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Bluesrock Vom Feinsten
© Paul D. Bartsch, Halle (Saale), 2017 LIVERILLEN No. 03 Bluesrock vom Feinsten 00 Jingle + Begrüßung: 03:00 ➢ Und damit herzlich Willkommen zur dritten Sendung der LIVERILLEN hier auf Radio CORAX auf UKW 95,9 und weltweit im Netz – einen guten Tag wünscht Paul Bartsch! ➢ Wie stets gibt’s ausschließlich Konzertmitschnitte direkt von Vinyl, mit Knistern und Knacken > analoger Hörgenuss im digitalen Zeitalter! ➢ Heute lautet das Motto: Bluesrock vom Feinsten / ein Musikstil also, der ganz gegensätzliche Reaktionen hervorruft: Die Einen fühlen sich gelangweilt vom angeblich immer gleichen 12-Takt- Blues-Schema, und die anderen sind gerade von dieser zeitlosen Kraft und Urwüchsigkeit fasziniert! ➢ Ich persönlich gestehe, zu Letzteren zu gehören, zumal schon durch die jeweilige Spielweise der Protagonisten eine große Vielfalt entsteht, was auch die heutige Sendung mit ihren ausgewählten Liveaufnahmen sicher zeigen wird. ➢ Und da geht’s zunächst ganz tief in die Mottenkiste der populären Musik, ohne dass ich nun die Bluesgeschichte in Gänze aufrollen werde. Aber dieser schwarze Musiker ist nicht wegzudenken für das, was seit den 1960er Jahren dann als Bluesrock firmierte. Musiker wie Keith Richards, John Mayall oder auch Eric Clapton sind vor dieser Gitarre ehrfürchtig niedergekniet, auch wenn die wenigen erhaltenen Aufnahmen Jahrzehnte zuvor entstanden waren – die Rede ist von Robert Johnson, dem 1911 im US-Staat Mississippi geborenen Gitarristen, Sänger und Komponisten, der nach nur 27 Jahren verstarb – Giftmord? Syphilis? Todesursache offen – die Legenden ranken. Dazu gleich mehr – hier ist Robert Johnson, der King des schwarzen Delta-Blues, mit seiner Komposition „Love In Vain“ – ein ziemlich bitteres Liebeslied, live eingespielt bei einer Aufnahmesession im Jahr 1937: 01 Robert Johnson: Love In vain 05:00 ➢ Robert Johnson – an ihm ist wohl keiner der später und bis heute dem Blues verfallenen Musiker vorbeigekommen. -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
The BG News April 6, 1983
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-6-1983 The BG News April 6, 1983 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 6, 1983" (1983). BG News (Student Newspaper). 4122. https://scholarworks.bgsu.edu/bg-news/4122 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Hazing procedures questioned by black and white greeks by June Reraley fort, pain, fright, i away from school." ered hazing, and the hockey team has bricks, or wearing uniforms would not promote greater understanding be- staff reporter which is personally i Some people, misunderstanding the led its freshman members uptown, be considered hazing on predomi- tween the black and white greek sys- policy is being reviewedand cC black greek system, respond negati- faces covered by hockey masks and nantly black campuses, according to tems, according to Williamson. Accusations that a double standard according to Apollonia. vely to certain traditions, according connected by dog chains, Brown said. James Williamson, unit director of Individuals are encouraged to learn on hazing exists between black and "It was very general. There was to Brown. Historically, pledges in the Phi Beta Sigma. about traditions in the black greek white greek systems are common, but difficulty in the subjective interpreta- black greek system had to earn mem- "BUT AS soon as you put some "It's considered offensive here. -
Art to Commerce: the Trajectory of Popular Music Criticism
Art to Commerce: The Trajectory of Popular Music Criticism Thomas Conner and Steve Jones University of Illinois at Chicago [email protected] / [email protected] Abstract This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business. In part, we believe such a shift to be due likely to increased awareness among journalists and fans of the industrial nature of popular music production, distribution and consumption, and to the disruption of the music industry that began in the late 1990s with the widespread use of the Internet for file sharing. Searching and sorting the Rock’s Backpages database of over 22,000 pieces of music journalism for keywords associated with the business, economics and commercial aspects of popular music, we found several periods during which popular music criticism’s focus on business-related concerns seemed to have increased. The article discusses possible reasons for the increases as well as methods for analyzing a large corpus of popular music criticism texts. Keywords: music journalism, popular music criticism, rock criticism, Rock’s Backpages Though scant scholarship directly addresses this subject, music journalists and bloggers have identified a trend in recent years toward commerce-specific framing when writing about artists, recording and performance. Most music journalists, according to Willoughby (2011), “are writing quasi shareholder reports that chart the movements of artists’ commercial careers” instead of artistic criticism. While there may be many reasons for such a trend, such as the Internet’s rise to prominence not only as a medium for distribution of music but also as a medium for distribution of information about music, might it be possible to discern such a trend? Our goal with the research reported here was an attempt to empirically determine whether such a trend exists and, if so, the extent to which it does. -
{PDF} Willin: the Story of Little Feat Ebook Free Download
WILLIN: THE STORY OF LITTLE FEAT PDF, EPUB, EBOOK Ben Fong-Torres | 296 pages | 12 Nov 2013 | The Perseus Books Group | 9780306821318 | English | Cambridge, MA, United States Willin: The Story of Little Feat PDF Book He gets it in dribs and drabs here, and, artistry aside, we finally get a better picture of what '70s rock fans might consider one of that decade's more enviable love lives. Nov 10, Sally Anne rated it it was ok. As time progressed George became increasingly autocratic even locking other members out of the studio as he insisted on producing albums by himself. Preview — Willin' by Ben Fong-Torres. I am a "Feat Head" as it turns out. Apr 19, Doug rated it really liked it. Little Feat's "Waiting for Columbus" is widely regarded as one of the best live albums of all time. I am being generous, only because I did learn some things about Little Feat. As grateful as I was to get some information on this decades-long, brilliant band, this has to be one of the worst written bios I've ever read. Seven shows were recorded and the resulting Waiting For Columbus , produced by George, was released in March Average rating 3. Weather Report? They couldn't ask for a better apologist than a writer whose byline is instantly familiar to anyone who read Rolling Stone in its pre-disco heyday and whose graceful way of telling a story is undiminished. Ben Fong- Torres' new biography of the band, "Willin'," makes you wish there had been a filmmaker on hand to shoot that particular run of shows in , too, since his account of the group falling apart makes it sound like a documentary could have been a "This is Spinal Tap" before its time. -
Hard Times Hit On-Campus Nightspots Cambodian Oust Demanded Weiner
t Hard times hit on-campus nightspots By LOU URSONE By ROLAND PERRAULT $75,000 and a full liquor permit were The Anonymous Pub was created and granted nearly a year ago for the establish- sponsored by the University to provide ment of full service restaurant/nightclub on studentswith the opportunity to have some c?mpus, but the .facility's expected opening is beer and snacks without leaving the Storrs still several months away at the very least. campus. But according to a Daily Campus Steve Donen. student trustee, said there are survey, it is the most costly beer you'll drink several reasons for the lack of any affirmative in the Storrs area. action. The lack of communication between * University departments has caused much of In a telephone survey of several area the delay, said Donen. "It took a very long Testaurants. beer prices were much less than time for the formal application to the State those charged at the Pub. For a pitcher of Department of Public Works for the contract- Busch. Ted's Restaurant and Rapp's ing of architects (to design the renovations) to Delicatessen both advertise $2.50 with leave this university; a very long time," said Huskies Restaurant following at $2.75. The Donen. Anonymous Pub doesn't serve Busch on tap, The application was sent to the Deputy Commissioner of Public Works on March 28. but it sells the similarly-priced" in retail These students in the Anonymous Pub may wind up 1979, and has yet to be approved.According to stores Miller at $3 a pitcher. -
(Fhmttttttntt Ilatuj Gkmjjub Serving Storrs Since 1896
(fhmttttttntt IlatUj GkmjJUB Serving Storrs Since 1896 VOL. LXXVII NO. 96 STORRS, CONNECTICUT MARCH 20, 1969 | Board of Trustees Meet: 250 Demonstrate; Support Professors Colfax Denied Tenure By RICH COHEN On* of the demonstrator: In a yester- STEVE FAGIN day's protest looks over the shoul- JIM CONROY der of Trustee Joseph R. McCormick. Approximately 50 demonstrators unanimously granted tenure to Colfax" Over the Table The demonstrators were protesting crowded into an open Board of Trustees and many thrust their arms upward with the Trustee's powers of deciding fa- meeting on the second floor of Gulley hands forming a phallic-fingered ges- culty tenure. Hall yesterday morning to protest the ture. Board's power to decide faculty tenure. The UConn Board of Trustees then Another estimated 200 persons wai- went to the Faculty Alumni Center, and ted downstairs and around the building. everyone else was denied entrance. A u*i Demonstrator s began gathering a- few demonstrators tried to open the round Gulley Hall at 9:30. The crowd doors, but they were locked. At 1:30, swelled to approximately 250. At 10:00, the Board left via a side exit, escorted • r* about 75 marchers circled the building by a handful of Security of'icers. once and then entered through the front No results of the executive meeting doors. One or two snowballs were thrown were released. Friedman later said the ^ by anti-demonstrators standing across normal procedure for granting tenure is the street, but no one was hit. Other through letters, which would be sent early ^pc groups of demonstrators, including fa- next week to the professors involved. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
CD List, No Songs
CD list Brian Auger 51 Sacred Fire Santana 2 Skull & Roses Grateful Dead 52 Borboletta Santana 3 100 Year Hall - Disc 1 Grateful Dead 53 Santana (galaxy) Santana 4 Europe 72 - Disc 1 Grateful Dead 54 Supernatural Santana 5 Europe 72 - Disc 2 Grateful Dead 55 Shaman Santana 6 Steal Your Face - Disc 1 Grateful Dead 56 Time out of Mind Bob Dylan 7 Steal Your Face - Disc 2 Grateful Dead 57 Love and Theft Bob Dylan 8 Without a Net - Disc 1 Grateful Dead 58 Highway 61 Revisited Bob Dylan 9 Without a Net - Disc 2 Grateful Dead 59 Blonde on Blonde Bob Dylan 10 One from the Vault (composite CD) Grateful Dead 60 The Ultimate Experience Jimi Hendrix 11 Two from the Vault - Disc 1 Grateful Dead 61 Jefferson Airplane Loves You - Jefferson Airplane Disc 1 12 Two from the Vault - Disc 2 Grateful Dead 62 Jefferson Airplane Loves You - Jefferson Airplane 13 Fallout from the Phil Zone - Disc 1 Grateful Dead Disc 2 14 Fallout from the Phil Zone - Disc 2 Grateful Dead 63 Jefferson Airplane Loves You - Jefferson Airplane 15 Reckoning Grateful Dead Disc 3 16 Workingman's Dead Grateful Dead 64 Blows against the Empire Jefferson Airplane 17 American Beauty Grateful Dead 65 Red Octopus Jefferson Airplane 18 Wake of the Flood Grateful Dead 66 America's Choice Hot Tuna 19 Terrapin Station - Studio Grateful Dead 67 Phosphorescent Rat Hot Tuna 20 Built to Last Grateful Dead 69 Greatest Hits Three Dog Night 21 So Many Roads - disc 1 Grateful Dead 70 Waiting for the Sun Doors, The 22 So Many Roads - disc 2 Grateful Dead 71 Best of the Doors Doors, The 23 So Many Roads - disc 3 Grateful Dead 72 Essential Rarities Doors, The 24 Steppin' Out (England '72) - cd 1 Grateful Dead 73 Time Traveller - Disc 1 Moody Blues 25 Steppin' Out (England '72) - cd 2 Grateful Dead 74 Time Traveller - Disc 2 Moody Blues 26 Steppin' Out (England '72) - cd 3 Grateful Dead 76 Rubber Soul/Sgt. -
The Chronicle 78Th Year, No
The Chronicle 78th Year, No. 54 Duke University, Durham, North Carolina Friday, November 12, 1982 Candidates outnumber the audience at debate By Larry Kaplow advertising for the debate whereby students are admitted The candidates outnumbered began Tuesday. regardless of their financial- the audience in a debate "A lot of it [the low turnout] need, is not being carried out as between prospective ASDU did have to do with publicity," well as it should be due to a lack officers held at Gilbert-Addoms said Chappell. "I have a feeling of communications between the dormitory Thursday night. Trent and the Rathskeller will school and prospective The debate, which only three have a much better turnout." freshmen. of the five candidates for Chappell also said a similar "'They aren't letting people president attended, was one of debate held at Gilbert-Addoms know when they apply that we three planned by the election last year only attracted about will get the money for them," committee. Other debates are 20 people which he said was not Bruton said. scheduled for Trent Hall, well publicized and was held on Presidential hopeful B.G. Sunday evening at 7:00, and the the night of an ASDU meeting Cutright, a Trinity junior and Rathskeller, Monday evening dealing with housing changes former ASDU parliamentarian, at 7:00. which may have drawn people also stressed financial aid in his According to Doug Chappell, away from the dormitory. platform. PHOTO BY DAVE SHREFFLER ASDU legislator and member of During the debate candidates "I believe a major emphasis Jeffrey Porro speaks during Thursday's convocation. -
Book Proposal 3
Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue.