Der Clown MITTWOCH, 3
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Liv Som Arn Julfesten Biohelgen Göteborg I 8
NÖJE I 13 I 14 I 15–16 Mikael om sitt Guide till bästa City kollar hela LIV SOM ARN JULFESTEN BIOHELGEN GÖTEBORG I 8 SSILVIAILVIA I SSTORTOR 12 sept 2006–21 dec 2007 JJULINTERVJUULINTERVJU Tack alla läsare nu säger vi adjö Det är med sorg i hjärtat som jag tvärs emot.” Men även vår framtids- packar ihop på City och går vidare. siarartikel ”Så lever vi i Göteborg om För det har varit en fantastisk tid. Ett tio år” prisades för att det var en kul drygt år fylld med inspiration, glädje idé där vi tänkt till på många olika och intressanta möten med läsare. områden. Trots att City försvinner från Göte- Förutom de här två reportagen är borg vet jag att vi gjort ett intryck. det mycket annat vi är nöjda med. Göteborg City har haft drygt tre Här intill kan ni läsa mer om våra läsare per tryckt tidning. Det om olika artiklar och serier. något är en fantastisk siffra och ett betyg på hur ni, läsarna, ser tidningen Jag är omåttligt stolt över min fan- som något värdefullt. För det betyder tastiska redaktion. Vi har lärt oss att du, din arbetskamrat eller din mycket under den här tiden och har familjemedlem tagit tidningen med alla utvecklats. Jag är säker på att alla sig någonstans och låtit minst två kommer gå vidare till nya, djärva ut- personer till ta del av den. maningar. Kolportörerna har varit vårt ansikte Göteborg City har även blivit prisad utåt, Citys förlängda arm i stads- för några reportage som vi haft i tid- bilden. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
Digital Teknik Blir Teaterns Fjärde Ben Filmbranschen Kritisk Till
Teaterförbundets tidning NR: 6-2015 Bredd skapar frihet för Sharon Dyall Filmbranschen kritisk till momsfinansiering Digital teknik blir teaterns fjärde ben LEDARE Filmpolitikens innehåll lika viktigt som finansiering närligt verksamma. Du kan läsa mer om vad det innebär i den Det kommer att bli en het filmhöst, lita på det! Det folder som följer med detta nummer av scen & film. märktes redan efter det att kulturministern i maj meddelade att I förutsättningarna för avtalet ingick att regeringen öron- det otidsenliga filmavtalet ska upphöra och en ny filmpolitik märkte de pengar som frigjordes genom förändrade pensionsreg- byggas upp. Teaterförbundet för scen och film välkomnade be- ler för så kallade kvalitetsstärkande insatser. Dessa uppgår inled- skedet, men det gör långt ifrån alla parter. ningsvis till 60 miljoner kronor per år för att senare öka till 120 Under politikerveckan i Almedalen höjdes flera röster till för- miljoner och ska användas för bland annat kompetensutveckling. svar för den nuvarande avtalsmodellen och man menar att förslag Det är nu viktigt att regeringen lever upp till dessa utfästelser och om momshöjning blir till en biografdöd på mindre orter. att pengarna inte blir en allmän kompensation för den urholk- Remisstiden för det förslag som utarbetats inom kulturdepar- ning som skett av de statliga anslagen för scenkonsten. tementet avslutades i början av augusti och i december ska enligt Också när det gäller den fria scenkonsten finns stora och berät- planerna riksdagen presenteras ett förslag att ta ställning till. tigade förväntningar. Det upprop som Teaterförbundet tillsam- I remissvaren kan man läsa både ett stort stöd för en helstatlig mans med Danscentrum och Teatercentrum formulerade före filmpolitik och ett brett motstånd mot den höjda biografmomsen valet fick ett mycket positivt gensvar men de konkreta förslagen som är tänkt att ligga till grund för finansieringen av den fram- återstår att förverkliga. -
Copyright by Jodi Heather Egerton 2006
Copyright by Jodi Heather Egerton 2006 The Dissertation Committee for Jodi Heather Egerton Certifies that this is the approved version of the following dissertation: “Kush mir in tokhes!”: Humor and Hollywood in Holocaust Films of the 1990s Committee: _________________________ Mia Carter, Co-Supervisor _________________________ Ann Cvetkovich, Co-Supervisor _________________________ Pascale Bos _________________________ John Ruszkiewicz _________________________ Phillip Barrish “Kush mir in tokhes!”: Humor and Hollywood in Holocaust Films of the 1990s by Jodi Heather Egerton, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2006 Dedication For Grandma Gertie and Grandma Gert, for filling me with our stories. For Owen, my beloved storyteller. For Arden, the next storyteller. Acknowledgements Thank you to Ann Cvetkovich and Mia Carter, for your unending support and insight, to Sabrina Barton and Phil Barrish, for guiding me especially in the early stages of the project, to Pascale Bos, for the scoop, and to John Ruszkiewicz, for helping me to discover who I am as a teacher and a scholar. Thank you to my early academic mentors, Abbe Blum, Nat Anderson, Alan Kuharski and Tom Blackburn, and my early academic colleagues Rachel Henighan, Megin Charner, and Liza Ewen, my Swarthmore community who continue to inspire me. Thank you to Joyce Montalbano, my second and fifth grade teacher, who honored the spark she saw in me and showed me the excitement of an intellectual challenge. Thank you to Eliana Schonberg and Ashley Shannon, because I can’t imagine any of this without you. -
The Last Laugh
THE LAST LAUGH A Tangerine Entertainment Production A film by Ferne Pearlstein Featuring: Mel Brooks, Carl Reiner, Sarah Silverman, Robert Clary, Rob Reiner, Susie Essman, Harry Shearer, Jeffrey Ross, Alan Zweibel, Gilbert Gottfried, Judy Gold, Larry Charles, David Steinberg, Abraham Foxman, Lisa Lampanelli, David Cross, Roz Weinman, Klara Firestone, Elly Gross, Deb Filler, Etgar Keret, Shalom Auslander, Jake Ehrenreich, Hanala Sagal and Renee Firestone Directed, Photographed and Edited by: Ferne Pearlstein Written by: Ferne Pearlstein and Robert Edwards Produced by: Ferne Pearlstein and Robert Edwards, Amy Hobby and Anne Hubbell, Jan Warner 2016 / USA / Color / Documentary / 85 minutes / English For clips, images, and press materials, please visit our DropBox: http://bit.ly/1V7DYcq U.S. Sales Contacts Publicity Contacts [email protected] / 212 625-1410 [email protected] Dan Braun / Submarine Janice Roland / Falco Ink Int’l Sales Contacts [email protected] [email protected] / 212 625-1410 Shannon Treusch / Falco Ink Amy Hobby / Tangerine Entertainment THE LAST LAUGH “The Holocaust itself is not funny. There's nothing funny about it. But survival, and what it takes to survive, there can be humor in that.” -Rob Reiner, Director “I am…privy to many of the films that are released on a yearly basis about the Holocaust. I cannot think of one project that has taken the approach of THE LAST LAUGH. THE LAST LAUGH dispels the notion that there is nothing new to say or to reveal on the subject because this aspect of survival is one that very few have explored in print and no one that I know of has examined in a feature documentary.” -Richard Tank, Executive Director at the Simon Wiesenthal Center SHORT SYNOPSIS THE LAST LAUGH is a feature documentary about what is taboo for humor, seen through the lens of the Holocaust and other seemingly off-limits topics, in a society that prizes free speech. -
The Parkes Institute for the Study of Jewish
The Parkes Institute for the study of Jewish/non-Jewish relations Annual Review 2015 - 2016 In summer 2016, Kathrin Pieren and Tony Kushner organised the first Parkes International Workshop on 1 Jewish Heritage, generously supported by the Rothschild Foundation Europe (Hanadiv). See page 13 for the full report. Here, the value of the hand-in-hand of museum work and academic research was illustrated by the excellent talk by Dr Alla Sokolova, Curator at the State Museum of the History Religions in St Petersburg and Lecturer at the European University of St Petersburg. She presented the results of a field study related to an exhibition of Jewish family heirlooms that she organised a few years ago. The exhibits, many of them everyday items such as photographs or pieces of clothing, were charged with meaning by the lenders, Jewish individuals, some of whom are shown in the pictures on this page. 3 3 4 7 2 1. Natalia F. shows her 2 father’s tallit 2. Boris F. with a Kiddush glass 3. Ulia O. with candlesticks and a wine decanter 4. The Holy Union Temple in Bucharest 5. Mrs. L. during the interview 6. Mr Futeran at his home in Tomash’pol 7. INGER Hersh (cover), KHASHCHEVATSKY M. (text), In Shveren Gang, Kharkov, 1929 5 In this review Report of the Director of the Parkes Institute, Professor Joachim Schlör 4 The Parkes Jubilee Celebrations 7 In memoriam David Cesarani (1956 to 2015) 8 Parkes Institute Outreach Report 2015-16 10 Conferences, Workshops, Lecturers and Seminars 13 Journals of the Parkes Institute 16 Development 17 Internationalisation -
JOE HILL » by Mårten Blomkvist the International
About « JOE HILL » By Mårten Blomkvist The international hit "Elvira Madigan" (1967), based on a true story about a Swedish drama of passion at the end of the 19th century, made Bo Widerberg one of the most sought after European film directors. It was only a matter of time before he would be doing filming in USA. "Joe Hill" was the project that brought him over. It turned into a powerful film, against all odds, for the filming process was extremely difficult, to the point that the film was officially called off a month into shooting. As with "Elvira", this was a true story. Joe Hill was originally Swede Joel Hägglund (1879- 1915), who with his brother arrived in USA 1902. Hill became engaged in the workers movement, and wrote rousing songs for them, setting new lyrics to Salvation Army-hits. The organization Industrial Workers of the World met with hard resistance from employers, who used all means to hold back the creation of unions. 1915 Hill was sentenced to death, accused of a murder during a robbery gone wrong. The trial was geared to result in a guilty verdict, and met with protests from around the world. Nevertheless, Hill was executed on November 19. The subject was a natural for Widerberg, who had started out wanting to put working class people and their struggles on the screen, having looked for them in vain in contemporary Swedish cinema. Widerberg was also keen to shoot the Norman Mailer novel "The deer park", a dream that stayed with him over the years, but finally "Joe Hill" was decided on, a co- production between Widerberg and Paramount. -
Swedish Film Magazine #1 2008
SWEDISH FILM NO.1/08 BERLIN PREMIERES:HEAVEN’S HEART LEO CIAO BELLA SPENDING THE NIGHT TOMMY MY UNCLE LOVED THE COLOUR YELLOW www.swedishfi lm.orgXX XX XX SWEDISH FILM NO. 1 2008 FOREWORD A NEW SPRING FOR SWEDISH FILM Director International Pia Lundberg On one of last summer’s sunniest days we received the news that Ingmar Bergman Department Phone +46 70 692 79 80 pia.lundberg@sfi .se had passed away at his home on Fårö at the age of 89. The stream of condolences that Festivals, features Gunnar Almér poured in from all over the world reminded us Swedes just how great Bergman truly was. Im- Phone +46 70 640 46 56 gunnar.almer@sfi .se mediately the question was being asked as to who would inherit Bergman’s mantle. The answer Features, special Petter Mattsson projects Phone +46 70 607 11 34 is nobody. Or lots of people. Because in the new Swedish fi lms that are emerging, one can de- petter.mattsson@sfi .se tect a strong measure of personal expression and the re-emergence of the auteur tradition. Festivals, Sara Yamashita Rüster documentaries Phone +46 76 117 26 78 An impressive year of Swedish fi lms awaits us. Many of our most successful, award- sara.ruster@sfi .se winning and internationally-acclaimed directors will be presenting new fi lms this year. They Festivals, short fi lms Andreas Fock Phone +46 70 519 59 66 include Lukas Moodysson (Show Me Love, Together, Lilya 4-ever) whose fi rst major interna- andreas.fock@sfi .se tional collaboration, Mammoth, will star Gael Garcia Bernal and Michelle Williams in the Press Offi cer Jan Göransson Phone +46 70 603 03 62 leading roles. -
The Girl Who Played with Fire
PRESENTS THE GIRL WHO PLAYED WITH FIRE NZ Marketing & Publicity enquiries: Adria Buckton, Trigger Marketing & Publicity [email protected] 09 834 33 48 / 021 498 086 Runtime : 129mins Censors Rating : R16 violence, sexual violence, offensive language and content that may disturb New Zealand Release Date : 5th August 2010 Zodiak Entertainment presents a Yellow Bird production a co-production with ZDF Enterprises, Sveriges Television, Nordisk Film ZDF and Filmpool Stockholm Mälardalen, Film i väst, Spiltan underhållning with the support of the Swedish Film Institute a film by Daniel Alfredson THE GIRL WHO PLAYED WITH FIRE Zodiak Entertainment and Yellow Bird are proud to present the second part of the film version of Stieg Larsson’s world-famous Millennium Trilogy: The Girl Who Played With Fire . In this follow-up to Men Who Hate Women (a.k.a. The Girl With the Dragon Tattoo in the UK and the US) , the focus falls on the character of Lisbeth Salander. Accused of a triple murder, she is drawn into tangled web of intrigue that leads back to her murky past, while Mikael Blomkvist does everything in his power to prove that she is innocent. Michael Nyqvist and Noomi Rapace continue to play the leading roles, accompanied by a very notable ensemble, including Lena Endre, Peter Andersson and Per Oscarsson. The experienced Daniel Alfredson directs. The first film in the series, Men Who Hate Women , premiered in Scandinavia in early 2009 and has since enjoyed massive success in cinemas in Europe. It has been seen by a total of more than seven million viewers, of which 2.8 million in the Nordic region, 1.2 million in France and 1.5 million in Spain. -
5G Peter Cowie's Swedish Thesis: 1 They're Film Actors
46 INTERNATIONAL f^RjffY Wednesday, May 31,1978 year and are also allowed to con duct matinees on weekdays even in 'Betsy' Sock $41,882, London; village areas. The distance factor also has been narrowed down to I INTERNATJONAI SouNdTRAckj such extent that two villages on ei 'Action' Fair 15G, 'Stickup' 5G ther side of a river are permitted to London, May 30. have separate cinemas within a London Belated arrival of spring ap Schein No Subordinate mile of each other. London-based film director Cy Endfield who co-wrote Samarkand's pears to have clipped firstrun totals Towards the end of 1977 there upcoming "Zulu Dawn" — he also directed the original "Zulu" (Embas Stockholm, May 30. were concerted movements for the in the round herein covered. Biz was Harry Schein, here at Cannes sy) in 1964 — has invented a computerized pocket typewriter which, he substantially off from the previous construction of purely utilitarian reports, works on a simple picture code which can be learned in around Film Festival told about having cinemas with reduced seating capa lap, and even some of the stronger turned down an offer to stay on half an hour ... Paramount's "The Godfather" had its British tv first run entries softened. But "The Betsy" cities to serve the interests of a clus Sunday night (28) via BBC. as manager of the Swedish ter of villages. Maybe 100 new bucked the drift handsomely. The Film Institute but not as chair Anil Bhimjiyani and Royston L. Byrne of Success Films picked up United'Artists release opened with a cinemas will be added to the total by man. -
Pacific Palisades
Palisadian-Post Serving the Community Since 1928 20 Pages Thursday, August 24, 2017 ◆ Pacific Palisades, California $1.50 LAPD Using ‘Al Capone’ Playbook to Thwart Ruthless Ryderz By GABRIELLA BOCK and have to pay hefty fines […] Reporter they’ll tell their friends—a few rounds of this and they’ll go out n an effort to make Sunset seek out someplace else to ride.” Boulevard safer, the Los An- Spearheaded by Alphabet Igeles Police Department has for- Streets resident Paula Leonhaus- mulated a back-door approach to er, the task force was devised in crackdown on illegal motorbike the wake of the fatal crash on activity in Pacific Palisades. April 2 between members of the On Thursday, Aug. 17, Ruthless Ryderz and a vehicle LAPD made a guest appear- carrying four teenagers at the ance at the Sunset Corridor Task intersection of Sunset Boulevard Force’s commemorative meet- and Chautauqua Avenue. ing, revealing its plan for action. The incident, which is still Instead of focusing on speed under investigation, took the life crimes, which often don’t go to of 38-year-old Ruthless Ryder trial if not clocked by a radar David “Babyface” Babylon and gun, LAPD officers are citing injured four others. motorbike riders with equipment Since April, LAPD has con- violations. ducted 10 task force nights on This, say Palisadians, is in- Wednesday and Sunday eve- ventive thinking: “When the nings, most recently on Aug. cops could not arrest Al Capone 16, where officers issued several Pictured, from left, back row: Officers O’Dea and Basaker, and Sergeant Eun; front row: Jill Smith, Nina Madok and Paul Leonhauser for murder, they used tax eva- equipment violation citations, Rich Schmitt/Staff Photographer sion to bring him down. -
Roy Andersson's Cinematic Poetry and the Spectre of César Vallejo
Roy Andersson’s Cinematic Poetry and the Spectre of César Vallejo URSULA LINDQVIST ABSTRACT: Sånger från andra våningen [Songs from the Second Floor] was Roy Andersson’s first feature film in 25 years when it won the Special Jury Prize at the Cannes Film Festival in 2000. It exemplifies the maturation of a distinctive filmmaking style Andersson developed in two and half decades of making shorts and advertising films and testifies to his decades-long engagement with Peruvian modernist César Vallejo’s poetry. Andersson is known for his contentious relationship with Sweden’s film establishment, and his critiques of Nordic contemporary filmmakers parallel Vallejo’s similarly pointed critiques, in 1930s Paris, of the so-called “revolutionary” agenda of French Surrealists. The formal correspondences between Vallejo’s modernist poetry and Andersson’s “trivialist” cinema are likewise striking. In this essay, I argue that the spectre of Vallejo has so informed the development of Andersson’s distinctive vision and style as a filmmaker that an investigation of the interart correspondences between this unlikely pairing of avantgardists is overdue. RÉSUMÉ: Sånger från andra våningen [Chansons du deuxième étage] était le premier film de Roy Andersson a être présenté depuis 25 ans lorsque ce dernier remporta le Prix Spécial du Jury du Festival de Cannes en l’an 2000. Il illustre la maturation d’un style de réalisation distinct qu’Andersson a développé au cours des deux décennies et demie qu’il a passées à faire des courts métrages et des publicités, et témoigne de son engagement de longue date avec la poésie du moderniste péruvien César Vallejo.