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Mughal Paintings of Hunt with Their Aristocracy
Arts and Humanities Open Access Journal Research Article Open Access Mughal paintings of hunt with their aristocracy Abstract Volume 3 Issue 1 - 2019 Mughal emperor from Babur to Dara Shikoh there was a long period of animal hunting. Ashraful Kabir The founder of Mughal dynasty emperor Babur (1526-1530) killed one-horned Department of Biology, Saidpur Cantonment Public College, rhinoceros and wild ass. Then Akbar (1556-1605) in his period, he hunted wild ass Nilphamari, Bangladesh and tiger. He trained not less than 1000 Cheetah for other animal hunting especially bovid animals. Emperor Jahangir (1606-1627) killed total 17167 animals in his period. Correspondence: Ashraful Kabir, Department of Biology, He killed 1672 Antelope-Deer-Mountain Goats, 889 Bluebulls, 86 Lions, 64 Rhinos, Saidpur Cantonment Public College, Nilphamari, Bangladesh, 10348 Pigeons, 3473 Crows, and 10 Crocodiles. Shahjahan (1627-1658) who lived 74 Email years and Dara Shikoh (1657-1658) only killed Bluebull and Nur Jahan killed a tiger only. After study, the Mughal paintings there were Butterfly, Fish, Bird, and Mammal. Received: December 30, 2018 | Published: February 22, 2019 Out of 34 animal paintings, birds and mammals were each 16. In Mughal pastime there were some renowned artists who involved with these paintings. Abdus Samad, Mir Sayid Ali, Basawan, Lal, Miskin, Kesu Das, Daswanth, Govardhan, Mushfiq, Kamal, Fazl, Dalchand, Hindu community and some Mughal females all were habituated to draw paintings. In observed animals, 12 were found in hunting section (Rhino, Wild Ass, Tiger, Cheetah, Antelope, Spotted Deer, Mountain Goat, Bluebull, Lion, Pigeon, Crow, Crocodile), 35 in paintings (Butterfly, Fish, Falcon, Pigeon, Crane, Peacock, Fowl, Dodo, Duck, Bustard, Turkey, Parrot, Kingfisher, Finch, Oriole, Hornbill, Partridge, Vulture, Elephant, Lion, Cow, Horse, Squirrel, Jackal, Cheetah, Spotted Deer, Zebra, Buffalo, Bengal Tiger, Camel, Goat, Sheep, Antelope, Rabbit, Oryx) and 6 in aristocracy (Elephant, Horse, Cheetah, Falcon, Peacock, Parrot. -
Poetry and History: Bengali Maṅgal-Kābya and Social Change in Precolonial Bengal David L
Western Washington University Western CEDAR A Collection of Open Access Books and Books and Monographs Monographs 2008 Poetry and History: Bengali Maṅgal-kābya and Social Change in Precolonial Bengal David L. Curley Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/cedarbooks Part of the Near Eastern Languages and Societies Commons Recommended Citation Curley, David L., "Poetry and History: Bengali Maṅgal-kābya and Social Change in Precolonial Bengal" (2008). A Collection of Open Access Books and Monographs. 5. https://cedar.wwu.edu/cedarbooks/5 This Book is brought to you for free and open access by the Books and Monographs at Western CEDAR. It has been accepted for inclusion in A Collection of Open Access Books and Monographs by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Table of Contents Acknowledgements. 1. A Historian’s Introduction to Reading Mangal-Kabya. 2. Kings and Commerce on an Agrarian Frontier: Kalketu’s Story in Mukunda’s Candimangal. 3. Marriage, Honor, Agency, and Trials by Ordeal: Women’s Gender Roles in Candimangal. 4. ‘Tribute Exchange’ and the Liminality of Foreign Merchants in Mukunda’s Candimangal. 5. ‘Voluntary’ Relationships and Royal Gifts of Pan in Mughal Bengal. 6. Maharaja Krsnacandra, Hinduism and Kingship in the Contact Zone of Bengal. 7. Lost Meanings and New Stories: Candimangal after British Dominance. Index. Acknowledgements This collection of essays was made possible by the wonderful, multidisciplinary education in history and literature which I received at the University of Chicago. It is a pleasure to thank my living teachers, Herman Sinaiko, Ronald B. -
Unit 17 Architecture and Painting*
Architecture and Painting UANIT 17 RCHITECTURE AND PAINTING* Structure 17.0 Objectives 17.1 Introduction 17.2 Architecture under the Delhi Sultanate 17.2.1 New Structural Forms 17.2.2 Stylistic Evolution 17.2.3 Public Buildings and Public Works 17.3 Mughal Architecture 17.3.1 Beginning of Mughal Architecture 17.3.2 Interregunum: The Sur Architecture 17.3.3 Architecture under Akbar 17.3.4 Architecture under Jahangir and Shah Jahan 17.3.5 The Final Phase 17.4 Paintings under the Delhi Sultanate 17.4.1 Literary Evidence for Murals 17.4.2 The Quranic Calligraphy 17.4.3 Manuscript Illustation 17.5 Mughal Paintings 17.5.1 Antecedents: Paintings in the Fifteenth Century 17.5.2 Painting under Early Mughals 17.5.3 Evolution of the Mughal School under Akbar 17.5.4 Developments and Jahangir and Shahjahan 17.5.5 The Final Phase 17.5.6 European Impact on Mughal Painting 17.6 Summary 17.7 Keywords 17.8 Answers to Check Your Progress Exercises 17.9 Suggested Readings 17.10 Instructional Video Recommendations 17.0 OBJECTIVES After going through this Unit, you should be able to: • distinguish between the pre-Islamic and Indo-Islamic styles of architecture, • identify major phases of architectural development during the period, • understand the traditions of painting prevalent in the Delhi Sultanate, • learn new structural forms and techniques of Mughal architecture, and • describe the main elements of Mughal painting. * Prof. Ravindra Kumar, School of Social Sciences, Indira Gandhi National Open University, New Delhi 357 Religion and Culture 17.1 INTRODUCTION Art and architecture are true manifestations of the culture of a period as they reflect the ethos and thought of a society. -
Language and Literature
1 Indian Languages and Literature Introduction Thousands of years ago, the people of the Harappan civilisation knew how to write. Unfortunately, their script has not yet been deciphered. Despite this setback, it is safe to state that the literary traditions of India go back to over 3,000 years ago. India is a huge land with a continuous history spanning several millennia. There is a staggering degree of variety and diversity in the languages and dialects spoken by Indians. This diversity is a result of the influx of languages and ideas from all over the continent, mostly through migration from Central, Eastern and Western Asia. There are differences and variations in the languages and dialects as a result of several factors – ethnicity, history, geography and others. There is a broad social integration among all the speakers of a certain language. In the beginning languages and dialects developed in the different regions of the country in relative isolation. In India, languages are often a mark of identity of a person and define regional boundaries. Cultural mixing among various races and communities led to the mixing of languages and dialects to a great extent, although they still maintain regional identity. In free India, the broad geographical distribution pattern of major language groups was used as one of the decisive factors for the formation of states. This gave a new political meaning to the geographical pattern of the linguistic distribution in the country. According to the 1961 census figures, the most comprehensive data on languages collected in India, there were 187 languages spoken by different sections of our society. -
The Grounds of Sufis' Aversion of Sharia
’ The Grounds of Sufis Aversion of Sharia Hassan Yusofian1 Received: 2018/09/22 Accepted: 2020/12/05 Abstract Of alleged Islamic mystics, there are few who have been negligent of sha- ria and have sometimes established their aversion of sharia on reasons. In this descriptive-analytic research, I analyze such aversion, aiming to con- sider certain deviations among the Sufis and mystics from compliance with sharia. Their grounds for aversion of sharia include the following: (a) the truth is not in need of sharia, which is explicitly or implicitly indicated by some of these mystics; (b) the guardian of the saints is contrasted to the prophethood of prophets. Certain pseudo-mystics cite hadiths attributed to the Prophet to talk of the infallibility of the saints in the sense that eve- rything is permitted for them; (c) a sacred goal justifies the deployment of non-sharia means. Thus, they believe that certain mystics made love to handsome teenage boys not because of personal lusts, but because of see- ing the divine beauty in their faces, and (d) intoxication removes religious duties. This applies mostly to the so-called “the sane of the insane” whose reason is taken away from them by God and are thus set free from duties. Keywords Sharia, tariqa (path), truth, aversion of sharia, guardianship, pederasty, intoxication. 1. Associate professor, Imam Khomeini Educational and Research Institute, Qom, Iran: hasanuso- [email protected]. ’ * Yusofian, H. (1400). The Grounds of Sufis Aversion of Sharia. Jornal of Naqd va Nazar (Philoso- phy and -
Killer Khilats, Part 1: Legends of Poisoned ªrobes of Honourº in India
Folklore 112 (2001):23± 45 RESEARCH ARTICLE Killer Khilats, Part 1: Legends of Poisoned ªRobes of Honourº in India Michelle Maskiell and Adrienne Mayor Abstract This article presents seven historical legends of death by Poison Dress that arose in early modern India. The tales revolve around fears of symbolic harm and real contamination aroused by the ancient Iranian-in¯ uenced customs of presenting robes of honour (khilats) to friends and enemies. From 1600 to the early twentieth century, Rajputs, Mughals, British, and other groups in India participated in the development of tales of deadly clothing. Many of the motifs and themes are analogous to Poison Dress legends found in the Bible, Greek myth and Arthurian legend, and to modern versions, but all seven tales display distinc- tively Indian characteristics. The historical settings reveal the cultural assump- tions of the various groups who performed poison khilat legends in India and display the ambiguities embedded in the khilat system for all who performed these tales. Introduction We have gathered seven ª Poison Dressº legends set in early modern India, which feature a poison khilat (Arabic, ª robe of honourº ). These ª Killer Khilatº tales share plots, themes and motifs with the ª Poison Dressº family of folklore, in which victims are killed by contaminated clothing. Because historical legends often crystallise around actual people and events, and re¯ ect contemporary anxieties and the moral dilemmas of the tellers and their audiences, these stories have much to tell historians as well as folklorists. The poison khilat tales are intriguing examples of how recurrent narrative patterns emerge under cultural pressure to reveal fault lines within a given society’s accepted values and social practices. -
The Chittagonians in Colonial Arakan: Seasonal and Settlement Migrations Jacques Leider
The Chittagonians in Colonial Arakan: Seasonal and Settlement Migrations Jacques Leider To cite this version: Jacques Leider. The Chittagonians in Colonial Arakan: Seasonal and Settlement Migrations. Morten Bergsmo; Wolfgang Kaleck; Kyaw Yin Hlaing. Colonial Wrongs and Access to International Law, 40, Torkel Opsahl Academic EPublisher, pp.177-227, 2020, Publication Series, 978-82-8348-134-1. hal- 02997366 HAL Id: hal-02997366 https://hal.archives-ouvertes.fr/hal-02997366 Submitted on 10 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Public Domain Colonial Wrongs and Access to International Law Morten Bergsmo, Wolfgang Kaleck and Kyaw Yin Hlaing (editors) E-Offprint: Jacques P. Leider, “The Chittagonians in Colonial Arakan: Seasonal and Settlement Migrations”, in Morten Bergsmo, Wolfgang Kaleck and Kyaw Yin Hlaing (editors), Colonial Wrongs and Access to International Law, Torkel Opsahl Academic EPub- lisher, Brussels, 2020 (ISBNs: 978-82-8348-133-4 (print) and 978-82-8348-134-1 (e- book)). This publication was first published on 9 November 2020. TOAEP publications may be openly accessed and downloaded through the web site https://www.toaep.org which uses Persistent URLs (PURLs) for all publications it makes available. -
Migration from Bengal to Arakan During British Rule 1826–1948 Derek Tonkin
Occasional Paper Series Migration from Bengal to Arakan during British Rule 1826–1948 Derek Tonkin Migration from Bengal to Arakan during British Rule 1826–1948 Derek Tonkin 2019 Torkel Opsahl Academic EPublisher Brussels This and other publications in TOAEP’s Occasional Paper Series may be openly accessed and downloaded through the web site http://toaep.org, which uses Persistent URLs for all publications it makes available (such PURLs will not be changed). This publication was first published on 6 December 2019. © Torkel Opsahl Academic EPublisher, 2019 All rights are reserved. You may read, print or download this publication or any part of it from http://www.toaep.org/ for personal use, but you may not in any way charge for its use by others, directly or by reproducing it, storing it in a retrieval system, transmitting it, or utilising it in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, in whole or in part, without the prior permis- sion in writing of the copyright holder. Enquiries concerning reproduction outside the scope of the above should be sent to the copyright holder. You must not circulate this publication in any other cover and you must impose the same condition on any ac- quirer. You must not make this publication or any part of it available on the Internet by any other URL than that on http://www.toaep.org/, without permission of the publisher. ISBN: 978-82-8348-150-1. TABLE OF CONTENTS 1. Introduction .............................................................................................. 2 2. Setting the Scene: The 1911, 1921 and 1931 Censuses of British Burma ............................ -
Shivaji the Great
SHIVAJI THE GREAT BY BAL KRISHNA, M. A., PH. D., Fellow of the Royal Statistical Society. the Royal Economic Society. London, etc. Professor of Economics and Principal, Rajaram College, Kolhapur, India Part IV Shivaji, The Man and His .Work THE ARYA BOOK DEPOT, Kolhapur COPYRIGHT 1940 the Author Published by The Anther A Note on the Author Dr. Balkrisbna came of a Ksbatriya family of Multan, in the Punjab* Born in 1882, be spent bis boyhood in struggles against mediocrity. For after completing bis primary education he was first apprenticed to a jewel-threader and then to a tailor. It appeared as if he would settle down as a tailor when by a fortunate turn of events he found himself in a Middle Vernacular School. He gave the first sign of talents by standing first in the Vernacular Final ^Examination. Then he joined the Multan High School and passed en to the D. A. V. College, Lahore, from where he took his B. A* degree. Then be joined the Government College, Lahore, and passed bis M. A. with high distinction. During the last part of bis College career, be came under the influence of some great Indian political leaders, especially of Lala Lajpatrai, Sardar Ajitsingh and the Honourable Gopal Krishna Gokhale, and in 1908-9 took an active part in politics. But soon after he was drawn more powerfully to the Arya Samaj. His high place in the M. A. examination would have helped him to a promising career under the Government, but he chose differently. He joined Lala Munshiram ( later Swami Shraddha- Btnd ) *s a worker in the Guruk.ul, Kangri. -
Muslim Saints of South Asia
MUSLIM SAINTS OF SOUTH ASIA This book studies the veneration practices and rituals of the Muslim saints. It outlines the principle trends of the main Sufi orders in India, the profiles and teachings of the famous and less well-known saints, and the development of pilgrimage to their tombs in India, Pakistan and Bangladesh. A detailed discussion of the interaction of the Hindu mystic tradition and Sufism shows the polarity between the rigidity of the orthodox and the flexibility of the popular Islam in South Asia. Treating the cult of saints as a universal and all pervading phenomenon embracing the life of the region in all its aspects, the analysis includes politics, social and family life, interpersonal relations, gender problems and national psyche. The author uses a multidimen- sional approach to the subject: a historical, religious and literary analysis of sources is combined with an anthropological study of the rites and rituals of the veneration of the shrines and the description of the architecture of the tombs. Anna Suvorova is Head of Department of Asian Literatures at the Institute of Oriental Studies, Russian Academy of Sciences, Moscow. A recognized scholar in the field of Indo-Islamic culture and liter- ature, she frequently lectures at universities all over the world. She is the author of several books in Russian and English including The Poetics of Urdu Dastaan; The Sources of the New Indian Drama; The Quest for Theatre: the twentieth century drama in India and Pakistan; Nostalgia for Lucknow and Masnawi: a study of Urdu romance. She has also translated several books on pre-modern Urdu prose into Russian. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
The Moghal Empire Xvi PREFACE Published in the Original Text and in Translation
The Moghal Empire xvi PREFACE published in the original text and in translation. We need better integration of the Indian and European sources by someone who reads Rajasthani, Persian, French, and Dutch, for example. For such new work our best hope lies in the originality of young historians from India, Pakistan, and Bangladesh. Finally, my most important goal is to offer a one-volume synthesis that will be comprehensible to the non-specialist. I hope that this book can be read with profit by anyone interested in this most fascinating of historical periods. If successful, the volume should create a context for further reading and study. In writing this volume I have become deeply conscious of my debt to colleagues in this field. I am especially grateful to Irfan Habib, Ashin Das Gupta, Satish Chandra, Tapan Raychaudhuri, and M. Athar Ali for their inspired scholarship and leadership in Mughal history over the past decades. Peter Hardy and Simon Digby have provided warm support and encouragement for my work over the years. A more immediate debt is to my two fellow editors, Gordon Johnson and Christopher Bayly, for their patience and their criticism. I especially wish to thank Muzaffar Alam for his incisive comments on an earlier draft. I have also benefited from discussions with Catherine Asher, Stewart Gordon, Bruce Lawrence, Om Prakash, Sanjay Subrahmanyam, and Ellen Smart. And, as always, I must thank my wife and children for their continuing love and understanding. 1 INTRODUCTION The Mughal empire was one of the largest centralized states known in pre-modern world history.