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Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
Published 26 February 2019 LKFF 2018
1–25 NOVEMBER LONSM_350_ .pdf 1 2018. 8. 22. �� 8:48 It is my pleasure to introduce to you the 13th instalment of the London Korean Film Festival, our annual celebration of Korean Film in all its forms. Since 2006, the Korean Cultural Centre UK has presented the festival with two simple goals, namely to be the most inclusive festival of national cinema anywhere and to always improve on where we left off. As part of this goal Daily to Seoul and Beyond for greater inclusivity, in 2016 the main direction of the festival was tweaked to allow a broader, more diverse range of Korean films to be shown. With special themes exploring different subjects, the popular strands covering everything from box office hits to Korean classics, as well as monthly teaser screenings, the festival has continued to find new audiences for Korean cinema. This year the festival once again works with critics, academics and visiting programmers on each strand of the festival and has partnered with several university film departments as well. At the time of writing, this year’s festival will screen upwards of 55 films, with a special focus entitled ‘A Slice of Everyday Life’. This will include the opening and closing films, Microhabitat by Jeon Go-woon, and The Return by Malene Choi. C ‘A Slice of Everyday Life’ explores valuable snapshots of the sometimes-ignored M lives of ordinary Koreans, often fragile individuals on the edge of society. One Y will also see director Lee Myung-se's films in the Contemporary Classics strand and Park Kiyong's films in the Indie Firepower strand. -
Film at Lincoln Center New Releases Series November 2019
Film at Lincoln Center November 2019 New Releases Parasite Synonyms Varda by Agnès Series Poetry and Partition: The Films of Ritwik Ghatak Jessica Hausner: The Miracle Worker Rebel Spirit: The Films of Patricia Mazuy Relentless Invention: New Korean Cinema, 1996-2003 Members save $5 Tickets: filmlinc.org Elinor Bunin Munroe Film Center 144 West 65th Street, New York, NY Walter Reade Theater 165 West 65th Street, New York, NY NEW RELEASES: STRAIGHT FROM SOLD-OUT SCREENINGS AT NYFF! Playing This Month Showtimes at filmlinc.org Members save $5 on all tickets! Neon Courtesy of Kino Lorber HELD OVER BY POPULAR DEMAND! HELD OVER BY POPULAR DEMAND! OPENS NOVEMBER 22 “A dazzling work, gripping from beginning to “Astonishing, maddening, brilliant, hilarious, “A fascinating, informative, and reflective end, full of big bangs and small wonders.” obstinate, and altogether unmissable.” swan song that gives Varda the final word.” –Time Out New York –IndieWire –Tina Hassannia, Globe and Mail Parasite Synonyms Varda by Agnès Dir. Bong Joon Ho, South Korea, 132m In Bong Dir. Nadav Lapid, France/Israel/Germany, Dir. Agnès Varda, France, 120m When Agnès Joon Ho’s exhilarating new film, a threadbare 123m In his lacerating third feature, director Varda died earlier this year at age 90, the world family of four struggling to make ends meet Nadav Lapid’s camera races to keep up with the lost one of its most inspirational cinematic gradually hatches a scheme to work for, and as adventures of peripatetic Yoav (Tom Mercier), radicals. From her neorealist-tinged 1954 fea- a result infiltrate, the wealthy household of an a disillusioned Israeli who has absconded to ture debut La Pointe Courte to her New Wave entrepreneur, his seemingly frivolous wife, and Paris following his military training. -
2019 CMRA President's Awards
Volume 31, No. 5 June, July, August 2019 2019 CMRA President’s Awards At the May 9 meeting of the ing June 2015 and Residents Association, President becoming its Chair Sam Ligon presented three resi- from June 2016 dents with the President’s Awards through May 2018. for 2019. For serving on the Margaret Zircher Resident Health Cen- “For your outstanding contri- ter Task Force butions to the Arts program at Car- (HCTF) beginning olina Meadows and much more. March 2016, follow- After arriving in 2015 you immedi- ing your appoint- ately immersed yourself in upgrad- ment by CEO Kevin ing and enhancing the Art Studio. McLeod. The HCTF For teaching classes in watercolor, was charged to gath- acrylics and framing. For your ge- er wide-ranging in- Chris Kesner, Bill Lehrburger, Margaret Zircher nius along with others in creating put, primarily from residents, re- scenes work to support various the All Things North Carolina Mural lated to a proposed new health art-related projects including the design, including the educational center. For facilitating a better Downton Meadows project and ‘key.’ This masterpiece was used working relationship between the the Gallery art shows. For regu- to support the UNC-TV fund drive board, management, and residents larly participating with your crea- and became the basis for a unique, that helped result in the current tive art for the Club Center hall- educational jigsaw puzzle that was campus master plan. For serving way and, along with your hus- used by public school teachers since February 2018 as a Resident band, presenting two Travel Ad- across NC. -
Chinese Transnational Cinema and the Collaborative Tilt Toward South Korea Brian Yecies University of Wollongong, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2016 Chinese transnational cinema and the collaborative tilt toward South Korea Brian Yecies University of Wollongong, [email protected] Publication Details Yecies, B. "Chinese transnational cinema and the collaborative tilt toward South Korea." The aH ndbook of Cultural and Creative Industries in China. Ed.M. Keane. United Kingdom: Edward Elgar, 2016, 226-244. 2016 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Chinese transnational cinema and the collaborative tilt toward South Korea Abstract To shed light on the important and growing trend in international filmmaking, this chapter investigates the increasing levels of co-operation in co-productions and post-production work between China and Korea since the mid-2000s, following a surge in personnel exchange and technological transfer. It explains how a range of international relationships and industry connections is contributing to a new ecology of expertise, which in turn is boosting the expansion of China’s domestic market and synergistically transforming the shape and style of Chinese cinema. Keywords transnational, cinema, collaborative, tilt, toward, south, korea, chinese Disciplines Arts and Humanities | Law Publication Details Yecies, B. "Chinese transnational cinema and the collaborative tilt toward South Korea." The aH ndbook of Cultural and Creative Industries in China. Ed.M. Keane. United Kingdom: Edward Elgar, 2016, 226-244. -
Screening the Past: Historiography of Contemporary South Korean Cinema, 1998-2008 Young Eun Chae a Dissertation Submitted To
Screening the Past: Historiography of Contemporary South Korean Cinema, 1998-2008 Young Eun Chae A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the degree of Doctor of Philosophy in the Department of Communication Studies. Chapel Hill 2011 Approved by: Dr. Joanne Hershfield Dr. Ken Hillis Dr. Lawrence Grossberg Dr. Mark Driscoll Dr. Guo-Juin Hong ©2011 Young Eun Chae ALL RIGHTS RESERVED ii ABSTRACT Screening the Past: Historiography of Contemporary South Korean Cinema, 1998-2008 (Under the direction of Joanne Hershfield) This dissertation examines cinematic representations of history on contemporary South Korean screen and the practices of film historiography in South Korea during a decade of democratic regimes are the subjects of this study. Between 1998 and 2008, during two liberal presidencies, the Korean film industry flourished and some of the most critical and traumatic events in the past were re-visited and re-visioned in popular films. 2009 Lost Memories and Hanbando employ alternative re-writings of the past, present, and future to portray the experiences of Japanese colonial occupations. The Korean War is re-examined in a more ambiguous and critical light in Taegukgi: The Brotherhood of War and Welcome to Dongmakgol, while Peppermint Candy and Splendid Vacation strive for capturing people‘s history, not an officially imposed version of History, in telling of the Gwangju Democratization Movement. As complex social constructions, the films analyzed in this dissertation reveal that South Koreans are finally able to ruminate on their past in a less simplistic and more complex manner without censorship. -
Title Call# Category Director
Title Call# Category Director 3 extremes II = Saam gaang 42958 Horror Peter Chan, Ji-woon Kim 301, 302 = Samgongil, samgongi 38084 4-in yong sikt'ak =The uninvited 38080 Horror 8-wŏl ŭi Kʻŭrisŭmasŭ = Christmas in August 37982 Aje aje para aje = Come, come, come upwards 43110 A'kasia = Acacia 41436 Al pʻointʻŭ = R-point 38422, 47228 Su-Chang Kong Bad guy 40727 Bloody aria, A 46706 Bloody mama / Bucket of blood 46248 Bloody reunion 45456 Chang Hŭibin 37972 Changgun ŭi adŭl = General's son 47227 Changhwa, Hongnyŏn = A tale of two sisters 38428 Ch'ello = The Cello 47226 Drama Chigu rŭl chikʻyŏra! = Save the green planet 38421 Drama Joon-Hwan Jang Chi-hwa-seon = Painted fire 37883 Chiltʻu nŭn na ŭi him = Jealousy is middle name 38153 Romance Chan-ok Park Chʻinʻgu = Friend 37983 Chŏng = My heart 38010 Drama Chang-ho Bae Chopʻok manura = My wife is a gangster 38424 Chʻorok mulgogi = green fish 38089 Choŭn saram issŭmyŏn sogae sikʻyŏjwŏ =Perfect match 38017 Choyonghan kajok = Quiet family 38431 Comedy Christmas in August = 8-wŏl ŭi Kʻŭrisŭmasŭ 37982 Chukkŏna hogŭn nappŭgŏna = Die bad 40458 Chʻunhyang chŏn = Chunhyang 38425 Drama Im Kwon Taek Chʻunhyangdyŏn = Chunhyang 37862 Im Kwon Taek Chuyuso sŭpkyŏk sakŏn = Attack the gas station 38427 Comedy Coffee prince 47358 Han Kil-su = Haan 47230 Hanbando 47165 Haryu insaeng = Low life 40461 Hayan chŏnjaeng = White badge 36486 Hyumŏnisŭtʻŭ = Humanist 47231 Comedy Mu-yeong Lee Ijung kanchʻŏp = Comrade 36825 Injeong sajeong bol geot eobtda = Nowhere to hide 38015 Comedy Myung-se Lee Jeon tae-il = Single -
Yellowstone Science a Quarterly Publication Devoted to the Natural and Cultural Resources
Yellowstone Science A quarterly publication devoted to the natural and cultural resources Never Running From a Fight: A Finley Retrospective Bear Predation on Bison Savage Christmas Volume 9 Number 3 The Nature of Change The familiar adage that the only con- Schullery, as founding editor from 1991 With these words I felt as if Paul was stant in nature is change is also true of the to 1996, and Sue, from 1996 to 2001, describing my feelings, too, along with human institutions charged with preserv- have each established a standard of ex- all those who have found themselves pas- ing nature. As this issue of Yellowstone cellence during their respective tenures sionate about this place. Science goes to press we are in the midst in this office that I will endeavor to up- In the very first issue of Yellowstone of great change, indeed. A new presiden- hold. Science, Paul wrote of helping the public tial administration and Secretary of the I bring to the position 16 years of “to celebrate, through the eyes and ears Interior now direct the future course of experience with the National Park Ser- and voices of the researchers themselves, our public lands. At the same time, after vice in interpretation and resource man- the knowledge and wonder they so often a distinguished 32-year career with the agement, 12 of which have been in Yel- find in this amazing place.” In Sue’s first National Park Service, Superintendent lowstone. As a young seasonal ranger at issue as editor, she wrote of sharing our Michael Finley has retired. -
Disrupting Heritage Cinema: the Historical Films of South Korea
Disrupting Heritage Cinema: The Historical Films of South Korea Louisa Jo Mitchell Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Centre for World Cinemas and Digital Cultures September 2018 i The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Louisa Jo Mitchell to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. © 2018 The University of Leeds and Louisa Jo Mitchell ii Acknowledgements This dissertation would not have been possible without backing from the White Rose College of Arts & Humanities. Their doctoral training programme and financial support have provided me with opportunities beyond my expectations and I am truly thankful for the studentship. I sincerely thank my supervisor Professor Paul Cooke for his unwavering support throughout all my years of postgraduate study and for keeping me going through the rough periods. I also offer my thanks to my secondary supervisor, Dr Irena Hayter, who provided help at key moments during this long process. I am grateful to everyone I have met over the years who have offered me their guidance, knowledge, and advice. I would particularly like to thank Professor Mette Hjort for hosting me during my time at Lingnan University, Hong Kong, and Dr Yun Mi Hwang for meeting with me in Seoul. -
NO. Roman Title Korean Title English Title DVD Call Number OCLC # 252
DVD call NO. Roman Title Korean Title English Title number OCLC # 252 10‐ŏk 10억 A million 9318 Accidental gangster and the mistaken 332 1724 kibang nandong sakŏn 1724 기방난동사건 courtesan 10008 39 2009 losŭtʻŭ memorijŭ 2009 로스트메모리즈 2009 lost memories 2004 472 3‐tan pyŏnsin robotʻu '84 tʻaekwŏn pŭi 3 단변신로보트'84태권브이 Robot taekwon B (84) 10400 #702372642 414 3‐tan pyŏnsin robotʻu '84 tʻaekwŏn pŭi 3단변신로보트 84 태권브이 10174 #190761372 136 708‐ho, idŭngbyŏng ŭi pʻyŏnji 708호, 이등병의편지 Room 708, a letter from a private 7902 519 77‐tan ŭi pimil 77단의비밀 10565 #706716377 361 7‐kŭp kongmuwŏn 7급 공무원 My girl friend is an agent 10039 10 8‐wŏl ŭi Kʻŭrisŭmasŭ 8월의 크리스마스 Christmas in August 604 Different version of DVD 7285 V.3 Different version 122 8‐wŏl ŭi Kʻŭrisŭmasŭ 8월의 크리스마스 Christmas in August 7285 V.3 ofDVD 604 393 A yu redi? 아유레디? Are you ready? 10153 #52368799 400 Adŭl 아들 My son 10160 #686761439 94 Aegukcha keim 애국자 게임 Patriot game 5466 Aejŏng kyŏlpʻip i tu namja ege michʻinŭn 345 yŏnghyang 애정결핍이 두남자에게 미치는 영향 How the lack of love affects two men 10021 494 Aema Puin 애마부인 Ae‐ma Woman 10422 #302362513 242 Aentʻikʻŭ 앤티크 Antique 9308 315 Agi wa na 아기와 나 Baby and I 9831 522 Aienji 아이엔지 ing 10568 #710819644 294 Aisŭ kʻekʻi 아이스케키 Ice bar 9810 365 Aje aje para aje 아제아제 바라아제 Come, come, come upwards 10043 392 Akʻasia 아카시아 Acacia 10152 #441488552 115 Anae ŭi aein ŭl mannada. 아내의 애인을 만나다 Driving with my wife's lover. -
In Korean Film Industry Who’S Who in Korean Film Industry
Producers and Investors Who’s Who in Korean Film Industry Who’s Who in Korean Film Industry Acknowledgements Publisher AN Cheong-sook Who’s Chairperson Korean Film Council 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Editor-in-Chief Daniel D. H. PARK Who Director of International Promotion in Korean Film Industry Editor JUNG Hyun-chang Collaborator YANG You-jeong Researched and Compiled CHOI Tae-young JUNG Eun-jung Contributing Writer SUH Young-kwan Producers and Investors Images : CINE21 ©Korean Film Council 2008 Book Design : Muge Creative Thinking 2 Who’s Who in Korean Film Industry Who’s Who in Korean Film Industry Producers and Investors Note The Who’s Who in Korean Film Industry series will deal with key people and their profiles every year. The first series, Who’s Who in Korean Film Industry : Producers and Investors presents major producers and investors in the Korean film industry. The series will be followed by major actors and directors series in the following years. For further information on the films that are mentioned in this book, please visit KOFIC website (www.kofic.or.kr/english) and see the film database menu. Who’s Who in Korean Film Industry Producers and Investors AHN Soo-hyun 6 CHOI Wan 52 KIM In-soo 96 LEE Eugene 138 SHIM, Jaime 182 CHAE, Jason 12 CHOI Yong-bae 56 KIM, Jonathan 100 LEE Eun 142 SHIN Chul 186 CHIN Hee-moon 18 CHUNG Tae-won 60 KIM Joo-sung 104 LEE Joo-ick 146 SHIN Hye-yeun 190 CHO, David 22 JEONG Seung-hye 64 KIM Kwang-seop 108 LEE Joon-dong 150 SUH Young-joo 194 CHO Kwang-hee