DOCSLIB.ORG

EMR 11940 Thriller

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EMR 11940 Thriller Thriller as sung by Michael Jackson Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: Ted Parson Rod Temperton EMR 11940 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd rd 4 2 Flute 1 3 Trombone + 1 Oboe (optional) 1 Bass Trombone + 1 Bassoon (optional) 2 Baritone + 1 E Clarinet (optional) 2 E Bass st 5 1 B Clarinet 2 B Bass nd 4 2 B Clarinet 1 Tuba 4 3rd B Clarinet 1 Piano / Guitar (optional) 1 B Bass Clarinet (optional) 1 Bass Guitar (optional) 1 B Soprano Saxophone (optional) 1 Wood Blocks 2 1st E Alto Saxophone 1 Congas 1 2nd E Alto Saxophone 1 Drums 2 1st B Tenor Saxophone 1 2nd B Tenor Saxophone Special Parts Fanfare Parts 1 E Baritone Saxophone (optional) st 1 1st B Trombone 2 1 Flugelhorn 1 E Trumpet / Cornet (optional) nd nd 2 2 Flugelhorn st 1 2 B Trombone 2 1 B Trumpet / Cornet rd 1 3rd B Trombone 2 3 Flugelhorn 2 2nd B Trumpet / Cornet 1 B Bass Trombone 2 3rd B Trumpet / Cornet 1 B Baritone 2 4th B Trumpet / Cornet 1 E Tuba 2 1st F & E Horn 1 B Tuba 2 2nd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHYDISCOGRAPHY Cine Magic 33 Philharmonic Wind Orchestra & Marc Reift Orchestra N°EMR Track N° EMR Titel / Titles Komponist / Composer Blasorchester / N° Brass Band Wind Band 1 James Bond Theme Monty Norman EMR 11881 EMR 9320 (Arr.: Ted Parson) 2 Prince Caspian Harry Gregson-Williams EMR 11869 EMR 9509 (Arr.: Jiři Kabát) 3 Casanova Nino Rota EMR 11862 EMR 9508 (Arr.: John Glenesk Mortimer) 4 Thriller Rod Temperton EMR 11940 EMR 9513 (Arr.: Ted Parson) 5 Jonathan Livingston Seagull Neil Diamond EMR 11878 EMR 9511 (Arr.: John Glenesk Mortimer) 6 A Fistful Of Dollars Ennio Morricone EMR 11957 EMR 9514 (Arr.: Marcel Saurer) 7 Das Land des Lächelns Franz Lehár EMR 11870 EMR 9510 (Arr.: John Glenesk Mortimer) 8 An American In Paris George Gershwin EMR 11926 EMR 9512 (Arr.: John Glenesk Mortimer) Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch Recorded on CD - Auf CD aufgenommen - Enregistré sur CD | Photocopying Thriller Rod Temperton is illegal! as sung by Michael Jackson Arr.: Ted Parson 2 3 4 5 6 7 8 9 10 11 Funky Disco q = 116 1st & 2nd Flute p cresc. poco a poco ff Oboe p cresc. poco a poco ff Bassoon p cresc. poco a poco ff 1st B b Clarinet p cresc. poco a poco ff 2nd B Clarinet b ff p cresc. poco a poco 3rd B b Clarinet ff p cresc. poco a poco Bb Bass Clarinet cresc. poco a poco p ff 1st E Alto Saxophone b p cresc. poco a poco ff f 2nd E b Alto Saxophone p cresc. poco a poco ff f 1st B b Tenor Saxophone p cresc. poco a poco ff f 2nd B b Tenor Saxophone p cresc. poco a poco ff f Eb Baritone Saxophone p cresc. poco a poco ff f 1st B b Trumpet / Cornet ff 2nd B b Trumpet / Cornet ff 3rd B b Trumpet / Cornet ff 4th B b Trumpet / Cornet ff 1st F Horn cresc. poco a poco ff f p 2nd F Horn ff f p cresc. poco a poco 1st Trombone p cresc. ff 2nd Trombone p cresc. ff 3rd Trombone p cresc. ff Bass Trombone p cresc. ff Baritone p cresc. poco a poco ff f Tuba in C cresc. poco a poco p ff f D‹9 G‹7/D G/D Dº7 D‹ F F G D‹7 D‹7 Piano / Guitar ff f (optional) p cresc. poco a poco Bass Guitar (optional) p cresc. poco a poco ff f Wood Blocks Congas f ff fill ad lib. closed Hi-Hat Drums p cresc. poco a poco f EMR 11940 ff © COPYRIGHT 1982 RODSONGS. UNIVERSAL MUSIC. USED BY PERMISSION OF MUSIC SALES EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) www.reift.ch ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED 4 12 A 13 14 15 16 17 18 Fl. 1/2 Ob. Bsn. Cl.1 Cl.2 Cl.3 B.Cl. A.Sax.1 mf A.Sax.2 mf T.Sax.1 mf T.Sax.2 mf B.Sax. mf Tpt./ Cnt.1 mf Tpt./ Cnt.2 mf Tpt./ Cnt.3 mf Tpt./ Cnt.4 mf Hn.1 Hn.2 Tbn.1 mf Tbn.2 mf Tbn.3 mf B.Tbn. mf Bar. Tba. mf G/D D‹7 G/D Pno./ Gtr. mf Bass mf W.B. Cga. mf Drums mf EMR 11940 www.reift.ch 5 19 20 21 22 23 24 25 Fl. 1/2 mf Ob. mf Bsn. mf Cl.1 mf Cl.2 mf Cl.3 mf B.Cl. mf A.Sax.1 A.Sax.2 T.Sax.1 T.Sax.2 B.Sax. Tpt./ Cnt.1 Tpt./ Cnt.2 Tpt./ Cnt.3 Tpt./ Cnt.4 Hn.1 mf Hn.2 mf Tbn.1 Tbn.2 Tbn.3 B.Tbn. Bar. mf Tba. D‹7 G/D D‹7 G/D Pno./ Gtr. .
Load more

Recommended publications
  • C4 Music Guide
    C4 Music Rights and Clearances Guide Part 1 – What do I need to clear and how much does it cost? Page. 1. Recording, Publishing and Performers Rights explained 3 2. Publishing a) Clearing publishing rights under the IPC scheme 3 b) Paying for publishing rights under the IPC scheme 4 c) Publishing Rights rate card 5 d) What about Broadcast rights? 7 3. Recordings a) Clearing recording rights 7 b) Paying for recording rights 8 4. Performers a) Clearing performers’ rights 8 b) Paying for performers’ rights 8 5. Cue Sheets and Music License forms 9 Part 2 – Clearing outside of C4’s blanket deals 1. Exceptions and Restrictions a) Respect the blankets! 11 b) Exempted artists 11 c) Appropriate Usage 11 d) Titles/Signature Music 12 e) Sponsorship and Advertising 12 f) Dramatico Musical Works 13 2. Help! My track won’t clear! a) I can’t find the track on the PRS/PPL databases 13 b) Copyright control / Non Society shares 13 c) International collecting societies 14 d) Out of copyright / Traditional / Public Domain 14 e) Sample suspense 15 3. How to clear non PRS/PPL repertoire a) Things to consider 16 i) Time Consuming 16 ii) Problematic 16 iii) Confusing 16 iv) Costly 16 b) Alternatives i) Use another track 17 ii) Use a library track 17 c) Negotiating a license i) Clearing PRS/PPL repertoire 17 ii) Clearing Non PRS/PPL repertoire 18 iii) MFN (Most Favoured Nations) 18 iv) Await Claim 18 1 Part 3 – Specialist music uses 1. Other music uses Cont…… a) Live performances by cast members 19 b) Live performances by artists or bands 19 c) Music Videos VPL 19 d) Music based shows 20 e) Dramatico Musical Works 20 f) Promos and Trailers 21 g) Online and ‘New Make’ 21 h) Clearing for DVD and DTO i) Publishing 21 ii) Recordings 22 iii) Reporting 22 2.
    [Show full text]
  • “Thriller”--Michael Jackson (1982) Added to the National Registry: 2007 Essay by Joe Vogel (Guest Post)*
    “Thriller”--Michael Jackson (1982) Added to the National Registry: 2007 Essay by Joe Vogel (guest post)* Original album Original label Michael Jackson Michael Jackson’s “Thriller” changed the trajectory of music—the way it sounded, the way it felt, the way it looked, the way it was consumed. Only a handful of albums come anywhere close to its seismic cultural impact: the Beatles’ “Sgt. Pepper,” Pink Floyd’s “Dark Side of the Moon,” Nirvana’s “Nevermind.” Yet “Thriller” remains, by far, the best-selling album of all time. Current estimates put U.S. sales at close to 35 million, and global sales at over 110 million. Its success is all the more remarkable given the context. In 1982, the United States was still in the midst of a deep recession as unemployment reached a four-decade high (10.8 percent). Record companies were laying people off in droves. Top 40 radio had all but died, as stale classic rock (AOR) dominated the airwaves. Disco had faded. MTV was still in its infancy. As “The New York Times” puts it: “There had never been a bleaker year for pop than 1982.” And then came “Thriller.” The album hit record stores in the fall of ‘82. It’s difficult to get beyond the layers of accolades and imagine the sense of excitement and discovery for listeners hearing it for the first time--before the music videos, before the stratospheric sales numbers and awards, before it became ingrained in our cultural DNA. The compact disc (CD) was made commercially available that same year, but the vast majority of listeners purchased the album as an LP or cassette tape (the latter of which outsold records by 1983).
    [Show full text]
  • Abstract Music Is an Essential Part of Our Lives. the World Wouldn't Be The
    Abstract Music is an essential part of our lives. The world wouldn’t be the same without it. Everyone is so enthralled by music that whether they are bored or they are working, music is often times the thing that they want to have playing in the background of their life. A. The wide range of genres allows people to choose the type of music they want to listen to. The music can range from soothing and light forms to the heavy metal instrumentals and vocals. Many singers and artists are working in the music industry, and many of them have served a lot to this industry. Best sellers of the artists are appreciated in the whole world. It is known know, music knows no boundaries are when a singer does a fantastic job; they become famous all across the globe. Sadly, as time goes on musicians pass away however, their legacy remains very much alive have passed, but their names are still alive. The world still listens to their music and appreciates their work. One such singer is Michael Jackson. His album Thriller broke the records and was the best seller. No one can be neat the files of the king of pop. Similarly, Pink Floyd made records by their album The Dark Side of the Moon. It was an enormous economic and critical success. Many teens are still obsessed by the songs of Pink Floyd. AC/DC gave an album called Back in Black. This was also one of the major hits of that era. All these records are still alive.
    [Show full text]
  • Gradations of Thrills, Kicks and Moonwalks: a Textual and Cultural Analysis of the Effects of Michael Jackson, the Legend and Thriller, the Legendary
    GRADATIONS OF THRILLS, KICKS AND MOONWALKS: A TEXTUAL AND CULTURAL ANALYSIS OF THE EFFECTS OF MICHAEL JACKSON, THE LEGEND AND THRILLER, THE LEGENDARY Kasey Cullors A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2011 Committee: Dr. Jeffrey Brown, Advisor Dr. Kristen Rudisill, Thesis Chairperson Dr. Jeremy Wallach Dr. Angela Nelson ii ABSTRACT This research seeks to surface the social, cultural and political effects of Michael Jackson’s “Thriller.” As a whole, this body of work investigates the performative elements of “Thriller” as discourse. Using Ferdinand de Saussure’s semiotic approach, Mikhail Bakhtin’s heteroglossia and theory of the carnivalesque, Karl Marx’s concept of commodity fetishism, Thorstein Veblen’s notion of conspicuous consumption and Homi Bhabha’s concept of mimicry, this study finds that Jackson is able to be filtered through rituals and traditions in order to produce an image that is not only larger than life, but extremely malleable and able to signify a variety of cultural conditions. Thinkers are challenged to see Michael Jackson, through the work of “Thriller” as a multifarious entity, worth more than mere entertainment value. The examination of “Thriller” establishes that although Jackson is a popular culture icon, his relevance and influence exceed the arena in which he primarily performed. Jackson, as a complex figure, is more than an entertainer; he is a performance. Inasmuch as others depict elements of “Thriller,” its very concept is rooted in the anticipated future reinterpretation and redistribution of other performances.
    [Show full text]
  • Cash Box NY Telex: 666123 Tists (Page 7)
    UA-LA958-I Featuring ^ “Days Gone Down On United Artists Records in .C 1979 LIBERTY UNITED RECORDS. INC . LOS ANGELES CALIFORNIA 90028 UNITED ARTISTS RECORDS IS A TRADING NAM.F VOLUME XLI — NUMBER 3 — JUNE 2, 1979 FHE INTERNATIONAL MUSIC RECORD WEEKLY C4SH GEORGE ALBERT President and Publisher ? 5 MEL ALBERT “An Apple A Day Vice President and General Manager EDITORML CHUCK MEYER value. billboard. Director of Marketing Records are your best entertainment DAVE FULTON With near unanimous agreement that the Considering that consumers are looking for the In Chief Editor aforementioned maxim is true, it is time to let others most for their money, the time is right to let them J.B. CARMICLE realize this secret. know the investment value of music. With minimal General Manager. East Coast And the great hook to this is that it can be done care, a consumer can spend $4-6and haveawork of JIM SHARP Director, Nashville without a costly advertising campaign which also re- art for a lifetime. East Coast Editorial quires executives from various labels to agree to a This simple program needs to be coordinated KEN TERRY East Coast Editor CHARLES PAIKERT budget and a creative approach. Quite simply, a through the RIAA or another industry organization LEO SACKS AARON FUCHS series of phone calls and verbal agreements are all that will take the initiative to promote the concept to West Coast Editorial that is needed. the manufacturers. In a matter of days, the plan ALAN SUTTON. West Coast Editor JOEY BERLIN — RAY TERRACE Whenever a manufacturer advertises his albums, could be instituted.
    [Show full text]
  • MICHAEL JACKSON 101 Greatest SONGS
    MICHAEL JACKSON 101 101 GrEAtESt Songs MICHAEL JACKSON 101 101 GrEAtESt Songs &E Andy Healy MICHAEL JACKSON 101 101 GrEAtESt Songs . Andy Healy 2013 Dedicated first and foremost to Michael Jackson and the Jackson family for a lifetime of music. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And to all the musicians, writers, arrangers, engineers and producers written works are credited to Andy Healy as author. This Creative Commons licence does not who shared their talents and brought these musical masterpieces into being. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This book is also dedicated to the fans the world over - new, old, and yet to be - who by exploring the richness in the art will ensure Michael’s musical legacy I do not claim any ownership of the photographs featured and all rights reside with the original and influence continues on. copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. Finally thanks to Trish who kept the encouragement coming and to all who welcomed this book with open arms. This is a book by a fan for the fans. &E any great books have been written about Michael’s music and artistry. This Mcollection of 101 Greatest Songs is by no means absolute, nor is in intended to be.
    [Show full text]
  • SPINNER, RUN" (Prod
    NEWSPAPER fr MARCH 21, 1981 $2.75 Rick Nelson Dia10 ue Hits of the Week SINGLES ALBUMS REO SPEEDWAGON, "TAKE IT ON THE THE WHO, "YOU BETTER YOU BET" (prod. SPINNERS, "LABOR OF LOVE." As SPINNER, RUN" (prod. by Cronin-Richrath- by Szymczyk) (writer: Towns - the "Yester -y ..." medley bullets Beamish) (writer: Richrath) (Bud- held) (Towser Tunes, BMI) (3:58) upwards .3b five strong voices dy, BMI) (3:35). "Keep On Loving r Flashy electronic keyboards b. er to rock you with Wil- You" bulleted to =1, signalling us -tor 3n Roger Daltrey's souped ss "Long Live Soul Music" the arrival of this band as a ma- up pop vocal on this label d harmonize on a slow ballad, jor pop radio force. This power and ïnl release from the 'A Man Don't Just Know What A ballad follow-up is another block- Bred group's forthcoming `r E Woman Goes Through.'' Atlantic SD buster. Epic 19-01054. Dances" LP. WB 49698. 16032 (8.98). KOOL & THE GANG, "TAKE IT TO THE STYX, "TOO MUCH TIME ON MY HANDS" TED NUGENT, "INTENSITIES IN 10 TOP" (prod. by Deodato) (writers: (prod. by group) writer: Shaw) CITIES." What wou d cave men Bell - group) (Delightful / Fresh (Stygian /Almo, °ASCAP) (4:24). have done with electric guitars? Ted Start, BMI) (3:36). It's appropriate Tommy Shaw's vocal is a perfect continues to ask the musical ques- that this single-with its trium- vehicle for this message about tion on an LP of 10 new tunes re- phant title-follows the =1 "Cele- modern man's boredom.
    [Show full text]
  • The University of Richmond Jazz Ensemble
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 4-13-2009 The niU versity of Richmond Jazz Ensemble Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "The nivU ersity of Richmond Jazz Ensemble" (2009). Music Department Concert Programs. 468. https://scholarship.richmond.edu/all-music-programs/468 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 3 3082 01023 8144 THE DEPARTMENT OF MUSIC Presents in Concert The University of Richmond Jazz Er.relffbfe Conducted by Dr. Mike Davison "A Celebration of Michael Jackson, Paul McCartney and other Pop Icons" 1009 Monday, April13, 111M 7:30p.m. Camp Concert Hall Booker Hall of Music "A Celebration of Michael Jackson, Paul McCartney and other Pop Icons" THE UNIVERSITY OF RICHMOND JAZZ ENSEMBLE Opening Video Michael Jackson: HIStory Video excerpt I. Benny Goodman VIDEO: Benny Goodman Orchestra, performing "Sing, Sing, Sing," Carnegie Hall, 1938 Sing, Sang, Sung Louis Prima arr. Gordon Goodwin II. Ray Charles Georgia On My Mind Hoagie Carmichael arr. Sammy Nestico Soloist: Elliot Case-Schreur, alto saxophone VIDEO: Ray Charles, performing "Georgia On My Mind," Dick Cavett Show, 1973 III. Sam and Dave, Blues Bros VIDEO: Sam & Dave, 1968; Blues Bros, 1978, Saturday Night Live, performing "Soul Man" Soul Man Isaac Hayes and David Porter arr.
    [Show full text]
  • This Day in History
    This Day in History February 19 1473 Nicolaus Copernicus, the first modern European scientist to propose that the earth revolves around the sun, is born in Poland 1807 Former U.S. vice president Aaron Burr is arrested in Alabama on charges of treason 1847 The first rescuers reach surviving members of the Donner Party, a group of California-bound emigrants stranded by snow in the Sierra Nevada Mountains 1878 Thomas Edison patents the phonograph, the first device to both record and play back sound 1884 A series of 37 tornadoes sweeps across the Southeast, killing 167 people 1942 10 weeks after Pearl Harbor, FDR signs Executive Order 9066, authorizing the internment of Japanese Americans on the West Coast 1945 U.S. Marines invade the Japanese island of Iwo Jima—it becomes one of the most brutal battles of World War II 1956 The Five Satins record their hit song “In the Still of the Night” in the basement of Saint Bernadette Church in New Haven, Connecticut 1963 British singer- songwriter Seal, whose real name is Seal Henry Olusegun Olumide Adeola Samuel, is born in Paddington, England 1980 Bon Scott, Australian rock band AC/DC’s lead singer, dies at the age of 33 “acute alcohol poisoning” after a night of excessive drinking—he was replaced by Englishman Brian Johnson for the band’s Back in Black album that was released 5 months later 1981 English singer-songwriter and drummer Phil Collins of the band Genesis releases his debut solo album, Face Value—the album features the iconic song “In the Air Tonight” 1983 “Baby, Come to Me,” a duet by
    [Show full text]
  • PRIDE 2020 Staying in Singing
    PRIDE 2020 Staying IN CHOIR Lyrics & music by Pat Humphries Arranged by Steve Milloy Singing OUT Performed by ANNA Crusis Women’s Choir Has anybody seen the choir? I want to preach to the converted I want to see them rising up June 30, 2020 Don’t wanna see one gaze averted Don’t wanna have to prove a point Just wanna know they’re on my side Just wanna smile and inspire Has anybody seen the choir? Has anybody seen the church? Though we may never reach consensus Maybe that’s where I can find them Hope is still within our reach Standing tall against the fray We can learn to move together Strength and unity behind them Put some motion in our speech Have they gathered at the river? We are a mighty congregation Are they washed upon the shore? With strength beyond our means Have they set the world on fire? We have the passion and desire Has anybody seen the choir? Has anybody seen the choir? Has anybody seen the choir? Has anybody seen the choir? I want to preach to the converted I want to preach to the converted I want to see them rising up I want to see them rising up Don’t wanna see one gaze averted Don’t wanna see one gaze averted Don’t wanna have to prove a point Don’t wanna have to prove a point Just wanna know they’re on my side Just wanna know they’re on my side Just wanna smile and inspire Just wanna smile and inspire Has anybody seen the choir? Has anybody seen the choir? Just wanna smile and inspire Are they teaching in the schools? Has anybody seen the choir? Are they drinking in the bars? Woo hoo hoo! Are they making all the rules?
    [Show full text]
  • Thriller” (1982) by Michael Jackson (1982) Added to the National Recording: 2007 Essay by Joe Vogel (Guest Post)*
    “Thriller” (1982) by Michael Jackson (1982) Added to the National Recording: 2007 Essay by Joe Vogel (guest post)* Original album Original label Michael Jackson Michael Jackson’s “Thriller” changed the trajectory of music—the way it sounded, the way it felt, the way it looked, the way it was consumed. Only a handful of albums come anywhere close to its seismic cultural impact: the Beatles’ “Sgt. Pepper,” Pink Floyd’s “Dark Side of the Moon,” Nirvana’s “Nevermind.” Yet “Thriller” remains, by far, the best-selling album of all time. Current estimates put U.S. sales at close to 35 million, and global sales at over 110 million. Its success is all the more remarkable given the context. In 1982, the United States was still in the midst of a deep recession as unemployment reached a four-decade high (10.8 percent). Record companies were laying people off in droves. Top 40 radio had all but died, as stale classic rock (AOR) dominated the airwaves. Disco had faded. MTV was still in its infancy. As “The New York Times” puts it: “There had never been a bleaker year for pop than 1982.” And then came “Thriller.” The album hit record stores in the fall of ‘82. It’s difficult to get beyond the layers of accolades and imagine the sense of excitement and discovery for listeners hearing it for the first time--before the music videos, before the stratospheric sales numbers and awards, before it became ingrained in our cultural DNA. The compact disc (CD) was made commercially available that same year, but the vast majority of listeners purchased the album as an LP or cassette tape (the latter of which outsold records by 1983).
    [Show full text]
  • Michael Jackson Thriller
    MICHAEL JACKSON 101 THRILLER MICHAEL JACKSON 101 THRILLER &E Andy Healy MICHAEL JACKSON 101 THRILLER . Andy Healy 2017 Dedicated to Michael for proving that dreams can come true and that music can unite people of different races, creeds and ideologies the world over. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all written works are credited to Andy Healy as author. This Creative Commons licence does not This special THRILLER Supplement is also dedicated to the producers, engineers, extend to the copyrights held by the photographers and their respective works. songwriters and musicians who helped bring Michael’s vision and music to life. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. By a fan for the fans. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. &E THRILLER hriller. Before the awards and the accolades. There Just the mere35 mention of the album was simply Thriller, the follow up to Michael’s T throws up a string of iconic images and landmark 1979 album Off the Wall. record shattering statistics. Michael, no longer just considered the twirling Yes, it is the biggest selling album of all time. Wunderkind of The Jackson 5, had proven himself as a viable solo artist with his disco- Yes, it spent a record-breaking thirty-seven weeks defying breakout.
    [Show full text]