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LISA FISCHER BIO Lisa Fischer Is a Singer Who Really Gets Around. Her Life
LISA FISCHER BIO Lisa Fischer is a singer who really gets around. Her life is an endless round of planes, trains, and automoBiles, rehearsals and fittings. On tour with the Rolling Stones, Sting, Chris Botti or Nine Inch Nails, her name may not Be on the marquee, But she doesn't care. She's Busy loving every minute of it. It's easy to see why she works all the time: her astonishing range, her spot-on intonation, her mastery of the stage, the way her tone wraps itself around your heart and won't let go, the infectious quality of her time feel: these things keep her on top of the list. But it's the sweetness of her smile, her visiBle pleasure in watching her Bandmates do their stuff, her glamorous- girl-next-door quality that make fans all over the world think she's their own secret discovery (despite the fact that the YouTube version of her duet with Mick Jagger on 'Gimme Shelter' has millions of hits). The rest of her resume is pretty impressive too: touring, recording, and music making with Tina Turner, Chaka Khan, Beyonce, Dionne Warwick, Dolly Parton, Bobby McFerrin, Alicia Keyes, Lou Reed, Louie Vega, Aretha Franklin, John Scofield, George Benson, Laurie Anderson, Lee Ritenour, Jackie Evancho (and many others). Along with many other top session and backup singers like Darlene Love, Merry Clayton, Patti Austin, and Judith Hill, "the greatest artists you've never heard of" (but whose voices are instantly recognizable), she's featured in Morgan Neville's acclaimed documentary film Twenty Feet from Stardom, distributed By Miramax in the US and scheduled for European premieres throughout 2013-2014 season. -
C4 Music Guide
C4 Music Rights and Clearances Guide Part 1 – What do I need to clear and how much does it cost? Page. 1. Recording, Publishing and Performers Rights explained 3 2. Publishing a) Clearing publishing rights under the IPC scheme 3 b) Paying for publishing rights under the IPC scheme 4 c) Publishing Rights rate card 5 d) What about Broadcast rights? 7 3. Recordings a) Clearing recording rights 7 b) Paying for recording rights 8 4. Performers a) Clearing performers’ rights 8 b) Paying for performers’ rights 8 5. Cue Sheets and Music License forms 9 Part 2 – Clearing outside of C4’s blanket deals 1. Exceptions and Restrictions a) Respect the blankets! 11 b) Exempted artists 11 c) Appropriate Usage 11 d) Titles/Signature Music 12 e) Sponsorship and Advertising 12 f) Dramatico Musical Works 13 2. Help! My track won’t clear! a) I can’t find the track on the PRS/PPL databases 13 b) Copyright control / Non Society shares 13 c) International collecting societies 14 d) Out of copyright / Traditional / Public Domain 14 e) Sample suspense 15 3. How to clear non PRS/PPL repertoire a) Things to consider 16 i) Time Consuming 16 ii) Problematic 16 iii) Confusing 16 iv) Costly 16 b) Alternatives i) Use another track 17 ii) Use a library track 17 c) Negotiating a license i) Clearing PRS/PPL repertoire 17 ii) Clearing Non PRS/PPL repertoire 18 iii) MFN (Most Favoured Nations) 18 iv) Await Claim 18 1 Part 3 – Specialist music uses 1. Other music uses Cont…… a) Live performances by cast members 19 b) Live performances by artists or bands 19 c) Music Videos VPL 19 d) Music based shows 20 e) Dramatico Musical Works 20 f) Promos and Trailers 21 g) Online and ‘New Make’ 21 h) Clearing for DVD and DTO i) Publishing 21 ii) Recordings 22 iii) Reporting 22 2. -
David Pack Facts at a Glance 2020
David Pack Facts at a Glance 2020 David Pack has won international acclaim both for his solo work and his stellar turn as co-founder & former frontman for the progressive rock group Ambrosia. He is a Grammy-winning Producer and Music Director/Producer of global special events including both of President Clinton’s Inaugurals, charitable events for Barbra Streisand, Elton John, Billy Joel, Madonna, Fergie, and an incredible host of others. His collected works as a performer and producer have sold over 50-million units worldwide. His music mentors are friends the late Leonard Bernstein and Quincy Jones. He is a two-time Grammy winner – for Tribute: Songs of Andrae Crouch and Handel’s Messiah – a Soulful Celebration. He has been nominated for seven additional Grammys – six for Ambrosia, one for Kenny Loggins’ Return to Pooh Corner. David’s all-star group “David Pack’s Legends Live” perform across America. Artists Produced Aretha Franklin, Faith Hill, Phil Collins, Garth Brooks, Kenny Loggins, Michael McDonald, Leann Rimes, Natalie Cole, Patti LaBelle, Trisha Yearwood, Selena, Amy Grant, Wynonna Judd, Brian Setzer, TLC, Brian McKnight, Little Richard, Patti Austin, Linda Ronstadt, James Ingram, Cece Winans, Pointer Sisters, Mavis Staples, Andrae Crouch, David Benoit, Take 6, Bruce Hornsby, Branford Marsalis, Chick Corea, Steve Vai, Tevin Campbell, Jerky Boys, Paul Rodriquez, Chet Atkins, Olivia Newton John, DC Talk, Jennifer Holliday Current Projects • Solo Album in progress 2019 – Touring with David Pack’s Legends Live • Barbra Streisand Walls Album (2018) David co-wrote lyrics “Take Care of This House” (Bernstein/Lerner) • The Bubble Musical - Soundtrack Album of David’s first Musical in progress • Ambrosia Ultimate Collection w/ Unreleased New Tracks in Progress 2019 • David Pack’s Napa Crossroads (Concord Records 2014) feat. -
North Shore Magazine, September 2016
The high-caliber people defining our North Shore experience deserve special recognition. Clockwise from top left, Dawn Carroll and Patti Austin, Jo Ann Simons, Phil Cormier, Seth Moulton, and Sean Stellato photographs by, clockwise from top left, Doug Levy, Shawn Black, 145 Joe Ferraro, Jared Charney, and Pete Tschudy wisdom that Patti was giving this young girl," says Dawn Carroll, wh< co-wrote this song, "Over My Shaul der," and is executive director of the Over My Shoulder Foundation, a media-based nonprofit organiza tion that aims to raise awareness ol the impact of mentoring both cross culturally and cross-generationally Austin and Carroll, a stone designe1 with the Everett-based Cumar Mar ble and Granite, founded the Over My Shoulder Foundation together in an effort to pay forward the ben efits of mentoring that they both have experienced in their lives. "It takes a village. It really does,' says Austin. "Mentoring is being a part of that village, being on the right side of humanity." The Over My Shoulder Founda tion is a multifaceted organization, one that combines the worlds of design and music, encourages crea tivity of all kinds, connects menton with mentees, collects and shares inspiring mentoring stories, and delivers their mentoring message to the wider community through appearances and events. It's all to cultivate the art of what the organi zation calls "Mentorology." MENTORING FRIENDSHIP "We try to create and produce events to inspire people to think Two talented w omen started the Over My about mentoring," Carroll says. Shoulder Foundation to foster resp ect, diversity, She also works on mentoring with culture, and individuality through mentorship s. -
Clyde Mcphatter 1987.Pdf
Clyde McPhatter was among thefirst | singers to rhapsodize about romance in gospel’s emotionally charged style. It wasn’t an easy stepfor McP hatter to make; after all, he was only eighteen, a 2m inister’s son born in North Carolina and raised in New Jersey, when vocal arranger and talent manager Billy | Ward decided in 1950 that I McPhatter would be the perfect choice to front his latest concept, a vocal quartet called the Dominoes. At the time, quartets (which, despite the name, often contained more than four members) were popular on the gospel circuit. They also dominated the R&B field, the most popular being decorous ensembles like the Ink Spots and the Orioles. Ward wanted to combine the vocal flamboyance of gospel with the pop orientation o f the R&B quartets. The result was rhythm and gospel, a sound that never really made it across the R &B chart to the mainstream audience o f the time but reached everybody’s ears years later in the form of Sixties soul. As Charlie Gillett wrote in The Sound of the City, the Dominoes began working instinctively - and timidly. McPhatter said, ' ‘We were very frightened in the studio when we were recording. Billy Ward was teaching us the song, and he’d say, ‘Sing it up,’ and I said, 'Well, I don’t feel it that way, ’ and he said, ‘Try it your way. ’ I felt more relaxed if I wasn’t confined to the melody. I would take liberties with it and he’d say, ‘That’s great. -
“Thriller”--Michael Jackson (1982) Added to the National Registry: 2007 Essay by Joe Vogel (Guest Post)*
“Thriller”--Michael Jackson (1982) Added to the National Registry: 2007 Essay by Joe Vogel (guest post)* Original album Original label Michael Jackson Michael Jackson’s “Thriller” changed the trajectory of music—the way it sounded, the way it felt, the way it looked, the way it was consumed. Only a handful of albums come anywhere close to its seismic cultural impact: the Beatles’ “Sgt. Pepper,” Pink Floyd’s “Dark Side of the Moon,” Nirvana’s “Nevermind.” Yet “Thriller” remains, by far, the best-selling album of all time. Current estimates put U.S. sales at close to 35 million, and global sales at over 110 million. Its success is all the more remarkable given the context. In 1982, the United States was still in the midst of a deep recession as unemployment reached a four-decade high (10.8 percent). Record companies were laying people off in droves. Top 40 radio had all but died, as stale classic rock (AOR) dominated the airwaves. Disco had faded. MTV was still in its infancy. As “The New York Times” puts it: “There had never been a bleaker year for pop than 1982.” And then came “Thriller.” The album hit record stores in the fall of ‘82. It’s difficult to get beyond the layers of accolades and imagine the sense of excitement and discovery for listeners hearing it for the first time--before the music videos, before the stratospheric sales numbers and awards, before it became ingrained in our cultural DNA. The compact disc (CD) was made commercially available that same year, but the vast majority of listeners purchased the album as an LP or cassette tape (the latter of which outsold records by 1983). -
Big Al's R&B, 1956-1959
The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6. -
Finding Aid to the Historymakers ® Video Oral History with James Ingram
Finding Aid to The HistoryMakers ® Video Oral History with James Ingram Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Ingram, James Title: The HistoryMakers® Video Oral History Interview with James Ingram, Dates: September 25, 2007 Bulk Dates: 2007 Physical 7 Betacame SP videocasettes (3:13:53). Description: Abstract: Musician, songwriter, and R & B singer James Ingram (1952 - ) was a multiple Grammy Award winner. Some of Ingram's hit songs included "Just Once," "Yah Mo B There;" he also co- wrote Michael Jackson's "P.Y.T." Ingram was interviewed by The HistoryMakers® on September 25, 2007, in Washington, District of Columbia. This collection is comprised of the original video footage of the interview. Identification: A2007_272 Language: The interview and records are in English. Biographical Note by The HistoryMakers® R&B vocalist James Ingram was born on February 16, 1952, in Akron, Ohio to Alistine and Henry Ingram. Ingram was interested in music at an early age and became a self-taught musician, inspired by his musical idol, jazz organist Jimmy Smith. In the 1970s, Ingram began performing in the Akron band Revelation Funk under leader John Birkett and alongside Bernard Lawson, Sr. The group opened for the Ohio Players and performed with a variety of other Akron funk bands, including Axis and the Silky Vincent Group. In 1973, when Ingram was seventeen years old, the group traveled to Los Angeles, California, hoping to find further opportunities to perform. Although the group met with some success, recording the track “Time is on Our Side” for the soundtrack to the film Dolemite, the band was unable to sustain itself, and the group returned to Ohio. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Abstract Music Is an Essential Part of Our Lives. the World Wouldn't Be The
Abstract Music is an essential part of our lives. The world wouldn’t be the same without it. Everyone is so enthralled by music that whether they are bored or they are working, music is often times the thing that they want to have playing in the background of their life. A. The wide range of genres allows people to choose the type of music they want to listen to. The music can range from soothing and light forms to the heavy metal instrumentals and vocals. Many singers and artists are working in the music industry, and many of them have served a lot to this industry. Best sellers of the artists are appreciated in the whole world. It is known know, music knows no boundaries are when a singer does a fantastic job; they become famous all across the globe. Sadly, as time goes on musicians pass away however, their legacy remains very much alive have passed, but their names are still alive. The world still listens to their music and appreciates their work. One such singer is Michael Jackson. His album Thriller broke the records and was the best seller. No one can be neat the files of the king of pop. Similarly, Pink Floyd made records by their album The Dark Side of the Moon. It was an enormous economic and critical success. Many teens are still obsessed by the songs of Pink Floyd. AC/DC gave an album called Back in Black. This was also one of the major hits of that era. All these records are still alive. -
Jukebox Decades – 100 Hits Ultimate Soul
JUKEBOX DECADES – 100 HITS ULTIMATE SOUL Disc One - Title Artist Disc Two - Title Artist 01 Ain’t No Sunshine Bill Withers 01 Be My Baby The Ronettes 02 How ‘Bout Us Champaign 02 Captain Of Your Ship Reparata 03 Sexual Healing Marvin Gaye 03 Band Of Gold Freda Payne 04 Me & Mrs. Jones Billy Paul 04 Midnight Train To Georgia Gladys Knight 05 If You Don’t Know Me Harold Melvin 05 Piece of My Heart Erma Franklin 06 Turn Off The Lights Teddy Pendergrass 06 Woman In Love The Three Degrees 07 A Little Bit Of Something Little Richard 07 I Need Your Love So Desperately Peaches 08 Tears On My Pillow Johnny Nash 08 I’ll Never Love This Way Again D Warwick 09 Cause You’re Mine Vibrations 09 Do What You Gotta Do Nina Simone 10 So Amazing Luther Vandross 10 Mockingbird Aretha Franklin 11 You’re More Than A Number The Drifters 11 That’s What Friends Are For D Williams 12 Hold Back The Night The Tramps 12 All My Lovin’ Cheryl Lynn 13 Let Love Come Between Us James 13 From His Woman To You Barbara Mason 14 After The Love Has Gone Earth Wind & Fire 14 Personally Jackie Moore 15 Mind Blowing Decisions Heatwave 15 Every Night Phoebe Snow 16 Brandy The O’ Jays 16 Saturday Love Cherrelle 17 Just Be Good To Me The S.O.S Band 17 I Need You Pointer Sisters 18 Ready Or Not Here I The Delfonics 18 Are You Lonely For Me Freddie Scott 19 Home Is Where The Heart Is B Womack 19 People The Tymes 20 Birth The Peddlers 20 Don’t Walk Away General Johnson Disc Three - Title Artist Disc Four - Title Artist 01 Till Tomorrow Marvin Gaye 01 Lean On Me Bill Withers 02 Here -
EMR 11940 Thriller
Thriller as sung by Michael Jackson Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: Ted Parson Rod Temperton EMR 11940 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd rd 4 2 Flute 1 3 Trombone + 1 Oboe (optional) 1 Bass Trombone + 1 Bassoon (optional) 2 Baritone + 1 E Clarinet (optional) 2 E Bass st 5 1 B Clarinet 2 B Bass nd 4 2 B Clarinet 1 Tuba 4 3rd B Clarinet 1 Piano / Guitar (optional) 1 B Bass Clarinet (optional) 1 Bass Guitar (optional) 1 B Soprano Saxophone (optional) 1 Wood Blocks 2 1st E Alto Saxophone 1 Congas 1 2nd E Alto Saxophone 1 Drums 2 1st B Tenor Saxophone 1 2nd B Tenor Saxophone Special Parts Fanfare Parts 1 E Baritone Saxophone (optional) st 1 1st B Trombone 2 1 Flugelhorn 1 E Trumpet / Cornet (optional) nd nd 2 2 Flugelhorn st 1 2 B Trombone 2 1 B Trumpet / Cornet rd 1 3rd B Trombone 2 3 Flugelhorn 2 2nd B Trumpet / Cornet 1 B Bass Trombone 2 3rd B Trumpet / Cornet 1 B Baritone 2 4th B Trumpet / Cornet 1 E Tuba 2 1st F & E Horn 1 B Tuba 2 2nd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHYDISCOGRAPHY Cine Magic 33 Philharmonic Wind Orchestra & Marc Reift Orchestra N°EMR Track N° EMR Titel / Titles Komponist / Composer Blasorchester / N° Brass Band Wind Band 1 James Bond Theme Monty Norman EMR 11881 EMR 9320 (Arr.: Ted Parson) 2 Prince Caspian Harry Gregson-Williams EMR 11869