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Balabodha Sangraham
बालबोध सङ्ग्रहः - १ BALABODHA SANGRAHA - 1 A Non-detailed Text book for Vedic Students Compiled with blessings and under instructions and guidance of Paramahamsa Parivrajakacharya Jagadguru Sri Sri Sri Jayendra Saraswathi Sri Sankaracharya Swamiji 69th Peethadhipathi and Paramahamsa Parivrajakacharya Jagadguru Sri Sri Sri Sankara Vijayendra Saraswathi Sri Sankaracharya Swamiji 70th Peethadhipathi of Moolamnaya Sri Kanchi Kamakoti Peetham Offered with devotion and humility by Sri Atma Bodha Tirtha Swamiji (Sri Kumbakonam Swamiji) Disciple of Pujyasri Kuvalayananda Tirtha Swamiji (Sri Tambudu Swamiji) Translation from Tamil by P.R.Kannan, Navi Mumbai Page 1 of 86 Sri Kanchi Kamakoti Peetham ॥ श्रीमहागणपतये नमः ॥ ॥ श्री गु셁भ्यो नमः ॥ INTRODUCTION जगत्कामकलाकारं नािभस्थानं भुवः परम् । पदपस्य कामाक्षयाः महापीठमुपास्महे ॥ सदाििवसमारमभां िंकराचाययमध्यमाम् । ऄस्मदाचाययपययनतां वनदे गु셁परमपराम् ॥ We worship the Mahapitha of Devi Kamakshi‟s lotus feet, the originator of „Kamakala‟ in the world, the supreme navel-spot of the earth. We worship the Guru tradition, starting from Sadasiva, having Sankaracharya in the middle and coming down upto our present Acharya. This book is being published for use of students who join Veda Pathasala for the first year of Vedic studies and specially for those students who are between 7 and 12 years of age. This book is similar to the Non-detailed text books taught in school curriculum. We wish that Veda teachers should teach this book to their Veda students on Anadhyayana days (days on which Vedic teaching is prohibited) or according to their convenience and motivate the students. -
ELEMENTS of HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All Books Are Subject to Recall After Two Weeks Olin/Kroch Library DATE DUE Cornell University Library
' ^'•' .'': mMMMMMM^M^-.:^':^' ;'''}',l.;0^l!v."';'.V:'i.\~':;' ' ASIA LIBRARY ANNEX 2 ELEMENTS OF HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All books are subject to recall after two weeks Olin/Kroch Library DATE DUE Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071128841 ELEMENTS OF HINDU ICONOGRAPHY. CORNELL UNIVERSITY LIBRARY 3 1924 071 28 841 ELEMENTS OF HINDU ICONOGRAPHY BY T. A.^GOPINATHA RAO. M.A. SUPERINTENDENT OF ARCHEOLOGY, TRAVANCORE STATE. Vol. II—Part I. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 All Rights Reserved. KC- /\t^iS33 PRINTED AT THE LAW PRINTING HOUSE, MOUNT ROAD, MADRAS. DEDICATED WITH KIND PERMISSION To HIS HIGHNESS SIR RAMAVARMA. Sri Padmanabhadasa, Vanchipala, Kulasekhara Kiritapati, Manney Sultan Maharaja Raja Ramaraja Bahadur, Shatnsher Jang, G.C.S.I., G.C.I. E., MAHARAJA OF TRAVANCORE, Member of the Royal Asiatic Society, London, Fellow of the Geographical Society, London, Fellow of the Madras University, Officer de L' Instruction Publique. By HIS HIGHNESSS HUMBLE SERVANT THE AUTHOR. PEEFACE. In bringing out the Second Volume of the Elements of Hindu Iconography, the author earnestly trusts that it will meet with the same favourable reception that was uniformly accorded to the first volume both by savants and the Press, for which he begs to take this opportunity of ten- dering his heart-felt thanks. No pains have of course been spared to make the present publication as informing and interesting as is possible in the case of the abstruse subject of Iconography. -
Index of 16 Hindu Puranas
INDEX OF 16 HINDU PURANAS 1. BRAHMA PURANA Preliminaries There was a forest known as Naimisharanya. The sages (maharshis) arranged for a sacrifice (yajna) in this forest and the ceremony went on for twelve years. Naimisharanya forest was a wonderful place to arrange sacrifices in. The climate was pleasant. There were trees full of climate was pleasant. There were trees full of flowers and fruit. There was no shortage of food in the forest, and animals, birds and sages lived thee happily. Many sages came to attend the sacrifice that had been arranged in Naimisharanya. With them was Romaharshana (alternatively Lomaharshana), Veda Vyasa's disciple. Veda Vyasa had instructed this disciple of his in the knowledge of the Puranas. The assembled sages worshipped the learned Romaharshana and said, "Please tell us the stories of the Puranas. Who created the universe, who is its preserver and who will destroy it? Please instruct us in all these mysteries". Romaharshana replied, "Many years ago, Daksha and the other sages had asked Brahma these very questions. I have learnt about Brahma's replies from my guru) teacher) Veda Vyasa. I will relate to you what I know". In the beginning, there was water everywhere and the Brahman slept on this water in the form of Vishnu. Since water is called nara and since ayana means a bed, Vishnu is known as Narayana. In the water there emerged a golden egg. Brahma was born inside this egg. Since he created himself, he is called Svayambhu, born (bhu) by himself (svayam). For one whole year, Brahma lived inside the egg. -
Lord Shanmukha and His Worship
LORD SHANMUKHA AND HIS WORSHIP By SRI SWAMI SIVANANDA SERVE, LOVE, GIVE, PURIFY, MEDITATE, REALIZE Sri Swami Sivananda So Says Founder of Sri Swami Sivananda The Divine Life Society A DIVINE LIFE SOCIETY PUBLICATION First Edition: 1950 Second Edition: 1974 Third Edition: 1996 (3,000 Copies) World Wide Web (WWW) Edition: 2000 WWW site: http://www.SivanandaDlshq.org/ This WWW reprint is for free distribution © The Divine Life Trust Society ISBN 81-7052-115-7 Published By THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR—249 192 Distt. Tehri-Garhwal, Uttar Pradesh, Himalayas, India. OM Dedicated to LORD SHANMUKHA The Consort of Valli, Deivayanai, The Destroyer of all Asuric Forces, and the Bestower of Divine Strength, Wisdom, Peace, Bliss and Immotality And to All His Devotees and Seekers in the Path of Truth. OM PUBLISHERS’ NOTE The Advent of Lord Skanda or Karttikeya, the purpose of His incarnation as an Avatara and its significance should be of great importance and of immense value to seekers after Truth. Lord Skanda, also known as Shanmukha, is adored and worshipped with intense faith and devotion throughout South India and Sri Lanka. And naturally it will be of great interest to all His devotees, in particular, to know more about Him, the significance of His birth and His life and career as a victorious General. Sri Swami Sivanandaji, the author of this book, graphically describes the above-mentioned subjects in his usual style,—inspiring and direct, instructive and illuminating, soul-elevating and at once impressive. It is needless to introduce him to the readers, who is so very well-known as a versatile genius in all the spiritual subjects and as an author of many an immortal and monumental work that breathes the spirit of ancient wisdom and of direct and intuitive realisation of the Supreme. -
ELEMENTS of HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All Books Are Subject to Recall After Two Weeks Olin/Kroch Library DATE DUE Cornell University Library
' ^'•' .'': mMMMMMM^M^-.:^':^' ;'''}',l.;0^l!v."';'.V:'i.\~':;' ' ASIA LIBRARY ANNEX 2 ELEMENTS OF HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All books are subject to recall after two weeks Olin/Kroch Library DATE DUE Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071128841 ELEMENTS OF HINDU ICONOGRAPHY. CORNELL UNIVERSITY LIBRARY 3 1924 071 28 841 ELEMENTS OF HINDU ICONOGRAPHY BY T. A.^GOPINATHA RAO. M.A. SUPERINTENDENT OF ARCHEOLOGY, TRAVANCORE STATE. Vol. II—Part I. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 All Rights Reserved. KC- /\t^iS33 PRINTED AT THE LAW PRINTING HOUSE, MOUNT ROAD, MADRAS. DEDICATED WITH KIND PERMISSION To HIS HIGHNESS SIR RAMAVARMA. Sri Padmanabhadasa, Vanchipala, Kulasekhara Kiritapati, Manney Sultan Maharaja Raja Ramaraja Bahadur, Shatnsher Jang, G.C.S.I., G.C.I. E., MAHARAJA OF TRAVANCORE, Member of the Royal Asiatic Society, London, Fellow of the Geographical Society, London, Fellow of the Madras University, Officer de L' Instruction Publique. By HIS HIGHNESSS HUMBLE SERVANT THE AUTHOR. PEEFACE. In bringing out the Second Volume of the Elements of Hindu Iconography, the author earnestly trusts that it will meet with the same favourable reception that was uniformly accorded to the first volume both by savants and the Press, for which he begs to take this opportunity of ten- dering his heart-felt thanks. No pains have of course been spared to make the present publication as informing and interesting as is possible in the case of the abstruse subject of Iconography. -
Page 1 of 36 Brahma Vaivarta Purana
Brahma Vaivarta Purana Page 1 of 36 Brahma Vaivarta Purana ’ It s the twelfth Purana. It contains four parts- Brahma khand, Prakriti khand, Ganesh khand and Shri Krishna Janma khand. In Naimisharanya Tirth, addressing a gathering of great sages like Shaunak etc., Sutaji has described this Purana as the marvelous creation. This Purana describes the plays of the Lord Krishna and Radha in considerable detail. Thus, it is a basic source of inspiration for all the subsequent treatises that depict the life of Radha. It is only Purana that exclusively describes the episodes from the life of Radha, the most beloved lady of Lord Shri Krishna. Brahma khand: Creation of the universe. Origin of Narayana from the body of Shri Krishna. Origin of Radha in Rasamandal. Origin of Gopas, Gopis and cows from the bodies of Radha and Krishna. Creation of all other animate-inanimate world. Prakriti khand: Greatness of Durga, Radha, Lakshmi, Saraswati and Savitri in the creation of the world. Tales of Savitri-Satyavaan, Surabhi, Swaha and Swadha. Description of the clan of Surath. Tale of Ganga. Tales from Ramayana. Curse of Durvasa on Indra. Worship of Lakshmi. Ganesh khand: Mainly discusses about the greatness of Lord Ganesh. Also contains tales of Jamadagni, Karteveerya, Parashurama etc. Shri Krishna khand: Describes the life and plays of Lord Shri Krishna, under the heads of Braj leela, Mathura leela, reunion of Radha and Krishna. Migration of the residents of Gokul to Gokula. In the opinion of this Purana, there are ten features of Maha Purana. These are: creation, preservation, Pralaya (destruction), fostering, karma, description of lust, description of each of the fourteen Manus and their dynasties. -
Ashis Nandy 46
Contents EDITORIAL 3 READING VISUALS: TIMELESS VOYAGES ON THE EPIC OCEAN Gulammohammed Sheikh 4 MYTH RETOLD: VARIANTS OF THE STORY OF RAMA Romila Thapar 30 EPIC CULTURE: MANY VERSIONS, MANY HEROES Ashis Nandy 46 WAYANG KULIT: WHERE RAVANA DANCES IN THE SHADOWS Eddin Khoo 68 IMAGINING RAMA: FROM GRANDMA’S TALES TO MULTIPLE TEXTS C.S. Lakshmi 90 ArtConnect An IFA Publication Volume 6, Number 1 January to June 2012 Editor C.K. Meena Design Mishta Roy Printed by B Narahari, published by Anmol Vellani on behalf of India Foundation for the Arts and printed at Manipal Press Ltd., Press Corner, Tile Factory Road, Manipal, Udipi, Karnataka - 576 104 and published at India Foundation for the Arts, 'Apurva', Ground Floor, No 259, 4th Cross, Raj Mahal Vilas IInd Stage, IInd Block, Bangalore - 560 094. Editor - C.K. Meena Photo and Text Credits Gulammohammed Sheikh, Romila Thapar, Ashis Nandy, Eddin Khoo, PUSAKA, C.S. Lakshmi Cover Image Maricha Hunt (detail) from the Shangri Ramayana , Kulu, c. 1710, courtesy the National Museum, New Delhi. All efforts have been made to contact and receive permission from all copyright holders. Any source not acknowledged will be credited in subsequent issues. Editorial IFA has collaborated with Adishakti Laboratory for Theatre Arts Research to bring you this special issue of ArtConnect , which examines, as the poet and scholar A.K. Ramanujan did so magnificently in his critical essay “Three Hundred Ramayana s: Five Examples and Three Thoughts on Translation”, the multiple ways in which the Ramayana is transmitted and received. The issue is based on edited excerpts of some talks delivered at the Adishakti Ramayana Festival 2011 (16 to 23 February) in Puducherry, which was the third and last in an annual series exploring the pluralistic dimensions of the epic. -
' Babasaheb Dr. B.R. Ambedkar
’ Babasaheb Dr. B.R. Ambedkar (14th April 1891 - 6th December 1956) BLANK No one can hope to make any effective mark upon his time and bring the aid that is worth bringing to great principles and struggling causes if he is not strong in his love and his hatred. I hate injustice, tyranny, pompousness and humbug, and my hatred embraces all those who are guilty of them. I want to tell my critics that I regard my feelings of hatred as a real force. They are only the reflex of the love I bear for the causes I believe in. —Dr. B. R. Ambedkar in his Preface to ‘Ranade, Gandhi and Jinnah DR. BABASAHEB AMBEDKAR WRITINGS AND SPEECHES VOL. 5 Compiled by Vasant Moon Editorial Sub-committee Dr. P. T. Borale Dr. B. D. Phadke Shri S. S. Rege Shri Daya Pawar Dr. Babasaheb Ambedkar : Writings and Speeches Vol. 5 First Edition by Education Department, Govt. of Maharashtra : 14 April, 1989 Re-printed by Dr. Ambedkar Foundation : January, 2014 ISBN (Set) : 978-93-5109-064-9 Courtesy : Monogram used on the Cover page is taken from Babasaheb Dr. Ambedkar’s Letterhead. © Secretary Education Department Government of Maharashtra Price : One Set of 1 to 17 Volumes (20 Books) : Rs. 3000/- Publisher: Dr. Ambedkar Foundation Ministry of Social Justice & Empowerment, Govt. of India 15, Janpath, New Delhi - 110 001 Phone : 011-23357625, 23320571, 23320589 Fax : 011-23320582 Website : www.ambedkarfoundation.nic.in The Education Department Government of Maharashtra, Bombay-400032 for Dr. Babasaheb Ambedkar Source Material Publication Committee Printer M/s. Tan Prints India Pvt. -
Indian Archaeology 1985-86 a Review
INDIAN ARCHAEOLOGY 1985-86 —A REVIEW EDITED BY JAGAT PATI JOSHI Director General Archaeological Survey of India ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA NEW DELHI 1990 Cover : Excavated remains at Sanghol © 1990 ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA Price: Rs. 150.00 PRINTED AT VAP ENTERPRISES, H-24 GREEN PARK EXTENSION, NEW DELHI-1 10024 © 669606, 656787 PREFACE In the process of clearing the backlog of publications of the Archaeological Survey of India, I am happy to place before the readers and scholars, Indian Archaeology 1985-86— A Review. Like its earlier issues, it incorporates matter on archaeological activities in the country during 1985-86 besides a summary of results of excavations at Hamad Town, Bahrain, where a team of archaeological experts of Archaeological Survey of India carried out excavations at the invitation of Government of Bahrain. The succeeding issues of the Review are also under preparation. However, I would like to add that since 1989 to June 1990, Archaeological Survey of India has been hectically engaged in bringing out besides the present issue of Indian Ar- chaeology 1985-86—A Review, Temples of the Pratihara Period in Central India, Temples of Khajuraho Vol. I & II, Excavations at Surkotada, Epigraphia Indica Vol.41 and Gupta Inscriptions of Bagh Caves. As usual for this issue of Indian Archaeology the matter was received from various sources and I gratefully acknowledge the cooperation of those whose contributions have been utilised here. The delay in the publication of this issue is regretted and I apologise for any inaccuracy which may have crept in sorting out, compiling and editing the material for this issue. -
Puranas, Dantavakra Was the Ruler of Karusha
Newsletter Archives www.dollsofindia.com The Tale of Jaya and Vijaya - Gatekeepers of Vishnu Copyright © 2015, DollsofIndia Hindu mythology is full of colorful, flavorful stories about Devas (Gods) and Asuras (Demons); narrating the varied relationships they shared; the devotion of certain Asuras toward their Ishtadevatas (favorite deities); some Asuras' struggle against the Gods and so on. Each of these tales is so woven as to educate the reader or follower about some aspect of life and living. Interestingly, even curses hurled upon them have a certain function to perform; eventually leading to the general good of the world. In this month's article, we bring you the stories of Hiranyakashipu, Ravana and Dantavakra. The common aspect between these three terrible demons was that they were actually the three reincarnations of Jaya and Vijaya, who were the Dwarapalas of Lord Vishnu at his abode, Vaikuntha. We now bring you the individual legends of these Asuras; then narrating how their curse worked to liberate them from the mortal plane itself. Lord Vishnu Resting on Sheshnaga Hiranyakashipu Hiranyakashipu, literally meaning, the one 'clothed in gold', was a terrible Asura, featuring in the Puranic scriptures. He was the king of the Matsya kingdom. His younger brother, Hiranyaksha, was killed by Varaha, the third avatara of Vishnu. This turned the demon against the Lord. Varaha Avatar - Incarnation of Lord Vishnu Birth and Early Life According to the Bhagavata Purana, Hiranyakashipu and his younger brother, Hiranyaksha, were actually reincarnations of Jaya and Vijaya, the gatekeepers of Vishnu. They were sent down to Earth due to a curse from the Four Kumaras. -
A Report on the Present State of Health of the Gods and Goddesses in South Asia Ashis Nandy Published Online: 19 Aug 2010
This article was downloaded by: [University of Hyderabad] On: 02 March 2015, At: 11:22 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Postcolonial Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/cpcs20 A report on the present state of health of the gods and goddesses in South Asia Ashis Nandy Published online: 19 Aug 2010. To cite this article: Ashis Nandy (2001) A report on the present state of health of the gods and goddesses in South Asia, Postcolonial Studies, 4:2, 125-141 To link to this article: http://dx.doi.org/10.1080/13688790120077470 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Facing Extermination Characters
OME years ago, in the city of Bombay, a young Muslim Splaywright wrote and staged a play that had gods — Hindu gods and goddesses — as major Facing Extermination characters. Such plays are not uncommon in India; some would say A Report on the Present State of the Gods that they are all too common. This one and Goddesses in South Asia also included gods and goddesses who were heroic, grand, scheming and comical. This provoked not the Ashis Nandy audience but Hindu nationalists, particularly the Hindu Mahasabha, a at least some Hindus felt that on that the particular style of interaction spent political force for a long time, day Hindutva might have won, but humans have with gods and in Bombay. This city is now being Hinduism had certainly lost. It had lost goddesses. Deities in everyday dominated by a more powerful Hindu because a tradition at least fifteen Hinduism, from the heavily Brahminic nationalist formation, the Shiv Sena. hundred years old (things might have to the aggressively non-Brahminic, It is doubtful if those who claimed been different in the pre-epic days) are not entities outside everyday life, they had been provoked were really was sought to be dismantled. During nor do they preside over life from provoked. It is more likely that they these fifteen hundred years, a crucial outside, but are a constituent of life. pretended to be offended and identifier of Hinduism — as a religion, Their presence is telescoped not only precipitated an incident to make their a culture and a way of life — has been into one’s transcendental self but, to political presence felt.