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Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
CFP: Special Issue for Journal of Popular Film and Television: Korean Popular Cinema and Television in the 21St Century
H-Asia CFP: Special Issue for Journal of Popular Film and Television: Korean Popular Cinema and Television in the 21st Century Discussion published by Jihoon Kim on Monday, August 8, 2016 Call for Submissions to a Special Issue: Korean Popular Cinema and Television in the 21st Century Edited by Jihoon Kim, Dept. of Film Studies, Chung-ang University, South Korea During the last several years, both Korean cinema and Korean television dramas (and K-pop tracks/stars as well, to be sure) have gained not simply dramatically increased popularity beyond the Pan-Asian scope of the first ‘Korean wave (hallyu)’ (across North and South Americas and Europe), but also critical attention in the academia of cinema studies, cultural studies, and East Asian/Korean studies. Despite these situations, previous studies on Korean cinema and television have highlighted only a limited set of texts: despite a couple of recent edited collections dedicated to nationally popular genre films such as horror and film noir, most scholarly writings on Korean cinema have still privileged films directed by so-called ‘auteurs’ (Kim Ki-duk, Hong Sang-soo, Park Chan-wook, Bong Joon-ho, and Lee Chang-dong) that were already established in global film culture and academia, thus leaving unexamined a series of popular Korean films that have not simply had enormous commercial success in the domestic box office but also had notable cultural influences on Korean audiences’ collective desire, historical imaginary, and optical unconscious. Likewise, most of the existing studies on Korean television have discussed only a few canonical television dramas in the first Korean wave era. -
Published 26 February 2019 LKFF 2018
1–25 NOVEMBER LONSM_350_ .pdf 1 2018. 8. 22. �� 8:48 It is my pleasure to introduce to you the 13th instalment of the London Korean Film Festival, our annual celebration of Korean Film in all its forms. Since 2006, the Korean Cultural Centre UK has presented the festival with two simple goals, namely to be the most inclusive festival of national cinema anywhere and to always improve on where we left off. As part of this goal Daily to Seoul and Beyond for greater inclusivity, in 2016 the main direction of the festival was tweaked to allow a broader, more diverse range of Korean films to be shown. With special themes exploring different subjects, the popular strands covering everything from box office hits to Korean classics, as well as monthly teaser screenings, the festival has continued to find new audiences for Korean cinema. This year the festival once again works with critics, academics and visiting programmers on each strand of the festival and has partnered with several university film departments as well. At the time of writing, this year’s festival will screen upwards of 55 films, with a special focus entitled ‘A Slice of Everyday Life’. This will include the opening and closing films, Microhabitat by Jeon Go-woon, and The Return by Malene Choi. C ‘A Slice of Everyday Life’ explores valuable snapshots of the sometimes-ignored M lives of ordinary Koreans, often fragile individuals on the edge of society. One Y will also see director Lee Myung-se's films in the Contemporary Classics strand and Park Kiyong's films in the Indie Firepower strand. -
Film at Lincoln Center New Releases Series November 2019
Film at Lincoln Center November 2019 New Releases Parasite Synonyms Varda by Agnès Series Poetry and Partition: The Films of Ritwik Ghatak Jessica Hausner: The Miracle Worker Rebel Spirit: The Films of Patricia Mazuy Relentless Invention: New Korean Cinema, 1996-2003 Members save $5 Tickets: filmlinc.org Elinor Bunin Munroe Film Center 144 West 65th Street, New York, NY Walter Reade Theater 165 West 65th Street, New York, NY NEW RELEASES: STRAIGHT FROM SOLD-OUT SCREENINGS AT NYFF! Playing This Month Showtimes at filmlinc.org Members save $5 on all tickets! Neon Courtesy of Kino Lorber HELD OVER BY POPULAR DEMAND! HELD OVER BY POPULAR DEMAND! OPENS NOVEMBER 22 “A dazzling work, gripping from beginning to “Astonishing, maddening, brilliant, hilarious, “A fascinating, informative, and reflective end, full of big bangs and small wonders.” obstinate, and altogether unmissable.” swan song that gives Varda the final word.” –Time Out New York –IndieWire –Tina Hassannia, Globe and Mail Parasite Synonyms Varda by Agnès Dir. Bong Joon Ho, South Korea, 132m In Bong Dir. Nadav Lapid, France/Israel/Germany, Dir. Agnès Varda, France, 120m When Agnès Joon Ho’s exhilarating new film, a threadbare 123m In his lacerating third feature, director Varda died earlier this year at age 90, the world family of four struggling to make ends meet Nadav Lapid’s camera races to keep up with the lost one of its most inspirational cinematic gradually hatches a scheme to work for, and as adventures of peripatetic Yoav (Tom Mercier), radicals. From her neorealist-tinged 1954 fea- a result infiltrate, the wealthy household of an a disillusioned Israeli who has absconded to ture debut La Pointe Courte to her New Wave entrepreneur, his seemingly frivolous wife, and Paris following his military training. -
Using Film in the College-Level KFL Classroom: Applying Theories and Developing Activities
Using Film in the College-level KFL Classroom: Applying Theories and Developing Activities Young-mee Yu Cho⋅Hee Chung Chun⋅Ji-Young Jung (Rutgers University⋅Rutgers University⋅University of Pennsylvania) 유영미⋅전희정⋅정지영. 2014. 영어권 학습자를 위한 교육용 영화 선정 과 활용방안. 한국어 교육 25-4: 249-275. 본 연구는 미국 대학의 한국어 교육과정에서 활용하기 위한 교육용 한국 영화를 선정하고 그 활용 방안 을 보이는데 그 목적이 있다. 한국어 교육용 영화 선정 기준과 활용 방안 에 대해 논의한 기존의 연구들은 학습자 및 수업의 성격과 규모의 차이 등을 이유로 미국 대학에 직접적으로 적용하기에 무리가 있을 것으로 보 인다. 이에 본고는 미국의 한국어 교육 환경을 고려하여 언어 교육에서 영화의 활용이 갖는 장점과 의의, 교육용 영화 선정 기준 및 그 활용 방 안을 이론과 실제 교실에의 적용을 중심으로 논의하고자 한다. 특히 본 고는 13개 미국 대학의 한국어 프로그램에서 실제 사용되는 한국어 교육 용 한국 영화의 사용 현황을 조사하고, 그에 대한 교사 및 학습자의 실제 반응을 논의한다. 또한, 현재 미국의 두 대학의 한국어 교육과정에서 활 용하고 있는 한국 영화와 그 활용 방안을 문화간 의사소통 능력 신장을 위한 활동을 중심으로 살펴본다는 데 그 의의가 있다. 주제어: 미국 내 한국어 교육(Korean language education in America), 교육용 한국 영화(Korean films for educational purpose), 영화 선정 원리(Criteria for educational film), 문화간 의사소통 능 력 (Intercultural competence), 영화 활용 활동(Activities using film) 1. Introduction In the second decade of the 21st century, no one questions the view that 250 Yonug-mee Yu Cho Hee Chung Chun Ji-Young Jung the use of multimedia has great potential to enhance learning and that its effective use is one of the most motivational tools available for language teachers. -
2019 CMRA President's Awards
Volume 31, No. 5 June, July, August 2019 2019 CMRA President’s Awards At the May 9 meeting of the ing June 2015 and Residents Association, President becoming its Chair Sam Ligon presented three resi- from June 2016 dents with the President’s Awards through May 2018. for 2019. For serving on the Margaret Zircher Resident Health Cen- “For your outstanding contri- ter Task Force butions to the Arts program at Car- (HCTF) beginning olina Meadows and much more. March 2016, follow- After arriving in 2015 you immedi- ing your appoint- ately immersed yourself in upgrad- ment by CEO Kevin ing and enhancing the Art Studio. McLeod. The HCTF For teaching classes in watercolor, was charged to gath- acrylics and framing. For your ge- er wide-ranging in- Chris Kesner, Bill Lehrburger, Margaret Zircher nius along with others in creating put, primarily from residents, re- scenes work to support various the All Things North Carolina Mural lated to a proposed new health art-related projects including the design, including the educational center. For facilitating a better Downton Meadows project and ‘key.’ This masterpiece was used working relationship between the the Gallery art shows. For regu- to support the UNC-TV fund drive board, management, and residents larly participating with your crea- and became the basis for a unique, that helped result in the current tive art for the Club Center hall- educational jigsaw puzzle that was campus master plan. For serving way and, along with your hus- used by public school teachers since February 2018 as a Resident band, presenting two Travel Ad- across NC. -
The Who, What, Where, When, Why, and How of Designing and Assessing Assignments
The Paralegal American Association for Paralegal Education Volume 32, No. 2 FALL/WINTER 2017 The Who, What, Where, When, Why, and How of Designing and Assessing Assignments See article on page 12 Open Letter to the AAfPE Membership As you know, the AAfPE bylaws were amended last year to add the words “or legal studies” to the definition of Affiliate Membership, paving the way for AAfPE to seek out new affiliate members that do not offer paralegal programs but instead offer extensive legal studies programs within their institutions. Previously, the bylaws of the association prevented any institution or organization that did not offer a paralegal education program from joining the association, which precluded a large number of vocational schools, colleges, universities, and other higher-education institutions throughout the country that offer extensive programs in legal studies from AAfPE membership. By approving the change, AAfPE members acknowledged the association’s need to not only increase membership numbers but also bring in a diverse body of membership that would contribute to the collective knowledge base and strength of the association—both key factors in AAfPE’s long-term viability. Today, AAfPE launches a new logo, reflecting the membership’s decision to include both paralegal and legal studies programs. This new logo represents the next step in AAfPE’s mission to promote quality paralegal education, develop educational standards, and encourage professional growth, in order to prepare graduates to perform a significant role in the delivery of legal services. It is an essential piece of AAfPE’s plan to grow membership in both numbers and diversity. -
The Changing Face of Korean Cinema, 1960 to 2015 / Brian Yecies and Ae-Gyung Shim
The Changing Face of Korean Cinema The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history that runs parallel to the nation’s politi- cal, social, economic, and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the twenty-first century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds and demonstrates the forces behind Korea’s positioning of itself as an important contributor to regional and global culture, especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung Hee’s authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry’s profes- sionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions of film policy, producing, directing, genres, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of “Planet Hallyuwood”. It will be of particular interest to students and scholars of Korean Studies and Film Studies. -
Cultural Hybridity in the Contemporary Korean Popular Culture Through the Practice of Genre Transformation
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-28-2018 2:30 PM Cultural Hybridity in the Contemporary Korean Popular Culture through the Practice of Genre Transformation Kyunghee Kim The University of Western Ontario Supervisor Blackmore, Tim The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Kyunghee Kim 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Kim, Kyunghee, "Cultural Hybridity in the Contemporary Korean Popular Culture through the Practice of Genre Transformation" (2018). Electronic Thesis and Dissertation Repository. 5472. https://ir.lib.uwo.ca/etd/5472 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract The focus of this dissertation is to show how the media of contemporary Korean popular culture, specifically films, are transformed into “hybrid cultural forms” through the practice of genre transformation. Since the early 21st century, South Korean popular culture has been increasingly spreading across the globe. Despite its growing attention and popularity, Korean pop culture has been criticized for its explicit copying of Western culture with no unique cultural identity. Others view the success of Korean media, both its creative mimicry and its critique of the West, as a new hybrid form that offers the opportunity for reassertion of local identity as well as challenging the global hegemony of the West. -
Chinese Transnational Cinema and the Collaborative Tilt Toward South Korea Brian Yecies University of Wollongong, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2016 Chinese transnational cinema and the collaborative tilt toward South Korea Brian Yecies University of Wollongong, [email protected] Publication Details Yecies, B. "Chinese transnational cinema and the collaborative tilt toward South Korea." The aH ndbook of Cultural and Creative Industries in China. Ed.M. Keane. United Kingdom: Edward Elgar, 2016, 226-244. 2016 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Chinese transnational cinema and the collaborative tilt toward South Korea Abstract To shed light on the important and growing trend in international filmmaking, this chapter investigates the increasing levels of co-operation in co-productions and post-production work between China and Korea since the mid-2000s, following a surge in personnel exchange and technological transfer. It explains how a range of international relationships and industry connections is contributing to a new ecology of expertise, which in turn is boosting the expansion of China’s domestic market and synergistically transforming the shape and style of Chinese cinema. Keywords transnational, cinema, collaborative, tilt, toward, south, korea, chinese Disciplines Arts and Humanities | Law Publication Details Yecies, B. "Chinese transnational cinema and the collaborative tilt toward South Korea." The aH ndbook of Cultural and Creative Industries in China. Ed.M. Keane. United Kingdom: Edward Elgar, 2016, 226-244. -
The Celebration Bicentennial Louisiana Supreme Court
The Celebration of the Bicentennial of the Louisiana Supreme Court Ceremonies The Louisiana Supreme Court celebrated its 200th anniversary on March 1, 2013. As a special session of court, the Louisiana Supreme Court justices presided over the Bicentennial ceremony, which commemorated the Court’s two centuries of legal heritage. The ceremony took place at the Louisiana Supreme Court’s courtroom at 400 Royal Street in New Orleans. The event was free and open to the public, with the option of one hour of CLE accreditation for Louisiana attorneys. Justice Greg G. Guidry chaired the Court’s Bicentennial Committee, which was in charge of planning the ceremony. Louisiana Lieutenant Governor Jay Dardenne was the master of ceremonies. After Lieutenant Governor Dardenne’s opening address, the Washington Artillery presented the colors, which was followed by the Pledge of Allegiance, led by Donna D. Fraiche, President of the Supreme Court of Louisiana Historical Society. Bishop Shelton J. Fabre gave the invocation, and Chief Justice Bernette J. Johnson delivered welcoming remarks to the attendees. Four speakers discussed various aspects of the Court’s history, including A Walk Through the Streets of New Orleans at the Time of the Court’s Foundation, by Tulane Professor Richard Campanella; The Civilian Aspects of Louisiana Law, by LSU Law Professor John Randall Trahan; The Role of the Louisiana Supreme Court in the Early Civil Rights Movement, by UNO Emeritus Professor Raphael Cassimere, Jr.; and The History of the Louisiana Supreme Court, by UNO Emeritus Distinguished Professor of History and Bicentennial Court Historian Warren M. Billings. Students from the International High School of New Orleans took the stage following the speakers to present a short, trilingual play entitled An Uncommon Birth: Shaping Louisiana’s Legal Tradition for Statehood.