A Book of Historical Poems
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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Spring 2011 Issn 1476-6760
Issue 65 Spring 2011 Issn 1476-6760 Christine Hallett on Historical Perspectives on Nineteenth-Century Nursing Karen Nolte on the Relationship between Doctors and Nurses in Agnes Karll’s Letters Dian L. Baker, May Ying Ly, and Colleen Marie Pauza on Hmong Nurses in Laos during America’s Secret War, 1954- 1974 Elisabetta Babini on the Cinematic Representation of British Nurses in Biopics Anja Peters on Nanna Conti – the Nazis’ Reichshebammenführerin Lesley A. Hall on finding female healthcare workers in the archives Plus Four book reviews Committee news www.womenshistorynetwork.org 9 – 11 September 2011 20 Years of the Women’s History Network Looking Back - Looking Forward The Women’s Library, London Metropolitan University Keynote Speakers: Kathryn Gleadle, Caroline Bressey Sheila Rowbotham, Sally Alexander, Anna Davin Krista Cowman, Jane Rendall, Helen Meller The conference will look at the past 20 years of writing women’s history, asking the question where are we now? We will be looking at histories of feminism, work in progress, current areas of debate such as religion and perspectives on national and international histories of the women’s movement. The conference will also invite users of The Women’s Library to take part in one strand that will be set in the Reading Room. We would very much like you to choose an object/item, which has inspired your writing and thinking, and share your experience. Conference website: www.londonmet.ac.uk/thewomenslibrary/ aboutthecollections/research/womens-history-network-conference-2011.cfm Further information and a conference call will be posted on the WHN website www.womenshistorynetwork.org Editorial elcome to the spring issue of Women’s History This issue, as usual, also contains a collection of WMagazine. -
Site Pjlilnntl Gjtars
R. M. Tindell, Mary Stoll, and four hundred vitation to the International Confer- THE ORIGINAL Site Code FOR THE YOUNG FOLKS. drop would blacken a whole glass so!" giving up gardening. was settled in cult of all, the capacity of so bearing for the presence of bad, air 7 pjlilnntl gjtars. and twenty-fou- r Chinese in the steerage. ence, Russia has It issued a circular asking cs, bas chanced this way : Jones married Wilson's aunt, ana mo- examined, and its presence The steamer left San Francisco i it the color of the himself from day to day, irom isjpurerrBs WHOLESALK with 072 them to present their reco nmendation as to Little Whimpy. whole, has itlJoti. It is a shame to do and Wilson married Jones' grandmother, ment to moment, in the focus of the most result ot bad management He reports tons freight, and $375,000 of treasure, ner the time of HimHOBOl BH, OHIO. meeting. BY M. M. D. that. Jlist put a drop of clear water in ana thenceforward the mushrooms were intense and national scrutiny, wnat that a wonderful improvement has been officers that were: Captain, E. R. Warsaw ; first Alphokso, Prince of replying to Mag-wtm- e. Uti, Asturias, Whlmny, little Wtaimpv, it, and restore its purity," said Mrs. divided between them. Gardener's he said and what he did should constant made in the ventilation of mines in To tbcae wuvVHGE THURSDAY, . - DECEMBER 81, 1874- officer, F. W. Hart; second officer, II. H. the address of the Spanish grandees, says a Cried so much one day, 1 Weepin His grandmaeoiudn't Kirk. -
Downloaded from Manchesterhive.Com at 09/25/2021 03:14:56AM Via Free Access
6 Women and the war The Great War, most people would have agreed at the time, was a male cre- ation. Politicians, statesmen and kings bred it and soldiers fought and fed it. Thus far, this study has regarded those women within Bloomsbury whose aes- thetic reactions to the conflict provide such a good starting point when examin- ing the war in this context. What of other women, existing independently from that hot-house of creativity, but who felt similarly? Due to their status in soci- ety as a whole, women necessarily operated within a different cultural milieu to that of men – even when sharing an enlightened, liberal background with them, as within Bloomsbury and its circle. But women emerged from a range of back- grounds and contexts – including that of political agitation linked to specific political aims – whose motivation towards protest, when confronted by the specifics of war, became more individualistic in character and less a part of an organised ‘movement’ or liable to be led by the propaganda of the war-state. Many women in the period leading up to the outbreak of the conflict could lay claim to a history of opposition; during the pre-war period one of the prin- cipal focal points of public dissent against the existing political structure had been the women’s suffrage movement. This cause, by the nature of its specific political goals, had also been largely political in organisation, character and aspiration, though precepts of greater equality for women outside the political sphere – once they had achieved the vote – were meshed to hopes for the ulti- mate cultural emancipation of the female sex. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Of Australia's First Woman Sculptor and Her War Memorials
In Memoriam: World War I memorials by the Australian sculptor Margaret Baskerville (1861-1930). Margaret A. Rose, FAHA, FRHistS Margaret Francis Ellen (“Nell”) Baskerville was born in Melbourne, Victoria in 1861 and was one of the first Australian-born women artists to become a professional sculptor. This brief illustrated account of her war memorials is based on my study of her work and that of her husband and fellow sculptor C. Douglas Richardson, which was published for the Brighton (now Bayside) City Council collection of their paintings and sculpture under the title Victorian Artists. Margaret Baskerville (1861-1930) and C. Douglas Richardson (1853-1932) in 1988. Several memorials to the fallen were commissioned and completed by sculptors as well as by stonemasons in Australia in the aftermath of the “Great War”. Many are recorded, and some are illustrated, in the numerous editions of Sacred Places: War Memorials in the Australian Landscape by K.S. Inglis, assisted by Jan Brazier, of 1998, as well as – more recently – on websites such as those for the “Monument Australia” and “Victorian Heritage” databases. As Inglis has noted, the majority of the war memorials unveiled in the public spaces of Australian towns following World War I had been for – and had illustrated – the male soldiers who had fought and fallen in battle. Amongst the memorials built and unveiled following World War I were, however, also two by the Australian sculptor Margaret Baskerville (1861-1930) for the British nurse Edith Louisa Cavell. Cavell (born in Norfolk, England in 1865) had trained as a nurse in London under a friend of Florence Nightingale (Matron Eva Luckes), had taken up work in Belgium and been executed there at dawn on 12 October 1915 by order of the German Military Governor of Brussels for having assisted in the escape of allied soldiers, and despite the fact that she had tended the wounded of both sides. -
Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium
This is a repository copy of Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/136299/ Version: Accepted Version Article: Fell, AS and Sternberg, C (2018) Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium. Journal of War & Culture Studies, 11 (4). pp. 273-290. ISSN 1752-6272 https://doi.org/10.1080/17526272.2018.1530524 © 2018 Informa UK Limited, trading as Taylor & Francis Group. This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of War & Culture Studies on 16 Oct 2018, available online: http://www.tandfonline.com/10.1080/17526272.2018.1530524. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium Alison S. -
The Woman's Story, As Told by Twenty American Women;
i a 3= S 11 I |ai ^ <G133NV-SOV^ s I i I % ^OF-CA! c: S S > S oI = IS IVrz All ^ * a =? 01 I lOS-Af i | a IZB I VM vvlOSANGElfr;* ^F'CAI!FO% i i -n 5<-;> i 1 % s z S 1 1 O 11... iiim ^J O j f^i<L ^3AINlT3\\v s^lOSANCFlfx/ c 1 I I TV) I 3 l^L/I s ! s I THE WO MAN'S STORY AS TOLD BY TWENTY AMERICAN WOMEN PORTRAITS, AND SKETCHES OF THE AUTHORS BY LAURA C. HOLLOWAY " Author of The Ladies of the IVTiite House," "An Hour with " Charlotte Bronte," Adelaide Nvilson" "The Hiailh- stone," "Mothers of Great Men and Women," "Howard, the Christian Hero," "The Home in Poetry," etc. NEW YORK JOHN B. ALDEN, PUBLISHER 1889 Copyright, 1888, BT LAURA C. HOLLOWAY,, 607 CONTENTS. Preface v Harriet Beecher Stowe Portrait and Biographical Sketcli ix Uncle Lot. By Harriet Beecher Stowe 1 Prescott Portrait and ^Harriet Spofford. Biographical Sketch 33 Old Madame. By Harriet Prescott Spofford 37 Rebecca Harding Davis. Biographical Sketch 69 Tirar y Soult. By Rebecca Harding Davis 73 Edna Dean Proctor. Portrait and Biographical Sketcli. 97 Tom Foster's Wife. By Edna Dean Proctor 99 Marietta Holley. Portrait and Biographical Sketcli. .113 Fourth of July in Jonesville. By Marietta Holley. 115 Nora Perry. Portrait and Biographical Sketch 133 Dorothy. By Nora Perry 135 Augusta Evans Wilson. Portrait and Biographical Sketch 151 The Trial of Beryl. By Augusta Evans Wilson 157 Louise Chandler Moulton. Portrait and Biographical Sketch 243 * " Nan." By Louise Chandler Moulton 247 Celia Thaxter. -
British Women Surgeons and Their Patients, 1860–1918
Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.40, on 02 Oct 2021 at 06:58:02, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/19ED55AFB1F1D73AF0B101C74ECF9E87 Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.40, on 02 Oct 2021 at 06:58:02, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/19ED55AFB1F1D73AF0B101C74ECF9E87 British Women Surgeons and their Patients, 1860–1918 When women agitated to join the medical profession in Britain during the 1860s, the practice of surgery proved both a help (women were neat, patient and used to needlework) and a hindrance (surgery was brutal, bloody and distinctly unfeminine). In this major new study, Claire Brock examines the cultural, social and self-representation of the woman sur- geon from the second half of the nineteenth century until the end of the Great War. Drawing on a rich archive of British hospital records, she investigates precisely what surgery women performed and how these procedures affected their personal and professional reputation, as well as the reactions of their patients to these new phenomena. Also pub- lished as open access, this is essential reading for those interested in the history of medicine. British Women Surgeons and their Patients, 1860– 1918 provides wide-ranging new perspectives on patient narratives and women’s participation in surgery between 1860 and 1918. This title is also available as Open Access. claire brock is Associate Professor in the School of Arts at the University of Leicester. -
WAR SIRENS: HOW the SHEET MUSIC INDUSTRY SOLD WORLD WAR I a THESIS in Musicology Presented to the Faculty of the University Of
WAR SIRENS: HOW THE SHEET MUSIC INDUSTRY SOLD WORLD WAR I A THESIS IN Musicology Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF MUSIC By KRISTIN GRIFFEATH B.M, Lawrence University Conservatory of Music, 2003 M.M., University of Arizona, 2008 D.M.A., University of Missouri-Kansas City, 2011 Kansas City, Missouri 2011 ©2011 KRISTIN GRIFFEATH ALL RIGHTS RESERVED WAR SIRENS: HOW THE SHEET MUSIC INDUSTRY SOLD WORLD WAR I Kristin Griffeath, Candidate for the Master of Music Degree University of Missouri-Kansas City, 2011 ABSTRACT During World War I the U.S. Committee on Public Information (CPI) sponsored a national culture of war in posters, speeches, and films. Against this war-soaked cultural backdrop, the sheet music industry echoed the pervasive messages of the CPI, often using images of women to appeal to the American people. Connections between sheet music and CPI poster themes reflect the cultural dominance of war messages, and themes from various CPI-sponsored materials recur as motifs in the era’s sheet music. The sheet music covers, lyrics, and musical cues reinforced prototypical roles for women during the war (from angelic nurses to flirtatious tomboy recruits) as established in the poster art, revealing a gendered cultural code. By purchasing sheet music and carrying it into their homes, American citizens literally bought into the war propaganda, heeding the siren call of the female imagery in CPI advertising to invest materially and emotionally in the war effort. Analysis of cover art, titles, lyrics, and musical examples highlights the use of archetypal images of women from poster and advertising traditions, suggesting that the sheet music industry was an unofficial partner of the CPI. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Finnish Studies
JOURNAL OF FINNISH STUDIES Volume 16 Number 2 May 2013 JOURNAL OF FINNISH STUDIES EDITORIAL AND BUSINESS OFFICE Journal of Finnish Studies, Department of English, 1901 University Avenue, Evans 458 (P.O. Box 2146), Sam Houston State University, Huntsville, TEXAS 77341-2146, USA Tel. 1.936.294.1402; Fax 1.936.294.1408 SUBSCRIPTIONS, ADVERTISING, AND INQUIRIES Contact Business Office (see above & below). EDITORIAL STAFF Helena Halmari, Editor-in-Chief, Sam Houston State University; [email protected] Hanna Snellman, Co-Editor, University of Helsinki; [email protected] Scott Kaukonen, Associate Editor, Sam Houston State University; [email protected] Hilary Joy Virtanen, Assistant Editor, University of Wisconsin; [email protected] Sheila Embleton, Book Review Editor, York University; [email protected] EDITORIAL BOARD Börje Vähämäki, Founding Editor, JoFS, Professor Emeritus, University of Toronto Raimo Anttila, Professor Emeritus, University of California, Los Angeles Michael Branch, Professor Emeritus, University of London Thomas DuBois, Professor, University of Wisconsin Sheila Embleton, Distinguished Research Professor, York University, Toronto Aili Flint, Emerita Senior Lecturer, Associate Research Scholar, Columbia University, New York Anselm Hollo, Professor, Naropa Institute, Boulder, Colorado Richard Impola, Professor Emeritus, New Paltz, New York Daniel Karvonen, Senior Lecturer, University of Minnesota, Minneapolis Andrew Nestingen, Associate Professor, University of Washington, Seattle Jyrki Nummi, Professor, Department of