HIST 335: Korean History, 1945-Present
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Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
The Book Market in South Korea for Canadian Publishers
The Book Market in South Korea for Canadian Publishers Report of the Livres Canada Books Scouting Mission to South Korea 17–21 June 2013 The Book Market in South Korea for Canadian Publishers Report of the Livres Canada Books Scouting Mission to South Korea, 17-21 June 2013 © 2013 Livres Canada Books All rights reserved. Published 2013 Members of the Delegation François Charette Executive Director, Livres Canada Books [email protected] Gillian Fizet Rights Manager, House of Anansi and Grounwood Books [email protected] Arnaud Foulon Vice-President, Publishing and Operations, Groupe HMH [email protected] Brian MacDonald Sales and Marketing Manager, University of Toronto Press [email protected] A special thanks to Hye-Shin Kang and Soo Hyang Kim of the Embassy of Canada to Korea, who made our scouting mission a success. Livres Canada Books 1 Nicholas Street, Suite 504 Ottawa, Ontario K1N 7B7 CANADA www.livrescanadabooks.com We acknowledge the financial support of the Nous reconnaissons l’appui financier du Government of Canada through the Canada Book gouvernement du Canada par l’entremise du Fonds Fund at Canadian Heritage du livre du Canada de patrimoine canadien Contents The Korean Context . 1 Reading Trends . .3 The Korean Book Market . .4 Trade, Pricing and Royalties . .7 The Adult Trade Perspective, Gillian Fizet ........................... 8 Paju Book City. .8 The National Library of Korea . 10 Meetings with Publishers and Distributors . 10 Meetings with Subagents (Rights Agencies) . 13 Bookstore Visits . 13 Recommendations for Trade and English-Language Publishers . 14 The Scholarly Perspective, Brian MacDonald .................... 16 Book Market. 16 Higher Education in Korea . -
CFP: Special Issue for Journal of Popular Film and Television: Korean Popular Cinema and Television in the 21St Century
H-Asia CFP: Special Issue for Journal of Popular Film and Television: Korean Popular Cinema and Television in the 21st Century Discussion published by Jihoon Kim on Monday, August 8, 2016 Call for Submissions to a Special Issue: Korean Popular Cinema and Television in the 21st Century Edited by Jihoon Kim, Dept. of Film Studies, Chung-ang University, South Korea During the last several years, both Korean cinema and Korean television dramas (and K-pop tracks/stars as well, to be sure) have gained not simply dramatically increased popularity beyond the Pan-Asian scope of the first ‘Korean wave (hallyu)’ (across North and South Americas and Europe), but also critical attention in the academia of cinema studies, cultural studies, and East Asian/Korean studies. Despite these situations, previous studies on Korean cinema and television have highlighted only a limited set of texts: despite a couple of recent edited collections dedicated to nationally popular genre films such as horror and film noir, most scholarly writings on Korean cinema have still privileged films directed by so-called ‘auteurs’ (Kim Ki-duk, Hong Sang-soo, Park Chan-wook, Bong Joon-ho, and Lee Chang-dong) that were already established in global film culture and academia, thus leaving unexamined a series of popular Korean films that have not simply had enormous commercial success in the domestic box office but also had notable cultural influences on Korean audiences’ collective desire, historical imaginary, and optical unconscious. Likewise, most of the existing studies on Korean television have discussed only a few canonical television dramas in the first Korean wave era. -
Goldsmiths College University of London Locating Contemporary
Goldsmiths College University of London Locating Contemporary South Korean Cinema: Between the Universal and the Particular Seung Woo Ha A thesis submitted for the degree of Doctor of Philosophy to the department of Media and Communications January 2013 1 DECLARATION I, Seung Woo Ha confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed……………………….. Date…..…10-Jan-2013……… 2 ABSTRACT The thesis analyses contemporary South Korean films from the late 1980s up to the present day. It asks whether Korean films have produced a new cinema, by critically examining the criteria by which Korean films are said to be new. Have Korean films really changed aesthetically? What are the limitations, and even pitfalls in contemporary Korean film aesthetics? If there appears to be a true radicalism in Korean films, under which conditions does it emerge? Which films convey its core features? To answer these questions, the study attempts to posit a universalising theory rather than making particular claims about Korean films. Where many other scholars have focused on the historical context of the film texts’ production and their reception, this thesis privileges the film texts themselves, by suggesting that whether those films are new or not will depend on a film text’s individual mode of address. To explore this problem further, this study draws on the concept of ‘concrete universality’ from a Lacanian/Žižekian standpoint. For my purpose, it refers to examining how a kind of disruptive element in a film text’s formal structure obtrudes into the diegetic reality, thus revealing a cinematic ‘distortion’ in the smooth running of reality. -
Leisure Port Development in the Incheon Area: Concepts and Benchmarks
JOURNAL OF INTERNATIONAL LOGISTICS AND TRADE 5 Volume 2, Number I, 2004, pp. 5-45 Leisure Port Development in the Incheon Area: Concepts and Benchmarks Marc L. Miller' and Sung-Gwi Kim" ABSTRACT In concert with an ambitious national agenda that emphasizes free trade and globalization, lncheon Metropolitan City is taking the first steps toward reinventing itself to become a twenty-first century "Pentaport" with integrated Seaport, Airport, Technoport, Business Port, and Leisure Port components. The lncheon Pentaport transformation-projected to be complete by 2020-will entail significant industrial, sociological, and institutional modification. Leisure Port objectives can be achieved through responsible planning attuned to the ideal of sustainable development and by empirical studies of lncheon tourism and leisure dynamics. International benchmarks of leisure port success are found in Sydney, Australia; Vancouver, Canada; and San Diego, USA, among seven other cosmopolitan cities. Growth estimations for coastal ferry passengers; beach use; recreational vessels and yachts in the lncheon region are encouraging. lncheon Leisure Port development of ten amenity destinations will require equal and multidisciplinary attention to questions of tourism design and tourism impacts. Important issues will concern environmental quality, clean shipping practices, the proper balance of modem and traditional amenities and attractions, trade-offs of cultural homogeneity and cultural diversity, and creative destination branding and marketing, among others. Keywords: lncheon, Leisure, Leisure Port, Pentaport, Tourism, Sustainable Development. "A world-economy always has an urban center of gravity, a city, as the logistic heart of its activity." -- Fernand Braudel (1984: 27) Butterflies come to pretty flowers. -- Korean proverb • Professor, School of Marine Affairs, University of Washington, Seattle, Washington, USA. -
Using Film in the College-Level KFL Classroom: Applying Theories and Developing Activities
Using Film in the College-level KFL Classroom: Applying Theories and Developing Activities Young-mee Yu Cho⋅Hee Chung Chun⋅Ji-Young Jung (Rutgers University⋅Rutgers University⋅University of Pennsylvania) 유영미⋅전희정⋅정지영. 2014. 영어권 학습자를 위한 교육용 영화 선정 과 활용방안. 한국어 교육 25-4: 249-275. 본 연구는 미국 대학의 한국어 교육과정에서 활용하기 위한 교육용 한국 영화를 선정하고 그 활용 방안 을 보이는데 그 목적이 있다. 한국어 교육용 영화 선정 기준과 활용 방안 에 대해 논의한 기존의 연구들은 학습자 및 수업의 성격과 규모의 차이 등을 이유로 미국 대학에 직접적으로 적용하기에 무리가 있을 것으로 보 인다. 이에 본고는 미국의 한국어 교육 환경을 고려하여 언어 교육에서 영화의 활용이 갖는 장점과 의의, 교육용 영화 선정 기준 및 그 활용 방 안을 이론과 실제 교실에의 적용을 중심으로 논의하고자 한다. 특히 본 고는 13개 미국 대학의 한국어 프로그램에서 실제 사용되는 한국어 교육 용 한국 영화의 사용 현황을 조사하고, 그에 대한 교사 및 학습자의 실제 반응을 논의한다. 또한, 현재 미국의 두 대학의 한국어 교육과정에서 활 용하고 있는 한국 영화와 그 활용 방안을 문화간 의사소통 능력 신장을 위한 활동을 중심으로 살펴본다는 데 그 의의가 있다. 주제어: 미국 내 한국어 교육(Korean language education in America), 교육용 한국 영화(Korean films for educational purpose), 영화 선정 원리(Criteria for educational film), 문화간 의사소통 능 력 (Intercultural competence), 영화 활용 활동(Activities using film) 1. Introduction In the second decade of the 21st century, no one questions the view that 250 Yonug-mee Yu Cho Hee Chung Chun Ji-Young Jung the use of multimedia has great potential to enhance learning and that its effective use is one of the most motivational tools available for language teachers. -
I. Introduction
TRANSACTIONS ROYAL ASIATIC SOCIETY Korea Branch Volume 93 – 2018 1 COVER: The seal-shaped emblem of the RAS-KB consists of the following Chinese characters: 槿 (top right), 域 (bottom right), 菁 (top left), 莪 (bottom left), pronounced Kŭn yŏk Ch’ŏng A in Korean. The first two characters mean “the hibiscus region,” referring to Korea, while the other two (“luxuriant mugwort”) are a metaphor inspired by Confucian commentaries on the Chinese Book of Odes, and could be translated as “enjoy encouraging erudition.” SUBMISSIONS: Transactions invites the submission of manuscripts of both scholarly and more general interest pertaining to the anthropology, archeology, art, history, language, literature, philosophy, and religion of Korea. Manuscripts should be prepared in MS Word format and should be submitted in digital form. The style should conform to The Chicago Manual of Style (most recent edition). The covering letter should give full details of the author’s name, address and biography. Romanization of Korean words and names must follow either the McCune-Reischauer or the current Korean government system. Submissions will be peer- reviewed by two readers specializing in the field. Manuscripts will not be returned and no correspondence will be entered into concerning rejections. Transactions (ISSN 1229-0009) General Editor: Jon Dunbar Copyright © 2019 Royal Asiatic Society – Korea Branch Room 611, Christian Building, Daehangno 19 (Yeonji-dong), Jongno-gu, Seoul 110-736 Republic of Korea Tel: (82-2) 763-9483; Fax: (82-2) 766-3796; Email: [email protected] Visit our website at www.raskb.com TRANSACTIONS Volume 93 – 2018 Contents The Diamond Mountains: Lost Paradise Brother Anthony 1 Encouragement from Dongducheon 19 North Korean Fragments of Post-Socialist Guyana Moe Taylor 31 The Gyehu Deungnok Mark Peterson 43 “Literature Play” in a New World Robert J. -
The Who, What, Where, When, Why, and How of Designing and Assessing Assignments
The Paralegal American Association for Paralegal Education Volume 32, No. 2 FALL/WINTER 2017 The Who, What, Where, When, Why, and How of Designing and Assessing Assignments See article on page 12 Open Letter to the AAfPE Membership As you know, the AAfPE bylaws were amended last year to add the words “or legal studies” to the definition of Affiliate Membership, paving the way for AAfPE to seek out new affiliate members that do not offer paralegal programs but instead offer extensive legal studies programs within their institutions. Previously, the bylaws of the association prevented any institution or organization that did not offer a paralegal education program from joining the association, which precluded a large number of vocational schools, colleges, universities, and other higher-education institutions throughout the country that offer extensive programs in legal studies from AAfPE membership. By approving the change, AAfPE members acknowledged the association’s need to not only increase membership numbers but also bring in a diverse body of membership that would contribute to the collective knowledge base and strength of the association—both key factors in AAfPE’s long-term viability. Today, AAfPE launches a new logo, reflecting the membership’s decision to include both paralegal and legal studies programs. This new logo represents the next step in AAfPE’s mission to promote quality paralegal education, develop educational standards, and encourage professional growth, in order to prepare graduates to perform a significant role in the delivery of legal services. It is an essential piece of AAfPE’s plan to grow membership in both numbers and diversity. -
The Changing Face of Korean Cinema, 1960 to 2015 / Brian Yecies and Ae-Gyung Shim
The Changing Face of Korean Cinema The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history that runs parallel to the nation’s politi- cal, social, economic, and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the twenty-first century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds and demonstrates the forces behind Korea’s positioning of itself as an important contributor to regional and global culture, especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung Hee’s authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry’s profes- sionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions of film policy, producing, directing, genres, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of “Planet Hallyuwood”. It will be of particular interest to students and scholars of Korean Studies and Film Studies. -
Cultural Hybridity in the Contemporary Korean Popular Culture Through the Practice of Genre Transformation
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-28-2018 2:30 PM Cultural Hybridity in the Contemporary Korean Popular Culture through the Practice of Genre Transformation Kyunghee Kim The University of Western Ontario Supervisor Blackmore, Tim The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Kyunghee Kim 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Kim, Kyunghee, "Cultural Hybridity in the Contemporary Korean Popular Culture through the Practice of Genre Transformation" (2018). Electronic Thesis and Dissertation Repository. 5472. https://ir.lib.uwo.ca/etd/5472 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract The focus of this dissertation is to show how the media of contemporary Korean popular culture, specifically films, are transformed into “hybrid cultural forms” through the practice of genre transformation. Since the early 21st century, South Korean popular culture has been increasingly spreading across the globe. Despite its growing attention and popularity, Korean pop culture has been criticized for its explicit copying of Western culture with no unique cultural identity. Others view the success of Korean media, both its creative mimicry and its critique of the West, as a new hybrid form that offers the opportunity for reassertion of local identity as well as challenging the global hegemony of the West. -
The Celebration Bicentennial Louisiana Supreme Court
The Celebration of the Bicentennial of the Louisiana Supreme Court Ceremonies The Louisiana Supreme Court celebrated its 200th anniversary on March 1, 2013. As a special session of court, the Louisiana Supreme Court justices presided over the Bicentennial ceremony, which commemorated the Court’s two centuries of legal heritage. The ceremony took place at the Louisiana Supreme Court’s courtroom at 400 Royal Street in New Orleans. The event was free and open to the public, with the option of one hour of CLE accreditation for Louisiana attorneys. Justice Greg G. Guidry chaired the Court’s Bicentennial Committee, which was in charge of planning the ceremony. Louisiana Lieutenant Governor Jay Dardenne was the master of ceremonies. After Lieutenant Governor Dardenne’s opening address, the Washington Artillery presented the colors, which was followed by the Pledge of Allegiance, led by Donna D. Fraiche, President of the Supreme Court of Louisiana Historical Society. Bishop Shelton J. Fabre gave the invocation, and Chief Justice Bernette J. Johnson delivered welcoming remarks to the attendees. Four speakers discussed various aspects of the Court’s history, including A Walk Through the Streets of New Orleans at the Time of the Court’s Foundation, by Tulane Professor Richard Campanella; The Civilian Aspects of Louisiana Law, by LSU Law Professor John Randall Trahan; The Role of the Louisiana Supreme Court in the Early Civil Rights Movement, by UNO Emeritus Professor Raphael Cassimere, Jr.; and The History of the Louisiana Supreme Court, by UNO Emeritus Distinguished Professor of History and Bicentennial Court Historian Warren M. Billings. Students from the International High School of New Orleans took the stage following the speakers to present a short, trilingual play entitled An Uncommon Birth: Shaping Louisiana’s Legal Tradition for Statehood. -
(Iowa City, Iowa), 1952-07-12
, Serving the State The Weather Univenity of Iowa Partir cloudy willi sea~ Campus and tend lbundenbowen 10· nlch'- SunDr fair wtib Iowa City uWe &em~e cban&'e. H~h today. 1%; low, It, H~b Frida, 9%: low, 78. Est. 1868 - AP LeasfKl Wire - Fi.e Centa Iowa City. Iowa. Saturday. July 12. 1952 - VOL 8& No. 188 ~.------------------------------ • Isen ower, Gives • I Highlanders Hold Final 'Drills; Decision CONVENTION HALL, CHICAGO (JP) - Gen. Dwight D. Eisen hower, the Kansas lad who once dreamed of baseball stardom rather Will Leave for Europe Sunday than political glory, took the Republican presidential nominaUon "rl day with a dazzling first ballot victory. By MARJORIE BREHM Friday night the five-star general formaUy accepted the sum "They practice until they're al ments in, playing condition. only while travellng. "Use discre mons to lead the GOP in a "great cru,sade" for another vlctory-and most numb, and you can't stop Commlt&ee Makes Rules tion!" is the motto which Adam "for freedom in America and a freedom In the world." them no matter how hot the sun The Governing committee sets son urgeS the Highlanders to fol As a running mate for the l1'eat gets," Pipe Major William Adam the rules of conduct regarding low. political warso! 1952, tbe Re son observed Friday afternoon as hours, dating and side trips and Clulpero.DetI Make Trip publican nat ion a 1 convention the Highlanders concluded the r~comJ'llends discipline for any of Mr. and Mrs. Adamson, Mrs. placed the man be wanted- 39- econd day of rehearsals.