SCMS 2012 Conference Program

Boston Park Plaza Hotel and Towers March 21–25, 2012 Schedule of Events at a Glance

Wed, March 21 10:00 – 11:45am Session A 12:15 – 2:00pm Session K 12:00noon – 1:45pm Session B 12:15 – 2:00pm Special Event— New England Archive 2:00 – 3:45pm Session C Showcase—Northeast 4:00 – 5:45pm Session D Historic Film Thurs, March 22 9:00 – 10:45am Session E 2:15 – 4:00pm Orientation for New Members 11:00am – 12:45pm Orientation for New Members 2:15 – 4:00pm Session L 11:00am – 12:45pm Session F 2:15 – 4:00pm Special Event— New England Archive 11:00am – 12:45pm Special Event— Showcase—The Harvard New England Archive Film Archive Showcase—The National Center for 4:15 – 5:30pm Awards Ceremony Jewish Film 5:30 – 7:30pm Reception 1:00 – 2:45pm Session G 8:15pm Special Event— 1:00 – 2:45pm Special Event— Women Make Movies New England Archive 40th Anniversary Showcase—WGBH Sat, March 24 9:00 – 10:45am Session M Media Library and Archives 11:00am – 12:45pm Session N 3:00 – 4:45pm Session H 1:00 – 2:45pm Session O 5:00 – 6:45pm Session I 3:00 – 4:45pm Session P 7:00pm Reception Special Event— 5:00 – 6:45pm Session Q 8:00pm Screening An Evening with 8:00pm Special Event— Experimental Screening of The Last Filmmaker Ernie Gehr Command with Alloy Fri, March 23 9:00 – 10:45am Session J Orchestra 11:00am – 12:00noon Members’ Business Sun, March 25 9:00 – 10:45am Session R Meeting 11:00am – 12:45pm Session S

10 WEDNESDAY MARCH 21, 2012 SESSION A 10:00 – 11:45am Cyborgs, Avatars, A1 Political Cinema from the A2 Immigrant Terminators ROOM “Periphery” ROOM Eye-Jabbing Aesthetics and the Cinematic Body

CHAIR: Bruce Williams ✦ William Paterson University CHAIR: Katarzyna Marciniak ✦ Ohio University

Leslie Marsh ✦ Georgia State University ✦ “Postmemory, RESPONDENT: Neda Atanasoski ✦ University of California, Santa Cruz Violence, and Trauma in La teta asustada (2009) and Allison de Fren ✦ Occidental College ✦ “Eye Robot: The Critical Quase Dois Irmãos (2004)” Function of the Visual Uncanny in Ghost in the Shell 2: Alex Lykidis ✦ Montclair State University ✦ “Allegories of Innocence” Peripheral Modernity in Giorgos Lanthimos’ Dogtooth” Bruce Bennett ✦ Lancaster University ✦ “An Eye-Watering Ali Sengul ✦ University of Texas, Austin ✦ “Transnationality and Aesthetic: Avatar and the Technological Fantasies of 3-D the Geopolitics of Kurdish Cinema” Cinema” Bruce Williams ✦ William Paterson University ✦ “In the Heat of Katarzyna Marciniak ✦ Ohio University ✦ “Immigrant Rage Agitprop: The Global Fires of The Hour of the Furnaces” Fantasy and Mexican Terminators: Robert Rodriguez’s Machete”

A3 WORKSHOP A4 ROOM Teaching the Moving Target ROOM Masculinity and the National Body

CHAIR: Craig Dietrich ✦ University of Southern California CHAIR: Aaron Magnan-Park ✦ University of Notre Dame Man Fung Yip ✦ University of Oklahoma ✦ “Embodied Workshop Participants: Modernities: Corporeal Representation and Colonial- Virginia Kuhn ✦ University of Southern California Capitalist Imaginaries in Hong Kong Martial Arts Cinema” Vicki Callahan ✦ University of Wisconsin, Milwaukee ✦ University of Barcelona ✦ ✦ Katarzyna Paszkiewicz “Clowns, Sean O’Sullivan Ohio State University Gender, and Genre in The Last Circus (2010) by Álex de Anne Moore ✦ Tufts University la Iglesia” Craig Dietrich ✦ University of Southern California Victoria Kearley ✦ University of Southampton ✦ “Popular Genre Pastiche, Masculinity, and Mexican Ethnic Identity SPONSOR: Media Literacy and Pedagogical Outreach Scholarly Interest Group in Robert Rodriguez’s El Mariachi” Aaron Magnan-Park ✦ University of Notre Dame ✦ “Chivalrous Nationalism: Chang Cheh and the ‘Youxia’ (Chinese Knight Errant) Revival”

37 SESSION A 10:00 – 11:45am

A5 The Television Procedural A6 Gendering Animation/ ROOM Early Precedents and Contemporary ROOM Manifestations Animating Gender

MARCH 21, 2012 WEDNESDAY

CHAIR: Jonathan Nichols-Pethick ✦ DePauw University CHAIR: Lora Mjolsness ✦ University of California, Irvine Kathryn VanArendonk ✦ Stanford University ✦ “Bones, the Forrest Greenwood ✦ Independent Scholar ✦ “Mechanical Girls Victorian Procedural, and the Problem of Sequence: and Postmodern Animals: Interrogating the Function of Episodic Mystery in the Nineteenth-Century and on Female Characters in Otaku-Oriented Media” Television” Lora Mjolsness ✦ University of California, Irvine ✦ “Animated Claudia Calhoun ✦ Yale University ✦ “The Story You Are Russian Women Warriors and the Men Who Love Them: About to Hear Is True: Civic Architecture and Civic Medieval Russia, National Identity, and the Russian Instruction in Postwar Police Procedurals” Animation Industry” Jonathan Nichols-Pethick ✦ DePauw University ✦ “The Andrea Wood ✦ Winona State University ✦ “Boys Will Be Girls Multiple Logics of the 21st-Century Television Police and Girls Will Be Boys: Gender Identity Expression and Drama” Bodies in Transition in Takako Shimura’s Wandering Son” Michele Torre ✦ Southern Illinois University, Carbondale ✦ “Animating Archer, Sterling Archer: Bad Ass Spy or the Ultimate Mama’s Boy?”

SPONSOR: Animated Media Scholarly Interest Group

A7 Harder Than You Think A8 Cinema and Community/Cinema ROOM The Difficulty and Digital Games ROOM as Community

CHAIR: Felan Parker ✦ York University CHAIR: Colleen Kennedy-Karpat ✦ Bilkent University Felan Parker ✦ York University ✦ “No One Shall Live: The Idea Jennifer Malkowski ✦ Smith College ✦ “‘It’s Not Your Story’: of Difficulty in Digital Games” Ethnography, Community, and Collaboration in Ten Bobby Schweizer ✦ Georgia Institute of Technology ✦ “Easy, Canoes” Normal, Hard: Superficial Difficulty Settings in Megan Vrolijk ✦ University of California, Berkeley ✦ Videogames” “Codependent Lesbian Space Aliens Coming to a Mariam Asad ✦ Georgia Institute of Technology ✦ Town Near You: Community Building as a Road to “Proceduralizing Difficulty: Reflexive Play Practices in Distribution” Masocore Games” Mark Hain ✦ Indiana University ✦ “‘Community History Is Film History’: Remembering through Repurposing in Echo SPONSOR: Video Game Studies Scholarly Interest Group Park Film Center’s Youth Filmmaking Project Edendale Follies” Colleen Kennedy-Karpat ✦ Bilkent University ✦ “Bringing Hollywood Home: Maintaining Movie Connections in Rural Pennsylvania”

38 WEDNESDAY MARCH 21, 2012 SESSION A 10:00 – 11:45am A9 A10 ROOM Korean Cinema Cultures ROOM Film and Video Cultures in Africa

CHAIR: Mariam Lam ✦ University of California, Riverside CHAIR: Suzanne Gauch ✦ Temple University Marc Raymond ✦ Kyungwon University ✦ “Contaminating the Noah Tsika ✦ New York University ✦ “Strategies of Truth: Cleanest Race: Politics and Sexuality in the Films of Circulating Documentary Cinema in Today’s West Africa” Hong Sang-soo” Michael Laramee ✦ Lasell College/University of Miami ✦ “Not Hyung-Sook Lee ✦ Ewha Womans University ✦ “From Hallyu Just for the Nigerian Video Houses: Visual Aesthetics, Stars to World Stars: The Transnational Careers of Aurality, and Orality in the Work of Tunde Kelani and Izu Korean Actors” Ojukwu” Hyongshin Kim ✦ University of Southern California ✦ “The New Gareth McFeely ✦ Boston University ✦ “Film Exhibition in Mid- Generation on Screen: Youth Culture and Youth Cinema Twentieth Century Ghana” in South Korea since the 1990s” Suzanne Gauch ✦ Temple University ✦ “Algerian Cinema after Mariam Lam ✦ University of California, Riverside ✦ “The Wave 2002” of the Future: Korean-Vietnamese Media Networks and SPONSORS: African/African American Caucus Transnational Co-Productions” Middle East Caucus French and Francophone Scholarly Interest Group

A12 A13 ROOM Music and Media Shifts ROOM Index, Ontology, and the Digital 1

CHAIR: Carol Vernallis ✦ Arizona State University CHAIR: Vinicus Navarro ✦ Georgia Institute of Technology Kyle Stevens ✦ University of Pittsburgh ✦ “Singing the Pretty: James Boman ✦ San Francisco State University ✦ “Bodies in Woman’s Voices and the Classical Hollywood Musical” Evidence: Art, Death, and Document in Stan Brakhage’s Daniel Bishop ✦ Indiana University ✦ “Sounding the Past in Autopsy Film” Arthur Penn’s Bonnie and Clyde” Lindsey Lodhie ✦ Harvard University ✦ “Re-siting the Real: Andrew Ritchey ✦ University of Iowa ✦ “Moving in Time: The Eric Baudelaire’s Sugar Water” Musical Analogy and the Emergence of Avant-Garde Heidi Rae Cooley ✦ University of South Carolina ✦ “Reality Film” Augmented: Index, Record, Biopower” Carol Vernallis ✦ Arizona State University ✦ “Unruly Media: Vinicius Navarro ✦ Georgia Institute of Technology ✦ “Circuits YouTube, Music Video in the New Digital Cinema” of the Real: Nonfictional Media, Network Connections, and the Limits of Representation”

39 SESSION A 10:00 – 11:45am

Med Hondo and the Cinematic A14 Law, Censorship, and Copyrights A15 ROOM ROOM Representation of History

MARCH 21, 2012 WEDNESDAY

CHAIR: Jennifer Petersen ✦ University of Virginia CHAIR: Aboubakar Sanogo ✦ Carleton University

Andrew Scahill ✦ George Mason University ✦ “The Sieve or CO-CHAIR: Jude Akudinobi ✦ University of California, Santa Barbara the Scalpel: The Family Movie Act of 2004, Infantile RESPONDANT: Mamadou Diouf ✦ Columbia University Citizenship, and the Rhetoric of Censorship” Jude Akudinobi ✦ University of California, Santa Barbara ✦ ✦ ✦ Kevin John Bozelka Austin College “Performing Records: “Expanding Horizons: History, Entanglements, and Mechanical and Performing Rights in Thompson v. Watani, A World Without Evil” Warner Bros. Pictures, Limited (1929)” Frank Ukadike ✦ Tulane University ✦ “Fatima, L’Algerienne ✦ ✦ Jennifer Petersen University of Virginia “Of Cinema and De Dakar: The Manifestations of Quintessential African Circuses: The Communicative Context of Mutual v. Ohio” Aesthetics?” Aboubakar Sanogo ✦ Carleton University ✦ “Soleil O, Les bicots nègres, and the Trembling of History”

SPONSORS: African/African American Caucus French and Francophone Scholarly Interest Group

Shall We Laugh? Intentional and A16 A17 Hybridity and Transnationalism ROOM Unintentional Comedies ROOM

CHAIR: Adrienne L. McLean ✦ University of Texas, Dallas CHAIR: Serena Formica ✦ University of Derby Dan Hassoun ✦ University of Minnesota ✦ “Remembering Regena Pauketat ✦ University of Southern California ✦ Travolta’s Dreadlocks: ‘Bad’ Cinema as Imagined “‘Bending’ the National: Avatar: The Last Airbender and Community” Transnational Hybridity” Karen Williams ✦ New York University ✦ “The Male Complaint: Austin Fisher ✦ University of Bedfordshire ✦ “Italian The Intimate Public of Neoliberal Masculinity in Modern Americanisms: Popular Italian Cinema in the Light of the Family” Transnational” Nilo Couret ✦ University of Iowa ✦ “Timing Is Everything: Serena Formica ✦ University of Derby ✦ “When Hercule Poirot Sandrini’s Stutter and the Representability of Time” Met Japanese Animation: An Exploration of the 2004 Adrienne L. McLean ✦ University of Texas, Dallas ✦ “‘If Only Series No Meitantei Poirot” They Had Meant to Make a Comedy’: Laughing at Black Swan”

40 WEDNESDAY MARCH 21, 2012 SESSION A 10:00 – 11:45am

A18 Revising Classical Assumptions A19 Rethinking the Biopic ROOM New Takes on Classical Hollywood Film ROOM Temporality, Performance, Identity

CHAIR: Philippa Gates ✦ Wilfrid Laurier University CHAIR: Belen Vidal ✦ King’s College London

CO-CHAIR: Patrick Faubert ✦ Wilfrid Laurier University Belen Vidal ✦ King’s College London ✦ “The New Biopic’s Patrick Faubert ✦ Wilfrid Laurier University ✦ “‘Warner Bros. Compressed Frame” Presents’: A Midsummer Night’s Dream (1935) and Studio Rebecca Sheehan ✦ Harvard University ✦ “The Present as Adaptation” History: The Contemporary Biopic and Immediation” Philippa Gates ✦ Wilfrid Laurier University ✦ “Border Alastair Phillips ✦ University of Warwick ✦ “Cinematic Crossings: Chinese American Immigration and Crime in Boundaries: Alexander Sokurov’s The Sun {2005) as Hollywood B-Films” Liminal Biopic” Chris Cagle ✦ Temple University ✦ “Hollywood Mannerism” Robert Burgoyne ✦ University of St. Andrews ✦ “Gainsbourg: Robert Spadoni ✦ Case Western Reserve University ✦ “Film Pantomime, Puppetry, and Masquerade in the Musical Atmosphere and Narrative” Biopic”

A20 A Shock to the System A21 Hitchcock and the Complexities ROOM Material Politics of Media ROOM of Adaptation

CHAIR: Amy Herzog ✦ Queens College, CUNY CHAIR: Mark Osteen ✦ Loyola University, Maryland Elena del Rio ✦ University of Alberta ✦ “Biopolitical Violence in Leslie Abramson ✦ Independent Scholar ✦ “Stranger(s) Than the Cinema of Michael Haneke” Fiction: Adaptation, Modernity, and the Menace of Fan Alessandra Raengo ✦ Georgia State University ✦ “Barely Culture in Hitchcock’s Strangers on a Train” Stitched Together: Claire Denis’s Ectopography” John Bruns ✦ College of Charleston ✦ “‘The Proper Geography’: Angelo Restivo ✦ Georgia State University ✦ “Landscape and Hitchcock’s Adaptation of Daphne du Maurier’s The Deterritorialization in Yellow Earth” Birds” ✦ ✦ Amy Herzog ✦ Queens College, CUNY ✦ “Renderings, Ruins, Russell Kilbourn Wilfrid Laurier University “The Second Rats: Architectural Planning, Digital Media, and the Look, the Second Death: W. G. Sebald’s Orphic Territorialization of Urban Space” Adaptation of Hitchcock’s Vertigo” Mark Osteen ✦ Loyola University, Maryland ✦ “Extraordinary Renditions: DeLillo’s Point Omega and Hitchcock’s Psycho”

41 SESSION A 10:00 – 11:45am

Trauma, Memory, and A22 A25 Media, Technology, and the Dead ROOM Representation ROOM

MARCH 21, 2012 WEDNESDAY

CHAIR: Julian Daniel Gutierrez-Albilla ✦ University Southern CHAIR: Katharina Loew ✦ University of Oregon California Murray Leeder ✦ Carleton University ✦ “There Are No Tame James Gilmore ✦ University of California, Los Angeles ✦ Ghosts: Double Exposures and the Supernatural in Silent “Processing the Image Event: Scarred Cityscapes in Cinema” Post-9/11 American Cinema” Steven Pustay ✦ Georgia State University ✦ “Digital Death: Wendy Sung ✦ University of Michigan ✦ “Rehabilitating Verisimilitude and Viscerality in Contemporary Images Rodney King: Celebrity Rehab, Reinscription, and of Death” Cultural Memory” Ryan Conrath ✦ University of Rochester ✦ “Everything but the Stephan Hilpert ✦ University of Cambridge ✦ “Germany Body: Montage Affects” through the Windshield: The Motif of Cars in Christian Katharina Loew ✦ University of Oregon ✦ “The Spirit of the Petzold’s Wolfsburg” Vampire: Special Effects in Nosferatu (1921)” Julian Daniel Gutierrez-Albilla ✦ University Southern California ✦ “Inscribing/Scratching the Past on the ‘Surface’ of the ‘Skin’: Reading Trauma and Memory in Almodóvar’s La mala educación through Graphic Design, Fashion, and Performance Theory”

42 WEDNESDAY MARCH 21, 2012 SESSION A 10:00 – 11:45am

SCREENINGS ROOM: Tremont, Level 4 Coal Country Phylis Geller, USA, 2009, 84 min Television programs, like Spike TV’s Coal, represent workers as vanishing noble savages, as the real lives and concerns of miners and their communities are obscured from view. As high-profi le tragedies befalling miners in the past year attest, they continue working under unsafe conditions, as corporations degrade the environment in search of profi ts. One of labor’s most signifi cant historical sites, Blair Mountain, is slated for the mountain top removal (MTR) method of mining. This fi lm documents the ongoing struggles of those who fi ght the exploitation of workers in the mines and the destruction of the very mountains providing their livelihood. This “new civil war” has divided communities between those supporting “clean coal” industry initiatives and miners and activists resisting MTR in Appalachia. It is vital that the controversy over the environment, clean coal, MTR, and worker rights becomes a matter of public discussion. This fi lm is a step in bringing these issues to a wider public.

SPONSORS: Caucus on Class Documentary Studies Scholarly Interest Group Coal Face Alberto Cavalcanti, UK, 1935, 12 min This classic short fi lm explores the life of British miners. It was produced by Britain’s General Post Offi ce Film Unit of Night Mail (John Grierson, 1936) fame.

SPONSORS: Caucus on Class Documentary Studies Scholarly Interest Group

Audiences for these fi lms may be interested also in Uprising of ’34 (Session R) and in panels B15 “Reel Work: Analyzing Labor Films within the Context of Film History/Film Studies,” D25 “Transnational Representations of Labor: Work, Affect, and Precarity in Recent European Cinema,” E8 “From Workers’ State to Owners’ State: Representations of Work in Baltic Cinemas,” F15 “Depictions of Poverty in American Cinema,” and L14 “Lensing Labor: Representing Work in Contemporary Film and Television.”

43 SESSION B 12:00noon – 1:45pm

B1 Private Parts B2 ROOM Shame and Star Identities ROOM Horrors without Borders

MARCH 21, 2012 WEDNESDAY

CHAIR: Colleen Glenn ✦ University of Kentucky CHAIR: L. Andrew Cooper ✦ University of Louisville

CO-CHAIR: Rebecca Bell-Metereau ✦ Texas State University Vartan Messier ✦ Queensborough Community College CUNY ✦ Nina Martin ✦ Connecticut College ✦ “Does This Film Make Me “The Play and Place of Horror in Michael Haneke’s Funny Look Fat?: Celebrity, Gender, and I’m Still Here” Games” ✦ ✦ Rebecca Bell-Metereau ✦ Texas State University ✦ “Baby, It’s Cathy Hannabach University of Pittsburgh “Between Cold Outside the Closet” Blood and the Bomb: Vampires and Atomic Cities in Todd Reeves’s Let Me In” Alison Hoffman-Han ✦ California State University, Long ✦ ✦ Beach ✦ “Blood, Freckles, and Tears: Sissy Spacek’s Dale Hudson New York University, Abu Dhabi “Becoming Surface Subversions” Undead: Necropolitics and Transnational Spaces of Horror” Colleen Glenn ✦ University of Kentucky ✦ “Which Woody ✦ ✦ Allen?” L. Andrew Cooper University of Louisville “Demon Media: Horrific Representations of Globalized Violence”

60s Experimental Cinema and B3 Form and Feeling in Television B4 ROOM ROOM Eccentric Embodiment

CHAIR: Karen Lury ✦ University of Glasgow CHAIR: Juan Suarez ✦ University of Murcia

RESPONDENT: Misha Kavka ✦ University of Auckland CO-CHAIR: Ara Osterweil ✦ McGill University Amy Holdsworth ✦ University of Glasgow ✦ “In Between Lucas Hilderbrand ✦ University of California, Irvine ✦ “Sex Out Poetry and Television” of Sync: Christmas on Earth’s Queer Soundtrack” Karen Lury ✦ University of Glasgow ✦ “The Corpse, Blooper, or Ara Osterweil ✦ McGill University ✦ “Yoko Ono: Philosophy in Gag: Desire and Epistephilia in the TV ‘Out-take’” the Bedroom” Alexia Smit ✦ University of Cape Town ✦ “Bodies of Knowledge: Juan Suarez ✦ University of Murcia ✦ “Film Grain and the Performative and Experiential Models of Pedagogy in Queer Body: Tom Chomont” Television Science” SPONSORS: Queer Caucus Experimental Film and Media Scholarly Interest Group

44 WEDNESDAY MARCH 21, 2012 SESSION B 12:00noon – 1:45pm

B5 “Reality,” Simulacras, B6 Occupied Cinemas ROOM and New Media ROOM A Transnational Perspective

CHAIR: Courtney Baker ✦ Connecticut College CHAIR: Chika Kinoshita ✦ Shizuoka University of Art and Culture

Jacob Hustedt ✦ University of Texas, Austin ✦ “‘A Dance of RESPONDENT: Barton Byg ✦ University of Massachusetts, Amherst Signs’: Reflections on Public Executions, New Media, Jie Li ✦ Harvard University ✦ “A National Cinema for a Puppet and the Death of Osama bin Laden” State: The Manchurian Motion Picture Association” ✦ ✦ Colleen Montgomery University of Texas, Austin “Cartoon Tobias Nagl ✦ University of Western Ontario ✦ “Re-birthing Wasteland: The Aesthetics and Economics of a Nation: German Cinema after World War I, the Digitextuality in Disney’s Epic Mickey” Rhineland Occupation, and the ‘Black Horror’ Brent Fujioka ✦ Brown University ✦ “Snake Is Hiding: Cultural Campaign” Hybridity, Pacifism, and Subversion In Hideo Kojima’s Chika Kinoshita ✦ Shizuoka University of Art and Culture ✦ Metal Gear Solid Series” “Abortion and Democracy: Gender, Sexuality, and Courtney Baker ✦ Connecticut College ✦ “Imprisoned Viewers: Reproductive Rights in Japanese Films under the Allied Prison Valley and the Simulacrum of Interaction” Occupation”

B7 Media Environments B8 Cold War, Hot Media ROOM and Mid-century Design ROOM East German Cinema

CHAIR: Kenneth White ✦ Stanford University CHAIR: Benita Blessing ✦ University of Massachusetts, Amherst

CO-CHAIR: Fred Turner ✦ Stanford University Claudia Sandberg ✦ University of Southampton ✦ “The Chilean Erica Robles ✦ New York University ✦ “The Powers of Ten: Family in German Exile – A Comparative Reading of Charles and Ray Eames and the Politics of Scale” Isabel auf der Treppe (1984) and Aus der Ferne sehe ich dieses Land (1978)” Lynn Spigel ✦ Northwestern University ✦ “Media Walls: From ✦ Mid-century Domesticity to Smart Home Environments” Victoria Rizo Lenshyn University of Massachusetts, Amherst ✦ ✦ ✦ “From International Solidarity to Solitary Kenneth White Stanford University “Cultural Engineer: Lives: Hannelore Unterberg’s Isabel auf der Treppe” Tom Sherman between Data and Information” ✦ University of Evansville ✦ ✦ ✦ Lesley Pleasant “The Wizard of Fred Turner Stanford University “The Pepsi Pavilion and Ossi” the Politics of Multimedia in Cold War America” Benita Blessing ✦ University of Massachusetts, Amherst ✦ “Sex SPONSOR: CinemArts: Film and Art History Scholarly Interest Group and Love in Far-Away Fairy Tale Films”

45 SESSION B 12:00noon – 1:45pm B9 B10 Visualizing Cinematic Technologies ROOM Index, Ontology, and the Digital 2 ROOM The Problem of Self-Reflexivity in North Indian Cinema

MARCH 21, 2012 WEDNESDAY

CHAIR: Ruth Johnston ✦ Pace University CHAIR: Meheli Sen ✦ Rutgers University

Laura Frahm ✦ Bauhaus University, Weimar ✦ “On Cinema RESPONDENT: Sangita Gopal ✦ University of Oregon and Cybernetics: Three ‘Reflexive Films’ by Ottomar Anupama Kapse ✦ Queens College, CUNY ✦ “Film as Madness: Domnick” Phalke, Cinema, and The Dream Factory” ✦ ✦ Drew Ayers Georgia State University “Fast, Cheap & Out of Neepa Majumdar ✦ University of Pittsburgh ✦ “Staging Control: A Baroque Mapping of Digital Experience” the Screen, Screening the Stage: The Problem of Self Stephanie Tripp ✦ University of Tampa ✦ “Algorithmic Reflexivity in Indian Cinema (1930s to 50s)” Filmmaking in Jeff Shore and Jon Fisher’s Cliffhanger” Meheli Sen ✦ Rutgers University ✦ “Very Filmi: Industry, Ruth Johnston ✦ Pace University ✦ “Technologies of Vision Spectators, and Desire in 70s and 80s Hindi Cinema” and Memory in Blade Runner”

WORKSHOP B11 Teaching the City B12 ROOM Pedagogical Issues in Urban Cinema ROOM Film Festival Studies and Media Studies

CHAIR: Brendan Kredell ✦ University of Calgary CHAIR: Raz Yosef ✦ Tel Aviv University

CO-CHAIR: Paula Massood ✦ Brooklyn College, CUNY Boaz Hagin ✦ Tel Aviv University ✦ and Raz Yosef ✦ Tel Aviv University ✦ “Gay Vampires, Orthodykes, and Workshop Participants: Festival Exoticism: Israeli Queer Cinema in a Global Context” Amy Corbin ✦ Muhlenberg College ✦ New York University ✦ ✦ Michael Talbott “Placing Prestige: Sabine Haenni Cornell University Institutional Values vs. Personal Preferences and Shannon Mattern ✦ The New School Category A Film Festival Juries” ✦ Cornell University Mary N. Woods SPONSOR: Film and Media Festivals Scholarly Interest Group SPONSOR: Urban Studies Scholarly Interest Group

46 WEDNESDAY MARCH 21, 2012 SESSION B 12:00noon – 1:45pm B13 B14 ROOM Alt Reception Practices ROOM Discerning Auteur Concerns

CHAIR: Marianna Martin ✦ University of Chicago CHAIR: Andrew Horton ✦ University of Oklahoma Casey McCormick ✦ McGill University ✦ “An ‘Uncommon Lisa Siraganian ✦ Southern Methodist University ✦ “Dystopic Commentary’: Demystifying Joss Whedon’s Dr. Horrible’s Communities: Atom Egoyan’s Critique of Diaspora” Sing-Along Blog” Sam B. Girgus ✦ Vanderbilt University ✦ “The Multiple Cynthia Felando ✦ University of California, Santa Barbara ✦ Journeys of Woody Allen on Love, Death, and God” “Cinema Brief: Short Films and Festivals” Gabriel Paletz ✦ Prague Film School ✦ “Tracking Trans-media Marianna Martin ✦ University of Chicago ✦ “The Narrative Creativity through Orson Welles” Aesthetics of the Incomplete in Joss Whedon’s Andrew Horton ✦ University of Oklahoma ✦ “Long Live Slow Dollhouse” Cinema: Theo Angelopoulos and the Significance of Bjorn Ingvoldstad ✦ Bridgewater State University ✦ “Jonas Extended Shots” Mekas’ Web Archive: ‘Reality Hunger’ Before and After the Internet”

WORKSHOP Reel Work B15 Analyzing Labor Films within the Context B16 The Shifting Valence of Verité ROOM ROOM Documentary in Diverse Historical of Film History/Film Studies and Cultural Contexts

CHAIR: Derek Nystrom ✦ McGill University CHAIR: Augusta Palmer ✦ Filmmaker and Independent Scholar Kathy Newman ✦ Carnegie Mellon University ✦ “Labor Films and the Docu-noir: Recuperating The Whistle at Eaton Workshop Participants: Falls (1950), Clash by Night (1952), and The Garment Gerald Sim ✦ Florida Atlantic University Jungle (1957)” Heather MacGibbon ✦ Independent Scholar ✦ University of Maine ✦ Nathan Godfried “Millard Lampell and ✦ The Inheritance (1964): Organized Labor’s Use of Film in Stephen Charbonneau Florida Atlantic University Historical Context” Daniel Miller ✦ Independent Scholar Jennifer Borda ✦ University of New Hampshire ✦ “’Nuts and Dennis Hanlon ✦ Beloit College Sluts,’ or Women on the Verge of Revolution”

47 SESSION B 12:00noon – 1:45pm

B17 B18 Eisenstein ROOM Early and Transitional Cinema ROOM Movement, Stasis, Rhythm

MARCH 21, 2012 WEDNESDAY

CHAIR: Derek Long ✦ University of Wisconsin, Madison CHAIR: Vincent Bohlinger ✦ Rhode Island College Diana Anselmo-Sequeira ✦ University of California, Irvine ✦ Maria Belodubrovskaya ✦ Harvard University ✦ “The Kino- “‘The Apparitional Girl’: Early American Film, Fist: Eisenstein’s Expressive Movement and the Science Spiritualism, and the Emergence of Female Adolescence” of Mirror Neurons” Karolina Kendall-Bush ✦ University College London ✦ “Putting Vincent Bohlinger ✦ Rhode Island College ✦ “Eisenstein and the Screen through Its Paces: Walking on the Streets the Development of the Soviet Single-Shot Aesthetic” and in the Cinema” Lea Jacobs ✦ University of Wisconsin, Madison ✦ “A Lesson Kohki Watabe ✦ University of Tokyo ✦ “Representational with Eisenstein: Rhythm and Pacing in Ivan the Terrible, Convention of Water Transportation in Moving Part I” Panorama and Travelogue Silent Cinema in the Early Katarina Mihailovic ✦ Concordia University ✦ “Sergei Twentieth Century: Down the Old Potomac (1917) as a Mihailovich ‘Mak’ and the Montage of Attractions” Specific Case” Derek Long ✦ University of Wisconsin, Madison ✦ “Feuillade in America: New Evidence on the Distribution and Reception of Fantômas and Les Vampires in the United States, 1913–1920”

B19 B20 Blockbusters, Genres, and Serials ROOM Cineglobalities ROOM Commercial Cultures of Production beyond the US/UK

CHAIR: Bishnupriya Ghosh ✦ University of California, Santa CHAIR: Courtney Brannon Donoghue ✦ University of Texas, Barbara Austin

Bishnupriya Ghosh ✦ University of California, Santa Barbara ✦ RESPONDENT: Aswin Punathambekar ✦ University of Michigan “Unhomely Globalities: The ‘Flat Cinema’ of Bollywood” Amanda Landa ✦ University of Texas, Austin ✦ “Cruel Stories Joshua Neves ✦ University of Toronto ✦ “Cine-exhibition and of Youth: Contemporary Psychological Thriller/Horror Chinese Globalities” Films and the Representation of Japanese Youth John Sniadecki ✦ Harvard University ✦ “Sensory Ethnography, Culture” Site-Specificity, and the Spaces of Cineglobality” Tarik Elseewi ✦ Vassar College ✦ “Shifting Selves as the Bhaskar Sarkar ✦ University of California, Santa Barbara ✦ Arab Spring Turns to Fall: Transnational Media and the “Manipuri Cinema, the Korean Wave, and the Plasticity Production of National Identity in the Arab World” of Resistance” Courtney Brannon Donoghue ✦ University of Texas, Austin ✦ “The Brazilian Blockbuster: How Franchises, Sequels, and Big Opening Weekends Are Changing a National Cinema”

SPONSOR: Media Industries Scholarly Interest Group

48 WEDNESDAY MARCH 21, 2012 SESSION B 12:00noon – 1:45pm

B21 Representing Queer Time, B22 Cinema Therapy, ROOM Engaging Queer Theory ROOM Trauma, and Affect

CHAIR: Theresa L. Geller ✦ Grinnell College CHAIR: Brenda Austin-Smith ✦ University of Manitoba

CO-CHAIR: Adrian Khactu ✦ University of Pennsylvania Ben Sher ✦ University of California, Los Angeles ✦ “Clinical Vance Byrd ✦ Grinnell College ✦ “Queer Temporalities and Cinephilia: Cinema Therapy and Processing Domestic Geographies in Ulrike Ottinger’s Bildnis einer Trinkerin” Trauma” ✦ ✦ Jess Issacharoff ✦ University of Iowa ✦ “Queer Temporality Janice Loreck Monash University “Returning the Gaze: and National Narratives in Isaac Julien’s Frantz Fanon: Intersubjective Spectatorship in Antichrist and Trouble Black Skin, White Mask” Every Day” ✦ ✦ Lokeilani Kaimana ✦ University of Texas, Austin ✦ “Processing Amanda Fleming Indiana University “Loving Dexter: Christeene through the Rear End of Camp” Showtime’s Controversial Original Series and Its Killer Fans” Theresa L. Geller ✦ Grinnell College ✦ “Is Queer Theory Film ✦ ✦ Theory? Or, Everything I Know About Queerness I Brenda Austin-Smith University of Manitoba “Modernity, Learned at the Movies” Cinema Memory, and ‘Weepies’: Ethnographies of Affective Spectatorship” SPONSOR: Queer Caucus

B25 ROOM The Political, After Life

CHAIR: Jeffrey Menne ✦ Oklahoma State University

RESPONDENT: Justus Nieland ✦ Michigan State University James McFarland ✦ Vanderbilt University ✦ “The Cannibal, the Pirate, the Zombie Horde” Jennifer Fay ✦ Vanderbilt University ✦ “The Aesthetics of Hunger” Jeffrey Menne ✦ Oklahoma State University ✦ “Politics without Form”

49 SESSION B 12:00noon – 1:45pm

SCREENINGS ROOM: Tremont, Level 4 MARCH 21, 2012

WEDNESDAY The Same River Twice Robb Moss, USA, 2003, 78 min In 1978, fi lmmaker (and Harvard professor) Robb Moss and a close-knit group of free-spirited friends and lovers took a month- long trip through the depths of the Grand Canyon—a breathtaking white-water rafting adventure down the Colorado River. Cutting between footage of their youthful — often naked — live-in-the-moment existences and the complex realities of their adulthood today, the fi lm travels the road from peyote to Prozac, creating a compelling portrait of cultural metamorphosis and the struggle to fi nd one’s place in the world. From running rapids to running for mayor, The Same River Twice is an intimate depiction of those baby- boomers who took the Sixties seriously, and then grew up.

SPONSOR: Documentary Studies Scholarly Interest Group Voice Unknown Jinhee Park, USA, 2011, 32 min Faith Kim (Alias) is a North Korean refugee living in Syracuse, NY. Her personal and emotional journey from North Korea to the US through China, Cambodia, and Thailand will lead the viewers to refl ect on experiences of exile across generations and will spark discussions about contemporary migration and borderless identities.

Audiences for these fi lms may also be interested in panels C18 “Contingencies of the Visible Past,” D22 “Local and Small-scale Cinema,” M17 “Small Gauge Cinema,” and P17 “Representation and Diasporic Activism.”

50 WEDNESDAY MARCH 21, 2012 SESSION C 2:00 – 3:45pm

Scaling Data’s Many Faces Violence in Contemporary C1 Data Mining, Information Visualization, C2 ROOM ROOM Latin-American Cinema and Other Non-Optical Vistas

CHAIR: Kristopher Fallon ✦ University of California, Berkeley CHAIR: Melissa Molloy ✦ University of Florida

CO-CHAIR: Alenda Chang ✦ University of California, Berkeley CO-CHAIR: Gerardo Muñoz ✦ University of Florida Kristopher Fallon ✦ University of California, Berkeley ✦ “The Melissa Molloy ✦ University of Florida ✦ “Sex, Brutality, and Optic-less Unconscious: Data Journalism and the Quest Childhood in Films of the Argentine Countryside” for Visible Evidence” Luis M. Garcia-Mainar ✦ University of Zaragoza ✦ “The Global Alenda Chang ✦ University of California, Berkeley ✦ Logic of Local Violence in Pablo Larraín’s Tony Manero” “Exponential Vision and the Powers of Ten” Gerardo Muñoz ✦ University of Florida ✦ “Violence as David Bering-Porter ✦ Brown University ✦ “Screening the Potentiality: The Case of Aristarain’s Tiempo de Genome: Visualization, Speculation, and Uncanny Revancha” Vitality” Oscar Jubis ✦ University of Miami ✦ “Claudia Llosa’s Lyn Goeringer ✦ University of Rhode Island ✦ “Emote = Ping : Engagement with Indigenous Perú” Data Mining Emotion as Conceptual Art Practice” SPONSOR: Latino/a Caucus SPONSOR: Media Literacy and Pedagogical Outreach Scholarly Interest Group

C3 Beyond Film C4 Documentary ROOM The Video Art of Ernie Gehr ROOM Politics and Advocacy

CHAIR: Haden Guest ✦ The Harvard Film Archive CHAIR: John Trafton ✦ University of St Andrews

RESPONDENT: Ernie Gehr ✦ Harvard University Andrew Covert ✦ Concordia University ✦ “Rush to Judgment Ken Eisenstein ✦ University of Chicago/Mount Holyoke College ✦ and The Murder of Fred Hampton: Documentary Violence “‘A Drenching Radiance’: The ? of Ernie Gehr” and Political Agitprop” ✦ ✦ J. Carlos Kase ✦ University of North Carolina, Wilmington ✦ Christine Cornea University of East Anglia “Discursive “‘We Are Drifting’: Metaphrasis, Nostalgia, and Dissonance and Life After People” Abstraction in the Videos of Ernie Gehr” Diane Waldman ✦ University of Denver ✦ “Filmmakers, Haden Guest ✦ The Harvard Film Archive ✦ “Ernie Gehr: Subjects, and New Legal Restraints on Documentary Towards a Prehistory of Cinema’s Future” Advocacy: The Case of Crude” J. Scott Oberacker ✦ Johnson & Wales University ✦ SPONSOR: Experimental Film and Media Scholarly Interest Group “Commitment Issues: Michael Moore, Political Documentary, and Journalistic Film Discourse”

51 SESSION C 2:00 – 3:45pm

C5 Il Bandito/a C6 Art, Capital, or Both? ROOM ROOM Media Management and Creative/ Class, Crime, and International Film Noir Commercial Tensions

MARCH 21, 2012 WEDNESDAY

CHAIR: Dennis Broe ✦ Long Island University CHAIR: Kimberly Owczarski ✦ Texas Christian University Dennis Broe ✦ Long Island University ✦ “Un Greve Sanglante et Erin Copple Smith ✦ Denison University ✦ “What Does Poetic (A Strike Bloody and Poetic): French Film Noir and ‘Organic’ Mean, Anyway?: Product Placement and the Defeat of the Popular Front” Creativity” Rebecca Prime ✦ Hood College ✦ “Radical Hollywood and the Kimberly Owczarski ✦ Texas Christian University ✦ “The Transatlantic Film Noir” Dark Knight (Marketing Campaign) Rises: Creative/ Hyun Seon Park ✦ University of California, Irvine ✦ Commercial Clashes in Marketing a Studio Blockbuster” “Allegorizing Noir Sensibility in Korean Cinema” Caroline Leader ✦ University of Texas, Austin ✦ “The Lovers Li Zeng ✦ Illinois State University ✦ “Lonely Places in Chinese and Dreamers Go Corporate: What Disney Means for Jim Noir: So Close to Paradise (1999), Suzhou River (2000) Henson’s Muppets” and The Missing Gun (2002)” Darcey West ✦ Georgia State University ✦ “What Happens When It Isn’t Actually TV at All?: A Case Study of HBO SPONSOR: Caucus on Class Go”

SPONSOR: Media Industries Scholarly Interest Group

WORKSHOP A Million Screens a Medium Make? C7 C8 Thinking through Machinima and ROOM The Undergraduate TV Paper ROOM Filmmaking in Virtual Worlds

CHAIR: Ethan Thompson ✦ Texas A&M University, Corpus CHAIR: Jenna Ng ✦ University of Cambridge Christi Henry Lowood ✦ Stanford University ✦ “Machinima: A CO-CHAIR: Suzanne Scott ✦ Occidental College Documentary Medium?” Sarah Higley ✦ University of Rochester ✦ “Inside and Outside: Workshop Participants: Machinima, Looking, and the Non-Diegetic Camera” Daniel Marcus ✦ Goucher College Peter Krapp ✦ University of California, Irvine ✦ “Economedia: Jeremy Butler ✦ University of Alabama Machinima and the Claims of Convergence” ✦ ✦ Derek Kompare ✦ Southern Methodist University Jenna Ng University of Cambridge “Three Spars of the Virtual Camera Trestle: Image, Mobility, Avatar” Kevin Sandler ✦ Arizona State University Benjamin Aslinger ✦ Bentley University

SPONSOR: Television Studies Scholarly Interest Group

52 WEDNESDAY MARCH 21, 2012 SESSION C 2:00 – 3:45pm C9 The Culture and Practice C10 ROOM of the Sound Image in Japan ROOM Cinema and the Remaking of Art around 1930

CHAIR: Michael Raine ✦ University of California, Berkeley CHAIR: Kaveh Askari ✦ Western Washington University

RESPONDENT: James Lastra ✦ University of Chicago Natasha Ritsma ✦ Indiana University ✦ “Pioneering the Films Masaki Daibo ✦ Theatre Museum of Waseda University ✦ on Art Movement: Art Film Festivals and Non-theatrical “Before Reimei: Early Attempts to Produce Talking Exhibition Practices in the Postwar Era” Japanese Cinema through the Phonograph” Amy Beste ✦ School of the Art Institute ✦ “The Avant-Garde Michael Raine ✦ University of California, Berkeley ✦ “‘No in the New World: Media Education at the Institute of Interpreter, Full Volume’: The Benshi and the Sound Design” Image in Early 1930s Japan” Kaveh Askari ✦ Western Washington University ✦ “Never Told Johan Nordstrom ✦ Waseda University ✦ “The Sound Image in Tales of a Studio: Lejaren á Hiller, Early Educational Early Japanese Musicals” Cinema, and the Scene of Painting”

SPONSORS: SPONSORS: Asian/Pacific American Caucus Nontheatrical Film and Media Scholarly Interest Group Sound Studies Scholarly Interest Group CinemArts: Film and Art History Scholarly Interest Group

C11 C12 ROOM Unorthodox Stardoms ROOM European Cinema Histories

CHAIR: Steven Rawle ✦ York St John University CHAIR: Erik Hedling ✦ Lund University Steven Rawle ✦ York St John University ✦ “Performance and Maya Michaeli ✦ Tel-Aviv University ✦ “‘Je m’appelle Aurélia the Indie Film Star: Negotiating Hollywood, Television, Steiner . . . J’écris’ – Fictional Testimony of the Holocaust and Independent Cinema Labour Structures” in the Films of Marguerite Duras” Steven Kapica ✦ Northeastern University ✦ “Representing Jennifer Zale ✦ Indiana University ✦ “The Career of Vera The Queen of Curves: The Multivalent Nature of The Karalli and the Role of Ballet Artists in the Formation of Notorious Bettie Page” Acting Style in Prerevolutionary Russian Cinema” Landon Palmer ✦ Indiana University, Bloomington ✦ “Stardust Mari Laaniste ✦ Estonian Literary Museum ✦ “Somewhere in Onscreen: David Bowie and the Manufacturing of the the Alps: The Soviet Fantasy of the Contemporary West Popular Musician as Movie Star” as Presented in Hukkunud Alpinisti hotell” Erik Hedling ✦ Lund University ✦ “Joseph Goebbels, Kristina Söderbaum, and Jud Süss (1940): Seventy Years Later”

53 SESSION C 2:00 – 3:45pm Televisual and Cinematic Bodies That Matter C13 Representations C14 ROOM ROOM Representations of Motherhood From Refugees and the Supernatural in US Media MARCH 21, 2012 to War Veterans WEDNESDAY

CHAIR: Jun Okada ✦ State University of New York, Geneseo CHAIR: Amanda Rossie ✦ Ohio State University Jun Okada ✦ State University of New York, Geneseo ✦ Margaret Hames ✦ Marymount Manhattan College ✦ “The Poor “Bromance and the Yellow Peril: Globalization and the Substitute: Representations of the Adoptive Mother, the Contemporary Refugee Film” Stepmother, and the Absent Mother in Cinema” Megan Biddinger ✦ University of Michigan ✦ “Season of the Jorie Lagerwey ✦ University of Notre Dame ✦ “Public Pregnant Witch: Religion, Identity, and Difference in HBO’s True Bodies on Reality TV” Blood” Christopher Smit ✦ Calvin College ✦ “Mother Monster: Lady Mark Kligerman ✦ University of Michigan ✦ “Selling the War Gaga and the Sign of Motherhood in ‘Born This Way’” in the Gulf: Televisual Fantasy and the Pleasures of the Amanda Rossie ✦ Ohio State University ✦ “Murderous Monster Imperial Imaginary” or Misguided Mother?: Constructing Casey Anthony in Gayatri Devi ✦ Lock Haven University ✦ “‘I See Dead People’: Televised News Media” Ghosts in the Global Market Place in Alejandro Inarritu’s Biutiful”

Landscapes of Silent-Era US Your Ethnicity Has Been Televised C15 C16 Televisual Representations ROOM Exhibition ROOM of Italian Americans

CHAIR: Eric Dewberry ✦ Independent Scholar CHAIR: Jonathan J. Cavallero ✦ University of Arkansas

CO-CHAIR: Jeremy Groskopf ✦ Georgia State University CO-CHAIR: Laura Ruberto ✦ Berkeley City College Jeffrey Klenotic ✦ University of New Hampshire ✦ “Women’s Jonathan J. Cavallero ✦ University of Arkansas ✦ Business: The Female Film Exhibitor in New Hampshire “Broadcasting Italian American Ethnicity in Television’s During the 1910s” Golden Age: A Close Look at Marty” Jeremy Groskopf ✦ Georgia State University ✦ “Advertising Laura Ruberto ✦ Berkeley City College ✦ “Make that Riff without Antagonizing: Silent Era Theaters and the Place Staccato: Johnny Staccato and the Making of an Italian of Marketing Messages” American Ethnicity” Paul Moore ✦ Ryerson University ✦ “Testing the Viability Frank P. Tomasulo ✦ City College of New York, CUNY/Sarah of Local Films in Mainstream Cinema: American Lawrence College ✦ “‘Chick TV’: Rizzoli & Isles – Vitagraph’s Itinerant Shows in 1904 and 1905” Ethnicity, Gender, Genre, and Intertext” Eric Dewberry ✦ Independent Scholar ✦ “The Georgia Theater John Gennari ✦ University of Vermont ✦ “All in the Family: Company, the Genteel, and the Vaude-Film Transition” Gangster Shtick, Sentimental Ethnicity, and the Italian- American College Basketball Coach”

54 WEDNESDAY MARCH 21, 2012 SESSION C 2:00 – 3:45pm

Audiovisual Archives C17 C18 Contingencies of the Visible Past ROOM in the Digital Age ROOM

CHAIR: Jennifer Bean ✦ University of Washington ✦ CHAIR: Catherine L. Preston ✦ University of Kansas Jasmijn Van Gorp ✦ Utrecht University ✦ and Marc Bron ✦ Sandra Ristovska ✦ University of Pennsylvania ✦ “Nostalgia, University of Amsterdam ✦ “Unavailable Audiovisual National Identity, and the Case of Montevideo, Taste of Material, No Research? Improving Data Collection in the a Dream” Audiovisual Archive” Daniel Mauro ✦ University of Texas, Austin ✦ “Of National Nanna Verhoeff ✦ Utrecht University ✦ and Giovanna ‘Significance’: Politicizing the Home Movies of the Fossati ✦ EYE Film Institute, Netherlands ✦ “Visual National Film Registry” Archives on the Move: Locative Media for Digital Sohyun Lee ✦ Dongguk University ✦ “The Politics of Collective Heritage” Visual Memory and the Korean Comfort Women”

C19 C20 WORKSHOP ROOM Rebooting the Music Industry ROOM Where Is Film Theory Today?

CHAIR: Tim Anderson ✦ Old Dominion University CHAIR: Scott Richmond ✦ Wayne State University Alyxandra Vesey ✦ University of Wisconsin, Madison ✦ “Women’s Work: Gendering the Music Supervisor, Workshop Participants: Mainstreaming Indie Culture” Homay King ✦ Bryn Mawr College ✦ ✦ Andrew deWaard University of California, Los Angeles “The John Rhodes ✦ University of Sussex Cultural Capital Project: Radical Monetization of the ✦ Music Industry” Philip Rosen Brown University ✦ Tim Anderson ✦ Old Dominion University ✦ “From Background Damon Young University of California, Berkeley Music to Above-the-Line: A System Analysis of the SPONSOR: Contemporary Theory Scholarly Interest Group Newfound Importance of the Music Supervisor in Film and Television”

55 SESSION C 2:00 – 3:45pm Gluttony and Excess C21 TV Myths and the Writing of C22 Visions of Depravity and ROOM Television History ROOM Consumption from Hoarders and

MARCH 21, 2012 Cannibals to Human Centipedes WEDNESDAY

CHAIR: Kate Newbold ✦ Northwestern University CHAIR: Gwendolyn Audrey Foster ✦ University of Nebraska, Lincoln RESPONDENT: Aniko Bodroghkozy ✦ University of Virginia ✦ ✦ Alexander Thimons ✦ Northwestern University ✦ “Shrinking Maisha Wester Bowling Green State University “Cannibal the World, Roaming the Nation: The Space of Television Capitalism and Savage Materialism: Visual Excess in the Immediacy in Wide Wide World” Consumption of the Other” ✦ ✦ Kate Newbold ✦ Northwestern University ✦ “The ‘New, Fresh Christopher Sharrett Seton Hall University “The Legacy of Meaning’ of Broadcast Programming: Early Television Salo and the Critique of Excremental Culture: The Human Merchandise and the Myth of Ephemerality in TV Centipede and After” Historiography” Gwendolyn Audrey Foster ✦ University of Nebraska, ✦ Allison Perlman ✦ University of California, Irvine ✦ “The Lincoln “Capitalism Eats Itself: Gluttony in Hoarding, Strange Career of Public Television: The Intersection Food Porn, Christmas Excess, and Merchandising between Civil Rights History and Public Broadcasting American Patriotism” Historiography” A. Ian Olney ✦ York College of Pennsylvania ✦ “Unmanning The Exorcist: Female Excess in the 1970s Euro-horror SPONSOR: Television Studies Scholarly Interest Group Possession Film”

C25 ROOM Politics and Classical Hollywood MEETING ✦ CHAIR: Catherine Jurca California Institute of Technology ROOM: Robert Miklitsch ✦ Ohio University ✦ “The Red and the 2:00 – 3:45pm Black: Chiaroscuro and HUAC, Bad Blondes, and Flower Carriers in I Married a Communist” Sound Studies Scholarly Interest Group Rebecca Burditt ✦ University of Rochester ✦ “Daddy Long Legs and the Childishness of American Musicals” Catherine Jurca ✦ California Institute of Technology ✦ “Capra, Monopoly, and Free Speech”

56 WEDNESDAY MARCH 21, 2012 SESSION C 2:00 – 3:45pm

SCREENINGS ROOM: Tremont, Level 4 Criminal Queers Eric Stanley and Chris Vargas, USA, 70 min (Work in progress) Criminal Queers visualizes a radical transgender/queer struggle against the prison-industrial complex and toward a world without walls. Remembering that prison breaks are both a theoretical and material practice of freedom, this fi lm imagines what spaces might be opened up if crowbars, wigs, and metal fi les become tools for transformation. Follow Yoshi, Joy, Susan, and Lucy as they fi ercely read everything from the Human Rights Campaign and hate crimes legislation to the “non-profi tization” of social movements. Criminal Queers increases our collective liberation by working to abolish the multiple ways our hearts, genders, and desires are confi ned.

SPONSORS: Queer Caucus Caucus on Class Camp Alexis Mitchell, Canada, 2010, 25 min Camp is a video essay exploring the secrets that underscore director Alexis Mitchell’s personal relationship to Jewish history and culture. Through a look at three camp environments, Mitchell engages with a queer re-telling of the traditional Purim story, the cen- sored passages in Anne Frank’s diary, and a haircut given to by her grandfather in order to reveal the ways in which secrets haunt the surface of our cultural moments. Camp is framed through a play on the word “camp,” utilizing a camp sensibility amidst an analysis of temporary built environments. Through this frame, Mitchell engages with what we choose to keep hidden in these contemporary moments, and points to a larger fear of speaking out against injustice as a cause for silence

SPONSORS: Queer Caucus Documentary Studies Scholarly Interest Group Poised and in the Throes David Jones, USA, 2008, 5 min A stop-motion animation piece constructed from found photographic sources pays homage to Kenneth Anger, Jack Smith, Jean Genet, and Fassbinder’s Querelle.

SPONSORS: Queer Caucus Animated Media Scholarly Interest Group The Secret Loves of Jesse James David Jones, USA, 2009, 5 min An animated meditation on the theme of satyriasis, the excessive and often uncontrollable sexual desire in men. Through the arche- type of the cowboy code, The Secret Love of Jesse James explores how the masculine discourse of the West is balanced upon a razor’s edge of intimacy and violence.

SPONSORS: Queer Caucus Caucus on Class Animated Media Scholarly Interest Group

Audiences for these fi lms may be interested in Angst Essen/Eat Fear (Session Q), Pirated (Session E), Untitled (Session E), Working Girls (Session K), I Am (Session M), Contemporary (In)appropriations (Session F), Film Socialisme (Session D), and A Movie by Jen Proctor (Session F), as well as in panels A4 “Masculinity and the National Body,” A6 “Gendering Animation/Animating Gender,” B21 Representing Queer Time, Engaging Queer Theory,” J16 “Be the Media: Radical Film, New Media, and Social Formations,” K3 “Gay Expectations: Popular Culture Hails the Queer Unconscious,” P6 “New Media and Transgender Networks,” and R13 “De-Politicizing the Radical Gesture.” 57 SESSION D 4:00 – 5:45pm D1 D2 A Case for Criticism ROOM Pornography Across Media ROOM Journalism, TV Studies, and the Television Critic

MARCH 21, 2012 WEDNESDAY

CHAIR: Jeff Scheible ✦ University of California, Santa Cruz CHAIR: Myles McNutt ✦ University of Wisconsin, Madison

Peter Alilunas ✦ University of Michigan ✦ “Going All the Way: RESPONDENT: Greg Smith ✦ Georgia State University Vivid Video and the Economics of ‘Quality’ Adult Films” Christine Becker ✦ University of Notre Dame ✦ “’Britain Can’t Joshua Kitching ✦ Rice University ✦ “Cleaning Up the Smut Do The Wire’: British Critics and American Television” Capital (For Your Protection and Entertainment): 1970s Karen Petruska ✦ Georgia State University ✦ “The Television TV Cops and the Criminal Spectacle of Pornography” Critic and the Middlebrow: Taste, Quality, and The Sho Ogawa ✦ University of Kansas ✦ “Imaginary Bodies Waltons” and Masturbatory Desires: The Representation and Cory Barker ✦ Bowling Green State University ✦ “’Why Is Reception of Intersexuality in Japanese Pornographic This Being Reviewed?’: Taste, Distinction, and Online Comics” Television Criticism” ✦ ✦ Jeff Scheible University of California, Santa Cruz “ASCII Myles McNutt ✦ University of Wisconsin, Madison ✦ “Television pr0n: Textuality, Pornography, and the History of the Criticism as Contemporary History: The Influence of Internet” Post-air Analysis”

SPONSOR: Television Studies Scholarly Interest Group

D3 Digital Domesticities D4 Terrence Malick, Film Form, ROOM Television, Female Audiences, and the ROOM and Meaning Changing Rhythms of Reception Exploring the Last Three Films

CHAIR: Emily Yochim ✦ Allegheny College CHAIR: Chuck Maland ✦ University of Tennessee

CO-CHAIR: Julie Wilson ✦ Allegheny College RESPONDENT: Walter Metz ✦ Southern Illinois University Alice Leppert ✦ University of Minnesota ✦ “Selling Sparkle and Clint Stivers ✦ University of Tennessee, Knoxville ✦ “‘What’s Schadenfreude: TLC’s Paradoxical Feminine Address” Your Name Kid?’: The Enigmatic Voiceover in The Thin Elana Levine ✦ University of Wisconsin, Milwaukee ✦ Red Line” “Productive Pleasures? Feminized Popular Culture of the Lloyd Michaels ✦ Allegheny College ✦ “Text, Author, Meaning: Convergence Era” Reading the ‘Extended Cut’ of The New World” Maureen Ryan ✦ Northwestern University ✦ “The Feminist, Anders Bergstrom ✦ Wilfrid Laurier University ✦ “Voice-Over, the Housewife, and the Blogger: Lifestyle Media in Focalization, and the Cinematic Memory Image in Convergence Culture” Terrence Malick’s The Tree of Life (2011)” Emily Yochim ✦ Allegheny College ✦ and Julie Wilson ✦ Allegheny College ✦ “Mommy Media: Productivity, Pleasure, and Politics”

SPONSOR: Women’s Caucus

58 WEDNESDAY MARCH 21, 2012 SESSION D 4:00 – 5:45pm

The Ghost in the Machine Gender, Sexuality, and Race D5 Technologies for Creating, Conjuring, and D6 ROOM ROOM in Contemporary TV Capturing the Supernatural in Media

CHAIR: Chera Kee ✦ Wayne State University CHAIR: Heather Osborne-Thompson ✦ California State University, Fullerton CO-CHAIR: Dawn Fratini ✦ Chapman University ✦ ✦ Chera Kee ✦ Wayne State University ✦ “It’s Only True If the Bryant Murakami University of Hawai’i “Fight Camera Sees It: Personal Experience, Recording Devices, Fraternities: Homosociality and Masculinity in The and Ghost Hunting on TV” Ultimate Fighter” ✦ ✦ Brian Hauser ✦ Union College ✦ “Evidence of What?: Harry Evan Brody University of Southern California “Cable Price’s and Upton Sinclair’s Most Haunted House” Gayzing: A (Short) History of Modern LGBT Cable Networks” Dawn Fratini ✦ Chapman University ✦ “You’ll Believe in Ghosts ✦ ✦ Too When You See Them through the New ‘Ghost Mabel Rosenheck Northwestern University “‘Buses Are Viewer’: William Castle and Spine-Tingling Technology” A-Comin’: Citizenship, History, and PBS’s Freedom Riders” Janani Subramanian ✦ University of Southern California ✦ ✦ “Fairly Normal Activity: Horror and the Static Camera” Heather Osborne-Thompson California State University, Fullerton ✦ “Motherhood and IVF in Contemporary Reality TV”

The Aesthetic Turn D7 Organizing Narrative D8 ROOM ROOM in Radio Studies

CHAIR: Carol Siegel ✦ Washington State University, Vancouver CHAIR: Neil Verma ✦ University of Chicago

Scott Wilson ✦ Unitec Institute of Technology ✦ “Masking the CO-CHAIR: Shawn VanCour ✦ University of South Carolina Eye of Cinema: Looking at Not Looking” Allison McCracken ✦ DePaul University ✦ “‘Whispers and Sean O’Sullivan ✦ Ohio State University ✦ “Theorizing the Pops’: Microphone Singing and the Invention of the Serial Whole: Six Feet Under” Intimate Aesthetic, 1920s” Scott Higgins ✦ Wesleyan University ✦ “Infernal Playgrounds: Shawn VanCour ✦ University of South Carolina ✦ Narration, Suspense, and Participation in the Sound “Reconstructing Early Radio Genres: The Case of Musical Serial Cliffhanger” Variety” Carol Siegel ✦ Washington State University, Vancouver ✦ Neil Verma ✦ University of Chicago ✦ “Impossible Scenes: The “Demarks, Disidentification, and Perversion in Tim Fall of the City and the Problem of Representation in Burton’s Films” Radio Drama” Elena Razlogova ✦ Concordia University ✦ “Radio Noise as Social Perception: From Wireless to Radio”

59 SESSION D 4:00 – 5:45pm

D9 Humor, Comedy, and Satire D10 Cinemas of Central and ROOM in Iranian Cinema ROOM Historical Texts and Current Contexts Southern Europe

MARCH 21, 2012 WEDNESDAY

CHAIR: Gayatri Devi ✦ Lock Haven University CHAIR: Shelleen Greene ✦ University of Wisconsin, Milwaukee Sheila Moussaiey ✦ Universities of Haifa ✦ and Ben Gurion ✦ Alina Predescu ✦ San Francisco State University ✦ “The “Back and Forth Midnight Express Ticket: From Satirical Power of Ethnography in a Miniature Work of Modernity to Tradition through Iranian Comedies Dissent: Karpo Godina’s Litany of Happy People” 1934–1990” Sonja Simonyi ✦ New York University ✦ “Cowboys and Aliens: Katja Follmer ✦ University of Goettingen ✦ “Laughing at the Race, Ethnicity and Otherness in Dan Piţa and Mircea ‘Fool’ – Humor in Iranian Media after the Revolution” Veroiu’s ‘Translylvanian Trilogy’” Cyrus Zargar ✦ Augustana College ✦ “Ironic Distance in the Zoran Samardzija ✦ Columbia College Chicago ✦ “The Final Comedy of Mehran Modiri: Contemporary Iranian Life Manifesto: Ideological Malaise in Dušan Makavejev’s through an Outsider’s Eyes” Last Films” ✦ ✦ SPONSOR: Middle East Caucus Shelleen Greene University of Wisconsin, Milwaukee “Race, Nation, and Hierarchies of Whiteness in the Italian Cinema of the ‘Economic Miracle’”

D11 Home, Sweet Home D12 ROOM History and Politics of Home-Space in ROOM Institutions of Art and Film Taiwan Cinema

CHAIR: Kai-man Chang ✦ Tulane University CHAIR: Chris Robinson ✦ University of Kansas

RESPONDENT: Jean Ma ✦ Stanford University Laura Ivins-Hulley ✦ Indiana University ✦ “Amateurs, Artists, Guo-Juin Hong ✦ Duke University ✦ “From Rootlessness to and Radicals: U.S. Experimental Cinema in the 20s and Rootedness: Constructed Homeland in Taiwan Cinema” 30s” ✦ ✦ Menghsin Horng ✦ University of California, Berkeley ✦ “Lost Kristen Alfaro Concordia University “Networks of the at the Crossroads: Two Versions of Not Coming Home American Avant-Garde: Anthology Film Archives, Fluxus, Tonight, 1969 and 1996” and the Experimental Film” ✦ ✦ Kai-man Chang ✦ Tulane University ✦ “Landscapes of Chris Robinson University of Kansas “Legitimizing the Childhood: Disenchantment of Home in Taiwan Cinema” Bastard: IFIDA and the First New York Film Festival”

SPONSOR: SPONSOR: Asian/Pacific American Caucus Experimental Film and Media Scholarly Interest Group

60 WEDNESDAY MARCH 21, 2012 SESSION D 4:00 – 5:45pm

The Non-Theatrical Military Film, D13 D14 Re-evaluating Early Film Theory ROOM 1942 to 1965 ROOM

CHAIR: Doug Cunningham ✦ United States Air Force Academy CHAIR: Eric Schaefer ✦ Emerson College Elizabeth Rawitsch ✦ University of East Anglia ✦ “‘A Free Muneaki Hatakeyama ✦ Waseda University ✦ “Eisenstein’s World and a Slave World’: The Divided Far East in The Void—On the Third Element of Eisenstein’s Dialectics” Battle of China (1944)” Ryan Pierson ✦ University of Pittsburgh ✦ “The Express Anna Froula ✦ East Carolina University ✦ “‘Strictly G.I.’: The Elevator and the Prophet-Wizard: Vachel Lindsay on the Containment of Military Women in World War II Training Promise of Animation” and Recruitment Films” Jonah Horwitz ✦ University of Wisconsin, Madison ✦ Kevin Hamilton ✦ University of Illinois ✦ and Ned O’Gorman ✦ “Melodrama and French ‘Impressionism’: Narrative University of Illinois ✦ “A Nuclear Synthesis: Science, Convention, Emotion, and Photogénie” America, and Hollywood in the Films of the USAF’s Felipe Pruneda Senties ✦ University of Pittsburgh ✦ Lookout Mountain Laboratory” “’Silencio,’ ‘Sobriedad,’ and Other Latin American Doug Cunningham ✦ United States Air Force Academy ✦ Cousins of ‘Photogénie’: The Film Theory of Horacio “‘Learn and Live!’: Masculinity in the Aircraft Survival Quiroga” Films of the Army Air Forces First Motion Picture Unit”

SPONSOR: Nontheatrical Film and Media Scholarly Interest Group

WORKSHOP D15 Violence, Cruelty, D16 Save to Continue ROOM and the Cinematic ROOM The State of Video Game Archiving and Preservation

CHAIR: Ipek Celik ✦ Brown University CHAIR: Matthew Payne ✦ University of Alabama Ipek Celik ✦ Brown University ✦ “Cannes 2009: Corporal Violence, Financial Crisis, and Post-Foucauldian Society” Workshop Participants: Mark Bernard ✦ Bowling Green State University ✦ “‘The Only Henry Lowood ✦ Stanford University Monsters Here Are the Filmmakers’: Animal Cruelty and Judd Ruggill ✦ Arizona State University Death in Italian Cannibal Films” SPONSOR: Video Game Studies Scholarly Interest Group Shilyh Warren ✦ North Carolina State University ✦ “Cinemas of Love and Hate: Spectatorship and Violence Against Women”

61 SESSION D 4:00 – 5:45pm D17 D18 Food for Thought ROOM Negotiating Cinematic Spaces ROOM The Cultural Significance of Food in Film and TV

MARCH 21, 2012 WEDNESDAY

CHAIR: Burlin Barr ✦ Central Connecticut State University CHAIR: Peri Bradley ✦ Southampton Solent University

Donna Kornhaber ✦ University of Texas, Austin ✦ “Griffith CO-CHAIR: Shaun Kimber ✦ Bournemouth University at Biograph, Chaplin at Keystone: Consolidation and Sarah Murray ✦ University of Wisconsin, Madison ✦ “‘The Chew Resistance in the Development of Classical Style” Replaces All My Children’: Democracy, Distinction, and Adam Hart ✦ University of Chicago ✦ “Inside and Outside the Daytime TV” Fortress: Space and Place in Contemporary Action and Brendon Wocke ✦ EMJD Cultural Studies in Literary Interzones ✦ Horror Films” “Gourmandise and Jouissance: From La Grande Bouffe to Isolde Vanhee ✦ Sint-Lucas Visual Arts Ghent ✦ “Staging the Julie & Julia” Family: An Analysis of the Domestic Architecture in Abigail Loxham ✦ University of Queensland ✦ “Digesting the Terrence Malick’s The Tree of Life (2011)” Image: Carnal Appetites in the Films of Bigas Luna” ✦ ✦ Burlin Barr Central Connecticut State University “Mambety’s Shaun Kimber ✦ Bournemouth University ✦ “‘Meats Meat, and Emergent Subjectivities: Contras’ City and Badou Boy” a Man’s Gotta Eat’ (Motel Hell, 1980): Food and Eating within Contemporary Horror Film and Horror Film Cultures”

WORKSHOP D19 Explorations of National and D20 The Future of Film on Film ROOM Racial Identities ROOM Booking, Borrowing, and Screening Archival Prints

CHAIR: Steven Peacock ✦ University of Hertfordshire CHAIR: Mark Betz ✦ King’s College London Katie Moylan ✦ University of Leicester ✦ “Televising Shame: Interrogating Irish Institutional Abuse” Workshop Participants: Janice Haynes ✦ Xavier University of Louisiana ✦ “African May Haduong ✦ Academy Film Archive American Audiences’ Interpretations of Race and Family Rebecca Meyers ✦ ArtsEmerson of The Blind Side” Lonny Jennings ✦ Boston Light Allie Lee ✦ Southern Illinois University, Carbondale ✦ “Cropped Man, Moving Still: Cinematic Renditions of the Interstitial ‘Oriental’ in Nikki S. Lee’s Parts (2006) Photography Series” Steven Peacock ✦ University of Hertfordshire ✦ “The Impossibility of Isolation in the Modern Swedish Crime Series: Wallander and Millennium”

62 WEDNESDAY MARCH 21, 2012 SESSION D 4:00 – 5:45pm D21 D22 ROOM Multiculturalism Gone Awry ROOM Local and Small-Scale Cinema

CHAIR: Anthony Reed ✦ Yale University CHAIR: Allyson Field ✦ University of California, Los Angeles

RESPONDENT: Katarzyna Marciniak ✦ Ohio University Linda Liu ✦ Brown University ✦ “Near, Common, and Familiar: Caetlin Benson-Allott ✦ Georgetown University ✦ “Fast, Quotidian Spectacle in Mitchell and Kenyon’s Local Furious Globalization: Conflicting Trans- and National Films” Fantasies in Contemporary Car Films” Martin Johnson ✦ New York University ✦ “‘An Added Bonus’: Anthony Reed ✦ Yale University ✦ “The Only Way Out Is In: The Strand News in Warsaw, Indiana (1938–1968)” Girl 6 and the Color Line” Alex Kupfer ✦ New York University ✦ “’An Ambivalent Neda Atanasoski ✦ University of California, Santa Cruz ✦ Acceptance of Sport and Spectacle’: Notre Dame and “Anxious Multiculturalism: Terror and Faith in 25th Hour Educational Films Beyond the Classroom, 1924–1931” and On the Path” Allyson Field ✦ University of California, Los Angeles ✦ “‘To Show the Industrial Progress of the Negro Along SPONSOR: Contemporary Theory Scholarly Interest Group Industrial Lines’: Early African American Motion Picture Production in Boston (1900s–1910s)”

SPONSOR: Nontheatrical Film and Media Scholarly Interest Group

Transnational Representations D25 of Labor ROOM Work, Affect, and Precarity in Recent European Cinema

CHAIR: Aine O’Healy ✦ Loyola Marymount University

CO-CHAIR: Marguerite Waller ✦ University of California, Riverside Alice Bardan ✦ University of Southern California ✦ “The New European Cinema of Precarity: A Transnational Perspective” Aine O’Healy ✦ Loyola Marymount University ✦ “Imaging Affect: Immigrant Labor in Europe’s Precarious Households” Marguerite Waller ✦ University of California, Riverside ✦ “The Dignity of Work and the Repression of Labor: A sud di Lampedusa and Il sangue verde” Adrian Martin ✦ Monash University ✦ “The Most Important Thing Is Work”

SPONSOR: Caucus on Class

63 SESSION D 4:00 – 5:45pm

SCREENING ROOM: Tremont, Level 4 MARCH 21, 2012 WEDNESDAY Film Socialisme Jean-Luc Godard, Switzerland/France, 2010, 101 min The latest and perhaps last fi lm of Jean-Luc Godard is a three-part meditation on the fi lmmaker’s ongoing interrogation of the rela- tionship between present and past. He searches for a new mode of dismantling classical fi lm form by engaging the history of fi lm art through the technological present and future. A beautiful fi lm with hallmark Godardian conventions, Film Socialisme carries us along a Mediterranean cruise, an encounter with a French couple and their children, and a tour of famous sites of antiquity, replete with obtuse narrative structures, elliptical dialogue, “Navajo” subtitles, and celebrity cameos (Patti Smith!). Godard’s suggestion that consumerism and escapism can be surmounted by expanded video formats carves a path through the modern(ist) media jungle of contemporary western society. Characteristic of the reception of Godard’s fi lms, the fi lm both elicited rave reviews and prompted walk-outs during its screening at Cannes. Godard’s melding of poetic aesthetics and political commentary remains as simple and elusive as ever.

SPONSORS: Caucus on Class French and Francophone Scholarly Interest Group Media Literacy and Pedagogical Outreach Scholarly Interest Group

Audiences for this fi lm may be interested in Working Girls (Session K), Criminal Queers (Session C), Angst Essen/Eat Fear (Session Q), and Maquilapolis: A City of Factories (Session L), as well as panels C12 “European Cinema Histories” and S19 “European Cinema.”

64 SESSION E 9:00 – 10:45am

E1 Topics in Film Criticism 1 E2 Science Fiction ROOM Cinephilia and the Mediums of Criticism ROOM Tastes and Philosophies

CHAIR: Steven Rybin ✦ Georgia Gwinnett College CHAIR: Kathleen McHugh ✦ University of California, Los Angeles RESPONDENT: Girish Shambu ✦ Canisius College ✦ ✦ Steven Rybin ✦ Georgia Gwinnett College ✦ “The Language of Marc Furstenau Carleton University “Science Fiction MARCH 22, 2012 Community in Film Criticism” Autobiography: Terrence Malick’s The Tree of Life and THURSDAY the Philosophy of Popular Culture” Peter Lurie ✦ University of Richmond ✦ “Cinephilia and the ✦ ✦ Archive: ‘American Movie Critics,’ Cultural Tradition, and Javier O’Neil-Ortiz University of Pittsburgh “The Digital the Body” Chimera: “Postanimal” Melodrama from Monkey Shines to Splice” Zoe Constantinides ✦ Concordia University ✦ “Film Criticism ✦ ✦ On the Air: Popular Authority on Radio and Television” Eliot Chayt University of Texas, Austin “The Rise of the Hollywood Science Fiction Prestige Picture” Kathleen McHugh ✦ University of California, Los Angeles ✦ “From Epic Apes to Domestic Cats: Visual Temporalities in 2001 and The Future”

E3 E4 Tuning Back In ROOM Directorial Gestures ROOM Fifties American Television History

CHAIR: Thomas Dorey ✦ York University CHAIR: Deborah Jaramillo ✦ Boston University

Murray Pomerance ✦ Ryerson University ✦ “Hitchcock’s RESPONDENT: Ethan Thompson ✦ Texas A&M University, Directorial Gestures” Corpus Christi Linda Ruth Williams ✦ University of Southhampton ✦ “The Quinn Miller ✦ Northwestern University, Qatar ✦ “Archive Child in Spielberg” Rehab: The 1950s Sitcom Spectrum and Queer George Toles ✦ University of Manitoba ✦ “The Sledgehammer Recovery” of Eros: Emergence in Punch-Drunk Love” Max Dawson ✦ Northwestern University ✦ “Reception Thomas Dorey ✦ York University ✦ “Framing in Futura: Text as Problems: Postwar Television and the Amateur Gesture in the Films of Wes Anderson” Experimenter” Miranda Banks ✦ Emerson College ✦ “Tales of a Shotgun Marriage: Film vs. TV Scribes and the Formation of the Writers Guild of America” Deborah Jaramillo ✦ Boston University ✦ “Genre Killers: The NARTB, the FCC, and the Evils of TV Astrology”

SPONSOR: Television Studies Scholarly Interest Group

65 SESSION E 9:00 – 10:45am

E5 Social Media, State Power, E6 Media Textures ROOM and Censorship ROOM Haptical Themes Onscreen and Off

CHAIR: Niki Akhavan ✦ Catholic University of America CHAIR: Alexandra Seibel ✦ University of Vienna

Niki Akhavan ✦ Catholic University of America ✦ “State of RESPONDENT: Antonia Lant ✦ New York University Digital Distress: New Media, State Power, and the Sheena Scott ✦ University College London ✦ “Feeling the Manufacture and Management of Crisis” Screen: The Changing Textures of the 1950s French Ahmed Dardir ✦ Columbia University ✦ “The Licentious Movie Theatre” Space and the Normalizing Paternal Gaze: Tahrir in the Lindsey Dolich ✦ Stanford University ✦ “Performing the Avatar Discourse of the Counter Revolution” Body: Motion-Capture and Haptic Visuality” ✦ ✦ Hossein Khosrowjah California College of Arts “Two Katheryn Wright ✦ Champlain College ✦ “Touch Screen Hands of Censorship: Re-framing the Question of Media Technology and the Politics of Framing in Contemporary Censorship and Resistance to It in Iran” THURSDAY MARCH 22, 2012 Visual Culture” Fakhri Haghani ✦ Rutgers University ✦ “Gender Relations and the Global Social Media”

SPONSOR: Middle East Caucus

E7 The Avant-Garde, Art, E8 From Workers’ State ROOM and the Internet ROOM to Owners’ State Representations of Work in Baltic Cinemas

CHAIR: Anne Ciecko ✦ University of Massachusetts, Amherst CHAIR: Maruta Vitols ✦ Emerson College

Mark Benedetti ✦ Indiana University ✦ “Watching the Avant- RESPONDENT: Bjorn Ingvoldstad ✦ Bridgewater State University Garde: Pedagogical Reception on Ubuweb” Eva Naripea ✦ Estonian Literary Museum ✦ “Accumulation Elizabeth Affuso ✦ Pitzer College ✦ “Bootleg Culture: of Dispossession: Approaching Work in Post-Soviet Authorship and Ownership in the Work of Douglas Estonian Auteur Cinema” Gordon” Renata Sukaityte ✦ Lithuanian Culture Research Institute ✦ Anne Ciecko ✦ University of Massachusetts, Amherst ✦ “Moving “The Representations of Smugglers, Dealers, and Images and Trademarks: The ‘Cinemagraph’ as Retro- Gamblers in Contemporary Lithuanian Film” fashionable Reinvention of New/Old Media”

66 SESSION E 9:00 – 10:45am

Bad Films/Películas Malas/ On the (Re)Death of Radio E9 E10 Continuities and Changes in Radio in the ROOM Filmes Ruins ROOM 21st Century, Part I: Technologies

CHAIR: Maria-Nuria Triana-Toribio ✦ University of CHAIR: Alexander Russo ✦ Catholic University of America Manchester Tona Hangen ✦ Worcester State University ✦ “Troubleshooting Jeffrey Geiger ✦ University of Essex ✦ “Nollywood Style: the Wayback Machine: When Radio Goes Online” MARCH 22, 2012 Nigerian Movies and ‘Perceptions of Worth’” Kathleen Griffin ✦ University of Brighton ✦ and THURSDAY Stephanie Dennison ✦ University of Leeds ✦ “Globofilmes and Abigail Wincott ✦ University of Brighton ✦ ‘Bad’ Brazilian Movies” “Shifting Sands: The Changing Power Relations Between Maria-Nuria Triana-Toribio ✦ University of Manchester ✦ “Not Listeners and Programme Makers” Fit for Export: The Torrente Saga (1998–2011)” Andrew Ó Baoill ✦ Cazenovia College ✦ “Degrees of Freedom: How Community Radio Stations Are Responding to New Distribution Channels” Christina Dunbar-Hester ✦ Rutgers University ✦ “The Symbolic Value of Technical Practice in 21st-Century Radio Activism”

Imagined “China,” Imagined “Hong Kong” E11 Socio-political Fissures and the E12 Media Alternatives and ROOM Redefinitions of “Chinese” ROOM Appropriations and “Hong Kong” Cinemas

CHAIR: Victor Fan ✦ McGill University CHAIR: William Boddy ✦ Baruch College, CUNY Victor Fan ✦ McGill University ✦ “Cantonese Cinema: Industrial Deborah Macey ✦ University of Oregon ✦ “Anatomy of a Twitter Crisis and Reconstruction, 1937-54” Spat: Reel Grrls and Comcast/NBC” Jennifer Feeley ✦ University of Iowa ✦ “Re-masculating Hong Brian Fauteux ✦ Concordia University ✦ “Canadian Campus Kong: Gender and Popular Youth Culture in Late 1960s Radio and Local Musical Activity” Mandarin Musicals” Michael Green ✦ Arizona State University ✦ “The Indie Infused Wei Yang ✦ University of the South ✦ “Life and Nothing But: Blockbuster: Contemporary Hollywood’s Appropriation The Decompressed Time and Space in Ann Hui’s The of the 1990s Independent Cinema Aesthetic” Way We Are” William Boddy ✦ Baruch College, CUNY ✦ “Video Guerrillas Yanhong Zhu ✦ Washington and Lee University ✦ “Representing and Hollywood Insurgents: Electronic Cinema in the Cultural and Political Trauma: The Discourse of AIDS in 1970s and 1980s” Gu Changwei’s Love for Life”

67 SESSION E 9:00 – 10:45am

E13 Global Media and Regional E14 (State) Violence and ROOM Production Centers ROOM Identity Politics

CHAIR: Edward Larkey ✦ University of Maryland, Baltimore CHAIR: Peter X. Feng ✦ University of Delaware County Jay Steinmetz ✦ University of Oregon ✦ “Threat of Liberalism, Dong Hoon Kim ✦ University of Oregon ✦ “Televisual Threat of Race: The People Under the Stairs and Destinations: Location Shooting and Tourism in Korea- Candyman in American Political Culture” Japan TV Co-Productions” Brittany Farr ✦ University of Southern California ✦ “Rape as Olof Hedling ✦ Lund University ✦ “Too Many Doing Too Little— Revenge: The ‘Millennium Trilogy’ and Rape-Revenge On Contemporary European Film Production Cultures” Films” Zainab Saleh ✦ University of Rochester ✦ “Drawing Dubai: A Michael Renov ✦ University of Southern California ✦ and Politics of Humor in Emirati Television Show Freej” Dean Wilson ✦ University of Social Sciences and Humanities, Hanoi ✦ “Tran Van Thuy’s The Story of THURSDAY ✦ ✦ MARCH 22, 2012 Edward Larkey University of Maryland, Baltimore County “Narrating Identities through TV Format Adaptation: A Kindness: Spirituality and Political Discourse” Transcultural Comparison of All in the Family (US) and Zachary Ingle ✦ University of Kansas ✦ “‘The Border Crossed Ein Herz und eine Seele (Germany)” Us’: Machete and the ‘Latino Threat Narrative’”

The Cultural Politics E15 Production Histories E16 ROOM ROOM of the Film Festival

CHAIR: Hester Baer ✦ University of Oklahoma CHAIR: Cindy Wong ✦ CUNY, Staten Island Maria Vinogradova ✦ New York University ✦ “‘People’s Film Ana Gilbert ✦ Oswaldo Cruz Foundation ✦ “Disability Film Studios’ in Leningrad in the 1980s” Festivals: A Heterotopia?” Elizabeth Galindo ✦ Local 892 and University of California, Tilottama Karlekar ✦ New York University ✦ “‘Portable Davis ✦ “Headaches, Heartaches and Euphoria in Publics’ in Parallel Realities: Tracking Documentary and Creating Authentic Historical Costumes for Two 21st- Alternative Festivals in India’s ‘Globalization’” Century Hollywood Films” Roger Almendarez ✦ Northwestern University ✦ “Mapping Stephen Charbonneau ✦ Florida Atlantic University ✦ “Fogo the Chicago Latino Film Festival: The Borderlands of in the City: The State, Participatory Experiments, and Transmedia” ‘Exercise in Democracy’” Cindy Wong ✦ CUNY, Staten Island ✦ Hester Baer ✦ University of Oklahoma ✦ “A Producer’s Cinema: “Creative Cinematic Geographies through the Hong Bernd Eichinger and German Film History” Kong International Film Festival”

SPONSOR: Film and Media Festivals Scholarly Interest Group

68 SESSION E 9:00 – 10:45am

E17 Spatiality 1 E18 ROOM Distance/Nearness ROOM Managing Cinema’s Economy

CHAIR: Michael Meneghetti ✦ Brock University CHAIR: Lee Grieveson ✦ University College London Oksana Chefranova ✦ New York University ✦ “Cinema as Lee Grieveson ✦ University College London ✦ “The State of Sky-Gazing: Contemplation, Landscape, and Image in Extension” MARCH 22, 2012 Alexander Sokurov’s Experimental Video Films Spiritual Charlie Keil ✦ University of Toronto ✦ “Bi-coastal Management THURSDAY Voices (1995), A Humble Life (1997), and Elegy of Voyage in the Early Hollywood Era” (2001)” Mark Cooper ✦ University of South Carolina ✦ “The Artwork in ✦ ✦ Rick Warner University of Pennsylvania “Fantasies of Wit: the Age of Accounting” Spectator Address in the German Audio-visual Essay” Caroline Godart ✦ Rutgers University ✦ “Feminist Spatiality: Jane Campion and the Aesthetics of Distance” Michael Meneghetti ✦ Brock University ✦ “Style as Thought: Acting as ‘Affective Thought’ in Contemporary Hollywood’s Histories”

WORKSHOP Youth Looks at the World E19 Should Studying the Politics of E20 ROOM ROOM Reception Study and Film Education in the Representation Be History? U.S., 1928 to 1942

CHAIR: Ron Becker ✦ Miami University CHAIR: Lisa Rabin ✦ George Mason University

CO-CHAIR: Julia Himberg ✦ University of Southern California RESPONDENT: Kathryn Fuller-Seeley ✦ Georgia State University Eric Smoodin ✦ University of California, Davis ✦ “Language, Workshop Participants: Aesthetics, Culture: Studying French Films in the Herman Gray ✦ University of California, Santa Cruz American Classroom, 1928–1942” ✦ ✦ Bambi Haggins ✦ Arizona State University Mark Lynn Anderson University of Pittsburgh ✦ “Observations of the Disorganized Boy: Problems of Star Lynne Joyrich Brown University Reception in 1930s Film Studies” ✦ Ellen Seiter University of Southern California Lisa Rabin ✦ George Mason University ✦ “East Harlem Youth Brenda Weber ✦ Indiana University and the Movies, 1929–1934”

SPONSOR: Nontheatrical Film and Media Scholarly Interest Group

69 SESSION E 9:00 – 10:45am WORKSHOP E21 Digital Methodologies E22 Media Industries in Transition ROOM ROOM Redefining Television, Comics, and Film in for Screen Histories the Postwar Era Performing Research in the 21st Century

CHAIR: Paul Moore ✦ Ryerson University CHAIR: Ken Provencher ✦ University of Southern California Zachary Campbell ✦ Northwestern University ✦ “The Workshop Participants: Geography of Early Video: Between ‘Live’ and ‘Canned’ Richard Abel ✦ University of Michigan in 1950s US Television” ✦ ✦ Janet Bergstrom ✦ University of California, Los Angeles Shawna Kidman University of Southern California “Men in ✦ Tight Places: How The Comic Book Industry Collapsed Ross Melnick Oakland University and Lived to Tell about It” ✦ Jan Olsson Stockholm University Ken Provencher ✦ University of Southern California ✦ “Not a James Steffen ✦ Emory University Roman Holiday: 1950s Runaway Production in Japan”

THURSDAY ✦ ✦ MARCH 22, 2012 Edward Timke University of Michigan “America’s Changing Media Industries of the 1950s through French Eyes”

E25 ROOM Cinema as Archive

CHAIR: Paula Amad ✦ University of Iowa MEETING ROOM: Constance Balides ✦ Tulane University ✦ “‘Data, Data, Data’: Sherlock Holmes as Archive” 9:00 – 10:45am Alexandra Bevan ✦ Northwestern University ✦ “Remaking the Animated Media Studies Cleavers: Archiving Television in Film Adaptations of the Boomer Era Family Sitcom” Scholarly Interest Group Mal Ahern ✦ Yale University ✦ “‘Weird Things Go On Off- Camera’: Gossip, the Archive, and Narrative Space in Warhol’s Screen Tests” Paula Amad ✦ University of Iowa ✦ “Tears in Time: Bazin and Kracauer on Nicole Védrès’ Paris 1900 (1947)”

70 SESSION E 9:00 – 10:45am

SCREENINGS ROOM: Tremont, Level 4 A Place to Live: The Story of Triangle Square Carolyn Coal and Cynthia Childs, USA, 2008, 82 min What does it mean to be a gay senior citizen trying to survive on limited resources in America? A Place to Live explores this issue by chronicling the development and construction of Triangle Square Hollywood, the country’s fi rst affordable housing facility for LGBT MARCH 22, 2012 seniors. THURSDAY Winner of the Audience Award at Outfest 2008: Los Angeles Gay and Lesbian Film Festival, A Place to Live follows the journey of seven individuals as they attempt to secure a home in Triangle Square. Since demand far exceeded the number of available units, a lottery system was established to select who would live in the complex—not everyone would be chosen. A Place to Live is a moving portrait of gay and lesbian seniors on the fringe of their community and of the triumphant opening of this historic building.

SPONSOR: Documentary Studies Scholarly Interest Group Pirated Hoang Tan Nguyen, USA, 2000, 11 min Trauma and erotica confl ate in the revisionist memories of a Vietnamese fi lmmaker who encountered Thai pirates as a young refugee.

SPONSORS: Queer Caucus Documentary Studies Scholarly Interest Group Untitled Hoang Tan Nguyen, USA, 4 min (Work in Progress) A collection of screen names and headless torsos from online cruising sites comprise this experimental meditation on contemporary gay asian male sexuality.

SPONSOR: Queer Caucus

Audiences for these fi lms may also be interested in Criminal Queers, Camp, Poised and in the Throes, and The Secret Loves of Jesse James - all in Session C.

11:00am – 12:45pm ORIENTATION FOR NEW MEMBERS

ROOM: Statler, Level 2 Learn more about the Society, the conference, Cinema Journal, and other benefi ts of membership.

71 SESSION F 11:00am – 12:45pm Revisiting F1 Revisiting the Musical F2 Global Television Formats ROOM ROOM An International Agenda for Television Studies

CHAIR: John Trenz ✦ University of Pittsburgh CHAIR: Tasha Oren ✦ University of Wisconsin Milwaukee

Martha Shearer ✦ King’s College London ✦ “The Hollywood CO-CHAIR: Sharon Shahaf ✦ Georgia State University Musical and the Postwar Transformation of New York” Tasha Oren ✦ University of Wisconsin Milwaukee ✦ “Judges’ Jenny Oyallon-Koloski ✦ University of Wisconsin, Madison ✦ Table: Formats and Contemporary Food Television (or All “‘Someone Who Could Stop a Man by Just Sticking about Food Network’s Turn from Gastro-porn to Foodie Up Her Leg’: Dancing Femme Fatales in the Classical S&M)” Hollywood Musical” Yeidy Rivero ✦ University of Michigan ✦ “Anatomy of a Protest: Frances Smith ✦ University of Warwick ✦ “‘This Is a Life of Audience Expectations, Colombia’s A Corazón Abierto Illusion’: The Role of the Carnival in Grease (Dir. Randal and Grey’s Anatomy” Kleiser, 1978)” THURSDAY ✦ ✦ MARCH 22, 2012 Sharon Shahaf Georgia State University “American John Trenz ✦ University of Pittsburgh ✦ “Footloose Across Dreams, Israeli Formats: Lessons from the Successes Media: Transcending the Film Musical” and Failures of US Adaptations”

SPONSOR: Television Studies Scholarly Interest Group

F3 Hitchcock and Film Authorship F4 ROOM Cinema, Culture, Collaboration ROOM Still/Moving

CHAIR: John Hellmann ✦ Ohio State University CHAIR: Tina Wasserman ✦ Tufts University

RESPONDENT: Thomas Leitch ✦ University of Delaware Christopher Rowe ✦ University of Melbourne ✦ “Dynamic Richard Allen ✦ New York University ✦ “Hitchcock and the Statues and Dilated Time: Cinematic Adaptations of Wandering Woman” Comic Books” ✦ ✦ John Hellmann ✦ Ohio State University ✦ “The Leading Man Joel Burges University of Rochester “Time and Description: of Marnie” Mini-Series and the Duration of The Winds of War and War and Remembrance” Susan Smith ✦ University of Sunderland ✦ “The Child in ✦ ✦ Hitchcock” Sarah Keller Colby College “Cinematic Paranoia: Theories of Movement vs. Stasis” Tina Wasserman ✦ Tufts University ✦ “Repeated Time: Remembering and Reenactment in Wanda Jakubowska’s Ostatni Etap”

72 SESSION F 11:00am – 12:45pm

F5 Singular Plural F6 ROOM Japanese Media Inside Out and Outside In ROOM Gender, Genre, and Sexuality

CHAIR: Thomas Lamarre ✦ McGill University CHAIR: Robert Kilker ✦ Kutztown University of Pennsylvania Marc Steinberg ✦ Concordia University ✦ “Environment HyunHee Park ✦ University of Chicago ✦ “Korean Women Theory: Animation Cultures and Media Theory in Japan” Tearing the Imperial Screen – Gender, Melodrama, and MARCH 22, 2012 Mark Nornes ✦ University of Michigan ✦ “Calligraphy in Cultural Politics in Chosŏn Strait (1943)” THURSDAY Japanese Cinema” David Gerstner ✦ CUNY Graduate Center/College of Staten ✦ Alexander Zahlten ✦ Dongguk University, Seoul ✦ “Romantic Island “Philippe Vallois’ Johan: Intermingling Gay- Technology: Transmedia and Recent Media Theory in Male Bodies with Cinematic Form” Japan” Robert Kilker ✦ Kutztown University of Pennsylvania ✦ Thomas Lamarre ✦ McGill University ✦ “The Anime Screen: “Melodrama and Gender Performance in The Wrestler” Toward a Media Ecology of Animation”

SPONSOR: Animated Media Scholarly Interest Group

F7 Signal Traffic F8 Citizenship, Identity, and ROOM Researching Media Infrastructures ROOM Documentary

CHAIR: Cristina Venegas ✦ University of California, Santa CHAIR: Sheila Petty ✦ University of Regina Barbara Daniel Miller ✦ University of Oregon ✦ “Citizen Media and Lisa Parks ✦ University of California, Santa Barbara ✦ “Beaming Documentary Story Power: Julia Bacha’s Budrus, Just the Audiovisual: Toward a Theory of Media Vision, and Nonviolent Protest in Palestine” Infrastructures” Veena Hariharan ✦ University of Southern California ✦ “Queer Jonathan Sterne ✦ McGill University ✦ “Audible Subjectivities and the First-Person Documentary in Infrastructures and Telephone Effects” India” Nicole Starosielski ✦ Miami University ✦ “Disappearing Anat Zanger ✦ Tel Aviv University ✦ “The Anamnesis of the Infrastructures: Undersea Cables and Narratives of Border: Israeli and Palestinian” Connection” Sheila Petty ✦ University of Regina ✦ “Reterritorialization in Shannon Mattern ✦ The New School ✦ “Deep Time of Media African Documentary Films: Arlit: Deuxième Paris and Infrastructure” Sacred Places”

73 SESSION F 11:00am – 12:45pm F9 Turkish Cinema or New Cinema F10 On the (Re)Death of Radio ROOM of Turkey? ROOM Continuities and Changes in Radio in the Transformation of National Cinema 21st Century, Part II: Programming

CHAIR: Deniz Bayrakdar ✦ Kadir Has University CHAIR: Christina Dunbar-Hester ✦ Rutgers University Deniz Bayrakdar ✦ Kadir Has University ✦ “Silence of Sound Cynthia Conti ✦ New York University ✦ “Localizing Localism: and Image in the New Cinema in Turkey” The Complexities of LPFM Broadcasting” Ayca Ciftci ✦ Royal Holloway University of London ✦ “Kurdish Alexander Russo ✦ Catholic University of America ✦ and Cinema Movement in Turkey: Text, Context, Intertext” Bill Kirkpatrick ✦ Denison University ✦ “‘Beyond’ the Enis Dinc ✦ University of Amsterdam ✦ “Old Names, New Terrestrial?: Distribution, Formats, and the Place of the Heroes: Re-presenting National History in Turkish Film Local in Satellite Radio” and Television” Christopher Cwynar ✦ University of Wisconsin, Madison ✦ “I Elif Kahraman ✦ Kadir Has University ✦ “Arm-Wrestling a Want My NPR.org/Music: ‘Independent’ Popular Music Culture and American Public Broadcasting in the Digital THURSDAY MARCH 22, 2012 Super Power: The Ugly American in Turkish Comedy Films” Convergence Era” Jason Loviglio ✦ University of Maryland ✦ “NPR’s Useful Crises”

F11 F12 ROOM Sports Media ROOM Aesthetics and Politics

CHAIR: Adam Rugg ✦ University of Iowa CHAIR: Scott Nygren ✦ University of Florida Samantha Sheppard ✦ University of California, Los Angeles ✦ Stanton McManus ✦ East Tennessee State University ✦ “The “Sports, Courts, and Critical Memory: Documentary, Politics of Belonging: Melodrama, Modernity, and Black Performativity, and Embodied Archives of History” Democracy” Kate Ranachan ✦ University of Minnesota ✦ “What Time’s the Michele Pierson ✦ King’s College London ✦ “Drama and Match? The Changing Rituals of English Premier League Abstraction: A Problem in the Making for Thomas Soccer Supporters” Wilfred’s Lumia” Adam Rugg ✦ University of Iowa ✦ “Nodes of Play: The Mark Minett ✦ University of Wisconsin, Madison ✦ “They Multiplatform Reality of the NFL” Are Not Who They Are: Allegorical Structure and the Invasion of the Body Snatchers Films” Scott Nygren ✦ University of Florida ✦ “Animals, Communists, and Caves: Benjaminian Time in Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives (2010)”

74 SESSION F 11:00am – 12:45pm

Reconfiguring Word and Image F13 F14 Spatiality 2 ROOM Relations Before and After the ROOM Mapping Postmodernity Russian Revolution

CHAIR: Cristina Vatulescu ✦ New York University CHAIR: Steven Shaviro ✦ Wayne State University Daria Khitrova ✦ University of California, Los Angeles ✦ and Noel Kirkpatrick ✦ Georgia State University ✦ “Signs of Love: Yuri Tsivian ✦ University of Chicago ✦ “Illustrations Superflat Social Worlds in Shin Megami Tensei: MARCH 22, 2012 on the Run: Pushkin’s Queen of Spades (1834) in the Lens Persona 4” THURSDAY of Book Illustrations by Aleksandr Benois (1911) and the Mark Bartlett ✦ University of the Creative Arts ✦ “The 1916 Screen Version by Yakov Protazanov” Postmodern Event and Its Documentary Effect” ✦ ✦ Michael Kunichika New York University “Image Thinking Steven Shaviro ✦ Wayne State University ✦ “Post-continuity” and the East: S. Veltman, the Image, and Soviet Cinema in 1920s” Cristina Vatulescu ✦ New York University ✦ “The Illegible Close-up: Soviet Era Secret Police Files and Films”

WORKSHOP F15 Depictions of Poverty F16 Cooperative Play, Multiplayer R&D ROOM in American Cinema ROOM Encouraging Effective Collaboration in Games Research and Development

CHAIR: Melanie Brunell ✦ University of Florida CHAIR: Nina Huntemann ✦ Suffolk University

CO-CHAIR: Wylie Lenz ✦ University of Florida Elissa Nelson ✦ University of California, Santa Barbara ✦ Workshop Participants: “Ideologies of Success: Class Disparity as Narrative Mia Consalvo ✦ Concordia University Conflict and Personal Agency as Resolution in the Teen Darius Kazemi ✦ bocoup Film” Eric Gordon ✦ Emerson College ✦ Texas A&M University ✦ Galen Wilson “‘I Liked You Better as ✦ a Bum’: Tramping as Masculine Rite in It Happened One Bill Shribman WGBH Night and Sullivan’s Travels” Sara Verrilli ✦ MIT GAMBIT Game Lab ✦ ✦ Wylie Lenz University of Florida “Cinematic Solutions to SPONSOR: Video Game Studies Scholarly Interest Group Economic Crisis” Melanie Brunell ✦ University of Florida ✦ “Paradise Lost, Hope Regained: The Tramp’s Final Journey in Modern Times”

75 SESSION F 11:00am – 12:45pm F17 LGBT Youth Identity F18 Topics in Film Criticism 2 ROOM and Online New Media ROOM Pauline Kael, Technological Change, and Agency, Vulnerability, and Physical Space Cultural Authority

CHAIR: Christopher Pullen ✦ Bournemouth University CHAIR: Jason Kelly Roberts ✦ Northwestern University

Bryan Wuest ✦ University of California, Los Angeles ✦ “Stories RESPONDENT: Greg Taylor ✦ Purchase College, SUNY Like Mine: Coming Out Videos and Queer Identities on Jason Kelly Roberts ✦ Northwestern University ✦ “Movies on YouTube” Television: Pauline Kael and the Film Generation” ✦ ✦ Taylor Nygaard University of Southern California “Youth Katherine Kinney ✦ University of California, Riverside ✦ “Why Cyberbullying and Policing the Self-Brand” Kael” ✦ ✦ Raffi Sarkissian University of Southern California “Teenage Rachel Thibault ✦ University of Massachusetts, Amherst ✦ Dreams: The It Gets Better Project and Queer Youth “Criticism, Controversy, and Cultural Authority: Pauline Politics of the Past” Kael and Penelope Gilliatt at The New Yorker” THURSDAY MARCH 22, 2012

WORKSHOP What’s New in F19 Early Cinema in South Asia F20 ROOM ROOM Classical Film Theory Crises, Methods, and Initiatives

CHAIR: Anupama Kapse ✦ Queens College, CUNY CHAIR: Johannes von Moltke ✦ University of Michigan

RESPONDENT: Daniel Morgan ✦ University of Pittsburgh Workshop Participants: Doron Galili ✦ Oberlin College ✦ “Still a New Columbus: Neepa Majumdar ✦ University of Pittsburgh Intermedial Thinking in Classical Film Theory” Manishita Dass ✦ Royal Holloway, University of London David Rodowick ✦ Harvard University ✦ “On the History of Ramesh Kumar ✦ New York University Classical Film Theory” ✦ ✦ Sudhir Mahadevan ✦ University of Washington Erica Carter University of Warwick “The Visible Woman In and Against Béla Balázs” Johannes von Moltke ✦ University of Michigan ✦ “Out of the Past: Transdisciplinary Lessons from Classical Film Theory”

76 SESSION F 11:00am – 12:45pm

F21 F22 Genre Issues ROOM American Independent Cinema ROOM Deconstruction and Hybridity

CHAIR: Caroline Frick ✦ University of Texas, Austin CHAIR: Leger Grindon ✦ Middlebury College Michael Z. Newman ✦ University of Wisconsin, Wyatt Phillips ✦ New York University ✦ “Uncle Josh Goes to Milwaukee ✦ “Movies for Hipsters” the Movies: Genre and Appropriation in Early American MARCH 22, 2012 Caroline Frick ✦ University of Texas, Austin ✦ “Preserving Cinema” THURSDAY Independence: Archival Collections and Defining Joanne Morreale ✦ Northeastern University ✦ “The Donna Reed American Independent Film” Show and the ‘Hollywood Sitcom’” Thomas Schatz ✦ University of Texas, Austin ✦ “British Cinema Christopher Sieving ✦ University of Georgia ✦ “I Don’t Know and the American Indie Film Movement” If This Is a Comedy or a Tragedy’: A Woman Is a Woman Alisa Perren ✦ Georgia State University ✦ “Last Indie Standing: and Questions of Genre Deconstruction” The Special Case of Lionsgate in the New Millennium” Leger Grindon ✦ Middlebury College ✦ “Cycles and Clusters: The Shape of Film Genre History”

F25 Media Rejection ROOM Practices and Discourses of Non- Consumption and Resistance

CHAIR: Laura Portwood-Stacer ✦ New York University MEETING Rivka Ribak ✦ University of Haifa ✦ and Michele Rosenthal ✦ ROOM: University of Haifa ✦ “Parsing the Aesthetic of Media Ambivalence: Field Notes from Unplugged” 11:00am – 12:45pm Louise Woodstock ✦ Ursinus College ✦ “Status Not Updated: Film and Media Festivals Resisting New Communication Technologies” Scholarly Interest Group Laura Portwood-Stacer ✦ New York University ✦ “Quitters, Hold-outs, and Suicides: Practices of Refusal among (Non)Consumers of Social Media” D. Travers Scott ✦ Clemson University ✦ “Convulsions of Gender: Media Struggle in Possessed and Ringu Offshoots”

77 SESSION F 11:00am – 12:45pm

SCREENINGS ROOM: Tremont, Level 4 Contemporary (In)appropriations: New Experimental Found Footage Films Various makers, various countries, 2009-11, 92 min Whether you call it collage, compilation, found footage, or recycled cinema, the incorporation of previously shot materials into new works is a practice that generates novel juxtapositions of elements, producing new meanings and ideas that may not have been intended by the original makers—that are, in other words, “inappropriate.” This act of appropriation may produce revelations that lead viewers to reconsider the relationship between past and present, here and there, intention and subversion. The past decade has seen the emergence of a wealth of new sources for audiovisual materials that can be appropriated and repurposed to give them new meanings and resonances. The Festival of (In)appropriation is a yearly showcase of contemporary short audiovisual works that appropriate fi lm or video footage and repurpose it in “inappropriate” and inventive ways. This year’s program contains four- teen works and is curated by Jaimie Baron, Andrew Hall, and Lauren Berliner. For more details, see http://festivalofi nappropriation. org/?page_id=463. THURSDAY

MARCH 22, 2012 SPONSORS: Experimental Film and Media Scholarly Interest Group Documentary Studies Scholarly Interest Group A Movie by Jen Proctor Jennifer Proctor, USA, 2010, 12 min A remake of Bruce Conner’s seminal 1958 found footage fi lm A Movie using appropriated material from YouTube and LiveLeak. As a remake, the video provides a parallel narrative that explores the changes in historical and visual icons from 1958 to 2010—as well as those images that remain the same. It also comments on the way disparate threads in online databases can be assembled to create “a movie.”

SPONSOR: Media Literacy and Pedagogical Outreach Scholarly Interest Group

Audiences for these fi lms may be interested in the screenings of Film Socialisme (Session D), Angst Essen/Eat Fear (Session Q), Pirated (Session E), Untitled (Session E), Poised and In the Throes (Session C), and The Secret Loves of Jesse James (Session C), as well as in panels E7 “The Avant-garde, Art, and the Internet,” H9 “Citation and Appropriation: Film Remembers (through) Film,” and L4 “Authorship, Appropriation, Archive: Experiments with Found Footage Then and Now.”

78 THURSDAY MARCH 22, 2012 79 ge’s akers, akers, which During and DVD and DVD enter, and enter, 43 Yiddish sentations. ut research ut research than 14,000 materials. To To materials. take questions questions take ed materials, the ed materials, r in the collection, highlighting 559 Washington Street 559 Washington 11:00am – 12:45pm 11:00am SPECIAL EVENT SPECIAL The National Center for Jewish Film for Jewish The National Center New England Archive Showcase Archive New England Bright Family Screening Room, Emerson College’s Paramount Center Room, Emerson College’s Screening Bright Family LOCATION: LOCATION: The Paramount is a 5-10 minute walk from the Park Plaza Hotel. Upon exiting the hotel on the Arlington the Arlington on Upon exiting the hotel the Park Plaza Hotel. walk from The Paramount is a 5-10 minute Directions: Directions: and walk approximately right on Boylston Turn Street. Boylston to side, turn right and walk a block-and-a-half Street and Tremont of Boylston Common. At the intersection and Boston blocks east, paralleling the Public Garden three Common Boston (the corner with the Loew’s Avery Street and go one block to Tremont turn left onto Streets, you will see Washington, As you turn left onto Street. Washington and go one block to right on Avery Turn Theater). the Paramount marquee. time they will share a sampling of some of the fi lms, television programs, and other media in their holdings with SCMS members. and other media in their holdings programs, lms, television a sampling of some of the fi time they will share of clips, discuss their collections, and a variety introduce will be on hand to the archives from each showcase representatives learn abo to students and advanced scholars alike graduate This will be a one-of-a-kind opportunity for both the audience. from stay for all of the pre by for an hour or Drop of the hidden gems within these important archives. opportunities and about many Colle Room at Emerson Screening place in the Bright Family take badge. The showcase will conference Admission is with your SCMS Street. at 559 Washington Paramount Center lm in the world, outside of Israel, with more fi collection of Jewish-content largest in 1976, NCJF owns the Founded exhibitor. lm fi and endangered of rare and restoration NCJF’s priority is the preservation the present. 1903 to lm dating from of fi reels including lms that document the diversity and vibrancy of Jewish culture, than 100 orphan fi more has restored the Center date, oblivion. Recognized as a world leade these invaluable cultural and artistic artifacts from lms, rescuing fi and silent feature lmm 5,000 fi consultation to and research programming provides the Center and exhibition of Jewish art and culture, restoration, its own restor In addition to lms with Jewish content. of fi is also a major distributor NCJF each year. artists, and educators available for public exhibition lms are classics and new fi than 300 restored More lmmakers. 150 independent fi represents Center lm.org www.jewishfi on the campus of Brandeis University. NCJF is located purchase. The National Center for Jewish Film is a unique, independent nonprofi t motion picture archive, distributor, curator, resource c resource curator, distributor, archive, picture t motion for Jewish Film is a unique, independent nonprofi The National Center New England is home to several signifi cant moving image archives. We are pleased to present a showcase of these archives during a showcase of these archives present pleased to are We cant moving image archives. several signifi New England is home to SESSION G 1:00 – 2:45pm G1 21st-Century Celebrity and G2 ROOM the Politics of Gender ROOM Women and Comedy Scandal, Sexuality, Saints, and Spirits

CHAIR: Kirsten Pike ✦ Stockholm University CHAIR: Victoria Sturtevant ✦ University of Oklahoma Dana Heller ✦ Old Dominion University ✦ “‘Party for a Living’: Elizabeth Gailey ✦ University of Tennessee ✦ “Every Joke a Queer Television Celebrity” Revolution? Strategies of Racial and Sexual Subversion Brenda Weber ✦ Indiana University ✦ “The Epistemology of in Margaret Cho’s Television Comedy” the (Televised, Polygamous) Closet: Sister Wives and the Linda Mizejewski ✦ Ohio State University ✦ “Kathy Griffin and Politics of Celebrity Mormonism” the Comedy of the D List” Kirsten Pike ✦ Stockholm University ✦ “Father Haunts Best: Victoria Sturtevant ✦ University of Oklahoma ✦ “Contemporary Bindi the Jungle Girl, Steve Irwin, and the Politics of Pregnancy Comedies and the Gross-out Aesthetic” Postmortem Celebrity” Caroline Claiborn ✦ University of Oregon ✦ “Blindness and

THURSDAY ✦ ✦ MARCH 22, 2012 Misha Kavka University of Auckland “Celebrity Damage” Prejudice in Sarah Silverman’s Jesus Is Magic”

G3 G4 You Are What You Eat ROOM Queer Aesthetics/Global Politics ROOM Media and Diet

CHAIR: Karl Schoonover ✦ Michigan State University CHAIR: Lara Bradshaw ✦ University of Southern California Rosalind Galt ✦ University of Sussex ✦ “Cinema of Default: Lara Bradshaw ✦ University of Southern California ✦ “The Queer World Cinema and the Argentine Economic Crisis” Unhealthful Encounter: Negotiating Embodiment, Patricia White ✦ Swarthmore College ✦ “Circumstantial Disease, and Temporality in Jamie Oliver’s Food Lesbianism: Arthouse Sexuality and Transnational Revolution” Spectatorship” Steven Doles ✦ Syracuse University ✦ “Food, Obesity, and Karl Schoonover ✦ Michigan State University ✦ “Queer or Reality Television: From Embodied Affect to Social Human?: LGBT Film Festivals and the Liberalism of Structure” Global Culture” Alexandra Bush ✦ University of Southern California ✦ “The Homay King ✦ Bryn Mawr College ✦ “Keys to Turing” Postfeminist Network: How the Food Network Reasserts Gender Binaries—and Why It Matters” SPONSOR: Queer Caucus Michael Litwack ✦ Brown University ✦ “Making Television Live: Obesity, Mediality, Biopolitics”

80 SESSION G 1:00 – 2:45pm G5 G6 Gendering Fandoms ROOM Identities and Agency Online ROOM Exploring the Centrality of Gender and Sexuality to Fannish Practice

CHAIR: Adriane Brown ✦ Ohio State University CHAIR: Darlene Hampton ✦ University of Oregon Lara Schweller ✦ University of California, Irvine ✦ Jing Zhao ✦ University of Wisconsin, Milwaukee ✦ “Popular “Reconnecting the Village: Interactivity as ‘Women’s Cultural Capital Matters: A Comparative Study of MARCH 22, 2012 Work’ on the Mommy Blog” ‘Queered’ Chinese Online Fandom” THURSDAY Elizabeth Ellcessor ✦ University of Wisconsin, Madison ✦ Anne Gilbert ✦ Rutgers University ✦ “When Twilight Comes to “Service-y: Identity, Instruction, and Participation in Comic-Con: Gender Divisions in Popular Fandom” Online Communities of People with Disabilities” John Vanderhoef ✦ University of California, Santa Barbara ✦ Adriane Brown ✦ Ohio State University ✦ “‘You Are the Best “Canon Fodder: Taste, Gender, and Video Game Culture” Thing That’s Ever Been Mine’: Queer Fandom and Darlene Hampton ✦ University of Oregon ✦ “Pure Heterosexual Melancholia on TaylorSwift.com Message Communities: The Radicalizing Potential of Intimacy in Boards” Fan Communities”

WORKSHOP G7 Action Studies Now G8 Of Borders and Places ROOM Expanded Perspectives, ROOM The Cinema of Guillermo del Toro Teaching Challenges

CHAIR: Christine Holmlund ✦ University of Tennessee CHAIR: Laura Podalsky ✦ Ohio State University Deborah Shaw ✦ University of Portsmouth ✦ “Guillermo del Workshop Participants: Toro: A Transnational Trans-genre Filmmaker” Yvonne Tasker ✦ University of East Anglia Juan Vargas ✦ University of Guadalajara ✦ “The Child’s Gaze Lisa Purse ✦ University of Reading in del Toro’s Hispanic Trilogy: Between the Real and the Fantastic” Scott Higgins ✦ Wesleyan University ✦ Newcastle University ✦ ✦ Ann Davies “Guillermo del Toro’s Lisa Coulthard University of British Columbia Monsters: Matter Out of Place” SPONSOR: Media Literacy and Pedagogical Outreach Laura Podalsky ✦ Ohio State University ✦ “To Hell and Back: Scholar Interest Group Border Crossing in del Toro’s English Language Films”

SPONSOR: Latino/a Caucus

81 SESSION G 1:00 – 2:45pm

G9 Page to Screen G10 Nollywood in the Context ROOM Aspects of Adaptation ROOM of Globalization

CHAIR: Cynthia Lucia ✦ Rider University CHAIR: Carmela Garritano ✦ University of St. Thomas Natalie Ryabchikova ✦ University of Pittsburgh ✦ “From Moradewun Adejunmobi ✦ University of California, Davis ✦ Vampire to Class Enemy: A Soviet Film Adaptation of “Nollywood and New Templates for Minor Transnational Prosper Mérimée’s Lokis” Film” Scott Vangel ✦ University of Massachusetts, Amherst ✦ “Post- Carmela Garritano ✦ University of St. Thomas ✦ “Minor-to- ‘68 Paris and the Spirit of Dostoevsky’s Underground in Minor Competition and Collaboration: An Analysis of Robert Bresson’s Four Nights of a Dreamer” Nigeria/Ghana Co-productions” Adrienne Domasin ✦ Chapman University ✦ “The Dude vs. The Akin Adesokan ✦ Indiana University ✦ “How Nollywood Films Duke: The Hollywood Western and the Adaptations of Imagine the World” True Grit” THURSDAY ✦ ✦ MARCH 22, 2012 Jonathan Haynes Long Island University “Kunle Shelley Cobb ✦ University of Southampton ✦ “Adapting Afolayan and the ‘New Nollywood’: Nationalism, Authority: Contemporary Female Stars and Film Transnationalism, and Cosmopolitanism” Production” SPONSOR: African/African American Caucus

G11 Cold War Politics and East Asian G12 Rethinking French History ROOM Cinema Reconsidered ROOM and Theory Today

CHAIR: Ying Xiao ✦ University of Florida CHAIR: Jonathan Buchsbaum ✦ Queens College, CUNY

RESPONDENT: Christina Klein ✦ Boston College Sylvie Thouard ✦ University Paris-Est ✦ “Distraction and Sangjoon Lee ✦ University of Michigan ✦ “Codename Red: Shared Spaces” Interpol, CIA, and the Red Complex in Cold War East Laurent Creton ✦ New Sorbonne University ✦ “Thinking the Asian Cinema” Political Economy of Film: Historical Perspectives and Minhwa Ahn ✦ Cornell University ✦ “Broken Motherhood: Combined Views” Between National Allegories and Americanization in Jean-Pierre Bertin-Maghit ✦ New Sorbonne University ✦ “The Korean, Japanese Melodrama during the Early Cold War Films of Amateur Filmmaker Soldiers during the Period” Algerian War: What Kind of Historical Document?” Ying Xiao ✦ University of Florida ✦ “From Body Crossing Laurent Jullier ✦ Nancy 2 University ✦ “Problems of to Border Crossing: Refiguring Gender, Genre, and Interdisciplinarity in French Film Theory” Transnational Imaginary in Postwar Chinese Cinema” SPONSOR: French and Francophone Scholarly Interest Group SPONSOR: Asian/Pacific American Caucus

82 SESSION G 1:00 – 2:45pm

Moving Images/ G13 The Extra-Cinematic Stage G14 ROOM Back and Beyond ROOM Movie Environments From Screen Titles to Screening Locations

CHAIR: Dean Allbritton ✦ Colby College CHAIR: Wheeler Winston Dixon ✦ University of Nebraska, James Steichen ✦ Princeton University ✦ “Class Acts and the Lincoln Backstage Musical: Opera, Ballet, and the Concept of David Richler ✦ Carleton University ✦ “On the Paratextual MARCH 22, 2012 the Nonprofit in The Goldwyn Follies (1938)” Significance of Titles” THURSDAY Selmin Kara ✦ Ontario College of Art and Design ✦ “From the James Crawford ✦ University of Southern California ✦ “Title Kinoki to the Crowd: Crowd-Sourced Documentaries and Design in the Shadow of Saul Bass—Binder, Brownjohn, the Spectatorial Vision” Ferro, Frankfurt” Dean Allbritton ✦ Colby College ✦ “Remembering Nothing: Hunter Vaughan ✦ Oakland University ✦ “Moving Images and War, Violence, and Documenting Whispers in Dies the Environment” d’agost” Wheeler Winston Dixon ✦ University of Nebraska, Lincoln ✦ Camilla Reestorff ✦ Aarhus University ✦ “Contesting Mediality “Gently Down the Stream: The New Era of the Moving in the Oslo Massacre” Image”

Spanish, English, and Spanglish G15 G16 Fashioning Performance ROOM Language TV Networks ROOM Gender, Style, and the Silent Screen New Challenges and Cultural Citizenship

CHAIR: Chad Beck ✦ Randolph College CHAIR: Deborah Tudor ✦ Southern Illinois University, Carbondale

Kristin Moran ✦ University of San Diego ✦ “Contesting RESPONDENT: Michele Torre ✦ Southern Illinois University, Carbondale ‘LatiNation’: Audience Response to Bicultural April Miller ✦ University of Northern Colorado ✦ “Silent Programming” Fashion Crimes: Real-to-Reel Marketing of Molls and Kenton Wilkinson ✦ Texas Tech University ✦ “Breaching ‘Murderesses’” the Barrier: The Latin Boom, Language, and Latina/o- Kristen Anderson Wagner ✦ University of Southern Oriented Television” California ✦ “Learning to Be a Lady: Gender and Mari Castaneda ✦ University of Massachusetts, Amherst ✦ Consumer Desire in Makeover Comedies” “Contested Notions of Citizenship and Public Service in Vicki Callahan ✦ University of Wisconsin, Milwaukee ✦ “Mabel Translocal Spanish-language Television” Normand: A ‘Gibson Girl’ Brings Her Casual Style to the Juan Pinon ✦ New York University ✦ and Viviana Rojas ✦ Screen” University of Texas, San Antonio ✦ “The New SPONSOR: Women’s Caucus Latina/o-Oriented Television Networks’ Landscape: Commodifying Border Cultures and Hybrid Identities”

SPONSOR: Latino/a Caucus

83 SESSION G 1:00 – 2:45pm

G17 Spatiality 3 G18 Film Festivals in Latin America, ROOM Orientations in Media Space ROOM Latin America at Film Festivals

CHAIR: Scott Ruston ✦ Arizona State University CHAIR: Tamara Falicov ✦ University of Kansas Maja Manojlovic ✦ University of California, Los Angeles ✦ Carlos Gutierrez ✦ Cinema Tropical ✦ “Film Festivals in Latin “Inside 3D: In the Interstices of Werner Herzog’s The America: A Historical Overview” Cave of Forgotten Dreams (2011)” Laura Isabel Serna ✦ University of Southern California ✦ “The Lisa Broad ✦ New York University ✦ “Sea of Contradictions: Los Angeles International Latino Film Festival: Screening Raúl Ruiz and the Limits of Logical Space” Global Latinidad in Chicano/a L.A.” Ingrid Hoelzl ✦ University of Oslo ✦ “MoMA DIY Day – A New Bruce Paddington ✦ Trinidad and Tobago Film Festival ✦ “The Take on New Media Art via Mobile Augmented Reality” Trinidad and Tobago Film Festival (TTFF)” Scott Ruston ✦ Arizona State University ✦ “Dial ‘N’ for Tamara Falicov ✦ University of Kansas ✦ “Films in Progress THURSDAY MARCH 22, 2012 Narrative / Dial ‘N’ for Networked” (Cine en Construccion): Shaping Latin American Films for a Global Film Market”

SPONSORS: Latino/a Caucus and Film Media Festivals Scholarly Interest Group

WORKSHOP G19 Experimental Film and Video in G20 Art as Commerce ROOM ROOM Specialty Film Distribution Massachusetts

CHAIR: Federico Windhausen ✦ California College of the Arts CHAIR: Lisa Dombrowski ✦ Wesleyan University Jon Lewis ✦ Oregon State University ✦ “Pornography, Murder, Workshop Participants: Mergers and Acquisitions, and Presidential Politics: The Saul Levine ✦ Massachusetts College of Art and Design Short, Strange Story of Artisan Entertainment” ✦ ✦ Stephen Anker ✦ California Institute of the Arts Lisa Dombrowski Wesleyan University “Ticket or Click It? Competing Models of Specialty Film Distribution” Abraham Ravett ✦ Hampshire College ✦ University of California, Los Angeles ✦ ✦ Cliff Hilo “Summit Robert Todd Emerson College Entertainment and Constantin Film: Flexible Culture, or SPONSOR: Experimental Film and Media Scholarly Interest Group Between Art Cinema and Blockbusters” Andrew Douglas ✦ Bryn Mawr Film Institute/Ursinus College/ Cabrini College ✦ “Racking Focus Features: An Art House Divergence”

84 SESSION G 1:00 – 2:45pm

WORKSHOP Animating Space and G21 Sound Thinking G22 ROOM ROOM Scalar Travels Rick Altman and Sound Studies

CHAIR: Jay Beck ✦ Carleton College CHAIR: Sylvie Bissonnette ✦ University of California, Davis

CO-CHAIR: Norma Coates ✦ University of Western Ontario Jihoon Kim ✦ Nanyang Technological University ✦ “Remediating Panorama on the Small Screen: Scale and Spectatorship MARCH 22, 2012 Workshop Participants: in the Software-Driven Panoramic Photography” THURSDAY ✦ John Belton ✦ Rutgers University Jennifer Lynde Barker East Tennessee State University ✦ “Tilt-Shift Flânerie: Minimizing the Globe” Donald Crafton ✦ University of Notre Dame Olivia Banner ✦ Rice University ✦ “Animating Life” Michele Hilmes ✦ University of Wisconsin, Madison ✦ University of California, Davis ✦ ✦ Sylvie Bissonnette “Scalar Amy Lawrence Dartmouth University Travels: Animating the Limits of the Body and Life” Jonathan Sterne ✦ McGill University SPONSOR: Animated Media Scholarly Interest Group SPONSOR: Sound Studies Scholarly Interest Group

G25 Narratives of Finance and ROOM Financial Crisis

CHAIR: Sarah Banet-Weiser ✦ University of Southern California MEETING David Maynard ✦ Independent Scholar ✦ “Form and ROOM: Financialization: Satirizing the Crisis” 1:00 – 2:45pm Owen Lyons ✦ Carleton University ✦ “The Stock Exchange as a Space of Modernity” Asian/Pacific American Caucus Sara Bernstein ✦ University of California, Davis ✦ and Elise Chatelain ✦ University of California, Davis ✦ “Performance Review: Nostalgia, Genre, and Labor Identities in The Help and Larry Crowne” Sarah Banet-Weiser ✦ University of Southern California ✦ “Branding the Crisis: Brand Culture, Advertising, and Consumer Citizenship”

85 SESSION G 1:00 – 2:45pm

SCREENINGS ROOM: Tremont, Level 4 Veritas: Everybody Loves Harvard Eun-jung Shin, Korea/USA, 2011, 81 min “The best and the brightest” is how Harvard University is described today. People all over the world admire Harvard. But Harvard is not an Ivory Tower. It is an organ of the American ruling class and has been very infl uential in U.S. foreign policy. This documentary critically examines Harvard’s historical role and global impact. As a training ground for the international elite, Harvard has main- tained close ties with the U.S. government and provided crucial dimensions of state ideology, particularly during the Cold War. Harvard people have been involved in many wars and interventions, including the Vietnam War. The documentary questions what the real purpose of education should be. It contains interviews with many progressive American intellectuals, including Professor Noam Chomsky. Other interviewees include Michael Ansara (Harvard Class of 1968), co-chair for SDS, John Trumpbour, author of How Harvard Rules, and Richard Levins, Professor at Harvard Medical School.

SPONSORS: Caucus on Class THURSDAY MARCH 22, 2012 Documentary Studies Scholarly Interest Group Speaking of Baghdad George Larkin, USA/Iraq, 2010, 28 min An acclaimed international cast performs stories about life during the war written by Iraqi writers in Baghdad over the course of the last seven years. We get a chance to hear about the ongoing, devastating war from Iraq’s own artists performed by a diverse cast of actors from around the world. Starring C.S. Lee (Dexter, Chuck), Rex Lee (Entourage), Silas Weir Mitchell (Prison Break, My Name is Earl, Rat Race), Navid Negahban (Charlie Wilson’s War, 24, The Closer), Geoffrey Owens (The Cosby Show), Keith Szarabajka (We Were Soldiers, Angel, The Dark Knight), and Michael Urie (Ugly Betty). Speaking of Baghdad and a short taken from it have played at seven fi lm festivals (including the Starz- Denver and the Napa-Sonoma Film Festivals), on Link TV, at the US Air Force Academy’s Conference on War, Literature, & the Arts, and six times with Amnesty International.

SPONSOR: Caucus on Class

Audiences for this fi lm may also be interested in panels A1 “Political Cinema from the ‘Periphery’” and O22 “The Global Southie: Boston and the Cinema of Class.”

86 THURSDAY MARCH 22, 2012 87 , . ge’s which Mexico During es holds , mentation sentations. ut research ut research ers fi nd fi n- nd fi ers fi ld leaders and tent broadcast broadcast tent take questions questions take Between the Lions , and Zoom , Crisis in Central America , Arthur ), but, more importantly, all of the production all of the production importantly, ), but, more The Advocates American Experience , and . http://openvault.wgbh.org/ NOVA , highlighting 1:00 – 2:45pm 559 Washington Street 559 Washington , as well as popular children’s programs such as programs , as well as popular children’s Frontline SPECIAL EVENT SPECIAL WGBH Media Library and Archives WGBH Media Library Antiques Roadshow New England Archive Showcase Archive New England , Bright Family Screening Room, Emerson College’s Paramount Center Room, Emerson College’s Screening Bright Family War and Peace in the Nuclear Age and War , and LOCATION: LOCATION: The Paramount is a 5-10 minute walk from the Park Plaza Hotel. Upon exiting the hotel on the Arlington the Arlington on Upon exiting the hotel the Park Plaza Hotel. walk from The Paramount is a 5-10 minute Masterpiece Theater People’s Century , Directions: Directions: and walk approximately right on Boylston Turn Street. Boylston to side, turn right and walk a block-and-a-half Street and Tremont of Boylston Common. At the intersection and Boston blocks east, paralleling the Public Garden three Common Boston (the corner with the Loew’s Avery Street and go one block to Tremont turn left onto Streets, you will see Washington, As you turn left onto Street. Washington and go one block to right on Avery Turn Theater). the Paramount marquee. time they will share a sampling of some of the fi lms, television programs, and other media in their holdings with SCMS members. and other media in their holdings programs, lms, television a sampling of some of the fi time they will share of clips, discuss their collections, and a variety introduce will be on hand to the archives from each showcase representatives learn abo to students and advanced scholars alike graduate This will be a one-of-a-kind opportunity for both the audience. from stay for all of the pre by for an hour or Drop of the hidden gems within these important archives. opportunities and about many Colle Room at Emerson Screening place in the Bright Family take badge. The showcase will conference Admission is with your SCMS Street. at 559 Washington Paramount Center on PBS, including WGBH went on the air with radio in 1951 and TV in 1955 and has been a major producer since, creating fully one-third of the con fully one-third since, creating and has been a major producer WGBH went on the air with radio in 1951 and TV in 1955 New England is home to several signifi cant moving image archives. We are pleased to present a showcase of these archives during a showcase of these archives present pleased to are We cant moving image archives. several signifi New England is home to WGBH also has an award winning Interactive department that is the number one producer for the sites on PBS.org. The WGBH Archiv The WGBH on PBS.org. for the sites department that is the number one producer winning Interactive WGBH also has an award docu fty years, as well as over 8,000 linear feet of related dating back fi over 300,000 hours of moving image and sound content Research for the programs. and the media elements created programs nal broadcast and still images. The collection consists of fi ( agship productions our fl lms from ished documentary fi with wor of interviews is its collection of the WGBH Archives strength lms. A great the making of these fi elements that go into and series such as programs award-winning policy decisions from foreign on historic historians The Americas SESSION H 3:00 – 4:45pm H1 H2 Constructing Nonfictional Spaces ROOM Eco-horror, Defined ROOM Documentary in a New Media and Digital World

CHAIR: Drew Beard ✦ University of Oregon CHAIR: Kristen Fuhs ✦ University of Southern California Stephen Rust ✦ University of Oregon ✦ “Postmodern Eco- Ohad Landesman ✦ New York University ✦ “Interactions horror and Youth Dysculture in The Wall (1982)” in Virtual Space: Experiencing Places in Web Kendall Phillips ✦ Syracuse University ✦ “Eco-horror and Documentaries” the Nation-State: Imperial Gothic in the Films of Neil Bella Honess Roe ✦ University of Surrey ✦ “3D Documentary: Marshall” The Spectacular Space of Reality” Tiffany Deater ✦ State University of New York, Oswego ✦ “From Kristen Fuhs ✦ University of Southern California ✦ Supernatural to Unnatural: The Rise of Eco-horror” “Documentary Outreach and Digital Distribution: The Drew Beard ✦ University of Oregon ✦ “Defining Eco-horror, or, Case of Presunto Culpable” THURSDAY MARCH 22, 2012 Why It’s Always Shark Week”

Interrogating the “Indian” H3 Imagining the Future H4 ROOM Special Effects Then and Now ROOM and the “American” in Transnational Media Cultures

CHAIR: Barbara Klinger ✦ Indiana University CHAIR: Madhavi Mallapragada ✦ University of Texas, Austin Julie Turnock ✦ University of Illinois, Urbana-Champaign ✦ Jigna Desai ✦ University of Minnesota ✦ and Rani Neutill ✦ “Designed for Everyone Who Looks Forward to Johns Hopkins University ✦ “Bollywood’s Global Claim Tomorrow!: 1970s Blockbuster Filmmaking and the to Terror” ‘Optimistic Futurism’ Movement” Shilpa Dave ✦ Brandeis University ✦ “Calling the Working Ariel Rogers ✦ Colby College ✦ “’Positively Palpable’: 3-D South Asian: American Accents and Outsourced” Cinema and Embodiment” Madhavi Mallapragada ✦ University of Texas, Austin ✦ Lina Aguirre ✦ Ohio State University ✦ “Old Technologies- “Constructing Indian American Masculinities in Network New Experiences: Stop-motion Animation in the Visual Cultures” Production of Globalized Chile” Barbara Klinger ✦ Indiana University ✦ “From Cave of Forgotten Dreams to Fright Night: The Summer Movies of 2011 and Emerging 3D Styles”

88 SESSION H 3:00 – 4:45pm H5 H6 Programming a Block Party ROOM Rewriting the National ROOM (adult swim) and the Transmedial Curating of Taste

CHAIR: Hector Amaya ✦ University of Virginia CHAIR: David Gurney ✦ Texas A&M University, Corpus Christi Mariana Lacunza ✦ Ohio State University ✦ “(De)constructing Matthew Payne ✦ University of Alabama ✦ “‘I Hope You Can Bolivian Marginal Subjectivities in Digital Documentary See This Because I’m Doing It as Hard as I Can’: The MARCH 22, 2012 Film” Stylistic Excesses of (adult swim)’s Cult Programming” THURSDAY Andre Carrington ✦ New York University ✦ “Color Against the David Gurney ✦ Texas A&M University, Corpus Christi ✦ “’Put Real in the Bande Dessinée—Aya” These in Your Ear-Holes’: The Sonic Assemblages of Samhita Sunya ✦ Rice University ✦ “’That’s So Filmi, Yaar’: (adult swim)” The Ludic Techn-ontology of Romance in Popular Hindi- Evan Elkins ✦ University of Wisconsin, Madison ✦ “Cultural Urdu Cinema” Politics and Subcultural Forums: The Case of (adult Hector Amaya ✦ University of Virginia ✦ “Authorship and swim)” Death: Narco-violence in Mexico and the New Aesthetics Susan Pearlman ✦ University of East Anglia ✦ “Intended for of Nation” Mature Audiences Only?: Adolescence and Maturity in (adult swim) Programming”

H7 Playing With Feelings 1 H8 Technologies without Bodies ROOM Video Games and Affect ROOM Three Glimpses of a Deleuzian Cinema

CHAIR: Aubrey Anable ✦ University of Toronto CHAIR: Rene Bruckner ✦ University of Southern California

Seth Mulliken ✦ North Carolina State University, Raleigh ✦ “The RESPONDENT: Angelo Restivo ✦ Georgia State University Order of Hardness: Rhythm-Based Games and Sonic Gordon Sullivan ✦ University of Pittsburgh ✦ “The Three-Sided Affect” Mirror: Bergson, Epstein, Deleuze” ✦ ✦ Laura Cook Kenna George Washington University “Feeling Adam Cottrel ✦ Georgia State University ✦ “A Vision Always Empathetic? . . . Ironic? . . . Postracial?: Grand Theft Virtual” Auto’s Offers of Affective Engagement with Ethnic and ✦ ✦ Racial Difference” Kalling Heck University of Wisconsin, Milwaukee “Smoothing the Striated: Rethinking Deleuze and ✦ ✦ Allyson Shaffer University of Minnesota, Twin Cities Guattari through Phil Solomon’s Still Raining, Still “Playing Life, Managing Play” Dreaming” Aubrey Anable ✦ University of Toronto ✦ “Casual Games, SPONSOR: French and Francophone Scholarly Interest Group Serious Play, and the Affective Economy”

SPONSOR: Video Game Studies Scholarly Interest Group

89 SESSION H 3:00 – 4:45pm

H9 Citation and Appropriation H10 ROOM Film Remembers (through) Film ROOM Media Peripheries and Para-spaces

CHAIR: Shota Ogawa ✦ University of Rochester CHAIR: Daniel Chamberlain ✦ Occidental College

David Laderman ✦ College of San Mateo ✦ “Remixing RESPONDENT: Joshua Neves ✦ University of Toronto Tyranny: Human Remains and Reflexive Compilation Philip Hallman ✦ University of Michigan ✦ “From Drive-In to Documentaries” Drive-Thru: How Drive-In Theaters Changed Where (and Lisa Zaher ✦ University of Chicago ✦ “Picturing History: Hollis What) We Eat” Frampton’s Magellan at the Gates of Death” Daniel Herbert ✦ University of Michigan ✦ “‘A Different Middle Shota Ogawa ✦ University of Rochester ✦ “Can Found Footage of Nowhere’: Video Rental in the American Deep South” Speak?: Oh Deok-soo’s Zainichi” Daniel Chamberlain ✦ Occidental College ✦ “Sharing Media on Cesare Wright ✦ Kino-Eye Center ✦ “Finding the ‘Truth’ – College Campuses: Promises, Practices, and Pitfalls” THURSDAY MARCH 22, 2012 Rhetoric and Actuality in the Documentary Tradition”

The Paradoxes of Truth H11 H12 Asian Screen Cultures in Collision ROOM and Evidence ROOM China, Hong Kong, Malaysia, the World The Work of Dennis Tupicoff

CHAIR: Kevin Sherman ✦ University Of Florida CHAIR: Mark Gallagher ✦ University of Nottingham

RESPONDENT: Bill Nichols ✦ San Francisco State University Wendy Larson ✦ University of Oregon ✦ “National Power Kevin Sherman ✦ University Of Florida ✦ “Dennis Tupicoff’s and the Global Future: Zhang Yimou’s 2008 Beijing Chainsaw and the Politics of Location” Olympics” ✦ ✦ Todd Jurgess ✦ University of Florida ✦ “Texture as Gesture in Mark Gallagher University of Nottingham “Industrial His Mother’s Voice” Intermediaries in China’s Globalized Production Culture” ✦ ✦ Dennis Tupicoff ✦ Independent Filmmaker ✦ “The First Adam Knee Nanyang Technological University “Gender, Interview” Religion, and Nation in the New Malaysian Horror Film”

SPONSOR: Animated Media Scholarly Interest Group

90 SESSION H 3:00 – 4:45pm

WORKSHOP H13 Creativity and Control H14 Belly of the Beast ROOM in Media Industries ROOM Queer Cinema and Media Studies on Conservative and Religious Campuses

CHAIR: Melis Behlil ✦ Kadir Has University CHAIR: Dan Humphrey ✦ Texas A&M University

RESPONDENT: Patrick Vonderau ✦ Stockholm University CO-CHAIR: Caetlin Benson-Allott ✦ Georgetown University Melis Behlil ✦ Kadir Has University ✦ “Jacks of All Trades?: MARCH 22, 2012 Scriptwriter / Director / Producers of Turkey’s New Workshop Participants: THURSDAY Cinema” Kevin Ohi ✦ Boston College ✦ ✦ Alejandro Pardo University of Navarra “Balancing Kathryn Bond Stockton ✦ University of Utah Creativity and Business: Producers as Project Managers” Christopher Smit ✦ Calvin College ✦ University of Copenhagen ✦ Eva Redvall “‘One Vision’ from ✦ The Kingdom to The Killing: A European Take on the Pamela Wojcik University of Notre Dame Showrunner in Danish Television Drama” SPONSOR: Queer Caucus

H15 Residual Hierarchies H16 ROOM Spanish Cinema and Latin American ROOM The Miscast Actor Culture, 1950–2010

CHAIR: Kathleen Newman ✦ University of Iowa CHAIR: Krin Gabbard ✦ Stony Brook University Marvin D’Lugo ✦ Clark University ✦ “El Deseo Co-produces a Susan White ✦ University of Arizona ✦ “Farley Granger: Cinematic Latin America” Courage and Paradox” Marina Díaz López ✦ Instituto Cervantes ✦ “Transatlantic R. Barton Palmer ✦ Clemson University ✦ “Julia Roberts: Imaginaries: Spanish and Latin-American Film Audiences Cultural Phenomenon” and Markets in the 1950s” Krin Gabbard ✦ Stony Brook University ✦ “‘Throw It Away’: Kathleen Vernon ✦ Stony Brook University ✦ “Desperately Abbey Lincoln in Hollywood” Seeking Cecilia (Roth’s Argentine Voice): Accent, Identity, and Cultural Meaning in Spanish Cinema” Kathleen Newman ✦ University of Iowa ✦ “Bollaín in Bolivia: Cinema and Empire in 2010”

SPONSOR: Latino/a Caucus

91 SESSION H 3:00 – 4:45pm H17 The Body Electric H18 Girls’ and Women’s ROOM The Search for the Corporeal in ROOM Media Production Contemporary Media Old Challenges, New Opportunities

CHAIR: Joshua Moss ✦ University of Southern California CHAIR: Mary Celeste Kearney ✦ University of Texas, Austin China Medel ✦ Duke University ✦ “The Ghost in the Machine: Kukhee Choo ✦ Tulane University ✦ “Sleeping with the Enemy: Spectral Labor, the Migrant Body and the Imaginary of The Formation of Underground Girls’ Comic Book the Digital Screen in Alex Rivera’s Sleep Dealer” Culture by Female Artists in South Korea” Hye Jean Chung ✦ Massachusetts Institute of Technology ✦ Mary Celeste Kearney ✦ University of Texas, Austin ✦ “Melting “Virtual Mobility of Bodies at Work” the Celluloid Ceiling: Training Girl Filmmakers, Joshua Moss ✦ University of Southern California ✦ “Pregnant Revolutionizing Media Culture” Pause: The Transgressive Fetus and the Crisis of the Un/ Jessalynn Keller ✦ University of Texas, Austin ✦ “Becoming Born” Feminist: Girls’ Media Activism and the Politics of Identity” THURSDAY ✦ ✦ MARCH 22, 2012 Marsha Cassidy University of Illinois, Chicago “Ruth Eats, Betty Vomits: Phenomenology, Bioculture, and the Heather McIntosh ✦ Boston College ✦ “Women’s Advocacy Embodied Television Viewer” Documentaries and Contemporary Distribution: A Look at Sin by Silence and Sex Crimes Unit”

SPONSOR: Women’s Caucus

WORKSHOP WORKSHOP H19 Teaching the Negative H20 Revisioning History/ ROOM Representation ROOM Blackness and Disreputable Media Imagining Nation

CHAIR: Racquel Gates ✦ College of Staten Island, CUNY CHAIR: Louise Spence ✦ Kadir Has University, Istanbul

CO-CHAIR: Levent Soysal ✦ Kadir Has University, Istanbul Workshop Participants: TreaAndrea Russworm ✦ University of Massachusetts, Workshop Participants: Amherst John Jackson ✦ University of Pennsylvania ✦ Samantha Sheppard University of California, Los Angeles Marsha Kinder ✦ University of Southern California ✦ Jacqueline Smith University of Texas, Austin Louise Spence ✦ Kadir Has University, Istanbul ✦ Kristen Warner University of Alabama Robert Burgoyne ✦ University of St. Andrews SPONSOR: African/African American Caucus

92 SESSION H 3:00 – 4:45pm H21 H22 On the Job Training ROOM Cinema, Architecture, Space ROOM Media Industries and the Cultivation of Labor

CHAIR: Lucy Fischer ✦ University of Pittsburgh CHAIR: Jonathan Cohn ✦ University of California, Los Angeles Giuliana Bruno ✦ Harvard University ✦ “Surface Matters: The Kate Fortmueller ✦ University of Southern California ✦ “When Architecture of the Screen” a Star Isn’t Born: Extras as Hollywood’s Most Reliable MARCH 22, 2012 Lucy Fischer ✦ University of Pittsburgh ✦ “Art Nouveau, Temporary Workers” THURSDAY Antonio Gaudi, and the Cinema” Jonathan Cohn ✦ University of California, Los Angeles ✦ “All Ranjani Mazumdar ✦ Jawaharlal Nehru University ✦ Work and No Play: Guilds, Contests and the Cultivation “Bombay’s Retro Imagination in Contemporary Cinema” of Labor through Mashups” ✦ ✦ Maureen Turim ✦ University of Florida ✦ “Designs of Spaces Ethan Tussey University of California, Santa Barbara “The One Survives with Difficulty” Rules of the Hollywood Farm League: How the Media Industries Cultivates Comedic Talent on the Internet” SPONSOR: CinemArts: Film and Art History Scholarly Interest Group

H25 Something Missing ROOM Transnational Discourses and Practices of War, Embodiment, and Vision

CHAIR: Maryam Monalisa Gharavi ✦ Harvard University Linda Dittmar ✦ University of Massachusetts, Boston ✦ “Traumas of Convenience: Phantom Memory in Waltz with Bashir” Neta Alexander ✦ Columbia University ✦ “War, Cinema, and the ‘Olfactory Unconscious’” Simona Schneider ✦ University of California, Berkeley ✦ “Early Cinema as ‘Crusade’ ? The First Cinematic Representation of Muslim Prayer and the Guillotine Effect” Maryam Monalisa Gharavi ✦ Harvard University ✦ “The Covered Face and the Warscapes of Fashion”

93 SESSION H 3:00 – 4:45pm

SCREENING ROOM: Tremont, Level 4 Forest of Bliss Robert Gardner, USA, 1986, 90 min Forest of Bliss one of the greatest of all poetic documentaries, was shot by Boston fi lmmaker Robert Gardner in Benares, India, in the 1980s. Without voiceover commentary or explanatory titles, the fi lm immerses viewers in the everyday life of India’s oldest and most sacred city, spread along the River Ganges in Uttar Pradesh. It is desirable to die in Benares and be cremated on the ghats by the river. City life as we see it in the fi lm comes to focus more and more on the enterprise of hospices for the dying, the making of litters, and gathering of marigolds for use in funerals, the harvesting of wood and—sometimes rancorous—selling of sacred fi re, and the actual cremations with their corpses, fl ames, and smoke. Gardner has edited his beautiful and disturbing images and sounds to form a meditation on cycles of life, on earthiness and transcendence, and on the abundance of human energy and creativity in face of the starkest reality.

SPONSORS: Documentary Studies Scholarly Interest Group THURSDAY MARCH 22, 2012 Urban Studies Scholarly Interest Group

Audiences for this fi lm may be interested in The Eclipse at Taregna (Session I), as well as panels B11 “Teaching the City: Pedagogical Issues in Urban Cinema and Media Studies,” B16 “The Shifting Valence of Verité: Documentary in Diverse Historical and Cultural Contexts,” I5 “Cinematic Cities: Beyond the Metropolis,” and Q5 “Documentary Film in Boston and Beyond.”

MEETING ROOM: 3:00 – 4:45pm Central/East/South European Cinemas Scholarly Interest Group

MEETING ROOM: 3:00 – 4:45pm Queer Caucus

94 SESSION I 5:00 – 6:45pm

Singing, Dancing, I1 I2 Music on Television ROOM and Film Stardom ROOM

CHAIR: Jehanne-Marie Gavarini ✦ University of CHAIR: Matt Delmont ✦ Scripps College Massachusetts, Lowell Mikal Gaines ✦ Emmanuel College ✦ “Undead Carnival: Kin-Yan Szeto ✦ Appalachian State University ✦ “The Coolness Monsters, Magic, and Black Self-Making in Michael MARCH 22, 2012 of Being Faye: A Study of Faye Wong’s Screen Personae” Jackson’s Thriller” THURSDAY Susie Trenka ✦ University of Zurich ✦ “Potential Pioneer: The Norma Coates ✦ University of Western Ontario ✦ “How Film Career of Jeni LeGon” Commercial Is Too Commercial? Hootenanny and the Oriana Nudo ✦ University of Southern California ✦ “Gotta Struggle over Folk Authenticity” Dance! A Study of the Initial Critical and Popular Matt Delmont ✦ Scripps College ✦ “‘They’ll Be Rockin’ on Reception of Gene Kelly’s Dream Ballets at MGM” Bandstand in Philadelphia, PA’: Imagining National Youth Culture on American Bandstand”

I3 Theorizing Mock-Documentary I4 The Camera’s Share ROOM Television ROOM The Camera in Theory and Practice

CHAIR: Jason Middleton ✦ University of Rochester CHAIR: Alyson Hrynyk ✦ University of Chicago

RESPONDENT: Cynthia J. Miller ✦ Emerson College Jake Ivan Dole ✦ Carleton University ✦ “The Embodied Craig Hight ✦ University of Waikato ✦ “From Docusoap to Spectator: Roming Cameras and Metafiction in Mockusoap: Performance, Authenticity, and a Call to Hollywood Cinema” Play” Alla Gadassik ✦ Northwestern University ✦ “Kitten on the Cynthia Chris ✦ College of Staten Island, CUNY ✦ “What’s in a Shoulder: Aaton’s Camera Design and the Ethics of Name? The Mock, the Real, and the $#*! My Dad Says” Postwar Cinematography” ✦ ✦ Jason Middleton ✦ University of Rochester ✦ “The Magnitude Alyson Hrynyk University of Chicago “‘What the Film of The Office” Itself Makes Perceptible’: Strategies of Mediation and Collage in the Feminist Camera Practice of Carolee Schneemann” Hannah Frank ✦ University of Chicago ✦ “The Invisible Visible and the Inaudible Audible: Testing the Limits of Vertov’s Kino-Eye”

95 SESSION I 5:00 – 6:45pm

I5 Cinematic Cities I6 Émigré Directors in Hollywood ROOM Beyond the Metropolis ROOM New Perspectives on (Mutual) Influence

CHAIR: Lawrence Webb ✦ King’s College London CHAIR: Harlow Robinson ✦ Northeastern University

Lawrence Webb ✦ King’s College London ✦ “Up in the Air: RESPONDENT: Inez Hedges ✦ Northeastern University Post-crisis Hollywood and the City as Infrastructural Harlow Robinson ✦ Northeastern University ✦ “Lewis Resource” Milestone and the Soviet Film Tradition: Bringing Sabine Haenni ✦ Cornell University ✦ “Narrating the Center in Montage to Hollywood” the Peripheral City” Jonathan Skolnik ✦ University of Massachusetts, Arunima Paul ✦ University of Southern California ✦ “Another Amherst ✦ “Imitation of Life: Mimesis, Race and Exile Countryside: New Dexterities in Bollywood’s Provincial in Film” Cop Film”

THURSDAY ✦ ✦ MARCH 22, 2012 Donna Deville Concordia University “Blue Sunshine: A Case Study of Microcinema in Montreal”

SPONSOR: Urban Studies Scholarly Interest Group

I7 I8 “Time to Smile” ROOM Pushing the Boundaries of Horror ROOM Conceptualizing the Form and Place of Radio Comedy in the 1930s

CHAIR: Brenna Wardell ✦ University of Oregon CHAIR: Cynthia Meyers ✦ College of Mount Saint Vincent

Lisa Schmidt ✦ Bishop’s University ✦ “Television: Horror’s CO-CHAIR: David Weinstein ✦ National Endowment for the ‘Original’ Home” Humanities Joshua Vasquez ✦ Indiana University ✦ “Occulted Space, Cynthia Meyers ✦ College of Mount Saint Vincent ✦ “‘Resist the Occulted Self: The Melancholic Wanderer and the Usual’: Young & Rubicam’s Soft Sell Strategies in Radio Borderlands of Remembrance in Vincent Gallo’s The Comedy Programming” Brown Bunny” David Weinstein ✦ National Endowment for the Humanities ✦ Jennifer Dare ✦ University of Oregon ✦ “Demons in the “‘The Apostle of Pep’ Tackles the Airwaves: Eddie Cantor Rational World: The Demon Antagonist Narrative, and Broadway Style in 1930s Radio” Religious Faith, and the Limits of Masculine Power” Kathryn Fuller-Seeley ✦ Georgia State University ✦ Brenna Wardell ✦ University of Oregon ✦ “‘What’s in Your “Reinventing Jack Benny: Developing the Character- Basket, Little Girl?’: Re-examining Gender, Narrative, Focused ‘Comedy Situation’ for Radio” and Place in Little Red Riding Hood and The Company of Jennifer Wang ✦ Independent Scholar ✦ “Why Women Aren’t Wolves” Funny?: The Marginalization of Comedy in 1930’s Daytime Radio”

96 SESSION I 5:00 – 6:45pm

The Magnitude of Another Media Studies I9 I10 Exploring Technology, Representation, ROOM Colonial Legacies in Postwar ROOM and Subject through the Figure of the East Asian Cinema Laboratory

CHAIR: Yuko Shibata ✦ Saint John’s University CHAIR: Mark Martinez ✦ University of Minnesota

RESPONDENT: Brett de Bary ✦ Cornell University Kyle Stine ✦ University of Iowa ✦ “Cinematic Testing Grounds: Noboru Tomonari ✦ Carleton College ✦ “Postcoloniality and The Environment as Laboratory and the Case of Ghost MARCH 22, 2012 Masculinity in the Borderlands: Lee Sang-il’s Villain” Bird (2009)” THURSDAY ✦ ✦ Naoki Watanabe ✦ Musashi University ✦ “War Propaganda Emanuelle Wessels Augsburg College “Contagion and Entertainment: An Investigation of Japan-Korea Experiments: Fringe Communication and the Collaboration Films, Suicide Squad in the Watchtower Conspiritorial Excesses of New Media Practices” and Love and Pledge, and Imai Tadashi” Rembert Hueser ✦ University of Minnesota ✦ “Architectural Young Jae Yi ✦ Sungkyunkwan University ✦ “Making Labs: Film and Media Studies Department Buildings as Resistance History and the Invention of the Outlaw: Notational Systems” Manchuria in Korean Action Films” Mark Martinez ✦ University of Minnesota ✦ “A Mangle of Yuko Shibata ✦ Saint John’s University ✦ “Validating and Media and Practice: Science and Technology Studies and Invalidating National Mobilization of Sentiment: War Reconsidering the Media Subject” Propaganda and Victim Narratives in Kamei Fumio’s Shangha and Still It’s Good to Live”

SPONSOR: Asian/Pacific American Caucus

I11 Playing With Feelings 2 I12 The Autobiographical I/Eyes ROOM Medium, Immersion, and Affect ROOM of the Cinema

CHAIR: Daniel Reynolds ✦ University of California, Santa CHAIR: Roxanne Samer ✦ University of Southern California Barbara CO-CHAIR: Tony Fong ✦ University of Toronto RESPONDENT: ✦ Concordia University, Wisconsin Mark J. P. Wolf RESPONDENT: Michael Renov ✦ University of Southern California ✦ Daniel Reynolds University of California, Santa Roxanne Samer ✦ University of Southern California ✦ “Picturing ✦ Barbara “Radical Embodiment and Affective Lesbian Families in Su Friedrich’s Hide and Seek” Interactivity” William Verrone ✦ University of North Alabama ✦ “The ✦ ✦ Virginia Kuhn University of Southern California “One Subjective ‘Self’ in the Films of Guy Maddin” More Time with Feeling: Can Agency and Immersion ✦ ✦ Co-exist?” Tony Fong University of Toronto “Unlocking the ‘I’ in Julian Schnabel’s The Diving Bell and the Butterfly” Chaz Evans ✦ University of Illinois, Chicago ✦ “The Brechtian Video Game (and Other Theatrical Conceptions of Software-based Experience)”

SPONSOR: Video Game Studies Scholarly Interest Group

97 SESSION I 5:00 – 6:45pm I13 Cinematic Identity Formation I14 Confronting Change ROOM The Ethics of Representation ROOM Film Exhibition and the American in Historical Fiction Films Media Industries, 1948–1979

CHAIR: Lauren Glenn ✦ University of Florida CHAIR: Deron Overpeck ✦ Auburn University Kristy Rawson ✦ University of Michigan ✦ “’Te amo Means I Bryan Sebok ✦ Lewis and Clark College ✦ “Headline Hollywood: Love You’: Wolf Song (1929) and the Romancing of New A Discourse Analysis of Variety Writings on 1950s Mexico History” Technological Shifts in the Exhibition Sector” Charles Hamilton ✦ Northeast Texas Community College ✦ “The Joshua Gleich ✦ University of Texas, Austin ✦ “The Lost Studio Reel Pancho Villa” of ‘Atlantis’: Norman Bel Geddes’ Failed Revolution in Andrew Young ✦ University of California, Los Angeles ✦ “The Television Production and Exhibition” Ethics of Exogenous Negation: Nationalism and Jennifer Porst ✦ University of California, Los Angeles ✦ “The Japanese Identity in Hollywood Atomic Bomb Cinema, Menace of 40 Million Little Home Theatres: Exhibitors 1947–1952” Reaction to Hollywood’s Feature Films on Early THURSDAY MARCH 22, 2012 Lauren Glenn ✦ University of Florida ✦ “‘You Know You Can Television” Shoot People Here’: American Cinematic Identity in Post Deron Overpeck ✦ Auburn University ✦ “’Make Mine a Movie! 9/11 Combat Films” In a Movie Theater!’ (Unless, Of Course, You Have a Better Option): Theater Owners and Cable Television, 1966–1979”

I15 Feminist Interventions into I16 Remake, Replay, Re-enactment ROOM Contemporary Techno-cultures ROOM Repetition Effects in of Surveillance Postwar German Cinema

CHAIR: Carrie Rentschler ✦ McGill University CHAIR: Jennifer Kapczynski ✦ Washington University, St. Louis

RESPONDENT: Rachel Hall ✦ Louisiana State University CO-CHAIR: Michael Richardson ✦ Ithaca College

Carrie Rentschler ✦ McGill University ✦ “Gender Violence, the RESPONDENT: Christina Gerhardt ✦ University of Hawai’i Problem of Bystanding, and the Covert Seeing Eye of John Davidson ✦ Ohio State University ✦ “Remakes and Intervention” Remakers: The Return of Pre–1945 Films in Post–1950s Amy Hasinoff ✦ McGill University ✦ “Privacy, Surveillance, West Germany” and Marginalization: Media Discourses and Legal Jennifer Kapczynski ✦ Washington University, St. Louis ✦ Debates about New Sexting Laws” “Total Replay: Documentary Citation in the Early Postwar Cinema of East and West Germany” Michael Richardson ✦ Ithaca College ✦ “Reenacting Evil: Truth and Affect in Holocaust Documentary Film”

98 SESSION I 5:00 – 6:45pm

I17 Abjection, Disability, I18 Rethinking Film History ROOM and Embodiment ROOM from the Archives Out

CHAIR: Angela Smith ✦ University of Utah CHAIR: Jan-Christopher Horak ✦ UCLA Film and Television Jennifer Lynn Jones ✦ Indiana University ✦ “Beyond Precious: Archive Gabourey Sidibe and the Limits of Identity in Hollywood” Jacqueline Stewart ✦ Northwestern University ✦ “Mining the MARCH 22, 2012 Priscilla Layne ✦ University of North Carolina, Chapel Hill ✦ Archives of Archives: Doing Historical Research on Black THURSDAY “Policing and Transgressing the Borders of the Berlin Moving Image Collections” Republic in Doris Dörrie’s Die Friseuse (2010)” Marsha Orgeron ✦ North Carolina State University ✦ Angela Smith ✦ University of Utah ✦ “Precious Bodies: “Discovering Sam Fuller’s 1950s The Big Red One Virtuous Reality, Virtuosic Virtuality, and Cinematic Location Scouting Footage” Disability” Alice Lovejoy ✦ University of Minnesota ✦ “Silent Village, Models of Propaganda, and Internationalism” Yvonne Zimmermann ✦ New York University ✦ “Of Stockmarkets and Ovaltine: Hans Richter’s 1930s Sponsored Films”

SPONSOR: Nontheatrical Film and Media Scholarly Interest Group

I19 WORKSHOP I20 Cultures of Inequality? ROOM The Queer Life of a Gay Film ROOM Gender and Genre in Recession-Era The Boys in the Band Film and Television

CHAIR: David Gerstner ✦ CUNY Graduate Center/College of CHAIR: Linda Mizejewski ✦ Ohio State University Staten Island Diane Negra ✦ University College Dublin ✦ “Gender Bifurcation in the Recession Economy: Extreme Couponing and Gold Workshop Participants: Rush Alaska” Joe McElhaney ✦ Hunter College, CUNY Pamela Thoma ✦ Washington State University ✦ “Recession- Adrian Martin ✦ Monash University Era Hollywood and Chick Flick Makeovers: Reviving the Discourse of Labor in Julie & Julia and Eat, Pray, Love” Paula Massood ✦ Brooklyn College, CUNY ✦ University of East Anglia ✦ ✦ Tim Snelson “The (Re)possession Matt Bell Bridgewater State University of the American Home: Negative Equity, Gender Crayton Robey ✦ Independent Filmmaker Inequality, and the Paranormal Activity Franchise” Yvonne Tasker ✦ University of East Anglia ✦ “Masculinity, Redundancy, Makeover: The Company Men and Corporate Melodrama”

SPONSOR: Caucus on Class

99 SESSION I 5:00 – 6:45pm

WORKSHOP I21 Teaching Film and Media Industry I22 ROOM ROOM Race and Classical Hollywood Studies (Outside of Los Angeles)

CHAIR: Daniel Herbert ✦ University of Michigan CHAIR: Ryan Friedman ✦ Ohio State University Calvin McMillin ✦ University of California, Santa Cruz ✦ “The Workshop Participants: Yellowface Double: Racial Masquerade, the Uncanny, Janet Wasko ✦ University of Oregon and Model Minority Discourse in the Charlie Chan Film Series” Eileen Meehan ✦ Southern Illinois University, Carbondale ✦ University of Miami ✦ ✦ Christina Lane “Racial Subversion in Karen Petruska Georgia State University Third Finger, Left Hand: Marriage, Race, and Thirties Bella Honess Roe ✦ University of Surrey Romantic Comedy” ✦ ✦ SPONSOR: Media Industries Scholarly Interest Group Althea Wasow University of California, Berkeley “A Stacked Deck: Performing Blackness and Policing Black Bodies THURSDAY MARCH 22, 2012 in Bert Williams’s A Natural Born Gambler (1916)” Ryan Friedman ✦ Ohio State University ✦ “Cinematic Universal History: Deleuzean Unanism and Ford’s The Iron Horse”

MEETING ROOM: 5:00 – 6:45pm I25 WORKSHOP French and Francophone ROOM Video Essays Film Scholarship’s Emergent Form Scholarly Interest Group

CHAIR: Girish Shambu ✦ Canisius College

Workshop Participants: Christian Keathley ✦ Middlebury College Catherine Grant ✦ University of Sussex Benjamin Sampson ✦ University of California, Los Angeles Craig Cieslikowski ✦ University of Florida MEETING ROOM: 5:00 – 6:45pm Scholarly Interest Group Coordinating Committee

100 SESSION I 5:00 – 6:45pm

SCREENINGS ROOM: Tremont, Level 4 Blazing the Trail: The O’Kalems in Ireland Peter Flynn, USA/Ireland, 2011, 86 min In 1910 the New York based Kalem Film Company made history by sending its leading fi lmmakers—director Sidney Olcott and screen- writer/actress Gene Gauntier—to Ireland. While there, they made The Lad from Old Ireland, the fi rst fi ction fi lm to be made in Ireland MARCH 22, 2012 and the fi rst American fi lm made outside the continental U.S. The fi lm was an immediate hit, and Olcott and Gauntier returned to THURSDAY Ireland again and again over the next several years, producing a series of groundbreaking fi lms celebrated for their authentic Irish settings. Blazing the Trail tells the story of Olcott and Gauntier’s adventures in Ireland. It recounts how they made fi lms without electricity, using locals as actors; how they provoked the condemnation of a local priest and ran afoul of the British authorities. It tells the story of two of the cinema’s earliest mavericks, of the people and culture they immortalized on fi lm, and of the emerging Hollywood system that ultimately eclipsed them. The Eclipse at Taregna Rakesh Chaudhary, India, 2011, 21 min Mr. Pathak is a retired civil engineer and lives in Taregna, a small town in India. He is worn out by life’s many setbacks and is indif- ferent to his family—his daughter-in-law Laxmi and 8-year old grandson Roshan. The announcement by NASA that the best place to witness an upcoming solar eclipse will be Taregna has no impact on Pathak. However, Roshan’s curiosity for the celestial event of a lifetime is boundless. When Pathak fi nally realizes that Roshan desperately needs a father fi gure, he can no longer remain a bystander to life. SCREENING HISTORY (highlights): Palm Springs International ShortFest 2011; Indian International Film Festival of Tampa 2011; Queens World Film Festival 2011 (Winner – Founder’s Choice & Best Actor – Male); Indian Film Festival of Los Angeles 2011 (Winner – Grand Jury Prize for Best Short Film); East Harlem International Film Festival 2011 (Winner – Best Short Film); International Documentary and Short Film Festival of Kerala 2011.

Audiences for these fi lms may be interested in Forest of Bliss (Session H) and A Place to Live: The Story of Triangle Square (Session E), as well as in panels B10 “Visualizing Cinematic Technologies: The Problem of Self-refl exivity in North Indian Cinema,” P12 “Conceptualizing the Irish Cinematic Atlantic,” and workshop Q13 “The Use of an Archive: the O’Kalem Project from a Value Perspective.”

MEETING MEETING ROOM: ROOM: 7:00 – 8:45pm 7:00 – 8:45pm Comic Studies Television Studies Scholarly Interest Group Scholarly Interest Group

101 102 THURSDAY MARCH 22, 2012 Ernie Gehrfollowedbyinperson,conversationwithVESProfessor RodowickandHFA andChairDavid Director Haden The eventwillbeginat7:00pmwithreception forallSCMSconference participantsfollowedbyascreening at8:00pmofnew wor (C3, BeaconHillRoom). Environmental StudiesatHarvard, Gehrisalsoarespondent to anSCMSpanelonhiswork,“BeyondCinema:TheVideoArtofErni daring inventiveness,offbeathumorandfascinationwithfi lm history into thedigitalrealm. Currently aVisitingProfessor of for suchpioneeringstructuralistfi lms as of theAmericanavant-garde, Gehrhasbeendazzlingaudiencessincethelate 1960swithhisvisionaryexpansionofcinema.Cele and video-maker ErnieGehr(b.1943)foraneveningofrecent work,includingtheworldpremiere ofthree newvideos.Aluminar The VisualandEnvironmental StudiesDepartmentandTheHarvard Film Archive are pleasedto welcomethelegendaryexperimental EVENT to share memoriesandexperiencesatamemorial Friends andcolleaguesofRobertSklarinvite you down QuincyStreet to theCarpenter Center, onyourright.Travel timeapproximately 45mintues. Street take aleftacross Pub), Massachusetts AvenueandHarvard Street onto QuincyStreet. Proceed two blocks pass anAuBonPain,Leavitt &Peirce Tobacconists, Harvard BookStore.) Atthe intersection ofBowStreet (Grafton Savings Bankto yourleft.ThiswillhaveyouwalkingsoutheastonMassachusetts Avenueforseveralblocks.(You will through themainHarvard Square Stationentrance.Asyouexitthestation walkpasttheStarbucksandCambridge bound RedLineTrain andtake itto theHarvard Square Station.Uponexitingthetrain,walk downtherampandleave Directions: box office (located inthebasementofCarpenter Center) onafi rst-come, fi rst-served basisstartingat7pm. conference participantswithyourbadge, buttickets are required. Tickets are availableatTheHarvard FilmArchive To Attend: to honorhisachievementsand legacy. Robert SklarMemorial An Evening withExperimentalFilmmaker ErnieGehr An Evening 7:00 –8:00pm Take theGreen LineTinbound from theArlington Street Stationto ParkStreet. Changeto anyAlewife- The reception isopento allSCMSconference participants.Thescreening isfree to registered SCMS TheVisualandEnvironmental StudiesDepartment and TheHarvard FilmArchive Present 7:00pm Reception/8:00pmScreening Serene Velocity LOCATION: SPECIAL EVENT The Carpenter Center fortheVisualArts 24 QuincyStreet, Cambridge (1970)and ROOM: ROOM: Side/Walk/Shuttle MEETING Editorial Board Meeting (1991),Gehrshifted to videoin1999,bringinghis Cinema Journal 7:00 –8:00pm

Visualand Guest. e Gehr”, y fi gure ROOM: ROOM: brated ks by fi lm SESSION J 9:00 – 10:45am

Singing Across Places and Spaces Media Labor and Media Advocacy J1 The Temporal and Contextual Fluidity of J2 ROOM ROOM in the Digital Age the Hollywood Musical

CHAIR: Michele Schreiber ✦ Emory University CHAIR: Kevin McDonald ✦ California State University, Blair Davis ✦ DePaul University ✦ “Singing Sci-Fi Cowboys and Northridge Genre Amalgamation in The Phantom Empire (1935)” Kevin McDonald ✦ California State University, Northridge ✦ Kelli Marshall ✦ DePaul University ✦ “Gene Kelly in the “Rendering VFX: Below-the-Line Labor in the Age of Twenty-First Century” High-Tech Entertainment” ✦ ✦ Laurel Westrup ✦ University of California, Los Angeles ✦ Josh Jackson University of Wisconsin, Madison “YouTube “Scratching the Past: OutKast’s Idlewild” Stars and the Labor of Monetizing Independent Internet Video” Danny Kimball ✦ University of Wisconsin, Madison ✦ “Media Advocacy and Internet Access Policy”

SPONSORS: Caucus on Class Media Literacy and Pedagogical Outreach Scholar Interest Group MARCH 23, 2012 FRIDAY

The Exchange between J3 The Banality of Existence J4 China and Hollywood ROOM Poetics and Politics in Béla Tarr’s Films ROOM New Production and Consumption Patterns

CHAIR: Lilla Toke ✦ Rochester Institute of Technology CHAIR: Li Yang ✦ Lafayette College Lilla Toke ✦ Rochester Institute of Technology ✦ “Insular Spaces: Li Yang ✦ Lafayette College ✦ “Hollywood Stories in Chinese Meanings of Silence in Béla Tarr’s Films” Costumes: Recent Chinese Remakes of Hollywood Films” Eva Cermanova ✦ Princeton University ✦ “Visualizing Disaster: Andrew Stuckey ✦ University of Colorado, Boulder ✦ “The Apocalyptic Landscapes in the Films of Béla Tarr” World Outside: Globalizing Genre and Popular Culture in Perhaps Love” Aynne Kokas ✦ University of California, Los Angeles ✦ “Virtual Play: Theorizing Sino-US Digital Media Platforms”

103 SESSION J 9:00 – 10:45am WORKSHOP J5 Female Star Acting J6 The iPad for Cinema ROOM in Studio Era Hollywood ROOM and Media Studies A Hands (and Fingers)-on Workshop

CHAIR: Martin Shingler ✦ Sunderland University CHAIR: Andrew Miller ✦ Sacred Heart University

Cynthia Baron ✦ Bowling Green State University ✦ “Lynn CO-CHAIR: Judd Ruggill ✦ Arizona State University Fontanne: A Model for Stardom and Star Acting in Hollywood Cinema” Workshop Participants: ✦ ✦ Martin Shingler Sunderland University “Ruth Chatterton: Michael Aronson ✦ University of Oregon Star Actor at Warner Bros. in the Early 1930s” Elizabeth Ellcessor ✦ University of Wisconsin, Madison ✦ University of Sussex ✦ Linda Berkvens “Columbia’s ✦ ‘Natural’: Giving Everything She’s Got in a Performance Phoebe Bronstein University of Oregon that Reaches Genius!” Dan Leopard ✦ Saint Mary’s College of California Tamar Jeffers McDonald ✦ University of Kent ✦ “‘A New Heidi Rae Cooley ✦ University of South Carolina Doris Day’: Performance, Critical Response, and Midnight Lace” FRIDAY

MARCH 23, 2012 J7 Publicity, Promotion, J8 Problematic Pregnancies ROOM and Public Culture ROOM Childbirth and Abortion The Visibility of Women’s Film Work in American Cinema

CHAIR: Shelley Stamp ✦ University of California, Santa Cruz CHAIR: Megan Minarich ✦ Vanderbilt University Jennifer Horne ✦ Catholic University of America ✦ “Welcome Megan Minarich ✦ Vanderbilt University ✦ “Ghost Children: to the Nanny State: The U.S. Children’s Bureau and the The Ethics of Eugenic Abortion in Where Are My Spectacular Task of Child-Saving” Children? and The Black Stork/ Are You Fit to Marry?” Shelley Stamp ✦ University of California, Santa Cruz ✦ Lindsay Giggey ✦ University of California, Los Angeles ✦ “Women’s Labor, Creative Control, and ‘Independence’ “‘Everybody Is Taking My Baby from Me’: Star and in Early Hollywood: The Case of Lois Weber Studio Negotiation in Susan Slade Discourse” Productions” Michelle Robinson ✦ University of North Carolina, Chapel Mary Desjardins ✦ Dartmouth College ✦ “‘As Told To’: Helen Hill ✦ “UnBorn, Again?: Persons and Things in Todd Ferguson and the Role of the Female Publicist in Studio- Solondz’s Palindromes” era Hollywood”

104 SESSION J 9:00 – 10:45am

J9 Reconsidering Alternative J10 Contemporary Media Fandom ROOM and Local Cinema ROOM Fan Practices

CHAIR: Nico Baumbach ✦ Columbia University CHAIR: Paul Booth ✦ DePaul University Alison Wielgus ✦ University of Iowa ✦ “Excavating Michael Lachney ✦ Independent Scholar ✦ “‘What Would Underground Cinema: The Films of the No Wave” Sagan Do’: The Fandom and Anti-Fandom of Carl Sagan” Zeynep Yasar ✦ Indiana University, Bloomington ✦ “Moviegoing Kathryn Thompson ✦ Indiana University ✦ “’When Does Meets Cultural Activism: Policy and Urban Space in the the Narwhal Bacon?’ – Offline Signifying Practices in Case of Emek Movie Theater” Internet Fandom” Zeynep Cetin Erus ✦ Marmara University ✦ “Third Cinema and Paul Booth ✦ DePaul University ✦ “Returning to Fandom 1.0? Young Cinema Movement in Turkey” Contemporary Fan Offline Practices” Nico Baumbach ✦ Columbia University ✦ “The Perversions of Direct Cinema: On an Unfinished Revolution” MARCH 23, 2012 FRIDAY

J11 J12 The Host City 1 ROOM Animation Thinks Film ROOM Comparative Studies of Media Festivals and Urban Spaces

CHAIR: Andrew Johnston ✦ Amherst College CHAIR: Michelle Stewart ✦ SUNY, Purchase College

RESPONDENT: Donald Crafton ✦ University of Notre Dame Roya Rastegar ✦ University of California, Santa Cruz ✦ “Arabian Karen Beckman ✦ University of Pennsylvania ✦ “Animating Nights – Competing Cinema in the Middle East” Postwar Art Cinema” Michelle Stewart ✦ SUNY, Purchase College ✦ “North African Andrew Johnston ✦ Amherst College ✦ “Re-animating the Screens: French-Maghrebi Film Exhibition in Marseille Past: Intervals, Movement, Technology” Robert Peaslee ✦ Texas Tech University ✦ “‘Where Buzz Is James Hodge ✦ Duke University ✦ “Animation and Technics” Born’ vs. ‘Lubbock or Leave It’: A Tale of Two (Host) Cities” SPONSOR: Animated Media Scholarly Interest Group Brendan Kredell ✦ University of Calgary ✦ “From City Branding to City Building: The International Film Festival as Urban Development Strategy”

SPONSORS: Film and Media Festivals Scholarly Interest Group Urban Studies Scholarly Interest Group

105 SESSION J 9:00 – 10:45am

Framed Lives and Screened Deaths Indigenous Cinema J13 Representations of Honor Killings in World J14 ROOM ROOM in North America Cinema

CHAIR: Flavia Laviosa ✦ Wellesley College CHAIR: Ute Lischke ✦ Wilfrid Laurier University

RESPONDENT: Maruta Vitols ✦ Emerson College CO-CHAIR: David McNab ✦ York University Eylem Atakav ✦ University of East Anglia ✦ “Representation, David McNab ✦ York University ✦ “Kinomagewapkong, ‘The Religious Identity and Gender Politics in Turkey: Is Rocks that Teach’: Indigenous Knowledge and Memory ‘Honour Everything for Muslims’?” in Documentary Films in Ontario” Daniel Cutrara ✦ Arizona State University ✦ “The Tormented Maureen Riche ✦ York University ✦ “‘Indigenous Psyche of Islam: Honor Killing in Atef Hetata’s The ‘Dogumentary’: Telling the Story of Sled Dogs in Film” Closed Doors” Ute Lischke ✦ Wilfrid Laurier University ✦ “Decolonization, SPONSOR: Women’s Caucus Empowerment, and Activism through Indigenous Storytelling: Is Indigenous Cinema the New National Cinema?” Katherine Quanz ✦ Wilfrid Laurier University ✦ “Collecting, Distributing, and Exhibiting Aboriginal Experimental Cinema in Canada” FRIDAY

MARCH 23, 2012 J15 J16 Be The Media ROOM Case Studies in Media Studies ROOM Radical Film, New Media, and Social Formations

CHAIR: Charles Acland ✦ Concordia University CHAIR: Chris Robe ✦ Florida Atlantic University Paul Monticone ✦ University of Texas, Austin ✦ “A Case Study Akiva Gottlieb ✦ University of Michigan ✦ “’The Film Is in Intermedial Hollywood History: Adapting 1930s Rebellion!’: Varieties of Individual and Collaborative Theatrical Realism to the Classical Mode of Production Resistance in William Greaves’ Symbiopsychotaxiplasm: and Style” Take One” Andrew Myers ✦ University of California, Los Angeles ✦ Debbie James ✦ Governors State University ✦ “Control and “Remaking the Making of Planet Earth: Industrial Access Embedded in the Code: Screening Communities Reflexivity and Disney’s Marketing of Disneynature: of Social Justice” Earth” Angela Aguayo ✦ Southern Illinois University ✦ “Cultural Amanda Keeler ✦ Bucknell University ✦ “The ABC After School Modes of Popular Documentary Production and Activist Specials: Young Adult Television during the Network Media Formations: Re-thinking Documentary Theory Era” through the Framework of Practice” Charles Acland ✦ Concordia University ✦ “Taste and Chris Robe ✦ Florida Atlantic University ✦ “Suturing Working- Technology in the Blockbuster Economy” Class Subjectivities: Media Mobilizing Project and Digital Production as Organizing Tool”

SPONSOR: Caucus on Class

106 SESSION J 9:00 – 10:45am

WORKSHOP J17 J18 Teaching Film Studies in a ROOM Geisha Girl ROOM Broadcast Environment

CHAIR: Miyoko Shimura ✦ Waseda University CHAIR: Harry Benshoff ✦ University of North Texas Rea Amit ✦ Tokyo Geijtsu Daigaku ✦ “Japanese Woman of the Arts: Between Western and Eastern Forms of Oriental Workshop Participants: Cinematic Aesthetics” Vanessa Ament-Gjenvick ✦ Georgia State University ✦ ✦ Chie Niita Waseda University “Geisha Girl and Her Body in David Coon ✦ University of Washington, Tacoma Dancing—As Seen in Memoirs of a Geisha (2005)” David Lugowski ✦ Manhattanville College ✦ Kyoto University ✦ Yuka Kanno “The Panpan Girls and the ✦ Postwar Female Continuum: Girls of Dark (1961)” Eric Freedman Florida Atlantic University ✦ Lori Hitchcock Morimoto ✦ Independent Scholar ✦ “The Steven Rawle York St. John University Loquacious Geisha: Lotus Blossom and the Hidden Transcript of Teahouse of the August Moon” MARCH 23, 2012 FRIDAY

J19 J20 Compilation Film 2.0 ROOM Film Industry Historiography ROOM Evolving Creative Practices in Remix Culture

CHAIR: Alison Trope ✦ University of Southern California CHAIR: Patricia Aufderheide ✦ American University George Larkin ✦ University of California, Berkeley ✦ Patricia Aufderheide ✦ American University ✦ “That “Engineering Art: The Motion Picture Engineers and the Fascinating Frisson of Fear: Copyright Romanticism in Emergence of Aesthetic” Remix Culture” Anne Morey ✦ Texas A&M University ✦ “‘The Gland School’: Francesca Coppa ✦ Muhlenberg College ✦ “Building a Remix Gertrude Atherton and the Two Black Oxen” Video Coalition” Alison Trope ✦ University of Southern California ✦ “Giving Richard Edwards ✦ Indiana University/Purdue University Credit: The Permanent Charities Committee and Indianapolis ✦ “A Remix of Attractions: Compilation Hollywood Philanthropy” Films, Self-Consciousness, and Potential Criticism”

107 SESSION J 9:00 – 10:45am

Beyond Saturday Night J21 Saturday Night Live and American J22 Ecocinema 1 ROOM ROOM Objects, Objectives, Objections Television Culture

CHAIR: Nicholas Marx ✦ University of Wisconsin, Madison CHAIR: Salma Monani ✦ Gettysburg College Amber Watts ✦ Texas Christian University ✦ “Live From Salma Monani ✦ Gettysburg College ✦ “From Cuts to New York, It’s a Train Wreck: Disaster Guests and the Dissolves? The Evolving Field of Ecocinema Studies” Aesthetics of Liveness” Andrew Hageman ✦ Luther College ✦ “Ecocinema, Ideology, Nicholas Marx ✦ University of Wisconsin, Madison ✦ “Beyond and Dreams of a Clockwork Green” Saturday Night: The SNL Franchise and the American Adrian Ivakhiv ✦ University of Vermont ✦ “From Television Heritage” Environmental Films to Eco(philosophical) Cinema” Racquel Gates ✦ College of Staten Island, CUNY ✦ “Don’t Be Too Sure . . . They Might Be Black: Eddie Murphy and Black Performativity in 1980s Popular Culture” MEETING ROOM: Matt Sienkiewicz ✦ University of Wisconsin, Madison ✦ “Saturday Night Live and Irony from 9/11 to Barack 9:00 – 10:45am Obama” ORGANIZATIONAL MEETING: Proposed Radio SPONSOR: Television Studies Scholarly Interest Group Studies Scholarly Interest Group

SCREENING ROOM: Tremont, Level 4 FRIDAY These Amazing Shadows MARCH 23, 2012 Paul Mariano and Kurt Norton, USA, 2011, 88 min What do the fi lms Casablanca, Blazing Saddles, and West Side Story have in common? Besides being popular, they have also been deemed “culturally, historically or aesthetically signifi cant” by the Library of Congress and listed on the National Film Registry. These Amazing Shadows reveals the history and importance of the Registry, a roll call of American cinema treasures that refl ects the diversity of fi lm and, indeed, the American experience itself. The current list of 550 fi lms includes selections from every genre— documentaries, home movies, Hollywood classics, the avant-garde, newsreels, and silent fi lms. These Amazing Shadows reveals how “American movies tell us so much about ourselves . . . not just what we did, but what we thought, what we felt, what we aspired to, and the lies we told ourselves.”

SPONSORS: Media Archives Committee Documentary Studies Scholarly Interest Group

Audiences for this fi lm may also be interested in panels C17 “Audiovisual Archives in the Digital Age,” E25 “Cinema as Archive,” H9 “Citation and Appropriation: Film Remembers (through) Film,” I18 “Rethinking Film History from the Archives Out,” and M20 “Teaching the Archive.”

11:00am – 12:00noon MEMBERS’ BUSINESS MEETING

ROOM: Statler, Level 2 108 Come learn more about SCMS’ current and future activities and meet Board members and Caucus and Scholarly Interest Group chairs. All conference participants are welcome. SESSION K 12:15 – 2:00pm

K1 K2 Beyond the Uncanny ROOM Documentary in an Expanded Field ROOM Psychoanalyzing Contemporary Horror

CHAIR: Paige Sarlin ✦ Brown University CHAIR: Hilary Neroni ✦ University of Vermont Roger Hallas ✦ Syracuse University ✦ “Moving Still/Still Hugh Manon ✦ Clark University ✦ “Paranormal Activity: The Moving: The Photographic and the Cinematic in Web Revenge of the Mulveyan Male Gaze” Documentary” Sheila Kunkle ✦ Metropolitan State University ✦ “M. Night Tess Takahashi ✦ York University ✦ “Documentary in the Shyamalan and the Horror of our Apocalyptic Demise” Gallery: The Matter of the Long Take” Brian Wall ✦ Binghamton University ✦ “Je veux mourir: Drive Irina Leimbacher ✦ Keene State College ✦ “Omer Fast: and Desire in Trouble Every Day (2001)” Documentary Trapped in the Museum” Hilary Neroni ✦ University of Vermont ✦ “Teetering on the Paige Sarlin ✦ Brown University ✦ “Any-Interview-Whatever: Abyss of Enjoyment: Torture Porn and Biopolitics” The Commodification of Discourse on the Web” MARCH 23, 2012 FRIDAY

K3 Gay Expectations K4 ROOM Popular Culture Hails the Queer ROOM Styles of Global Authorship Unconscious

CHAIR: Lisa Henderson ✦ University of Massachusetts, Amherst CHAIR: Jeffrey Middents ✦ American University Matthew Tinkcom ✦ Georgetown University ✦ “‘It Can Get Verena Kick ✦ University of Washington ✦ “Objective Faces and Great’: Queer Video Biography and the ‘It Gets Better’ Facial Objects: Jan Švankmajer’s Use of the Close-Up” Campaign” Bjorn Nordfjord ✦ University of Iceland ✦ “The Extroverted Ramzi Fawaz ✦ George Washington University ✦ “Consumed Scandinavian: Contemporary Auteurs Susanne Bier and by Hellfire: Demonic Possession and Queer Desire in Lukas Moodysson” American Superhero Comics of the 1980s” Brandon Colvin ✦ University of Wisconsin, Madison ✦ Ryan Watson ✦ University of Iowa ✦ “Lewis Klahr’s Pony Glass: “Expressiveness and Discrepancy: Acting Styles in Andrei Queer Collage Animation, Retroactive Contingency, and Rublev and Solaris” the Everyday” Jeffrey Middents ✦ American University ✦ “Alfonso Cuarón as Robert Alford ✦ University of California, Berkeley ✦ “Queering the Prisoner of Mex-kaban: The Transnational Auteur Community: Divergent Strategies in The Band Wagon Meets the Franchise Film” and Glee”

SPONSORS: Queer Caucus Animated Media Scholarly Interest Group

109 SESSION K 12:15 – 2:00pm

K5 WORKSHOP K6 ROOM Teaching Comics Studies ROOM Sonic Approaches to Genre

CHAIR: Drew Morton ✦ University of California, Los Angeles CHAIR: Mark Kerins ✦ Southern Methodist University

CO-CHAIR: William Whittington ✦ University of Southern Workshop Participants: California Scott Bukatman ✦ Stanford University Benjamin Wright ✦ University of Southern California ✦ “The Suzanne Scott ✦ Occidental College Sonic Compass: Re-recording Mixing Choices and The Bourne Ultimatum” Greg Smith ✦ Georgia State University ✦ Georgia State University ✦ ✦ Vanessa Ament-Gjenvick “‘How James Thompson Duke University Would You Like To Work on a Monster Movie?’: Bram Matt Yockey ✦ University of Toledo Stoker’s Dracula, Technological Convergence, and Sound Design Authorship” SPONSOR: Comics Studies Scholarly Interest Group Mark Kerins ✦ Southern Methodist University ✦ “Genre Effects on Surround Sound Gaming” William Whittington ✦ University of Southern California ✦ “The Cinema of Disorientation: A Hearing on Horror”

SPONSOR: Sound Studies Scholarly Interest Group FRIDAY

MARCH 23, 2012 K7 Instructive Entertainment K8 ROOM Nontheatrical Screening Spaces ROOM Art Films and the Politics of Taste before 1920

CHAIR: Caitlin McGrath ✦ University of Chicago CHAIR: Ken Feil ✦ Emerson College

CO-CHAIR: Andy Uhrich ✦ Indiana University RESPONDENT: Harry Benshoff ✦ University of North Texas Andy Uhrich ✦ Indiana University ✦ “‘Outside of a Few Steven Carr ✦ Indiana University-Purdue University Fort Wayne ✦ Inaccuracies’: The Illustrated Lecture as Precursor to the “‘To Encompass the Unseeable’: Foreign Film, Taste Educational Film” Culture, and the American Encounter with the Postwar Gregory Waller ✦ Indiana University ✦ “Nontheatrical Holocaust Film” Theaters: The Panama-Pacific International Exposition Ken Feil ✦ Emerson College ✦ “Never on Sunday, Okay on (1915)” Primetime, or, The Apartment in America’s Living Caitlin McGrath ✦ University of Chicago ✦ “‘When You Middlebrow Film Culture’s Impact on TV Sex Comedy of Thundered’: The Spectacular Anthropology of J. K. the Late 1960s” Dixon” Joan Hawkins ✦ Indiana University ✦ “‘The Auteur of Porn’: Alison Griffiths ✦ Baruch College, CUNY ✦ “Not Quite or More Catherine Breillat’s Anatomy of Hell and the Politics of than Cinema? Film-going in the Penitentiary” Taste”

SPONSOR: Nontheatrical Film and Media Scholarly Interest Group

110 SESSION K 12:15 – 2:00pm

K9 Crisscrossing Boundaries K10 East Asian Cinema, Urbanism, ROOM Mexico and Cinema ROOM and Globalization

CHAIR: Adela Pineda ✦ Boston University CHAIR: Doug Dibbern ✦ Independent Scholar Sergio Delgado ✦ Harvard University ✦ “Movement-Image Doug Dibbern ✦ Independent Scholar ✦ “Jia Zhang-ke and the or Moving Spectator?: The Subversive Dialectic of Motifs of Travel and Performance: Globalization and the Cinegenic Muralism” Aesthetics of the International Film Festival Circuit” Juana Suarez ✦ New York University ✦ “Beyond Jiwei Xiao ✦ Fairfield University ✦ “The Site of Memory: The Entertainment: Radio, Comedia Ranchera, and the Ruins in Jia Zhangke’s Films” Political Agenda of Colombian Films from the 1940s” Julian Cornell ✦ New York University ✦ “Restructuring the Adela Pineda ✦ Boston University ✦ “Displaced Metaphors Family Melodrama in Kiyoshi Kurosawa’s Tokyo Sonata” of a Cinematic Revolution: Viva Zapata! (1952) at the Rahul Hamid ✦ New York University ✦ “Modernity and Moral Crossroads of Politics in the US and Mexico” Uncertainty in the Cinema of Lee Chang Dong” Ilka Kressner ✦ University at Albany, SUNY ✦ “New Masses in Contemporary Mexican Film – Screening a Self- Confident Crowd” MARCH 23, 2012 FRIDAY

Ecocinema 2 K11 Eco-effects and Affects K12 Hollywood and France ROOM From Audience Cognition to Resource ROOM Beyond National Cinema Consumption

CHAIR: Andrew Hageman ✦ Luther College CHAIR: Melvyn Stokes ✦ University College London

Alexa Weik von Mossner ✦ University of Fribourg ✦ “Objects CO-CHAIR: Gilles Menegaldo ✦ University of Poitiers of Emotion: Cognitive Approaches in Cine-ecocriticism” Raphaelle Costa de Beauregard ✦ University Toulouse II Helen Hughes ✦ University of Surrey ✦ “The Toxic Materiality France ✦ “A Forgotten Early Renoir Noir Film: La nuit du of the Eco-Doc” carrefour (1932) and Echoes from American Cinema” Paula Willoquet-Maricondi ✦ Marist College ✦ “Media Melvyn Stokes ✦ University College London ✦ “Appropriating Technology, Ecocriticism, and the Sustainability Charlot: The French Reception of Chaplin’s Modern Movement” Times, The Great Dictator, and Monsieur Verdoux” Gilles Menegaldo ✦ University of Poitiers ✦ “Aspects of French Culture in Woody Allen’s Cinema” Alain Cohen ✦ University of California, San Diego ✦ “Francis Ford Coppola’s Apocalypse Now Redux (1979/2001): The US/France Interweave by Way of Poland, Africa, Vietnam (and Indochina)”

SPONSOR: French and Francophone Scholarly Interest Group

111 SESSION K 12:15 – 2:00pm

Gender, Race, and The Host City 2 K13 K14 Case Studies of Media Festivals ROOM Family on Television ROOM and Urban Spaces

CHAIR: David Pierson ✦ University of Southern Maine CHAIR: Robert Peaslee ✦ Texas Tech University

Rebecca Jurisz ✦ University of Minnesota ✦ “’They Don’t Call RESPONDANT: Marijke de Valck ✦ University of Amsterdam Me Poppycock for Nothing, Darling’: Sexual Spectacle, Ran Ma ✦ University of Hong Kong ✦ “Celebrating the Knowing Viewers, and Televisual Citizenship” International, Disremembering Shanghai: The Curious Julie Lavelle ✦ Indiana University ✦ “‘Waiting to Sexhale in the Case of Shanghai International Film Festival (SIFF)” City’: Mara Brock Akil’s Girlfriends” Ioana Uricaru ✦ University of Southern California ✦ Kristina Busse ✦ Independent Scholar ✦ “‘I Don’t Hate the “Outgrowing the Stereotype: Transilvania International South’: Familial Blood and the Southern Vampire in True Film Festival, Cluj, Romania” Blood and The Vampire Diaries” Iain Simons ✦ Nottingham Trent University ✦ “Games and the David Pierson ✦ University of Southern Maine ✦ “Breaking City” Neo-liberal?: Contemporary Neoliberal Discourses and SPONSORS: Film and Media Festivals Scholarly Interest Group and Policies in AMC’s Breaking Bad” Urban Studies Scholarly Interest Group FRIDAY

MARCH 23, 2012 Technology, Software, and Home Is Where the War Is K15 K16 American Media Culture ROOM Production Practices ROOM Before and After 9/11

CHAIR: Andrew Gay ✦ University of Central Florida CHAIR: Tony Grajeda ✦ University of Central Florida Allan Cameron ✦ University of Auckland ✦ “Timelines and Time Andrew Martin ✦ University of Wisconsin, Milwaukee ✦ Zones: The Temporality of Video Editing Software” “Narrating 9/11 in the 1990s” Eric Freedman ✦ Florida Atlantic University ✦ “Engine: The James Castonguay ✦ Sacred Heart University ✦ Mechanics of Play” “Domestic(ating) Conflict: Representations of the Andrew Gay ✦ University of Central Florida ✦ “Screenwriting ‘Homefront’ in U.S. Television” 2.0: The Impact of Digital Technologies and Web Tony Grajeda ✦ University of Central Florida ✦ “Post-war Discourse on the Future of the Screenplay” Postponed: War without End, Ceaseless Melodrama, and the Cultural Work of Grief”

112 SESSION K 12:15 – 2:00pm

K17 Historical Fiction Film K18 From Excess to Adaptation ROOM Questions of Form and Ethics ROOM Color’s Emergence in the Moving Image

CHAIR: Allison Rittmayer ✦ University of Florida CHAIR: Carolyn Kane ✦ Hunter College, CUNY

David Harvey ✦ University of Iowa ✦ “Bewitching History: CO-CHAIR: Joshua Yumibe ✦ University of St. Andrews Benjamin Christensen’s Häxan” Joshua Yumibe ✦ University of St. Andrews ✦ “Artistic Color Jennifer Pearce ✦ University of California, Los Angeles ✦ and Intermedial Aesthetics in the New Cinema of the “Ambiguities of Synthetic Realism in Documentary Film” 1910s” Alison Patterson ✦ University of Pittsburgh ✦ “The Sarah Street ✦ University of Bristol ✦ “Learning from the Past: Draughtsman’s Views of History” The Role of Precedent in 1920s Color Experimentation” Allison Rittmayer ✦ University of Florida ✦ “The Unseen and Carolyn Kane ✦ Hunter College, CUNY ✦ “Mind-Expansion with the Unseeable: Using Ellipsis to Represent Torture” Electronic Color and Video Synthesis, circa 1969” John Belton ✦ Rutgers University ✦ “Color from Novelty to Norm”

SPONSOR: CinemArts: Film and Art History Scholarly Interest Group MARCH 23, 2012 FRIDAY

Youth and Age in WORKSHOP K19 K20 A Profession in Transition ROOM Contrasting Contexts ROOM Promises, Pitfalls, and Opportunities

CHAIR: Timothy Shary ✦ Independent Scholar CHAIR: Patrice Petro ✦ University of Wisconsin, Milwaukee Timothy Shary ✦ Independent Scholar ✦ “Rad and Bad: Independent Cinema and Youth Films of the ‘90s” Workshop Participants: Christina Petersen ✦ University of Chicago ✦ “Crowd Control: Mary Francis ✦ University of California Press The Payne Fund Studies’ Conception and Depiction of Leslie Mitchner ✦ Rutgers University Press the Youth Film Spectator” Daniel Chamberlain ✦ Occidental College ✦ University of Michigan ✦ Nancy McVittie “Before Adult ✦ Meant ‘Adult’: Selling Generational Conflict in 1950s Miriam Posner Emory University Hollywood” Tara McPherson ✦ University of Southern California Emily Mattingly ✦ University of California, Riverside ✦ “Queering Children’s Film”

113 SESSION K 12:15 – 2:00pm

“Life Is But a Dream” K21 Creative Labor in the Digital Age K22 Buddhist Frameworks for Visualizing ROOM TV Work-Worlds in Transition ROOM Temporality and (Im)mortality

CHAIR: Denise Mann ✦ University of California, Los Angeles CHAIR: Angelica Fenner ✦ University of Toronto Derek Johnson ✦ University of Wisconsin, Madison ✦ Francisca Cho ✦ Georgetown University ✦ “How to Tame a “Participation Is Magic: Legitimacy, Production Culture, Ghost: Nang Nak and the Buddhist Gaze” and the Ponies Meme” Angelica Fenner ✦ University of Toronto ✦ “Living Denise Mann ✦ University of California, Los Angeles ✦ “Silicon Longitudinally: Buddhism and Documentary Form in Valley Start-Up Invades the Mouse-house! TV Work- Jennifer Fox’s My Reincarnation (2011)” Worlds in Transition” Ben Lenzner ✦ University of Waikato ✦ “This Is Just Batting Kevin Sandler ✦ Arizona State University ✦ and Practice: A Tale About G.I. Joes, Tomato Boxes, Rivers Daniel Bernardi ✦ San Francisco State University ✦ & Reincarnation (A Critical Reflection on Integrating “Branding Vic Mackey: The Failed Transmedia Properties Buddhist Beliefs within Documentary Film)” of The Shield” Sue Scheibler ✦ Loyola Marymount University ✦ “Terrence Serra Tinic ✦ University of Alberta ✦ “Globalizing Multi-Platform Malick’s Meditative Gaze” TV: Does the ‘National’ Still Matter in New Media Production?”

SPONSOR: Media Industries Scholarly Interest Group

SCREENING ROOM: Tremont, Level 4 FRIDAY

MARCH 23, 2012 Working Girls Lizzie Borden, USA, 1987, 93 min This is a piercing look at one day in a Manhattan brothel, following several women and the madam who work in this upscale estab- lishment. Written and directed by renowned feminist fi lmmaker Lizzie Borden (Born in Flames), the fi lm was based on her research and won the best feature prize at the Sundance Film Festival. Noted for its subjective approach to the portrayal of the mundane aspects of prostitution, Working Girls remains daring, challenging, and fresh to this day.

SPONSORS: Caucus on Class Women’s Caucus

Audiences for this fi lm may also be interested in panel P18 “Women Make Movies at Forty: Cultures of Feminist Film”

MEETING ROOM: 12:15 – 2:00pm Video Game Studies Scholarly Interest Group

114 FRIDAY MARCH 23, 2012 115 n ma ge’s itage which During ections at represent- s the work sentations. ut research ut research take questions take (by itinerant women directors in the 1930s); all (by itinerant women directors , and other benefi ts of membership. , and other benefi Movie Queen

The Cinema Journal Statler, Level 2 Level Statler, highlighting ROOM: 2:15 – 4:00pm 12:15 – 2:00pm 559 Washington Street 559 Washington Northeast Historic Film Northeast Historic SPECIAL EVENT SPECIAL New England Archive Showcase Archive New England Bright Family Screening Room, Emerson College’s Paramount Center Room, Emerson College’s Screening Bright Family ORIENTATION FOR NEW MEMBERS ORIENTATION LOCATION: LOCATION: The Paramount is a 5-10 minute walk from the Park Plaza Hotel. Upon exiting the hotel on the Arlington the Arlington on Upon exiting the hotel the Park Plaza Hotel. walk from The Paramount is a 5-10 minute Learn more about the Society, the conference, the conference, about the Society, more Learn Directions: Directions: and walk approximately right on Boylston Turn Street. Boylston to side, turn right and walk a block-and-a-half Street and Tremont of Boylston Common. At the intersection and Boston blocks east, paralleling the Public Garden three Common Boston (the corner with the Loew’s Avery Street and go one block to Tremont turn left onto Streets, you will see Washington, As you turn left onto Street. Washington and go one block to right on Avery Turn Theater). the Paramount marquee. surviving Maine television collections and the WCVB-TV Boston newsfi lm; early trade journals; a postcard collection of cinemas lm; early trade journals; a postcard newsfi collections and the WCVB-TV Boston surviving Maine television nding aids and coll fi topical Explore cinema technology. Collection of amateur and the Alan and Natalie Kattelle ing 49 states; lm.org/collection/ http://oldfi time they will share a sampling of some of the fi lms, television programs, and other media in their holdings with SCMS members. and other media in programs, television lms, a sampling of some of the fi time they will share and a variety of clips, discuss their collections, introduce will be on hand to the archives from each showcase representatives learn abo to students and advanced scholars alike graduate This will be a one-of-a-kind opportunity for both the audience. from stay for all of the pre by for an hour or Drop of the hidden gems within these important archives. opportunities and about many Colle Room at Emerson Screening place in the Bright Family take badge. The showcase will conference Admission is with your SCMS Street. at 559 Washington Paramount Center i 1916 Alamo Theater in the historic and Massachusetts. NHF is located Vermont, of northern New England: Maine, New Hampshire, The NHF moving image holdings include an annual Summer Symposium on nontheatrical topics. Bucksport, Maine, home since 2000 to holdings in the 1930s, such a particularly strong 1915 with lms dating from fi amateur two titles on the National Film Registry, Cine Society) and of Hiram Maxim, founder of the Amateur (family papers at Massachusetts Historical Wright of Elizabeth Woodman includes the only known U.S. instances of of interest material Other League. Northeast Historic Film is an independent regional moving image archives, collecting and making accessible the moving image her collecting moving image archives, Film is an independent regional Northeast Historic New England is home to several signifi cant moving image archives. We are pleased to present a showcase of these archives during a showcase of these archives present pleased to are We cant moving image archives. several signifi New England is home to SESSION L 2:15 – 4:00pm

L1 The Cinema of L2 Historical Studies of ROOM Nicolás Guillén Landrián ROOM Cinema in Turkey Problems and Perspectives

CHAIR: Ruth Goldberg ✦ Empire State College, SUNY CHAIR: Kaya Ozkaracalar ✦ Bahcesehir University Ernesto Livon-Grosman ✦ Boston College ✦ “Looking Out to Özge Özyilmaz ✦ Istanbul University ✦ “Film Magazines in the See In: Nicolasito Guillén Landrián’s Other Strategy” Early Republican Period of Turkey as Dream Factory: Did Dylon Robbins ✦ Boston University ✦ “People, Production, and Orient Star Lady Selma Exist or Not?” Performance in the Work of Nicolás Guillén Landrián” Dilek Kaya Mutlu ✦ Bilkent University ✦ “Film Censorship in Ruth Goldberg ✦ Empire State College, SUNY ✦ “‘Resurrecting Turkey from the 1930s to early 1970s Nicolasito’: Contemporary Independent Cinema in Cuba Kaya Ozkaracalar ✦ Bahcesehir University ✦ “The and the Enduring Legacy of Nicolas Guillén Landrián” Transformation of Film Distribution in Turkey in 1979-82” FRIDAY

MARCH 23, 2012 Authorship, Appropriation, Archive L3 Bromantic Longings L4 Experiments with Found Footage ROOM History, Theory, and Context ROOM Then and Now

CHAIR: Michael DeAngelis ✦ DePaul University CHAIR: Jamie Baron ✦ University of California, Santa Barbara

RESPONDENT: Alexander Doty ✦ Indiana University Oliver Gaycken ✦ University of Maryland ✦ “Stock Footage” Michael DeAngelis ✦ DePaul University ✦ “Queerness and Robin Blaetz ✦ Mount Holyoke College ✦ “The Source Material Futurity in Hollywood Bromance” of Joseph Cornell” Jenna Weinman ✦ University of California, Irvine ✦ “Mediating Rick Prelinger ✦ Prelinger Library and Archives ✦ “Background, Man-Love: Paul Rudd as Bromantic Hero” Foreground, and Template: Trajectories of Archival Nick Davis ✦ Northwestern University ✦ “I Love You, Hombre: Appropriation, 1975–2015” Y Tu Mamá También as Border-Crossing Bromance” Jaimie Baron ✦ University of California, Santa Barbara ✦ “(In) Appropriation: Subversions of Meaning and Productions of Affect in Contemporary Experimental Found Footage Films”

SPONSOR: Experimental Film and Media Scholarly Interest Group

116 SESSION L 2:15 – 4:00pm L5 L6 ROOM The Transnational and Diasporic ROOM Acting Like a Child

CHAIR: Brigitte Humbert ✦ Middlebury College CHAIR: Jacob Smith ✦ Northwestern University Philippe Meers ✦ University of Antwerp ✦ Sofie Van Bauwel ✦ Michael Lawrence ✦ University of the West of England ✦ Ghent University ✦ and Kevin Smets ✦ University of “Juvenile Performance and International Cooperation Antwerp ✦ “Diaspora Cinemagoing and Urban Cultures: in The Pied Piper (1942) and Heavenly Days (1944): A Study on Turkish and Indian Film Audiences in Antwerp Hollywood Cinema and the Children of the Nations (Belgium)” during World War II” Dredge Kang ✦ Emory University ✦ “Channeling the Korean Pamela Wojcik ✦ University of Notre Dame ✦ “Acting Urban: Wave: YouTube and the Crisis of Thai Masculinity” Children, Performance, and Space” Chiara Bucaria ✦ University of Bologna ✦ “Neither Here nor Jacob Smith ✦ Northwestern University ✦ “The Essential There: Exploring the Transnational Adaptation of TV Theatricality of Children’s Games” or Rediscovering the Titles” ‘Inner Child’ of the Postwar Culture of Spontaneity” MARCH 23, 2012 FRIDAY

Bros, Guys, and Presidents Visualizing Class in Contemporary L7 Interrogating Masculinity on L8 ROOM ROOM US and UK Reality Television Contemporary Television

CHAIR: Eleanor Seitz ✦ University of Wisconsin, Madison CHAIR: Faye Woods ✦ University of Reading Ron Becker ✦ Miami University ✦ “Becoming Bromosexual: Faye Woods ✦ University of Reading ✦ “Tits, Tans, and Tears: Straight Men, Gay Men, and Male Bonding on U.S. TV” Classed Femininity, Performance, and Camp in The Only Amanda Lotz ✦ University of Michigan ✦ “Jocularity and the Way Is Essex and Made in Chelsea” Homosocial Space: Policing Masculinity through Humor” Amanda Klein ✦ East Carolina University ✦ “The Aesthetics of Eleanor Seitz ✦ University of Wisconsin, Madison ✦ Class in MTV’s Reality Programming” “Challenging JFK’s New Frontiersman Masculinity: Jon Kraszewski ✦ Seton Hall University ✦ “The New Historical Television and the Case of The Kennedys” Enlightened Racism: Warping Multiracialism on Melissa Zimdars ✦ University of Iowa ✦ “‘Hey, Scrotum Face!’: Upwardly Mobile Lifestyle and Real Estate Reality Juvenile Masculinity, Post-feminism, and Guy-centered Programming” Television Comedies” Melissa Click ✦ University of Missouri ✦ “Food Realities: Food and Individual Responsibility in US Reality TV”

SPONSOR: Caucus on Class

117 SESSION L 2:15 – 4:00pm

L9 L10 DEFA and the Third World ROOM Food Media, Inc. ROOM DEFA Transnational

CHAIR: Sylvia Chong ✦ University of Virginia CHAIR: Sebastian Heiduschke ✦ Oregon State University Heather Lee ✦ Brown University ✦ “Is This Chinese? Evan Torner ✦ University of Massachusetts, Amherst ✦ “DEFA Representations of Cultures in 1930s New York City and the Third World: A Taxonomy of Transnationalisms” Chinese Restaurants” Sebastian Heiduschke ✦ Oregon State University ✦ “Colonial Min Song ✦ Boston College ✦ “Soylent Green Is People: The East German Male Fantasies? Reading Lars Barthel’s Importance of Laughing at Disgusting Food” Mein Tod ist nicht dein Tod” Anita Mannur ✦ Miami University ✦ “Curry’s Currency: The Madalina Meirosu ✦ University of Massachusetts, Amherst ✦ Palatable Multiculturalism of South Asian Diasporic “Constructing the New Woman in the Late Fifties in Die Romantic Comedy” Windrose” Sylvia Chong ✦ University of Virginia ✦ “Killer of Chickens: Miranda Tedholm ✦ Indiana University, Bloomington ✦ “Border The Racial Politics of Animal Slaughtering in Food, Inc. Crossings and Boundaries in Two Cold War-Era (2008)” Educational Films” FRIDAY

MARCH 23, 2012 L11 L12 Other Images of North Korea ROOM Code Studies and Videogames ROOM Realism, Indexicality, Spectatorship

CHAIR: Zach Whalen ✦ University of Mary Washington CHAIR: Kyung Kim ✦ University of California, Irvine

Sheila Murphy ✦ University of Michigan ✦ “Parsing Code, RESPONDENT: Steven Chung ✦ Princeton University Playing Games: A Mediation on Reading Video Games” Michelle Cho ✦ University of California, Irvine ✦ “Documentary Mark Sample ✦ George Mason University ✦ “A Revisionist Form and the Politics of Reunification: Yang Yong-hi’s History of JFK Reloaded (Decoded)” Dear Pyongyang and Goodbye Pyongyang Zach Whalen ✦ University of Mary Washington ✦ “’//create Travis Workman ✦ University of Minnesota ✦ “The Japanese magnetic children’: Game Code as Critical Paratext” Colonial Gaze and the Collision of Spectacles in North Christopher Hanson ✦ Syracuse University ✦ “Mapping Levels Korea’s The Country I Saw” of Abstraction and Materiality: Structuralist Games?” Kyung Kim ✦ University of California, Irvine ✦ and Sohl Lee ✦ University of Rochester ✦ “Realism in the Age of SPONSOR: Video Game Studies Scholarly Interest Group Blockbusters: Reading Musan ilgi (Journal of Proletariat, dir. Park Jung-bum, 2011)” Sunah Kim ✦ Korea Culture Technology Institute ✦ “An Absolute Exterior Space”

SPONSOR: Asian/Pacific American Caucus

118 SESSION L 2:15 – 4:00pm

Activism, Policy, and Textual Lensing Labor L13 L14 Representing Work in Contemporary Film ROOM Struggles for Representation ROOM and Television

CHAIR: Catherine Benamou ✦ University of California, Irvine CHAIR: Susan Ryan ✦ College of New Jersey

Cecilia Joulain ✦ University of California, Irvine ✦ “Star RESPONDENT: Patricia Keeton ✦ Ramapo College Crossed: Hollywood Stars and Activism during the Civil Jeffrey Masko ✦ San Francisco State University ✦ “Who Are Rights Era” the Workers? Cyber-gentrification in Levi’s and John David Coon ✦ University of Washington, Tacoma ✦ “In the Life Hillcoat’s We Are the Workers” Media: Using Television and the Web to Fight for LGBT Susan Ryan ✦ College of New Jersey ✦ “The Paradox of Labor Equality” in Reality TV” ✦ ✦ Kyle Conway University of North Dakota “Religion, Culture, Sara Sullivan ✦ University of Iowa ✦ “The Underemployed in and the Public Service Mandate: How Little Mosque on Recent US Popular Culture” the Prairie Found Its Home at the Canadian Broadcasting ✦ ✦ Corporation” Joshua Gooch SUNY Plattsburgh “Allegories of Labor’s Liminality in the Elite Corruption of Neoliberalism” Catherine Benamou ✦ University of California, Irvine ✦ “Real/ Drama: Migrant Spectatorship and the Changing Stakes SPONSOR: Caucus on Class of Television Narrative” MARCH 23, 2012 FRIDAY

L15 Realism and Film History L16 The Moving Image After ROOM Twenty-First Century Perspectives ROOM Metaphysics

CHAIR: Paul Young ✦ Vanderbilt University CHAIR: Scott Krzych ✦ Colorado College Angela Dalle-Vacche ✦ Georgia Institute of Technology ✦ Eugenie Brinkema ✦ Massachusetts Institute of Technology ✦ “Photographic Parthenogenesis, Contingency, and the “Aryan Kaganof and Formalism After Presence” Long Take in Assayas’ Summer Hours (2008)” Scott Krzych ✦ Colorado College ✦ “The World Skewed: Tilt- Joshua Malitsky ✦ Indiana University ✦ “From Reportage to Shift Video and the Reality of Special Effects” Collective Imagination: Newsreels and the Desire for Niels Niessen ✦ University of Minnesota ✦ “Cinematic Realism, Subjecthood” Realist Cinema” ✦ ✦ Jennifer Peterson University of Colorado, Boulder Brian Price ✦ University of Toronto ✦ “Necessary Movement” “Around the World with Orson Welles” SPONSOR: Contemporary Theory Scholarly Interest Group Paul Young ✦ Vanderbilt University ✦ “This Is Realism? Lois Weber’s Hypocrites, Victorian Realism, and Allegorical Continuity”

119 SESSION L 2:15 – 4:00pm

WORKSHOP L17 Bridging Disciplines in Media L18 Elements of the Movie House ROOM ROOM The Design and Order of Cinematic Spaces and Urban Studies

CHAIR: Joshua Gleich ✦ University of Texas, Austin CHAIR: Catherine Clepper ✦ Northwestern University

CO-CHAIR: Jocelyn Szczepaniak-Gillece ✦ Northwestern Workshop Participants: University Mark Shiel ✦ King’s College London Kirsten Thompson ✦ Wayne State University ✦ “‘You Never Merrill Schleier ✦ University of the Pacific Need a Ticket to the World’s Biggest Show!’: Douglas Leigh and Animated Advertising in Times Square” Erica Stein ✦ University of Arizona Jocelyn Szczepaniak-Gillece ✦ Northwestern University ✦ SPONSOR: Urban Studies Scholarly Interest Group “‘Design for Illusion’: Perception, Regulation, and Immersion in Benjamin Schlanger’s Transcineum Theaters” Catherine Clepper ✦ Northwestern University ✦ “Cosmic Intercom: Stan VanDerBeek’s Movie-Drome and the Dome-Theatre Worldview” Elena Gorfinkel ✦ University of Wisconsin, Milwaukee ✦ “Cinema and Smell: Aspirational Senses, Impossible Spaces” FRIDAY

MARCH 23, 2012 The Future of the Past L19 Using Media Industry Studies to L20 Queer Theory/Queer Readings ROOM ROOM Negotiating Normativity Reimagine Cinema and Media History

CHAIR: Emily Carman ✦ Chapman University CHAIR: Julianne Pidduck ✦ University of Montreal

RESPONDENT: Thomas Schatz ✦ University of Texas, Austin Michele Aaron ✦ University of Birmingham ✦ “Passing Emily Carman ✦ Chapman University ✦ “‘The Ultimate Through: Queer Lesbian Film and Fremde Haut (Angelina Publicity Hound’: Carole Lombard and a Proactive Maccarone, 2005)” Approach to Stardom in the Studio System” Lisa Henderson ✦ University of Massachusetts, Amherst ✦ Tom Kemper ✦ Crossroads School ✦ “Changing Channels: “Plausible Optimism” Talent Agents and the Social Networks in Media Julianne Pidduck ✦ University of Montreal ✦ “Thinking the Industries” Audiovisual Relation: Su Friedrich’s Experimental Anne Helen Petersen ✦ The Putney School ✦ “Jackie-O and Kinship Documents” Dick & Liz: Celebrity, Conglomeration, and the Boom SPONSOR: Queer Caucus and Bust of the 1960s Gossip Industry” Ross Melnick ✦ Oakland University ✦ “Hollywood on the Nile: American Film Exhibitors in Egypt in the 1940s and 1950s”

SPONSOR: Media Industries Scholarly Interest Group

120 SESSION L 2:15 – 4:00pm

L21 Over the Borderline L22 Stereoscopic Media ROOM Transnational Radio Histories ROOM 3D Images and Visual Culture

CHAIR: Derek Vaillant ✦ University of Michigan CHAIR: Miriam Ross ✦ Victoria University of Wellington

Derek Vaillant ✦ University of Michigan ✦ “Sounds Too French: CO-CHAIR: Leon Gurevitch ✦ Victoria University of Wellington The Challenges of US-France Transatlantic Broadcasting, Leon Gurevitch ✦ Victoria University of Wellington ✦ “The 1920–1939” Stereoscopic Attraction: 3D Imaging and the Spectacular Gisela Cramer ✦ University of Colombia,Bogota ✦ “The Paradigm 1850—2011” Shortcomings of Shortwave: US Programming to Latin Bruce Isaacs ✦ University of Sydney ✦ “The Paradox of 3D: America during World War II” Between Depth and Surface in James Cameron’s Avatar” ✦ ✦ Jennifer Spohrer Bryn Mawr College “Visions and Realities Keith Johnston ✦ University of East Anglia ✦ “Reclaiming the of International Commercial Broadcasting: Radio British Pioneers: Misrepresenting Britain’s Stereoscopic Luxembourg in the 1930s” Past in The Queen in 3-D (2009)” ✦ ✦ Michele Hilmes University of Wisconsin, Madison “Building Miriam Ross ✦ Victoria University of Wellington ✦ “3D’s Bridges, Crossing Wires: The BBC’s North American Experimental Visuality: From Nazi Propaganda to Service” Independent Colombian Filmmaking” SPONSOR: Sound Studies Scholarly Interest Group MARCH 23, 2012 FRIDAY SCREENINGS ROOM: Tremont, Level 4 Maquilapolis: A City of Factories Vicki Funari and Sergio De La Torre, USA/Mexico, 2006, 60 min Maquilapolis documents the lives of women working in one of Tijuana’s 800 Maquiladoras, the multinational factories just over the Mexico-United States border. Their fi ght for justice in their workplaces and communities merge with non-traditional documentary conventions to blur the lines between art and activism. The bilingual fi lm was developed in collaboration with the workers them- selves and makes innovative use of on-screen text and performance. The fi lm offers frank and honest portrayals of workers caught in the meshes of globalization, while offering insights into discussions of immigration, women’s rights, and the transnational economic crisis with its shifting labor markets. Hailed by scholars, media activists, and labor unions as an invaluable resource, this fi lm should be seen by everyone concerned with investigating the human stories that surround the failure of capital to provide for those who sustain its advance. It should also be seen by those interested in exploring new forms of documentary.

SPONSORS: Caucus on Class, Latino/a Caucus Documentary Studies Scholarly Interest Group Made In Thailand Eve-Laure Moros and Linzy Emery, USA, 1999, 33 min

SPONSORS: Caucus on Class Documentary Studies Scholarly Interest Group Women in Thailand make up 90% of the labor force in garment and toy factories that produce for export by multinationals. This fi lm about women factory workers in Thailand as they struggle to organize unions reveals the human cost of globalization.

Audiences for these fi lms may also be interested in Working Girls (Session K) and Coal Country (Session A), as well as in panels K10 “East Asian Cinema, Urbanism, and Globalization,” P14 “Cinema, Oil, Disaster: Ecological and Post-industrial Issues in Contemporary Media,” Q17 “Postmodern Cities and Cinema,” and R6 “Asian Film and Media Cultures.” 121 FRIDAY 122 MARCH 23, 2012 http://hcl.harvard.edu/hfa/ Endowment fortheHumanitiesin1979,Harvard FilmArchive hasgrown into anincomparablyrichresource forscholarsandfi fi lm andvideoartistGeorge Kuchar, andanimator Derek withtheassistanceofLuceFoundation Lamb.Established andtheNa several fi lmmakers, includingdocumentarianDickFontaine, experimentalfi lmmaker HollisFrampton, cinematographer JamesE.Hin and production stillsfrom theclassicalstudioeraof1930s-1960s.The HFA alsohousesallofthefilms, papers,andrelat Cultural Offi ceCollection;andtheLothar JustFilmStillsCollectionofover800,000fi andEva lmstills,pressbooks, posters received includeAsianAmericanFilmEphemera;theB.F. SkinnerCollection;theGrove Press Film Collection; theTaipei Economi educational fi lms,experimentalcinema,propaganda, television programs, commercials, andhomemovies.Examplesofentire colle ephemera, are accessibleto facultyandstudentsatHarvard, aswellto outsideresearchers. Thefilm holdingsincludefeatu The Harvard FilmArchive’s collectionof35and16mmmaterial forapproximately 16,000titles,aswellitsmanyposters, doc Paramount Center at559Washington Street. Admission iswithyourSCMSconference badge.Theshowcasewilltake placeintheBrightFamily Screening RoomatEmersonColle opportunities andaboutmanyofthehiddengemswithintheseimportantarchives. Drop byforanhourorstayallofthepre from theaudience.Thiswillbeaone-of-a-kindopportunityforbothgraduate studentsandadvancedscholarsalike to learnabo each showcaserepresentatives from thearchives willbeonhandto introduce avarietyofclips,discusstheircollections,and time theywillshare asamplingofsomethefi lms, television programs, andothermediaintheirholdingswithSCMSmembers. New Englandishometo several signifi cantmovingimagearchives. We are pleasedto present ashowcaseofthesearchives during the Paramountmarquee. Theater). Turn rightonAveryandgooneblockto Washington Street. Asyouturnleftonto Washington, youwillsee Streets, turnleftonto Tremont andgooneblockto AveryStreet (thecornerwiththeLoew’s Boston Common three Garden blockseast,parallelingthePublic andBoston Common.Attheintersection ofBoylston andTremont Street side,turnrightandwalkablock-and-a-half to Boylston Street. Turn rightonBoylston andwalkapproximately Directions: The Paramountisa5-10minute walkfrom theParkPlazaHotel. Uponexitingthehotel ontheArlington LOCATION: Bright Family Screening Room,EmersonCollege’sParamountCenter New EnglandArchive Showcase MEETING SPECIAL EVENT The Harvard FilmArchive Scholarly Interest Group Pedagogical Outreach Media Literacy and 559 Washington Street 2:15 –4:00pm highlighting 2:15 –4:00pm ROOM: ROOM: take questions ed materials of , andpublicity res, trailers, uments and ut research sentations. lmmakers. During which ctions c and tional ge’s ton, FRIDAY MARCH 23, 2012 123

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THE ANNE FRIEDBERG INNOVATIVE SCHOLARSHIP AWARD THE ANNE FRIEDBERG INNOVATIVE Me: Fred Astaire and Jazz Me: Fred 2011). (Oxford University Press, 2011). University Press, (Oxford Vivian Sobchack Timothy Corrigan Jussi Parikka Eric Schaefer Marsha Cassidy Dudley Andrew with Hervé Joubert-Laurencin with Hervé Dudley Andrew HONORABLE MENTION Michele Pierson David E. James Decker Todd University Paul Arthur Jacobs Cinema of Ken HONORABLE MENTIONS Jane Elliott Sean O’Sullivan Media after Katrina Neoliberal Enterprise of Hurricane Katrina Survival in Survival Katrina of Hurricane Neoliberal Enterprise House, M.D., Water, Montaigne, After Marker Film: From Archaeology of Animals and Technology 2010). Press, Machines: Come True TV Come True

University of Tennessee Song ✦ ✦ ✦

Plaza Ballroom, Level 2 Level Plaza Ballroom, 4:15 – 5:30pm

Screen “Cluster “Cluster “Reality ROOM: . Marwan ✦ ✦

Real Worlds: Real Worlds: “The Unheard Voice Voice “The Unheard “Dissecting and Re- AWARDS CEREMONY AWARDS “Reassuring “Cable Pornography, “Cable Pornography, “Cinematic Interfaces: “Cinematic Interfaces: ✦ ✦ ✦ Standard Operating

Chris Holmlund “Moving Picture Puzzles: “Moving Picture ✦ ✦

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PRESENTER: University of Michigan 49, no. 4 (2010): 25-45) 25, no. 1 (2010): 29-67) ✦ University of California, Los Angeles University of California, Los

Yale University DISSERTATION AWARD DISSERTATION ✦ University of California, Santa Barbara ✦

McGill University University of California, Berkeley

STUDENT WRITING AWARD Georgia State University State Georgia ✦ Northwestern University Northwestern ✦

✦ Michigan State University Michigan State Northwestern University Northwestern

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✦ BEST ESSAY IN AN EDITED COLLECTION BEST ESSAY ✦ Cinema Journal

Camera Obscura ” ( THE KATHERINE SINGER KOVÁCS ESSAY AWARD ESSAY SINGER KOVÁCS THE KATHERINE ” ( Convergence: Online Fandom, Race, and Disney’s Notorious Race, and Disney’s Notorious Online Fandom, Convergence: of the South 51, no. 3 (2010): 197-218) Training Urban Perception in the Weimar ‘Rebus Films’” ( in the Weimar Urban Perception Training Retheorizing Apparatus, Image, Subjectivity” Aswin Punathambekar Michael Cowan HONORABLE MENTIONS Jason Sperb Linda Williams Hye Jean Chung Cinematic Spectral Effects in Transnational “Media Heterotopias: Space” HONORABLE MENTIONS Norma Brost Laure Cinema Color” “Color Moves: Diacritical, Kinetic, and Rhetorical Seung-hoon Jeong 3RD PLACE Alla Gadassik Justin Horton 2ND PLACE Stadel Luke 1ST PLACE Procedure Fuck: The Forcible Frame in Errol Morris’s in Errol Frame Forcible The Fuck: animating the National Body: Medical Imaging in Animated Films” Medical Imaging in Animated animating the National Body: and the Reinvention of Television, 1982-1989” and the Reinvention of Television, Television and the Making of Mobile Publics,” in and the Making of Mobile Publics,” Television of Reality Television on the Politics Global Perspectives Routledge, 2010). eds. (New York: Sender, Kraidy and Katherine in the Sound Film” FRIDAY 124 MARCH 23, 2012 transformations, on ArtandPolitics art andlife,Bradermantells theexhilaratinginsidestory oftheNewYork feministartcollectivethatproduced artist andHampshire CollegeProfessor JoanBraderman’sinattendance. Tracing theinfluence oftheWomen’s Movement’s SecondW In celebrationofWomen Make Movies’(WMM)40thanniversary, ArtsEmersonscreens directors andproducers. The2012celebrationofWMM’sanniversarywillinclude40screenings across theglobe,from Dubaito B and arobust Production AssistanceProgram supporting200fi lmmakers, WMMhaschangedthelandscapeofmoviemakingforwomen year’s awards attheSundanceFilmFestival andforfi veofthelastsixyearshavewonorbeennominated foranAcademyAward, includ Women Make Moviesistheworld’sleadingdistributor offi lms byandaboutwomen.For thepast sixyears,fi lms from WMMhavew politics” (Ed Halter history, oneinwhichquestions ofcareer andmarket are barely mentioned,andphilosophicalarguments are firmly grounded in s demand therightto beheard. “Upbeatandaffi rmative..thestories thesewomentell envisionaradicallydifferent momenti Still funny, smart,andsexy, thegeographicallydispersedparticipantsrevisit howandwhytheycametogether to explore women Lucy Lippard, architect SusannaTorre, filmmaker SuFriedrich, andartistsIdaApplebroog, MaryMiss,MiriamSchapiro, andCeci Sun ComeUp the Paramountmarquee. Theater). Turn rightonAveryandgooneblockto Washington Street. Asyouturnleftonto Washington youwillsee Streets, turnleftonto Tremont and gooneblockto AveryStreet (thecornerwith theLoew’s Boston Common three Garden blockseast,parallelingthePublic andBoston Common.Attheintersection ofBoylston andTremont Street side,turnrightandwalkablock-and-a-halfto Boylston Street. Turn rightonBoylston andwalkapproximately Directions: (617) 824-8400. the ParamountCenter Box Offi ce (559Washington Street), onlineathttp://www.artsemerson.org, orbycalling To attend: Come celebrate the 2012awards recipients whilerekindling oldfriendshipsandmeetingnewacquaintances. The Heretics (1977-92).Chartingthecollective’schallengesto genderandpower, anditshistory asamicrocosm oftheperiod’sbroader , ARTFORUM). . From WMM’shumblebeginningsasawomenfilmmakers’ collectivein1972to today, withover600fi lms initscatalog SCMS memberscanobtaindiscounted tickets ($5)usingcodeSCMS2012.Tickets canbepurchased at The Paramountisa5-10minute walkfrom theParkPlazaHotel. Uponexiting thehotel ontheArlington goesontheroad from NewMexicoto Italy, reconnecting with28othergroup members,includingwriter/critic LOCATION: Runningtime:95minutes. AScreening of Bright Family Screening RoomattheHistoric ParamountTheater Women Make Movies40th Anniversary with Director JoanBraderman ArtsEmerson Presents aCelebrationof SPECIAL EVENT ROOM: RECEPTION 559 Washington Street Imperial Ballroom, Level 2 5:30 –7:30pm 8:15 pm The Heretics The Heretics (2009) (2009) with award-winning NewEnglandvideo Heresies: AFeminist Publication n art-world lia Vicuña. treet-level ’s artand razil. ing last ave on on SESSION M 9:00 – 10:45am M1 Packing (and Taking) Heat M2 ”A New Archivist Has Been ROOM Historical Understandings of the Female ROOM Appointed” Action Hero The Ingmar Bergman Archives

CHAIR: Cristina Stasia ✦ University of Alberta CHAIR: Jan Holmberg ✦ Ingmar Bergman Foundation Liz Clarke ✦ Wilfrid Laurier University ✦ “Female Heroes On Eirik Frisvold Hanssen ✦ Norwegian University of Science and Off the Screen: The Active Star and War Promotion and Technology ✦ “Audiences and the Auteur Archive: in Silent American Film” Letters to Ingmar Bergman” Heather Blackmore ✦ University of Southern California ✦ Maaret Koskinen ✦ Stockholm University ✦ “Analog Ghosts: “Bombshells, Bullet Bras, and Booby Traps: Locating The Photograph, the Letter, and the Auteur” Power and Danger within the Female Body” Anna Sofia Rossholm ✦ Linnaeus University ✦ “The Creative Margaret Bruder ✦ Western Carolina University ✦ “The Trouble Diary between Intimate and Public Realms” with Angels: Jiggle Feminism and Bad Faith” Astrid Widding ✦ Stockholm University ✦ “Behind the Screen: Cristina Stasia ✦ University of Alberta ✦ “(Dis)Arming Women: Ingmar Bergman on the Set and in the Archives” Female Firearm Ownership and the Female Action Film”

In Living Color International Connections of M3 Race, Politics, and Technology in M4 ROOM ROOM Soviet Documentary Film 1950s-60s Television

✦ ✦ CHAIR: Susan Murray New York University CHAIR: John MacKay Yale University MARCH 24, 2012 SATURDAY Heather Hendershot ✦ Queens College/CUNY Graduate Anastasia Fedorova ✦ Kyoto University ✦ “The Reception Center ✦ “‘A Bare-Knuckled Intellectual Brawl’: William Soviet Documentary Film in Japan, 1920s–1960s” F. Buckley, Firing Line, and the Mainstreaming of Irina Tcherneva ✦ School for Advanced Studies in the Social Conservative Republicanism” Sciences ✦ “Cultural and Technological Transfers in Benjamin Han ✦ New York University ✦ “‘Good Partners’: Soviet Non-fiction Film, 1950s–1960s” Latino/a Performers, Pan-Americanism, and Popular Raisa Sidenova ✦ Yale University ✦ “Robert Flaherty and Music in the Post-good Neighbor Era” Soviet Documentary Film” Meenasarani Murugan ✦ Northwestern University ✦ “‘Prince Ali’s Magic Tube Come True!’ The Eastern and US Television as Imperial Project, 1940–1960” Susan Murray ✦ New York University ✦ “Colortown: NBC’s Investment in Color in the 1950s”

125 SESSION M 9:00 – 10:45am Why Apps Can’t Argue . . . Getting Over the Wall M5 M6 Or Can They? ROOM East Asian Cinema, Hollywood, and ROOM the Cold War The Critical Essay, Screen Cultures, and the Digital Humanities

CHAIR: Hiroshi Kitamura ✦ College of William and Mary CHAIR: James Tobias ✦ University of California, Riverside Christina Klein ✦ Boston College ✦ “Korean Cinema between James Tobias ✦ University of California, Riverside ✦ “Histories Japan and Hollywood” and Futures of the Critical Audiovisual Essay: Kit Michael Baskett ✦ University of Kansas ✦ “Japan’s Film Literatures, Audiovisual Composition, and Scholarly Festival Diplomacy as Cold War Culture” Uses of Vernacular Media” ✦ ✦ Dima David Mironenko-Hubbs ✦ Harvard University ✦ Holly Willis University of Southern California “The Letter “Unexpected Encounters: The Hollywood Origins of the and the Line: Text in Film and Video” New North Korean Cinema” Steve Anderson ✦ University of Southern California ✦ Hiroshi Kitamura ✦ College of William and Mary ✦ “Technologies of Critical Writing: On the War between “Representing Mao: The Chairman and the Making of Data and Images” Detente Culture” Ian Ross ✦ University of California, Riverside ✦ “Hardware as Argument: Finding the Essayistic in Hardware Modding SPONSOR: Asian Pacific/American Caucus Considered as Material Semiotic Practice”

Contemporary Exploitation M7 Cosmopolitan Cinema M8 ROOM ROOM Cinema

CHAIR: Heather Latimer ✦ University of Manchester CHAIR: Bradley Schauer ✦ University of Arizona Felicia Chan ✦ University of Manchester ✦ “Backstage/Onstage Bradley Schauer ✦ University of Arizona ✦ “Uwe Boll’s Cosmopolitanism: Jia Zhangke’s The World” Auschwitz and the Limits of Social Critique in Jackie Stacey ✦ University of Manchester ✦ “The Uneasy Exploitation Cinema” Cosmopolitans of Code Unknown” Charlie Michael ✦ University of Miami ✦ “From Paris with Heather Latimer ✦ University of Manchester ✦ “Pregnant Love: Exploitation, Belatedness, and Contemporary Possibilities: Cosmopolitanism and Reproductive French Action Cinema” SATURDAY MARCH 24, 2012 Futurism in Maria Full of Grace” Andrew Owens ✦ Northwestern University ✦ “Amending the Margins of Taste: Lars von Trier’s Antichrist and the New Exploitative Art-House” Katrin Horn ✦ Friedrich-Alexander University Erlangen- Nuremberg ✦ “The Return of the B-Movie: Bitch Slap! and Lesploitation”

126 SESSION M 9:00 – 10:45am

Archaeologies of the Future M9 National Cinemas M10 Popular Cinema and Film History in the ROOM Genres, Stars, and Fans ROOM Age of Digital Technologies

CHAIR: Karen Backstein ✦ Sterling Publishing CHAIR: Jason Sperb ✦ Michigan State University Javier Ramirez ✦ Indiana University ✦ “Brazilian Neo-Noir: Bob Rehak ✦ Swarthmore College ✦ “We Have Never Been Foreign Land and the Aesthetic of Violence” Digital: CGI and the New ‘Clumsy Sublime’” Brady Nash ✦ Long Island University ✦ “Stagnation and Jason Sperb ✦ Michigan State University ✦ “‘I’ll (Always) Be Response: New Argentine Cinema in the Era of Back’: Visual Effects, Digital Performance, and Post- Neoliberalism” human Labor in the Age of Digital Cinema” Ganga Rudraiah ✦ University of Western Ontario ✦ “Cinema of Chuck Tryon ✦ Fayetteville State University ✦ “After Avatar: the Social: Stars, Fans, and the Standardization of Genre Digital 3D, Cinematic Revolution, and Digital Projection” in Tamil Cinema” Kristen Whissel ✦ University of California, Berkeley ✦ “Digital Karen Backstein ✦ Sterling Publishing ✦ “Documenting 3-D: Emergence, Immersion, and the Re-activation of Musica Brasileira: Culture, History, Memory in the Melodramatic Mise-en-scène” Brazilian Music Documentary”

SPONSOR: Latino/a Caucus

M11 Computer Games and M12 Trash, Contamination, and ROOM Virtual Forms ROOM Dirt on Screen

✦ ✦ CHAIR: Lori Landay Berklee College of Music CHAIR: Kara Andersen Brooklyn College MARCH 24, 2012 SATURDAY Brent Strang ✦ Stony Brook University ✦ “Red Dead John Powers ✦ University of Wisconsin, Madison ✦ Remediation: Sandbox Games, Anti-environments and “Contamination and Intentional Allegory: The Strange Digital Adolescence” Case of Todd Haynes’ Safe” Juan F. Belmonte Avila ✦ University of Murcia ✦ “Tactility Kara Andersen ✦ Brooklyn College ✦ “The Demiurge of the in Computer Games: Non-Visual Mediations in Digital Discarded: Mr. Stain on Junk Alley” Discourses” Chelsey Crawford ✦ Oklahoma State University ✦ “Coveting Mark J. P. Wolf ✦ Concordia University, Wisconsin ✦ Imperfection in the Digital Age” “BattleZone and the Origins of First-Person Shooting David Lerner ✦ University of Southern California ✦ “Smells Like Games” Lowbrow: Odorama in John Waters’ Polyester” Lori Landay ✦ Berklee College of Music ✦ “Virtually There: Presence, Agency, Spectatorship, and Performance in Interactive Media”

SPONSOR: Video Game Studies Scholarly Interest Group

127 SESSION M 9:00 – 10:45am M13 M14 The Place of the Festival and Its ROOM Violent Images ROOM Impact on Local and Global Film and Media Arts Communities

CHAIR: Ora Gelley ✦ North Carolina State University CHAIR: Skadi Loist ✦ University of Hamburg Asbjorn Gronstad ✦ University of Bergen ✦ “Archives of Rob Drew ✦ Saginaw Valley State University ✦ “‘Hell’s Half Violence” Mile’: Media Festivals and Community—Renewal in the Jacqueline Waeber ✦ Duke University ✦ “Revisiting Post-industrial Heartland” Anempathetic Music: Visible Violence and the Audible Vera Zambonelli ✦ University of Hawai’i ✦ and Offscreen” Katia Balassiano ✦ Iowa State University ✦ Julian Hanich ✦ Free University of Berlin ✦ “Suggestive “The ARTS at Marks Garage” Verbalizations: Evoking Cinematic Violence through Ratheesh Radhakrishnan ✦ Rice University ✦ “Zanussi’s Words” Betrayal: Film Festival, Kerala, and the ‘International’” Ora Gelley ✦ North Carolina State University ✦ “Narrative Form, Dorota Ostrowska ✦ Birkbeck, University of London ✦ Violence, and the Female Body” “Non-Urban Film Festival Locations: Cinema’s Gardens of Eden”

SPONSORS: Film and Media Festivals Scholarly Interest Group and Urban Studies Scholarly Interest Group

M15 Post-Millennial Struggles, M16 ROOM the Global South, and ROOM Experimental Animation Transnational Media

CHAIR: Shelley Bradfield ✦ Colorado State University CHAIR: Emily Murphy ✦ University of Florida

Shelley Bradfield ✦ Colorado State University ✦ “Migrant RESPONDENT: Alla Gadassik ✦ Northwestern University Reception of National Television in South Africa in the Emily Murphy ✦ University of Florida ✦ “The Politics of Play in Age of the Transnational” John and Faith Hubley’s Windy Day” ✦ ✦ Chad Beck Randolph College “Ethnoracial Identity Kerry McArthur ✦ University of Calgary ✦ “A-Courting Mr. Production, Telemundo, and mun2” Frog: The Biographical and Artistic Life Work of Evelyn Spring-Serenity Duvall ✦ University of South Carolina, Aiken ✦ Lambart” SATURDAY MARCH 24, 2012 “Hope for Haiti?: Transnational Celebrity Activism and Vanessa Chang ✦ Stanford University ✦ “MUTO: Urban Space Humanitarian Interventions in the Aftermath of the as Spectacular Encounter” 2010 Earthquake in Haiti” SPONSOR: Animated Media Scholarly Interest Group Assem Nasr ✦ Indiana University-Purdue University Fort Wayne ✦ “Al-Jazeera and the Arab Uprisings: The Language of Images and a Medium’s Intersubjectification”

SPONSOR: Television Studies Scholarly Interest Group

128 SESSION M 9:00 – 10:45am M17 M18 Activism, Media Art, Film Culture, ROOM Small Gauge Cinema ROOM and Social Media in the Recent Arab Uprisings

CHAIR: Haidee Wasson ✦ Concordia University CHAIR: Nezar Andary ✦ Zayed University Dino Everett ✦ University of Southern California ✦ “Lost Films Samirah Alkassim ✦ Anne Arundel Community College ✦ on Lost Guages: The 1912 Edison 22mm Release of “Connecting the Dots: From Graffiti Art to Films Charles Dicken’s Martin Chuzzlewit” Preceding History in Egypt” Peter Lester ✦ University of British Columbia ✦ “Small-gauge Dina Ramadan ✦ Bard College ✦ “Between Martyr and Artist: Circulation: 16mm Distribution in Canada, 1936–1945” Egyptian Art after the Revolution” Steve Wurtzler ✦ Colby College ✦ “Domestic Cinema and Film Merlyna Lim ✦ Arizona State University ✦ “Journey to Tahrir: Theory: A Report from the Film Theory Classroom” Social Media and Popular Movements in 2011 Egypt Haidee Wasson ✦ Concordia University ✦ “The Portable War Revolt” Machine: Designing the Small Film Projector at Mid- Nezar Andary ✦ Zayed University ✦ “The Springs in Arab Film Century” Culture”

SPONSOR: Nontheatrical Film and Media Scholarly Interest Group SPONSOR: Middle East Caucus

WORKSHOP M19 M20 WORKSHOP ROOM Hate Is a Strong Word ROOM Teaching the Archive Disciplinarity and Distaste

✦ ✦ CHAIR: Max Dawson Northwestern University CHAIR: Constance Balides Tulane University MARCH 24, 2012 SATURDAY

Workshop Participants: Workshop Participants: Michael Z. Newman ✦ University of Wisconsin, Milwaukee Robert Allen ✦ University of North Carolina, Chapel Hill Melissa Click ✦ University of Missouri Mark Cooper ✦ University of South Carolina Derek Johnson ✦ University of Wisconsin, Madison Dudley Andrew ✦ Yale University Melissa Zimdars ✦ University of Iowa Christine Gledhell ✦ New York University ✦ Amber Watts Texas Christian University SPONSOR: Media Literacy and Pedagogical Outreach Scholarly Interest Group

129 SESSION M 9:00 – 10:45am M21 Mixed Meanings M22 ROOM Racial Ambiguity in American and ROOM Mediated Futures Transnational Media Culture

CHAIR: Mary Beltran ✦ University of Texas, Austin CHAIR: Troy Rhoades ✦ Concordia University

Camilla Fojas ✦ DePaul University ✦ “Mixed Race State: CO-CHAIR: Timothy Holland ✦ University of Southern California Hawai’i and 1960s Tourist Films” Firoza Elavia ✦ York University ✦ “The Shifting Folds of Future Mary Beltran ✦ University of Texas, Austin ✦ “The Politics of Media: Narrative, Temporality, Spatiality” Honeyface: SNL and the Case of Fauxbama” Timothy Holland ✦ University of Southern California ✦ “New Leilani Nishime ✦ University of Washington ✦ “The Tiger Media Futures: On Egypt’s ‘Facebook Revolution’” Woods Scandal and the Spectacle of Race” Alison Kozberg ✦ University of Southern California ✦ “Lossless- ness: The Materiality of the Digital, Accumulation, and the Future of the Avant-Garde” Troy Rhoades ✦ Concordia University ✦ “The Folding Dynamism of Time: Experiencing ‘Asynchronous Realtime’ through VJ Performance”

SPONSOR: Contemporary Theory Scholarly Interest Group

MEETING ROOM: 9:00 – 10:45am Caucus on Class

EVENT ROOM: SATURDAY MARCH 24, 2012 9:00 – 10:45am Media Literacy and Pedagogical Outreach Scholarly Interest Group Outreach Event FOR K–12 TEACHERS

130 SESSION M 9:00 – 10:45am

SCREENINGS ROOM: Tremont, Level 4 I Am Sonali Gulati, USA/India, 2010, 71 min I Am chronicles the journey of an Indian lesbian fi lmmaker who returns to Delhi after eleven years to re-open what was once home and fi nally confronts the loss of her mother to whom she never came out. As she meets and speaks to parents of other gay and les- bian Indians, she pieces together the fabric of what family truly means, in a landscape where being gay was until recently a criminal and punishable offense.

SPONSORS: Queer Caucus Documentary Studies Scholarly Interest Group Two Sides of the Moon: The Honor Killing of Hatun Aynur Surucu David L. Gould, USA, 2011, 33 min Hatun Aynur Surucu was a Kurdish woman living in Berlin who was murdered by her youngest brother, Ayhan. Hatun and Ayhan were very close, but somehow on February 7, 2005, Ayhan felt compelled to shoot his sister three times in the head. The murder was quickly classifi ed as an honor killing. Hatun’s story is that of a woman caught between two cultures. Ironically, had she broken free from her family, she would have lived. Had she not questioned her family and culture, she likely would have been kept safe. It was having a foot in both worlds that sealed her fate.

SPONSORS: Women’s Caucus Documentary Studies Scholarly Interest Group

Audiences for these fi lms may be interested in Angst Essen/Eat Fear (Session Q), Pirated (Session E), Untitled (Session E), Poised and in the Throes (Session C), and The Secret Loves of Jesse James (Session C), as well as in panels B21 “Representing Queer Time, Engaging Queer Theory,” I12 “The Autobiographical I/Eyes of the Cinema” and J13 “Framed Lives and Screened Deaths: Representations of Honor Killings in World Cinema.” MARCH 24, 2012 SATURDAY

131 SESSION N 11:00am – 12:45pm

N1 Celebrity Activism N2 Regarding Jacques Cousteau, ROOM Industry, Culture, Society ROOM Regarding the World

CHAIR: Courtney White ✦ University of Southern California CHAIR: James Cahill ✦ University of Toronto

CO-CHAIR: Elena Bonomo ✦ University of Southern California RESPONDENT: Jennifer Fay ✦ Vanderbilt University Elena Bonomo ✦ University of Southern California ✦ “A Vocal James Cahill ✦ University of Toronto ✦ “Periscopophilia Minority: Star Activists in the 1960s and 1970s” (Cousteau, Bazin, Césaire)” Courtney White ✦ University of Southern California ✦ “You Janine Marchessault ✦ York University ✦ “Reflections on the Are What You Eat: Natalie Portman and Ethical Umwelt in the Science Films of Painlevé and Cousteau” Consumption” Jason Zuzga ✦ University of Pennsylvania ✦ “The Violent, Silent Michael Hammond ✦ University of Southampton ✦ “Sean World: Affect, History, and Ethical Orientation on Screen Penn: Acting Authentic” and at Sea” ✦ ✦ Brandy Monk-Payton Brown University “Buying Life: SPONSOR: French and Francophone Scholarly Interest Group Fandom, Citizen-Celebrity, and the Spectacle of Digital Death”

N3 Unforgettable N4 From Spectators to Auteurs ROOM Popular Music and Memory on Film ROOM Digital Technologies and Audiences

CHAIR: Katherine Spring ✦ Wilfrid Laurier University CHAIR: Megan Ankerson ✦ University of Michigan

CO-CHAIR: Russell Kilbourn ✦ Wilfrid Laurier University Joe Tompkins ✦ University of Minnesota ✦ “Horror 2.0: Digital Cinema, Subcultural Distinction, and Horror Fandom” RESPONDENT: Jeff Smith ✦ University of Wisconsin Madison ✦ ✦ Michael Dwyer ✦ Arcadia University ✦ “Old Time Rock and Tonia Edwards Georgia State University “From the Roll: Fifties Nostalgia on Hollywood Soundtracks” Nickelodeon to Google+ Hangouts: Digitizing Social Viewing Practices in a Web 2.0 World” Sangeeta Marwah ✦ University of Southern California ✦ “The Sarah Sinwell ✦ Northeastern University ✦ “From Amateurs to SATURDAY

MARCH 24, 2012 Hindi Film Song: Narrative, Cultural Memory, and Identity” Auteurs: Life in a Day, YouTube, and the Future of Global Documentary” Ethan de Seife ✦ Hofstra University ✦ “Old Times Were Good ✦ ✦ Times: Neil Young Remembers Greendale” Megan Ankerson University of Michigan “Constructing a ‘Cool’ Commercial Web: Storytelling, Sharing, and Social SPONSOR: Sound Studies Scholarly Interest Group Media in the Mid–1990s”

132 SESSION N 11:00am – 12:45pm

N5 Indian Television in N6 Civilian Cinema in the Shadows of ROOM a Time of Transition ROOM War and National Strife The Unknown 1980s

CHAIR: Pavitra Sundar ✦ Kettering University CHAIR: Dorit Naaman ✦ Queen’s University

RESPONDENT: Ranjani Mazumdar ✦ Jawaharlal Nehru University RESPONDENT: Linda Dittmar ✦ University of Massachusetts, Boston Sangita Gopal ✦ University of Oregon ✦ “Indian TV in the Yael Munk ✦ Open University of Israel ✦ “The Holocaust’s 1980s or the Second Coming of ‘Parallel Cinema’” Obscene Cinematic Representations in Post-national Manishita Dass ✦ Royal Holloway, University of London ✦ Israeli Cinema: The Influence of European Fascist “Thinking Outside the Box: Primetime Television, Aesthetics on Three Autobiographical Films” Political Cinema, and Popular Entertainment in the Nava Dushi ✦ Lynn University ✦ “Forward Nostalgia— Doordarshan Era” Renegotiating the National in Three Minor Films: From a Aswin Punathambekar ✦ University of Michigan ✦ “Make Past Imperfect to the Unforeseeable Future of a Peoples Room for Television Comedy: Television and the Making to Come” of an Urban Middle Class in 1980s India” Dorit Naaman ✦ Queen’s University ✦ “Ajami, Syriana, and Before the Rain: The ‘Hyperlink Film’ as Effective Subversion of Reel Politics”

N7 Fragmented Bodies N8 Reception, Perception, Deception? ROOM Horror across Region, Nation, ROOM Queerly Changing the Terms and Visual Media of Readership and Genre

✦ ✦ CHAIR: Dana Och University of Pittsburgh CHAIR: R. Bruce Brasell Independent Scholar MARCH 24, 2012 SATURDAY CO-CHAIR: Kirsten Strayer ✦ University of Pittsburgh Dan Humphrey ✦ Texas A&M University ✦ “Covert Homosexual Darren Kerr ✦ Southampton Solent University ✦ “Telling Tales Content?: Amici per la pelle and Its Queer Fans” between Film and Television: The Enforced Impression R. Bruce Brasell ✦ Independent Scholar ✦ “Degeneracy, Urban of Takeshi Miike’s Imprint (2006)” Space, and Readership Taking a Walk on the Wild Side” Melissa Lenos ✦ Donnelly College ✦ “‘My Boyfriend Is a David Lugowski ✦ Manhattanville College ✦ “Where Queer Vampire’: Undead Lovers and Their Functions” Authorship Meets Concerned, Offended, or Delighted Kirsten Strayer ✦ University of Pittsburgh ✦ “Experiment and Readership: Pastiche and Politics in the Comedies of Sensation: The Circulation of Art Cinema as Horror Text” James Whale” ✦ ✦ Dana Och ✦ University of Pittsburgh ✦ “‘The Sheep Are Steven Cohan Syracuse University “Crashing (in) Revolting’: Becoming Animal in the Post-colonial Hollywood: Reading the Emergence of Crazy Female Zombie Comedy” Stardom in the Backcamera Film” SPONSOR: Queer Caucus

133 SESSION N 11:00am – 12:45pm

Inner/Outer Space Subjectivity and Affect N9 Negotiating the Interior and Exterior in N10 ROOM ROOM in Soviet Montage Film Experimental Film and Media

CHAIR: Gregory Zinman ✦ New York University CHAIR: Karla Oeler ✦ Emory University Gregory Zinman ✦ New York University ✦ “Experimental Herbert Eagle ✦ University of Michigan ✦ “Affect in Soviet Intermedia, Interiority, and the Cosmos” Montage Film” J. J. Murphy ✦ University of Wisconsin, Madison ✦ “Come Blow Karla Oeler ✦ Emory University ✦ “Does Poetry Matter (as a Your Mind: Andy Warhol’s Expanded Cinema and Outer Film Genre)?” and Inner Space” Luka Arsenjuk ✦ University of Maryland ✦ “The Subject of Jennifer Proctor ✦ University of Michigan, Dearborn ✦ Montage” “Appropriating Memory: Home Movies and Smart Elizabeth Papazian ✦ University of Maryland ✦ “Illegibility and Montage” Subjectivity in ‘Poetic’ Cinema” Leo Goldsmith ✦ New York University ✦ “Science Non-fiction: Space Footage and Appropriation in Experimental and Documentary Cinema”

SPONSORS: Experimental Film and Media Scholarly Interest Group CinemArts: Film and Art History Scholarly Interest Group

The Politics of the Medium N11 Crisis, Technology, and Intermediality N12 Eroticism in Spanish Cinema ROOM ROOM From Franco to Present Day through Japan

CHAIR: Yuriko Furuhata ✦ McGill University CHAIR: Santiago Fouz-Hernandez ✦ Durham University

RESPONDENT: Karen Beckman ✦ University of Pennsylvania Tatjana Pavlovic ✦ Tulane University ✦ “Erotic and Political Akira Lippit ✦ University of Southern California ✦ “Medium Landscapes: Geraldine Chaplin and Carlos Saura” Disaster 311” Brad Epps ✦ Harvard University ✦ “Morbidity Unveiled: Yuriko Furuhata ✦ McGill University ✦ “Recopying the Sexuality and Dis-ease in the Cinema of the Spanish Copy: Japanese Media Discourse on Technological ‘Transition’” Reproduction” Jorge Pérez ✦ University of Kansas ✦ “The Erotic Allure of SATURDAY MARCH 24, 2012 Miryam Sas ✦ University of California, Berkeley ✦ “Transcultural Innocence: The Children of Almodóvar and the Re- Media Theory and Practice in the 1960s” sexualization of Biopolitical Bodies” Santiago Fouz-Hernandez ✦ Durham University ✦ “Triggering the Senses: Eroticism and Haptic Visuality in the Recent Work of Bigas Luna”

SPONSOR: Latino/a Caucus

134 SESSION N 11:00am – 12:45pm

The Ethics of Labor in Capital, Distinction, N13 N14 and Film Festivals ROOM Contemporary Cinema ROOM On Adaptations of Pierre Bourdieu’s Work Working Bodies and Gendered Affects to the Study of Film Festivals

CHAIR: Tamao Nakahara ✦ Independent Scholar CHAIR: Marijke Valck ✦ University of Amsterdam

CO-CHAIR: Aga Skrodzka-Bates ✦ Clemson University Marijke de Valck ✦ University of Amsterdam ✦ “Film Festivals, Bourdieu, and the Economization of Culture” RESPONDENT: Matthew Tinkcom ✦ Georgetown University ✦ ✦ Joseph Mai ✦ Clemson University ✦ “Work, Maternity, and Diane Burgess University of British Columbia “Why Levinasian Ethics in the Dardenne Brothers” Whistler Will Never Be Sundance, and What This Tells Us About the Field of Cultural Production” Aga Skrodzka-Bates ✦ Clemson University ✦ “The Worker: ✦ ✦ Subjectivity and the Ethics of Duty in Michael Mann’s Su-Anne Yeo Goldsmiths, University of London “Themed Cinema” Film Festivals and Alternative Capital: Re-imagining the Work of Pierre Bourdieu” Tamao Nakahara ✦ Independent Scholar ✦ “Butterfly Affect: ✦ ✦ Protestant Ethic and Melodramatic Performances from Ger Zielinski Trent University “On the Play of Distinction Modern Times to Ugly Betty” in Lesbian and Gay Film Festivals” Barbara Mennel ✦ University of Florida ✦ “Potiche: Camp and SPONSORS: Caucus on Class Reproductive Labor” Film and Media Festivals Scholarly Interest Group

WORKSHOP N15 A Scholarship of Audiovision N16 The B-Film ROOM Theory/Praxis/Production in the ROOM New Histories and Contexts 21st Century

✦ ✦ CHAIR: Brigitta Wagner Indiana University, Bloomington CHAIR: Kyle Edwards Oakland University MARCH 24, 2012 SATURDAY RESPONDENT: Jerome Christensen ✦ University of California, Irvine Workshop Participants: Noah Isenberg ✦ The New School ✦ “‘The Capra of PRC’: Brigitta Wagner ✦ Indiana University, Bloomington Reconsidering Edgar G. Ulmer’s Cycle of Bs at Producers Charles Musser ✦ Yale University Releasing Corporation, 1942-46” ✦ ✦ Gabriel Paletz ✦ Prague Film School Andrea Comiskey University of Wisconsin, Madison “From ✦ B to A?: Domestic Distribution of the Hollywood Hanna Shell Harvard University Western, 1935–1945” ✦ Jesse Shapins Harvard University Kyle Edwards ✦ Oakland University ✦ “A Measure of Independence: King Bros. Productions and Monogram Pictures Corporation”

135 SESSION N 11:00am – 12:45pm

N17 Psycho-cinema N18 Rethinking Space ROOM Technologies of Modern Affect ROOM Theory and Practice

CHAIR: Ana Olenina ✦ Harvard University CHAIR: Stephen Monteiro ✦ American University of Paris

CO-CHAIR: Jeremy Blatter ✦ Harvard University Helen Morgan Parmett ✦ University of Minnesota ✦ “Towards Jeremy Blatter ✦ Harvard University ✦ “Psycho-cinematic a Theory of Media as Spatial Practice” Experiments: Moving Pictures in Experimental Amy Corbin ✦ Muhlenberg College ✦ “Traveling through Psychology, 1897–1917” Cinema Space: The Film Spectator as Tourist” Ana Olenina ✦ Harvard University ✦ “The Pulse of the Film: Murray Forman ✦ Northeastern University ✦ “Visualizing Psychophysiological Studies of Spectators in the 1920’s” Place, Representing Age: Converging Themes in Abraham Geil ✦ Duke University ✦ “Mirror Neurons — Beyond Contemporary Hip-Hop” Good and Evil” Andrea Kelley ✦ Indiana University ✦ “From the Factory to the Sal Anderson ✦ London College of Communication ✦ Ferry: Soundies’ Sites of Exhibition” “Neuroscientific Interventions in Film Practice: Case Studies of Interdisciplinary Collaboration in Cinematic Representation of Neurological Conditions”

WORKSHOP N19 Film Form and Politics in N20 Strategies for Researching and ROOM Contemporary Multiplex Cinema ROOM Writing Media Industry Studies

CHAIR: Sudhir Mahadevan ✦ University of Washington CHAIR: Jennifer Porst ✦ University of California, Los Angeles

Ulka Anjaria ✦ Brandeis University ✦ “No One Killed the CO-CHAIR: Erin Hill ✦ University of California, Los Angeles Bollywood Social” Anuja Jain ✦ New York University ✦ “Love Sex Aur Dhoka: A Workshop Participants: Study of Urban Transformations, Media Ecologies, and Miranda Banks ✦ Emerson College ‘New’ Morphology of Bombay Cinema” John Caldwell ✦ University of California, Los Angeles Sudhir Mahadevan ✦ University of Washington ✦ “’Dhan Te SATURDAY

MARCH 24, 2012 ✦ Nan!’: Onomatopoeia and Other Deployments of Film Michael Curtin University of California, Santa Barbara Sound in Contemporary Multiplex Cinema” Tom Kemper ✦ Crossroads School Vicki Mayer ✦ Tulane University

SPONSOR: Media Industries Scholarly Interest Group

136 SESSION N 11:00am – 12:45pm

Historical Perspectives N21 N22 Expanded Cinema ROOM on Media and Copyright ROOM

CHAIR: Eric Hoyt ✦ University of Southern California CHAIR: Anthony Kinik ✦ Okanagan College

RESPONDENT: Jane Gaines ✦ Columbia University Rebecca Harrison ✦ University College London ✦ “Images in Ian Christie ✦ Birkbeck College, University of London ✦ “Creating Transit: From Agit-Prop Trains to the British Postwar Film Copyright: Early Movements toward Protection in Cinema Coaches” Europe and the US, 1895–1914” Kevin Flanagan ✦ University of Pittsburgh ✦ “Humphrey Eric Hoyt ✦ University of Southern California ✦ and Jennings at the Fair: Spare Time, Family Portrait, and the Nitin Govil ✦ University of California, San Diego ✦ “The Rhetoric of National Identity” Thief of Bombay: Douglas Fairbanks, Colonial Copyright, Ian Peters ✦ Georgia State University ✦ “The Extra-viewing and Film Piracy in India, 1927–1935” Immersive Experience: The Doctor Who Experience and Peter Decherney ✦ University of Pennsylvania ✦ “Hollywood the Pop-Cultural Theme Park/Museum Hybrid” and the Public Domain” Anthony Kinik ✦ Okanagan College ✦ “Multi-screen Metropolis: Expanded Cinema and the Vision of Montreal at Expo 67”

WORKSHOP N23 “You Are Who, Exactly?” ROOM A Workshop on Working with Statler Non-traditional Scholars

✦ CHAIR: Joan Saab University of Rochester MARCH 24, 2012 SATURDAY

Workshop Participants: Art Blake ✦ Ryerson University Jennifer Stoever-Ackerman ✦ SUNY, Binghamton Philip Leers ✦ University of California, Los Angeles Nicholas Sammond ✦ University of Toronto

137 SESSION N 11:00am – 12:45pm

SCREENING ROOM: Tremont, Level 4 Between the Lines Joan Micklin Silver, USA, 1977, 101 min Filmed on location in Boston, director Joan Micklin Silver’s fi lm Between the Lines is a dramedy about a struggling local independent newspaper and stars a young ensemble cast, including Lindsay Crouse, Jill Eikenberry, Jeff Goldblum, John Heard, Marilu Henner, and Gwen Welles. This fi lm is rarely screened and only last year fi nally became available on DVD. Micklin Silver was part of the gen- eration of women directors making commercially oriented fi lms in and around Hollywood during the 1960s and ’70s. Statistically a small group, these fi lms were important in that they marked the fi rst signifi cant increase of female fi lmmakers after the singular examples of Arzner and Lupino in the era from the 1930s to the early 1960s. Between the Lines captures the complex dynamics of a group of friends/co-workers wrestling with the fading social and political idealism of the 1960s. Set in 1977, this story of the com- mercial struggle of independent media retains powerful urgency 35 years on.

SPONSORS: Women’s Caucus Caucus on Class

Audiences for this fi lm may be interested in The Memorial (Session P), Errol Morris: A Lightning Sketch (Session P), and Uprising of ’34 (Session R), as well as in panels A8 “Cinema and Community/Cinema as Community” and J16 “Be the Media: Radical Film, New Media, and Social Formations.”

MEETING ROOM: 11:00am – 12:45pm Nontheatrical Film and Media Studies Scholarly Interest Group SATURDAY MARCH 24, 2012

138 SESSION O 1:00 – 2:45pm O1 Laughter That O2 After the Revolution ROOM “Encounters a Void?” ROOM Violence, Gender, and the Limits of On Humor and Cinema in the Middle East Cinematic Form after May ‘68

CHAIR: Hossein Khosrowjah ✦ California College of Arts CHAIR: Chris Dumas ✦ Independent Scholar

Perin Gurel ✦ Dickinson College ✦ “America, the (Oppressively) CO-CHAIR: Jonathan E. Haynes ✦ University of California, Berkeley Funny: Humor and Anti-Americanisms in Modern RESPONDENT: Alice Craven ✦ American University of Paris Turkish Cinema” Claire King ✦ Vanderbilt University ✦ “Altered Altars: Sacrificial ✦ ✦ Roberta Di Carmine Western Illinois University “Israeli Trauma in Robert Kramer’s Ice” Comedy’s Multiple Voices/Languages in The Band’s Visit” Chris Dumas ✦ Independent Scholar ✦ “A Sickness and ✦ ✦ Elise Burton Harvard University “Ethnic Humor, a Cure: Bertolucci’s Partner and the Revolution of Stereotypes, and Cultural Power in Israeli Cinema” Schizophrenia” SPONSOR: Middle East Caucus Jonathan Haynes ✦ University of California, Berkeley ✦ “Love on the Rocks: Billy le Kid at ‘le fin du cinéma’” Amy Rust ✦ University of South Florida ✦ “Twin Images: Sisters, Conjoined Media, and the Limits of Visual Pleasure”

New Media, Activism, O3 Barbara Stanwyck O4 ROOM ROOM and Political Control

✦ ✦ CHAIR: Catherine Russell Concordia University CHAIR: Daniel Smith-Rowsey Folsom Lake College MARCH 24, 2012 SATURDAY Scott Bukatman ✦ Stanford University ✦ “Honest Crooks: The Jia Tan ✦ University of Southern California ✦ “Provincializing Stanwyck Paradox” Globalism: Cantonese Digital Activism and Participatory Diane Carson ✦ St. Louis Community College, Meramec ✦ Culture in Southern China” “Barbara Stanwyck: The Ball of Fire in Ball of Fire” Lindsay Palmer ✦ University of California, Santa Barbara ✦ Joe McElhaney ✦ Hunter College, CUNY ✦ “‘Vetted by CNN’: i-Reporting the Iranian Protests of “Barbara Stanwyck: German Actress?” 2009” ✦ ✦ Catherine Russell ✦ Concordia University ✦ “The Barbara Gloria Kim University of Rochester “The Medium Is Stanwyck Show: Melodrama and the Media Archive” the Medicine: Communicable Mobility and Mobile Communications in Global Public Health” Daniel Smith-Rowsey ✦ Folsom Lake College ✦ “Where the Smartphones Have No Name: Some Spatial and Temporal Boundaries of ‘Clicktivism’”

139 SESSION O 1:00 – 2:45pm

WORKSHOP O5 Hollywood Animation O6 “The Medium Is the Medium” ROOM Yesterday and Today ROOM WGBH Boston and the Rise of Experimental Television

CHAIR: Mark Langer ✦ Carleton University CHAIR: Kris Paulsen ✦ Ohio State University Suzanne Buchan ✦ University for the Creative Arts ✦ Kris Paulsen ✦ Ohio State University ✦ “The Year Television “Theatrical Cartoon Comedy: From Animated Broke” Portmanteau to Beckett’s risus purus” William Kaizen ✦ Northeastern University ✦ “Participation Daniel Bashara ✦ Northwestern University ✦ “Stillness in Television: Models of Expanded Media in the 1960s” Motion: Architectural Animation in the Mid-Century Erica Levin ✦ University of California, Berkeley ✦ “The Media Is American Cartoon” Life: Stan VanDerBeek at WGBH” ✦ ✦ Tanine Allison Emory University “Savion Glover’s Melissa Ragona ✦ Carnegie Mellon University ✦ “Sky Art and Happy Feet: Racial (In)visibility in Motion Capture and Telecommunications: Otto Piene and WGBH’s New Animation” Television Workshop” Mark Langer ✦ Carleton University ✦ “The Rotoscope and the SPONSOR: Experimental Film and Media Scholarly Interest Group Avatar: Dave Fleischer and Ko-Ko the Clown”

SPONSOR: Animated Media Scholarly Interest Group

Contemporary Latin American WORKSHOP Cinema and the New Latin O7 Navigating the O8 American Cinema: ROOM ROOM Aesthetic and Ethical Continuities Academic Job Market and Discontinuities

CHAIR: Ashley Elaine York ✦ University of Alberta CHAIR: Cynthia Tompkins ✦ Arizona State University

RESPONDENT: Claudia Ferma ✦ University of Richmond Workshop Participants: Ana Forcinito ✦ University of Minnesota ✦ “Almost a Voice Beretta Smith-Shomade ✦ Tulane University Over: Echoes and Distortions in the New Argentina Bhaskar Sarkar ✦ University of California, Santa Barbara Cinema Directed by Women” ✦ ✦ Aaron Baker ✦ Arizona State University Cynthia Tompkins Arizona State University “Experimentation in Paz Encina’s Hamaca Paraguaya SATURDAY

MARCH 24, 2012 ✦ Rosalind Galt University of Sussex (Paraguayan Hammock) (2008)” ✦ Meghan Sutherland University of Toronto Gabriela Coptertari ✦ Case Western University ✦ “State Violence, Private Vengeance, and Political Alliances: Argentine Cinema in the New Millennium”

140 SESSION O 1:00 – 2:45pm O9 O10 ROOM Sound across Media and Genre ROOM Place and Imagination

CHAIR: Todd Decker ✦ Washington University, St. Louis CHAIR: Kevin Hagopian ✦ Pennsylvania State University Kristen Hatch ✦ University of California, Irvine ✦ “Harlem in Stephen Babish ✦ Northwestern University ✦ “Around the Hollywood: The ‘Negro Vogue’ of the Early Sound Era” World in Twelve Hours: ‘Race Time,’ Locality, and the Hannah Allen ✦ Michigan State University ✦ “The Obscene Spectacle of Place in The Amazing Race” Scream: Aurality in The Texas Chainsaw Massacre” Daniel Faltesek ✦ University of Iowa ✦ “Aestheticizing the Michelle Puetz ✦ University of Chicago ✦ “Projecting Sound Weathermap: Televisuality, New Media, and Science” as Image” Kevin Hagopian ✦ Pennsylvania State University ✦ “Obama Todd Decker ✦ Washington University, St. Louis ✦ “Elegies in and Orpheus: Destabilizing the Romance of the Happy Waltz Time: Meter, Memory, and Remembrance in Band Favela in the Liberal Imagination” of Brothers (2001)” Derek Foster ✦ Brock University ✦ “Star Trek Enshrined in Stone: Postmodern Temporality, Place Branding, and SPONSOR: Sound Studies Scholarly Interest Group Popular Culture in Rural Alberta”

New Configurations of Melodrama O11 O12 Sex and Television ROOM in Postwar Japan ROOM

✦ ✦ CHAIR: Diane Lewis Harvard University CHAIR: Luke Stadel Northwestern University MARCH 24, 2012 SATURDAY Phil Kaffen ✦ New York University ✦ “Eyes Which Gaze and CO-CHAIR: Leigh Goldstein ✦ Northwestern University Which Weep: The Melodrama of Fascism in Postwar RESPONDENT: Lynne Joyrich ✦ Brown University Japan” Leigh Goldstein ✦ Northwestern University ✦ “Broadcasting ✦ ✦ Diane Lewis Harvard University “Politics of Space: Post- Sex Ed: Sexual Counseling on Postwar Television” Shingeki Theater and Double Suicide” Candace Moore ✦ University of Michigan ✦ “Blue and Lavender ✦ ✦ Ayako Saito Meiji Gakuin University “From Melodrama to TV: Accessing Sex and Sexuality on Manhattan Cable’s Horror: Comparing Two Film Adaptations of The Broken Channel J” Commandment” Luke Stadel ✦ Northwestern University ✦ “Cable, Pornography, ✦ ✦ Mitsuyo Wada-Marciano Carleton University “Love Is and the Reinvention of Television” a Many-Splendored Thing in Postwar Agrarian Reform Cinema: Mikio Naruse’s Herringbone Clouds (1958)” SPONSORS: Queer Caucus Women’s Caucus Television Studies Scholarly Interest Group

141 SESSION O 1:00 – 2:45pm

O13 New Perspectives in Cinema O14 Can Screen Industry Studies ROOM and Multilingualism ROOM Engage with Screen Industries?

CHAIR: Tijana Mamula ✦ John Cabot University CHAIR: Catherine Johnson ✦ University of Nottingham

CO-CHAIR: Peter Sarram ✦ John Cabot University Paul McDonald ✦ University of Nottingham ✦ “Screen Brian Hochman ✦ Georgetown University ✦ “Plains Indian Sign Industries v. Screen Industry Studies: Divergence and Language and the Protocinematic Aesthetic” Engagement” ✦ ✦ Charles Linscott ✦ Ohio University ✦ “The Talking Money Roberta Pearson University of Nottingham “‘What Order: Mandabi and the Languages of Globalization” Will You Learn That You Don’t Already Know?’: An Interrogation of Industrial Television Studies” Mara Matta ✦ University of Rome ‘La Sapienza’ ✦ “Talking ✦ ✦ Back: The Issue of Multilingualism in Northeast Indian Paul Grainge University of Nottingham and ✦ ✦ Cinema” Catherine Johnson University of Nottingham ✦ ✦ “The Quick and the Dead: Studying Promotional Screen Jaap Verheul New York University “Divided in Unity: Industries” European Integration versus Regional Language in Dutch and Flemish Cinema” SPONSOR: Media Industries Scholarly Interest Group

O15 O16 Global Action Stars ROOM Dynamics of Film Viewing ROOM Spectacular Bodies in a Changing World St James

CHAIR: Moya Luckett ✦ New York University CHAIR: Russell Meeuf ✦ University of Idaho Beth Corzo-Duchardt ✦ Northwestern University ✦ “‘Savages Lauren Steimer ✦ University of California, Riverside ✦ Howling and Fleeing in Impotent Terror’: Primitivism “Spectacle through Crisis: Hong Kong Action Cinema as and Early Cinema Promotion” Mode in Thai Action Stardom” Annie Fee ✦ University of Washington ✦ “Male Cinéphiles Russell Meeuf ✦ University of Idaho ✦ “Bollywood Bad and Female Movie-Fans: Cinéa and the Gendered Boy: Salman Khan’s Turn to Action and Transnational Construction of Avant-Garde Film Culture in 1920s Masculinities” SATURDAY MARCH 24, 2012 France” Christine Holmlund ✦ University of Tennessee ✦ “‘Brand Paul McEwan ✦ Muhlenberg College ✦ “The Birth of a Nation Arnold’ In Transition, In Place” and the Development of Film Clubs, 1945–1975” Moya Luckett ✦ New York University ✦ “Fashioning the Female Spectator: Fan Magazines, Detail, and Feminine Literacy”

142 SESSION O 1:00 – 2:45pm

The World According to UN Visual “Indie” Politics O17 O18 Political Filmmaking and Contemporary ROOM Information Campaigns ROOM US Independent Cinema

CHAIR: Charles Acland ✦ Concordia University CHAIR: Yannis Tzioumakis ✦ University of Liverpool Zoe Druick ✦ Simon Fraser University ✦ “Visualizing the World: Yannis Tzioumakis ✦ University of Liverpool ✦ “‘Americans, The British Documentary at UNESCO” Anti-Americans in Love’: Gender Politics and Global Regina Longo ✦ University of California, Santa Barbara ✦ “Christ Geopolitics in Whit Stillman’s Barcelona (1994)” Did Not Stop at Eboli: UNESCO’s Visual Campaign to Eleftheria Thanouli ✦ Aristotle University of Thessaloniki ✦ Combat Illiteracy” “Who Is Wagging What? Issues of Agency in Barry Luca Caminati ✦ Concordia University ✦ “Roberto Rossellini’s Levinson’s Wag the Dog” A Question of People: The Clash of a Documentary Claire Molloy ✦ University of Brighton ✦ “Environmental Auteur and the United Nations Fund for Population Politics in the Age of ‘Indie’ Eco-entertainment” Activities”

WORKSHOP Sports Media in Cinema O19 O20 Remembering Sidney Lumet ROOM and Media Studies ROOM From Research to the Classroom

✦ ✦ CHAIR: Travis Vogan St. Anselm College CHAIR: Stephen Prince Virginia Tech University MARCH 24, 2012 SATURDAY Sarah Kozloff ✦ Vassar College ✦ “The Life of the Author” Workshop Participants: Joanna Rapf ✦ University of Oklahoma ✦ “Family Business and Victoria Johnson ✦ University of California, Irvine Some of the Million Things Sidney Lumet Admired” Jon Kraszewski ✦ Seton Hall University Lester Friedman ✦ Hobart and William Smith Colleges ✦ “Image Joshua Malitsky ✦ Indiana University as History/History as Image: Sidney Lumet’s The Pawnbroker” Stephen Prince ✦ Virginia Tech University ✦ “Design as Metaphor: The Choreography of Style”

143 SESSION O 1:00 – 2:45pm

Crossing Media O21 From the Cinematic Close-up to the O22 The Global Southie ROOM ROOM Boston and the Cinema of Class Sonic/Digital Zoom

CHAIR: Karen Tongson ✦ University of Southern California CHAIR: Carlo Rotella ✦ Boston College Mary Ann Doane ✦ University of California, Berkeley ✦ Derek Nystrom ✦ McGill University ✦ “Hollywood’s Haute- “Cinematic Scale, Perspective, and the Modern Sublime” Bourgeois Precariat, or, Why The Company Men Takes Kara Keeling ✦ University of Southern California ✦ “Between Place in Boston” a Tracking Shot and a Panoramic Shot: Deleuze’s Andrew Hoberek ✦ University of Missouri ✦ “‘White People Do Bartleby’s America and the Spaces of Sonic This to Other White People All the Time’: Thinking Class Afrofuturism” through the Contemporary Boston Movie” Wendy Chun ✦ Brown University ✦ “Zooming to Nowhere: John Connor ✦ Yale University ✦ “The Modern Sounds of Obsessive Mapping and the Promise of Digital Media” Modern Massachusetts: The Friends of Eddie Coyle and the Voice of Southie” SPONSOR: Contemporary Theory Scholarly Interest Group Amy Monaghan ✦ Clemson University ✦ “It’s Complicated: Class, Veritas, and Status Updates in The Social Network”

SCREENING ROOM: Tremont, Level 4 Land of Opportunity Luisa Dantas, USA, 2011, 97 min From front porches to the frontlines, Land of Opportunity captures the struggle to rebuild New Orleans, one of America’s most beloved and emblematic cities. Juxtaposing the perspectives of protagonists from different walks of life, from urban planners to immigrant workers to public housing residents, this documentary reveals how the story of post-Katrina New Orleans is also the story of urban America. The story of how democratic processes can fail us, how economic crisis can pull the rug out from under us, and how migration and displacement can prove to be complicated bargains. This is a ground-level view of a situation that has been widely discussed but rarely seen with such texture and complexity.

SPONSORS: Latino/a Caucus Documentary Studies Scholarly Interest Group Urban Studies Scholarly Interest Group

Audiences for this fi lm may also be interested in Q17 “Postmodern Cities and Cinema.” SATURDAY MARCH 24, 2012

MEETING ROOM: 1:00 – 2:45pm Women’s Caucus 144 SESSION P 3:00 – 4:45pm Forgotten Stories of the P1 Horror as Aesthetic and Genre P2 Transnational Avant-garde ROOM ROOM Interwar Modernism in Germany and China

CHAIR: Charlene Regester ✦ University of North Carolina, CHAIR: Gerd Gemunden ✦ Dartmouth College Chapel Hill CO-CHAIR: Xinyu Dong ✦ University of Chicago ✦ ✦ Hans Staats Stony Brook University,SUNY “Adventures into Nicholas Pavkovic ✦ Independent Scholar ✦ “Ernst Toch’s Der the Unknown: Horror Cinema and Media Studies” Fächer: A Weimar Zeitoper Engages China” ✦ ✦ Anthony Bleach Kutztown University “Mutant Screens: Chunjie Zhang ✦ Montclair State University ✦ “Connected by The Aesthetics of Shot-on-Video Horror” Water: The Global Left and Avant-Garde Filmmakers Kartik Nair ✦ New York University ✦ “Cottage Industry of from Germany and China in the 1930s” Terror: Ramsay Brothers and Bombay’s Horror Cinema” Xinyu Dong ✦ University of Chicago ✦ “Metropolitan Scenes Charlene Regester ✦ University of North Carolina, Chapel Hill ✦ (1935): A Brechtian Musical Comedy Made in Shanghai” “Disguising Black Trauma as Black Horror: Precious and the Horrific”

Cinematernity Extended Imagining, Imaging, and P3 Representations of Pregnancy and P4 ROOM Motherhood from the Archive to ROOM Remembering the Method Contemporary Cinema in the 21st Century

✦ ✦ CHAIR: Shira Segal Indiana University CHAIR: Justin Rawlins Indiana University MARCH 24, 2012 SATURDAY RESPONDENT: Robin Blaetz ✦ Mount Holyoke College RESPONDENT: Cynthia Baron ✦ Bowling Green State University Shira Segal ✦ Indiana University ✦ “The Mythology of ‘Woman’ Terence Hartnett ✦ Indiana University ✦ “The Method and as Artist and Mother in Avant-Garde Cinema and Online” Identity Politics: Performing Black Masculinity from Irene Lusztig ✦ University of California, Santa Cruz ✦ “The Sidney Poitier to Mos Def” Motherhood Archives—Excerpts from an Essay Film in R. Colin Tait ✦ University of Texas, Austin ✦ “Robert De Progress” Niro’s Method: Authorship, Agency, Acting in the New Lindsey Frank ✦ Syracuse University ✦ “Having it All(?): Hollywood” Mothering Modes and Sexuality in Contemporary Justin Rawlins ✦ Indiana University ✦ “In the Absence of Time, Comedic Cinema” Value Is Destroyed: Imagining James Dean and a Method Identity through the Perpetual Postmortem” SPONSOR: Women’s Caucus

145 SESSION P 3:00 – 4:45pm

P5 New Perspectives on P6 New Media and ROOM Canonical Auteurs ROOM Transgender Networks

CHAIR: Arthur Knight ✦ College of William and Mary CHAIR: Quinn Miller ✦ Northwestern University, Qatar

Matthew Von Vogt ✦ University of Chicago ✦ “Fritz Lang’s CO-CHAIR: Marty Fink ✦ Concordia University The Tiger of Eschnapur/The Indian Tomb: The Downfall of Avery Dame ✦ University of Kansas ✦ “For Your Viewing Cinema and Modernity” Pleasure: The Role of the Audience in the Transition Dimitrios Pavlounis ✦ University of Michigan ✦ “When a Vlog” Player Gets Played: Robert Altman and the Art of the Cee Strauss ✦ McGill University ✦ “‘Until Then, Be Sweet’: Comeback” Transgender Prisoner Representation in Penpal Personal Philip Leers ✦ University of California, Los Angeles ✦ “Looking Ads” Behind the Great Man: Jeanie MacPherson’s Erica Rand ✦ Bates College ✦ “Trans Athletes, Race Matters, Collaboration with Cecil B. DeMille” New Media, Old News” ✦ ✦ Arthur Knight College of William and Mary “Style, Marty Fink ✦ Concordia University ✦ “Feygelehs, Crips, and Urbanity, Authorship, and Expanded Community: Spike Digital Dandies: Transgender Communities Emerging Lee’s Performance Documentaries” Online”

P8 DVDs Unpacked P9 Dirty Ethics ROOM Tales of Glocal Piracy and Stardom ROOM The Meaning of Trash

CHAIR: Monika Mehta ✦ University of Binghamton, SUNY CHAIR: Eugenie Brinkema ✦ Massachusetts Institute of Jasmine Trice ✦ National University of Singapore ✦ “Action Technology Stars and Indie Cinema: Global Media Piracy and Local Christine Evans ✦ University of Kent ✦ “‘Good Objects and Cultural Production in the Philippines” Bad Trash: A&E’s Hoarders and the Economy of Worth’” Suzanne L. Schulz ✦ University of Texas, Austin ✦ “Law, Order, Tina Kendall ✦ Anglia Ruskin University ✦ “The (Inhuman) and the DVD: On the Containment of Discs in India” Ethics of Waste: Harmony Korine’s Trash Humpers” Monika Mehta ✦ University of Binghamton, SUNY ✦ “DVD Lisa Coulthard ✦ University of British Columbia ✦ “Dirty Sound: SATURDAY MARCH 24, 2012 Compilations of Hindi Film Songs: (Re) Shuffling Sound, The Ethics of Noise in the New Extremity” Stardom, and Cinephilia”

146 SESSION P 3:00 – 4:45pm

P10 A Face Was Not Born, But Made P11 No Laughing Matter ROOM Physiognomies in Cinema ROOM Humor in Recent Arab Cinema

CHAIR: Frank Meyer ✦ University of Siegen CHAIR: Najat Rahman ✦ University of Montreal Frank Meyer ✦ University of Siegen ✦ “A Face Was Not Born, Robert Lang ✦ University of Hartford ✦ “Strategies of But Made: The Face in Cinema” Subversion in Ben Ali’s Tunisia: Allegory and Satire in Yun Peng ✦ University of Hawai’i Manoa ✦ “Apathetic, Exotic, Moncef Dhouib’s The TV Is Coming (2006)” Sublime: The Problematic Face of Chinese Visual Sariel Birnbaum ✦ Binghamton University ✦ “Egyptian Modernity” Comedies and 2011 Revolution, Or: Why Didn’t Egyptian Yiman Wang ✦ University of California, Santa Cruz ✦ “From Comedies Predict the Revolution, While Dramas Did?” Photogenie to ‘Yellow Yellowface’ – Rethinking SPONSOR: Middle East Caucus Yellowface in Hollywood” Aaron Pellerin ✦ Wayne State University ✦ “Zidane’s Face: The Physiognomics of Sensation”

Conceptualizing the Irish P12 P13 Cinema and the Law ROOM Cinematic Atlantic ROOM

✦ ✦ CHAIR: Diane Negra University College Dublin CHAIR: Roopa Singh New York University MARCH 24, 2012 SATURDAY Paula Gilligan ✦ Dun Laoghaire Institute of Art, Design and Brett Service ✦ University of Southern California ✦ “Killer of Technology ✦ “Marginality, Resistance, and the Desiring Sheep and the Racial Politics of Music Copyright” Machine: Liam O’Flaherty in Hollywood” Roopa Singh ✦ New York University ✦ “Law, Nation Building, Maria Pramaggiore ✦ North Carolina State University ✦ and 1920’s Cinema: Resurrecting Valentino’s The Young “Crossing Over Genre, Ethnicity, and the Boundaries of Rajah in the Context of ‘U.S. vs. Bhagat Singh Thind’” Good Taste: Ryan and the O’Neals” Gwenda Young ✦ University College Cork ✦ “‘A Far Down Shanty Irish’: Marshall Neilan and Constructions of Irishness in Early Hollywood” Emma Radley ✦ University College Dublin ✦ “Dis-quieting Experiences: The American in Contemporary Irish Horror Cinema”

147 SESSION P 3:00 – 4:45pm

Cinema, Oil, Disaster Beyond Blaxploitation, P14 Ecological and Post-industrial Issues in P15 ROOM ROOM 1970–1975 Contemporary Media

CHAIR: Claudia Springer ✦ Framingham State University CHAIR: Gerald Butters ✦ Aurora University

Mona Damluji ✦ University of California, Berkeley ✦ “Big Oil on RESPONDENT: Mark Reid ✦ University of Florida the Big Screen: The Anglo-Iranian Oil Company’s Persian Gerald Butters ✦ Aurora University ✦ “Sweetback in Chicago” Story” Novotny Lawrence ✦ Southern Illinois University, Carbondale ✦ ✦ ✦ Jen Caruso Minneapolis College of Art and Design “Eco- “A White Film for a Blaxploitation Audience?: Examining Disaster, Post-industrial Aesthetics, and The Road” the Making and Marketing of Detroit 9000” ✦ ✦ Claudia Springer Framingham State University “Eco- Sharon Joseph ✦ Southern Illinois University, Carbondale ✦ Disaster and Creative Re-use: From Road Warrior to “Accidental Blaxploitation: The Liberation of L. B. Jones Garbage Warrior” and the Sexual Politics of the Pre-civil Rights South” Nina Cartier ✦ Northwestern University ✦ “Supa Soul Cinema: Blaxploitation Narration”

SPONSOR: African/African American Caucus

WORKSHOP Representation and P16 Film Festival Pedagogy P17 ROOM ROOM Diasporic Activism Using the Film Festival as Film Course

CHAIR: Eric Pierson ✦ University of San Diego CHAIR: Nadia Yaqub ✦ University of North Carolina

CO-CHAIR: Roger Pace ✦ University of San Diego Linda Mokdad ✦ University of Iowa ✦ “Tanks, Curfews, and Roadblocks: Looking for Comedy in the Palestinian- Workshop Participants: Israeli Conflict” ✦ ✦ Skadi Loist ✦ University of Hamburg Avi Santo Old Dominion University “‘Is It a Camel? Is It a ✦ Turban? No, It’s The 99’: Marketing Islamic Superheroes Ger Zielinski Trent University as Global Cultural Commodities” SATURDAY

MARCH 24, 2012 ✦ Dorota Ostrowska Birkbeck, University of London Robert Watson ✦ Vanderbilt University ✦ “Resituating Lindiwe Dovey ✦ University of London Representations of North African Jewish Exile and Logan Walker ✦ University of California, Santa Cruz Diaspora in Franco-Maghrebi Cinema, 1995–2010” Nadia Yaqub ✦ University of North Carolina ✦ “Cinema, SPONSORS: Film and Media Festivals Scholarly Interest Group Media Literacy and Pedagogical Outreach Subjectivity, and the New Palestinian Activism” Scholarly Interest Group

148 SESSION P 3:00 – 4:45pm

WORKSHOP Representing the P18 P19 Post-industrial City ROOM Women Make Movies at Forty ROOM Cultures of Feminist Film Film, Television, and the Geography of Unproductive Urban Centers

CHAIR: Shilyh Warren ✦ North Carolina State University CHAIR: Stanley Corkin ✦ University of Cincinnati Stanley Corkin ✦ University of Cincinatti ✦ “Free Markets, Free Workshop Participants: Drugs, and Post-industrial Baltimore in The Wire” Kristen Fallica ✦ University of Pittsburgh Nathan Holmes ✦ University of Chicago ✦ “Synthesizing the Roya Rastegar ✦ University of California, Los Angeles Post-industrial City: Location and Form in Detroit 9000 (1973)” Patricia White ✦ Swarthmore College ✦ King’s College London ✦ ✦ Mark Shiel “Post-industrialism and Debra Zimmerman Women Make Movies the Cinematic Landscape of Los Angeles” B. Ruby Rich ✦ University of California, Santa Cruz SPONSOR: Urban Studies Scholarly Interest Group SPONSOR: Women’s Caucus

P20 The Fans Strike Back P21 Mad Men ROOM Responses to Media Industry Strategies ROOM Industry, Programming, and Audiences

✦ ✦ CHAIR: Janet Staiger University of Texas, Austin CHAIR: Will Scheibel Indiana University MARCH 24, 2012 SATURDAY Margaret Rossman ✦ Indiana University ✦ “Not What I RESPONDENT: Tim Anderson ✦ Old Dominion University Pictured: The Paratextual Power of ‘Fan Casting’ in Will Scheibel ✦ Indiana University ✦ “‘A Twinge in Your Heart’: Audience Reception of Film Adaptations” Reception, Nostalgia, and Retro American Styles of Mad Monique Bourdage ✦ University of Michigan ✦ “‘Still Those Men” Women?’: Hope, Melancholy, and Identity in Feminist Mimi White ✦ Northwestern University ✦ “Palimpsests of Fans’ Reception of Mad Men” Gender in Mad Men” ✦ ✦ Janet Staiger University of Texas, Austin “‘Nuking the Gary Edgerton ✦ Old Dominion University ✦ “JFK, Don Draper, Fridge’: Great Expectations and Affective Reception” and the New Sentimentality”

149 SESSION P 3:00 – 4:45pm P22 “Foreign” Filmmaking ROOM Cinema and the Making of National Identities MEETING CHAIR: Brian McIlroy ✦ University of British Columbia ROOM: Han Sang Kim ✦ Seoul National University ✦ “Whose 3:00 – 4:45pm Authenticity? Exhibiting Local Cultural Heritages through Films of the USIA” Media Industries Brian McIlroy ✦ University of British Columbia ✦ “American Scholarly Interest Group Flags, Fallen Women, and Other Undesirables: Censored American Films in British Columbia, 1914–1920”

SCREENINGS ROOM: Tremont, Level 4 Errol Morris: A Lightning Sketch Charles Musser, USA, 2011, 72 min The centerpiece of this documentary is a one-day visit to Fourth Floor Productions—Errol Morris’s studio—soon after Tabloid has wrapped up. We meet his staff, see his taxidermy, and watch him at work conducting a phone interview. For a substantial portion of the fi lm, Errol talks freely about a range of subjects: writer’s block, the death penalty, his relation with Stephen Hawking, social media, dealing with Robert McNamara, the reception of Standard Operating Procedure, and so forth. Pressed, Errol admits, “I am a Gates of Heaven character.”

SPONSOR: Documentary Studies Scholarly Interest Group The Memorial Alan Marcus, UK, 2010, 30 min This experimental fi lm presents an observational study of one of the country’s most unique memorials—the New England Holocaust Memorial in downtown Boston. Situated on what is a greened traffi c island, the memorial’s six glass towers are adjacent to The Freedom Trail, with a six-lane road on one side and a string of restaurants and bars on the other. These include “America’s oldest restaurant” and “America’s oldest tavern.” Eschewing interviews, narration, and non-diegetic music, the fi lm seeks to pose questions about the symbolic nature of Holocaust memorialization in an American setting and its relationship to Boston’s numerous American Revolution historical sites and memorials along “The Trail.” The Memorial is one of a series of four fi lms that comprise the “In Time of Place” research project that explores the impact of tourism and the banal on sites of historical stature associated with Jewish identity, the Diaspora, and the Holocaust.

SPONSOR: Experimental Film and Media Scholarly Interest Group SATURDAY MARCH 24, 2012 Audiences for these fi lms may also be interested in G19 “Experimental Film and Video in Massachusetts.”

MEETING ROOM: 3:00 – 4:45pm CinemArts: Film and Art History Scholarly Interest Group 150 SESSION Q 5:00 – 6:45pm

Sing-a-longs and Dance-a-thons Q1 Perspectives on Kelly Reichardt Q2 Re-visioning the Contemporary Musical on ROOM Genre, Aesthetics, and Ethics ROOM Film and Television

CHAIR: Nicole Seymour ✦ University of Louisville CHAIR: Aviva Dove-Viebahn ✦ University of Northern Colorado

CO-CHAIR: Katherine Fusco ✦ Vanderbilt University Kenneth Chan ✦ University of Northern Colorado ✦ “Swinging Matthew Holtmeier ✦ University of St. Andrews ✦ “Kelly and Swaying the Body Cultural Politics: Musicalizing the Reichardt’s Slow Cinema, An Ethics of Apprehension” Already Musical Hairspray” ✦ ✦ Robert Silberman ✦ University of Minnesota ✦ “Kelly Jesse Schlotterbeck Denison University “Notorious and Reichardt’s Landscapes of the Lost” the Apparent Contradictions of the Contemporary Musical Biopic” Mike Phillips ✦ CUNY Graduate Center ✦ “Meek’s Cutoff: A ✦ ✦ Feminist Western?” Tamar Ditzian University of Florida “Transgender’s ✦ ✦ Transgressions Undone in Hedwig and Rocky Horror: Stephen Mitchell University of East Anglia Reviewing Queerness in the Glam Rock Musical” “Deconstructing American Individualism: The Goal- ✦ ✦ orientated Protagonist in Kelly Reichardt’s Wendy and Kyra Glass von der Osten University of Wisconsin, Madison ✦ Lucy” and Amanda McQueen University of Wisconsin, Madison ✦ “Musical Marriage: The Mash-Up as SPONSOR: Women’s Caucus Governing Principle in Glee”

Q3 Beyond the Sunday Night Lineup Q4 Rethinking Embodiment ROOM 40 Years of HBO (1972–2012) ROOM Object, Medium, Affect

✦ ✦ CHAIR: Shayne Pepper Northeastern Illinois University CHAIR: Margaret Schwartz Fordham University MARCH 24, 2012 SATURDAY RESPONDENT: Avi Santo ✦ Old Dominion University Jennifer Clark ✦ Fordham University ✦ “Bored to Death: Gareth James ✦ University of Exeter ✦ “HBO from Time Inc.: Banality and At-Risk Female Celebrities” Rethinking Institutional Origins, 1972–1983” Gina Giotta ✦ California State University, Northridge ✦ “Death Shayne Pepper ✦ Northeastern Illinois University ✦ “HBO’s Becomes Her: Hillary Clinton, the War Room, and the Cultural and Public Service Programming in the 1980s” Evidentiary Feminine Gaze” ✦ ✦ Ashley Elaine York ✦ University of Alberta ✦ “Moving to Margaret Schwartz Fordham University “Evita Vive: The Mondays: Enlightened and HBO’s ‘Ladies Night’” Body Politic in Contemporary Argentina” Erica Stein ✦ University of Arizona ✦ “Mae West as Star, Defendant, and Camera”

151 SESSION Q 5:00 – 6:45pm

Q5 Documentary Film Q6 Promotional Paratexts and the ROOM in Boston and Beyond ROOM Construction of Female Audiences

CHAIR: William Rothman ✦ University of Miami CHAIR: Colleen Laird ✦ University of Oregon Charles Warren ✦ Boston University/Harvard Lindsay Garrison ✦ University of Wisconsin, Madison ✦ “‘Disney University ✦ “Robert Gardner and Stanley Cavell” Channel Is the Girly Channel’: Gender and the Diane Stevenson ✦ Independent Scholar ✦ “Internal Exile: Construction of the Tween Demographic” What Edward Said Has to Teach Us about Ross Colleen Laird ✦ University of Oregon ✦ “Directors Served à la McElwee” Carte: The Gendered Paratexts of Trendy Production Gilberto Perez ✦ Sarah Lawrence College ✦ “Shoah as Company Paradise Café” Documentary” Erin Cole ✦ University of Minnesota ✦ “The Man Your Man William Rothman ✦ University of Miami ✦ “Documentary Film Could Sell Like: Audience Involvement and Paratexts in a in Boston in the 1970s and 1980s” Commercial Campaign” Andrew Bottomley ✦ University of Wisconsin, Madison ✦ “Branding Network TV: Conceptions of Taste and Gender in the Marketing of Friday Night Lights”

Q7 Q8 ROOM The Berlin School and Its Contexts ROOM Bollywood Does Hollywood

CHAIR: Christina Gerhardt ✦ University of Hawai’i CHAIR: Richard Ness ✦ Western Illinois University

Brad Prager ✦ University of Missouri ✦ “The (Non)sense of an RESPONDENT: Rashna Richards ✦ Rhodes College Ending: Cinema Historical Tendencies and Unresolved Richard Ness ✦ Western Illinois University ✦ “Mr. Smith Goes Narratives in the Filmmaking of Germany’s New Wave” to Mumbai: Class, Caste, and Karma in Indian Versions Eric Rentschler ✦ Harvard University ✦ “The Prehistory of the of Frank Capra Films” Berlin School” Iain Smith ✦ Roehampton University ✦ “‘Who Is Ghajini?’: Gerd Gemunden ✦ Dartmouth College ✦ “Eclectic Affinities” Tracing the Memento Meme from Hollywood to SATURDAY MARCH 24, 2012 Jasmin Krakenberg ✦ University of Washington, Seattle ✦ Kollywood to Bollywood” “Mobile Immobility, Or: What Christian Petzold Learned Gohar Siddiqui ✦ University of Syracuse ✦ “From Remake to From Andy Warhol” Pastiche: Bollywood, Hollywood, and the Global Travel of Noir”

152 SESSION Q 5:00 – 6:45pm

Q9 Politics and Latin American Q10 Film Philosophy ROOM Cinema after “Utopia” ROOM Old and New Media

CHAIR: Laura-Zoe Humphreys ✦ University of Chicago CHAIR: Michael Walsh ✦ University of Hartford

CO-CHAIR: Sarah Barrow ✦ University of Lincoln Mario Slugan ✦ University of Chicago ✦ “Some Thoughts on Cavell’s Ontology of Film” RESPONDENT: Ana Lopez ✦ Tulane University ✦ ✦ Laura-Zoe Humphreys ✦ University of Chicago ✦ “Love Plots James Tweedie University of Washington “The Cinephile and the Displacement of Politics in Post-Soviet Cuban and His Remote Control: Serge Daney, Old Media, and Cinema” the Late Twentieth Century” ✦ ✦ Sarah Barrow ✦ University of Lincoln ✦ “Allegories and Daniel Morgan University of Pittsburgh “Virtual Legacies of Violence: Portrayals of ‘The Shining Path’ in Camera Movements, Rear Projection, and the Turn to Peruvian Fiction Cinema” Phenomenology” ✦ ✦ Salome Skvirsky ✦ University of Massachusetts, Boston ✦ Michael Walsh University of Hartford “The Empty Set: “Domestic Film: Servants at the Turn of the Twenty-First Duration in the Film Avant-Garde of the 1960s/1970s” Century”

SPONSOR: Latino/a Caucus

Q11 Q12 ROOM Video Game Industry Studies ROOM Materialities of Film Sound

✦ ✦ CHAIR: Sheila Murphy University of Michigan CHAIR: Delia Konzett University of New Hampshire MARCH 24, 2012 SATURDAY CO-CHAIR: Julia Lange ✦ University of Michigan Delia Konzett ✦ University of New Hampshire ✦ “Sound in War/ Combat Film” RESPONDENT: Nina Huntemann ✦ Suffolk University ✦ ✦ Benjamin Aslinger ✦ Bentley University ✦ “Redefining the Walter Metz Southern Illinois University “‘Here’s to Ben!’: Console for the Digital, Global, and Networked Era” Visual Sound in the Films of David Lynch” ✦ ✦ Kathryn Frank ✦ University of Michigan ✦ “Imagining the Cult Michael Wutz Weber State University “Notes toward a Media Audience: Comics and Video Game Industrial Media-Historical History of Sound in Film” ‘Synergy’” Julia Lange ✦ University of Michigan ✦ “E3 or Not E3?: The Video Game Industry Online and In-person”

SPONSOR: Video Game Studies Scholarly Interest Group

153 SESSION Q 5:00 – 6:45pm

WORKSHOP Healthy Proto-citizens? Q13 The Use of an Archive Q14 Youth Media, Capacity, and The Risky ROOM The O’Kalem Project from a Value ROOM Perspective Business of Neoliberalism

CHAIR: Peter Flynn ✦ Emerson College CHAIR: Stephanie Schulte ✦ University of Arkansas Rachel Hall ✦ Louisiana State University ✦ “‘Stranger Danger’ Workshop Participants: and Other Paradigms of Child Safety in American Peter Flynn ✦ Emerson College Educational Films of the Twentieth Century” ✦ ✦ Harvey O’Brien ✦ University College Dublin Julie Elman New York University “Regulating the Brain: Teen Proto-citizens, Youth Media, and Crisis” Stephanie Schulte ✦ University of Arkansas ✦ “Facebook’s ‘Revolution’: Recuperating Youths and American Internet Corporations”

WORKSHOP Q15 Representing the Recession Q16 Collective Scholarship ROOM The Financial Crisis and the Media ROOM in Digital Contexts

CHAIR: Bäbel Göbel-Stolz ✦ University of Kansas CHAIR: Kristina Busse ✦ Independent Scholar

CO-CHAIR: Michael Faucette ✦ Caldwell Community College Workshop Participants: RESPONDENT: Vicki Mayer ✦ Tulane University ✦ Bärbel Göbel-Stolz ✦ University of Kansas ✦ “Poor Is the New Kathleen Fitzpatrick Modern Language Association Wonderful: Family Ethics in Television Comedy and Richard Edwards ✦ Indiana University-Purdue University Drama” Indianapolis ✦ ✦ ✦ SATURDAY

MARCH 24, 2012 Hannah Hamad Massey University “‘I’ve Felt What the Louisa Stein Middlebury College Unemployed Feel’: Post-recession Reality TV and the Francesca Coppa ✦ Muhlenberg College Affective Labor of The Fairy Jobmother” Michael Faucette ✦ Caldwell Community College ✦ “‘We Used to Make Something Here’: Hollywood’s Portrayal of the Recession and the Representation of Contemporary American Masculinities”

SPONSOR: Caucus on Class

154 SESSION Q 5:00 – 6:45pm Q17 Q18 ROOM Postmodern Cities and Cinema ROOM Pasolini’s Queer Theory

CHAIR: Gary McDonogh ✦ Bryn Mawr College CHAIR: Louis-Georges Schwartz ✦ Ohio University Dennis Lo ✦ University of California, Los Angeles ✦ “Towards Damon Young ✦ University of California, Berkeley ✦ “Pasolini the Limits of the National: The Poetics of Traveling in avec Hocquenghem, or Teorema’s Death Drive” Jia Zhangke’s Platform and Hou Hsiao Hsien’s Dust in John Rhodes ✦ University of Sussex ✦ “Queer Catachresis: the Wind” Pasolini’s Film Theory and the Figure of History” ✦ ✦ Pamela Flores University of the North, Colombia Alessia Ricciardi ✦ University of California, Berkeley ✦ “Representations of Bogota in Contemporary Cinema: “Pasolini’s Queer Biopolitics” The Unrevealed City of In-between Spaces” Louis-Georges Schwartz ✦ Ohio University ✦ “Queer ✦ ✦ Phoebe Bronstein University of Oregon “Dis/Locating Potentials, or Pasolini’s Life/Death Quartet and Art’s New Orleans: Tourists Traps and Mapping Treme’s New Outside” Orleans” SPONSOR: Contemporary Theory Scholarly Interest Group Gary McDonogh ✦ Bryn Mawr College ✦ “Staging Chinatowns: Place, Visibility and Otherness in Contemporary European Film”

WORKSHOP The “Disciplinary History” and the Q19 Teaching Film and Media Studies Q20 ROOM ROOM Identity of an Academic Discipline at Liberal Arts Colleges Historicizing Film History

✦ ✦ CHAIR: Elizabeth Nathanson Muhlenberg College CHAIR: Philippe Gauthier University of Montreal/University MARCH 24, 2012 SATURDAY of Lausanne

Workshop Participants: RESPONDENT: Philip Rosen ✦ Brown University Carol Donelan ✦ Carleton College Philippe Gauthier ✦ University of Montreal/University of ✦ James Prakash Younger ✦ Trinity College Lausanne “The 1978 Brighton Congress and ✦ ‘Traditional Film History’ as Founding Myths of the ‘New Paul McEwan Muhlenberg College Film History’” ✦ Sarah Keller Colby College Michael Zryd ✦ York University ✦ “Toward a Historiography of Elizabeth Nathanson ✦ Muhlenberg College Experimental Film Studies Scholarship” ✦ ✦ SPONSOR: Media Literacy and Pedagogical Outreach William Uricchio Massachusettes Institute of Technology Scholar Interest Group “History and Its Double” Andre Gaudreault ✦ University of Montreal ✦ “The Future History of a Vanishing Media”

155 SESSION Q 5:00 – 6:45pm Beyond Strawmen, Q21 Misrepresentations, and Caricatures Q22 U.S. Sports Media and Culture ROOM Elucidating a Critical Political Economy ROOM of Media

CHAIR: Philip Drake ✦ University of Stirling CHAIR: Seth Friedman ✦ DePauw University

RESPONDENT: Philippe Meers ✦ University of Antwerp RESPONDENT: Aaron Baker ✦ Arizona State University Eileen Meehan ✦ Southern Illinois University, Carbondale ✦ David Jenemann ✦ University of Vermont ✦ “‘Better than and Janet Wasko ✦ University of Oregon ✦ “The a Seat on the First Base Line’: The Construction of a Misrepresentation of Critical Political Economy of Televisual Aesthetic” Media” Seth Friedman ✦ DePauw University ✦ “The Money Is in the Randall Nichols ✦ Bentley University ✦ “Manufacturing the Rematch: Capitalism and Masculinity on the Ropes in Xbox: The Other Video Game Labor Problem” Redbelt (2008) and The Wrestler (2008)” Andre Sirois ✦ University of Oregon ✦ “Advertising and Travis Vogan ✦ St. Anselm College ✦ “A Tradition of Masculine Avatars: Investing in Subcultural Capital and Selling Nostalgia: CBS’ One Shining Moment” Authenticity in the Case of DJ Hero” Doug Battema ✦ Western New England University ✦ “Playing the Games: The Olympics in a Changing Media Landscape”

SCREENINGS ROOM: Tremont, Level 4 The Dove on the Roof (Die Taube auf dem Dach) Iris Gusner, GDR/Federal Republic of Germany, 1973, 82 min Linda Hinrichs (Heidemarie Wenzel), an engineer on a construction site, falls in love with not one but two of the male workers on her team: the old-school “Brigadier” and the earnest young Daniel, who interrupts workers’ partying to collect donations for North Vietnam. With a strikingly laconic and elliptical narrative structure—far from the mandated “socialist realism”—the fi lm challenges the socialist glorifi cation of work and conventional depictions of love and happiness. It also critiques both the offi cial and popular views of international solidarity—with Angela Davis, Vietnam, and the Middle East. This was the debut fi lm of Iris Gusner, one of only a handful of female feature fi lm directors in East Germany (who recently co-authored a book with Helke Sander from the West). Banned and considered lost, a B&W duplication of the color original was restored in 2009 and was greeted by critics as “Nouvelle Vague” from the GDR.

SPONSOR: Caucus on Class Angst Essen/Eat Fear Ming Wong, USA, 2008, 27 min SATURDAY MARCH 24, 2012 Angst Essen/Eat Fear is a reconstruction of a Fassbinder movie, Angst essen Seele auf, which tells the story of Emmi, an elderly clean- ing woman from Munich who falls in love with a younger Moroccan immigrant worker named Ali. In Angst Essen/Eat Fear, director Ming Wong plays all the roles from the Fassbinder fi lm. Speaking an approximate German, he embodies up to fi ve persons at the same time, relentlessly switching between various identities defi ned by gender, age, or nationality. By playing all the protagonists in an unfamiliar language, Ming redirects the arrows of antagonism back onto every single one of the characters, thus turning each fi gure into an “other” or a “stranger.” Beyond a refl ection on identity and alterity, Ming’s work is enlivened by a deeply funny and entertaining dimension, which reveals the positive options unlocked by a playful state of “in-betweenness”: in between ethnicities, languages, and genders.

Audiences for these fi lms may also be interested in B8 “Cold War, Hot Media: East German Cinema” and L10 “DEFA and the Third World: DEFA Transnational.” 156 SATURDAY MARCH 24, 2012 157 ny er, er, ROOM: original tells the tells tunity to tunity to Steamboat oger Miller lywood, the photoplay,” photoplay,” a version of his hat was recon- 002, and in 2005 (1927), and The Last Command The Last (1928) Metropolis 7:00 – 8:45pm Latino/a Caucus Latino/a (1925), MEETING Strike ROOM: The Last Command The Last 8:00pm 7:00 – 8:45pm The Last Command The Last The Alloy Orchestra Middle East Caucus MEETING SPECIAL EVENT SPECIAL The Historic Paramount Theater, 559 Washington Street 559 Washington Theater, Paramount The Historic SCMS and Emerson College Present SCMS and Emerson ROOM: LOCATION: LOCATION: : Built in 1932 as a 1,700-seat art deco movie palace, the Paramount was once the centerpiece of Boston’s enter- of Boston’s the Paramount was once the centerpiece : Built in 1932 as a 1,700-seat art deco movie palace, A portion of the house will be available on a fi rst-come,fi rst-served basis to SCMS participants with rst-served basis to rst-come,fi A portion of the house will be available on a fi The Paramount is a 5-10 minute walk from the Park Plaza Hotel. Upon exiting the hotel on the Arlington on the Arlington Upon exiting the hotel the Park Plaza Hotel. walk from The Paramount is a 5-10 minute (1927), Jannings received the fi rst Best Actor award from the recently formed Academy of Motion Picture Arts and Sciences. Picture formed Academy of Motion the recently from award rst Best Actor the fi (1927), Jannings received for Josef von Sternberg’s Sternberg’s for Josef von “though there may be too many whiskers in it for the girls and not enough mush for the simps.” For his performance in this and For in it for the girls and not enough mush for the simps.” many whiskers may be too “though there To Attend: Attend: To unclaimed which show time, after prior to Please arrive at least 20 minutes badges. Admission is free. conference public. the to seats will be offered SCMS-reserved Directions: and walk approximately right on Boylston Turn Street. Boylston side, turn right and walk a block-and-a-half to Street and Tremont of Boylston Common. At the intersection and Boston blocks east, paralleling the Public Garden three Common Boston (the corner with the Loew’s Avery Street and go one block to Tremont turn left onto Streets, will see you Washington, As you turn left onto Street. Washington right on Avery and go one block to Turn Theater). the Paramount marquee. 5:00 – 6:45pm (1928). Film critic Roger Ebert has praised the group’s soundtracks for their “amazing bandwith of music and sound effects.” Ma soundtracks for their “amazing bandwith of music and sound effects.” (1928). Film critic Roger Ebert has praised the group’s Variety, Variety, The Alloy Orchestra Performing a Live Musical Accompaniment a Live Musical Performing The Alloy Orchestra Documentary Studies Documentary MEETING Scholarly Interest Group Interest Scholarly Produced at Paramount Pictures, directed by Josef von Sternberg, and top-lining German fi lm star Emil Jannings, German fi and top-lining by Josef von Sternberg, directed at Paramount Pictures, Produced Comprised of Terry Donahue (junk, accordion, musical saw, vocals), Ken Winokur (director, junk percussion, and clarinet), and R and junk percussion, Winokur (director, vocals), Ken musical saw, Donahue (junk, accordion, Comprised of Terry and performing is a musical ensemble that since 1990 has specialized in composing Alloy Orchestra the Boston-based (keyboards), for scores compositions are their 28 feature-length for classic silent cinema. Among scores as role extra in Hollywood—until he lands a screen working as a $7.50-a-day to Russian general reduced of a former White story between Berlin and Hol former self. An embryonic Hollywood-on-Hollywood melodrama and a legacy of the fertile cross-pollination ne fi “A really on psychic torment. close-ups of Bolshevik uprisings with intense lush costume drama blends grand orchestrations raved the façade in 2 Millennium Partners restored disrepair. serious closing its doors in 1976 it fell into tainment district. After theat a black box opened in 2010 and consists of Paramount Center The the property. renovate Emerson College announced plans to t place in the 590-seat live theater performance will take hall. Tonight’s facilities, and a residence teaching room, screening auditorium. based on the design of the original Paramount structed The Way of All Flesh of All The Way by Herman J. Mankiewicz. Running time: 88 minutes. written title cards and Evelyn Brent; lm also stars William Powell The fi The Paramount Theater Bill, Jr. Bill, Jr. oppor This is an extraordinary releases. DVD the soundtracks on Kino video and from with the Alloy Orchestra will be acquainted see and hear the trio perform live. SESSION R 9:00 – 10:45am

R1 Production and Exhibition of R2 Film Comedy and the Limits ROOM Sponsored Films ROOM of Representation

CHAIR: Marina Dahlquist ✦ Stockholm University CHAIR: Margaret Hennefeld ✦ Brown University Annie Sullivan ✦ Northwestern University ✦ “The Ford Motor Rob King ✦ University of Toronto ✦ “What Price Violence? The Company’s Motion Picture Department: Manufacturing Three Stooges, Television, and the Child Audience” Social and Industrial Welfare for Mass Consumption” Nicholas Sammond ✦ University of Toronto ✦ “Like Workin’ Michelle Kelley ✦ New York University ✦ “Visions of Equality: Wit Mercury: The ‘New’ Blackface and Performances of National Urban League Film Production After World Post-racialism” War II” Margaret Hennefeld ✦ Brown University ✦ “Women and Kit Hughes ✦ University of Wisconsin, Madison ✦ “From Black Slapstick in Silent Cinema: Feminist Film Theory and Tie Dinners to Costumed Pageants: Romance of the Comedic Critique” Reaper and Event Exhibition” Caroline Eades ✦ University of Maryland ✦ “French Comic Film: Marina Dahlquist ✦ Stockholm University ✦ “Hookworms in From Boulevard to Gutter” Kentucky — The Rockefeller Foundation and Mediated Health”

SPONSOR: Nontheatrical Film and Media Scholarly Interest Group

R3 Men in Motion R4 ROOM Masculinity, Agency, and the Moving ROOM Issues in Media Studies Image

CHAIR: Nathan Blake ✦ University of California, Irvine CHAIR: Laine Nooney ✦ Stony Brook University

CO-CHAIR: Norman Gendelman ✦ University of California, Berkeley Chris Dzialo ✦ University of Southern California ✦ “It’s Dr. Katherine Fusco ✦ Vanderbilt University ✦ “Squashing the House Calling: Entertainment-Education, Hollywood Bookworm: Representations of Male Reading in U.S. Television, and Public Health” Silent Film” Barton Byg ✦ University of Massachusetts, Amherst ✦ Nathan Blake ✦ University of California, Irvine ✦ “The Sets of “Landscapes of Redemption: ‘Late Works’ of Patricio The Set-Up: Framing the Boxer’s Fight against Urban Guzmán, Terrence Malick, and Jean-Marie Straub” Corruption” Laine Nooney ✦ Stony Brook University ✦ “Calculating the Molly Schneider ✦ Northwestern University ✦ “Upward Kitchen: Domestic Space as Computer History” Mobility: Space/Travel, the Uncanny, and the Alienated Male Subject in Gattaca”

SUNDAY 158 MARCH 25, 2012 SESSION R 9:00 – 10:45am R5 R6 ROOM Doubles, Chiasmus, and Narrative ROOM Asian Film and Media Cultures

CHAIR: Caroline Bem ✦ McGill University CHAIR: Namhee Han ✦ University of Chicago Mark Betz ✦ King’s College London ✦ “Apichatpong’s Diptych Michelle Ton ✦ University of California, Los Angeles ✦ “2 or 3 as Structure and Figure” Things I Know About Vietnamese Cinema” Toni Pape ✦ University of Montreal ✦ “Breaking Down Time: Ji-Hyun Ahn ✦ University of Texas, Austin ✦ “Mixed-Race Temporal Critique and Image-events in Life on Mars (UK, Koreans on Television: The Politics of Mixed-Race and 2006–2007)” the Formation of Racial Order in Korean Media” Caroline Bem ✦ McGill University ✦ “The Revenge Contract: Yung Bin Kwak ✦ University of Iowa ✦ “Toward a Permanent Mirroring, Repetition, and Masochism in Quentin State of Exception: The Lure of the Tragic in Tarantino’s Death Proof” Contemporary Korean Cinema” Namhee Han ✦ University of Chicago ✦ “Wide Screens before Widescreen Cinema: Postwar Japan and Widescreen Film Culture”

R7 R8 Inventing Hollywood ROOM The Trouble with Britishness ROOM The Early Years of Motion-Picture Production and Promotion in Los Angeles

CHAIR: Jerod Hollyfield ✦ Louisiana State University CHAIR: Luci Marzola ✦ University of Southern California

Katharina Bonzel ✦ University of Melbourne ✦ “‘Let Us Praise CO-CHAIR: Charlie Keil ✦ University of Toronto Famous Men’: Creating Myth, Nostalgia, and Memory in Hilary Hallett ✦ Columbia University ✦ “A Star Is Born: Re- Chariots of Fire” Reading Hollywood’s First Sex Scandal” ✦ ✦ Mark Reid University of Florida “Many Rivers to Cross with Brian Jacobson ✦ Oklahoma State University ✦ “Fantastic Christian and Muslim Flows” Functionality: Early Studio Architecture and Its Jerod Hollyfield ✦ Louisiana State University ✦ “Epic Photographic Representations” Multitudes: Postcolonial Genre Politics in Shekhar Denise McKenna ✦ University of California, San Diego ✦ Kapur’s The Four Feathers” “Respectability and the Civic Role of Celebrity” Luci Marzola ✦ University of Southern California ✦ “Hollywood at the Fair: Promoting Los Angeles at the Motion Picture Industrial Exposition of 1923” MARCH 25, 2012 SUNDAY

159 SESSION R 9:00 – 10:45am R9 R10 ROOM Networked Societies ROOM Documenting the Middle East

CHAIR: Michael Kackman ✦ University of Texas, Austin CHAIR: Terri Ginsberg ✦ International Council for Middle East Burcu Bakioglu ✦ Lawrence University ✦ “Cultural Production Studies in the Network Society: How YouTube, ARGs, and Sarah Barkin ✦ Syracuse University ✦ “Expanding the Realm of Community Built Lonelygirl15” the Domestic: The Mother as an Authenticating Political Hannah Ellison ✦ University of East Anglia ✦ “Fanon vs. Force in Michal Aviad’s The Women Next Door (1992) and Canon: Tumblr and Multimedia TV Shipping Wars, a Glee For My Children (2002)” Case Study” Laurel Ahnert ✦ Georgia State University ✦ “The Veil as a Lens: Meredith Bak ✦ University of California, Santa Barbara ✦ An Examination of Three Photographic Works by Mona “Succor and Style: The Mom Blog Community as a Gift Hatoum, Jannane Al-Ani, and Lalla Essaydi” Economy” Rebecca Adelman ✦ University of Maryland ✦ “‘That Was Michael Kackman ✦ University of Texas, Austin ✦ “The ‘Lunatic Mean, Motari’: Spectatorship, Sympathy, and Animal Fringe’ – The Patriot Movement Meets Media Studies” Suffering in Wartime” SPONSOR: Middle East Caucus

Higher Powers: Religion R11 R12 Global Stars, Global Franchises ROOM and Spirituality ROOM

CHAIR: Cynthia Erb ✦ Independent Scholar CHAIR: Helle Kannik Haastrup ✦ Roskilde University Gerald Sim ✦ Florida Atlantic University ✦ “It’s Not About Grace Derek Kane-Meddock ✦ New York University ✦ “Global at All: Genre, Modernity, and Religion in True Grit” Hollywood’s ‘Ideal Balance of Familiar and New’: Fast Jeff Heinzl ✦ University of Pittsburgh ✦ “Apichatpong Five and the Evolution of a Multiracial Action Franchise” Weerasethakul: Surrealism, Science, Spirituality” Mihaela Mihailova ✦ Yale University ✦ “’You Were Not So Miriam Petty ✦ Northwestern University ✦ “Testifying in the Very Different from a Hobbit Once’: Motion Capture as Dark: Tyler Perry and the Problem of Genre” an Estrangement Device in Peter Jackson’s Lord of the Rings Trilogy” Cynthia Erb ✦ Independent Scholar ✦ “The Varieties of ✦ ✦ Religious Experience in Close Encounters of the Third Helle Kannik Haastrup Roskilde University “The Story of Kind (1977)” Success: The Magazine Interview as a Life-Style Genre”

SUNDAY 160 MARCH 25, 2012 SESSION R 9:00 – 10:45am

Storytelling and Branding Across R13 De-Politicizing the Radical Gesture R14 ROOM ROOM Media Platforms

CHAIR: Curran Nault ✦ University of Texas, Austin CHAIR: Gregory Steirer ✦ University of Pennsylvania Leah Aldridge ✦ University of Southern California ✦ “Blackness Michael Lahey ✦ Indiana University ✦ “Remapping Everyday Is the Product: Global Consumer Capitalism, Simulacra, Interactions: Television and Social Media” and Black Cinematic Representations” Aaron Calbreath-Frasieur ✦ University of Nottingham ✦ Heather Wintle ✦ University of East Anglia ✦ “A Man Alone: “Disney’s Fragmented Brands: Media Franchises and Y: The Last Man and the Deconstruction of Ideal Coherent Brand Identity” Masculinity in ‘Last Man on Earth’ Narratives” Jennifer Gillan ✦ Bentley University ✦ “Television’s Friend Curran Nault ✦ University of Texas, Austin ✦ “The Fashionable Economy: The Value of Social Interactivity at Disney- Terror of the Queer: Terrorist Chic in Contemporary ABC TV” Queer Cinema” Gregory Steirer ✦ University of Pennsylvania ✦ “The Franchise as Narrative: Cumulative and Iterative Storytelling within and across Media”

R15 WORKSHOP R16 TV Teens ROOM Teaching the Eighties ROOM Sex, Family, and School

CHAIR: Suzanne Leonard ✦ Simmons College CHAIR: Branden Buehler ✦ University of Southern California Hunter Hargraves ✦ Brown University ✦ “Honesty, Quality, Workshop Participants: Homogeneity: Friday Night Lights at the Abortion Clinic” Derek Kompare ✦ Southern Methodist University Jennifer Fogel ✦ University of Michigan ✦ “Playing House: F. Hollis Griffin ✦ Colby College Teenage Parenthood and Imagining the ‘Right’ Kind of Family” Allison Perlman ✦ University of California, Irvine Anna Childs ✦ Independent Scholar ✦ “Teen Bodies and Selves: Secret Messages in The Secret Life of the American Teenager” Branden Buehler ✦ University of Southern California ✦ “The Consumable High School” MARCH 25, 2012 SUNDAY

161 SESSION R 9:00 – 10:45am R17 R18 ROOM Trans-National Aesthetics ROOM Radio Dynamics

CHAIR: Jenelle Troxell ✦ Texas A&M University CHAIR: David Uskovich ✦ University of Texas, Austin Timothy Barnard ✦ College of William and Mary ✦ “The North Mette Simonsen Abildgaard ✦ Southern University African Roots of Franco-American Noir: Cinematic Denmark ✦ “Intimate Messages: A History of Crimes of Class Transgression and Trans-imperialism in Interactions in Youth Radio” the Kasbah” Catherine Martin ✦ Boston University ✦ “Re-imagining the Irene Depetris Chauvin ✦ Hamilton College ✦ “Uses of Cliché City: Contained Criminality in The Radio Adventures of and the Weariness of Language in Martín Rejtman’s Sam Spade” Cinema” Adrienne Foreman ✦ Texas A&M University ✦ “From Revolt Jenelle Troxell ✦ Texas A&M University ✦ “Shock and ‘Perfect to Style: Movements in Advertising and Text from The Contemplation’: Close Up’s Affective Transnationalism” Maltese Falcon and The Adventures of Sam Spade” David Uskovich ✦ University of Texas, Austin ✦ “Programming Practice and Musical Genre: 1980s College Radio and the Shifting Meanings of ‘Alternative’”

R19 R20 ROOM Millenial Trends in the Cinema ROOM Revisiting Classic Auteurs

CHAIR: Elizabeth Haas ✦ Fairfield University CHAIR: Victor Perkins ✦ University of Warwick Matthias Stork ✦ University of California, Los Angeles ✦ “Chaos Raymond Watkins ✦ Colgate University ✦ “Cinema’s Gesture Cinema: The Aesthetics of the Modern Action Film” toward Art: The Film Paintings of Robert Bresson” Yogini Joglekar ✦ Languagability Consulting ✦ “Bollywood and Christine McCulloch ✦ Emory University ✦ “Reflecting on the the Emergence of Millennial Indian Cinema” Medium: Cuts and Collisions in King Vidor’s The Crowd” Charles Burnetts ✦ University of Western Ontario ✦ “Complex Diana Pozo ✦ University of California, Santa Barbara ✦ “Water Narrative and ‘Smart’ Love: Inception, the “Mind-Game” Color: Radical Color Aesthetics in Julie Dash’s Daughters Film, and the Post-classical Family” of the Dust” Elizabeth Haas ✦ Fairfield University ✦ “Imaging War and Victor Perkins ✦ University of Warwick ✦ “Jean Renoir’s Politics: The Rise of the American Political War Film” Classicism in The Golden Coach”

SPONSOR: French and Francophone Scholarly Interest Group

SUNDAY 162 MARCH 25, 2012 SESSION R 9:00 – 10:45am Institutions of Authority R21 and Resistance R22 WORKSHOP ROOM State Formations, Power, and ROOM Science/Animation Documentary after World War II

CHAIR: Ashish Chadha ✦ University of Rhode Island CHAIR: Kirsten Ostherr ✦ Rice University

CO-CHAIR: Josh Glick ✦ Yale University Josh Glick ✦ Yale University ✦ “Studio Documentary in the Workshop Participants: Kennedy Era: Wolper Productions and New Frontier Robert Lue ✦ Harvard University/BioVisions Television” Ariana Killoran ✦ 23andMe ✦ ✦ Ashish Chadha University of Rhode Island “Politics within Scott Curtis ✦ Northwestern University the State: S. Sukhdev and the Making of Political ✦ Documentary in India” Oliver Gaycken University of Maryland Paul Fileri ✦ New York University ✦ “Documentary Voices in SPONSOR: Animated Media Scholarly Interest Group the Algerian War: State Violence, Colonial Bureaucratic Filmmaking, and the Figure of the Refugee” Takuya Tsunoda ✦ Yale University ✦ “Educating the Nation: Iwanami Productions and Post-occupation Filmmaking in Japan”

R25 Expanded Cinema in ROOM Four Dimensions Origins, Senses, Interactivity, Publicness

CHAIR: Dimitrios Latsis ✦ University of Iowa Dimitrios Latsis ✦ University of Iowa ✦ “Expanding Cinema: Genealogies of the Para-cinematic within American Avant-Garde Cinema” Justus Nieland ✦ Michigan State University ✦ “‘The Scale Is the World’: Expanded Cinema and the Midcentury Sensorium” Marina Hassapopoulou ✦ University of Florida ✦ “Interactive Cinema: Expanding and Updating Film Theory” Annie Dell’ Aria ✦ CUNY Graduate Center ✦ “Critical Synthesis: Reading Krzysztof Wodiczko through Film Theory” MARCH 25, 2012 SPONSORS: Experimental Film and Media Scholarly Interest Group, CinemArts: Film and Art History Scholarly Interest Group SUNDAY Contemporary Theory Scholarly Interest Group

163 SESSION R 9:00 – 10:45am

SCREENING ROOM: Tremont, Level 4 Uprising of ‘34 Judith Helfand, George Stoney, and Susanne Rostock, USA, 1995, 88 min Considered one of the most important strikes in the last century, the 1934 Southern textile workers strike saw half a million walk off their jobs in the largest single-industry strike in the history of the United States. Some were murdered, many were blacklisted. David Whiteman labeled this fi lm a perfect example of the politically committed documentary. The fi lmmakers’ activist stance in producing and distributing the fi lm brought the history of the strike to light throughout the southeastern United States. By utilizing a coalition- based production model, Stoney, Helfand, and Rostock were able to envision the potential uses of the fi lm as a tool for further activism and organizing. Today it stands as a testament for fi lmmakers, activists, unions, and interested citizens who are looking for new ways to reach out and educate others about forgotten chapters in the history of organized labor.

SPONSORS: Caucus on Class Media Literacy and Pedagogical Outreach Scholarly Interest Group Documentary Studies Scholarly Interest Group

Audiences for this fi lm may also be interested in Coal Country (Session A) as well as panels B15 “Reel Work: Analyzing Labor Films within the Context of Film History/Film Studies,” D25 “Transnational Representations of Labor: Work, Affect, and Precarity in Recent European Cinema,” E8 “From Workers’ State to Owners’ State: Representations of Work in Baltic Cinemas,” and F15 “Depictions of Poverty in American Cinema.”

MEETING ROOM: 9:00 – 10:45am Urban Studies Scholarly Interest Group

MEETING ROOM: 9:00 – 10:45am Caucus Coordinating Committee

SUNDAY 164 MARCH 25, 2012 SESSION S 11:00am – 12:45pm

Developing Emerging and S1 Sites and Signs of Melodrama S2 ROOM ROOM Emerged National Cinemas

CHAIR: Anna Siomopoulos ✦ Bentley University CHAIR: Richard Paterson ✦ British Film Institute Thomas West ✦ Syracuse University ✦ “Queen for a Day: Priyadarshini Shanker ✦ New York University ✦ “Cinephile Melodrama, History, and The Other Boleyn Girl” Filmmakers, Multiplexes, and Corporatization: The Rise Despina Kakoudaki ✦ American University ✦ “War and of a ‘Counter-Bollywood’ Cinephilia in Contemporary Meaning: Resisting Closure in The Hurt Locker” Bombay Cinema” ✦ Anna Siomopoulos ✦ Bentley University ✦ “Melodramatic Kiranmayi Indraganti Ramoji Academy of Film and ✦ Flow: Hollywood, the New Deal, and the Documentaries Television “Song Taxonomies: New Categories of of Pare Lorentz” Songs in the Telugu Language Cinema in the Decade of 2000–2010” Jade L. Miller ✦ Tulane University ✦ “Movie Industry Development in a Globalizing World: Nollywood’s Beginnings” Richard Paterson ✦ British Film Institute ✦ “Between Two Worlds: Comparing the Fitness Landscape of Firms in the UK Film and Television Production Sectors”

S3 S4 ROOM Interwar Sounds ROOM Trauma and the Index

CHAIR: Michael Slowik ✦ University of Iowa CHAIR: Markos Hadjioannou ✦ Duke University Jessica Fowler ✦ University of California, Los Angeles ✦ “Open Catherine E. Peiper ✦ University of Southern to Interpretation: Multiple Language Versions (MLVs) in California ✦ “Drawn Traumas: Conflicting the Early Sound Era” Representational Modes and the Inclusion of the Matthew Perkins ✦ University of California, Los Angeles ✦ “Can Indexical Sign in (Auto)Graphic Memoir” You Hear Me Now? Sound Department Creation and Amy Parziale ✦ University of Arizona ✦ “‘As Little As Possible’: Personnel During the Transition to the Talkies” Trauma, Gender, and Chinatown” Brian Hanrahan ✦ Cornell University ✦ “Radio, Film, Radio- Dan Leopard ✦ Saint Mary’s College of California ✦ “The Dogs Film: Intermedial Comparison in Discourses of Early (and Monkeys) of War: The Documentary Artifact and German Broadcasting” the Evocative Object in Anime” Michael Slowik ✦ University of Iowa ✦ “Why Max Steiner Was Markos Hadjioannou ✦ Duke University ✦ “Reanimating

Wrong, Or: Re-recording and the Hollywood Film Score, Reality: Waltz with Bashir” MARCH 25, 2012

1929 to 1931” SUNDAY

SPONSOR: Sound Studies Scholarly Interest Group

165 SESSION S 11:00am – 12:45pm S5 S6 The Politics of ROOM Bodies in Extremis ROOM Southeast Asian Cinemas Space, Gender, and Sexuality

CHAIR: Adam Lowenstein ✦ University of Pittsburgh CHAIR: Celine Parrenas Shimizu ✦ University of California, Sara Orning ✦ University of California, Santa Cruz ✦ “Film and/ Santa Barbara as Skin: Embodiment and Auto-cannibalism in Marina de CO-CHAIR: Hoang Nguyen ✦ Bryn Mawr College Van’s In My Skin” Jose Capino ✦ University of Illinois, Urbana-Champaign ✦ “Lino Veronica Fitzpatrick ✦ University of Pittsburgh ✦ “Throwing Brocka’s Crime Films and the Marcosian State” Herself Out of Herself: Dans ma peau, Bataillean Chuong-Dai Vo ✦ Massachusetts Institute of Technology ✦ Surrealism, and the New French Extreme” “Gendering the City and the Countryside in Vietnamese Surbhi Goel ✦ Panjab University ✦ “Constituting Bodies and Cinema” Revitalizing the Gaze: Philippe Garrel’s Film Language Hoang Nguyen ✦ Bryn Mawr College ✦ “Insects in the and Themes” Backyard: ‘Wer’ Aesthetics and the Remaking of Adam Lowenstein ✦ University of Pittsburgh ✦ “Questions Kinship” of Surrealism and Spectatorship: Re-viewing Joseph Celine Parrenas Shimizu ✦ University of California, Santa Cornell’s Rose Hobart” Barbara ✦ “Peklat or Scars of Brown Skin: Garbage SPONSOR: French and Francophone Scholarly Interest Group Bodies, Open Wounds, and Toothless Caverns in Brillante Mendoza’s Tirador (2007), Serbis (2008), and Kinatay (2009)”

S7 S8 ROOM Video Games ROOM Communities/Masses/Networks

CHAIR: Robert Buerkle ✦ Chapman University CHAIR: Elizabeth Kessler ✦ Ursinus College Reem Hilu ✦ Northwestern University ✦ “A Pioneering Game: Ulrik Schmidt ✦ University of Copenhagen ✦ “Keaton and the The Oregon Trail and History Simulation” Masses” Frank Episale ✦ Graduate College CUNY ✦ “Roger Ebert Anthony Coman ✦ University of Florida ✦ “Nev’s Dilemma, or vs. Jacques Rancière: Video Games, Art, and the the Coming Community of Catfish” Emancipated Spectator” Paul Flaig ✦ Cornell University ✦ “‘The Cinéaste of the Future’: Robert Buerkle ✦ Chapman University ✦ “At a Loss for Words: Buster in Weimar” Portal 2 and the Silent Avatar” Elizabeth Kessler ✦ Ursinus College ✦ “Images of Community: The Early Films of Robert Frank”

SUNDAY 166 MARCH 25, 2012 SESSION S 11:00am – 12:45pm

Technological Change in S9 S10 “A Cinema Haunted by Writing” ROOM Experimental Practice ROOM

CHAIR: Kevin Wynter ✦ University of California, Berkeley CHAIR: David T. Johnson ✦ Salisbury University Erika Balsom ✦ Carleton University ✦ “The Novelty of Video David T. Johnson ✦ Salisbury University ✦ “Cinephilia, Projection” Adaptation, and Academic Discourse: How One Subfield Genevieve Yue ✦ University of Southern California ✦ “The Past Might Learn from Another” Reformed: Three Digital Works by James Benning” Christian Keathley ✦ Middlebury College ✦ “‘Découpage’ as Kevin Wynter ✦ University of California, Berkeley ✦ “Artifacting Cinematic Writing” Horror: Nicolas Provost’s Long Live the New Flesh” Rashna Richards ✦ Rhodes College ✦ “‘You, Motion Picture Anna Fisher ✦ Brown University ✦ “‘Task Masters’: Artist Industry, It’s You I Love’: Mad Men, Cinephilia, Classical as Hostess in Barbara Campbell, Harrell Fletcher, and Hollywood” Miranda July” Craig Cieslikowski ✦ University of Florida ✦ “Writing Sounds: Cinematic Writing and Cinephilia”

S11 S12 Beyond Backdrop: Psychological/ ROOM Movie Theatres and Public Space ROOM Allegorical/Cultural Uses of Natural Setting in Cinema

CHAIR: Veronica Paredes ✦ University of Southern California CHAIR: David Melbye ✦ New York Film Academy

Kathleen Lotze ✦ University of Antwerp ✦ “Cinemas as ‘lieux de CO-CHAIR: Susan Barber ✦ Loyola Marymount University mémoire: A Multimethod Approach to Cinema History in David Melbye ✦ New York Film Academy ✦ “Where the Sea a European City’s Cultural Quarter (Antwerp-Belgium)” Meets the Land: Shoreline Allegory in The Shout” ✦ ✦ Brian Real University of Maryland “The Rebirth of the Susan Barber ✦ Loyola Marymount University ✦ “Walkabout: Colonial: How Restoring a Movie Theatre Restored a Landscapes and the Dreamtime in the Australian Community” Outback” ✦ ✦ Veronica Paredes University of Southern California Maurizia Natali ✦ Rhode Island School of Design ✦ “Avatar’s “Broadway as Background: Interactive Cinemas of Uncanny Manner(ism)s: An Iconological Game of Walking” Landscapes and Bodies” Amanda Konkle ✦ University of Kentucky ✦ “Rescuing the Institution of Marriage from Niagara’s Noir Landscape” MARCH 25, 2012 SUNDAY

167 SESSION S 11:00am – 12:45pm S13 S14 WORKSHOP ROOM Philosophy of History ROOM Media Industry Studies Future Directions

CHAIR: Ted Hovet ✦ Western Kentucky University CHAIR: Jennifer Holt ✦ University of California, Santa Barbara Ivan Ross ✦ University of Chicago ✦ “‘Like a Film Strip Running Backwards’: Philosophers of History on Film and Other Workshop Participants: Media” Amanda Lotz ✦ University of Michigan ✦ ✦ James Hansen Ohio State University “Has-Been History: Paul McDonald ✦ University of Nottingham The Impossible Call and Response of Lewis Klahr’s ✦ Candy’s 16!” Alisa Perren Georgia State University ✦ Margaret O’Neill ✦ Northwestern University ✦ “‘It’s All Nicole Starosielski Miami University Ohio Happening All at Once!’—The Time of Memory between Patrick Vonderau ✦ Stockholm University Sunrise and Sunset” SPONSOR: Media Industries Scholarly Interest Group Nicholas Baer ✦ University of California, Berkeley ✦ “Fritz Lang’s Destiny (1921) and the ‘Crisis of Historicism’”

Representation and S15 “Cinematic Time” Today S16 ROOM ROOM Historical Events

CHAIR: Brooke Belisle ✦ University of California, Berkeley CHAIR: Philip Scepanski ✦ Northwestern University Rebecca Gordon ✦ Reed College ✦ “The Girl with the Killer Gillian Horvat ✦ Independent Scholar ✦ “’Let Us Pray for a Archive” Better Tomorrow’: The Recycling of Images of the L.A. Graig Alan Uhlin ✦ New York University ✦ “Everything, Riots in Science-Fiction Blockbusters of the 1990s” All At Once: A Temporal Logic of Compression and Matthew Leggatt ✦ University of Southampton ✦ “The Culture Accumulation” of Apocalypse in Post 9/11 Cinema” Ted Kafala ✦ College of Mount Saint Vincent ✦ “Cinematic Inez Hedges ✦ Northeastern University ✦ “White Flash: Silence Strategies and Subjective Time in Peter Greenaway’s and Amnesia in Japanese A-Bomb Films” Films and Media Installations” Philip Scepanski ✦ Northwestern University ✦ “Too Soon?: Brooke Belisle ✦ University of California, Berkeley ✦ “The Charting Discursive Liberty through Television Comedy” Pixelation of Duration: Cinematic déjà-vu and the Digital Image”

SPONSOR: Contemporary Theory Scholarly Interest Group

SUNDAY 168 MARCH 25, 2012 SESSION S 11:00am – 12:45pm

S17 Race, Gender, and Family in S18 Queer Cinema/Queer Theory ROOM Contemporary Cinema ROOM and Spectatorship

CHAIR: Emily Fox-Kales ✦ Northeastern University CHAIR: Ryan Powell ✦ King’s College London Louisa Schein ✦ Rutgers University ✦ and Bee Vang ✦ Brown Chia-chi Wu ✦ National Taiwan Normal University ✦ “The Girl University ✦ “Race, Gran Torino, and the Spurious Has a Childhood: On Zero Chou’s Lesbian-Themed Films” Natural Actor” Aniruddha Maitra ✦ Brown University ✦ “‘Narcissisizing’ Diane Shoos ✦ Michigan Technological University ✦ “Adoptees, the Locally Global: Language, Image, and a ‘Touch’ of Identity, and Kinship in Contemporary Cinema” Untranslatability in Tsai Ming-liang’s I Don’t Want to Sleep Alone” Patricia Nelson ✦ University of Southern California ✦ “Revisiting The Practice of Love: On the Queer Possibilities of Lesbian/Feminist Film Theory” Ryan Powell ✦ King’s College London ✦ “Old Queer Cinema”

SPONSOR: Asian/Pacific American Caucus

I’ve a Feeling We’re Not (Just) in S19 European Cinema S20 Hollywood Anymore ROOM ROOM Media Professionals Navigate Technological Change

CHAIR: Graeme Stout ✦ Minneapolis College of Art and Design CHAIR: Kevin Sanson ✦ University of California, Santa Barbara

Laura Horak ✦ Stockholm University ✦ “Love for Sale: Mauritz RESPONDENT: Serra Tinic ✦ University of Alberta Stiller and the Politics of the Early Sex Comedy” Kevin Sanson ✦ University of California, Santa Barbara ✦ Tobias Gruenthal ✦ University of Washington ✦ “Capitalism “Corresponding Geographies: Media Villages, Social with(out) Borders?—Images of Europe in Early 21st- Media, and the Creative Professional in Scotland” Century German Film” F. Hollis Griffin ✦ Colby College ✦ “Out, On Sale, and Online: Andre Puca ✦ Emerson College ✦ “Massimo Troisi—The Labor, Affect, and Technological Change in Post New Forgotten Neapolitan Actor/Director” Queer Cinema” Graeme Stout ✦ Minneapolis College of Art and Design ✦ “The Kristen Warner ✦ University of Alabama ✦ “When Race Means Image of the Terrorist/Gangster in Contemporary Everything and Nothing: The Pitfalls of Digital Casting European Film” in New Media, Post-race Hollywood”

Erin Hill ✦ University of California, Los Angeles ✦ “Blogfights, MARCH 25, 2012 Flamewars, and Me: Understanding Media Industries SUNDAY through Online Skirmishes”

169 SESSION S 11:00am – 12:45pm

WORKSHOP S21 Teaching Ourselves to Teach S22 Genealogies of Reality and ROOM Developing Pedagogies of Cinema ROOM Public Access Television and Media Studies

CHAIR: Lindsay Garrison ✦ University of Wisconsin, Madison CHAIR: Malgorzata Rymsza-Pawlowska ✦ Brown University Kristen Galvin ✦ University of California, Irvine ✦ “TV Party, or, Workshop Participants: the Children of the Revolution Will Be Televised” Bill Kirkpatrick ✦ Denison University Daniel Marcus ✦ Goucher College ✦ “From Participatory Video Matt Sienkiewicz ✦ University of Wisconsin, Madison to Reality Television” Malgorzata Rymsza-Pawlowska ✦ Brown University ✦ SPONSOR: Media Literacy and Pedagogical Outreach “(Re)enacting Governmentality: Historical Reality Scholarly Interest Group Television and the Neoliberal Citizen”

S25 ROOM The Mediated City

CHAIR: James Deutsch ✦ Smithsonian Institution MEETING Ian Robinson ✦ York University ✦ “History, the Cinematic City, and the Politics of Place” ROOM: Nate Brennan ✦ New York University ✦ “Poison in the Melting 11:00am – 12:45pm Pot: Cinema, Protest, and Public Sphere in New York Contemporary Theory City, 1933–1941” Scholarly Interest Group Eric Gordon ✦ Emerson College ✦ “Location Aware Media and the Production of Urban Places” James Deutsch ✦ Smithsonian Institution ✦ “Split-Screen Beantown: The Fragmentation of Boston in 1968 Cinema”

SPONSOR: Urban Studies Scholarly Interest Group

SUNDAY 170 MARCH 25, 2012 SESSION S 11:00am – 12:45pm

SCREENING ROOM: Tremont, Level 4 My Perestroika Robin Hessman, USA, 2010, 88 min My Perestroika follows fi ve ordinary Russians living through extraordinary times—from their sheltered Soviet childhood to the collapse of the Soviet Union during their teenage years and on to the constantly shifting political landscape of post-Soviet Russia. Together, these childhood classmates paint a complex picture of the dreams and disillusionment of those raised behind the Iron Curtain. In this fi lm, there are no “talking head” historians and no expert witnesses, nor is there an omniscient narrator telling viewers how to interpret events. Instead, the fi ve share their personal stories. They take us on a journey through their Soviet childhoods and their youth during the country’s huge changes of Perestroika, and they allow us into their present-day lives. The fi lm interweaves their contemporary world with rare home movie footage from the 1970s and ’80s in the USSR and offi cial Soviet propaganda fi lms that surrounded them at the time. Their memories and opinions sometimes complement each other, but together they paint a complex picture of the challenges, dreams, and disillusionment of this generation in Moscow today.

SPONSORS: Caucus on Class Central/East/South European Cinemas Scholarly Interest Group Documentary Studies Scholarly Interest Group

Audiences for this fi lm may also be interested in panels F13 “Reconfi guring Word and Image Relations Before and After the Russian Revolution” and M4 “International Connections of Soviet Documentary Film.” MARCH 25, 2012 SUNDAY

171

Index

A Aaron, Michele L20 Akhavan, Niki E5 Amaya, Hector H5 Ankerson, Megan N4 Abel, Richard E21 Akudinobi, Jude A15 Ament-Gjenvick, Anselmo-Sequeira, Diana B17 Abildgaard, Mette Simonsen R18 Aldridge, Leah R13 Vanessa J18, K6 Aronson, Michael J6 Abramson, Leslie A21 Alexander, Neta H25 Amit, Rea J17 Arsenjuk, Luka N10 Acland, Charles J15, O17 Alfaro, Kristen D12 Anable, Aubrey H7 Asad, Mariam A7 Adejunmobi, Moradewun G10 Alford, Robert K3 Andary, Nezar M18 Askari, Kaveh C10 Adelman, Rebecca R10 Alilunas, Peter D1 Andersen, Kara M12 Aslinger, Benjamin C7, Q11 Adesokan, Akin G10 Alkassim, Samirah M18 Anderson Wagner, Kristen G16 Atakav, Eylem J13 Affuso, Elizabeth E7 Allbritton, Dean G13 Anderson, Mark Lynn E20 Atanasoski, Neda A2, D21 Aguayo, Angela J16 Allen, Hannah E10 Anderson, Sal N17 Aufderheide, Patricia J20 Aguirre, Lina H3 Allen, Richard F3 Anderson, Steve M6 Austin-Smith, Brenda B22 Ahern, Mal E25 Allen, Robert M20 Anderson, Tim C19, P21 Ayers, Drew B9 Ahn, Ji-Hyun R6 Allison, Tanine O5 Andrew, Dudley M20 Ahn, Minhwa G11 Almendarez, Roger E16 Anjaria, Ulka N19 Ahnert, Laurel R10 Amad, Paula E25 Anker, Stephen G19

B Babish, Stephen O10 Baskett, Michael M5 Bering-Porter, David C1 Booth, Paul J10 Backstein, Karen M9 Battema, Doug Q22 Berkvens, Linda J5 Borda, Jennifer B15 Baer, Hester E15 Baumbach, Nico J9 Bernard, Mark D15 Bottomley, Andrew Q6 Baer, Nicholas S13 Bayrakdar, Deniz F9 Bernardi, Daniel K21 Bourdage, Monique P20 Bak, Meredith R9 Bean, Jennifer C17 Bernstein, Sara G25 Bowles, Ryan B12 Baker, Aaron O7, Q22 Beard, Drew H1 Bertin-Maghit, Jean-Pierre G12 Bozelka, Kevin John A14 Baker, Courtney B5 Beck, Chad M15 Beste, Amy C10 Bradfi eld, Shelley M15 Bakioglu, Burcu R9 Becker, Christine D2 Betz, Mark R5 Bradley, Peri D18 Balassiano, Katia M14 Becker, Ron E19, L7 Bevan, Alexandra E25 Bradshaw, Lara G4 Balides, Constance E25 Beckman, Karen J11, N11 Biddinger, Megan C13 Brannon Donoghue, Balsom, Erika S9 Behlil, Melis H13 Birnbaum, Sariel P11 Courtney B20 Banet-Weiser, Sarah G25 Belisle, Brooke S15 Bishop, Daniel A12 Brasell, R. Bruce N8 Banks, Miranda E4, N20 Bell, Matt I19 Bissonnette, Sylvie G22 Brennan, Nate S25 Banner, Olivia G22 Bell-Metereau, Rebecca B1 Blackmore, Heather M1 Brinkema, Eugenie L16, P9 Barber, Susan S12 Belmonte Avila, Juan F M11 Blaetz, Robin L4, P3 Broad, Lisa G17 Bardan, Alice D25 Belodubrovskaya, Maria B18 Blake, Art N23 Brody, Evan D6 Barker, Cory D2 Belton, John G21, K18 Blake, Nathan R3 Broe, Dennis C5 Barker, Jennifer Lynde G22 Beltran, Mary M21 Blatter, Jeremy N17 Bronstein, Phoebe J6, Q17 Barkin, Sarah R10 Bem, Caroline R5 Bleach, Anthony P1 Brown, Adriane G5 Barnard, Timothy R17 Benamou, Catherine L13 Blessing, Benita B8 Bruckner, Rene H8 Baron, Cynthia J5, P4 Benedetti, Mark E7 Boddy, William E12 Bruder, Margaret M1 Baron, Jaimie L4 Bennett, Bruce A2 Bodroghkozy, Aniko C21 Brunell, Melanie F15 Barr, Burlin D17 Benshoff, Harry K8 Bohlinger, Vincent B18 Bruno, Giuliana H21 Barrow, Sarah Q9 Benson-Allott, Caetlin D21, H14 Boman, James A13 Bruns, John A21 Bartlett, Mark F14 Bergstrom, Anders D4 Bonomo, Elena N1 Bucaria, Chiara L5 Bashara, Daniel O5 Bergstrom, Janet E21 Bonzel, Katharina R7 Buchan, Suzanne O5 173 Index

Buehler, Branden R16 Burges, Joel F4 Burton, Elise O1 Butters, Gerald P15 Buerkle, Robert S7 Burgess, Diane N14 Bush, Alexandra G4 Byg, Barton B6, R4 Bukatman, Scott K5, O3 Burgoyne, Robert A19, H20 Busse, Kristina K13, Q16 Byrd, Vance B21 Burditt, Rebecca C25 Burnetts, Charles R19 Butler, Jeremy C7

C Cagle, Chris A18 Chamberlain, Daniel H10, K20 Clark, Jennifer Q4 Copple Smith, Erin C6 Cahill, James N2 Chan, Felicia M7 Clarke, Liz M1 Coptertari, Gabriela O8 Calbreath-Frasieur, Aaron R14 Chan, Kenneth Q2 Clepper, Catherine L18 Corbin, Amy B11, N18 Caldwell, John N20 Chang, Alenda C1 Click, Melissa L8, M19 Corkin, Stanley P19 Calhoun, Claudia A5 Chang, Kai-man D11 Coates, Norma G21, I2 Cornea, Christine C4 Callahan, Vicki A3, G16 Chang, Vanessa M16 Cobb, Shelley G9 Cornell, Julian K10 Cameron, Allan K15 Charbonneau, Stephen B16, E15 Cohan, Steven N8 Corzo-Duchardt, Beth O15 Caminati, Luca O17 Chatelain, Elise G25 Cohen, Alain K12 Costa de Beauregard, Campbell, Zachary E22 Chayt, Eliot E2 Cohn, Jonathan H22 Raphaelle K12 Capino, Jose S6 Chefranova, Oksana E17 Cole, Erin Q6 Cottrel, Adam H8 Carman, Emily L19 Childs, Anna R16 Colvin, Brandon K4 Coulthard, Lisa G7, P9 Carr, Steven K8 Cho, Francisca K22 Coman, Anthony S8 Couret, Nilo A16 Carrington, Andre H5 Cho, Michelle L12 Comiskey, Andrea N16 Covert, Andrew C4 Carson, Diane O3 Chong, Sylvia L9 Connor, John O22 Crafton, Donald G21, J11 Carter, Erica F20 Choo, Kukhee H18 Conrath, Ryan A25 Cramer, Gisela L21 Cartier, Nina P15 Chris, Cynthia I3 Consalvo, Mia F16 Craven, Alice O2 Caruso, Jen P14 Christensen, Jerome N16 Constantinides, Zoe E1 Crawford, Chelsey M12 Cassidy, Marsha H17 Christie, Ian N21 Conti, Cynthia F10 Crawford, James G14 Castaneda, Mari G15 Chun, Wendy O21 Conway, Kyle L13 Creton, Laurent G12 Castonguay, James K16 Chung, Hye Jean H17 Cook Kenna, Laura H7 Cunningham, Doug D13 Cavallero, Jonathan J. C16 Chung, Steven L12 Cooley, Heidi Rae A13, J6 Curtin, Michael N20 Celik, Ipek D15 Ciecko, Anne E7 Coon, David J18, L13 Curtis, Scott R22 Cermanova, Eva J3 Cieslikowski, Craig I25, S10 Cooper, L. Andrew B2 Cutrara, Daniel J13 Cetin Erus, Zeynep J9 Ciftci, Ayca F9 Cooper, Mark E18, M20 Cwynar, Christopher F10 Chadha, Ashish R21 Claiborn, Caroline G2, Q15 Coppa, Francesca J20, Q16

D Dahlquist, Marina R1 DeAngelis, Michael L3 Depetris Chauvin, Irene R17 Ditzian, Tamar Q2 Daibo, Masaki C9 Deater, Tiffany H1 Desjardins, Mary J7 Dixon, Wheeler Winston G14 Dalle-Vacche, Angela L15 deBary, Brett I9 Deutsch, James S25 D’Lugo, Marvin H15 Dame, Avery P6 Decherney, Peter N21 Devi, Gayatri C13 Doane, Mary Ann O21 Damluji, Mona P14 Decker, Todd O9 DeWaard, Andrew C19 Dole, Jake Ivan I4 Dardir, Ahmed E5 De Fren, Allison A2 Dewberry, Eric C15 Doles, Steven G4 Dare, Jennifer I7 de Seife, Ethan N3 Di Carmine, Roberta O1 Dolich, Lindsey E6 Dass, Manishita F19, N5 de Valck, Marijke K14, N14 Díaz López, Marina H15 Domasin, Adrienne G9 Dave, Shilpa H4 Deville, Donna I5 Dibbern, Doug K10 Dombrowski, Lisa G20 Davidson, John I16 Delgado, Sergio K9 Dickinson, Kay B12 Donelan, Carol Q19 Davies, Ann G8 Dell’Aria, Annie R25 Dietrich, Craig A3 Dong, Xinyu P2 Davis, Blair J1 Delmont, Matt I2 Dinc, Enis F9 Dorey, Thomas E3 Davis, Nick L3 Del Rio, Elena A20 Diouf, Mamadou A15 Doty, Alexander L3 Dawson, Max E4 Dennison, Stephanie E9 Dittmar, Linda H25, N6 Douglas, Andrew G20 174 Index

Dove-Viebahn, Aviva Q2 Drew, Rob M14 Dunbar-Hester, Christina Duvall, Spring-Serenity M15 Dovey, Lindiwe P16 Druick, Zoe O17 E 10, F10 Dwyer, Michael N3 Drake, Philip Q21 Dumas, Chris O2 Dushi, Nava N6 Dzialo, Chris R4

E Eades, Caroline R2 Edwards, Tonia N4 Ellison, Hannah R9 Erb, Cynthia R11 Eagle, Herbert N10 Eisenstein, Ken C3 Elman, Julie Q14 Evans, Chaz I11 Edgerton, Gary P21 Elavia, Firoza M22 Elseewi, Tarik B20 Evans, Christine P9 Edwards, Kyle N16 Elkins, Evan H6 Episale, Frank S7 Everett, Dino M17 Edwards, Richard J20, Q16 Ellcessor, Elizabeth G5, J6 Epps, Brad N12

F Falicov, Tamara G18 Fenner, Angelica K22 Fojas, Camilla M21 Frank, Hannah I4 Fallica, Kristen P18 Ferman, Claudia O8 Follmer, Katja D9 Frank, Kathryn Q11 Fallon, Kristopher C1 Field, Allyson D22 Fong, Tony I12 Frank, Lindsey P3 Faltesek, Daniel O10 Fileri, Paul R21 Forcinito, Ana O8 Fratini, Dawn D5 Fan, Victor E11 Fink, Marty P6 Foreman, Adrienne R18 Freedman, Eric J18, K15 Farr, Brittany E14 Fischer, Lucy H21 Forman, Murray N18 Frick, Caroline F21 Faubert, Patrick A18 Fisher, Anna S9 Formica, Serena A17 Friedman, Lester O20 Faucette, Michael Q15 Fisher, Austin A17 Fortmueller, Kate H22 Friedman, Ryan I22 Fauteux, Brian E12 Fitzpatrick, Kathleen Q16 Foster, Derek O10 Friedman, Seth Q22 Fawaz, Ramzi K3 Fitzpatrick, Veronica S5 Fossati, Giovanna C17 Froula, Anna D13 Fay, Jennifer B25, N2 Flaig, Paul S8 Foster, Gwendolyn Audrey C22 Fuhs, Kristen H2 Fedorova, Anastasia M4 Flanagan, Kevin N22 Fouz-Hernandez, Santiago N12 Fujioka, Brent B5 Fee, Annie O15 Fleming, Amanda B22 Fowler, Jessica S3 Fuller-Seeley, Kathryn E20, I8 Feeley, Jennifer E11 Flores, Pamela Q17 Fox-Kales, Emily S17 Furstenau, Marc E2 Feil, Ken K8 Flynn, Peter Q13 Frahm, Laura B9 Furuhata, Yuriko N11 Felando, Cynthia B13 Fogel, Jennifer R16 Francis, Mary K20 Fusco, Katherine Q1, R3

G Gabbard, Krin H16 Gauthier, Philippe Q20 Gilbert, Anne G6 Goeringer, Lyn C1 Gadassik, Alla I4, M16 Gay, Andrew K15 Gillan, Jennifer R14 Goldberg, Ruth L1 Gailey, Elizabeth G2 Gaycken, Oliver L4, R22 Gilligan, Paula P12 Goldsmith, Leo N9 Gaines, Jane N21 Gehr, Ernie C3 Gilmore, James A22 Goldstein, Leigh O12 Gaines, Mikal I2 Geiger, Jeffrey E9 Ginsberg, Terri R10 Gooch, Joshua L14 Galili, Doron F20 Geil, Abraham N17 Giotta, Gina Q4 Gopal, Sangita B10, N5 Galindo, Elizabeth E15 Geller, Theresa L. B21 Girgus, Sam B. B14 Gordon, Eric F16, S25 Gallagher, Mark H12 Gelley, Ora M13 Glass von der Osten, Kyra Q2 Gordon, Rebecca S15 Galt, Rosalind G3, O7 Gemunden, Gerd Q7 Gledhill, Christine M20 Gorfi nkel, Elena L18 Galvin, Kristen S22 Gendelman, Norman R3 Gleich, Joshua I14, L17 Gottlieb, Akiva J16 Garcia-Mainar, Luis M. C2 Gennari, John C16 Glenn, Colleen B1 Govil, Nitin N21 Garrison, Lindsay Q6 Gerhardt, Christina I16 Glenn, Lauren I13 Grainge, Paul O14 Garritano, Carmela G10 Gerstner, David F6 Glick, Josh R21 Grajeda, Tony K16 Gates, Philippa A18 Gharavi, Maryam Monalisa H25 Godart, Caroline E17 Grant, Catherine I25 Gates, Racquel J21 Ghosh, Bishnupriya B19 Godfried, Nathan B15 Gray, Herman E19 Gauch, Suzanne A10 Giggey, Lindsay J8 Göbel-Stolz, Bärbel Q15 Green, Michael E12 Gaudreault, Andre Q20 Gilbert, Ana E16 Goel, Surbhi S5 Greene, Shelleen D10 175 Index

Greenwood, Forrest A6 Griffi ths, Alison O16 Gruenthal, Tobias S19 Gurney, David H6 Grieveson, Lee E18 Grindon, Leger F22 Guest, Haden C3 Gutierrez, Carlos G18 Griffi n, F. Hollis R15, S20 Gronstad, Asbjorn M13 Gurel, Perin O1 Gutierrez-Albilla, Julian Griffi n, Kathleen E10 Groskopf, Jeremy C15 Gurevitch, Leon L22 Daniel A22

H Haas, Elizabeth R19 Hannabach, Cathy B2 Heller, Dana G1 Holmlund, Christine G7, K7 Haastrup, Helle Kannik R12 Hanrahan, Brian S3 Hellmann, John F3 Holt, Jennifer S14 Hadjioannou, Markos S4 Hansen, James S13 Hendershot, Heather M3 Holtmeier, Matthew Q1 Haduong, May D20 Hanson, Christopher L11 Henderson, Lisa L20 Hoelzl, Ingrid G17 Haenni, Sabine B11, I5 Hanssen, Eirik Frisvold M2 Hennefeld, Margaret R2 Honess Roe, Belle H2, I21 Hageman, Andrew J22 Hargraves, Hunter R16 Herbert, Daniel H10 Hong, Guo-Juin D11 Haggins, Bambi E19 Hariharan, Veena F8 Herzog, Amy A20 Horak, Laura S19 Haghani, Fakhri E5 Harrison, Rebecca N22 Higgins, Scott D7, G7 Horn, Katrin M8 Hagin, Boaz B12 Hart, Adam D17 Hight, Craig I3 Horne, Jennifer J7 Hagopian, Kevin O10 Hartnett, Terence P4 Higley, Sarah C8 Horng, Menghsin D11 Hain, Mark A8 Harvey, David K17 Hilderbrand, Lucas B4 Horton, Andrew B14 Hall, Rachel I15, Q14 Hasinoff, Amy I15 Hill, Erin N20, S20 Horvat, Gillian S16 Hallas, Roger K1 Hassapopoulou, Marina R25 Hilmes, Michele G21, L21 Horwitz, Jonah D14 Hallett, Hilary R8 Hassoun, Dan A16 Hilo, Cliff G20 Hoyt, Eric N21 Hallman, Philip H10 Hatakeyama, Muneaki D14 Hilpert, Stephan A22 Hovet, Ted S13 Hamad, Hannah Q15 Hatch, Kristen O9 Hilu, Reem S7 Hrynyk, Alyson I4 Hames, Margaret C14 Hauser, Brian D5 Himberg, Julia E19 Hudson, Dale B2 Hamid, Rahul K10 Hawkins, Joan K8 Hitchcock Morimoto, Lori J17 Hueser, Rembert I10 Hamilton, Charles I13 Haynes, Janice D19 Hoberek, Andrew O22 Hughes, Helen K11 Hamilton, Kevin D13 Haynes, Jonathan G10 Hochman, Brian O13 Hughes, Kit R1 Hammond, Michael N1 Haynes, Jonathan E. O2 Hodge, James J11 Humbert, Brigitte L5 Hampton, Darlene G6 Heck, Kalling H8 Hoffman-Han, Alison B1 Humphrey, Dan N8 Han, Benjamin M3 Hedges, Inez I6, S16 Holdsworth, Amy B3 Humphreys, Laura-Zoe Q9 Han, Namhee R6 Hedling, Erik C12 Holland, Timothy M22 Huntemann, Nina F16, Q11 Hangen, Tona E10 Hedling, Olof E13 Hollyfi eld, Jerod R7 Hustedt, Jacob B5 Hanich, Julian M13 Heiduschke, Sebastian L10 Holmberg, Jan M2 Hanlon, Dennis B16 Heinzl, Jeff R11 Holmes, Nathan P19

I Indraganti, Kiranmayi S2 Ingvoldstad, Bjorn B13, E8 Isenberg, Noah N16 Ivakhiv, Adrian J22 Ingle, Zachary E14 Isaacs, Bruce L22 Issacharoff, Jess B21 Ivins-Hulley, Laura D12

J Jackson, John H20 Jeffers McDonald, Tamar J5 Johnson, Victoria O19 Jubis, Oscar C2 Jackson, Josh J2 Jenemann, David Q22 Johnston, Andrew J11 Jullier, Laurent G12 Jacobs, Lea B18 Jennings, Lonny D20 Johnston, Keith L22 Jurca, Catherine C25 Jacobson, Brian R8 Joglekar, Yogini R19 Johnston, Ruth B9 Jurgess, Todd H11 Jain, Anuja N19 Johnson, Catherine O14 Jones, Jennifer Lynn I17 Jurisz, Rebecca K13 James, Debbie J16 Johnson, David T. S10 Joseph, Sharon P15 James, Gareth Q3 Johnson, Derek K21, M19 Joulain, Cecilia L13 Jaramillo, Deborah E4 Johnson, Martin D22 Joyrich, Lynne E19, O12 176 Index

K Kackman, Michael R9 Keeler, Amanda J15 Kim, Gloria O4 Knee, Adam H12 Kafala, Ted S15 Keeling, Kara O21 Kim, Han Sang P22 Knight, Arthur P5 Kaffen, Phil O11 Keeton, Patricia L14 Kim, Hyongshin A9 Kokas, Aynne J4 Kahraman, Elif F9 Keil, Charlie E18, R8 Kim, Jihoon G22 Kompare, Derek C7, R15 Kaimana, Lokeilani B21 Keller, Jessalynn H18 Kim, Kyung L12 Konkle, Amanda S12 Kaizen, William O6 Keller, Sarah F4, Q19 Kim, Sunah L12 Konzett, Delia Q12 Kakoudaki, Despina S1 Kelley, Andrea N18 Kimball, Danny G5 Kornhaber, Donna D17 Kane, Carolyn K18 Kelley, Michelle R1 Kimber, Shaun D18 Koskinen, Maaret M2 Kane-Meddock, Derek R12 Kemper, Tom L19, N20 Kinder, Marsha H20 Kozberg, Alison M22 Kang, Dredge L5 Kendall, Tina P9 King, Claire O2 Kozloff, Sarah O20 Kanno, Yuka J17 Kendall-Bush, Karolina B17 King, Homay C20, G3 Krakenberg, Jasmin Q7 Kapczynski, Jennifer I16 Kennedy-Karpat, Colleen A8 King, Rob R2 Krapp, Peter C8 Kapica, Steven C11 Kerins, Mark K6 Kinik, Anthony N22 Kraszewski, Jon L8, O19 Kapse, Anupama B10, F19 Kerr, Darren N7 Kinney, Katherine F18 Kredell, Brendan J12 Kara, Selmin G13 Kessler, Elizabeth S8 Kinoshita, Chika B6 Kressner, Ilka K9 Karlekar, Tilottama E16 Khactu, Adrian B21 Kirkpatrick, Bill F10, S21 Krzych, Scott L16 Kase, J. Carlos C3 Khitrova, Daria F13 Kirkpatrick, Noel F14 Kuhn, Virginia A3, I11 Kavka, Misha B3, G1 Khosrowjah, Hossein E5 Kitamura, Hiroshi M5 Kumar, Ramesh F19 Kaya Mutlu, Dilek L2 Kick, Verena K4 Kitching, Joshua D1 Kunichika, Michael F13 Kazemi, Darius F16 Kidman, Shawna E22 Klein, Amanda L8 Kunkle, Sheila K2 Kearley, Victoria A4 Kilbourn, Russell A21, N3 Klein, Christina G11, M5 Kupfer, Alex D22 Kearney, Mary H18 Kilker, Robert F6 Klenotic, Jeffrey C15 Kwak, Yung Bin R6 Keathley, Christian I25, S10 Killoran, Ariana R22 Kligerman, Mark C13 Kee, Chera D5 Kim, Dong Hoon E13 Klinger, Barbara H3

L Laaniste, Mari C12 Larson, Wendy H12 Leers, Philip P5 Linscott, Charles O13 Lachney, Michael J10 Lastra, James C9 Leggatt, Matthew S16 Lippit, Akira N11 Lacunza, Mariana H5 Latimer, Heather M7 Leimbacher, Irina K1 Lischke, Ute J14 Laderman, David H9 Latsis, Dimitrios R25 Leitch, Thomas F3 Litwack, Michael G4 Lagerwey, Jorie C14 Lavelle, Julie K13 Lenos, Melissa N7 Liu, Linda D22 Lahey, Michael R14 Laviosa, Flavia J13 Lenz, Wylie F15 Livon-Grosman, Ernesto L1 Laird, Colleen Q6 Lawrence, Amy G21 Lenzner, Ben K22 Lo, Dennis Q17 Lam, Mariam A9 Lawrence, Michael L6 Leonard, Suzanne R15 Lodhie, Lindsey A13 Lamarre, Thomas F5 Lawrence, Novotny P15 Leopard, Dan J6, S4 Loew, Katharina A25 Landa, Amanda B20 Layne, Priscilla I17 Leppert, Alice D3 Loist, Skadi P16 Landay, Lori M11 Leader, Caroline C6 Lerner, David M12 Long, Derek B17 Landesman, Ohad H2 Leers, Philip N23 Lester, Peter M17 Longo, Regina O17 Lane, Christina I22 Lee, Allie D19 Levin, Erica O6 Lopez, Ana Q9 Lang, Robert P11 Lee, Heather L9 Levine, Elana D3 Loreck, Janice B22 Lange, Julia Q11 Lee, Hyung-Sook A9 Levine, Saul G19 Lotz, Amanda L7, S14 Langer, Mark O5 Lee, Sangjoon G11 Lewis, Diane O11 Lotze, Kathleen S11 Lant, Antonia E6 Lee, Sohl L12 Lewis, Jon G20 Lovejoy, Alice I18 Laramee, Michael A10 Lee, Sohyun C18 Li, Jie B6 Loviglio, Jason F10 Larkey, Edward E13 Lee, Toby K14 Lichtenfeld, Eric G7 Lowenstein, Adam S5 Larkin, George J19 Leeder, Murray A25 Lim, Merlyna M18 Lowood, Henry C8, D16 177 Index

Loxham, Abigail D18 Lue, Robert R22 Lury, Karen B3 Lyons, Owen G25 Lucia, Cynthia G9 Lugowski, David J18, N8 Lusztig, Irene P3 Luckett, Moya O15 Lurie, Peter E1 Lykidis, Alex A1

M Ma, Jean D11 Matta, Mara O13 Mehta, Monika P8 Mokdad, Linda P17 Ma, Ran K14 Mattern, Shannon B11, F7 Meirosu, Madalina L10 Molloy, Claire O18 Macey, Deborah E12 Mattingly, Emily K19 Melbye, David S12 Molloy, Melissa C2 MacGibbon, Heather B16 Mauro, Daniel C18 Melnick, Ross E21, L19 Monaghan, Amy O22 MacKay, John M4 Mayer, Vicki N20, Q15 Menegaldo, Gilles K12 Monani, Salma J22 Magnan-Park, Aaron A4 Maynard, David G25 Meneghetti, Michael E17 Monk-Payton, Brandy N1 Mahadevan, Sudhir F19, N19 Mazumdar, Ranjani H21, N5 Menne, Jeffrey B25 Montgomery, Colleen B5 Mai, Joseph N13 McArthur, Kerry M16 Mennel, Barbara N13 Monteiro, Stephen N13 Maitra, Aniruddha S18 McCormick, Casey B13 Messier, Vartan B2 Monticone, Paul J15 Majumdar, Neepa B10, F19 McCracken, Allison D8 Metz, Walter D4, Q12 Moore, Anne A3 Maland, Chuck D4 McCulloch, Christine R20 Meyer, Frank P10 Moore, Candace O12 Malitsky, Joshua L15, O19 McDonald, Kevin J2 Meyers, Cynthia I8 Moore, Paul C15 Malkowski, Jennifer A8 McDonald, Paul O14, S14 Meyers, Rebecca D20 Moran, Kristin G15 Mallapragada, Madhavi H4 McDonogh, Gary Q17 Michael, Charlie M8 Morey, Anne J19 Mamula, Tijana O13 McElhaney, Joe I19, O3 Michaeli, Maya C12 Morgan Parmett, Helen N18 Mann, Denise K21 McEwan, Paul O15, Q19 Michaels, Lloyd D4 Morgan, Daniel F20, Q10 Mannur, Anita L9 McFarland, James B25 Middents, Jeffrey K4 Morreale, Joanne F22 Manojlovic, Maja G17 McFeely, Gareth A10 Middleton, Jason I3 Moss, Joshua H17 Manon, Hugh K2 McGrath, Caitlin O16 Mihailova, Mihaela R12 Morton, Drew K5 Marchessault, Janine N2 McHugh, Kathleen E2 Mihailovic, Katarina B18 Moussaiey, Sheila D9 Marciniak, Katarzyna A2, D21 McIlroy, Brian P22 Miklitsch, Robert C25 Moylan, Katie D19 Marcus, Daniel C7, S22 McIntosh, Heather H18 Miller, Andrew C19 Mulliken, Seth H7 Marsh, Leslie A1 McKenna, Denise R8 Miller, April G16 Munk, Yael N6 Marshall, Kelli J1 McLean, Adrienne A16 Miller, Cynthia I3 Munoz, Gerardo C2 Martin, Adrian D25, I19 McManus, Stanton F12 Miller, Daniel B16, F8 Murakami, Bryant D6 Martin, Andrew K16 McMillin, Calvin I22 Miller, Jade L. S2 Murphy, Emily M16 Martin, Catherine R18 McNab, David J14 Miller, Quinn E4, P6 Murphy, J.J. N9 Martin, Marianna B13 McNutt, Myles D2 Minarich, Megan J8 Murphy, Sheila L11 Martin, Nina B1 McPherson, Tara K20 Minett, Mark F12 Murray, Sarah D18 Martinez, Mark I10 McQueen, Amanda Q2 Mironenko-Hubbs, Murray, Susan M3 Marwah, Sangeeta N3 McVittie, Nancy K19 Dima David M5 Murugan, Meenasarani M3 Marx, Nicholas J21 Medel, China H17 Mitchell, Stephen Q1 Musser, Charles N15 Marzola, Luci R8 Meehan, Eileen I21, Q21 Mitchner, Leslie K20 Myers, Andrew J15 Masko, Jeffrey L14 Meers, Philippe L5, Q21 Mizejewski, Linda G2 Massood, Paula B11, I19 Meeuf, Russell K7 Mjolsness, Lora A6

N Naaman, Dorit N6 Nash, Brady M9 Navarro, Vinicius A13 Ness, Richard Q8 Nagl, Tobias B6 Nasr, Assem M15 Negra, Diane I20. P12 Neutill, Rani H4 Nair, Kartik P1 Natali, Maurizia S12 Nelson, Elissa F15 Neves, Joshua B19, H10 Nakahara, Tamao N13 Nathanson, Elizabeth Q19 Nelson, Patricia S18 Newbold, Kate C21 Naripea, Eva E8 Nault, Curran R13 Neroni, Hilary K2 Newman, Kathleen H15 178 Index

Newman, Kathy B15 Nichols, Randall Q21 Nishime, Leilani M21 Nudo, Oriana I1 Newman, Michael Z. F21, M19 Nichols-Pethick, Jonathan A5 Nooney, Laine R4 Nygaard, Taylor F17 Ng, Jenna C8 Nieland, Justus B25, R25 Nordfj ord, BjornK4 Nygren, Scott F12 Nguyen, Hoang S6 Niessen, Niels L16 Nordstrom, Johan C9 Nystrom, Derek O22 Nichols, Bill H11 Niita, Chie J17 Nornes, Mark F5

O Ó Baoill, Andrew E10 O’Healy, Aine D25 Oren, Tasha F2 Overpeck, Deron I14 O’Gorman, Ned D13 Ohi, Kevin H14 Orgeron, Marsha I18 Owczarski, Kimberly C6 Oberacker, J. Scott C4 Okada, Jun C13 Orning, Sara S5 Owens, Andrew M8 O’Brien, Harvey Q13 Olenina, Ana N17 Osborne-Thompson, Heather D6 Oyallon-Koloski, Jenny F1 Och, Dana N7 Olney, A. Ian C22 Osteen, Mark A21 Ozkaracalar, Kaya L2 Oeler, Karla N10 Olsson, Jan E21 Osterweil, Ara B4 Özyilmaz, Özge L2 Ogawa, Sho D1 O’Neill, Margaret S13 Ostrowska, Dorota M14, P16 Ogawa, Shota H9 O’Neil-Ortiz, Javier E2 O’Sullivan, Sean A3, D7

P Pace, Roger P16 Pavkovic, Nicholas P2 Petersen, Jennifer A14 Portwood-Stacer, Laura F25 Paddington, Bruce G18 Pavlounis, Dimitrios P5 Peterson, Jennifer L15 Posner, Miriam K20 Paletz, Gabriel B14, N15 Pavlovic, Tatjana N12 Petro, Patrice K20 Powell, Ryan S18 Palmer, Augusta B16 Payne, Matthew H6 Petruska, Karen D2, I21 Powers, John M12 Palmer, Landon C11 Peacock, Steven D19 Petty, Miriam R11 Pozo, Diana R20 Palmer, Lindsay O4 Pearce, Jennifer K17 Petty, Sheila F8 Prager, Brad Q7 Palmer, R Barton H16 Pearlman, Susan H6 Phillips, Alastair A19 Pramaggiore, Maria P12 Papazian, Elizabeth N10 Pearson, Roberta O14 Phillips, Kendall H1 Predescu, Alina D10 Pape, Toni R5 Peaslee, Robert J12 Phillips, Mike Q1 Prelinger, Rick L4 Pardo, Alejandro H13 Peiper, Catherine E. S4 Phillips, Wyatt F22 Preston, Catherine L C18 Paredes, Veronica S11 Pellerin, Aaron P10 Pidduck, Julianne L20 Price, Brian L16 Park, Hyun Seon C5 Peng, Yun P10 Pierson, David K13 Prime, Rebecca C5 Park, HyunHee F6 Pepper, Shayne Q3 Pierson, Eric P16 Prince, Stephen O20 Parker, Felan A7 Perez, Gilberto Q5 Pierson, Michele F12 Proctor, Jennifer N9 Parks, Lisa F7 Pérez, Jorge N12 Pierson, Ryan D14 Provencher, Ken E22 Parziale, Amy S4 Perkins, Matthew S3 Pike, Kirsten G1 Pruneda Senties, Felipe D14 Paszkiewicz, Katarzyna A4 Perkins, Victor R20 Pineda, Adela K9 Puca, Andre S19 Paterson, Richard S2 Perlman, Allison C21, R15 Pinon, Juan G15 Puetz, Michelle O9 Patterson, Alison K17 Perren, Alisa F21, S14 Pleasant, Lesley B8 Pullen, Christopher F17 Pauketat, Regena A17 Peters, Ian N22 Podalsky, Laura G8 Punathambekar, Aswin B20, N5 Paul, Arunima I5 Petersen, Anne Helen L19 Pomerance, Murray E3 Purse, Lisa G7 Paulsen, Kris O6 Petersen, Christina K19 Porst, Jennifer I14 Pustay, Steven A25

Q Quanz, Katherine J14

R Rabin, Lisa E20 Raengo, Alessandra A20 Raine, Michael C9 Ranachan, Kate F11 Radhakrishnan, Ratheesh M14 Ragona, Melissa O6 Ramadan, Dina M18 Rand, Erica P6 Radley, Emma P12 Rahman, Najat P11 Ramirez, Javier M9 Rapf, Joanna O20 179 Index

Rastegar, Roya J12, P18 Reynolds, Daniel I11 Roberts, Jason Kelly F18 Rotella, Carlo O22 Ravett, Abraham G19 Rhoades, Troy M22 Robey, Crayton I19 Rothman, William Q5 Rawitsch, Elizabeth D13 Rhodes, John C20, Q18 Robinson, Chris D12 Rowe, Christopher F4 Rawle, Steven C11, J18 Ribak, Rivka F25 Robinson, Harlow I6 Ruberto, Laura C16 Rawlins, Justin P4 Ricciardi, Alessia Q18 Robinson, Ian S25 Rudraiah, Ganga M9 Rawson, Kristy I13 Rich, B. Ruby P18 Robinson, Michelle J8 Rugg, Adam F11 Raymond, Marc A9 Richards, Rashna Q8, S10 Robles, Erica B7 Ruggill, Judd D16, J6 Razlogova, Elena D8 Richardson, Michael I16 Rodowick, David F20 Russell, Catherine O3 Real, Brian S11 Riche, Maureen J14 Rogers, Ariel H3 Russo, Alexander E10, F10 Redvall, Eva H13 Richler, David G14 Rojas, Viviana G15 Russworm, TreaAndrea H19 Reed, Anthony D21 Richmond, Scott C20 Rosen, Philip C20, Q20 Rust, Amy O2 Reestorff, Camilla G13 Ristovska, Sandra C18 Rosenheck, Mabel D6 Rust, Stephen H1 Regester, Charlene P1 Ritchey, Andrew A12 Rosenthal, Michele F25 Ruston, Scott G17 Rehak, Bob M10 Ritsma, Natasha C10 Ross, Ian M6 Ryabchikova, Natalie G9 Reid, Mark P15, R7 Rittmayer, Allison K17 Ross, Ivan S13 Ryan, Maureen D3 Renov, Michael E14, I12 Rivero, Yeidy F2 Ross, Miriam L22 Ryan, Susan L14 Rentschler, Carrie I15 Rizo Lenshyn, Victoria B8 Rossholm, Anna Sofi a M2 Rybin, Steven E1 Rentschler, Eric Q7 Robbins, Dylon L1 Rossie, Amanda C14 Rymsza-Pawlowska, Restivo, Angelo A20, H8 Robe, Chris J16 Rossman, Margaret P20 Malgorzata S22

S Saab, Joan A11 Schein, Louisa S17 Service, Brett P13 Sidenova, Raisa M4 Saito, Ayako O11 Schleier, Merrill L17 Seymour, Nichole Q1 Siegel, Carol D7 Saleh, Zainab E13 Schlotterbeck, Jesse Q2 Shafer, Leah C19 Sienkiewicz, Matt J21, S21 Samardzija, Zoran D10 Schmidt, Lisa I7 Shaffer, Allyson H7 Sieving, Christopher F22 Samer, Roxanne I12 Schmidt, Ulrik S8 Shahaf, Sharon F2 Silberman, Robert Q1 Sammond, Nicholas N23, R2 Schneider, Molly R3 Shambu, Girish E1 Sim, Gerald B16, R11 Sample, Mark L11 Schneider, Simona H25 Shanker, Priyadarshini S2 Simons, Iain K14 Sampson, Benjamin I25 Schoonover, Karl G3 Shapins, Jesse N15 Simonyi, Sonja D10 Sandberg, Claudia B8 Schreiber, Michele J1 Sharrett, Christopher C22 Singh, Roopa P13 Sandler, Kevin C7, K21 Schulte, Stephanie Q14 Shary, Timothy K19 Sinwell, Sarah N4 Sanogo, Aboubakar A15 Schulz, Suzanne L. P8 Shaviro, Steven F14 Siomopoulos, Anna S1 Sanson, Kevin S20 Schwartz, Louis-Georges Q18 Shaw, Deborah G8 Siraganian, Lisa B14 Santo, Avi P17, Q3 Schwartz, Margaret Q4 Shearer, Martha F1 Sirois, Andre Q21 Sarkar, Bhaskar B19, O7 Schweizer, Bobby A7 Sheehan, Rebecca A19 Skolnik, Jonathan I6 Sarkissian, Raffi F17 Schweller, Lara G5 Shell, Hanna N15 Skrodzka-Bates, Aga N13 Sarlin, Paige K1 Scott, D. Travers F25 Sheppard, Samantha F11, H19 Skvirsky, Salome Q9 Sarram, Peter O13 Scott, Sheena E6 Sher, Ben B22 Slowik, Michael S3 Sas, Miryam N11 Scott, Suzanne C7, K5 Sherman, Kevin H11 Slugan, Mario Q10 Scahill, Andrew A14 Sebok, Bryan I14 Shibata, Yuko I9 Smets, Kevin L5 Scepanski, Philip S16 Segal, Shira P3 Shiel, Mark L17, P19 Smit, Alexia B3 Schaefer, Eric D14 Seibel, Alexandra E6 Shimizu, Celine Parrenas S6 Smit, Christopher C14, H14 Schatz, Thomas F21, L19 Seiter, Ellen E19 Shimura, Miyoko J17 Smith, Angela I17 Schauer, Bradley M8 Seitz, Eleanor L7 Shingler, Martin J5 Smith, Frances F1 Scheibel, Will P21 Sen, Meheli B10 Shoos, Diane S17 Smith, Greg D2, K5 Scheible, Jeff D1 Sengul, Ali A1 Shribman, Bill F16 Smith, Iain Q8 Scheibler, Sue K22 Serna, Laura Isabel G18 Siddiqui, Gohar Q8 Smith, Jacob L6 180 Index

Smith, Jacqueline H19 Springer, Claudia P14 Sterne, Jonathan F7, G21 Stuckey, Andrew J4 Smith, Jeff N3 Staats, Hans P1 Stevens, Kyle A12 Sturtevant, Victoria G2 Smith, Susan F3 Stacey, Jackie M7 Stevenson, Diane Q5 Suarez, Juan B4 Smith-Rowsey, Daniel O4 Stadel, Luke O12 Stewart, Jacqueline I18 Suarez, Juana K9 Smith-Shomade, Beretta O7 Staiger, Janet P20 Stewart, Michelle J12 Subramanian, Janani D5 Smoodin, Eric E20 Stamp, Shelley J7 Stine, Kyle I10 Sukaityte, Renata E8 Snelson, Tim I20 Starosielski, Nicole F7, S14 Stivers, Clint D4 Sullivan, Annie R1 Sniadecki, John B19 Stasia, Cristina M1 Stockton, Kathryn Bond H14 Sullivan, Gordon H8 Song, Min L9 Steffen, James E21 Stoever-Ackerman, Jennifer N23 Sullivan, Sara L14 Soysal, Levent H20 Steichen, James G13 Stokes, Melvyn K12 Sung, Wendy A22 Spadoni, Robert A18 Steimer, Lauren K7 Stork, Matthias R19 Sunya, Samhita H5 Spence, Louise H20 Stein, Erica L17, Q4 Stout, Graeme S19 Sutherland, Meghan O7 Sperb, Jason M10 Stein, Louisa Q16 Strang, Brent M11 Szczepaniak-Gillece, Jocelyn L18 Spigel, Lynn B7 Steinberg, Marc F5 Strauss, Cee P6 Szeto, Kin-Yan I1 Spohrer, Jennifer L21 Steinmetz, Jay E14 Strayer, Kirsten N7 Spring, Katherine N3 Steirer, Gregory R14 Street, Sarah K18

T Tait, R. Colin P4 Thompson, James K5 Tompkins, Cynthia O8 Troxell, Jenelle R17 Takahashi, Tess K1 Thompson, Kathryn J10 Tompkins, Joe N4 Tryon, Chuck M10 Talbott, Michael B12 Thompson, Kirsten L18 Ton, Michelle R6 Tsika, Noah A10 Tan, Jia O4 Thouard, Sylvie G12 Tongson, Karen O21 Tsivian, Yuri F13 Tasker, Yvonne G7, I20 Timke, Edward E22 Torner, Evan L10 Tsunoda, Takuya R21 Taylor, Greg F18 Tinic, Serra K21, S20 Torre, Michele A6, G16 Tudor, Deborah G16 Tcherneva, Irina M4 Tinkcom, Matthew K3, N13 Trafton, John C4 Tupicoff, Dennis H11 Tedholm, Miranda L10 Tobias, James M6 Trenka, Susie I1 Turim, Maureen H21 Thanouli, Eleftheria O18 Todd, Robert G19 Trenz, John F1 Turner, Fred B7 Thibault, Rachel F18 Toke, Lilla J3 Triana-Toribio, Maria-Nuria E9 Turnock, Julie H3 Thimons, Alexander C21 Toles, George E3 Trice, Jasmine P8 Tussey, Ethan H22 Thoma, Pamela I20 Tomasulo, Frank P. C16 Tripp, Stephanie B9 Tweedie, James Q10 Thompson, Ethan C7, E4 Tomonari, Noboru I9 Trope, Alison J19 Tzioumakis, Yannis O18

U Uhlin, Graig Alan S15 Ukadike, Frank A15 Uricchio, William Q20 Uhrich, Andy O16 Uricaru, Ioana K14 Uskovich, David R18

V Vaillant, Derek L21 Vanhee, Isolde D17 Vernallis, Carol A12 Vo, Chuong-Dai S6 Van Bauwel, Sofi e L5 Vargas, Juan G8 Vernon, Kathleen H15 Vogan, Travis O19, Q22 Van Gorp, Jasmijn C17 Vasquez, Joshua I7 Verrilli, Sara F16 Von Vogt, Matthew P5 VanArendonk, Kathryn A5 Vatulescu, Cristina F13 Verrone, William I12 Vonderau, Patrick H13, S14 VanCour, Shawn D8 Vaughan, Hunter G14 Vesey, Alyxandra C19 Von Moltke, Johannes F20 Vanderhoef, John G6 Verheul, Jaap O13 Vidal, Belen A19 Vrolijk, Megan A8 Vang, Bee S17 Verhoeff, Nanna C17 Vinogradova, Maria E15 Vangel, Scott G9 Verma, Neil D8 Vitols, Maruta J13

181 Index

W Wada-Marciano, Mitsuyo O11 Wasson, Haidee M17 Whissel, Kristen M10 Windhausen, Federico G19 Waeber, Jacqueline M13 Watabe, Kohki B17 White, Courtney N1 Wintle, Heather R13 Wagner, Brigitta N15 Watanabe, Naoki I9 White, Kenneth B7 Wocke, Brendon D18 Waldman, Diane C4 Watkins, Raymond R20 White, Mimi P21 Wojcik, Pamela H14, L6 Walker, Logan P16 Watson, Robert P17 White, Patricia G3, P18 Wolf, Mark J.P. I11, M11 Wall, Brian K2 Watson, Ryan K3 White, Susan H16 Wong, Cindy E16 Waller, Gregory O16 Watts, Amber J21, M19 Whittington, William K6 Wood, Andrea A6 Waller, Marguerite D25 Webb, Lawrence I5 Widding, Astrid M2 Woods, Faye L8 Walsh, Michael Q10 Weber, Brenda E19, G1 Wielgus, Alison J9 Woods, Mary N. B11 Wang, Jennifer I8 Weik von Mossner, Alexa K11 Wilkinson, Kenton G15 Woodstock, Louise F25 Wang, Yiman P10 Weinman, Jenna L3 Williams, Bruce A1 Workman, Travis L12 Wardell, Brenna I7 Weinstein, David I8 Williams, Karen A16 Wright, Benjamin K6 Warner, Kristen H19, S20 Wessels, Emanuelle I10 Williams, Linda Ruth E3 Wright, Cesare H9 Warner, Rick E17 West, Darcey C6 Willis, Holly M6 Wright, Katheryn E6 Warren, Charles Q5 West, Thomas S1 Willoquet-Maricondi, Paula K11 Wu, Chia-chi S18 Warren, Shilyh D15, P18, Wester, Maisha C22 Wilson, Dean E14 Wuest, Bryan F17 Wasko, Janet I21, Q21 Westrup, Laurel J1 Wilson, Galen F15 Wurtzler, Steve M17 Wasow, Althea I22 Whalen, Zach L11 Wilson, Julie D3 Wutz, Michael Q12 Wasserman, Tina F4 Wincott, Abigail E10 Wilson, Scott D7 Wynter, Kevin S9

X Xiao, Jiwei K10 Xiao, Ying G11

Y Yang, Li J4 Yi, Young Jae I9 Yosef, Raz B12 Younger, James Prakash Q19 Yang, Wei E11 Yip, Man Fung A4 Young, Andrew I13 Yue, Genevieve S9 Yaqub, Nadia P17 Yochim, Emily D3 Young, Damon C20, Q18 Yumibe, Joshua K18 Yasar, Zeynep J9 Yockey, Matt K5 Young, Gwenda P12 Yeo, Su-Anne N14 York, Ashley Elaine Q3 Young, Paul L15

Z Zaher, Lisa H9 Zargar, Cyrus D9 Zielinski, Ger N14, P16 Zryd, Michael Q20 Zahlten, Alexander F5 Zeng, Li C5 Zimdars, Melissa L7, M19 Zuzga, Jason N2 Zale, Jennifer C12 Zhang, Chunjie P2 Zimmerman, Debra P18 Zambonelli, Vera M14 Zhao, Jing G6 Zimmermann, Yvonne I18 Zanger, Anat F8 Zhu, Yanhong E11 Zinman, Gregory N9

182

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UNIVERSITY OF PITTSBURGH NEW PhD DEGREE IN FILM STUDIES Earn an interdisciplinary PhD in Film Studies in conjunction with work in one of six associated departments (English, French, German, Hispanic, History of Art and Architecture, and Slavic). Students will graduate having dual expertise—in film/media studies as well as in a related field without any anticipated increase in the usual time to degree. Our graduate program is situated within a major research university and is located in a vital city with a rich film and arts culture. The program offers varied courses, close mentoring, a graduate student organization/Web site/conference, and a stimulating lecture and screening series. GRADUATE FACULTY/ASSOCIATED DEPARTMENTS: Lucy Fischer, Program Director, Film Studies; Distinguished Professor, English Vladimir Padunov, Associate Program Director, Film Studies; Associate Professor, Slavic; Director, Russian Film Symposium Mark Lynn Anderson, Associate Professor, English John Beverley, Distinguished Professor, Hispanic Nancy Condee, Professor, Slavic; Director, Global Studies Center Joshua Ellenbogen, Assistant Professor, History of Art and Architecture Jane Feuer, Professor, English Randall Halle, Klaus W. Jonas Professor of German Film and Cultural Studies, German Marcia Landy, Distinguished Professor, English Adam Lowenstein, Associate Professor, English Colin MacCabe, Distinguished Professor, English Neepa Majumdar, Associate Professor, English Daniel Morgan, Assistant Professor, English David Pettersen, Assistant Professor, French and Italian Terry Smith, Andrew W. Mellon Professor of Contemporary Art History and Theory, History of Art and Architecture

ADDITIONAL FACULTY Charles Exley, Assistant Professor, East Asian Brenton Malin, Assistant Professor, Communication Kun Qian, Assistant Professor, East Asian

FOR MORE INFORMATION: University of Pittsburgh Kenneth P. Dietrich School of Arts and Sciences Film Studies Program 624 Cathedral of Learning 4200 Fifth Avenue Pittsburgh, PA 15260 Telephone: 412-624-6564 Fax: 412-383-6999 E-mail: fi[email protected] www.filmstudies.pitt.edu UNIVERSITY PRESS OF MISSISSIPPI

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Peter Decherney Hollywood’s Copyright Wars (April 2012)

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Henry Mancini Italian American Reinventing Film Music Filmmakers JOHN CAPS Capra, Scorsese, Savoca, Illus. Cloth $29.95 Coppola, and Tarantino Music in American Life JONATHAN J. CAVALLERO Illus. *Cloth $75.00; Paper $27.00 Scripting Hitchcock Psycho, The Birds, and Gender Meets Genre Marnie in Postwar Cinemas WALTER RAUBICHECK and Edited by CHRISTINE WALTER SREBNICK GLEDHILL Illus. *Cloth $65.00; Paper $22.00 Illus. *Cloth $85.00; Paper $30.00

Hollywood’s Queer Pollen Film and Attraction White Seduction, Black From Kinematography to Male Homosexuality, and Cinema the Cinematic ANDRÉ GAUDREAULT DAVID A. GERSTNER Translated by Timothy Barnard Illus. *Cloth $80.00; Paper $25.00 Illus. *Cloth $75.00; Paper $30.00 The New Black Studies Series

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Philip Kaufman Mike Leigh David Lynch Jacques Rivette Steven ANNETTE INSDORF SEAN O’SULLIVAN JUSTUS NIELAND MARY M. WILES Soderbergh AARON BAKER Kim Ki-duk Richard Linklater D.A. Pennebaker John Sayles HYE SEUNG CHUNG DAVID T. JOHNSON KEITH BEATTIE DAVID R. SHUMWAY

UNIVERSITY OF ILLINOIS PRESS www.press.uillinois.edu Music, Sound, and the Moving Image

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Liverpool University Press Tel: 0151 794 2233 email: [email protected] www.liverpool-unipress.co.uk

The Department of Media, Culture, and Communication

Our Faculty Lisa Gitelman Helen Nissenbaum Arjun Appadurai Radha Hegde Juan Piñon Rodney Benson Ben Kafka Ron Robin Deborah Borisoff Ted Magder Erica Robles Lily Hope Chumley Charlton McIlwain Arvind Rajagopal Stephen Duncombe Mark Crispin Miller Martin Scherzinger Allen Feldman Mara Mills Marita Sturken JoEllen Fisherkeller Nicholas Mirzoeff Helga Tawil Souri Alexander Galloway Terence Moran Aurora Wallace Brett Gary Susan Murray

Degree Programs | B.S., M.A., Ph.D. Visit www.steinhardt.nyu.edu/mcc or call 212 998 5191 for more information. NEW YORK UNIVERSITY IS AN AFFIRMATIVE ACTION/EQUAL OPPORTUNITY INSTITUTION. UNIVERSITY IS AN AFFIRMATIVE ACTION/EQUAL OPPORTUNITY INSTITUTION. NEW YORK

In Memoriam

Miriam Hansen Peter Morris Robert Sklar CHICAGO 2013 Call for Paper, Panel, and Workshop Proposals

The Society for Cinema and Media Studies announces its call for paper, panel, and workshop proposals for the 2013 conference to be held Wednesday, March 6 through Sunday, March 10, 2013 at The Drake Hotel.

The Chicago area is home to some of our most important and distinguished programs in film, television, and media studies, including Northwestern University, the University of Illinois at Chicago, the University of Chicago, and the Art Institute of Chicago. Since 1980, more than 750 feature films and television productions have been made in Chicago, and, both in size and recognition, Chicago’s own independent film community is the fastest growing segment of the industry.

The 2013 SCMS Conference Program Committee welcomes quality paper, panel, and workshop proposals on any topic related to cinema and media studies, as well as proposals for screenings.

The proposal submission form will be online June 1, 2012, and the deadline for proposals for open call papers, pre-constituted panels and workshops, and screenings is Friday, August 31, 2012 (5:00 pm Central Time).