ROADS LEAD to ROME. You Are on One of Them
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Catalogue-Guided-Tours-Kids.Pdf
C A T A L O G U E G U I D E D T O U R S K I D S E D I T I O N The Colosseum, the largest amphitheater in the world Duration: 2 hours Our guide will be waiting for you in front of the Colosseum, the largest and most famous amphitheater in the world. You will discover together what happened inside this "colossal" building where about 50,000 spectators could enter to watch the gladiator shows offered by the Roman emperors until the fifth century. Place of incredible fun for the ancient Romans. Exotic animals, gladiators acclaimed and loved as heroes, spectacular death sentences and grandiose naumachiae. We will unveil many curiosities and false legends about the largest amphitheater in the world. The Palatine, from the Hut of Romulus to the Imperial Palace Duration: 2 hours A long time ago, between history and legend, Rome was born ... but where exactly?! On the Palatine Hill! We will start from the mythical origin of the Eternal City, when the two brothers Romulus and Remus fought for its dominion, discovering that everything started from small wooden huts, to arrive in an incredible journey through time and archaeology to the marbles and riches of the imperial palaces, admired throughout the ancient world. You will meet kings and emperors, but also shepherds and farmers! Castel Sant'Angelo, the Mausoleum of Hadrian Duration: 2 hours Our guide will be waiting for you in front of the Castle's main door to let you discover the secrets of one of the most famous monuments of ancient Rome. -
Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)
DALE KINNEY Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere) Abstract The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies ‘rewired’ their participants. This paper demon- strates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors – the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community – are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up the specific case of the Basilica Julii, showing how these three factors interacted in the con- crete conditions of a particular titular church. The basilica’s early Christian liturgical layout endured until the ninth century, when it was reconfigured by Pope Gregory IV (827-844) to bring the liturgical sub-spaces up-to- date. In Pope Gregory’s remodeling the original non-hierarchical layout was replaced by one in which celebrants were elevated above the congregation, women were segregated from men, and higher-ranking lay people were accorded places of honor distinct from those of lesser stature. These alterations brought the Basilica Julii in line with the requirements of the ninth-century papal stational liturgy. The stational liturgy was hierarchically orga- nized from the beginning, but distinctions became sharper in the course of the early Middle Ages in accordance with the expansion of papal authority and changes in lay society. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
Ancient Cities: the Archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, Second Edition
ART 2311: Art and Architecture in Rome Fall 2016 A Days (Mondays and Wednesdays), 11:30am-1:00pm Aula Magna (plus site visits on some Wednesday afternoons) COURSE DESCRIPTION: This course gives students the unique opportunity to immerse themselves in the development of the city of Rome through a study of its art, architecture and urban transformation. It focuses on the major artistic and architectural movements occurring primarily in Italy (as well as their Greek antecedents) from roughly the 8th century BCE to the 20th century CE. In the study of each period we will strive to understand Rome’s artistic and architectural works within the contexts in which they were created. Our study of art, architecture and urban planning will therefore take into account the historical, political, social, religious and cultural contexts of the patrons, artists and viewers. Particular emphasis will be placed on ancient Greece and Rome, early Christianity, the Renaissance and the Baroque periods. We will also explore the reuse, borrowing and revival of ancient artistic and architectural themes in later periods. Instructor: Office Hours: Dr. Elizabeth Robinson Monday 4:00-6:00pm, or by appointment. [email protected] If you cannot make it to these office hours, Office: 560 please let me know and we can work out Office Phone: extension 560 another time to meet. REQUIRED TEXTS: (G) Gates, C.F. Ancient Cities: The archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, second edition. (Routledge, 2011). (C) Claridge, A. Rome. An Oxford Archaeological Guide. (Oxford 1998). (CP) Coursepack (consisting of several different readings assembled specifically for this course) ADDITIONAL READINGS: Occasionally texts, articles and handouts that will supplement the texts listed above may be assigned. -
Rome Informational Booklet UCLA
WHAT STUDENTS EXPERIENTIAL ARE SAYING LEARNING ROME TRAVEL STUDY: ROMAN HISTORY ZEHRA ABBAS History and Gender Studies & CLASSICS “As a history major, it was essential to do this study abroad trip, because it contextualized the things I had learned in my classes. It's di$erent to read about the Colosseum, but it's even better to actualy visualize the Colosseum.” GARRETT KAHRE Mechanical Engineering “My favorite part of this program is how the history seems to jump out at you. I remember one day towards the beginning of the program where! we literaly ran into the Pantheon. I mean how do you accidentaly run into one of the most famous Explore the city of Rome and History can quiet the polarizing subject. architectural buildings in the world!” learn about its ancient history and It’s one thing to read of centuries past in a monuments this summer.! textbook, an another to live among the ! city where it all took place.! FRANKLIN Study the politics and culture of SPENCER Rome from its earliest foundations African American on the Palatine hill to the triumph Studies INTERESTED IN LEARNING MORE of the new religion of Christianity, “I joined the Rome Study program because I plan on being FROM A STUDENT’S and the subsequent collapse of an PERSPECTIVE? a professor, and what a better way to get experience than empire almost 1200 years later.! Visit RomeTravelStudy.blogspot.com seeing the ancient ruins for yourself! This way I could explain a history lecture fom my own perspective.” for more information and tips! COURSE CREDITS PROGRAM FEATURES In this program, Rome is your actual classroom. -
Spolia from the Baths of Caracalla in Sta. Maria in Trastevere Dale Kinney Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 1986 Spolia from the Baths of Caracalla in Sta. Maria in Trastevere Dale Kinney Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Custom Citation Kinney, Dale. 1986. " Spolia from the Baths of Caracalla in Sta. Maria in Trastevere." The Art Bulletin 68.3: 379-397. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/hart_pubs/90 For more information, please contact [email protected]. Spolia from the Baths of Caracallain Sta. Maria in Trastevere Dale Kinney Eight third-century Ionic capitals with images of Isis, Serapis, and Harpocrates, now in the nave colonnades of Sta. Maria in Trastevere, were taken from one or both of the rooms currently identified as libraries in the Baths of Caracalla. The capitals were transferred around 1140, when the church was rebuilt by Pope In- nocent II. The capitals would have been acquired by confiscation, juridically the pope's prerogative as head of the papal state; the lavish display of all kinds of spolia in Sta. Maria in Trastevere is here interpreted as a self-conscious demon- stration of that prerogative. The identity of the capitals' pagan images would have been unknown to most twelfth-century observers, because the only accessible keys to the correct identifications were one sentence in Varro's De lingua latina and another in Saint Augustine's De civitate Dei. -
Rome-Hotel-Eden-Il-Giardino-Allday
TUTTO IL GIORNO PRELIBATEZZE PRIMI Fiori di zucca al forno ripieni con ricotta, taleggio, Spaghetti cacio, pepe e curcuma €24 olive nere e pomodorini pachino €23 Tortellini di parmigiano Capesante arrostite con purea di castagne in brodo di gallina ruspante €27 e dressing al tartufo nero €32 Tagliatelle con ragù d’agnello e pecorino €38 Carciofi alla Romana €24 Tonnarelli all’uovo alla carbonara €24 Crema di ceci con baccalà all’olio e rosmarino €32 Mezzi rigatoni all’Amatriciana €24 Insalata di puntarelle e acciughe di Cetara €24 Mezzi paccheri con ragù di pesce, Insalata di mare con sedano e carote croccanti €29 molluschi, crostacei e fiori di zucca €29 Polpette alla Romana €26 Risotto al radicchio e vino rosso €26 Burratina bio “Puglia” con pomodorini e basilico €24 Gnocchi di patate con vongole e zafferano €28 Stracciatella bio “Puglia” con pomodori secchi €24 Minestrone con crema di basilico €19 Insalata di lattuga, pomodoro, olive, origano e tofu €22 Mezzi rigatoni alla Norma con tofu €23 Insalata mista €16 Trofie al pesto con patate e fagiolini €23 Assortimento di verdure grigliate €19 IL SALUMIERE PIZZA GOURMAND Prosciutto San Daniele IGP €24 LE ROSSE Prosciutto Patanegra €34 Margherita con fior di latte bio Culatta di Parma €24 e passata di pomodoro €27 Mariola di salame €20 Napoli con acciughe del Cantabrico, origano e capperi €27 Salame d’oca €20 Marinara con olio all’aglio e origano €26 Tagliere di salumi misti o salumi e formaggi €26 Diavola con fior di latte bio Selezione di formaggi del nostro chef serviti con e salamino -
Saggio Brothers
Cammy Brothers Reconstruction as Design: Giuliano da Sangallo and the “palazo di mecenate” on the Quirinal Hill this paper I will survey information regarding both the condition and conception of the mon- ument in the fifteenth and sixteenth centuries. When Giuliano saw the temple, the only fragments left standing were a portion of the façade and parts of the massive stair structure. His seven drawings of the monument were the first attempts to reconstruct the entire building, as well as the most complex and large scale reconstructions that he ever executed. The sec- ond part of this essay will compare Giuliano’s drawings with those of Peruzzi and Palladio, with the aim of demonstrating, contrary to the theory that drawings after the antique became increasingly accurate over time, that Giuliano in fact took fewer liberties in his reconstruction than did Palladio. Aside from providing some insight into Giuliano’s working method, I hope through this comparison to suggest that fif- teenth- and sixteenth-century drawings of antiquities cannot appropriately be judged according to one standard, because each archi- 1. Antonio Tempesta, Map of Rome, Giuliano da Sangallo’s drawings have suffered tect had his own particular aims. Giuliano’s 1593, showing fragments of the temple by comparison to those of his nephew, Antonio drawings suggest that he approached recon- as they appeared in the Renaissance. da Sangallo il Giovane. Although his drawings struction not with the attitude we would expect are more beautiful, they are on the whole less of a present day archaeologist, but rather with accurate, or at least less consistent in their mode that of a designer, keen to understand the ruins of representation and their use of measure- in terms that were meaningful for his own work. -
Late Renaissance 1520S
ARCG221- HISTORY OF ARCHITECTURE II Late Renaissance and Mannerism 1520s - 1580s Dr. Abdurrahman Mohamed Saint Peters cathedral in the late renaissance Giuliano de Sangallo, Giocondo and Raphael were followed by Baldasari Belotti then by de Sangallo the younger and both died by 1546. All of these architects inserted changes on the original design of Bramante. Michael Angelo was commissioned in 1546 and most of the existing design of the cathedral belongs to him. Da Snagalo the younger design for Saint Peter’s church Michelangelo plan for Saint Peter’s church Ricci, Corrado.High and late Renaissance Architecture in Italy. pXII Michelangelo dome of St Peter’s Cathedral Roof of St. Peter's Basilica with a coffee bar and a gift shop. http://www.saintpetersbasilica.org/Exterior/SP-Square-Area.htm The grand east facade of St Peter's Basilica, 116 m wide and 53 m high. Built from 1608 to 1614, it was designed by Carlo Maderna. The central balcony is called the Loggia of the Blessings and is used for the announcement of the new pope with his blessing. St. Peter’s Cathedral View from St. Peter’s square designed by Bernini http://en.wikipedia.org/wiki/File:Vatican_StPeter_Square.jpg Palazzo Farnese, De Sangallo the Younger, 1534, upper floor by Michelangelo Ground floor plan 1- Courtyard 2- Entrance hall 3- Entrance fro the square Palazzo Farnese, De Sangallo the Younger, 1534, upper floor by Michelangelo Main façade Villa Giulia Palazzo Villa Giulia http://www.flickr.com/photos/dealvariis/4155570306/in/set-72157622925876488 Quoins Mannerism 1550-1600 The architecture of late renaissance which started at the end of 3rd decade of the 16th century followed the classical origins of the early and high renaissance. -
Trastevere Guide
e-mail [email protected] web www.rome-accommodation.net Via Uffici del Vicario 33 – 00186 Roma – Italy - Tel (+39) 06 87450447 opening hours: 09.00 – 13.00 / 15.00- 18.00 TRASTEVERE AREA GUIDE Things to do in Rome | Visit our blog : blog.rome-accommodation.net/it/ Trastevere è il quartiere storico di Roma, dove è possibile ancora trovare l’autentico spirito romano. Di mattina fate una passeggiata nelle vecchie botteghe e nei suoi stretti e tortuosi vicoletti, potrete davvero vivere come un romano. Di sera il quartiere cambia completamente aspetto. E’ qui che si trovano le migliori trattorie di cucina romana, dove poter assaggiare i nostri piatti tipici come la pasta alla Carbonara o all’Amatriciana. Dopo cena potete continuare la serata in uno dei numerosi bar che affollano il quartiere. E’ la zona ideale per chi vuole vivere la città di giorno e di notte! Ecco i nostri appartamenti situati nel quartiere di Trastevere: GIANICOLO – Grande casa vacanze con 3 camere su viale Trastevere. TRASTEVERE – Appartamento per 4 persone, per famiglie o gruppi di amici. Practical information ADDRESS TEL COMMENTS Bus station Viale Trastevere: Line 3-8-H-780 Taxi station Piazza Mastai Piazza Belli 06 5815667 Taxi by phone Samarcanda 06 5551 Autoradiotaxi Roma 06 3570 Radiotaxi La Capitale 06 4994 MyTaxy www.mytaxy.com App to download Taxi to the airports Driver4You 06 87450447 Open Mon-Fri 9-13/15-18 Post Office Via Giacomo Venezian, 18G 06 589 7964 Open Mon-Fri 8.20-13.25 Sat 8.20-12-35 Largo San Giovanni de Matha 4 06 5899079 Open Mon-Fri -
Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century
Patrizio Pensabene Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century Summary This paper is a historical outline of the practice of reuse in Rome between the th and th century AD. It comments on the relevance of the Arch of Constantine and the Basil- ica Lateranensis in creating a tradition of meanings and ways of the reuse. Moreover, the paper focuses on the government’s attitude towards the preservation of ancient edifices in the monumental center of Rome in the first half of the th century AD, although it has been established that the reuse of public edifices only became a normal practice starting in th century Rome. Between the th and th century the city was transformed into set- tlements connected to the principal groups of ruins. Then, with the Carolingian Age, the city achieved a new unity and several new, large-scale churches were created. These con- struction projects required systematic spoliation of existing marble. The city enlarged even more rapidly in the Romanesque period with the construction of a large basilica for which marble had to be sought in the periphery of the ancient city. At that time there existed a highly developed organization for spoliating and reworking ancient marble: the Cos- matesque Workshop. Keywords: Re-use; Rome; Arch of Constantine; Basilica Lateranensis; urban transforma- tion. Dieser Artikel bietet eine Übersicht über den Einsatz von Spolien in Rom zwischen dem . und dem . Jahrhundert n. Chr. Er zeigt auf, wie mit dem Konstantinsbogen und der Ba- silica Lateranensis eine Tradition von Bedeutungsbezügen und Strategien der Spolienver- wendung begründet wurde. -
A N T I P a S T I I N S a L a T E F O C
Staten Island, NY Primavera 2021 A n t I p a s t i Vongole al Forno Arancini 14 Calamari 17 17 Cozze 17 Polpette 14 baked clams, smoked prosciutto, saffron risotto, bolognese, crispy Montauk calamari, Prince Edward Island mussels, Big Vic’s meatballs, Pecorino Ritz cracker crumble, pickled chilis peas, mozzarella garlic aioli, marinara white wine, Sicilian Oregano, Romano, marinara, basil sourdough toast (2 PC) (2 PC) I n s a l a t e S a l u m I e f o r m a g g i Verde 15 Prosciutto 19 mixed baby lettuces, olive oil, red wine vinegar, Month Prosciutto di Parma Riserva, Black mission figs shaved cucumbers, radishes 18 Caesar 16 Salumi 26 Little gem, rustic Caesar style dressing, marinated anchovies Chef’s selection of cured Italian meats & focaccia crisps, grana padano 18 Month Prosciutto di Parma Riserva Burrata 18 Served with Chianti Mustard & house made giardiniera arugula, eggplant caponata, pignoli nuts Formaggi 22 Antipasto 17 Chef’s Artisanal Italian cheese plate, Little gem, radicchio, arugula, roasted peppers, salami, provolone, served with chili honey & berry, basil lime jam olives, chickpeas, radishes, balsamic oregano vinaigrette F o c A C C I A A L L A R O M A N A • Per La Tavola • Family Style Roman Focaccia For the Table • Available in Half (Mezzo) or Full Caprese Calabrese 20 | 36 20 |36 Napolitano 18 | 32 local burrata cherry tomatoes, pickled red onions, Spicy soppressata, ricotta, Crushed meatball ragu, ricotta, roasted garlic & basil pesto, Calabrian hot honey, arugula, Pecorino Romano, grana padano torn basil pecorino