Suit of Parade ing); graphite (central drawing), 1994.49.1, Gift of Vogel and Herbert Vogel, Trustees Armor, c. 1545, pen and gray ink with gray The Circle of the National Gallery of Art Deshays, Jean-Baptiste Henri, French, wash over black chalk, 1993.51.4, Woodner Family 1729-1765 Collection Harpignies, Flenri-Joseph, French, 1819-1916 Semele Consumed by Jupiter's Divine Fire (recto), A Fontebasso, Francesco, Italian, 1709-1769 River Landscape, 1911, charcoal, 1994.60.32, Gift of Reclining Nude with Her Right Arm Raised (Semele), Elegant Young Woman with a Pearl Necklace, pen Ruth B. Benedict Over a Swift Composition Study (verso), c. 1760, and brown ink, 1994.60.17, Gift of Ruth B. Benedict black and red chalks with brown wash; black Holden, Donald, American, born 1931 Goya, Francisco de, Spanish, 1746-1828 chalk with touches of red chalk, 1994.11.1.a,b, Mendocino Moonlight IV, 1991, watercolor, Beggars Who Get About on Their Own in Bordeaux, Ailsa Mellon Bruce Fund 1994.62.1, Gift of the artist in memory of Albert Bush- 1824/1827, black chalk on gray paper, 1993.51.9, Brown Diirer, Albrecht, German, 1471-1528 Woodner Family Collection The Virgin Annunciate, c. 1491/1492, pen and Yellowstone Fire XXI, 1991, watercolor, 1994.62.2, brown ink, 1993.51.1, Woodner Family Collection Goyen, Jan van, Dutch, 1596-1656 Gift of the artist in memory of Hereward Lester Cooke Cottages by a River, c. 1627/1629, black chalk Dyck, Anthony van, Sir, Flemish, 1599-1641 with touches of graphite, 1994.60.27, Gift of Ruth Homer, Winslow, American, 1836-1910 The Mystic Marriage of Saint Catherine, c. 1618/ B. Benedict Native Huts, Nassau, 1885, watercolor, gouache, 1620, pen and brown ink with brown and gray and graphite washes over black chalk, 1993.51.7, Woodner Fam- Guerra, Giovanni, Italian, 1544-1618, and The Sick Chicken, 1874, watercolor, gouache, and Domenico Maria Viani, Italian, 1668-1711 ily Collection graphite Ceiling with Allegorical Figures and the Arms of Pope On the Fence, 1878, watercolor, gouache, and Eisen, Charles, French, 1720-1778 Sixtus V (Guerra's outer drawing); Saint Joseph The Holy Family in the Carpenter's Shop, c. 1755, graphite and the Christ Child (Viani's central drawing), On the Stile, c. 1878, watercolor, gouache, and pen and gray ink with gray wash, watercolor, outer drawing executed c. 1587; central draw- graphite

84 Italian 17th Century rubbed with one layer of chalk, 1977, gray chalk Bacchus, black chalk with gray wash on blue and incised lines paper, 1994.60.36, Gift of Ruth B. Benedict Structure Change of Lines incised before chalk- Sounds Rising I, 1978, incised lines, pastel, and Jacovleff, Alexandre, Russian, 1887-1938 graphite Un Lama de Lambrunn, 1932, colored chalks, lines incised before gray chalk—white plus gray, 1993.40.1, Gift of Dora Donner Ide in honor of and in points—verticals II, 1979, incised lines, gray memory of Choy Fung chalk, and graphite Kalnen, Jacob, American, born 1909 1994.17.9-11, The Dorothy and Herbert Vogel Collec- Untitled, 1990, oil pastel, 1993.68.1, Gift of an tion, Gift of Dorothy Vogel and Herbert Vogel, Trustees Anonymous Donor Russell, John, British, 1745-1806 Lami, Eugene Louis, French, 1800-1890 Mary Wood, 1794, pastel, 1993.63.1, Ailsa Mellon Boar Hunt at Compiegne, 1833, bound album with Bruce Fund 6 watercolors, I994.59.29.a-f, Collection of Sandby, Paul, British, 1731-1809 Mr. and Mrs. Paul Mellon A Seller, c. 1759, pen and black ink with LeWltt, Sol, American, born 1928 watercolor over graphite, 1993.61.1, Ailsa Mellon Wall Drawing No. 681 C, 1993, colored ink Bruce Fund washes, 1993.41.1, The Dorothy and Herbert Vogel Sanquirico, Alessandro, Italian, 1780-1849 Collection, Gift of Dorothy Vogel and Herbert Vogel, A Palatial Garden with Circular Terraces, c. 1810 Trustees Piazza with an Equestrian Monument and a Palace, Masereel, Frans, Belgian, 1889-1972 c. 1810 Night in the City, 1957, brush and black ink with pen and black ink with gray wash over graphite, watercolor, 1994.35.3, Gift of Elizabeth C. Lukacs squared in graphite, 1994.9.1-2, Ailsa Mellon Bruce Menzel, Adolf, German, 1815-1905 Fund Three Hobos Balanced on the Artist's Signature, Tibaldi, Pellegrino, Italian, 1527-1596 1887, graphite on light brown paper, 1994.60.45, Two Seated Women, pen and brown ink with Gift of Ruth B. Benedict brown wash, 1994.60.62, Gift of Ruth B. Benedict Morris, Robert, American, born 1931 Tiepolo, Giovanni Domenico, Italian, Drawing for Earth Project, 1969, colored inks, 1727-1804 watercolor, and colored on graph paper, The Parting of Saints Peter and Paul, c. 1791, pen 1994.17.8, The Dorothy and Herbert Vogel Collection, and brown ink with brown wash over black Gift of Dorothy Vogel and Herbert Vogel, Trustees chalk, 1993.51.5, Woodner Family Collection Motherwell, Robert, American, 1915-1991 Toulouse-Lautrec, Henri de, French, The Baltic Sea Bride #111, 1974, acrylic and 1864-1901 on Upsom board Seated Woman from Behind—Study for "Au Moulin Michel Corneille, The Purification of Aeneas, c. 1663, Bouquet for Marina, 1981, collage Rouge," 1892, oil on cardboard, 1994.59.12, Collec- Ailsa Mellon Bruce Fund, 1994.1.1 1993.66.2-3, Gift of Lawrence Rubin tion of Mr. and Mrs. Paul Mellon

Pecham, Georg, German, c. 1568-1604 Vedder, Elihu, American, 1836-1923 The Way of Salvation, c. 1595, pen and black ink Old Man by a River, c. 1863, gouache and water- with gray wash on light brown paper, 1994.51.1, color Ailsa Mellon Bruce Fund Vitre, c. 1877, gouache, crayon, and watercolor Piranesi, Giovanni Battista, Italian, on gray paper 1720-1778 Mt. Colognola— Grazing on Lake Trasimeno, The "Canopus" of the Villa Adriana at Tivoli, 1776, c. 1878, gouache and charcoal Warm Afternoon (Shepherdess), 1878, watercolor, red chalk over black chalk, 1994.69.1, Gift (Partial Orvieto, c. 1890, graphite, crayon, and pen and gouache, and graphite on gray-green paper and Promised) of Mr. and Mrs. Ladislaus von Hoffmann brown ink on gray-green paper The Green Hill, 1878, watercolor, gouache, and Drawing for of Fortune, 1892, crayon and graphite on gray-green paper Pozzo, Andrea, Italian, 1642-1709 black chalk on brown paper Fresh Eggs, 1874, watercolor, gouache, and Illusionistic Architecture for the Vault of San Ignazio, Capri, 1913, pastel on gray paper graphite 1685/1690, pen and gray and brown ink with Capri, 1913, pastel and charcoal on gray paper 1994.59.20-26, Collection of Mr. and Mrs. Paul Mellon gray wash on 2 joined sheets of paper, 1994.16.1, Capri, 1914, pastel and charcoal Gift of Robert M. and Anne T. Bass Huet, Paul, French, 1803-1869 1993.67.1-8, Gift of Mr. and Mrs. Mark Borghi A Wild Beech in Full Leaf, 1858, black chalk Raphael, Italian, 1483-1520 Walkowitz, Abraham, American, 1880-1965 heightened with white on blue paper, 1993.58.1, Eight Apostles, c. 1514/1516, red chalk over Untitled, c. 1932, brush and black ink with gray Ailsa Mellon Bruce Fund underdrawing wash A Marble Horse on the Quirinal Hill (recto), Archi- Ingres, Jean-Auguste-Dominique, French, Untitled, 1932, brush and black ink with gray tectural Details and a Soldier (verso), 1516/1517, 1780-1867 wash red chalk and pen and brown ink over stylus Two Studies of Virgil, c. 1830, graphite on 5 joined Cityscape, c. 1908, pen and black ink and underdrawing; pen and brown ink sheets of paper, 1993.51.8, Woodner Family Collec- graphite 1993.51.2-3.a,b, Woodner Family Collection tion Cityscape, 1909, graphite Rembrandt van Rijn, Dutch, 1606-1669 1994.12.1-2, and 1994.45.1-2, Gift of Prospero Foun- Italian 16th Century View of Houtewaal near the Sint Anthonispoort dation, courtesy of Jane and Raphael Bernstein Illusionistic Ceiling with a Grape Arbor, Figures (recto), Figures on the Anthonisdijk Entering Houte- Poised on Galleries, and a Central Scene of Olympian waal (verso), early 1650s, and brown Gods, c. 1570/1580, pen and brown ink with ink with gray-brown wash and touches of Prints brown wash, heightened with white, over black white; reed pen and brown ink, 1993.5l.6.a,b, chalk on brown paper, 1994.48.1, Ailsa Mellon Andreani, Andrea, Italian, 1558/1559-1629 Woodner Family Collection Bruce Fund The Bearing of the Cross (after Alessandro Renouf, Edda, American, born 1943 Casolani), 1580s, chiaroscuro woodcut printed Percussion Drawing 19— lines incised after chalk and from 3 blocks: black line block and 2 tone

85 ' f it

"? . .' V . Francisco de Goya, Beggars Who Get About on Their Own in Bordeaux, 1824/1827, Woodner Family Col- lection, 1993.51.9

blocks in shades of green-brown, 1994.60.1, Gift Telemachus on the Island of the Goddess Calypso, Beham, Hans Sebald, German, 1500-1550 of Ruth B. Benedict 1634, etching and engraving Es ist Kalt Weter, 1542 The Followers of Solon Defending the Temple of Das Schadet Nit, 1542 Avery, Milton, American, 1885-1965 Venus, 1634, etching and engraving engravings, 1994.60.2-3, Gift of Ruth B. Benedict Birds by Blue Sea, 1950, color monotype with Alexander the Great and Neptune, 1634, etching graphite, 1993.53.1, Gift of Prospero Foundation, Belleroche, Albert, British, 1864-1944 and engraving courtesy of Jane and Raphael Bernstein Maltese Girl, 1909, crayon lithograph Hannibal's Navy Battling the Rhodians, 1634, The Artist's Mother at the Piano, 1914, crayon Riders in the Park, 1935, drypoint, 1994.41.2, Gift etching and engraving lithograph of Harry Lunn Caesar Crossing Stormy Seas, 1634, etching and Portrait of a Lady, crayon lithograph engraving Avery, Milton, American, 1885-1965, and Melancholy, 1907, crayon lithograph The Stabbing ofPompey, 1634, etching and Harry H. Lunn Jr. (author), American, born Madame Mejant, 1906, crayon lithograph 1933 engraving Woman with a Shawl, 1916, tusche lithograph Milton Avery: Prints 1933-1955, published 1973, The Death ofCato, 1634, etching and engraving Woman with a Harp, 1906, crayon lithograph on bound volume with 1 drypoint, 1994.41.1, Gift of Saint Paul Shipwrecked on the Island of , oatmeal paper 1634, etching and engraving Harry Lunn Sporting Style (Rosamund), 1916, tusche litho- Neptune and the Pillars of Hercules, 1634, etching graph on green paper Barbazza, Francesco, Italian, active late 18th and engraving Madame Frantz, 1907, crayon lithograph century The Partitioning of the Globe between Spain and Por- Portrait of a Woman, 1908, crayon lithograph on A Place of Delight with an Aerial Balloon, 1785 tugal, 1634, etching and engraving light brown paper A Temple Dedicated to Jupiter, Juno, and Minerva, Lions Protecting the Garden of the United Provinces, Smiling Woman, crayon lithograph on oriental 1785 1634, etching and engraving paper etchings, 1994.56.1-2, Ailsa Mellon Bruce Fund Heemskerck's Victory Over the Spanish Fleet at Pierette (Alice N.), 1906, crayon lithograph in red Gibraltar, 1634, etching and engraving Basse, Willem, Dutch, 1613 or 1614-1672 Joyce, 1924, crayon lithograph in red Title Page for "Der Zee-Vaert Lof," 1634, engraving Peasant Couple Sitting under a Tree, c. 1630/1660, 1993.72.1-13, Gift of George and Olga Kenney The Muse of Poetry, 1634, etching and engraving etching and engraving Besnard, Albert, French, 1849-1934 Noah's Ark and the Flood, 1634, etching and A Cooper, c. 1630/1660, etching Pierre Copies the Virgin from the Portal of the Church engraving The Flight into Egypt, c. 1630/1660, etching and of Marly, 1885, etching The Abduction ofEuropa, 1634, etching and engraving The Letter to Madame Henry, 1885, etching engraving 1994.70.1-19, David K. B. Bruce Fund Sadness, 1887, etching

86 Back of a Woman, 1889, etching and roulette Bol, Ferdinand, Dutch, 1616-1680 Claude Lorrain, French, 1600-1682 Woman in Full Profile, 1892, etching in brown- An Old Man Reading, 1642, etching and drypoint, Harbor with a Large Tower, c. 1641, etching, black 1994.60.5, Gift of Ruth B. Benedict 1994.47.1, Ailsa Mellon Bruce Fund Self-Portrait, 1893, collotype Bonnat, Leon, French, 1833-1922 Daumier, Honore, French, 1808-1879 Woman at Her Toilette, 1905, etching and dry- La Lutte de Jacob (Jacob Wrestling with the Angel), Mile Etienne-Goconde-Cunegonde-B(cassine de "Con- point 1876 stitutionnel," 1834, lithograph on chine colle Frontispiece for "VAffaire Clemenceau," 1905, Fides Devries, 1887 Une Victime des Factions, 1842, lithograph etching Aigle Liant un Lievre (An Eagle Pouncing on a Hare) Dire que je vais etre... expose..., 1859, lithograph Jules Destree, 1917, etching [first state] drypoints, 1994.42.3-5, Rene Huyghe Collection 1994.60.10-12, Gift of Ruth B. Benedict Jules Destree, 1917, etching [first state] Jules Destree, 1917, etching and drypoint [third Boulard, Auguste, French, 1852-after 1912 Delacroix, Eugene, French, 1798-1863 state] Chateau on a Rise, probably 1877, etching, Mephistopheles in the Sky, 1828, lithograph on Jules Destree, 1917, etching and drypoint [third 1994.42.6, Rene Huyghe Collection chine colle, 1994.60.13, Gift of Ruth B. Benedict state] Bresdin, Rodolphe, French, 1825-1885 Delia Bella, Stefano, Italian, 1610-1664 Jules Destree, 1917, etching and drypoint The Holy Family with the Does, 1878, transfer Sesta Scena di Tutto Cielo (after Alfonso Parigi II), touched with blue-black ink [fifth state] lithograph on chine colle, 1994.60.6, Gift of Ruth 1637, etching, 1994.60.14, Gift of Ruth B. Benedict Jules Destree, 1917, etching and drypoint [sixth B. Benedict state, unique proof] Dietrich, Christian Wilhelm Ernst. German, Jules Destree, 1917, etching and drypoint [sixth British 17th Century 1712-1774 state, artist's proof] Vanitas, engraving, 1994.60.7, Gift of Ruth B. Bene- Battle of the Tritons, 1763, etching and engraving, Jules Destree, 1917, etching and drypoint [sixth dict 1994.60.15, Gift of Ruth B. Benedict state] Brown, John Lewis, French, 1829-1890 Evenepoel, Henri Jacques Edouard, Belgian, Jules Destree, 1917, etching and drypoint [sixth Maquignons (Horse Dealers), etching and aquatint, 1872-1899 state] 1994.42.7, Rene Huyghe Collection At the Square, 1897, color lithograph, 1994.60.16, Georges Clemenceau, 1917, drypoint [trial proof] Gift of Ruth B. Benedict Sorrow, 1919, etching and aquatint Brustolon, Giovanni Battista, Italian, Birth Announcement for Anne-Hlisabeth Besnard, 1712-1796 Farinati, Orazio, Italian, 1559-after 1616 1922, etching and drypoint Christmas Eve Procession to San Giorgio Maggiore Madonna and Child with John the Baptist (after Melancholy, 1888, etching and softground etch- (after Giovanni Battista Moretti), 1779, etching Paolo Farinati), 1590s, etching and engraving, ing in brown and engraving, 1994.60.8, Gift of Ruth B. Benedict 1994.19.1, Ailsa Mellon Bruce Fund Edmond Pigalle, 1908, etching Buhot, Felix-Hilaire, French, 1847-1898 Ficquet, Etienne, French, 1719-1794 Madame Aman Jean, 1898, etching in brown- Le Couvre-Feu (The Curfew) (recto). Figures on a Pierre Mignard (after Hyacinthe Rigaud), black Shore (verso), 1874/1875, etching, drypoint, 1755/1765, engraving, 1994.3.3, Gift of John Eve, 1896, etching in yellow-brown [artist's aquatint, and burnishing; graphite, I994.60.9.a,b, O'Brien proof] Gift of Ruth B. Benedict Fontebasso, Francesco, Italian, 1709-1769 Eve, 1896, etching in brown Callot, Jacques, French, 1592-1635 Apollo and Nymphs in a Landscape with a Bust of Peppina, 1919, etching touched with graphite The Massacre of the Innocents, c. 1618/1620, Pan, 1744, etching, 1994.58.8, Ailsa Mellon Bruce [first state] etching Fund Peppina, 1919, etching and drypoint [second The Fan, 1619, etching and engraving state] French 20th Century Entry of the Prince of Pfaltzbourg, 1627, etching Peppina, 1919, etching and drypoint [third state] Almanach de Mode 1, published March 1919, 1993.45.1-3, Gift of Mollie B. Darr Pompilia, 1919, etching and aquatint 8 offset lithographs with watercolor stenciling Woman with a Cape, 1889, etching, drypoint, and Cambiaso, Luca, after Almanach de Mode 2, published April 1919, roulette on imitation vellum paper Death of Adonis, late 16th century, woodcut, 8 offset lithographs with watercolor stenciling Auguste Rodin, 1900, etching 1994.60.35, Gift of Ruth B. Benedict 1994.43.1-8, and 1994.43.9-16, Solomon R. Guggen- Three Veiled Women, 1899, etching heim Collection Carracci, Agostino, Italian, 1557-1602 Seated Nude with a Cigarette, etching Pieta (after Veronese), 1582, engraving, Gavarni, Paul, French, 1804-1866 Cast of a Net, 1900, etching on vellum 1994.18.1, Ailsa Mellon Bruce Fund "Les Maris me font toujours rire " (Husbands Always The Doll, 1888, etching and roulette Make Me Laugh), 1852/1853, lithograph, Eve before the Apple Tree, 1892, etching Chagall, Marc, Russian, 1887-1985, and Niko- 1994.60.19, Gift of Ruth B. Benedict 1993.71.1-20, and 1994.4.1-16, Gift of Mr. and Mrs. lai Gogol (author), Russian, 1809-1852 Daniel Bell Les Ames Mortes, 1923-1927 (published 1948), Gericault, Theodore, French, 1791-1824 unbound volume in 2 parts with 96 etchings, Le Giaour (The Infidel), 1820 Bodmer, Karl, Swiss, 1809-1893 1993.46.1-96, Gift of Mr. and Mrs. Gerhard E. Pinkus Passage du Mont St. Bernard (Napoleon's Army Un Abri (A Shelter), 1858, lithograph on chine Crossing the St. Bernard Pass), 1822 colle Champfleury (author), French, 1821-1889 lithographs, 1994.58.9-10, Ailsa Mellon Bruce Fund Les Ours (The Bears), 1858/1874, etching on Catalogue de I'Oeuvre Lithograph^ et Grave de H. chine colle Daumier, published 1878, bound volume with Entrance to the Adelphi Wharf, 1821, lithograph, 1994.42.1-2, Rene Huyghe Collection frontispiece etching by Honore Daumier, Henri- 1994.60.20, Gift of Ruth B. Benedict Joseph Harpignies, Felicien Rops, and Alfred Boel, Coryn, Flemish, 1620-1688 Gessner, Salomon, Swiss, 1730-1788 Taiee, 1994.40.1, Rosenwald Collection The Barber's Shop (after David Teniers II), Satyr Carrying a Nymph, 1769/1771, etching, engraving, 1994.60.4, Gift of Ruth B. Benedict Charlet, Nicolas-Toussaint, French, 1994.3.4, Gift of John O'Brien 1792-1845 Boily, Charles-Ange, French, 1735/1738-1813 Gillot, Firmin, French, 1820-1872 Debit d'Albums avec Procedes nouveaux (New Meth- Tolozan de Montfort, 1786, engraving, 1994.3.1, Gift The Stone Breaker (after Gustave Courbet), after ods for the Sale of Lithograph Albums), 1827 of John O'Brien 1849, gillotype, 1994.42.8, Rene Huyghe Collection Landers en Marche (Lancers on the March), 1831 Boissieu, Jean-Jacques de, French, Le Diable emporte les Albums (The Devil Runs Off Giroux, Charles, French, 1861-after 1928 1736-1810 with the Lithograph Albums), 1825 La Nuit & VAmour (Night and Love) (after James The Public Scribe, 1790, etching with touches of Paysans se reposant dans la Campagne (Peasants Bertrand), engraving, 1994.42.9, Rene Huyghe roulette Resting in the Countryside), 1831 Collection River Landscape with a Passing Storm, 1809, etch- Vainqueurs et vaincus, tout estfricot pour le diable Gole, Jacob, Dutch, 1660-1737 ing and engraving with touches of roulette (The Vanquishers and the Vanquished, All Food for The Conversation, mezzotint, 1994.60.21, Gift of 1994.58.1-2, Ailsa Mellon Bruce Fund the Devil), 1822 Ruth B.Benedict lithographs, 1994.58.3-7, Ailsa Mellon Bruce Fund

87 Goltzius, Hendrik, Dutch, 1558-1617 Grandville, J. J., French, 1803-1847 1758, mezzotint, 1994.44.8, Ailsa Mellon Bruce Pluto, 1588/1590, chiaroscuro woodcut printed The Ailing Cricket, 1829 Fund from 3 blocks: dark gray line block with middle Blessed Are the Well-Fed, 1829 Gris, Juan, Spanish, 1887-1927 and light gray tone blocks, 1994.60.22, Gift of Ruth A Conventional Marriage, 1829 Marcelle la Brune, 1921, lithograph in green on B. Benedict hand-colored lithographs, 1994.60.28-30, Gift of oriental paper, 1994.60.31, Gift of Ruth B. Benedict Ruth B. Benedict The Circumcision (style of Albrecht Diirer), 1594 Homer, Winslow, after The Visitation (style of Parmigianino), 1593 Grasset, Eugene Samuel, French, 1841-1917 The Dinner Horn, 1870, woodcut, 1994.59.27, Col- engravings, 1994.21.1-2, Ailsa Mellon Bruce Fund Roundel Portrait of a Girl lection of Mr. and Mrs. Paul Mellon Jalousie (Jealousy) Gourmont I, Jean de, after hand-colored lithographs, 1994.42.10-11, Rene Hugo, Herman (author), Flemish, 1588-1629, Three Figures in a Gallery, etching, 1994.60.18, Gift Huyghe Collection and Christoffel van Sichem II, Dutch, c. of Ruth B. Benedict 1581-1658 Gray, Thomas (author), British, 1716-1771, Goya, Francisco de, Spanish, 1746-1828 Pia Desideria Emblematis (after Boetius Adams with Charles Grignion, British, 1717-1810, Estan calientes (They Are Hot), published 1799, Bolswert after Abraham Bloemaert), published and Johann Sebastian Miiller, German, etching and burnished aquatint 1628, bound volume with 47 woodcuts, 1715-1785 Subir y bajar (To Rise and To Fall), published 1993.56.1, Ailsa Mellon Bruce Fund Designs by Mr. R. Bentley, for Six Poems by Mr. T. 1799, etching and burnished aquatint Gray (after Richard Bentley), published 1753, Indiana, Robert, American, born 1928 Buen Viage (Bon Voyage), published 1799, etching, bound volume with 6 engraved plates, 13 LOVE, 1967, screenprint, 1993.75.1, Gift of Laura burnished aquatint, and engraving engraved vignettes, and 6 engraved initials, M. Slatkin No hay quien nos desate? (Can't Anyone Untie Us?), 1993.79.1, Gift of Charlotte and Arthur Vershbow published 1799, etching and burnished aquatint Isabey, Eugene, French, 1803-1886 1994.60.23-26, Gift of Ruth B. Benedict Greenwood, John, American, 1727-1792 Chateau de Pesteil a Polminhac, 1832 Girl with a Candle (after Nicolaas Verkolje), after Interieur d'un Port, 1833

88 lithographs on chine colle, 1994.60.33-34, Gift of Reflections on Hair, 1990 Ruth B. Benedict Reflections on Minerva, 1990 Italian 18th Century Reflections on The Scream, 1990 Annihale Carracci, etching and engraving, lithograph, screenprint, woodcut, and metalized PVC collage with embossing on mold-made 1994.3.2, Gift of John O'Brien Somerset paper, 1994.67.1-7, Gift of Tyler Graphics Jacquemart, Jules-Ferdinand, French, Ltd. 1837-1880 Llchtenstein, Roy, American, born 1923, and L'Approche de VOrage (The Storm's Approach) (after Allen Ginsberg (author), American, born 1926 Jan van de Cappelle), etching and drypoint, 1994.42.12, Rene Huyghe Collection La Nouvelle Chute de I'Amerique (The New Fall of America), 1992, unbound volume with 10 etch- Jegher, Christoffel, Flemish, 1596-1652/1653 ing and aquatints, 1993.50.1-10, Gift of Roy and Rest on the Flight into Egypt (after Sir Peter Paul Dorothy Llchtenstein Rubens), chiaroscuro woodcut printed from 2 Lievens I, Jan, Dutch, 1607-1674 blocks: black line block and brown tone block, 1994.60.37, Gift of Ruth B. Benedict Bust of a Bearded Old Man, probably early 1630s, etching and engraving, 1994.19.2, Ailsa Mellon Johnson, Charles M„ American, 19th century Bruce Fund William Gladstone, 1896 Pope Leo XIII, 1899 Lindsay, Lionel Arthur, Sir, Australian, 1874-1961 fumee engravings on tissue paper, 1994.42.13-14, Rene Huyghe Collection Repose, wood engraving, 1994.42.17, Rene Huyghe Collection Kandinsky, Wassily, Russian, 1866-1944 Lucas, David, British, 1802-1881 Landscape with Figures and a Crucifix, 1911, color A Heath (after John Constable), 1830/1831, woodcut, 1994.63.3, Gift of Frank R. and Jeannette H. Eyerly mezzotint, 1994.60.42, Gift of Ruth B. Benedict Magritte, Rene, Belgian, 1898-1967 Klinger, Max, German, 1857-1920 Paysage de Baucis (Landscape of Baucis), 1966, Philosopher, 1909, etching and aquatint on japan paper [proof] aquatint and lift-ground aquatint, 1994.63.5, Gift of Frank R. and Jeannette H. Eyerly A Step, 1882, etching on japan paper [first state, proof] Manglard, Adrien, French, 1695-1760 1993.60.1, and 1994.22.1, Epstein Family Fund Harbor by Moonlight, 1753, etching and engrav- ing with scraping, 1994.2.1, Ailsa Mellon Bruce Kokoschka, Oskar, Austrian, 1886-1980 Fund Exodus, 1967/1968, drypoint, 1993.73.3, Gift of Dr. Ruth Ivor Masereel, Frans, Belgian, 1889-1972 La Cathedrale, Anvers, 1958, woodcut Walter Hasenclever, 1917, lithograph, 1994.60.38, Retour du Travail, 1956, woodcut Gift of Ruth B. Benedict Die Sonne, published 1926 (woodcuts executed Lalanne, Maxime, French, 1827-1886 before or in 1919), bound volume with 63 Animaux au Paturage (Animals at Pasture) (after woodcuts Christoffel Jegher, after Sir , Rest Nicolaes Pietersz. Berchem), etching and dry- Die Idee, published 1927 (woodcuts executed on the Flight into Egypt, Gift of Ruth B. Benedict, point on chine colle, 1994.42.15, Rene Huyghe 1920), bound volume with 83 woodcuts 1994.60.37 Collection Die Passion eines Menschen, published 1924 Le Sueur, Nicolas, French, 1690-1764 (woodcuts executed before or in 1918), bound Diana and Endymion (after Sebastiano Conca), volume with 25 woodcuts chiaroscuro woodcut printed from 3 blocks: Jeunesse, published 1948, bound volume with 22 black line block and gray-blue and light blue woodcuts tone blocks, 1994.60.39, Gift of Ruth B. Benedict Danse Macabre, published 1941, bound volume with 25 illustrations Legros, Alphonse, French, 1837-1911 £talages, published 1961, bound volume with 40 Alfred, Lord Tennyson, lithograph on chine colle, woodcuts 1994.60.40, Gift of Ruth B. Benedict Du Noir au Blanc / Von Schwarz zu Weiss, pub- Leithauser, Mark Alan, American, born 1950 lished 1939, bound volume with 57 woodcuts The Northern Shore, 1977, etching, 1993.76.1, Gift La Ville, published 1961 (woodcuts executed of Dr. Thomas A. Mathews before or in 1925), bound volume with 100 woodcuts Lepere, Auguste, French, 1849-1918 La Ville, 1925, woodcut The Seine at the Bridge of Austerlitz, 1886, wood 1994.35.1-2, 1994.35.4-8, and 1994.35.10-13, Gift of engraving on tissue paper, 1994.42.16, Rene Elizabeth C. Lukacs Huyghe Collection Masereel, Frans, Belgian, 1889-1972, and Lhermitte, Leon Augustin, French, Rudolf Hagelstange (author), German, 1844-1925 1912-1984 Daubigny, engraving, 1994.60.41, Gift of Ruth B. Die Nacht, published 1955 (woodcuts executed Benedict 1953), bound volume with 37 woodcuts, Llchtenstein, Roy, American, born 1923 1994.35.9, Gift of Elizabeth C. Lukacs Foot and Hand, 1964, offset lithograph, 1993.48.1, Matham, Jacob, Dutch, 1571-1631 Gift of Elizabeth J. Foy Winter (after Hendrik Goltzius), 1589 Reflections on Brushstrokes, 1990 Pride Reflections on Conversation, 1990 engravings, 1994.60.43-44, Gift of Ruth B. Benedict Reflections on Crash, 1990 Reflections on Girl, 1990

89 Matisse, Henri, French, 1869-1954, and Pether, William, British, probably 1731-1821 Adam and Eve Lamenting over the Corpse of Abel, Charles d'Orleans (author), French, A Farrier's Shop (after Joseph Wright of Derby), 1604 [first state] 1391-1465 1771, mezzotint, 1994.60.48, Gift of Ruth B. Bene- engravings (after Abraham Bloemaert), Poemes de Charles d'Orleans, published 1950, dict 1994.50.1-6, Ailsa Mellon Bruce Fund unbound volume with 54 color lithographs and Picasso, Pablo, Spanish, 1881-1973 Saint-Aubin, Augustin de, French, 40 poems, 1993.47.1, Gift of Leonard B. Schlosser Man with a Dog, 1914, etching with foul-biting 1736-1807 Merle, Jean Toussaint (author), French, and burnishing, 1994.63.4, Gift of Frank R. and Marie-Therese-Charlotte, Duchess of Angouleme 1785-1852, Hilaire Perie (author), French, Jeannette H. Eyerly (after Fiat Joseph Sauvage), 1791, engraving, 1780-1833, and Gottfried Engelmann (litho- 1994.3.6, Gift of John O'Brien Pissarro, Camille, French, 1830-1903 grapher), French, 1788-1839 Baigneuses (Lejour), c. 1895, lithograph on chine Sandby, Paul, British, 1731-1809 Description historique et pittoresque du Chateau de colle, 1994.60.49, Gift of Ruth B. Benedict Caernarvon Castle, 1776, etching and aquatint in Chambord (after Alexandre-Evariste Fragonard, brown, 1994.60.58, Gift of Ruth B. Benedict Jules Frederic Villeneuve, and other artists), Pollard, Robert, British, 1756-1827, and published 1821, bound volume with 11 litho- Francis Jukes, British, 1755-1838 Schmidt-Rottluff, Karl, German, 1884-1976 graphs, 1993.79.2, Gift of Charlotte and Arthur Vauxhall Gardens (after Thomas Rowlandson), Head of a Woman, 1916 Vershbow 1785, hand-colored etching and aquatint, Female Portrait, 1909 1994.60.55, Gift of Ruth B. Benedict woodcuts, 1993.73.1-2, Gift of Dr. Ruth Ivor Moncornet, Balthasar, Probably, French, c. 1600-1668 Porter, Fairfield, American, 1907-1975 Schwitters, Kurt, German, 1887-1948 Design for a Fan: Courtly Figures in a Landscape, Broadway, 1972, 6-color lithograph, 1994.60.50, Untitled from Das Kestnerbuch, 1919, woodcut, mid-17th century, etching and engraving, Gift of Ruth B. Benedict 1994.60.59, Gift of Ruth B. Benedict 1994.47.2, Allsa Mellon Bruce Fund Prendergast, Maurice , American, Sichem I, Christoffel van, Dutch, Muller, Jan, Dutch, 1571-1628 1858-1924 c. 1546-1624 Belshazzar's Feast, engraving, 1994.60.46, Gift of Skipping Rope, c. 1892-1895, color monotype Young Man Playing the Zither (after Hendrik Ruth B. Benedict with graphite additions on tissue paper, Goltzius), woodcut, 1994.60.60, Gift of Ruth B. 1994.59.30, Collection of Mr. and Mrs. Paul Mellon Benedict Neagle, James, British, c, 1769-1822 Anton Raphael Mengs, engraving, 1994.3.5, Gift of Pye, John, British, 1782-1874 Stella, Frank, American, born 1936 John O'Brien Ehrenbreitstein (after Joseph Mallord William La penna di hu (black and white), 1988, litho- Turner), 1845, engraving on chine colle, graph, etching, aquatint, and relief on TGL Nilson, Johannes Esaias, German, 1721-1788 1994.60.51, Gift of Ruth B. Benedict handmade paper, 1993.52.1, Gift of the Collectors Fa^on moderne d'une Porte de Jardin (A Garden Committee and The Circle of the National Gallery of Rembrandt van Rijn, Dutch, 1606-1669 Door in the Modern Style), c. 1755/1760 Art Invention d'une Cascade (Design for a Cascade), Saint Jerome in a Dark Chamber, 1642, etching, c. 1755/1760 drypoint, and engraving The Pequod Meets the Jeroboam. Her Story, 1993, Project d'une Grotte (Plan for a Grotto), The Flight into Egypt: A Night Piece, 1651, etching, lithograph, etching, aquatint, relief, and mez- c. 1755/1760 drypoint, and engraving zotint on TGL handmade paper, 1993.57.1, Gift of Dessein d'une Fontaine orne avec les quatre Elements Nude Seated on a Bench with a Pillow (Woman Tyler Graphics Ltd. (Design for a Fountain Decorated with the Four Ele- Bathing Her Feet at a Brook), 1658, etching and Ambergris, 1993, lithograph, etching, aquatint, ments), c. 1755/1760 engraving relief, engraving, and screenprint on TGL hand- 1994.60.52-54, Gift of Ruth B. Benedict etchings and engravings, 1993.54.1-4, Ailsa Mellon made paper, 1994.10.1, Gift of The Circle of the Bruce Fund Self-Portrait Drawing at a Window, 1648, etching, National Gallery of Art drypoint, and engraving, 1994.63.1, Gift of Frank Oldenburg, Claes, American, born 1929 The Monkey-Rope, 1993, lithograph, etching, Nose Handkerchief, 1968, screenprint on silk R. and Jeannette H. Eyerly aquatint, relief, and screenprint on TGL hand- handkerchief, 1994.65.1, Gift of Kimiko and John Renouf, Edda, American, born 1943 made paper Powers Letters to Earth, published 1991, portfolio with The Battering Ram, 1993, lithograph, etching, Ostade, Adriaen van, Dutch, 1610-1685 7 intaglio prints, 1994.66.1-7, Gift of the Artist aquatint, relief, engraving, screenprint, and col- lagraph on TGL handmade paper The Spinner, 1652, etching, 1994.60.47, Gift of Ruth Rivers, Larry, American, born 1923 A Bower in the Arsacides, 1993, lithograph, etch- B. Benedict Double French Money, 1965, screenprint with ing, aquatint, relief, and collagraph on TGL acrylic sheet overlay, photolithographic Paladino, Mimmo, Italian, born 1948, and handmade paper halftone, and acrylic sheet collage, 1993.74.1, Salvatore Licitra (author), Italian, born 1953 The Affidavit, 1993, lithograph, etching, aquatint, Gift of Lucy Galpin Moorhead Piccolo circolo chiuso, published 1991, bound vol- relief, and screenprint on TGL handmade paper ume with 18 etchings, including 1 loose print Roghman, Geertruydt, Dutch, active 1647 Monstrous Pictures of Whales, 1993, lithograph, on japan paper, 1993.80.1, Gift of Robert and T Huys te Zuylen (after Roelant Roghman), etch- etching, aquatint, relief, and screenprint on TGL Brenda Edelson ing and engraving, 1994.20.1, Ailsa Mellon Bruce handmade paper Perignon, Nicolas, French, 1726-1782 Fund The Whale-Watch, 1993, lithograph, etching, aquatint, and relief on TGL handmade paper House with a Dovecote in a Rolling Landscape, Ruisscher, Johannes, Dutch, c. 1625-after Extracts, 1993, lithograph, etching, aquatint, c. 1770 1675, reworked by Anthonie Waterloo, relief, and screenprint on TGL handmade paper River Landscape with Figures and a Boat at Water's Dutch, 1609/1610-1690 1994.36.1-7, Gilt ol Tyler Graphics Ltd. and the Artist Edge, 1768 Village beside a Canal, second half 17th century, A Cottage with Two Men Seated at the Doorway, engraving [second state] Stubb & Flask Kill a Right Whale, 1991, etching, c. 1770 Village beside a Canal, second hall 17th century, aquatint, and relief on TGL handmade paper A Low Cottage with a Herdsman Leading His Flock, engraving [third state] The Fossil Whale, 1991, etching, aquatint, and 1771 1994.60.56-57, Gift of Ruth B. Benedict relief on TGL handmade paper Horses Being Led to Water on a Winding Riverbank, The Fossil Whale, State I, 1991, etching, aquatint, Saenredam, Jan Pietersz., Dutch, 1565-1607 1771 relief, embossing, and carborundum on TGL Adam Naming the Animals, 1604 [first state] A House and a Shaded Cottage on the Banks of a handmade paper Adam and Eve before the Tree of Knowledge, 1604 River, c. 1770 The Funeral, 1991, etching, aquatint, relief, dry- [first state] Town on a River Bank with Two Round Towers, point, and carborundum on TGL handmade Temptation of Man, 1604 [first state] c. 1770 paper Expulsion from Eden, 1604 [first state] etchings, 1994.44.1-7, Ailsa Mellon Bruce Fund The Cabin. Ahab and Starbuck, 1991, etching, Adam and Eve Working, 1604 [first state] aquatint, and relief on TGL handmade paper

90 Jonah Historically Regarded, 1991, etching, Wiley, William T., American, born 1937 Look Out For Hope, Mabou—New York City, 1979, aquatint, relief, screenprint, drypoint, carborun- Break the Rule, 1986, softground etching, silver gelatin developed-out print with pen and dum, and engraving on TGL handmade paper 1994.5.1, Gift of the Collectors Committee black ink, 1994.27.1, Robert Frank Collection, Gift of Jonah Historically Regarded (Dome), 1992, etching, the Evelyn and Walter Haas Jr. Fund I Keep Foolin Around, 1981, softground etching, aquatint, relief, engraving, screenprint, and 1994.6.1. Helen C. Powers Memorial Fund From: Life Dances On, c. 1980, silver gelatin stencil with hand-coloring on shaped TGL hand- developed-out print, 1994.28.1, Robert Frank Col- made paper Zanetti, Anton Maria, Italian, lection, Gift of the Mars Foundation and an Anony- The Candles, 1992, lithograph, screenprint, and 1679/1680-1767 mous Donor collage of Gampi fiber on Saunders mold-made Two Children Petting a Lamb, 1725, chiaroscuro paper woodcut printed from 2 blocks: black line block Moving Out, 1962-1984, 3 silver gelatin devel- The Fountain, 1993, 67-color woodcut, etching, and blue tone block, 1994.60.68, Gift of Ruth B. oped-out prints with acrylic paint, 1984-1993, aquatint, relief, and drypoint with hand-color- Benedict 1994.29.1, Robert Frank Collection, Anonymous Gift ing, on 3 sheets of Kozo fiber handmade paper Teardrops, New Jersey, 1960, silver gelatin devel- with screenprinted Gampi fiber handmade Photographs oped-out print, 1994.30.1, Robert Frank Collection, paper collage elements, 1994.67.8-I6.a,b,c, Gift of Becher, Bernd, German, born 1931, and Hilla Gift of Gay Block Tyler Graphics Ltd. Becher, German, born 1934 Halifax Infirmary, 1978 Thomassin, Henri Simon, French, 1687-1741 Cooling Towers/Steel-Wood, 1972 Miles Forst Shoes at Crosby Street, 1950 Portrait du Caravage (Portrait of ), Winding-Tower, 1972 silver gelatin developed-out prints, 1994.31.1-2, engraving, 1994.60.61, Gift of Ruth B. Benedict silver gelatin developed-out prints mounted on Robert Frank Collection, Anonymous Gift Tiepolo, Giovanni Domenico, Italian, paperboard, 1994.17.2-3, The Dorothy and Herbert silver gelatin developed-out prints, work prints, 1727-1804 Vogel Collection, Gift of Dorothy Vogel and Herbert proof sheets, 1994.37.1-1,235, Robert Frank Collec- Old Man with a Beard, c. 1762, etching, Vogel, Trustees tion, Gift of Robert Frank 1994.60.63, Gift of Ruth B. Benedict Callahan, Harry, American, born 1912 Peru, 1948, silver gelatin developed-out print, Toulouse-Lautrec, Henri de, French, Cape Cod, 1972 1994.54.1, Robert Frank Collection, Gift of Robert 1864-1901 Qg* CW, 1972 Frank Country Outing (Partie de campagne), color litho- silver gelatin developed-out prints, 1993.78.1-2, graph, 1994.59.31, Collection of Mr. and Mrs. Paul Gift of Joyce and Robert Menschel Sagamore Cafeteria, New York City, 1955 Mellon Frank, Robert, American, born 1924 Detroit, 1955 Andrea, Mabou, 1977 Vasi, Giuseppe, Italian, 1710-1782 London, 1953 Danny Seymour, 1972 A Temple Dedicated to Aesculapius (after Giuseppe London, 1953 Los Angeles—February 4th—I Wake Up—Turn On Palazzi), 1771 London, 1953 TV, 1979 A Temple Dedicated to Peace (after Giuseppe City of London, 1951 silver gelatin developed-out prints, 1994.55.1-5, Palazzi), 1773 silver gelatin developed-out prints, 1994.23.1-4, Robert Frank Collection, Anonymous Gift etchings, 1994.56.3-4, Ailsa Mellon Bruce Fund Robert Frank Collection, Gift of The Howard Gilman Foundation, in Honor of the 50th Anniversary of the Paris, 1949 Vedder, Elihu, American, 1836-1923 National Gallery of Art Paris, 1949 The Magdalene, c. 1884, crayon, gouache, gold silver gelatin developed-out prints, 1994.57.1-2, paint, and graphite over silver gelatin devel- Coney Island July 4th, 1958, silver gelatin devel- Robert Frank Collection, Gift of the Prince Charitable oped-out print, 1993.67.9, Gift of Mr. and Mrs. Mark oped-out print, 1994.24.1, Robert Frank Collection, Trusts Borghi Gift of the Richard Florsheim Art Fund Near Victoria Station, London, 1951, silver gelatin Velde, Adriaen van de, Dutch, 1636-1672 Pull My Daisy, 1959, silver gelatin developed-out developed-out print, 1994.71.1, Robert Frank Col- Two Recumbent Sheep, 1670, etching, 1994.60.64, print, 1994.25.1, Robert Frank Collection, Gift of Eve- lection, Gift of The Herbert and Nannette Rothschild Gift of Ruth B. Benedict lyn Stefansson Nef Memorial Fund in memory of Judith Rothschild Vierge, Daniel, Spanish, 1851-1904 Billy from Life Dances On, c. 1980, silver gelatin Siskind, Aaron, American, 1903-1991 On the Trail of Don Quixote, before 1896, wood developed-out print, 1994.26.1, Robert Frank Col- Manzanillo, Mexico, 1955, silver gelatin devel- engraving on tissue paper, 1994.42.19, Rene lection, Gift of the Evelyn and Walter Haas Jr. oped-out print, 1994.42.18, Rene Huyghe Collection Huyghe Collection Fund, The Lemon Foundation, and Ann L. Ugelow Vuillard, Edouard, French, 1868-1940 Le Maitre d'Hotel, published 1935, lithograph, 1994.60.65, Gift of Ruth B. Benedict Motherhood, 1896, 4-color lithograph on japan paper, 1994.63.2, Gift of Frank R. and Jeannette H. Eyerly

Warhol, Andy, American, 1928-1987 MickJagger, 1975, screenprint, 1993.49.1, Gift of Thomas G. Klarner

Waterloo, Anthonie, Dutch, 1609/1610-1690 Wooded Landscape with a Bridge, etching and engraving, 1994.60.66, Gift of Ruth B. Benedict Westerhout, Arnold von, Flemish, 1651-1725, and Giovanni Girolamo Frezza, Italian, 1659-1741 or after The Ceiling of San Ignazio (after Andrea Pozzo), 1702, engraving, 1994.64.1, Gift of John Morton Morris

Wierix, Probably, Flemish, 16th century The Entombment (style of Albrecht Durer), Adriaen Brouwer, Boy Making Faces, c. 1632-1635, engraving, 1994.60.67, Gift of Ruth B. Benedict Anonymous Purchase, 1994.46.1

91 Changes of Attribution lowing changes were made and approved by the Gallery's Board of The following changes of attribution are Trustees during the 1994 fiscal year. the result of scholarly research using Each list is arranged in alphabetical the latest art historical investigations order according to former attribution. and scientific examinations. It is the Changes of title and date are included if policy of the National Gallery of Art to they were a part of the attribution publish these changes regularly. The fol- change.

Paintings Number, title, date Attribution Changes to

1942.8.13 American 19th Century American 18th Century Probably Matilda Caroline Matilda Caroline Cruger Cruger late 18th or early 19th c. 1795 century

1961.9.63 Bernardo Bellotto Bernardo Bellotto and Workshop The Castle of Nymphenburg Nymphenburg Castle, Munich

1961.9.64 Bernardo Bellotto Bernardo Bellotto and Workshop View of Munich

1945.15.1 Follower of Canaletto Venetian 18th Century The Courtyard, Doge's Procession in the Courtyard of Palace, with the Procession the Ducal Palace, Venice of the Papal Legate c. 1750 1742 or after

1945.15.2 Follower of Canaletto Venetian 18th Century A Fete Day, Venice Procession of Gondolas in the Bacino di San Marco, Venice c. 1750 1742 or after

1963.10.106 William Merritt Chase Unknown 19th Century, possibly Chyrsanthemums American c. 1878 fourth quarter 19th century

1937.1.74 Carel Fabritius and Workshop Rembrandt Workshop (possibly A Girl with a Broom of Rembrandt van Rijn Carel Fabritius) 1651 probably begun 1646/1648 and completed 1651

1942.9.59 Rembrandt van Rijn Rembrandt van Rijn (and The Apostle Paul Workshop?) probably 1657 c. 1657

1937.1.79 Rembrandt van Rijn Rembrandt Workshop Joseph Accused by Potiphar's Wife

1937.1.73 Rembrandt van Rijn Rembrandt van Rijn and An Old Lady with a Book Workshop

1942.9.70 Rembrandt van Rijn Rembrandt Workshop Self-Portrait Portrait of Rembrandt

1940.1.13 Rembrandt van Rijn Rembrandt van Rijn and Workshop (probably Govaert Flinck) A Turk Man in Oriental Costume c. 1634 c. 1635

1937.1.75 Rembrandt van Rijn Rembrandt Workshop A Woman Holding a Pink

1942.9.61 after Rembrandt van Rijn Rembrandt Workshop (probably The Descent from the Cross Constantijn van Renesse) c. 1655 1650/1655

1942.9.58 Follower of Rembrandt van Rembrandt Workshop Head of Saint Matthew Rijn probably 1660/1670 probably c. 1661 Number, title, date Attribution Changes to

1942.9.66 Follower of Rembrandt van Rembrandt Workshop (possibly The Philosopher Rijn (possibly Willem Drost) Willem Drost) 1650/1655 c. 1655

1956.1.1 Style of Rembrandt van Rijn Follower of Rembrandt van Rijn Old Woman Plucking a Fowl intentionally not dated 1650/1655

1942.9.63 Style of Rembrandt van Rijn Follower of Rembrandt van Rijn Study of an Old Man possibly 18th century probably late 17th century

1942.8.12 Gilbert Stuart Attributed to Gilbert Stuart Mr. Ashe John Ashe

1952.2.12 Titian Follower of Titian Portrait of a Young Lady as Venus Blindfolding Cupid Venus Binding the Eyes of Cupid c. 1555 c. 1560/1570

Drawings 1951.16.157 British 19th Century James Johnson High Street, Bristol

1983.49.152-203 Charles-Louis Clerisseau Joseph Marie Vien Views of Rome

1963.15.12 French 18th Century Francois-Andre Vincent Park of an Italian Villa 18th century 1774/1775

1985.1.54 Jacques Stella Remigio Cantagallina The Fair at Impruneta

Loans CANADA Ottawa, United States Ambassador American 19th Century, Leaving the Manor House; Extended Loans from the Charles S. Humphreys, The Trotter; Frederick Kem- melmeyer, First Landing of Columbus Gallery's Collections All works are part of the National Lending Service CHINA unless indicated by f Beijing, United States Ambassador American 19th Century, New England Farm in Win- AUSTRIA ter; Marguerite Zorach, Christmas Mail Vienna, United States Ambassador American 19th Century, Memorial to Nicholas M.S. COLOMBIA Catlin; Jonathan Budington, Father and Son-, Gari Bogota, United States Ambassador Melchers, The Sisters-, Thomas Sully, The Vanderkemp 5 George Catlin paintings (returned) Children-, After Susan Waters, Henry L. Wells

Vienna, United States Head of Delegation to the CZECH REPUBLIC Conference on Security and Cooperation in Prague, United States Ambassador Europe Mark Rothko, Untitled (man and woman holding John Woodhouse Audubon, Long-Tailed Red Fox; hands); Untitled (three figures); Untitled (still-life with Attributed to John Woodhouse Audubon, A Young vase and two statues) Bull; Alexander Liberman, Omega IV; Mark Rothko, Untitled; Allen Tucker, Bizarre DENMARK

Copenhagen, United States Ambassador BELGIUM American 19th Century, Horizon of the New World Brussels, United States Ambassador (returned); 3 George Catlin paintings (returned); 5 Mark Rothko paintings Mark Rothko, Untitled (two seated women) (returned) Brussels, United States Ambassador to NATO Gilbert Stuart, George Pollock; Catherine Yates Pollock EGYPT (Mrs. George Pollock); Thomas Sully, Ann Biddle Hop- Cairo, United States Ambassador kinson; Francis Hopkinson; The Leland Sisters Leila T. Bauman, U.S. Mail Boat (returned); Walt Kuhn, Pumpkins (returned); Mark Rothko, 2 Unti- BOLIVIA tled paintings (returned); James Twitty, Blue Water La Paz, United States Ambassador (returned) 5 George Catlin paintings (returned)

93 Onesipe Aguado's Woman Seen from the Back, c. 1862, Oilman Paper Company Collection, was among the landmark photographs exhibited in The Waking Dream: Photography's First Century

ENGLAND FRANCE GERMANY

London, United States Ambassador Paris, Musee du Louvre Bonn, United States Ambassador William Beechey, Lieutenant General Sir Thomas Pic- Severo da , The Christ Child + 2 George Catlin paintings ton; Frank Weston Benson, Portrait in White: Francis Paris, United States Ambassador Cotes, Mrs. Thomas Home-, Jacob Eichholtz, William American 19th Century, Washington at Valley Forge HUNGARY Clark Frazer; , William Yelver- (returned); Paul Cezanne, At the Water's Edge; Man Budapest, United States Ambassador ton Davenport; George Peter Alexander Healy, Rox- with Pipe; Walt Kuhn, Green Apples and Scoop; The John Frederick Kensett, Landing at Sabbath Day anna Atwater Wentworth; Michiel van Miereveld, Por- White Clown; A. A. Lamb, Emancipation Proclamation Point, Lake George; Mark Rothko, Untitled (figures trait of a Lady with a Ruff; , Miss (returned); , Rendezvous in the Forest', around a piano) Grace Woodhouse; Gilbert Stuart, Luke White John Singer Sargent, Mrs. Joseph Chamberlain IRELAND Paris, United States Ambassador to the Organiza- tion for Economic Cooperation and Development Dublin, United States Ambassador American 18th Century, Hunting Scene with a Pond; Gilbert Stuart, Counsellor John Dunn; John Bill Ricketts Mark Rothko, Personage Two; Untitled; Untitled (two women at a window) ITALY

Florence, Ente Casa Buonarroti After Michelangelo Buonarroti, Damned Soul +

94 RUSSIA lion; Robert Henri, Volendam Street Scene; Venetian Vice President's House Moscow, United States Ambassador 18th Century, Procession of Gondolas in the Bacino di American 20th Century, After the Wedding in Warren, Ralston Crawford, Lights in an Aircraft Plant; Lyonel San Marco, Venice Pennsylvania (returned); Frederick Carl Frieseke, Memories Feininger, Zirchow VII; Mark Rothko, Untitled (still Secretary of Commerce life in front of window); Untitled Thomas Chambers, New York Harbor with Pilot Boat Preservation Office, The White House ""; , Music and the Pink American 18th Century, Attack on Bunker's Hill with SPAIN Violin; Philip van Kouwenbergh, Flowers in a Vase the Burning of Charles Town; A. Hashagen, Ship 'Arkansas' Leaving Havana; John Wesley Jarvis, Com- Barcelona, Fundacio Joan Miro Secretary of Education modore John Rogers; John Neagle, Colonel Augustus Mark Rothko, Untitled American 19th Century, Village by the River f James Pleasonton; John Vanderlyn, John Sudam Madrid, United States Ambassador (returned); 2 George Catlin paintings (returned); 5 George Catlin paintings (returned) Karl ICnaths, Marble Mantle; Mark Rothko, Untitled White House (figures and mannequins) (returned) 9 George Catlin paintings; Thomas Sully, Andrew Jackson SWITZERLAND Secretary of Housing and Urban Development

Geneva, United States Ambassador to the Arms Walt Kuhn, Zinnias; Douglas Volk, Indiana Control and Disarmament Agency Secretary of Labor Indianapolis Museum of Art American 19th Century, Brother and Sister; Steamship American 19th Century, Portrait of a Lady Max Beckman, Christ in Limbo; Larry Bell, Chrome Erie; 2 George Catlin paintings; Attributed to (returned); "We Go for the Union"; Winslow Homer, and Glass Construction; Robert Irwin, Untitled; Mark Reuben Rowley, Dr. John Safford and Family Sunset; George Benjamin Luks, The Bersaglieri; Mark Rothko, Sketch for Mural H; Tony Smith, Untitled Rothko, Untitled (subway) (returned) Pennsylvania UNITED STATES Secretary of Transportation Alabama Doylestown, James A. Michener Art Museum Circle of Jacob Adriaensz. Bellevois, Dutch Ships in a Edward Hicks, The Landing of Columbus Birmingham Museum of Art Lively Breeze; L. M. Cooke, Salute to General Washing- Anders Zorn, Hugo Reisinger (returned); Mark ton in New York Harbor; Follower of Claude Lorrain, Texas Rothko, Untitled (black and gray) Harbor at Sunset; Hugues Merle, Children Playing in a Archer M. Huntington Gallery, University of Texas California Park; Rene Pierre Charles Princeteau, Horses at Austin Oakland Museum of Art Secretary of the Treasury Mark Rothko, Untitled Mark Rothko, 2 Untitled paintings 7 George Catlin paintings Corpus Christi, Art Museum of South Texas Connecticut Supreme Court of the United States Marco Tintoretto, Lamentation Hartford, Mr. Chief Justice William H. Rehnquist Virginia Mark Rothko, Untitled Chinese, Ch'ing Dynasty, Archery Contest; 2 George Catlin paintings; George Cuitt the Younger, Easby Fairfax, George Mason University District of Columbia Alfredo Halegua, America; Lila Katzen, Antecedent Architect of the Capitol Abbey, Near Richmond; Andre Derain, Road in Franklin C. Courier, Lincoln and His Son, Tad Provence; Jean-Louis Forain, Behind the Scenes; Edward Molyneux, Chapel in Provence; Thomas URUGUAY Blair House Sully, Thomas Alston; Frits Thaulow, River Scene; Montevideo, United States Ambassador John Singleton Copley, Harrison Gray; Georgia Eugene Laurent Vail, The Flags, Saint Mark's, 4 George Catlin paintings (returned); Thomas Timken Fry, Flock of Sheep; Joseph Bartholomew Venice—Fete Day Chambers, The Hudson Valley, Sunset (returned) Kidd after John James Audubon, Black-Backed Mme Justice Ruth Bader Ginsberg Three-Toed Woodpecker; Orchard Oriole (returned); VENEZUELA Style of Benjamin Marshall, Race Horse and Trainer; Mark Rothko, The Omen; Untitled Caracas, United States Ambassador Fritz Miiller, Capture of the 'Savannah' by the U.S.S. Mr. Justice Anthony Kennedy 'Perry'; Gilbert Stuart, Dr. William Hartigan (?); Jean Beraud, Paris, rue du Havre; Dutch 17th Cen- American 19th Century, Interior Scene (returned); Thomas Wilcocks Sully and Thomas Sully, Major tury, Flowers in a Classical Vase; John Ferneley, Little Miss Wyckoff (returned); Twenty-two Houses and Thomas Biddle Heaton Park Races; , Siberian Dogs in the a Church (returned); 2 George Catlin paintings (returned) Department of State, Diplomatic Reception Snow; Henri Moret, The Island of Raguenez, Brittany Rooms Mme Justice Sandra Day O'Connor 6 George Catlin paintings 5 George Catlin paintings

Department of State, United States Ambassador Mr. Justice Antonin Scalia to the United Nations James Bard, Steamer 'St. Lawrence'; Gilbert Stuart, Ivan Le Lorraine Albright, There Were No Flowers George Washington; Thomas Sully, Henry Pratt; Tonight; Mary Callery, Amity; Raoul Dufy, July 14 in Augustus Vincent Tack, Charles Evans Hughes; Le Havre; A. A. Lamb, Emancipation Proclamation; Alexander Helwig Wyant, Peaceful Valley Mark Rothko, Untitled; Untitled (woman in a hat Mr. Justice David Souter shop); Maurice Utrillo, The Pont Saint-Michel, Paris Rembrandt Peale, George Washington; Gilbert Stuart, Library of Congress, Lessing Rosenwald Room Captain Joseph Anthony; after Gilbert Stuart, James Carl Milles, Head of Orpheus Lloyd; William Constable; Augustus Vincent Tack, National Museum of American History, Smithson- Harlan F. Stone ian Institution Mr. Justice John Paul Stevens Charles Peale Polk, General Washington at Princeton American 19th Century, Portland Harbor, Maine; National Portrait Gallery, Smithsonian Institution George Catlin, Scene from the Lower Mississippi; Gardner Cox, Earl Warren; Chester Harding, Self- Eduard Gaertner, City Hall at Torun; Alphonse Portrait; Daniel Huntington, Dr. James Hall; Henry Legros, Hampstead Heath; Franz Xaver Winterhalter, Theodore Tuckerman; John Wesley Jarvis, Thomas Queen Victoria Paine; Irving R. Wiles, Miss Julia Marlowe United States Trade Representative

National Trust for American 19th Century, Imaginary Regatta of Amer- Bernard Hailstone, David E. Finley ica's Cup Winners (returned); American 20th Cen- tury, View of Aberdeen, Washington (returned); Director, Office of Management and Budget Thomas Chambers, Bay of New York, Sunset Raoul Dufy, Regatta at Henley (returned); Boston Harbor; Jean-Baptiste-Camille Secretary of Agriculture Corot, The Eel Gatherers; Andre Derain, Abandoned American 19th Century, Bucks County Farm Outside House in Provence; George Inness, Lake Albano, Sun- Doylestown, Pennsylvania; Thomas Hart Benton, Trail set; Redpath, Mounting of the Guard (returned) Riders; Attributed to Theodore Gericault, Grey Stal-

95 National Gallery Loans to Temporary Exhibitions Works in the National Lending Service *

AUSTRALIA

Brisbane, Queensland Art Gallery RENOIR: MASTER IMPRESSIONIST, 30 Jlll.- 11 Sept. 1994 Auguste Renoir, Mile Charlotte Berthier; Young Span- ish Woman with a Guitar, Young Woman Braiding Her Hair; circulated to the National Gallery of Victoria, Melbourne, 19 Sept.-30 Oct. 1994

Melbourne, National Gallery of Victoria VAN GOGH: HIS SOURCES, GENIUS, AND INFLUENCE, 19 Nov. 1993-16 Jan. 1994 , Breton Girls Dancing, Pont-Aven; Vin- cent van Gogh, Farmhouse in Provence; circulated to Queensland Art Gallery, Brisbane, 22 Jan.-13 Mar. 1994

BELGIUM

Bruges, Brugge Groeningemuseum HANS MEMLING, 12 Aug.-15 Nov. 1994 Hans Memling, Portrait of a Man with an Arrow

CANADA

Quebec, Musee de la Civilization DRdLES DE ZfcBRES, 9 Mar.-10 Oct. 1993 Michael Trekur, George Washington Banner

ENGLAND

Birmingham Museum and Art Gallery CANALETTO AND ENGLAND, 14 Oct. 1993- 9 Jan. 1994 Canaletto, English Landscape Capriccio with Column-, English Landscape Capriccio with Palace

Leeds, Henry Moore Institute SOL LEWITT STRUCTURES, 10 Aug.-17 Oct. 1993 Sol LeWitt, Floor Structure Black

London, Hayward Gallery BONNARD AT THE VILLA LE BOSQUET, 23 Jun.- 29 Aug. 1994 Pierre Bonnard, Stairs in the Artist's Garden*; circu- lated to the Laing Art Gallery, Newcastle, 9 Sept.- 30 Oct. 1994

London, National Portrait Gallery , 8 Oct. 1993-23 Jan. 1994 Thomas Eakins, The Poleman in the Ma 'sh; Archbishop Diomede Falconio; Baby at Play*-, Rear Admiral George Melville

London, The Egon Schiele exhibition brought together strik- THE IMPRESSIONIST AND THE CITY: PISSARRO'S ing images such as Little Tree (Chestnut Tree at Lake SERIES, 2 Jul.-10 Oct. 1993 Constance), 1912 (Private Collection, Courtesy Camille Pissarro, Place du Carrousel, Paris Galerie St. Etienne, New York), and the artist's Self- AMERICAN ART IN THE 20TH CENTURY, 17 Sept.- Portrait, Bust, 1912 (National Gallery of Art, Gift of 12 Dec. 1993 Hildegard Bachert in memory of Otto Kallir) Arshile Gorky, One Year the Milkweed; Barnett New- man, The Name II THE GLORY OF VENICE: ART IN THE 18TH CENTURY, 15 Sept.-14 Dec. 1994 47 Venetian works of art

FRANCE

Paris, Galeries nationales du Grand Palais Still Life with Melon and Peaches; , NICOLAS POUSSIN, 27 Sept. 1994-2 Jan. 1995 NABIS, 1888-1900, 21 Sept.-21 Nov. 1993 Bazille and Camille; Berthe Morisot, The Harbor at Nicolas Poussin, The Baptism of Christ; Road Along a Pierre Bonnard, Two Dogs in a Deserted Street-, The Cab Lorient; the Cezanne, Manet, and Monet were cir- Winding River Horse; Edouard Vuillard, Woman in a Striped Dress; culated with Frederic Bazille's The Ramparts at transferred to the Musee D'Orsay, 11 Jan.-13 Feb. Aigues-Mortes * to the Metropolitan Museum of Art, GERMANY 1994 New York, 19 Sept. 1994-8 Jan. 1995 Staatliche Kunsthalle Baden-Baden ORIGINS OF IMPRESSIONISM, 19 Apr.-8 Aug. 1994 CHUCK CLOSE, 10 Apr.-22 Jun. 1994 Paul Cezanne, The Artist's Father; Edouard Manet,

96 Chuck Close, Fanny/Fingerprinting-, circulated to the the Barbican Art Gallery, London, 29 Sept.- , Wallraf-Richartz-Museum Stadtische Galerie im , Munich, 11 Dec. 1994 STEFAN LOCHNER: MEISTER ZU KOLN, 3 Dec. 13 Jul. —11 Sept. 1994 1993-27 Feb. 1994 Braunschweig, Herzog Anton Ulrich-Museum Berlin, Altes Museum BILDER VOM ALTEN MENSCHEN IN DER NIEDER- Follower of Robert Campin, Madonna and Child with A BITTER TRUTH: THE AVANT-GARDE AND THE LANDISCHEN UND DEUTSCHEN KUNST, 1550-1750, Saints in the Enclosed Garden GREAT WAR, 4 Jun.-28 Aug. 1994 14 Dec. 1993-20 Feb. 1994 Schirn Kunsthalle Frankfurt Felix Vallotton, The Church of Souain; circulated to Nicolaes Maes, An Old Woman Dozing over a Book LESELUST: NIEDERLANDISCHE MALEREI VON REM-

97 BRANDT BIS VERMEER, 24 Sept. 1993-2 Jan. 1994 David Smith, Voltri VII; circulated to the Shizuoka UNITED STATES Johannes Vermeer, A Lady Writing Prefectural Museum of Art, 7 Jun.-17 Jul. 1994, Arkansas NICOLAS DE STAEL: RETROSPEKTIVE, 23 Sept.- and the Museum of Modern Art, Shiga, 26 Jul.- 25 Sept. 1994 Little Rock, Arkansas Arts Center 27 Nov. 1994 BELLA PITTURA: THE ART OF THE GANDOLFI, Nicolas de Stael, Ballet Tokyo Metropolitan Art Museum 30 Sept.-28 Nov. 1993 NEW YORK: A MAGNET FOR ARTISTS, 14 Apr.- Kronach, Festung Rosenberg Ubaldo Gandolfi, The Apotheosis of San Vitale; The LUCAS CRANACH: PAINTER-ENTREPRENEUR FROM 12 Jun. 1994 Apotheosis of San Vitale; The Apotheosis of San Vitale William Baziotes, Pierrot; 3 Mark Rothko paintings * FRANCONIA, 17 May-21 Aug. 1994 California Lucas Cranach the Elder, Portrait of a Man; Portrait of A Woman; circulated to the Museum der bildenden MEXICO Los Angeles County Museum of Art Kunste, Leipzig, 7 Sept.-5 Nov. 1994 EXPRESSIONIST UTOPIAS: PARADISE, METROPOLIS, Mexico City, Museo del Palacio de Bellas Artes ARCHITECTURAL FANTASY, 24 Oct. 1993-16 Jan. GEORGIA O'KEEFFE: AMERICAN AND MODERN, Munich, Kunsthalle der Hypo-Kulturstiftung 1994 BONNARD, 27 Jan.-24 Apr. 1994 15 Jul.—1 Oct. 1993 , Five Tarts (Funf Kokotten) Pierre Bonnard, Two Dogs in a Deserted Street Georgia O'Keeffe, Line and Curve; Sky Above White Clouds I; Special No. 14; Special No. 16; circulated to MASTERPIECE IN FOCUS: THE MAGDALENES OF Munster, Westfalisches Landesmuseum fur Kunst Yokohama Museum of Art, 30 Oct. 1993-16 Jan. GEORGES DE LA TOUR, 4 Nov. 1993-6 Feb. 1994 und Kulturgeschichte 1994 Georges de La Tour, The Repentant Magdalene REMBRANDT AND THE OLD TESTAMENT, 11 Sept.- 20 Nov. 1994 Los Angeles, Museum of Rembrandt Workshop, Joseph Accused by Potiphar's THE NETHERLANDS ROLYWHOLYOVER A CIRCUS, 12 Sept.-28 Nov. 1993 Wife Amsterdam, Rijksmuseum , Numbers; circulated to the Menil Col- DAWN OF THE GOLDEN AGE: NORTHERN NETHER- Staatsgalerie lection, Houston, 14 Jan.-3 Apr. 1994 DRAWINGS AND PAPIERS DfiCOUPfiS BY HENRI LANDISH ART, 1580-1620, 11 Dec. 1993-6 Mar. MATISSE, 11 Dec. 1993-20 Feb. 1994 1994 San Diego Museum of Art Henri Matisse, ; The Oriental (L'Asia- Adriaen de Vries, Empire Triumphant over Avarice HELEN FRANKENTHALER: PRINTS, 25 Sept.-28 Nov. 1993 tique); Venus Amsterdam, Rijksmuseum 7 Frankenthaler prints; circulated to the Museum PIERRE PUVIS DE CHAVANNES, 25 Feb.-29 May of Fine Arts, Boston, 5 Jan.-13 Mar. 1994, and the 1994 ITALY Contemporary Arts Center, Cincinnati, 8 Apr.- Pierre Puvis de Chavannes, Rest; Work Venice, Gallerie dell'Accademia 17 Jun. 1994 JACOPO TINTORETTIO—I RITRATTI, 26 Mar.- Colorado 10 Jul. 1994 PORTUGAL Jacopo Tintoretto, Portrait of a Man as Saint George; Lisbon, Museu Nacional de Arte Antiga GLORIOUS NATURE: BRITISH LANDSCAPE PAINTING, Doge Alvise Mocenigo and Family before the Madonna BOSCH E O ETERNO RETORNO, 18 May-15 Aug. 1750-1850, 11 Dec. 1993-6 Feb. 1994 and Child; circulated to the Kunsthistorisches 1994 Thomas Gainsborough, Mountain Landscape with Museum, Vienna, 31 Jul.-30 Oct. 1994 William Blake, The Death of Saint Joseph; Jacques Bridge; Joseph Wright, Italian Landscape Venice, Museo Correr Callot, The Temptation of Saint Anthony; Giorgio De PIETRO LONGHI, 4 Dec. 1993-4 Apr. 1994 Chirico, Via Appia Antica *; Rene Magritte, La Condi- District of Columbia tion Humaine; Joan Miro, Shooting Star*; Joos de Pietro Longhi, The Faint; The Game of the Cooking Pot Folger Shakespeare Library Momper II, Vista from a Grotto; Henri Rousseau, ROASTING THE SWAN OF AVON, 1 Mar.-4 Jun. Venice, Palazzo Grassi spa Tropical Forest with Monkeys* I DISEGNI DI AMEDEO MODIGLIANI DALLA 1994 COLLEZIONE DEL DR. P. ALEXANDRE, 3 Sept. Attributed to Franz Hogenberg, after Pieter Bruegel 1993-4 Jan. 1994 SCOTLAND the Elder, Festival at Hoboken Amedeo Modigliani, Head of a Woman; circulated to Edinburgh, National Gallery of Scotland National Building Museum the Royal Academy of Arts, London, 14 Jan.- FROM MONET TO MATISSE: LANDSCAPE PAINTING BARN AGAIN, 12 Mar.-l 1 Sept. 1994 4 Apr. 1994, and the , Cologne, IN FRANCE, 1874-1914, 11 Aug.-23 Oct. 1994 Grant Wood, Haying; New Road 15 Apr.-10 Jul. 1994 Paul Gauguin, Haystacks in Brittany* National Museum of American Art ARCHITETTURE DEL RINASCIMENTO, 1 Apr.- Edinburgh, Royal Scottish Academy THOMAS COLE: LANDSCAPE INTO HISTORY, 11 Nov. 1994 THE ROMANTIC SPIRIT IN , 18 Mar.-7 Aug. 1994 Matteo de'Pasti, Leone Battista Alberti, 1401-1472, 1790-1990, 28 Jul.-7 Sept. 1994 Thomas Cole, The Voyage of Life: Childhood; The Voy- Architect and Writer on Art and Science (obverse), Jean Arp, The Forest; circulated to the Hayward age of Life: Youth; The Voyage of Life, Manhood; The Winged Human Eye (reverse); Sperandio, Francesco Gallery, London, 29 Sept. 1994-8 Jan. 1995 Voyage of Life, Old Age; A View of the Mountain Pass Sforza, 1401-1466, 4th Duke of 1450 (obverse), Called the Notch of the White Mountain; (Crawford Renaissance Building with Four Cupolas (reverse) SPAIN Notch); circulated to the Wadsworth Atheneum, Hartford, 11 Sept.-4 Dec. 1994 Barcelona, Fundacio Antoni Tapies JAPAN FRANZ KLINE: ART AND THE STRUCTURE OF National Museum of Women in the Arts Tokyo, Bridgestone Museum of Art IDENTITY, 3 Mar-5 Jun. 1994 JUDITH LEYSTER: LEADING STAR, 20 Dec. 1993- MONET: A RETROSPECTIVE, 11 Feb.-7 Apr. 1994 Franz Kline, Four Square *; circulated to the 3 Apr. 1994 Claude Monet, Argenteuil; circulated to the Nagoya Whitechapel Art Gallery, London, 8 Jul.-11 Sept. Judith Leyster, Self-Portrait City Art Museum, 16 Apr.-12 Jun. 1994, and the 1994, and the Museo Nacional Reina Sofia, Madrid, Octagon Hiroshima Museum of Art, 18 Jun.-31 Jul. 1994 27 Sept.-21 Nov. 1994 THE GRAND AMERICAN AVENUE: 1850-1920, Tokyo, National Museum of Western Art Barcelona, Fundacion "la Caixa" 15 Apr.-14 Jul. 1994 THE YEAR OF IMPRESSIONISM, 20 Sept. - 27 Nov. TWO ROADS TO ABSTRACTION, 15 Sept.-13 Nov. John Singer Sargent, Mathilde Townsend*; circulated 1994 1994 to the Historic New Orleans Collection, 13 Sept- Jean-Baptiste-Camille Corot, Saint Sebastian Succored , Improvisation 31 (Sea Battle) 10 Dec. 1994 by the Holy Women*; Edouard Manet, Ball at the Phillips Collection Opera*; Gare Saint-Lazare; Berthe Morisot, The Har- SWEDEN BRANCUSI: PHOTOGRAPHS AND SCULPTURE , bor at Lorient; Camille Pissarro, Orchard in Bloom, 29 Jan.-17 Apr. 1994 Stockholm, Prins Eugens Waldemarsudde Louveciennes; Auguste Renoir, The Dancer; Madame Constantin Brancusi, Bird in Space; Alfred Stieglitz, ANDERS ZORN, 15 Sept.-27 Nov. 1994 Henriot Brancusi Exhibition, 291 Anders Zorn, Hugo Reisinger* Tokyo, Sezon Museum of Art United States Holocaust Memorial Museum DAVID SMITH RETROSPECTIVE, 14 Apr.-30 May ASSIGNMENT RESCUE: THE STORY OF VARIAN FRY 1994

98 AND THE EMERGENCY RESCUE COMMITTEE, Worcester Art Museum Museum of Art, 24 Apr.-lO Jul. 1994, and the Cen- 25 Jun. 1993-9 Jan. 1994 JUDITH LEYSTER: A DUTCH MASTER AND HER ter for the Fine Arts, Miami, 24 Sept.-24 Dec. 1994 , Bo ate-en-Valise WORLD, 19 Sept.-5 Dec. 1993 Judith Leyster, Self-Portrait New York, Metropolitan Museum of Art Florida CHURCH'S GREAT PICTURE: THE HEART OF THE Lowe Art Museum, University of Miami Michigan ANDES, 5 Oct. 1993-30 Jan. 1994 VOYAGES OF DISCOVERY: HISTORY PAINTINGS BY Midland Center for the Arts After Frederic Edwin Church, The Heart of the Andes GEORGE CATLIN, 7 Oct.-28 Nov. 1993 MASTER PRINTS FROM GEMINI G.E.L., 5 Sept.- PETRUS CHRISTUS: RENAISSANCE MASTER OF 26 George Catlin paintings * 10 Oct. 1993 BRUGES, 4 Apr.-31 Jul. 1994 Idaho 40 modern prints * Petrus Christus, The Nativity; Portrait of a Male Donor; Portrait of a Female Donor Boise Art Museum Minnesota NORTH AMERICAN INDIAN PAINTINGS BY GEORGE Minneapolis, DEGAS LANDSCAPES, 21 Jan.-3 Apr. 1994 CATLIN, 28 Aug.-24 Oct. 1993 THE SUBLIME IS NOW: THE EARLY WORK OF Edgar Degas, The Road (La Route); circulated to the 50 George Catlin paintings * BARNETT NEWMAN, 20 Mar.-29 May 1994 Museum of Fine Arts, Houston, 24 Apr.-3 Jul. 1994 Indiana Barnett Newman, Pagan Void; circulated to the Saint AND REALISM: THE Louis Art Museum, 1 Jul.-l Sept. 1994 PAINTING OF MODERN LIFE, 1885-1915, 2 May- Indianapolis Museum of Art 24 Jul. 1994 THE POETRY OF FORM, 2 Oct.-21 Nov. 1993 , Club Night *; , Allies 35 Richard Tuttle drawings Day, May 1917*; circulated to the Amon Carter EGON SCHIELE, 28 May-7 Aug. 1994 THE EARLY WORKS OF LOUISE BOURGEOIS, Museum, Fort Worth, 22 Aug.-30 Oct. 1994 Egon Schiele, Doctor Koller 30 Jun.-28 Aug. 1994 Louise Bourgeois, Spring; Mortise New York, Museum of American Folk Art Muncie, Ball State University Museum of Art REVISITING AMMI PHILLIPS: FIFTY YEARS OF MARK ROTHKO: THE SPIRIT OF MYTH, EARLY New York AMERICAN PORTRAITURE, 5 Feb.-17 Apr. 1994 PAINTINGS FROM THE 1930s AND 1940s, 8 Apr.- Buffalo, Albright-Knox Gallery Ammi Phillips, Alsa Slade*; Joseph Slade*; Lady in 15 May 1994 THE PAINTINGS OF SYLVIA PLIMACK MANGOLD, White *; circulated to the San Diego Museum of Art, 26 Mark Rothko paintings* 24 Sept.-31 Dec. 1994 9 Jul.-4 Sept. 1994 Iowa Sylvia Plimack Mangold, Untitled New York, Museum of Modern Art Des Moines Art Center Hempstead, Hofstra Museum of Art JOANMIRd, 17 Oct. 1993-11 Jan. 1994 THREE BERLIN ARTISTS OF THE WEIMAR ERA: NORTH AMERICAN INDIAN PAINTINGS BY GEORGE Joan Mird, The Farm; Head of a Catalan Peasant HANNAH HOECH, KATHE KOLLWITZ, JEANNE MAM- CATLIN, 11 Sept.-23 Oct. 1994 New York, Wallach Art Gallery, Columbia Univer- MEN, 23 Apr.-17 Jul. 1994 55 George Catlin paintings* sity Kathe Kollwitz, Never Again War (Nie Wieder Krieg) Huntington, Heckscher Museum MARK ROTHKO: THE SPIRIT OF MYTH, EARLY Kansas BAUDELAIRE'S VOYAGES: THE POET AND HIS PAINTINGS FROM THE 1930s AND 1940s, 1 Feb.- PAINTERS, 28 Aug.-14 Nov. 1993 19 Mar. 1994 Salina Art Center Paul Gauguin, Locusts and Ants: A Memory of Mar- 25 Mark Rothko paintings* MARK ROTHKO: THE SPIRIT OF MYTH, EARLY tinique (Les Cigales et Les Fourmis); Felicien Rops, PAINTINGS FROM THE 1930s AND 1940s, New York, Whitney Museum of American Art Frontispiece: The Waifs (Les fipaves); Satin Sewing Tare 22 Aug.-24 Oct. 1993 VIJA CELMINS, 8 Sept.-29 Nov. 1993 (Satan Semant L'lvraie); circulated to the Archer M. 26 Mark Rothko paintings * Vija Celmins, Untitled; circulated to the Museum Huntington Gallery, University of Texas at Austin, of Contemporary Art, Los Angeles, 19 Dec. 1993- Louisiana 21 Jan.-13 Mar. 1994 6 Feb. 1994

New Iberia, Live Oak Gardens Foundation AMERICAN NAIVE PAINTINGS FROM THE NATIONAL Rosslyn Harbor, Nassau County Museum of Art AMERICAN NAIVE PAINTINGS FROM THE NATIONAL GALLERY OF ART, 11 Jun.-28 Aug. 1994 NORMANDY AND ITS ARTISTS REMEMBERED, GALLERY OF ART, 27 Sept.-30 Nov. 1994 35 early American paintings (34*) 12 Jun.-ll Sept. 1994 35 early American paintings (34*) Katonah Museum of Art Eugene Boudin, Washerwomen on the Beach of Etretat Maryland AGAINST THE STREAM: MILTON AVERY, ADOLPH North Carolina GOTTLIEB, AND MARK ROTHKO IN THE 1930s, Salisbury State University Gallery 12 Jun.-4 Sept. 1994 Charlotte, Mint Museum of Art FACES AND FIGURES: PRINTS FROM THE TAMARIND 9 Mark Rothko drawings and 13 Rothko paintings * CLASSICAL TASTE IN AMERICA, 1800-1840, LITHOGRAPHY WORKSHOP, 10 Mar.- 20 Nov. 1993-13 Mar. 1994 14 Apr. 1994 New York, Americas Society American 19th Century, Martha Eliza Stevens Edgar 50 lithographs * PICTURING THE FRONTIER: THE URUGUAYAN Paschall*; Gilbert Stuart, John Randolph; Thomas SCENES OF JUAN MANUEL BLANES, 27 Sept.- Massachusetts Sully, Lady with a Harp; circulated to the Museum of 31 Dec. 1994 Fine Arts, Houston, 1 May-24 Jul. 1994 Boston, Isabella Stewart Gardner Museum George Catlin, Ostrich Chase, Buenos Aires—Auca * ART'S LAMENT: CREATIVITY IN THE FACE OF Raleigh, North Carolina Museum of Art New York, Frick Collection DEATH, 9 Sept.-23 Oct. 1994 A GIFT TO AMERICA: MASTERPIECES OF EUROPEAN THE CURRENCY OF FAME: PORTRAIT MEDALS OF Tanzio da Varallo, Saint Sebastian PAINTING FROM THE SAMUEL H. KRESS COLLEC- THE RENAISSANCE, 24 May-7 Sept. 1994 TION, 5 Feb.-24 Apr. 1994 Boston, Museum of Fine Arts 28 Renaissance medals; circulated to the National Francois-Hubert Drouais, Group Portrait; El Greco, AGE OF RUBENS, 22 Sept. 1993-2 Jan. 1994 Gallery of Scotland, Edinburgh, 22 Sept. 1994- Laocoon; J.A.D. Ingres, Monsieur Marcotte; Antoine Anthony van Dyck, Marchesa Elena Grimaldi, Wife of 8 Jan. 1995 Watteau, Italian Comedians; Anthony van Dyck, Marchese Nicola Cattaneo; Peter Paul Rubens, The Queen with Sir Jeffrey Hudson; Titian, Meeting of Abraham and Melchizedek; Marchesa Brigida New York, Solomon R. Guggenheim Museum ROY LICHTENSTEIN, 7 Oct. 1993-16 Jan. 1994 Ranuccio Farnese; circulated to the Museum of Fine Spinola Doria; circulated to the Toledo Museum of Arts, Houston, 17 May-14 Aug. 1994; first four Art, 2 Feb.-24 Apr. 1994 Roy Lichtenstein, Look Mickey; Cubist Still Life; circu- lated to the Museum of Contemporary Art, Los paintings plus Peter Paul Rubens, Marchesa Brigida SOL LEWITT DRAWINGS, 10 Sept.-20 Nov. 1994 Angeles, 30 Jan.-3 Apr. 1994, and the Musee des Spinola Doria, and Sebastiano del Piombo, Portrait of 10 Sol LeWitt drawings Beaux-Arts, Montreal, 26 May-5 Sept. 1994 a Humanist, circulated to the Seattle Art Museum, 15 Sept.-20 Nov. 1994 Williamstown, Sterling and Francine Clark Art New York, IBM Gallery of Science and Art Institute IN AMERICA, 28 Sept.-27 Nov. Diggs Gallery, Winston-Salem State University A GOLDEN HARVEST: PAINTINGS BY ADAM 1993 MASTER PRINTS FROM GEMINI G.E.L., 1 Dec. PYNACKER, 23 Jul.-l 1 Sept. 1994 John Singleton Copley, The Death of the Earl of 1993-22 Jan. 1994 Adam Pynacker, Wooded Landscape with Travelers * Chatham *; circulated to the , 40 modern prints * Washington, 29 Jan.-2 Apr. 1994, the

99 Ohio MARK ROTHKO: THE LATE YEARS, 13 Nov. 1993-13 Lenders to Exhibitions Mar. 1994 Cleveland Museum of Art 1 painting and 6 drawings by Mark Rothko* FLEMISH DRAWINGS IN THE AGE OF RUBENS, 4 Jan.-20 Feb. 1994 Washington Private Collections Johann Boeckhorst, The Risen Christ Surrounded by Pullman, Museum of Art, Washington State Uni- Harry W. and Mary Margaret Anderson Saints; Pieter Claesz. Soutman and Peter Paul versity Anonymous Lenders Rubens, Lion Hunt; Theodor van Thulden, Antwerp AMERICAN NAIVE PAINTINGS FROM THE NATIONAL Bequest of Ruth B. Benedict Blessed with Abundance; Peter Paul Rubens, Lion- GALLERY OF ART, 28 Feb.-28 Mar. 1994 Mr. and Mrs. Donald Blinken, New York Venus Lamenting Adonis', Young Woman in Profile 35 early American paintings (34*) Jorge de Brito Collection, Cascais Dayton, Wright State University Art Galleries West Virginia Mr. and Mrs. Thomas Dittmer ONE HUNDRED YEARS OF STREET PHOTOGRAPHY, F. Elghanayan, USA Huntington Museum of Art 20 Feb.-3 Apr. 1994 Mrs. Fernande Elkon, Courtesy The Elkon Gallery, MARK ROTHKO: THE SPIRIT OF MYTH, EARLY Walker Evans, Subway Portrait Inc., New York PAINTINGS FROM THE 1930s AND 1940s, 25 Sept- Mr. and Mrs. Lee V. Eastman Pennsylvania 5 Dec. 1994 Aaron I. Fleischman 26 Mark Rothko paintings * Philadelphia, Pennsylvania Academy of the Fine Larry Gagosian Arts Wisconsin David Geffen I TELL OF MY HEART: THE ART OF HORACE PIPPIN, Gemini G.E.L. 21 Jan.-17 Apr. 1994 West Bend Gallery of Fine Arts NORTH AMERICAN INDIAN PAINTINGS BY GEORGE Dr. and Mrs. Phillip T. George Horace Pippin, Interior; circulated to the Art Insti- Pierre Gianadda Foundation, Martigny, Switzerland tute of Chicago, 28 Apr.-lO Jul. 1994, and the CATLIN, 4 Jan.-15 Mar. 1994 50 George Catlin paintings * Gilman Paper Company Collection , 28 Jul.-9 Oct. 1994 Byron Goldman MARK ROTHKO: THE SPIRIT OF MYTH, EARLY Philadelphia Museum of Art Michael Hall, Esq. VISIONS OF ANTIQUITY: NEOCLASSICAL FIGURE PAINTINGS FROM THE 1930s AND 1940s, 6 Jun.- Klaus Hegewisch, Hamburg DRAWINGS, 30 Oct. 1993-2 Jan. 1994 19 Jul. 1994 Anton Raphael Mengs, Male Nude Study; Pierre Paul 26 Mark Rothko paintings* Barbara and Donald Jonas Prud'hon, Adonis; Venus; George Romney, Lady Jose Maria Jorge Hamilton Playing a Lyre; circulated to the Minnea- Temporary Loans to Ruth and Jacob Kainen polis Institute of Arts, 6 Feb.-3 Apr. 1994 Willem de Kooning Museum Collections Mr. Boris Leavitt Pittsburgh, Frick Art Museum Robert Lee RENAISSANCE AND BAROQUE BRONZES IN THE UNITED STATES The Marcy Family Collection FRICK ART MUSEUM, 21 Nov. 1993-30 Jan. 1994 Margulies Family Collection Andrea Riccio, A Three Wick Lamp with Bacchic Scenes Massachusetts Steve Martin Texas Northampton, Smith College Museum of Art, Robert and Jane Meyerhoff, Phoenix, Maryland 15 Dec. 1993-11 Apr. 1994 Robert Miller Gallery, New York Corpus Christi, Art Museum of South Texas Giovanni Battista Tiepolo, Study for a Ceiling with the AMERICAN NAIVE PAINTINGS FROM THE NATIONAL Adriana and Robert Mnuchin Personification of Counsel; Wealth and Benefits of the GALLERY OF ART, 21 Nov. 1993-15 Jan. 1994 Richard Nagy, London Spanish Monarchy under Charles III 35 early American paintings * Philippe Nicolier, Paris North Carolina Rita and Morris Pynoos Fort Worth, Florinda Ferreira dos Santos GIAMBATTISTA TIEPOLO: MASTER OF THE OIL Greensboro, Weatherspoon Gallery of Art, Courtesy Thomas Ammann Fine Art, Zurich SKETCH, 18 Sept.-12 Dec. 1993 13 Apr.-16 Aug. 1994 The Dorothy and Herbert Vogel Collection Giovanni Battista Tiepolo, Study for a Ceiling with the Mark Rothko, Untitled Mademoiselle Annabel Waller Personification of Counsel; Wealth and Benefits of the Spanish Monarchy under Charles III Public Collections LUDOVICO CARRACCI, 22 Jan.-lO Apr. 1994 Ludovico Carracci, The Dream of Saint Catherine of Austria Alexandria Graz: Neue Galerie am Landesmuseum Joanneum

Museum of Modern Art of Fort Worth Neue Galerie der Stadt Linz PICASSO AND THE AGE OF IRON, 1 Aug.-17 Oct. Vienna: Graphische Sammlung Albertina; His- torisches Museum der Stadt Wien; Institut fur 1993 Numismatik; ; Oster- , Walking Man II; David Smith, Sentinel I; Voltri VII reichische Galerie

Houston, Museum of Fine Arts Czech Republic TWO LIVES: STIEGLITZ AND O'KEEFFE, 2 Oct.- Prague: Narodni Galerie v Praze 5 Dec. 1993 England Georgia O'Keeffe, Special No. I; 12 photographs by Cambridge: Alfred Stieglitz London: British Museum; National Trust, Anglesey Virginia Abbey; Tate Gallery; Victoria & Albert Museum

Lynchburg, Maier Museum of Art, Randolph- France Paris: Bibliotheque Nationale Macon Women's College MASTER PRINTS FROM GEMINI G.E.L., 22 Aug.- Germany 16 Oct. 1994 Staatliche Museen zu Berlin 40 modern prints * Heidelberg: Kurpfalzisches Museum Munich: Bayerische Staatsgemaldesammlungen; Marsh Gallery, University of Richmond MARK ROTHKO: THE SPIRIT OF MYTH, EARLY Bayerisches Nationalmuseum; Staatliche PAINTINGS OF THE 1930s AND 1940s, 12 Aug.- Miinzsammlung Munchen Nuremberg: Germanisches Nationalmuseum 4 Sept. 1994 26 Mark Rothko paintings* Staatsgalerie Stuttgart

Richmond, Virginia Museum of Fine Arts Italy CATLIN'S "INDIAN GALLERY": VIEWS OF THE Florence: Museo Nazionale del Bargello AMERICAN WEST, 8 Oct. 1993-30 Jan. 1994 U.S. Embassy, Rome, Italy 13 George Catlin paintings*

100 Netherlands Lenders of Works of Art Man Ray, Indestructible Object; Gift; Repainted Mask; Amsterdam: Stedelijk Museum It's Springtime; Architecture; Rayograph; Object of Leiden: Rijksmuseum, Het Koninklijk Displayed with Gallery Destruction; Mirror to Die of Laughter; Self-Portrait; Penningkabinet Collection Smoking Device; , Register; Kurt Schwit- Portugal ters, Collage; Nuin; Du Mauri; Gino Severini, The Museu de Aveiro Argentine Tango; Yves Tanguy, On the Other Side of the Roger Arvid Anderson Collection Bridge Coimbra: Museu de Ffsica da Universidade de Circle of Michelangelo Buonarroti, Head of Christ Coimbra; Museu Nacional Machado de Castro; Se North Carolina Museum of Art, Raleigh, Pur- Irving Blum, New York, NY Nova de Coimbra chased with Funds from the State of North , 32 Soup Cans Igreja de Sao Francisco de Evora Carolina Funchal: Berardo Foundation Jean-Cristophe Castelli Jean-Marc Nattier, Portrait of a Lady as a Vestal Virgin Ilhavo: Museu da Fabrica da Vista Alegre Jasper Johns, Fool's House Collection of Robert Rauschenberg Lamego Cathedral Cooper-Hewitt National Museum of Design, Robert Rauschenberg, Barge; Black Painting; White Lisbon: Convento dos Cardais; Fundaqao Ricardo Smithsonian Institution Painting Espirito Santo e Silva; Lisbon Cathedral; Ministry Giovanni Domenico Tiepolo, The Immaculate Concep- of Foreign Affairs; Museu Nacional de Arte Musee du Louvre, Reunion des Musees tion Amiga; Museu Nacional do Azulejo; Museu Nationaux, Paris Nacional dos Coches; Palacio Nacional da Ajuda; Fine Arts Museums of San Francisco, Mildred Venetian 16th Century, Boy on a Dolphin Anna Williams Collection Santa Casa da Misericordia de Lisboa David E. Rust , The Foursome Diocese de Macau Hendrick Terbrugghen, Mocking of Christ Camara Municipal de Oeiras Helen Frankenthaler Schroder Collection, London Oporto: Museu Nacional de Soares dos Reis; Ordem Helen Frankenthaler, Mountains and Sea Terceira de Sao Francisco Hans Mielich, Portrait of Woman Dr. and Mrs. Phillip George Palacio Nacional de Queluz Collection of Candida and Rebecca Smith , Untitled Russia David Smith, Aggressive Character; Lunar Arcs on One St. Petersburg: State Hermitage Museum Hispanic Society of America, New York Leg; Blue Construction; Ninety Father; Ninety Son; Unti- John Singer Sargent, The Spanish Dance tled (December 12); Voltri XVI; Black-White Forward; Switzerland Tank Totem IX; Construction with Forged Neck; Person- Collection of Mr. and Mrs. Raymond J. Horowitz Kunsthaus Zug age of August; Portrait of a Painter; Tank- Totem VI; Robert Henri, Cafe Terrace United States Gondola II; Sentinel V; Sentinel; Woman Bandit; Zig V Peter A. Jay Washington County Museum of Fine Arts, Hager- California Gilbert Stuart, John Jay Los Angeles County Museum of Art stown, Maryland Malibu: J. Paul Getty Museum Collection of Jasper Johns Frederic Edwin Church, Catskill Creek, New York University Art Museum, Santa Barbara Jasper Johns, Between the Clock and the Bed; Field Painting-, No; Target; White Flag White House Collection Connecticut Paul Cezanne, The Forest; House on the Marne; House Hartford: Wadsworth Atheneum Collection Boris Leavitt on a Hill; Still Life with Skull Jean Arp, Hurlou; William Baziotes, Tropical; Adolph Collection David Whitney District of Columbia Gottlieb, Coalescence; Philip Guston, Beggar's Joy; Jasper Johns, Harlem Light Hirshhorn Museum and Sculpture Garden; Phillips Willem de Kooning, Woman; Kurt Schwitters, Dark Collection Semi-Circle Emile E. Wolf Gerbrandt van den Eeckhout, The Levite at Gibeah Illinois Manoogian Collection Art Institute of Chicago George Caleb Bingham, The Jolly Flatboatmen Erving and Joyce Wolf Maryland Francis Augustus Silva, Indian Rock, Narragansett Bay Collection of Mr. and Mrs. Paul Mellon Baltimore: Walters Art Gallery Richard Diebenkorn, Ocean Park No. 87; Ocean Park Mr. and Mrs. Sidney R. Yates Massachusetts No. 61; Mark Rothko, White and Greens in Blue; Joan Mitchell, Piano mecanique Museum of Fine Arts, Boston No. 20 Anonymous Cambridge: Fogg Art Museum; Houghton Library Metropolitan Museum of Art, New York Bernardo Bellotto, Pima, The Fortress of Sonnenstein; Minnesota Francesco di Giorgio Martini, The Nativity Botticelli, Portrait of a Young Man Holding a Medallion; Minneapolis Institute of Arts Giuseppe Maria Crespi, Personification of Painting; National Museum of Health and Medicine Jean Leon Gerome, Bashi Bazouk; Arshile Gorky, Missouri of the Armed Forces Institute of Pathology, Wash- Self-Portrait; Still Life on the Table; The Limit; Portrait of St. Louis: Washington University Gallery of Art ington, DC Master Bill; Ellsworth Kelly, Three Gray Panels (trip- Thomas Eakins, Dr. John H. Brinton New Jersey tych); Roy Lichtenstein, Cosmology; Edouard Manet, Art Museum, Princeton University Morton G. Neumann Family Collection Jeanne—Le Printemps; Robert Rauschenberg, Blue New York Jean Arp, of Navels; Automatic Drawing; Eagle; John Singer Sargent, Javanese Dancer; Frank of White Forms on Gray; Andre Breton, Buffalo: Albright-Knox Art Gallery Stella, Zeltweg; J.M.W. Turner, Seascape: Folkestone; Valentine Hugo, Greta Knutson, and Tristan Tzara, New York: American Numismatic Society; Solomon Bartholomeus van der Heist, Portrait of Two Men Exquisite Corpse; , Red Accent; Joseph R. Guggenheim Museum; Metropolitan Museum Cornell, Carousel; Robert Delaunay, The Windows; of Art; Museum of Modern Art; New-York Histor- Theo van Doesburg, Contra-Composition; Jean Dubuf- ical Society; Whitney Museum of American Art fet, Antonin Artaud aux Houppes; Leader in a Parade North Carolina Uniform; The Ceremonious One; Dhotel Hairy with Yel- Greensboro: Weatherspoon Gallery of Art low Teeth; , My Anxious Friend; Lucio Ohio Fontana, Concetto Spaziale Attese; Alberto Giacometti, Cleveland Museum of Art Observing Head; Seated Woman; Marcel Jean, Horo- scope; Spector of the Gardenia; , Self-Portrait; Pennsylvania Harlequin on the Bridge; A Village as Relief-play; Still Philadelphia: Philadelphia Museum of Art; Wood- Life of Autumn Flowers; Town Castle; Revolutionary Fig- mere Art Museum ure; Cripple; , The Blue Night; Fernand Pittsburgh: Carnegie Museum of Art Leger, Man with a Dog; Still Life; Roy Lichtenstein, Texas Live Ammo; Rene Magritte, Underground Fire; Robert Houston: Menil Collection Mangold, Triangle within Three Rectangles; Joan Miro, Spanish Dancer; , Amorous Parade; Rotation de Naivete; , Compote Dish, Glass Bottle, and Pipe; Young Girl with Left Arm Raised; Nude;

101 Paul Sandby, A Poultry Seller, c. 1759, Ailsa Mellon Bruce Fund, 1993.61.1

Staff Publications Bowron, Edgar Peters. "The Kress Brothers and . "Bernardo Bellotto." In The Glory of Venice: Their 'Bucolic Pictures': The Creation of an Italian Art in the Eighteenth Century. Exh. cat., Royal Acad- Baroque Collection." In A Gift to America: Master- emy of Arts. London and New Haven, 1994. Barbour, Daphne, Shelley Sturman, and pieces of European Painting from the Samuel H. Kress . Review of Repertorio della Pittura Romana P. Vandiver. "Technical Appendix II: The Saint- Collection. Exh. cat., North Carolina Museum of Art. della fine del Seicento e del Settecento by Giancarlo Ses- Porchaire Ceramics." In Western Decorative Arts, Raleigh, 1994-1995. tieri (1994). Burlington Magazine 137 (Sept. 1994): Part 1. Systematic Catalogue of the Collections of . "Michael Kiene, Pannini" [review of four 627. the National Gallery of Art. Washington and New books and exh. cats.]. Burlington Magazine 134 (Feb. York, 1993. Cikovsky, Nicolai, Jr. "Whistler and America." In 1994): 117-118. James McNeill Whistler. Exh. cat., Tate Gallery. Lon- Berrie, Barbara, Shelley Sturman, and Mervin . "A Venetian Abroad: Bellotto and 'The don, 1994. Richards. "The Special Requirements for Exhibit- Most Beautiful Views' of Rome." Apollo 140 (Sept. ing Enamels." Preventive Conservation: Practice, . "George Inness: Sense or Sensibility." In 1994): 26-32. Theory, and Research. Poster Summaries. International George Inness: Presence of the Unseen. Exh. cat., Mont- Institute for Conservation. London, 1994. . "Acquisition in Focus: Bellotto's Fortress of clair Art Museum. Montclair, NJ, 1994. Konigstein at the National Gallery of Art, Washing- Bochi, Patricia A. "Images of Time in Ancient Collins, Jane D. Collaborative Works by Kate Steinitz ton." Apollo 140 (Sept. 1994), 72-73. Egyptian Art." In Journal of the American Research and Kurt Schwitters from the Schwitters-Steinitz Collec- Center in Egypt 31 (1994): 53-60. tion. Exh. brochure, National Gallery of Art. Wash- ington, 1994.

102 Denker, Eric. " 'Ask That Your Way Be Long...': A Kelly, Franklin. Jasper Francis Cropsey's "The Spirit Myers, Donald. Preface. Sculpture: An Illustrated Profile of Jorg Schmeisser, Printmaker." Craft Arts of War "and "The Spirit of Peace." Exh. brochure, Catalogue. National Gallery of Art. Washington, International Magazine, no. 31 (summer 1994), National Gallery of Art. Washington, 1994. 1994. 34-41. . "Reality as a Means: The Art of Mark , contributor. The Currency of Fame: Portrait Dervaux, Isabella. "City Boys: Avery, Gottlieb, Leithauser." In Mark Leithauser: Paintings, Drawings, Medals of the Renaissance. Exh. cat.. National Gallery Rothko, and the Culture of the Depression." In and Prints. Exh. cat., North Carolina State Univer- of Art, Washington. New York, 1994. Against the Stream. Exh. cat., Katonah Museum of sity. Raleigh, 1994. Prather, Maria, coauthor. Willem de Kooning: Paint- Art. Katonah, NY, 1994. Kryder-Reid, Elizabeth. "Why Not Do Garden ings. Exh. cat., National Gallery of Art. Washington, Doumato, Lamia. Review of The Oxford Guide to History?" Maryland Humanities (Jul.-Aug. 1994): 1994. Classical Mythology in the Arts: 1300 to 1900 by Jane 2-4. Ptacek, Robin Thome "Art of the Twenty-first Davidson Reid. Art Documentation (winter 1993): , coeditor. "Sight and Site: Vision in the Gar- Century." The Futurist (Jan.-Feb. 1994): 29-34. 170-171. den." Journal of Garden History 14, no. 1 (1994). Ritchie, Charles. Gemini G.E.L.: Recent Prints and . Review of Faberge: Lost and Found by Ken- . "The Archaeology of Vision in Eighteenth- Sculpture. Exh. cat., National Gallery of Art. Wash- neth Snowman. Choice (Jan. 1994): 116. Century Chesapeake Gardens." Journal of Garden ington, 1994. . Review of Styles and Types of American Archi- History 14, no. 1 (1994): 42-54. Robison, Andrew. A Discerning Eye: Prints & Draw- tecture by Alan Gowans. AAL Newsletter (fall 1993): . Review of Garden Archaeology: Council of ings Given by Ruth B. Benedict. Exh. brochure, 7-8. British Archaeology Research Report 78. Journal of Gar- National Gallery of Art. Washington, 1994. Feigenbaum, Gail, contributor. Ludovico Carracci. den History 14, no. 1 (1994): 64-65. . "Preparing The Glory of Venice." Apollo 140, Edited by Andrea Emiliani. Exh. cat., Kimbell . " 'As Is the Gardener, So Is the Garden': no. 391 (Sept. 1994): 65-67. Museum of Art. Fort Worth, 1993. The Archaeology of Landscape as Myth." Current , coeditor. The Glory of Venice: Art in the Eigh- . "La pratica nell'Accademia Carracci." In Research in Chesapeake Historical Archaeology (1994): teenth Century. Exh. cat., Royal Academy of Arts. Accademia Clementina Atti e Memorie 32. Bologna, 131-148. London and New Haven, 1994. 1993. . Review of The Past: An Archaeological Rosenthal, Mark, contributor. A Gallery of Modern Fine, Ruth E. "Dorothy and Herbert Vogel in Con- History of Philadelphia by John L. Cotter et al. Penn- Art at Washington University in St. Louis. Edited by versation" [interview]. In From Minimal to Conceptual sylvania Magazine of History and Biography (1994). Jane E. Neidhardt. St. Louis, 1994. Art: Works from The Dorothy and Herbert Vogel Collec- Lawson, Roger C. "Le Reseau des bibliotheques Springer, Julie. "Women, Power, and Empower- tion. Exh. cat., National Gallery of Art. Washington, d'art americaines." Novembre des arts a Besangon: actes 1994. ing Imagery." Art Education 47/5 (Sept. 1994): du colloque de la sous-section des bibliotheques d'art de 27-30, 43-46. . "Introduction." In Gemini G.E.L.: Recent I'Association des bibliothecaires frangais, 9-23. Paris, Prints and Sculpture. Exh. cat., National Gallery of 1994. . Review of His Other Half: Men Looking at Art. Washington, 1994. Women through Art (1991). Woman's Art Journal 15/1 Lewis, Douglas, contributor. The Currency of Fame: (spring/summer 1994): 47-48. Grasselli, Margaret Morgan. "A Curious Link Portrait Medals of the Renaissance. Exh. cat., National between Watteau and La Fosse." The Watteau Society Gallery of Art, Washington. New York, 1994. . Exhibition reviews of Hollis Sigler: The Breast Bulletin, no. 3 (1994): 9-13. Cancer Journal: Walking with the Ghosts of My Grand- Luchs, Alison, coauthor. Western Decorative Arts, mothers (National Museum of Women in the Arts, , coauthor. Review of Nicolas Lancret, Part 1. Systematic Catalogue of the Collections of 1993), and Healing Legacies: A Collection of Art and 1690-1743. Master Drawings 32, no. 2 (1994): the National Gallery of Art. Washington and New Writing by Women with Breast Cancer (U.S. House of 168-171. York, 1993. Representatives, 1993), for Woman's Art Journal Greenough, Sarah. Robert Frank: Moving Out. Exh. , contributor. The Currency of Fame: Portrait 15/2 (fall/winter 1994). cat., National Gallery of Art. Washington, 1994. Medals of the Renaissance. Exh. cat., National Gallery Walsh-Piper, Kathy, "The Role of Art Museums of Art, Washington. New York, 1994. Hand, John Oliver. German Paintings of the Fif- in Education." Recognizing Excellence. National Art teenth through Seventeenth Centuries. Systematic Cata- Owens, Carlotta J. Milton Avery: Works on Paper. Education Association, Museum Education Division logue of the Collections of the National Gallery of Exh. cat., National Gallery of Art. Washington, (spring 1994). Art. Washington and New York, 1993. 1994. . "Museum Education and the Aesthetic . Hans Memling's "Saint John the Baptist" and Millman, Sharon B., and Catherine F. Quinn. Experience." The Journal of Aesthetic Education 28/3 "Saint Veronica." Exh. brochure, National Gallery of "Love's Labor Lost: or, How Does an Exhibition (fall 1994): 105-115. Art. Washington, 1994. Want to Be Remembered?" Art Documentation 13, . Review of The Museum Experience by John . Jan van Eyck's "Annunciation." Exh. no. 2 (summer 1994): 81-82. Falk and Lynn Dierking (1992). NAEA News 36/4 brochure, National Gallery of Art. Washington, Millon, Henry A. "Dibujos de Filippo Juvarra." In (August 1994): 23. 1994. Filippo Juvarra 1678-1736: De Mesina al Palacio Real de . Museum Education Division Column. . "Petrus Christus at the Metropolitan." Madrid. Exh. cat., Ministerio de Cultura. Madrid, NAEA News (1993, 1994). Exh. review. Apollo 140 (October, 1994): 50-52. 1994. Weiss, Jeffrey. The Popular Culture of Modern Art: Hoenigswald, Ann. "Reworking Finished Paint- , coauthor. The Renaissance from Brunelleschi to Picasso, Duchamp, and Avant-Gardism, 1909-1917. ings, Gauguin and Van Gogh: A Comparison." In Michelangelo: The Representation of Architecture. Milan, New Haven and London, 1994. Van Gogh, the Song lines of Legend. Edited by Felicity 1994. Wilson, Mary Ellen. "Gallery Cards: Animals." St. John Moore. National Gallery of Victoria, Mel- . "Some Early Architecture Libraries." In Das School Arts 94/2 (Oct. 1994): 31. bourne, Australia, 1994. Bauwerk un die Stadt. The Building and the States. Edited by Eduard F. Sekler. Vienna, 1994.

103

TRUSTEES, C ITTEE FFICE

Board of Trustees Audit Committee (as of 30 September 1994) (as of 30 September 1994) Ruth Carter Stevenson, Chairman Ruth Carter Stevenson, Chairman Robert H. Smith, President Lloyd Bentsen, William H. Rehnquist, The Secretary of the Treasury The Chief Justice of the United States Robert H. Smith Warren Christopher, Alexander M. Laughlin The Secretary of State Robert F. Erburu Lloyd Bentsen, Louise W, Mellon The Secretary of Treasury I. Michael Heyman, The Secretary of the Smithsonian Institution Finance Committee Alexander M. Laughlin (as of 30 September 1994) Robert F. Erburu Robert H. Smith, Chairman Louise W. Mellon Lloyd Bentsen, The Secretary of the Treasury Paul Mellon, Honorary Trustee I. Michael Heyman, John R. Stevenson, Trustee Emeritus The Secretary of the Smithsonian Institution Alexander M. Laughlin Ruth Carter Stevenson Robert F. Erburu Louise W. Mellon

Art and Education Committee (as 30 September 1994) Robert H. Smith, Chairman Earl A. Powell III Alexander M. Laughlin Ruth Carter Stevenson Robert F. Erburu Louise W. Mellon

Sam Gilliam, Relative, 1969, Anonymous Gift, 1994.39.1

105 Ruth Carter Stevenson Robert H. Smith William H. Rehnquist Warren Christopher Chairman President The Chief Justice of the The Secretary of State United States

I. Michael Heyman Alexander M. Laughlin Robert R Erburu The Secretary of the Smithsonian Institution

Louise W. Mellon Paul Mellon John R. Stevenson Honorary Trustee Trustee Emeritus

Trustees' Council (as of 30 September 1994)

Edwin L. Cox, Chairman John C. Fontaine Yvonne Lenart Executive Officers Directors Emeriti Camilla Chandler Frost David O. Maxwell Lois de Menil, Robert H. Smith, President John Walker Vice-Chairman Jo Ann Ganz Frank H. Pearl Earl A. Powell III, Director J. Carter Brown Leonore Annenberg Evelyn D. Haas Diana Prince Alan Shestack, Robert M. Bass Frederic C. Hamilton Sharon Percy Rockefeller Deputy Director Daniel N. Belin Lore Heinemann Richard M. Scaife Henry A. Millon, W. L. Lyons Brown Jr. Teresa Heinz James S. Smith Dean, Center for Advanced Study in the Visual Arts John H. Bryan Ruth C. Kainen Benjamin F. Stapleton III Darrell Willson, Calvin Cafritz John C. Whitehead Linda Kaufman Administrator Carroll J. Cavanagh Andrea Woodner Stephen M. Kellen Ann R. Leven, Treasurer Louisa Duemling Dian Woodner Peter Kimmelman Philip C. Jessup Jr., James T. Dyke Richard A. Kirstein Secretary and General Counsel Doris Fisher Leonard A. Lauder Joseph J. ICrakora, Julie Folger Judith W. Laughlin External Affairs Officer

106 F F (as of February 1995)

OFFICE OF THE Assistant Curator, Italian Assistant Curator DIRECTOR Renaissance Jeffrey S. Weiss Director Gretchen Hirschauer Mark Rothko catalogue Earl A. Powell III Staff Assistant raisonne author Deputy to the Director William Breazeale David Anfam Carol W. Kelley Research Assistant, Baroque Paintings Executive Assistant to the Rothko Catalogue Curator, Northern Baroque Director Laili Nasr Arthur K. Wheelock Jr. Angela M. LoRe Research Assistants Curator, Southern Baroque Secretaries Harry Cooper Diane De Grazia Debra S. Tatman Molly Donovan Staff Assistant Ann M. Wieman Staff Assistants ICathryn Haw Internal Auditor Shaune Pasche Jessica Stewart Larry L. Lewis American and British Auditor Paintings Curatorial Records and Files Orin Wolf Curator and Deputy Senior Head of Department Curator of Paintings Nancy H. Yeide Nicolai Cikovsky Jr. Assistant OFFICE OF THE Curator Anne L. Halpern Franklin Kelly DEPUTY DIRECTOR Associate Curator PRINTS, DRAWINGS, Deputy Director Nancy Anderson PHOTOGRAPHS, AND Alan Shestack Assistant Curator Administrator for Policy and SCULPTURE Deborah Chotner Programs Andrew W. Mellon Senior Exhibitions Assistant Elizabeth Driscoll Pochter Curator Charles Brock Senior Staff Assistant Andrew Robison Staff Assistant Office Manager Jean Stensland Stephenie Schwartz Staff Assistant Susanne L. Cook Harmony Haskins Staff Assistant French Paintings Renee Maurer Curator and Head of Depart- PAINTINGS AND 20TH- ment Old Master Prints CENTURY ART Philip Conisbee Curator and Head of Depart- Senior Curator of Paintings Assistant Curators ment Edgar Peters Bowron Florence E. Coman H. Diane Russell Administrative Assistant Kimberly A. Jones Associate Curator Amy L. Gearin Virginia Clayton 20th-century Art Assistant Curator Renaissance Paintings Curator and Head of Depart- Gregory D. Jecmen Curator, Italian Renaissance ment David Alan Brown Mark Rosenthal Old Master Drawings Curator, Northern Renais- Associate Curator Curator and Head of Depart- sance Maria Prather ment John Oliver Hand Margaret Morgan Grasselli

107 Associate Curator Staff Assistant Loans and Exhibitions Jeff Wilson Cataloguing Assistants Judith A. Brodie Meghan M. Duffy Conservation Stefan Wood J. Bryan Lane Assistant Curator Head of Department/Deputy Head of Exhibits Shop Sharon Millman Ann MacNary Chief of Conservation Floyd Everly CONSERVATION Reader Services Chief of Conservation Mervin Richard Carpenters Modern Prints and Head of Reader Services Ross Merrill Coordinator of Matting/ Richard Bruce Lamia Doumato Drawings Framing Services Lester Dumont Conservation Administrator Reference Librarian Curator and Head of Depart- Hugh Phibbs Paul Heath Michael Skalka Frances P. Lederer ment Associate Conservator Miller Mack Editorial Assistant Reference Assistant Ruth E. Fine Michael Pierce Randy Payne Janice Gruver George (Ted) T. Dalziel Jr. Assistant Curators Matter/Framer Thomas Piddington Staff Assistants Interlibrary Loan Assistant Carlotta J. Owens Jenny Ritchie Head of Lighting Shop Deborah A. Barclift Thomas F.J. McGill Jr. Charles M. Ritchie Frame Conservator James Spicknall Francesca Dougherty Vertical Files Librarian Research Assistant Stephan Wilcox Electricians Teresa Guevara Roberta Geier Victoria Foster Assistant Frame Conservator Robert Benoit Circulation Assistants Staff Assistant Painting Conservation Richard Ford William Mahan Ariadne Y. DuBasky Ani Bedrossian Chairman, Painting Depart- Technician Benjamin McKinnie ment Rob Delahanty Photographs Elizabeth Murphy Head of Paint Shop David Bull Margo L. Hyde Curator and Head of Depart- Frank Figgins Conservator and Head of ment EXHIBITIONS Painters/Finishers Photographic Archives Department Sarah Greenough Chief of Exhibitions Robert Barnett Curator Sarah Fisher Assistant Curator D. Dodge Thompson Dennis Bult Ruth R. Philbrick Conservators Julia Thompson Exhibition Officers Joseph Richardson Administrator and Cata- Carol Christensen Staff Assistant Naomi R. Remes Photographer loguer of Decorative Arts Ann Hoenigswald Christian Carr Ann Bigley Robertson Robert Shelley Jerry M. Mallick* Jay Krueger Linda Thomas Cataloguer of English and Catherine Metzger Architectural Services Sculpture and Decorative Exhibition Office Manager French Art Michael Swicklik Senior Architect Arts Kathleen McCleery Richard W. Hutton James M. Grupe Curator Assistants for Exhibition Cataloguer of Architecture Bonnie Wiesnewski Deputy Senior Architect Douglas Lewis Administration Andrea R. Gibbs Associate Conservator for the Carl M. Campioli Associate Curator and Acting Stephanie Fick Cataloguer of Italian Art Systematic Catalogue Interior Design Specialist Head of Department Jennifer Fletcher Karen H. Weinberger Elizabeth Walmsley Susan Ritterpusch Alison Luchs Secretary to the Chief of Cataloguer of 20th-century Architects Assistant Curator Art Paper Conservation Exhibitions Bruce D. Condit Donald Myers Meg Melvin Conservator and Head of Katharine C. Wagner William H. Cross Jr. Department Cataloguer of Special Projects Exhibition Programs Denise M. Lind REGISTRATION AND Shelley Fletcher Barbara Chabrowe Head of Department Program Assistant LOANS Conservator Cataloging Assistant Susan M. Arensberg Margaret A. Byrum Chief Registrar Judith Walsh JoAnne Purnell Assistant Curator Secretary Sally Freitag Assistant Conservator Circulation Desk Technician Isabelle Dervaux Janet E. Maxim Registrar for Collections Yoonjoo Strumfels Wendy A. Cole Media Production Specialist Mary Suzor Conservation Technician Secretary Elyse Kunz LIBRARY Associate Registrar for Exhi- Carol Eggert Debra K. Massey Project Coordinator Executive Librarian bitions Clerk Typist Roily T. Strauss Neal T. Turtell Michelle Fondas Object Conservation Geneva Rosenboro Staff Assistant Assistant Registrar for Loans Conservator and Head of Program Assistant Rachel Orgeron Kate M. Allen Slide Library Judith Cline Department Automation Librarian Chief Slide Librarian Assistant Registrar for Exhi- Shelley Sturman John Rittwage Gregory P.J. Most bitions Conservator DESIGN AND Associate Slide Librarian Lauren Mellon Cluverius Judy L. Ozone INSTALLATION Collection Development Nicolas A. Martin Assistant Registrar for Collec- Associate Conservator Senior Curator, Chairman Librarian Assistant Slide Librarians tions Daphne Barbour of Design Caroline H. Backlund Gaillard Ravenel Daniel Molting Martha Blakeslee Textile Conservation Deputy Senior Curator, Acquisitions Thomas O'Callaghan Jr. Staff Assistant Conservator Chief of Design Head of Acquisitions Melissa Stegeman Julia Burke Art Services Manager Mark Leithauser Anna M. Rachwald EDITORS OFFICE John Poliszuk Scientific Research Head of Lighting Design and Order Processing Assistant Editor-in-Chief Supervisory Art Services Department Production Mary Masters Frances P. Smyth Specialist Head of Department Gordon Anson Serials Assistants Production Manager Daniel Shay E. Rene de la Rie Production Coordinators Bruce B. Hebblethwaite Chris Vogel Art Services Specialists Senior William Bowser Inge F. Newstead Senior Editor, and Manager of the Systematic Catalogue Robert Cwiok Barbara H. Berrie Anne Kelley Acquisitions Technician Ellen Evangeliste Research Conservator for John Olson Susan Clay Mary Yakush Andrew Krieger Painting Technology Architects Beatrice D. Poindexter Editors Linda Heinrich Tam L. Curry Johnnie Mizell E. Melanie Gifford Cataloguing and Processing Donna Kwederis Susan Higman Gary Webber Organic Chemist Head of Cataloguing Maquette Production Editor, CASVA Publications Art Services Technicians Suzanne Quillen Lomax Roger C. Lawson Jane Rodgers Carol Eron Lowell Gilbertson Biochemist Cataloguers Office Manager Designers Goven Martinez Susana M. Halpine Jane D. Collins Gina Cinquegrana Margaret Bauer Pierre Richard Conservation Scientists Elizabeth Dedick Budget Analyst Phyllis Hecht Lisha D. Glinsman Trudi W. Olivetti Loans and the National Diane Richard Assistant Editor, Systematic Michael R. Palmer Cathy F. Quinn Lending Service Head of Silkscreen Catalogue Laboratory Assistants Marsha D. Spieth Head of Department Barbara Keyes Katherine M. Whann Stephen L. Funk Paula Zech Stephanie T. Belt Silkscreen Production Bindery Assistant Loan Officer Lisa Farrell Jane E. Higgins Lisa E. Mariam Glenn Perry * deceased

108 Production Assistant Production Coordinator Micro Gallery Inventory Specialists James Clark Wendy Schleicher Donna Mann Curator Christopher Baumann Lewis Dobbs Production Editor Writer-Editors Vicki Porter Paul Dale Bernessa Drain Ulrike Mills Carla Brenner Senior Editor David Duggin Geraldine Drayton Assistant Editor William J. Williams Barclay Gessner Mike Peters Raymond Frazier Julie Warnement Foreign Language Coor- Image Specialist Isaac Graham Building Maintenance Budget and Project dinator Paul Glenshaw Josephine Hallaman Manager Coordinator Kara Parmelee Writers Michon Hallamon Craig A. MacFarlane Maria E.A. Tousimis Staff Assistant Sally Mansfield Carolyn Harvey Secretary Project Assistant Ann Spencer Tony Lewis Brock Hawkins Judith Williams Lisa Khoury Production Coordinator Carroll Jamison Education Resources Project Manager Curt Millay Dorothy Johnson Imaging and Visual Services Head of Department Allan Riggles Ruth Johnson Acting Head of Department Ruth R. Perlin Carpentry Shop Paul Kelley Ira Bartfield Supervisory Program CENTER FOR Supervisor Angela Lee Supervisory Photographer Specialist Alvin Adams Leonard Lyles William Wilson Leo J. Kasun ADVANCED STUDY Wood Crafter Leaders Theodora McCard Photographers Coordinating Curator of Art IN THE VISUAL Dorson Abney Leora Richardson Dean Beasom Information ARTS George McDonald Aleta Richmond Richard Carafelli Christopher With Dean Wood Crafters Betty Rufus Philip Charles Jr. Supervisory Art Information Henry A. Millon Reginald Kellibrew Evelyn Scott Lorene Emerson Specialist Associate Dean Willard Menson Lorraine Staggs Archives Photographer Carol Boyes Therese O'Malley John Rogers Anne Steadham David Applegate Senior Art Information Spe- Acting Associate Dean Peter Urban Rayfield Stevenson Museum Specialist cialist Gail Feigenbaum Carpenters Mable Stokes Barbara Bernard John Cogswell Research Assistants Francis Dyson Jr. Angeline Sutton Laboratory Technicians Art Information Specialists Jill Caskey Anthony Givens Elsie Thompson Susan Amos Margaret Baucom Francesca Consagra Sheila Tyler Anthony Grohowski Elisa Patterson Anne Helmreich Paint Shop John Walker James Locke Mary Anne Probus Erik Neil Supervisor Margaret Wallace Museum Technicians Program Assistant Pauline Maguire Rhonda McCord Diana Wells Sarah Sibbald Pamela A. Chewning Staff Assistant Painter Leader James Wells Sara Sanders-Buell Supervisor, Booking and Helen Tangires Thomas Hartswick Barbara White Shipping Assistant to the Program of Glazer Zilphia Wright EDUCATION Carol F. Lippitt Special Meetings Edwin Butler Head of Education Lead Audiovisual Shipping Randi Nordeen Painters Building Operations Linda Downs Clerk Assistant to the Program of Joseph Copeland Manager Division Administrator Roland Young Fellowships Lester Smith Robert Jannone Margot E. Grier Affiliate Loans System Coor- Deborah Gomez Plasterer Secretary Staff Assistant dinator Assistant to the Program of Larry Welch Sherry Shaw Johnson Mary Hill Kendrick Ashton Regular Meetings Mason Shop Project Manager Receptionist/Staff Assistant Lead Booking Clerk Elizabeth Kielpinski Supervisor Fred Crickenberger Marta Horgan Martha H. Aspron Secretary to the Kress Profes- Roland Martin Operating Engineers Booking & Shipping Clerk sor and Mellon Lecturer Mason Leader Acting General Foreman Adult Programs Cassandra Raspberry Abby Krain Joseph Sandleitner Joseph Barnes Head of Department Program Shipping Techni- Secretary to Research Pro- Masons Acting Foremen Lynn Russell grams Michael Proctor Frank Bauer Coordinator of Tours and Michael G. Bryant Stephanie Kristich Joseph Thomas Donald Young Lectures Jennifer A. Cross William Turner Foreman Eric Denker Dion Redman Juan Delano Staff Lecturers OFFICE OF THE Building Services Frances Feldman Teacher and School Leaders ADMINISTRATOR Manager Philip Leonard Programs Dan Hamm Oscar Riley Administrator Robin Ptacek Head of Department Secretary Anthony Thomas Darrell R. Willson J. Russell Sale Kathleen Walsh-Piper Barbara Stevens Operating Engineers Assistant to the Admin- Acting Coordinator of Acade- Senior Educator for School General Foreman Noel Ashton istrator mic Programs Programs Charles Boone Lester Barry Andrew McCoy Faya Causey Anne Henderson Supervisors Nathaniel Bethune Staff Assistants Coordinator of Adult Pro- Coordinator of Teacher Pro- James Abraham Larry Brown Anne Campion gram Docents grams Mary Battle Walter Coehins Suzanne Belanger Wilford W. Scott Julie A. Springer Phillip Collins Roger Dunning Coordinator of Film Pro- Coordinator of School Willie Cook Eugene Guthrie FACILITIES grams Docents Frank Ford James Hamilton Margaret Parsons Mary Ellen Wilson MANAGEMENT Darrell Waytes Robert Hamilton Facility Manager Program Assistant, Film Coordinator of Multiple-Visit Leaders Frank Lim Gregg Reynolds Victoria Toye Program Paul Cotton James Miller Program Assistant, Academic Sally Shelburne Secretary Geraldine Crawford Harvey Moore Programs Coordinator of Principal's Gwendolyn Harriston James Hardy Clifton Mutts Karen Binswanger Initiative Program Assistant Eva Harrison John Ott Staff Assistant Marianna Adams Linda Hilliard Housekeepers Jesus Pena Maury Pully Program Assistant, Teacher Customer Service Center Maurice Anderson Presley Rand Docent Liaison/Staff Assistant Programs Administrator Kenneth Belts Shawn Sizemore Lisa Black Leslie Graham Michael Brown George Bridges Larry Smith Tour Scheduler Inventory Control Catherine Brown James Stevens Education Publications Alexander Tonic Gerry Rogers Supervisor Lamont Brown Head of Department Anthony Walker Staff Assistant Michael Warrick Gerald Carthorne Barbara Moore Heidi Hinish David Clark John Wert

109 Machine Shop Supply Clerk Antone Gatewood Milan Bryant Patrick Rogers Foreman Amos Lynch Robert Gayleard Wayne Buckner Gary Ross Zery C. Mingo Office Clerk Emanuel Goddard Benjamin Burgess Kenneth Rowe Machinists Joseph Lawrence Francis Goler Alvin Burts Ronald Sewell Wayne Valentine George Hamilton David Caldwell John Sherrill Fire and Safety James Wilson Darrell Harley Michelle Cameron Dionne Sherrod Deputy Chief Pipefitters Barbara Height James Canada Maxine Simmons Harold Michael Gregory Evans Gus Henderson Joe Cardwell Willie Sims Occupational Health LeVern Jacobs Peter Henderson Jr. Albert Carr Jr. Earl Singleton Specialists Sheet Metal Mechanics Donna Hinton Jesus Castro William Smallwood Russell Sterling Fisher David Hodges Willard Catlett John Smith Joseph Harchick Mark Teed Priscilla Hopkins Ellis Caudle Milton Sochor Jr. Secretary Edgar Hopson Edward Chapman Wayne Spon Elevator Shop Anne Rogers Calvin Johnson Walter Colbet Alexander Stephens Elevator Mechanic Foreman Frank Johnson Micheal Cooper Earl Stewart Welden Daugherty Operations Yamashita Johnson Leslie Copeland Reathel Stewart Elevator Mechanic Deputy Chief Ronald Jones James Dabney-Palmer Earl Stewart Willie Parker James L. Banks Captains of the Guard Veronica Jones Lewis Dickens William Streater Energy Conservation/Instrument Nathaniel McLin Willie Joyner Dennis Diggs Altina Sumter Shop James Thompson Stinson Kelly Yvette Dixon Kathy Sutton Energy Conservation Super- Executive Officer Joe Lewis Regina Eakins Kiki Thom visor Larry Kaylor Robert Lewis Roby Ellis James Townsend Dennis Donaldson Office Automation Clerk George Mackie Neil Floyd Lee Turk Energy Conservation Assis- Jesus Jimenez Frank Meyers David Fobbs Raymond Tyndle tant Security Drivers Joseph Midgette Paul Ford Juanita Walker Charles Gillespie Joshua Mewborn Charles Moody Timothy Fortt John Washington Instrument Mechanics James Tasker Jasper Morris Winston Franklin Gregory Watson Eugene Givens Security Lieutenants Dexter Moten Carlton Gaines Michael Webster Edward Heffner Richard Allen Jimmy Myers Johnnie Gallop Verda Whitlow William Sutton Quentin Arnold Jerry Napier Paul Gresham Celia Whitney Building Automation George Boomer Hubert Nicholls Harry Groce La Verne Whitted Specialists Milton Cox Justina Page Betty Harper Ronald Wilkins Phillip Grimm Jerome Edwards Vincent Parker Burley Harris Barry Williams Ed Hanna James Plush Joe Peterson Tawania Harvey James Williams Shawn Wood Supervisory Sergeants Jeroboam Powell Alice Holloman Lynn Williams Sandra Powell Fred Holmes Rita Williams Electric Shop Hajji Al-Hadith Ronald Randall Herman Howard Floyd Willis Electrician Foremen Dianne Allison Jerry Reaves Tyrone Howard Andre Wilson Stephen Bradish Willie Barnes Darrell Rhoade Joseph Hudson Derek Wilson Paul Kimball Bernard demons Edward Roberts John Jackson Carolyn Windear Electrician Leader Armando Hartley Andrew Robinson Alan Jenkins Ann Wyder Daniel Smith Maurice Johnson Thomas Savoy Andre Johnson Electricians William Johnson Technical Services Calvin Simmons Edward Johnson Fred Dodge Alonzo Kennedy Deputy Chief Franklin Smalls Ivy Johnson Melvin Klugh Roger Kraft David Schott Leroy Smith Wayman Johnson Electrician Workers Donna Linder Technical Services Foreman Timothy Smith Felisha Jones George Britt Ricky Manuel Angelo Catucci Vernon Smith Kenneth Jones David Cole Lawrence Marshall Electronic Mechanics Gregory Stevenson Quellan Josey Carlton Williams Daniel Miller Donnie Mercer Michael Strong Crystal Kelly Electrician Helper John Palmer Nathaniel Stroman William Thorne Charles Leggett Leslie Raspberry Karen Perry Locksmiths Larry Turner Franklin Lewis Anthony Thompson Robert Brown Marlene Tucker Eugenio Velazquez Tyrone Lewis PROTECTION SERVICES Ty Cullins Alvester Warren Gary Lindsay Chief of Protection Services Edward Watson William Shaw Raymond Watson Linda West Fransonia Littles James J. Davis Console Operator Leaders Michelle West Marvin Mallard Investigator George Woodall Frank Ebb Sheila Wright Alfred Williams Rodney Mathew Enis Pinar Walter Queen Gallery Protection Officers Mark Wilson Joseph McGee. Secretary Console Operators James Allison Jr. Richard Wood Henry McKinnon Catherine Aldrich Robert Brooks Roddie Worthington Arthur McKinzy Daniel Bailey eleven Brown Ralph Wright Eunice McQueen Administration/Special Gwendolyn Bell Derrick Hairston Willie Wright Cheryl Miles Operations Ludwig Bednar Jr. Stanley Harley James Yancey Leroy Miller Deputy Chief Vander Blount Ernest Reynolds George S. Martin Ronald Brown Gallery Security Officers Leroy Moreno Training Officer Samuel Brown Rukan Ahmed Timothy Nicholson ADMINISTRATIVE Joseph Maddox Otis Butler Latina Bailey Willie Norman SERVICES Staffing George Caldwell Sammy Bardley John Morris Chief of Administrative Ser- Ronald J. Lowe Bruce Carter Silva Barkley Joyce Palmer vices and EEO Officer Personnel Security Specialist Luther Clark Dora Barksdale Leslie Parks Cathy Yates Pamela Davis James Collins Leonard Bashful James Phillips Administrative Officer Security Clerk Robert Conyers Richard Battle Chris Privott Sharlene Mobley Nathaniel Jones Jr. Michael Copeland Hugh Bazemore Willie Pugh Staff Assistant Computer Specialist Venus Cristwell Trevor Bennett Gary Reed Anthony Clark Chris Caldwell John Davis Richard Bock Robert Rice Clerk Typist Office Automation Assistants Ronald Estes William Britton William Richardson Christy Allen Annette Brown Robert Evans Steven Brock Jaun Rivera Margaret Myers Virtus Evans Charles Brown Dana Roberson Saundra Williams Gregory Ford Tyrone Brown Dexter Robinson

110 Mail & File Staffing Clerk Accounting Technicians Graphics Designer Bret Hansen Mailroom Supervisor Catherine Oh Roberta Bellofatto Noriko K. Bove Tamara Johnson Clifton Fleet EEO Specialist Cynthia W. Czubat Book Buyer Meghan Klee Mail Clerks Rita Cacas Brenda M. Fogle Dennis Callaghan William Mullenex Felton Byrd Dyann Nelson-Reese Buyers Sharyl Lyn Vax Jose Vallecillo RESOURCE Stephanie L. Thorpe Janet Kerger Merchandise Stock Clerks ACQUISITION Valerie M. Wright Mary K. Sard Terry W. Gibson Printing & Duplicating Chief of Resource Acquisition Linda A. Hunt Offset Press Operators Payroll Retail Systems Jane V. Singley Patrick Beverly Supervisory Pay Technician Retail Controller/IS Manager Mail Order Contract Specialists Frank Schiavone Emma G. Moses Michael C. Metallo Mail Order Clerks Terry Vann Ellis Equipment Operator Civilian Pay Technicians Systems Manager John Brady Claudine A. Lewis James Morris Eric Humphrey G. Lee Cathey Denise C. Graves Carolyn A. Perry Sharon Black Programmer Carol L. Messineo Transportation Shirley A. Roberts Alexander Bloshteyn E. Jean Mitchell Transportation Assistant Jeannette Rogue Systems Analyst DATA PROCESSING Warehouse Operations Barbara Caldwell Purchasing Agent Martin J. Drake AND Operations Supervisor Drivers Mamie L. Gordon Sales Audit Supervisor TELECOMMUNICATIONS Steve Richardson Joseph Leftwich Travel Coordinator Earlene Bright Assistant Treasurer/Manage- Lead Warehouseman Warren McMichael Sandy Dean Sales Audit Clerk ment Information Systems Doug Bishop Grady Williamson Systems Coordinators Michelle Rodriguez Jenmarie Dewberry Richard C. Snyder Warehouse Workers Supply & Property Accounting Supervisor Julie A. Fetter Data Processing Raymond M. Earp Supply Management Officer Michael J. Chapman Data Input Clerk Supervisory Computer Spe- Terrence Smith Ed Harrison Network Administrator E. R.Johnson cialist Marvin M. Walton Property Manager Jennifer Sauer Henry B. Clark Driver Ted Harper Inventory Analyst Computer Systems Analysts James B. Everett Property Clerk Richard Eckert Dolorace D. Bowman Nathan Howell OFFICE OF THE Robin D. Dowden Store & Warehouse Opera- Supply Store Clerk TREASURER Susan E. Fan- tions Kay Mehta Treasurer OFFICE OF Robert S. Reintges Operations Manager Supply Technician Supervisor Ann R. Leven SECRETARY- Jack M. Tucker Karen L. Boyd Paul Rodriquez Executive Assistant to the GENERAL COUNSEL Computer Programmer West Building Shop Supply Clerks Treasurer Secretary and General Analyst Store Manager Paul Fortune Nancy E. Frey Counsel Susan Y. Hsia Nancy G. Vibert Anthony Sean Milliard Secretary Philip C. Jessup Jr. Computer Programmer Assistant Store Managers Warehouse Worker Laurie E. Meister Deputy Secretary and Deputy Karen D. Canada Craig Himmons Darnell Brandon General Counsel Computer Operators Stephen McKevitt INVESTMENTS Elizabeth A. Croog Supply Warehouse Marquita E. Dewald Book Information Specialists Assistant Treasurer/Financial Associate General Counsel Warehouse Workers Karen J. Martin Stephen Bjorneboe Management Nancy Robinson Breuer Sam Baugh John H. McNeil Mary J. Powell Michael W. Levine Acting Associate General Tom Harris Computer Specialist Lead Cashier Counsel Supply Clerk Chris Caldwell C. Kelly Mayle Marilyn T. Shaw Scott Stephens BUDGET OFFICE Cashiers Telecommunications Legal Assistant Budget Officer Michelle Adam Telephone Systems Adminis- Sarah E. Fontana AUDIOVISUAL William H. Roache Connie Cahanap trator Assistant Secretary Budget Analyst Michael Church SERVICES Ira Bozeman Kathryn K. Bartfield Jean Krevinas Sharnell Deayon-Mack Chief of Audiovisual Services Head Telephone Operator Staff Assistant Thomas Valentine Erica Hayes Minnie Barbour Carol A. Christ RISK MANAGEMENT Mary Heiss Assistant Operators Secretary Dorian Breau AND SPECIAL Vicki James Barbara Coleman Montrue V Conner PROJECTS J. P. McGranaghan Radio Production Specialist Zewdie Simms John Conway Assistant to the Treasurer Kim Peacock GALLERY ARCHIVES Projectionists Nancy Hoffmann Amy Sugden GALLERY SHOPS Chief of Gallery Archives Jeannie Bernhards Accounting Technician William Wossowski Assistant Administrator for Maygene F. Daniels Paavo Hantsoo Rosa E. Jackson E. Leon Wyatt Business Activities Archives Technicians Henry Zecher R. Keith Webb Anne G. Ritchie GENERAL Merchandise Stock Clerks PERSONNEL Assistant Chief/Merchandise Albert G. Wagner ACCOUNTING AND Michael Bailey Personnel Officer Manager/Licensing and Prod- Katharine Moore PAYROLL Sheldon B. Edelin Michael Bloom uct Development Comptroller Cecil Miller Assistant Personnel Officer Ysabel L. Lightner Meredith Weiser Dale C. Rinker Concourse Book Store Office Administration & Systems Specialists Staff Assistant Store Manager OFFICE OF Marketing Michele Caputo Jane Alloy Calvin O. Roebuck EXTERNAL AFFAIRS Darryl Cherry Office Manager General Accounting Assistant Store Managers External Affairs Officer Personnel Specialists Laura A. Fitzgerald Joseph J. Krakora Supervisory Operating Louise Coward Lucia Pollock Assistant Office Manager Assistant to External Affairs Accountant Robert Jacobs Terrence Snyder Mary Hamel-Schwulst Kelly Liller Books Information Specialists Officer and Chief of Visitor Staffing Specialists Staff Assistants Systems Accountant David Peterson Services Rick Decuir Stephanie L. Topolgus Sandra Creighton Carol Ann Proietti Ethel DeVan Linda Pettiford Jonathan F. Walz Program Specialist Operating Accountants Lead Cashier Employee Relations Advisors Marketing Specialist Julianne Ehrman Michael Bowhay Lisa Scalzo-Hamm Mark Adelman Carroll A. Thomas Staff Assistant Ruth E. Lewis Cashiers Luis Baquedano Eve Blackburn Linda K. Smith Merchandising Tobias Beach Staff Assistants Accountant Buyer/Product Development David Brown Tammy Bennett Adele Stevens Judy C. Luther Kathryn Coney Gwendolyn Hines Nancy Ford

111 DEVELOPMENT SPECIAL PROJECTS Alexandra Schwartz VOLUNTEER DOCENTS Florence Heller Development Officer Special Projects Officer (fiscal year 1994) Shannon Hobbs Old Master Drawings Laura S. Fisher Pamela Jenkinson Jane Hochberg Elizabeth Block Deputy for Major and Cam- Special Projects Assistants Karen Akerson Nira Hodos Sandra Persuy paign Gifts R. Guion Ardrey Ann Allen Mimi Hodsoll Brandon Ruud Patricia A. Donovan Jason N.R. Herrick Marilyn Amerman Jennifer Hollings Jennifer Schipf Deputy for Annual and Hannah Aurbach Sharon Holtzman Paula Warrick Deferred Gifts VISITOR SERVICES Barbara Baker Adriana Hopper Melanie Jarratt Wolfe Deputy Chief of Visitor Modern Prints and Drawings Rosalie Baker Marta Madrid de Horgan Development Specialists Services Mikka Gee Jean Barquin Sandy Horowitz Elizabeth A. Hutcheson Carole Burton Eileen McKiernan Gonzalez Jane Barton Marilyn Horwood Tania Lee Senior Exhibition Supervisor Maria Los Kathleen Battle Carol Howerton Development Specialist, Frances Winston Ulla Pers Heinz Bauer Anne Irving B.J. Beers Miriam Jacobson Foundation Relations Exhibition Aides Photographs Lisa Ann Bell Lisa Jaeger Melissa B. McCracken Vrej Armenian Mikka Gee Elvera Berson Francesca Janni Development Associate Catherine Kazmierczak Corinne Wise Salina Muellich Jean Langley Mary Lou Bremner Marilyn Jenkinson Membership Coordinator Angela Rooney Sculpture Gail Briggs Leigh Jones Margaret A. Porta Marketing Coordinator Elizabeth Ann Albert Florence Brodkey Joan Jordano Membership Assistant Francine Linde Justine Andrews Rhona Brose Sunhee Kang Samantha Neukom Stephanie Miller Ana Maria Brown Evelyn Katz Susan Bruce Katherine Kavanaugh Program Assistants HORTICULTURE Curatorial Records and Files Donna Burnett Carolyn Kelloff John Carstens Chief of Horticulture Pamela Davidson Brigit Bush Marney Kennedy Rita M. Plath Donald Hand Sarah Mattis Staff Assistant, Special Initia- Assistant Horticulturist James Byron Claudia Kiguel Registrar's Office tives Dianne Cina Mai Cameron Ilze King Catherine Smith Eleanor G. Thomas Horticulturists Nancy Cammack Gwen Kinney Gunter Koenig Staff Assistant Deirdre Armstrong Objects Conservation Karen Campbell Ellen McCarthy Cynthia Lawless Sheila Payaqui Sheila Campbell Patricia Kraemer Carol Kuehl Juli Goodman Silvia Canessa Design and Installation CORPORATE Gardener Foreman Mimi Capalaces Barbara Kurtz Allison Harkavy Marie Kux RELATIONS Milton Vick Daniel Casse Corporate Relations Officer Gardener Leaders Education Pat Cassity Katherine LaBuda Elizabeth A.C. Perry Greatheart Elisa Barsoum Lynette Chambers Jaqueline Landfield Jean Langley Deputy Corporate Relations James Stewart Suzanne Belander Mary Anne Clancy Anne Lanman Officer Gardeners Katherine Bradley Phyllis Cochran Lisa Claudy Franklin DeFreece Mary Neil Curtis Leslie Cohen Daniele Lantran Corporate Relations Associate Edmund Manigault Amy Day Elizabeth Corbin Jo Ann Larsen Diane D. Colaizzi Ronald McGill Gretchen Eustace Jeannette Cox Anne-Marie Lee Anne Marie Lemaire Executive Assistant Ronald Terrell Karen Glickman Robert D'Annucci Catherine C. Labib Erica Hays Kitty Davis Rosalie Lesser Vivien DeLima Peter Levitt Program Assistant MUSIC Sarah Heinrich Margaret Doole Yodia Lo Jeanette Crangle Assistant to the Director for Lenore Hoover Graciella Dourojeanni Doris Loftness Music Patricia Kelly Alice Ellington Kay Looney PRESS AND PUBLIC George Manos Lesli Marcus Hope Emerling Jean Loper INFORMATION Music Program Assistant Jayne Matricardi Erika Englemann Anne Lowenstein Press and Public Information Juliana Munsing Elizabeth Morin Karen Epelbaum Camilla Lundell Officer Music Specialist Rachael Orgeron Mary Ellen Fahy Ana Maria Macchetto Ruth Kaplan Stephen Ackert Susana Prudencio Elizabeth Farrell Barbra Mann Deputy Information Officer Music Librarian Aaron Rannenberg Sharon Feldman Patricia Martin Deborah Ziska George Gillespie Sheila Weiss Paula Ferdinand Rosella Matamoros Program Assistants Margaret Wilkerson Sima Ficks Terry Matan Lila W. Kirkland Library Alessandra Figliuoli Karen Mathis Nancy Soscia INTERNS William Caine Deborah File Andrew William McCready Staff Assistant Renaissance Paintings Jay Dyckman Harriet Finkelstein Rebekah McKenna Abby Daniels Giancarlo Fiorenza Eric Gregson Virginia Flavin Ursula McKinney Receptionist Eva Kleeman Slide Library Joyce Frazier Virginia McQuoid Mary McCormack Dan Virzi Patricia Ballard Phyllis Freirich Betty Mezines Baroque Paintings Joyce Gamse Emma Michaels SPECIAL EVENTS Editors Office Julie Dabbs Mary Gibb Caroline Miller Assistant to the Director for Sara Edelson Aneta Georgievska-Shine Thomas Gilday Elaine Miller Special Events Quint Gregory Gallery Archives Betty Ann Gilmore Lorraine Mills Genevra O. Higginson Meredith Hale Alice Byrd Reed Pauline Gilstrap Michelle Minyard Staff Assistant Melinda vander Ploeg Fallon Rebecca Zeltinger Irya Gittelson Eleanor Monahan Pauline M. Watona Alicia Walker Kay Glenday Meredith Moore Assistants Press and Public Information Pien Brocades Zaalberg Lucy Goss Robbie Morris Elizabeth A. Ash Kara Dickey Jonathan Gray Joan Morton American and British Paintings Audrey Charlson Laura Hively Kathy Green Judith Newton Anne Davy Jennifer Harper Amy Martin Beth Griffith Laureen Nicholson Sarah Marsten Jodi Lox Lisa Pilcher Deborah Griffith Elizabeth Niederman Kerry O'Donnell Jennifer Wright French Paintings Nancy Hafer Saka Noma Christina C. Rich Gabriella Becchina Music Floss Hall Nur Nossuli Betsy Welch Jennifer Harper Sue Ann Jage Ludwine Hall Mary Catharine O'Connell Felicia Rupp Rob Lesman Carol Hallene Gail Ostergaard Melissa Harris Cecelia Ouspensky 20th-century Art Nadine Harth Patty Owens Eileen McKiernan Gonzalez

1 12 Anne Padelford ART INFORMATION Nancy Kotz LIBRARY VOLUNTEERS Martha Parker VOLUNTEERS Susan Krutt (fiscal year 1994) Hedwig Pasolini (fiscal year 1994) Stephen Lake Connie Patrick Shirley La vine Betty Allner Joy Peabody-Ogden Claire Ackerman Mary Lawler Hildy Buis Annabel Perlik Elsie Aranda Elinore Lawrence Andreina Correale Maxie Phillips Mary Ann Arbo Marion Lebanik Edith Hebblethwaite Lily Pineiro Eleanor Augustine Ilse Lewy Dorothea Hopkins Kathy Plowman Rosalie Baker Susan Lightsey Diane Horowitz Judith Pomeranz Edith Ball Lionel Lipschultz Jeannette Hussey Anne Prange Valerie Ballard Marty Longan Ellen Layman Anastasia Pratt Eleanor Bateman Joyce MacCorquodale Mary Ellen Lentz Rolf Preisendorfer Georgienne Bednar Eileen Mandle Ruth MacDonald Christine Prichard Barbara Behr Donald Markle Joan Mavity Ludmila Primer Mary Whelan Bell Geri Markle Joseph Muska Maria Ramaciotti Diane Soucy Bergan Sarah Marsten Barry Purrington Pickett Randolph Elaine Berson Virginia McCormick Doris Rauch Karen Redfern Kittie Beyer Rebekah McKenna Lilly Rosen Peggy Rice Marian Binder Virginia McQuoid Lona Towsley Rickey de Rivera Janet Boccia Emilou Melvin Rose Trippi Isabel Rodriguez Tom Bossung Barbara Mered Hervy Wolff Estelle Rogers BJ Boudreau Lynne Middleton Wynefred Rogerson Joyce Bourke Katherine Molloy Jo Roland Cynthia Gage Brown Christine Monsen Eileen Romano Kay Brown Dale Moran Deborah Rucci Laina Bush Barbara Morris Sheila Ruffine Mario Cader-Frech Oscar Naumann Jean Rummel Marian Carroll Alexandra Neustadt Marie Noelle Scaduto-Men- Patricia Casson Terry Neves dola Joan Chapin Jean Nida Mary Schaad Kimball Clark Darvine Noel Suzanne Schiffman Simone Clarke Suzanne Odom Tazuko Schmitz Pat Clopper Ursula Pariser Mary Leigh Shepard Jean Cohen Roberta Peel Iris Silverman Marlene Conner Frances Pelton Joan Silverman Maureen Cook Rosetta Penna Beatriz Slotkoff Marcia Corey Diane Powers Antonia Smiley Sherry Cross Ann Proctor Anne Louise Smith Abby Daniels Shannon Province Eric Snyder Paula De Michele June Ramey Celia Steingold Elizabeth des Cognets Deirdre Reid Gladys Stifel Therese des Rosiers Annette Rich Mary Sullivan Verda Deutscher Judith Rich Patricia Sulzman David Dominey Bette Richardson Mary Ann Sures Janet Donaldson Sara Roberts Mari Suzaki Kim Doyle Christina Rowsome Nancy Swain Donna Edmondson Margit Ruben 1 Karen Telis Estelle Eisendrath Cherry Sand Gale Templeton Joanne Fanelli Howard Sanders Ruth Thomas Jack Ferry Jill Schatken Susan Toerge Barbara Fisher Audri Schiller Nathalie d'Ursel Sue Fretts Roberta Schneidman Ginger Vanderver Marianne Freudenthal Marilyn Schwaner Susan Van Marguerite Fry Carl Shugaar Suzanne Vegh Susan Harper Fuller Esther Slaff Rosario Velasquez Agnes Gavin Linda Stamp Joy Vige Nancy Gelman Joan Steigelman Joanne Vinyard Jean Gerhardt Debra Strickland Mary Visscher Annette Goldschmidt Bonnie Sweet Josephine Wang Charlotte Greathouse Jeannette David Szoradi Julie Warnement Helena Gunnarsson Kay Thomas Jane Weems Marylee Hair Grace Tull Maria Elena Weissman Mary Hanrahan Ward Van Wormer Anne West Betty Hatch Frances Walls William F. Whalen Jo Ann Hearld Cecile West Sue White Judith Heck Saralee West Elizabeth Wildhack Becky Holthaus Alica White Kathleen Williams Dru Hopper Eleanor Williams Fran Winston Claire Horowitz Eileen Winkelman Dorothy Wright Eileen Hurley Fran Winston Fred Yamada Florence Imburg Dot Wortman Lois Young Carmen Iribarren Gerry Wyche Joan Zeizel Jane Irvin Antoine Yared Gianna Zucchi David Iverson Rubye Youngblood Mariam Jacobson Barbara Jensen Jill Kasle

113

DONORS

Donors During Fiscal Year 1994 1 October 1993 to 30 September 1994

Elie Abraham! Bergman Family Charitable Trust The Circle of the National Esthy and James Adler Robert Hunt Berry in memory of Gallery of Art Philanthropic Fund Ormond and Hazel Hunt, The Clark Construction Group, The Ahmanson Foundation Richard King Mellon, and Inc./The George Hyman Con- AlliedSignal Foundation Inc. Franklin D. Murphy struction Company/Omni Alsdorf Foundation Bidwell & Company Construction, Inc. Gisela and Dennis Alter Patti Birch 1991 Trust The Ryna & Melvin Cohen American Express Foundation The Endowment Fund of the Family Foundation, Inc. Ameritech Foundation Jewish Community of Collectors Committee of the Harriet Ames Charitable Trust Houston, Gay Block & Malka National Gallery of Art In memory of Robert Amory Jr. Drucker Philanthropic Fund Communities Foundation of Helen Andersen Ruth Blumka* Texas The Annenberg Foundation Meyer and Joan* Bobrow Baldassare Conticello Anonymous Betty Boj-Sode Ama Maria Coronel-Rodriguez ARCO Foundation Inc. Mr. and Mrs. Mark Borghi Andreina Sgaglione Correale Emy Armananxas The Eli Broad Family Foundation Chapman B. Cox The Art Seminar Group, Inc. Carolyn and Kenneth D. Brody The Donald and Maria Cox Trust Ann M. Askew Foundation Ed Cox Foundation Elizabeth E. and Charles J. Brown-Forman Corporation Creditanstalt-Bankverein Aulicky Sr. Brown Group, Inc. Charitable The Nathan Cummings Susan G. Baker Trust Foundation, Inc. Kosme Maria de Baranano Hans Henrick Brummer The D & DF Foundation Banco Totta & Azores Terrence M. and Veda Jo Byrne DM Foundation Bank Austria Mrs. Charles Pearre Cabell Sr. Ethel & Joseph Danzansky Dwight H. Barnes in memory of The Morris and Gwendolyn Foundation, Inc. Helen C. Powers Cafritz Foundation Mollie B. Darr* The Baruch Fund Mr. and Mrs. William N. Cafritz Davies Charitable Trust Perry R. and Nancy Sally Cameron Davies/Weeden Fund Robert M. and Anne T. Bass Robert M. Cammarota The Charles Delmar Foundation Mr. and Mrs. Daniel Bell Institute Camdes The Gladys Krieble Delmas BellSouth Oliver T. Carr Jr. Foundation Ruth B. Benedict* Dorothy Jordan Chadwick Fund Mrs. Beatriz G. deRiccheri Claire Kaufman Benjack Chapman Foundation Dimick Foundation Gerhard Richter, Abstract Painting Berger Foundation Chatam, Inc. Geraldine R. Dodge Foundation 780-1, 1992, Gift of the Collectors Chevy Chase Savings Bank, Incorporated Committee, 1993.62.1 * deceased F.S.B.

115 The Max and Victoria Dreyfus Calvin C. and Harriet R. Gould Lampadia Service Corporation Muchnic Foundation, Inc. Foundation Inc. Charitable Trust The Lane Family Foundation, Inc. Dr. Franklin D. Murphy* James T. Dyke Alan Gowans Lannan Foundation Masayuki Nagare Ebsworth Foundation Graham Foundation for The Lauder Foundation, Leonard National Cultural Alliance Robert and Brenda Edelson Advanced Studies in the Fine and Evelyn Lauder Fund Evelyn Stefansson Nef Andreas Emmerling-Skalka Arts Alexander M. and Judith W. Neutrogena Corporation Louis E. and Marcia M. Monica & Hermen Greenberg Laughlin Barbara Newington Emsheimer Charitable Trust Foundation Alice Lawrence Foundation Inc. Norton L. and Myrtle B. Norris Philanthropic Fund GTE Foundation Helen Sperry Lea Foundation NYNEX Foundation The Charles Engelhard Guest Services Leighton-Oare Foundation, Inc. John O'Brien Foundation The Calouste Gulbenkian The Lemon Foundation Ralph E. Ogden Foundation, Inc. The Lois and Richard England Foundation Mrs. Harry Lenart in honor of Dr. The Ohrstrom Foundation Foundation, Inc. Gulf States Paper Corporation and Mrs. Earl A. Powell III Claes Oldenburg and Coosje van Patricia G. England Evelyn & Walter Haas Jr. Fund The Leonora Foundation, Inc. Bruggen The T.M. Evans Foundation Miriam and Peter Haas Fund Major General J.M.H. Lewis Olin Corporation Charitable Trust Incorporated Evelyn A. J. Hall Charitable Trust The Sydney & Frances Lewis Margaret D. Olsen The Excelsior Fund The Hanes Foundation Foundation Open Society Fund, Inc. II Frank R. and Jeannette H. Eyerly Dr. Edward C. Harris Roy and Dorothy Lichtenstein Mr. and Mrs. Stanford L. Optner Fannie Mae Foundation The John A. Hartford Dr. and Mrs. S. Lifschutz in memory of Sigbert H. Marcy Winthrop W. and Jeanne H. Foundation, Inc. Frances and John L. Loeb Funda^ao Oriente Faulkner Lorna U. Hauslohner Foundation Berna Lee Osnos Paul B. Fay Jr. Russell C. and Frances Arlene Long & Foster Real Estate Inc. Ourisman Chevrolet Co., Inc. The Fay Improvement Company Heater Louisville Community Frank H. Pearl Fein Foundation Frank F. Hebblethwaite Foundation Depository, Inc. Mrs. Harold J. Pearson Mrs. John Firestone The Hechinger Foundation The Joe & Emily Lowe PECO Foundation Roger S. Firestone Foundation Elizabeth Heffernan Foundation, Inc. H. Steffen and Primrose E. Peiser James Fish Mrs. Rudolf J. Heinemann The Henry Luce Foundation, Inc. Fernando Antonio Baptista The Aaron I. Fleischman Melvin Henderson-Rubio Elizabeth Lukacs* Pereira Foundation The William and Flora Hewlett Luso-American Development Persis Hawaii Foundation Richard A. Florsheim Art Fund Foundation Foundation Neil Phillips and Ivan Phillips The Folger Fund Margaret Mellon Hitchcock Foun- Professor Ma tilde Macagno The Pincus Charitable Fund John C. and Elizabeth E. dation The Edward E. MacCrone Pine Level Foundation Fontaine Hobby Foundation Charitable Trust Mr. and Mrs. Gerhard E. Pinkus Ford Motor Company Fund The H. C. Hofheimer II Family Dr. Marcio Veloz Maggiolo Mrs. John A. Pope The Foundation for the National Foundation The Marks Foundation Portuguese Secretary of State for Capital Region Donald Holden Mars Foundation Culture Elizabeth J. Foy * Janet A. Hooker Harry and Hebe Marsh Vivian O. & Meyer P. Potamkin Mrs. Daniel Fraad John Jay Hopkins Foundation Gloria C. Marsteller Foundation Robert Frank George A. Horkan Jr. Material Handling Equipment Potomac Electric Power The Franklin Mint Mr. and Mrs. Raymond J. Distributors Association in Company Dr. Sydney J. Freedberg Horowitz honor of Elaine Miller Josephine R. Powell Arnold D. Frese Foundation, Inc. Kathleen Howe Dr. Thomas A. Mathews Mr. and Mrs. John Powers Stanley B. and Judith W. Frosh James C. Hunt, M.D., and Arlys The May Department Stores Frederick Henry Prince David M. Frost R. Hunt Company Foundation Testamentary Trust Morton and Norma Lee Funger IBM International Foundation Joseph F. McCrindle Pro Helvetia Felix Fiirtwangler Mrs. John Jay Ide Lavinia Morgan McGraw Prospero Foundation Jo Ann and Julian Ganz Jr. Foun- Inter-American Development Bruce McKittrick Catherine Puget dation Trust Bank Charles L. and Debra H. R & S Associates Estate of Marie-Louise Garbaty Dr. Ruth Ivor McLafferty Wrightson Ramsing Foundation, The David Geffen Foundation George and Janet Jaffin The Andrew W. Mellon Inc. Gerry Brothers & Co. George F. Jewett Jr. 1965 Trust Foundation General Dillman Rash Ann and Gordon Getty James A. Johnson Jr. Louise W. Mellon Henry & Anne Reich Family Foundation Josten Fund, Inc. Paul Mellon Foundation, Inc. The J. Paul Getty Trust Kahn Family Foundation R. K. Mellon Family Foundation Edda Renouf Morris and Frances Gewirz Foun- Max Kahn Joyce and Robert Menschel Reproducta Co., Inc. dation, Inc. Panayiotis ICalorkoti Robert and Jane Meyerhoff Republic National Bank of New The Mary O'Brien Gibson and Edward G. Kaufman Microsoft Corporation York John T. Gibson Foundation Mrs. George M. Kaufman Estate of Mark Millard The Riggs National Bank of Gilman Paper Company Anna-Maria & Stephen Kellen Edward S. and Joyce I. Miller Washington, DC Glen Eagles Foundation Foundation Pepita Milmore Memorial Fund Lloyd M. Rives Henrietta Goelet George and Olga Kenney Trust Daniel and Joanna S. Rose Fund, Goldman Sachs & Company The Elbrun and Peter Mobil Foundation, Inc. Inc. Goldman Sachs International Kimmelman Foundation, Inc. David G. Moore Mrs. Milton Rose Limited Gerald King Lucy Galpin Moorhead Susan and Elihu Rose Founda- The Horace W. Goldsmith Thomas G. Klarner Robert W. and Maura Burke tion, Inc. Foundation Elizabeth L. Klee Charitable Morey Charitable Trust Rosenthal Companies Gordon Fund Foundation, Inc. J.P. Morgan & Co. Incorporated The Herbert & Nannette Roth- Stephen P. ICoster The Morningstar Foundation schild Memorial Fund * deceased Samuel H. Kress Foundation John Morton Morris Mr. and Mrs. Lee G. Rubenstein

116 Lawrence Rubin Mr. and Mrs. Ladislaus von International Corporate Collectors Committee Fred Ruffner Hoffman Circle (as of 30 September 1994) Rutco Incorporated The Washington Print Club Diane G. Sachs and Robert P.A.B. Widener (as of 30 September 1994) Vidulich in honor of Edward Arthur, Rachel, and Susan Mr. Robert E. Abrams Elson Wilkoff Foundation All Nippon Airways Co., Ltd. New York Mrs. Walter Salant The Dave H. and Reba W. AlliedSignal Inc. Mrs. James W. Alsdorf Mark Samuels Lasner Williams Foundation American Express Company Illinois John R Sare Marguerite Neel Williams 1991 Ameritech Mr. and Mrs. Dennis Alter Norma and Joseph Saul Charitable Lead Annuity Trust Arthur Andersen Pennsylvania Philanthropic Fund The Honorable Edward F. Wilson* Andersen Consulting Mr. and Mrs. Steven Ames Richard Mellon Scaife and Mrs. Wilson Argentaria Bank New York Sarah Scaife Foundation Marcia S. Weisman Foundation AT&T France Mrs. Anne H. Bass Stephen K. and Janie Woo Scher Wood-Rill Foundation Banamex New York Leonard B. Schlosser* Woodner Family Collection Brown-Forman Corporation Mr. and Mrs. Robert M. Bass Janos Scholz * Eleanora M. Worth Chatam, Inc. Texas Howard Scott Wyeth Endowment for American Citibank Mr. and Mrs. Jack Blanton Scurlock Foundation Art Corning Incorporated Texas 1718 Investments ICazuyo Yamashita The Dai-ichi ICangyo Bank, Ltd. Mr. and Mrs. Eli Broad Peter Shapiro Dr. Clifford Young Daiichi Pharmaceutical California Robert F. Shapiro and Anna Professor Luigi Zanzi Corporation Ms. Catherine M. Conover Marie Shapiro Foundation, Richard S. Zeisler Daimler-Benz Washington, Inc. District of Columbia Inc. Eastman Kodak Company Mr. Edwin L. Cox Paul M. and Deane Lee Shatz Fannie Mae Foundation Texas Charitable Foundation Fortune Magazine Mr. David L. Davies Janice Shell Galileo Industrie Ottiche, S.p.A. California Stephen & Barbara Sherwin GTE Corporation Mr. and Mrs. John R. Donnell Foundation Japan Airlines Co., Ltd. Ohio Signet Bank Kajima Corporation The Honorable Robert W. Laura M. Slatkin Lafarge Corporation Duemling and Mrs. Duemling Regina Slatkin MCI District of Columbia Elizabeth Smith* Mellon Bank Corporation Mr. and Mrs. Barney A. Ebsworth Robert H. Smith Family Mercedes-Benz of North America Missouri Foundation Milbank, Tweed, Hadley & Mr. and Mrs. James A. Elkins Jr. Virginia L. Snider McCloy Texas Joseph J. Snyder Mobil Corporation Mrs. Charles W. Engelhard Barbaralee Diamonstein- J.P. Morgan & Co. Incorporated New Jersey Spielvogel and Carl Spielvogel Martin Marietta Corporation Mr. and Mrs. Thomas M. Evans Natalie Davis Spingarn Nomura Securities Company, Ltd. New York Katharine H. Stapleton in mem- Obayashi Corporation Mr. and Mrs. John D. Firestone ory of Franklin D. Murphy PaineWebber District of Columbia Frank Stella RJR Nabisco, Inc. Mr. and Mrs. Donald G. Fisher Jane Stern Family Foundation, Republic National Bank of New California Inc. York Mr. and Mrs. James A. Fisher Ruth Carter Stevenson The Riggs National Bank of Pennsylvania Barry S. and Evelyn M. Strauch Washington, DC Mr. Aaron I. Fleischman Foundation, Inc. The Sakura Bank, Ltd. District of Columbia The Philip and Lynn Straus Sallie Mae Mrs. Julius Fleischmann * Foundation, Inc. Sara Lee Corporation Ohio Mollis Taggart Galleries, Inc. Tabacalera, Madrid Mr. and Mrs. Julian Ganz Jr. Mr. and Mrs. Eugene Victor Thaw Time Inc. California Frank Tibor Trust Company of the West Mr. and Mrs. Milo S. Gates Mirror Foundation The Washington Post Company California Yoshinobu Tokugawa The Yasuda Fire & Marine Mr. David Geffen Toledo Community Foundation, Insurance Co., Limited California Inc. The Yasuda Fire & Marine Dr. and Mrs. Phillip T. George Truland Foundation Insurance Co. of America Florida Tyler Graphics Ltd. Mr. and Mrs. Gordon P. Getty Ann L. Ugelow California A. Umana Mr. and Mrs. Carl S. Gewirz United Technologies Maryland University of Virginia Women's Mrs. Katharine Graham Club District of Columbia The Vanguard Group Foundation Mr. Leo S. Guthman Charlotte and Arthur Vershbow Illinois Dr. Katherine S. de Villallonga Mr. and Mrs. Peter E. Haas Dorothy and Herbert Vogel California Mrs. Melville W. Hall New York * deceased

1 17 Mr. and Mrs. Frederic C. Mr. and Mrs. Frederick H. Prince The Circle of the National The Honorable Najeeb E. Halaby Hamilton District of Columbia Gallery of Art and Mrs. Halaby Virginia Colorado Mrs. A. N. Pritzker (as of 30 September 1994) Mrs. Joseph H. Hazen Illinois Mr. and Mrs. Hugh Halff Jr. New York Mr. and Mrs. Thomas J. Pritzker Co-chairs Texas Ms. Susan Morse Hilles Illinois Mrs. Juliet C. Folger Mrs. Iola S. Haverstick Massachusetts General Dillman A. Rash Mr. David O. Maxwell New York The Honorable Oveta Gulp Hobby Mrs. Gale Hayman-Haseltine and Texas Mr. and Mrs. Stewart A. Resnick Sustaining Members Professor William Haseltine Mrs. James Stewart Hooker California Mrs. Carolyn Alper District of Columbia District of Columbia New York Mr. and Mrs. George Ross Mr. and Mrs. Charles T. Mr. and Mrs. Raymond J. Pennsylvania Mrs. Everett B. Birch Hellmuth Sr. New York Maryland Horowitz Mrs. Howard Ross New York New York The Honorable Daniel J. Boorstin Mr. and Mrs. Joseph H. Hennage and Mrs. Boorstin Virginia Mr. and Mrs. R. L. Ireland III Mrs. Madeleine H. Russell District of Columbia New York California Mr. and Mrs. Arthur Johnson Mr. and Mrs. W.L. Lyons Maryland The Honorable John N. Irwin II Mrs. Louisa Stude Sarofim Brown Jr. and Mrs. Irwin Texas Ms. J. Lisa Jorgenson and Mr. Kentucky David Doniger New York Mr. and Mrs. Andrew Saul Mr. and Mrs. Calvin Cafritz District of Columbia Mr. and Mrs. William C. Janss New York District of Columbia Mr. and Mrs. J. Howard Joynt III Idaho Mr. and Mrs. Rudolph B. Major General (Ret.) Daniel S. District of Columbia Mr. and Mrs. George F. Jewett Jr. Schulhof Campbell and Mrs. Campbell California New York Mr. and Mrs. Jacob Kainen Texas Maryland Mr. and Mrs. George M. Kaufman Mr. and Mrs. Charles R. Schwab Mr. and Mrs. Clement E. Conger Virginia California Mr. and Mrs. Marvin L. Kay Virginia Maryland Mr. and Mrs. Stephen M. Kellen Mr. and Mrs. Robert F. Shapiro Mrs. Catherine G. Curran New York New York The Honorable Randolph A. New York Kidder and Mrs. Kidder Mr. and Mrs. Peter Kimmelman Mr. William Kelly Simpson Mr. and Mrs. Bruce B. Dayton District of Columbia New York New York Minnesota Mr. and Mrs. James M. Kline Robert P. and Arlene R. Kogod Mr. and Mrs. Sheldon H. Solow Drs. Lois and Georges de Menil District of Columbia District of Columbia New York New York Lieutenant Colonel William K. Mr. and Mrs. Werner H. Mr. H. Peter Stern and Dr. Mr. and Mrs. James T. Dyke Konze and Mrs. Konze Kramarsky Margaret Johns Arkansas Maryland New York New York Mr. and Mrs. Robert E. Eberly Dr. Steven Lunzer Mr. and Mrs. Don Lebell Mrs. Ruth Carter Stevenson Pennsylvania District of Columbia District of Columbia Texas Mr. and Mrs. Judd Leighton Mr. and Mrs. Paul H. Flicker The Honorable John D. Mr. and Mrs. James M. Macomber and Mrs. Macomber Indiana Maryland Vaughn Jr. District of Columbia The Honorable Marc E. Leland Texas Mr. and Mrs. Robert F. Erburu The Honorable Leonard H. Marks and Mrs. Leland California Mr. Thomas Walther and Mrs. Marks District of Columbia Mr. and Mrs. Abdul Huda Farouki New York District of Columbia Mr. Irvin L. Levy Virginia Mr. and Mrs. David IC. Welles Mr. Frederick P. Mascioli Texas Mr. Walter Fitch III Ohio District of Columbia Mr. Edward C. MacEwen California Mr. and Mrs. Keith Wellin Mr. and Mrs. Edward J. Mathias Connecticut Texas The Honorable William H.G. FitzGerald and Mrs. FitzGerald Maryland Mr. and Mrs. Frederick R. Mayer Mrs. John Hay Whitney District of Columbia Mr. and Mrs. David O. Maxwell Colorado New York Mr. and Mrs. Lee M. Folger District of Columbia Mrs. Eugene McDermott Mr. and Mrs. Dave H. Williams District of Columbia Mr. and Mrs. Frederick R. Mayer Texas New York Mr. and Mrs. John French III Colorado Mr. Henry S. McNeil Jr. Mr. and Mrs. William Wilson III New York Mrs. James R. McAlee Pennsylvania California Cynthia and Milton Friedman Maryland Mr. and Mrs. Paul Mellon Mr. and Mrs. William Wood Maryland Mr. and Mrs. Raymond L. District of Columbia Prince Mrs. Camilla Chandler Frost McGuire Mr. and Mrs. Edwin Van R. Illinois District of Columbia Milbury California Mr. and Mrs. Gilbert D. Mead Pennsylvania Mr. and Mrs. John T. Gibson District of Columbia Mrs. 0. Ray Moore District of Columbia Mr. and Mrs. Paul Mellon Georgia Mr. and Mrs. Michael L. Virginia Paul and Camille Oliver- Glassman Mr. and Mrs. Robert E. Meyerhoff Hoffmann Maryland Maryland Illinois Mr. Albert H. Gordon Ms. Julienne M. Michel Mr. and Mrs. David Pincus New York District of Columbia Pennsylvania Mr. and Mrs. Calvin C. Gould Mr. and Mrs. Sumner Pingree III Massachusetts Mr. and Mrs. Nicholas Millhouse New York District of Columbia Mr. and Mrs. Hermen Greenberg Mr. and Mrs. Ronald A. Pizzuti District of Columbia Mr. and Mrs. A. Fenner Milton District of Columbia Ohio Mr. and Mrs.* Gilbert C. The Honorable Leon B. Polsky Greenway Mrs. Franklin D. Murphy and Mrs. Polsky District of Columbia California New York * deceased

118 Mrs. John U. Nef Miss Gillian Attfield Mr. and Mrs. Malcolm K. Dr. and Mrs. David A. Morowitz District of Columbia New York Fleschner District of Columbia Mr. and Mrs. Lucio A. Nolo Ms. Gwen Baptist Florida The Honorable William Nitze II Virginia Maryland Mr. and Mrs. Wolfgang K. Flottl and Mrs. Nitze Commander Lester Edwin Ogilvy Mr. and Mrs. Thomas M. Barry New York District of Columbia and Mrs. Ogilvy District of Columbia Mr. and Mrs. Peter Forster Mrs. Roy Nutt District of Columbia Mr. and Mrs. Edwin S. Bell District of Columbia Washington Mr.* and Mrs. Ricard R. Texas Mr. and Mrs. Michael C. Gelman Mr. and Mrs. Donald R. Osborn Ohrstrom The Honorable Robert O. Maryland New York Virginia Blake Sr. and Mrs. Blake Mr. and Mrs. Corbin Gwaltney Mr. and Mrs. John N. Palmer Mr. and Mrs. C. Wesley Peebles District of Columbia Maryland Mississippi Virginia Mr. and Mrs. Huntington T. Block Mr. and Mrs. Peter E. Haas Sr. Mrs. Jefferson Patterson Mrs. John A. Pope District of Columbia California District of Columbia District of Columbia Mr. and Mrs. Allen J. Bloom Mrs. Elisha Hanson Sandra Payson Mr. and Mrs. Norman S. Maryland District of Columbia District of Columbia Portenoy Mr. and Mrs. John G. Boyd Mrs. B. Lauriston Hardin Jr. Mr. and Mrs. Nathan W. Pearson District of Columbia District of Columbia District of Columbia Pennsylvania Mr. and Mrs. Meyer P. Potamkin Mr. and Mrs. George M. The Honorable John W. Mr. and Mrs. Benjamin T. Pierce Pennsylvania Brady Jr. Hechinger Sr. and District of Columbia Mr. and Mrs. Charles P. Price Maryland Mrs. Hechinger Mr. and Mrs. Lewis T. Preston Virginia Mr. and Mrs. Thomas H. District of Columbia District of Columbia Mr. and Mrs. Milton Ritzenberg Broadus Jr. Mr. and Mrs. J. Dean Herman Mr. David E. Rust District of Columbia Maryland Virginia District of Columbia Mr. Mark Samuels Lasner Mr. and Mrs. Marc H. Brodsky Mrs. Thomas Hitchcock Jr. Mr. and Mrs. Derald H. District of Columbia District of Columbia New York Ruttenberg Mr. and Mrs. Roger W. Sant Mr. and Mrs. Harry A. Brooks Mr. and Mrs. S. Roger Horchow New York District of Columbia New York Texas Mr. and Mrs. Stephen F. Sherwin Mrs. Stanley J. Sarnoff Mr. and Mrs. Raymond C. Mr. R. Bruce Hunter District of Columbia Maryland Brophy Virginia The Honorable George P. Shultz Rear Admiral Tazewell District of Columbia The Honorable R. Tenney and Mrs. Shultz Shepard Jr. and Mrs. Shepard Mrs. Poe Burling Johnson and Mrs. Johnson California District of Columbia District of Columbia Maryland Dr. and Mrs. Barry S. Strauch Mrs. Muller Sheppard Mr. and Mrs. Louis M. Byron Mr. Peter Josten Virginia Virginia District of Columbia New York Mr. and Mrs. Edward F. Mr. and Mrs. Raja W. Sidawi The Honorable John E. Mr. and Mrs. Richard Kaufman Swenson Jr. New York Chapoton and Mrs. Chapoton District of Columbia Florida Mr. and Mrs. Richard S. Smith District of Columbia Mr. and Mrs. Jack Kay Mr. Hollis C. Taggart Pennsylvania Mrs. Kevin P. Charles Maryland District of Columbia Mr. and Mrs. James J. Verrant Maryland Mr. and Mrs. William E. Kimberly Mr. and Mrs. Joseph G. Tompkins District of Columbia The Honorable Robert H. Charles Virginia Virginia Mr. and Mrs. Mallory Walker and Mrs. Charles Mr. and Mrs. Norman V. Kinsey Mr. John Edward Toole District of Columbia District of Columbia Louisiana District of Columbia Mr. and Mrs. Jonathan W. Mr. and Mrs. Donald M. Cox Mrs. Alvin A. Kraft The Honorable Alexander B. Warner Sr. New York District of Columbia Trowbridge and Alabama Mr. and Mrs. J. Wendell Grain Mr. and Mrs. Anthony A. Mrs. Trowbridge Mrs. Robert M. Weidenhammer District of Columbia Lapham District of Columbia Maryland Ms. Susan R. Cullman District of Columbia Mr. and Mrs. Robert Truland Mrs. Thomas Lyle Williams Jr. District of Columbia Mr. Albert Lauber Jr. and Virginia Georgia Mr. and Mrs. Donald de Laski Mr. Craig Hoffman Mr. and Mrs. Henry B. Weaver Dr. and Mrs. Edward T. Wilson Virginia District of Columbia Virginia Maryland The Honorable C. Douglas Dillon Ms. Alice Lawrence Mr. and Mrs. P. Devers Weaver II Mrs. Frank L. Wright and Mrs. Dillon Connecticut Virginia Virginia New York Mr. and Mrs. Sperry Lea Mr. and Mrs. Hugh E. Witt Mr. and Mrs. Sidney S. Zlotnick Mr. and Mrs. Douglas Drysdale District of Columbia Virginia District of Columbia District of Columbia Mr. and Mrs. Don Lebell Mr. and Mrs. Alan F. Wohlstetter Mr. and Mrs. Jonathan S. District of Columbia Maryland Supporting Members England Mr. and Mrs. Sydney Lewis Contributing Members Mr. and Mrs. William S. Abell District of Columbia Virginia Maryland Mr. and Mrs. Charles F. Adams Mr. and Mrs. Richard England Mrs. Jean C. Lindsey Massachusetts Ms. Rebecca Abrams and District of Columbia Mississippi Mr. Nathan Benn Mr. and Mrs. Warren Adelson Mr. and Mrs. Frank M. Ewing Mr. and Mrs. John L. Loeb District of Columbia New York Maryland New York Mr. and Mrs. James Adler Dr. and Mrs. David W. Ailing Mr. and Mrs. Bernard Fein Dr. and Mrs. Bruce K. MacLaury Maryland Maryland New York District of Columbia Mr. M. Bernard Aidinoff Mr. and Mrs. Samuel Alward Mr. and Mrs. Thomas D. Mrs. Virginia C. Mars New York District of Columbia Fingleton Virginia Mrs. Edwin M. Ashcraft III Virginia Mrs. Louise Steinman Ansberry The Honorable Robert M. District of Columbia Pennsylvania Mrs. William T. Finley Jr. McKinney and Mrs. McICinney District of Columbia Virginia Ms. Alexandra Armstrong District of Columbia * deceased

119 Mr. and Mrs. Gerald Armstrong Mrs. H. Dunscombe Colt Mr. and Mrs. Robert J. Geniesse Mr. and Mrs. Herbert J. Lerner New York District of Columbia District of Columbia District of Columbia Mrs. John W. Auchincloss Mr. Lloyd E. Cotsen Mr. and Mrs. Edward H. Gerry Mr. and Mrs. Finlay Lewis District of Columbia California New York District of Columbia Mr. Richard Brown Baker Mrs. Shirley lone Cowell Mr. and Mrs. William T. Gibb Mrs. Maryon Davies Lewis New York Florida Maryland California Mr. Dwight H. Barnes Mr. and Mrs. Earle M. Craig Jr. Mrs. Charles C. Glover III Mrs. Alexander C. Liggett California Texas District of Columbia District of Columbia Dr. and Mrs. Jordan Baruch Major General Willis D. Mr. and Mrs. Robert E. Goldsten Mr. and Mrs. Arthur Liman District of Columbia Crittenberger Jr. and District of Columbia New York Ms. Claudia Cooley and Mrs. Crittenberger Ms. Mary Anne Goley Mr. and Mrs. R. Robert Linowes Mr. L. Graeme Bell III Virginia Virginia District of Columbia District of Columbia Mrs. Richard Malcolm Cutts Ms. Elizabeth Marsteller Gordon Mr. and Mrs. Frank L. Mansell Mr. and Mrs. Howard M. Bender Virginia California Florida Maryland Mrs. Joseph B. Danzansky Mr. and Mrs. M. Anthony Gould Mr. and Mrs. E.A.G. Manton Mr. and Mrs. David Benjack Maryland District of Columbia New York Virginia Mrs. Lee Dayton Mrs. Gordon Gray Mr. and Mrs. Tom F. Marsh Mr. Munir P. Benjenk Virginia District of Columbia Texas District of Columbia Dr. W. Morgan Delaney Mr. and Mrs. William H. Mrs. Thomas E. Marston The Honorable W. Tapley Bennett Virginia Greer Jr. Virginia Jr.* and Mrs. Bennett Mr. and Mrs. Michael D. District of Columbia The Honorable William McC. District of Columbia Dingman Kenneth A. Grigg, M.D. Martin and Mrs. Martin Mr. and Mrs. Irving D. Berger New Hampshire District of Columbia District of Columbia District of Columbia Mr. and Mrs. Fitz Eugene Mrs. N. B. Griswold Mrs. Jack C. Massey Mrs. Edwin A. Bergman Dixon Jr. Florida Tennessee Illinois Pennsylvania The Honorable William R. Haley Mrs. Violet B. McCandlish The Honorable Max N. Berry and Mr. and Mrs. John M. Dunnan and Mrs. Haley District of Columbia Mrs. Berry District of Columbia District of Columbia Mr. and Mrs. James A. McKenna District of Columbia Mrs. Jerome W. Eberts Mr. and Mrs. John W. Hanes Jr. Maryland Mr. Robert Hunt Berry Florida Virginia Mrs. Gilbert C. McKown Michigan Mr. Nik B. Edes Mr. John R. Hauge Virginia Mr. and Mrs. James I. Black III District of Columbia District of Columbia Mr. and Mrs. Chester B. New York Mr. and Mrs. R. Augustus Mr. and Mrs. Louis J. Hector McLaughlin Jr. Mrs. James H. Blackwell Edwards Florida Florida New York Virginia The Honorable Richard M. Helms Mrs. Robert B. Menapace Mr. David A. Blanton III Mr. and Mrs. Julian Eisenstein and Mrs. Helms District of Columbia Missouri District of Columbia District of Columbia Dr. and Mrs. Robert Mendelsohn Ms. Martha O. Blaxall Dr. and Mrs. Stephen E. Epstein Mr. Henry C. Hofheimer II Maryland District of Columbia Virginia Virginia Mr. and Mrs. Richard M. The Honorable Philip W. Bonsai Mr. Lionel Epstein Mr. and Mrs. Wallace F. Holla day Merriman and Mrs. Bonsai District of Columbia District of Columbia District of Columbia District of Columbia Mrs. Norman Farquhar Mr. Clark F. Hoyt and Ms. Linda The Honorable Charles A. Meyer The Honorable Kenneth D. Brody District of Columbia Kauss and Mrs. Meyer and Mrs. Brody Mr. and Mrs. Winthrop W. Florida Illinois District of Columbia Faulkner Mr. and Mrs. R. Bruce Hughes The Honorable G. William Miller Mrs. Wiley T. Buchanan Jr. District of Columbia District of Columbia and Mrs. Miller District of Columbia Dr. and Mrs. James J. Mr. and Mrs. Allan R. Hurwitz District of Columbia The Honorable Philip W. Buchen Ferguson Jr. Maryland Ms. Hope Ridings Miller and Mrs. Buchen Maryland Mr. John Peters Irelan District of Columbia District of Columbia Mr. and Mrs. Max M. Fisher District of Columbia Mrs. Edward P. Moore Mrs. Arthur F. Burns Michigan Mr. James A. Johnson Jr. District of Columbia District of Columbia Mr. and Mrs. William J. Virginia Mr. and Mrs. Charles H. Moore Miss Elizabeth A. Burton Flather III Mr. and Mrs. B. Franklin Kahn District of Columbia District of Columbia District of Columbia Maryland Mr. and Mrs. Robert W. Morey Mr. and Mrs. Frank P. Butler Mr. and Mrs. P. Wesley Foster Jr. Mr. Edward G. Kaufman and California District of Columbia Virginia Ms. Susan F. Kirby Mr. and Mrs. Richard P. Moser The Honorable John Thiers Mrs. Daniel J. Fraad Jr. Florida Virginia Calkins New York Mr. Lawrence Kirstein Mr. and Mrs. Patrick Munroe District of Columbia Dr. Ann Ball Frost District of Columbia Maryland Mr. and Mrs. Carroll J. Cavanagh Maryland Mrs. Elizabeth L. Klee Mr. William H. Neukom New York Mr. David M. Frost District of Columbia Washington Mrs. Harold W. Cheel Virginia Mr. and Mrs. W. Loeber Landau The Honorable Paul H. Nitze and New Jersey Mr. and Mrs. Darryl Nolan New York Mrs. Nitze Mrs. Blair Childs Garrett Mr. and Mrs. Edward W. Lane Jr. District of Columbia District of Columbia District of Columbia Florida Mr. Gerson Nordlinger Jr. The Honorable William T. Dr. and Mrs. Gerald E. Gaull Mr. and Mrs. William Lane District of Columbia Coleman Jr. and Mrs. Coleman District of Columbia District of Columbia Mr. and Mrs. John L. Oberdorfer Virginia Mr. John A. Geissman Mr. and Mrs. Joseph B. Ledbetter District of Columbia District of Columbia Tennessee Mr. Alexander P. Papamarkou * deceased New York

120 Mr. and Mrs. Thomas A. Parrott Mrs. Frederick M. Stafford Benefactors of the Oscar L. Milmore, in memory of District of Columbia New York National Gallery of Art Pepita Milmore The Honorable Charles H. Percy Mr. and Mrs. Craig R. Stapleton Angelika Wertheim Frink and Mrs. Percy Connecticut FOUNDING BENEFACTORS Burton G. and Emily Hall District of Columbia Dr. and Mrs. Irwin M. Stelzer Andrew William Mellon Tremaine Mr. and Mrs. Alan L. Potter Colorado Samuel Henry Kress Herbert N. and Nannette F. Virginia Drs. Edward and Joan Stemmler Joseph E. Widener in memory of Rothschild Mrs. Thomas Malcolm Price District of Columbia Peter A.B. Widener David K.E. Bruce District of Columbia Mr. and Mrs. Terence P. Stewart Chester Dale Cornelius Van Schaak Roosevelt Mr. and Mrs. Whayne S. Quin District of Columbia Lessing J. Rosenwald Enid Annenberg Haupt District of Columbia Mr. and Mrs. Philip A. Straus Paul Mellon David Edward and Margaret Dr. and Mrs. Coleman Raphael New York Ailsa Mellon Bruce Eustis Finley Maryland Mrs. Waverly Taylor Rush Harrison Kress Morris and Gwendolyn Cafritz Mr. and Mrs. Earl C. Ravenal District of Columbia Katharine Graham FOUNDING BENEFACTORS- District of Columbia Mrs. Benjamin W. Thoron The Andrew W. Mellon PRINTS AND DRAWINGS Miss Berenice Anne Reed District of Columbia Foundation Maryland Mr. and Mrs. Thurston Twigg- Lessing J. Rosenwald The Woodward Foundation Mr. Steven M. Reich Smith W.G. Russell Allen Robert H. and Virginia Pratt District of Columbia Hawaii Joseph E. Widener Thayer Mr. and Mrs. Donald H. Mrs. Herbert A. Vance Mrs. Walter B. James Georgia O'Keeffe Richardson Illinois R. Horace Gallatin John and Louise Booth District of Columbia Mr. and Mrs. C. Woods Vest Jr. Samuel H. Kress Foundation Gemini G.E.L. Mr. and Mrs. William Ridge District of Columbia Ruth K. Henschel Grace Vogel Aldworth Virginia Mr. John Walker III The Woodward Foundation John Hay Whitney Mr. and Mrs. Eugene B. Florida Robert H. and Clarice Smith The Kresge Foundation Roberts Jr. Mr. and Mrs. Robert D. Wallick Georgia O'Keeffe The A. W. Mellon Educational Maryland District of Columbia The Mark Rothko Foundation and Charitable Trust Mr. and Mrs. David Mr. Charles B. Walstrom* Dorothy J. and Benjamin B. Dorothea Tanning Ernst Rockefeller Jr. Virginia Smith New York Doris Dick Havemeyer Mr. Melvin R. Weaver Julia B. Engel Walter H. and Leonore The Honorable John D. California Paul and Bunny Mellon Rockefeller IV and Annenberg The Honorable Caspar Weinberger John C. Marin Jr. Mrs. Rockefeller David Rockefeller and Mrs. Weinberger District of Columbia The Armand Hammer Foundation Samuel H. Kress Foundation District of Columbia Edith G. Rosenwald Mr. and Mrs. Daniel Rose John Davis and Olivia Stokes Mrs. John K. White New York Ruth and Jacob Kainen Hatch Virginia Mr. and Mrs. Elihu Rose The Mark Rothko Foundation Ms. Jaan W. Whitehead BENEFACTORS (1941-1994) New York Stavros S. Niarchos District of Columbia Frieda Schiff Warburg Mr. and Mrs. James W. Rouse Dorothy J. and Benjamin B. The Honorable Charles S. Adaline Havemeyer Maryland Smith Whitehouse and Frelinghuysen Dr. and Mrs. Paul S. Russell Mrs. Max Beckmann Mrs. Whitehouse Duncan Phillips Massachusetts Julia B. Engel Virginia Kate Seney Simpson Mrs. Victor Sadd Arnold D. Frese Foundation Mrs. William B. Willard Harris Whittemore Virginia Mrs. Charles W. Engelhard District of Columbia Barbara Hutton The Honorable James H. Scheuer Richard King Mellon Foundation Professor Ralph and Mary Booth and Mrs. Scheuer New Jersey Family of Constance B. Mellon District of Columbia William Nelson Cromwell In memory of Mrs. George R. Mr. Robert W. Wilson Benjamin E. and Regine S. Levy Mr. and Mrs. Irwin Schneiderman New York Brown New York Adolph Caspar Miller Lila Acheson Wallace Ms. Jeanne R. Zeydel Sam A. and Margaret Lewisohn Mr. and Mrs. W. H. Shapley District of Columbia The Ahmanson Foundation District of Columbia Therese K. and Herbert N. Straus Amon G. Carter Foundation William Robertson Coe Mr. and Mrs. Paul M. Shatz John C. and Jaan Whitehead District of Columbia Horace Havemeyer Joe L. and Barbara B. Allbritton Bernice Chrysler Garbisch Mr. and Mrs. Clyde E. Shorey Jr. Robert M. and Anne T. Bass District of Columbia Edgar William Garbisch Hallmark Educational Founda- Syma Aaron Busiel Mrs. John Farr Simmons tions District of Columbia Eugene and Agnes Meyer The Barra Foundation Edith Stuyvesant Gerry Dr. and Mrs. Richard A. Simms Ruth K. Henschel California Lillian S. Timken Mark J. Millard Ferdinand Lammot Belin Mrs. Miriam H. Smith University of South Florida District of Columbia Adele R. Levy Foundation Alvan T. Fuller Mr. and Mrs. Leonard A. Jill and Arthur M. Sackler Solomon Horace Havemeyer Jr. Jr. Florida Harry Waldron Havemeyer Robert and Jane Meyerhoff The Honorable Samuel Spencer Josephine Bay and C. Michael The Armand Hammer Foundation and Mrs. Spencer Paul Edith G. Rosenwald Maryland Arthur Sachs Family Petschek (Aussig) W. Averell Harriman, in memory T. Jefferson Coolidge Jr. of Marie N. Harriman Mary Hemingway Robert H. and Clarice Smith * deceased

121 Charles E. Culpeper Foundation, Mrs. Charles W. Engelhard The Florence and John Andrew P. and Geraldine Inc. In honor of Beuford and Teden Schumann Foundation Spreckels Fuller Knight Foundation Cole Jo Ann and Julian Ganz Jr. John and Susan Gutfreund William Stamps Parish Fund The Andrew W. Mellon Melvin S. and Ryna G. Cohen Exxon Corporation Sydney and Frances Lewis Foundation Richard A. and Lee Kirstein Charles E. Culpeper Foundation, The J. Paul Getty Trust Arnold D. Frese Foundation Arthur A. and Alison B. Birney Inc. Southwestern Bell Corporation Eugene L. and Marie-Louise Norma Lee and Morton Funger Alice and John B. Rogers Guest Services, Inc. Garbaty William and Eleanor Wood Prince Edwin Van R. and Cassandra Reader's Digest Association Richard King Mellon Foundation B. Francis Saul Mellon Milbury Annalee Newman Guest Services, Inc. The Artery Organization, Inc. Henry J. Heinz II Mrs. John D. Rockefeller 3rd Jill and Arthur M. Sackler Milton J. and Carroll Petrie Robert W. and Louisa C. Rita Schreiber William Stamps Farish Fund Duemling patrons Family of Oliver T. Carr Jr. Perry R. and Nancy Lee Bass Robert Frank John R. Stevenson The Riggs Bank of Washington, Sydney and Frances Lewis Betsey Gushing Whitney Samuel H. Kress Foundation DC Edwin L. Cox Leo Castelli Philip L. Graham Fund Potomac Electric Power Company George M. and Linda H. Kaufman Pamela C. Harriman Ruth Carter Stevenson The George Hyman Construction Edward G. Kaufman and Ann Arnold and Mildred Glimcher Robert P. and Arlene R. Kogod Company Claire Kaufman Richard A. and Lee G. ICirstein Family of William Larimer The Woodner Family Seymour H. Knox Gerald J. and Judith Miller Mellon The Ahmanson Foundation Frederick R. and Jan Mayer Dorothy and Herbert Vogel Amon G. Carter Foundation Diane and Norman Bernstein Mobil Foundation, Inc. The Avery Family Mrs. George Angus Garrett Kathrine D. Folger Ronald S. and Jo Carole Lauder Victoria Nebeker Coberly Joe L. and Barbara B. Allbritton Janet A. Hooker In memory of Mrs. George R. Jo Ann and Julian Ganz Jr. Eugene and Agnes E. Meyer Alcoa Foundation Brown Catherine Gamble Curran Foundation Annelise and William H.G. Brady Foundation Mr. and Mrs. Richard Mellon Gordon and Copey Hanes FitzGerald Sarah Scaife Foundation Scaife John C. and Jaan Whitehead The Charles A. Dana Foundation Knight Foundation Sarah Scaife Foundation IBM Corporation George W. Wyckoff Mars Foundation Perry R. and Nancy Lee Bass The Leonard and Evelyn Lauder Eugene L. and Marie-Louise Averell and Pamela Harriman E. I. du Pont de Nemours and Fund In memory of Ella Milbank Company Garbaty Walter and Elise Haas Fund Foshay The Barra Foundation Anne Burnett and Charles Tandy PATRONS' PERMANENT FUND The Times Mirror Foundation William Randolph Hearst Foun- Foundation founding patrons Family of Constance B. Mellon dation David Rockefeller John Hay Whitney Alletta and Peter McBean George H. and Tessie A. Hurwitz Thomas M. and Betty B. Evans Walter H. and Leonore Alexander M. and Judith W. Gordon and Ann Getty Stephen M. and Anna-Maria Annenberg Laughlin Katharine Graham Kellen Paul Mellon Charles U. and Janet C. Harris Robert M. and Anne T. Bass Lucille and George F. Jewett Jr. Robert H. and Clarice Smith Reader's Digest Association Richard A. and Jane Manoogian Hallmark Educational Ian Woodner Laurance S. and Mary Rockefeller Foundations Lila Acheson Wallace GTE Corporation Robert Wood Johnson Jr. Lois and Georges de Menil Dorothy Rodgers in memory of Charitable Trust Stavros S. Niarchos Richard Rodgers

122 GIFTS AND BEQUESTS

The buildings, collections, and many of the pro- grams of the National Gallery are largely the result of private generosity, as the Gallery must rely on private support to fund art acquisition and many special projects. The Board of Trustees has full authority to receive funds and property, both real and personal, for the general purposes of the National Gallery of Art.

Gifts may be made by check payable to the Trustees of the National Gallery of Art.

Donations of works of art to the Gallery's collec- tion are subject to approval by the Board of Trustees. Offers of such gifts should be discussed in advance with the Secretary and General Counsel (telephone 202 842-6363). Offers of gifts of books of art historical importance should be discussed in advance with the Executive Librarian (telephone 202 842-6505).

Deferred gifts, by which a donor makes a commit- ment to benefit the Gallery at a later date, can enable many donors to make substantially larger contributions than by an outright gift and can maximize tax benefits and cost-effectiveness of making a gift. You may indicate that the National Gallery of Art is to receive a certain sum of money, property, works of art, or a percentage of your estate. If you are considering a bequest or other form of deferred gift, we encourage you to discuss confidentially how you would like your intended gift to be used by contacting the Development Officer (telephone 202 842-6372).

All gifts and bequests are deductible, within the limits prescribed by law, for applicable federal tax purposes.

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