The Mediated Myth of Lin Zexu
The Mediated Myth of Lin Zexu Thesis accepted by the Faculty of Arts and Humanities of the University of Cologne for the Degree of Doctor of Philosophy in 2016 Doctoral Candidate: Angelo Maria Cimino Supervisor: Prof. Dr. Stefan kramer Second Supervisor: Prof. Dr. Huang Weiping Abstract The present study aims at determining the role played by the media representations of the myth of Lin Zexu in China. It precisely attempts to illustrate how, as a media form of popular culture, the myth of Lin Zexu epitomizes precise practices of representations embedded in a wider cultural network whithin which, determined actors, agencies, signs, and practices – somewhat struggling and interacting over the production, communication and consumption of specific meanings and ideologies – give shape to a peculiar articulation of the social and cultural texture of Chinese society. The subject of this study are thus a series of representations of Lin Zexu conveyed by distinct Chinese media since 1978. I endeavour at analysing how Lin Zexu is a meaning-making resource produced and communicated by specific Chinese media such as Television products and various Internet content, and consumed by Chinese media users through a multiplicity of media forms – movies, documentaries, digital images, cartoon, songs, Internet database research engines, microblogs, and digital photographs – in order to allow the constructed myth of Lin Zexu of upholding Chinese society’s institutions, to legitimize its rulers, to celebrate their values, and more generally to preserve China’s trajetory and the specific way of life that follows it. By semiotically examining Lin Zexu representations’ content and meaning, their political economy of production, and partially the users’ reception and response to such media representations, I try to weave the cultural network that they generate and are simultaneously part of.
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