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P. Anbarasan, M.Phil, Phd. Associate Professor Department of Mass Communication and Journalism Tezpur University Tezpur – 784028
P. Anbarasan, M.Phil, PhD. Associate Professor Department of Mass communication and Journalism Tezpur University Tezpur – 784028. Assam. [email protected] [email protected] Mobile: +91-9435381043 A Brief Profile Dr. P. Anbarasan is Associate Professor in the Dept. of Mass Communication and Journalism of Tezpur Central University. He has been teaching media and communication for the last 15 years. He specializes in film studies, culture & communication studies, and international communication. He has done his doctorate from Jawaharlal Nehru University, New Delhi. Earlier he had studied in University Madras and Bangalore University. Before becoming teacher he worked in All India Radio and some newspapers. He has published books on Gulf war and European Radio European identity and Culture in addition to other culture and communication research works. His interest area is media and the marginalized. 1 Work Presently Associate Professor in Mass Communication and Experience Journalism, at Tezpur central University since March 2005. Earlier worked as Lecturer in the Department of Mass communication & Journalism, Assam University, Silchar, Assam from September 2000 to March 2005. Prior to that worked as Junior officer of the Indian Information Service, from 1995 to 2000 and was posted at the Central Monitoring Service, New Delhi ( March 1995 to Sept. 2000). 2 Education Obtained PhD from at Jawaharlal Nehru University, New Delhi on the topic: “The European Union’s Cultural and Audiovisual Policy: A Discourse towards Integration beyond Borders” in 2012. Earlier completed M Phil in 1997 at Jawaharlal Nehru University on a topic, “Gulf Crisis and European Media: A study of Radio coverage and Its Impact”. -
Copyright by Jogendro Singh Kshetrimayum 2011
Copyright by Jogendro Singh Kshetrimayum 2011 The Report Committee for Jogendro Singh Kshetrimayum Certifies that this is the approved version of the following report: The Politics of Fixity: A report on the ban of Hindi films in Manipur, Northeast India. APPROVED BY SUPERVISING COMMITTEE: Supervisor: Kuashik Ghosh Kathleen C. Stewart The Politics of Fixity: A report on the ban of Hindi films in Manipur, Northeast India. by Jogendro Singh Kshetrimayum, M.Sc. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2011 Dedication I dedicate this report to my parents who have always believed in me and Oja Niranjoy who was a passionate teacher and a kind soul. Acknowledgements I thank Tamo Sunil for providing me with valuable insights and information about Manipuri film industry. I also thank him for his time and his efforts to connect me with Manipuri filmmakers, Mukhomani Mongsaba, Lancha and Oken Amakcham. I am very grateful to Maria Luz Garcia, who has been a constant support throughout the different phases of writing this report. Without her constant encouragements it would have been difficult to finish this report. I also thank her for patiently going through my materials and helping me with copyediting. I am grateful to Kathleen Stewart for her comments and suggestions on the report. I thank Kaushik-da for always believing in me. I owe a lot to Kaushik-da for his wonderful insights on a wide range of topics. -
Dr. Bhabendra Nath Saikia: a Versatile Legend of Assam
PROTEUS JOURNAL ISSN/eISSN: 0889-6348 DR. BHABENDRA NATH SAIKIA: A VERSATILE LEGEND OF ASSAM NilakshiDeka1 Prarthana Dutta2 1 Research Scholar, Department of Assamese, MSSV, Nagaon. 2 Ex - student, Department of Assamese, Dibrugarh University, Dibrugarh. Abstract:The versatile personality is generally used to refer to individuals with multitalented with different areas. Dr. BhabendraNathSaikia was one of the greatest legends of Assam. This multi-faceted personality has given his tits and bits to both the Assamese literature, as well as, Assamese cinema. Dr. BhabendraNathSaikia was winner of Sahitya Academy award and Padma shri, student of science, researcher, physicist, editor, short story writer and film director from Assam. His gift to the Assamese society and in the fields of art, culture and literature has not yet been adequately measured.Saikia was a genius person of exceptional intellectual creative power or other natural ability or tendency. In this paper, author analyses the multi dimension of BhabendraNathSaikias and his outstanding contributions to make him a versatile legendary of Assam. Keywords: versatile, legend, cinema, literature, writer. 1. METHODOLOGY During the research it collected data through secondary sources like various Books, E-books, Articles, and Internet etc. 2. INTRODUCTION BhabendraNathSaikia was an extraordinary talented genius ever produced by Assam in centuries. Whether it is literature or cinema, researcher or academician, VOLUME 11 ISSUE 9 2020 http://www.proteusresearch.org/ Page No: 401 PROTEUS JOURNAL ISSN/eISSN: 0889-6348 BhabendraNathSaikia was unbeatable throughout his life. The one name that coinsures up a feeling of warmth in every Assamese heart is that of Dr. BhabendraNathSaikia. 3. EARLY LIFE, EDUCATION AND CAREER BhabendranathSaikia was born on February 20, 1932, in Nagaon, Assam. -
A Study of Neorealism in Assamese Cinema
A Study of Neorealism in Assamese Cinema INDRANI BHARADWAJ Registered Number: 1424030 A dissertation submitted in partial fulfilment of the requirements for the degree of Master of Arts in Communication and Media Studies CHRIST UNIVERSITY Bengaluru 2016 Program Authorized to Offer Degree: Department of Media Studies ii CHRIST UNIVERSITY Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Indrani Bharadwaj Registered Number: 1424030 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ [AASITA BALI] _____________________________________________________ Date: __________________________________ iii iv I, Indrani Bharadwaj, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: v vi CHRIST UNIVERSITY ABSTRACT A Study of Neorealism in Assamese Cinema Indrani Bharadwaj The following study deals with the relationship between Assamese Cinema and its connection to Italian Neorealism. Assamese Cinema was founded in 1935 when Jyoti Prasad Agarwala released his first film “Joymoti”. -
Signed Mou of Assam State Film (Finance & Development) Corpn Ltd..Pdf
signed-mou-asf_fd_cl MEMORANDUM OF UNDERSTANDING (M o U) BETWEEN ASSAM STATE FILM (F INANCE & DEVELOPMENT ) C ORPORATION LTD . AND CULTURAL AFFAIRS DEPARTMENT Government of Assam For the Financial Year 2006-07 signed-mou-asf_fd_cl PREAMBLE The Assam State Film (Finance and Development) Corporation Ltd. was incorporated on 4 th September, 1974 with an Authorized Share Capital of Rupees Ten Lakh only with 1000 equity Shares @ Rs.1000.00 each. The Corporation was registered under the Companies Act, 1956. The Corporation has staff strength of eleven employees excluding the Managing Director. The Corporation is engaged in financing Loan to the Producers of Asomiya Films, organizing Film Festivals and Film appreciation Courses for encouragement of Assamese Film Lovers and has been trying to focus the rich Cultural heritage to the rest of our Country through this media. MISSION Promotion of Asomiya Film Industry & also widely acclaimed non-Asomiya Films along with preservation of cultural heritage. OBJECTIVES 1. To finance production of Assamese Films by advancing loans, subsidies, grants etc. or by extending financial assistance in any other related matter. 2. To encourage, foster, aid establish and maintain institutions for imparting knowledge and instructions on all matters connected with and allied to Film Industry. 3. To carry on the business of production of Films. 4. To carry on the business of financers, producers, distributors, exhibitors, agents of cinema Films and other allied Industry. 5. To construct, run and manage Cinema Show House, Theatre Halls, auditoriums etc. on modern line. 6. To give awards, subsidies and to hold film festivals etc, for the improvement and encouragement of better quality Films. -
List of Digital Theatres for UFO Movies India Ltd
List of Digital Theatres For UFO Movies India Ltd. S.No. THEATRE_CODE THEATRE_NAME ADDRESS1 CITY ACTIVE PAYEE_CODE DISTRICT STATE COMPANY_NAME CMP_CODE SEATING INS_DATE WEB_CODE Main Road, Tagarapuvalasa, Ganesh 1 TH1177 Vizaq, Pin - 531162, Andhra Visakhapatnam Y 1 Visakhapatnam ANDHRA PRADESH UFO 1 537 9/26/2011 3235 (Tagarapuvalasa) Pradesh Bowdava Road, Vizag, Pin - 2 TH1178 Gokul Visakhapatnam Y 1 Visakhapatnam ANDHRA PRADESH UFO 1 515 9/26/2011 3244 530004, Andhra Pradesh Main Road, Parvathipuram, Sri Veerabhadra 3 TH1180 Dist-Vijayanagaram, Pin Parvathipuram Y 1 Vizianagaram ANDHRA PRADESH UFO 1 396 9/26/2011 3698 Picture Palace Code - 535501 AP Radhamadhav Chipurupalli, 4 TH1181 Theatre Vizianagaram Y 1 Vizianagaram ANDHRA PRADESH UFO 1 517 9/26/2011 3717 Vijayanagaram (Chipurupalli) 5 TH1182 N.C.S. Theatre A/C Vizianagaram, Pin - 535001 Vizianagaram Y 1 Vizianagaram ANDHRA PRADESH UFO 1 577 9/26/2011 2696 Sri Vasavi Kala Main Road, Bobbili, 6 TH1183 Vizianagaram Y 1 Vizianagaram ANDHRA PRADESH UFO 1 475 9/26/2011 2700 Mandir (Bobbili) Vizianagaram, Sri Ramanaah 7 TH1184 Theatre Devarapalli, West Godavari Vizianagaram Y 1 Vizianagaram ANDHRA PRADESH UFO 1 371 9/26/2011 2689 (Devarapalli) Main Road, Moidha Sri Satya Theatre 8 TH1185 Junction, Nellimarla, Vizianagaram Y 1 Vizianagaram ANDHRA PRADESH UFO 1 258 9/26/2011 2588 (Nellimarla) Vizianagaram, Pin - 535217 LakshmiLakshmi KKrishnarishna 9 TH1186 Janagoan, Warangal, AP Janagoan Y 1 Warangal ANDHRA PRADESH UFO 1 747 9/26/2011 832 Deluxe Sri Venkateshwara Main Road, Maripeda - 10 TH1187 Maripeda Y 1 Warangal ANDHRA PRADESH UFO 1 459 9/26/2011 2653 Theatre 506315, Dist Warangal Main RoadRoad,, MariMaripeda,peda, Dist.-Dist. -
9. Bharati Bharali-Assamese Cinematic Narratives
E-CineIndiaE-CineIndiaE-CineIndia July-September July-September July-September 2020 2020 2020 ISBN:ISBN:ISSN: 2582-2500 2582-2500 2582-2500 Assamese Cinematic Narratives: The Changing Landscape Article Dr. Bharati Bharali Assamese Cinematic Narratives: The Changing Landscape Dr. Bharati Bharali Introduction What constitutes a cinema and how its meaning or magnitude is constructed have captivated the film theorists for long. David Bordwell in his book Poetics of Cinema proposes that in narrative there are three dimensions that constitute the totality of narrative structure. These are Story world (its agent, circumstances and surroundings), plot structure (the arrangement of the parts of the narrative), and narration (moment by moment flow of information about the story world, 88). Defining what narrative is, Bordwell further says that it is ‘a process by which the film prompts the viewer to construct the fabula (the story’s state of affairs and event) on the basis of syuzet (the arrangement of the story’s state of affair in the narrative) organization and stylistic patterning’ (98). Narrative may be treated as a representation, considering the story’s world, its portrayal of reality and its broader meanings. Secondly, narrative has a structural value depending on a particular way of combining parts to make a whole. Thirdly narrative is a process; the activity of selecting, arranging and rendering story material in order to achieve specific time- bound effects on a perceiver. In visual analysis, images are considered as representation that gives ideas and meaning to the world of cinema. This is because, any kind of film and television product construct time and space with the conventions of the media and point of view of the director. -
ANNUAL REPORT 2016 15 March Final.Pdf
INDIA INTERNATIONAL CENTRE 2015-2016 INDIA INTERNATIONAL CENTRE Board of Trustees Mr. Soli J. Sorabjee, President Justice (Retd.) B.N. Srikrishna Prof. M.G.K. Menon Mr. Vipin Malik Dr. (Smt.) Kapila Vatsyayan Dr. R.K. Pachauri Mr. N.N. Vohra Executive Committee Mr. Soli J. Sorabjee, Chairman Mr. K.N. Rai Air Marshal Naresh Verma (Retd.), Director Mr. Suhas Borker Cmde. Ravinder Datta, Secretary Smt. Shanta Sarbjeet Singh Mr. Dhirendra Swarup, Hony. Treasurer Dr. Surajit Mitra Mr. K. Raghunath Dr. U.D. Choubey Finance Committee Justice (Retd.) B.N. Srikrishna, Chairman Air Marshal Naresh Verma (Retd.), Director Dr. U.D. Choubey Cmde. Ravinder Datta, Secretary Mr. Rajarangamani Gopalan Mr. Ashok K. Chopra, CFO Mr. Dhirendra Swarup, Hony. Treasurer Medical Consultants Dr. K.A. Ramachandran Dr. Rita Mohan Dr. Mohammad Qasim Dr. Gita Prakash IIC Senior Staff Ms Omita Goyal, Chief Editor Ms Hema Gusain, Purchase Officer Dr. S. Majumdar, Chief Librarian Mr. Vijay Kumar Thukral, Executive Chef Mr. Amod K. Dalela, Administration Officer Mr. Inder Butalia, Sr. Finance & Accounts Officer Ms Premola Ghose, Chief, Programme Division Mr. Rajiv Mohan Mehta, Manager, Catering Mr. Arun Potdar, Chief, Maintenance Division Annual Report 2015–2016 This is the 55th Annual Report of the India International Centre for the year commencing 1 February 2015 to 31 January 2016. It will be placed before the 60th Annual General Body Meeting of the Centre, to be held on 31 March 2016. Elections to the Executive Committee and the Board of Trustees of the Centre for the two-year period, 2015–2017, were initiated in the latter half of 2014. -
A Glimpse of Manipuri Cinema
Article Meghachandra Kongbam A Glimpse of Manipuri Cinema A scene from Haobam Paban Kumar's Loktak Lairembee Manipuri Cinema starting with the first Manipuri feature film- Deb Kumar Bose’s Matamgi Manipur released on April 9, 1972, which also bagged the President’s Silver Medal for the best Regional film in Manipuri in the 20th National Film Awards, is approaching to its grand celebration of Golden Jubilee. The legacy of Manipuri cinema had its struggling past with commitment to the modern era of challenges and development. Cinema in Manipuri from pre-war period to the modern era has seen many ups and down. But the dedication of the film makers, artistes and technicians on the fertile soil of the rich cultural heritage of Manipur created a golden chapter in the history of Indian regional cinema. Manipur is the only state leading the production of films in Tibeto-Burman language in India where films are made in three different major language groups namely Indo-Aryan, Dravidian and Tibeto-Burman languages. For the first time, the privileged audience in Manipur, the erstwhile Kingdom had a rare occasion to watch a magic-lantern performance, a 1 precursor of motion picture at the end of 1890. It was during the festival of Christmas, the Political Agent of Manipur Frank St. Clair Grimwood organized a magic-lantern performance at the Residency (the present Raj Bhavan) in Imphal in the presence of the princes of Manipur. He brought projector from England and made himself the lanternslides from photographs. To make the show sensational, he presented the subjects in groups like -groups of Manipuris, photographs of princes and bits of the country, and arranged the sequences. -
Korean Media Consumption in Manipur: a Catalyst of Acculturation to Korean Culture
Korean Media Consumption in Manipur: A Catalyst of Acculturation to Korean Culture Marchang Reimeingam ISBN 978-81-7791-198-5 © 2015, Copyright Reserved The Institute for Social and Economic Change, Bangalore Institute for Social and Economic Change (ISEC) is engaged in interdisciplinary research in analytical and applied areas of the social sciences, encompassing diverse aspects of development. ISEC works with central, state and local governments as well as international agencies by undertaking systematic studies of resource potential, identifying factors influencing growth and examining measures for reducing poverty. The thrust areas of research include state and local economic policies, issues relating to sociological and demographic transition, environmental issues and fiscal, administrative and political decentralization and governance. It pursues fruitful contacts with other institutions and scholars devoted to social science research through collaborative research programmes, seminars, etc. The Working Paper Series provides an opportunity for ISEC faculty, visiting fellows and PhD scholars to discuss their ideas and research work before publication and to get feedback from their peer group. Papers selected for publication in the series present empirical analyses and generally deal with wider issues of public policy at a sectoral, regional or national level. These working papers undergo review but typically do not present final research results, and constitute works in progress. KOREAN MEDIA CONSUMPTION IN MANIPUR: A CATALYST OF ACCULTURATION TO KOREAN CULTURE Marchang Reimeingam∗ Abstract Korean media consumption among young people in Manipur acted as a catalyst to adopt Korean culture, a blend of Western and Korean culture, in the recent decade. The emergence of Korean media is a corollary to the banning of satellite Hindi TV channels, except Doordarshan, and screening of Hindi movies in theatres and at home in the state by insurgents in the valley. -
Directorate of Film Festivals Announces Winners for the 67Th Edition of the National Film Awards for 2019
Directorate of Film Festivals announces winners for the 67th edition of the National Film Awards for 2019 The Directorate of Film Festival of India has announced the 67th National Film Awards at a press conference by the eminent panel of Shri N. Chandra, Chairman, Central Panel for Feature Films Jury, Shri Arun Chaddha, Chairman, Non-Feature Films Jury, Shri Shaji N Karun, Chairman, Most Film Friendly State Jury and Shri Saibal Chatterjee, Chairman Best Writing on Cinema Jury. The Chairpersons and other Jury Members, ahead of the press meet, submitted a report on the 67th National Film Awards to Union Minister of Information and Broadcasting, Government of India, Shri Prakash Javadekar. A complete list of the awards is given below. 67th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal Rajat Kamal & Certificate 1 Sikkim 67th National Film Awards, 2019 Best Writing on Cinema Award for Best Book on Cinema: Name of the Medal and Cash Sr. No. Title of the Book Language Name of the Author Publisher prize A GANDHIAN AFFAIR: INDIA’S CURIOS PORTRAYAL OF HarperCollins Swarna Kamal and LOVE IN Publishers Rs. 75,000/- 1 CINEMA English Sanjay Suri India Special Mention: Sr. No. Title of the Book Language Name of the Author Award CINEMA PAHANARA 1 MANUS Marathi Ashok Rane Certificate KANNADA CINEMA: JAGATHIKA CINEMA VIKASA-PRERANE- Certificate 2 PRABHAVA Kannada P R Ramadasa Naidu Award for Best Film Critic: Sr. No. Name of Critic Language Medal and Cash Prize Swarna Kamal and Rs. 75,000/- 1 Sohini Chattopadhyay English 67th National Film Awards, 2019 Non-Feature Films Section Medal & S.No. -
South Asian Film & Television 16 + Guide
SOUTH ASIAN FILM & TELEVISION 16 + GUIDE www.bfi.org.uk/imagineasia This and other bfi National Library 16+ guides are available from http://www.bfi.org.uk/16+ IMAGINEASIA - SOUTH ASIAN FILM & TELEVISION Contents Page IMPORTANT NOTE ........................................................................................ 1 GENERAL INFORMATION ............................................................................. 2 APPROACHES TO RESEARCH, by Samantha Bakhurst.................................. 4 INTRODUCTION ............................................................................................ 6 BANGLADESH............................................................................................... 7 Focus on Filmmakers: Zahir Raihan................................................................. 9 BHUTAN, NEPAL & TIBET.............................................................................. 9 PAKISTAN..................................................................................................... 10 Focus on Filmmakers: Jamil Dehlavi ................................................................ 16 SRI LANKA .................................................................................................... 17 Focus on Filmmakers: Lester James Peries ..................................................... 20 INDIA · General References............................................................................ 22 · Culture, Society and Film Theory ......................................................... 33 · Film