2015-2016 Magazine
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Food and Drink War and Peace
NATIONAL MUSEUM Of ThE AMERICAN INDIANSUMMER 2018 FooD AND DrINk Healthy Eating ANd SOvEREIgNTy ThE Persistence Of ChIChA + WAr AND PeAce hUMbLE Hero Of d-Day NAvAjO Treaty Of 1868 JOIN TODAY FOR ONLY $25 – DON’T MISS ANOTHER ISSUE! NATIONAL MUSEUM of the AMERICAN INDIANFALL 2010 DARK WATERS THE FORMIDABLE ART OF MICHAEL BELMORE EXPLAINING ANDEAN DESIGN THE REMARKABLE LARANCE SPECIAL ISSUE ............................... FAMILY DECEMBER INDIANS ON THE POST ART OFFICE MARKETS WALLS + A NEW VANTAGE POINT ON CONTEMPORARY ARTISTS JOIN TODAY AND LET THE MUSEUM COME TO YOU! BECOME A MEMBER OF THE NATIONAL • 20% discount on all books purchased MUSEUM OF THE AMERICAN INDIAN from the NMAI web site FOR JUST $25 AND YOU’LL RECEIVE: • 10% discount on all purchases from • FREE 1 year subscription to our exclusive, the Mitsitam Café and all NMAI and full-color quarterly publication, American Smithsonian Museum Stores Indian magazine • Permanent Listing on NMAI’s electronic • Preferred Entry to the NMAI Mall Member and Donor Scroll Museum at peak visitor times Join online at www.AmericanIndian.si.edu or call toll free at 800-242-NMAI (6624) or simply mail your check for $25 to NMAI, Member Services PO Box 23473, Washington DC 20026-3473 SMITHSONIAN INSTITUTION 17 NMAI_FALL15.indd 16 2015-07-17 1:00 PM Contents SUMMER 2018 VOL. 19 NO. 2 18 10 ON THE COVER NATIONAL MUSEUM O F THE AMERICAN Traditional food and drink continue to sustain Indigenous identity and cultural (and political) survival. This richly carved Inka qero (wooden drinking cup) shows a mule team hauling house SUMMER 2018 beams to the highlands as a Native woman offers a INDIAN drink of chicha to the mule drivers. -
Jeremy Jordan
Jeremy Jordan Jeremy Jordan was born and raised in Corpus Christi, Texas. He was always a singer, but at the age of 17, he accidentally fell in love with acting when cast as The Mute in the musical, The Fantasticks. After high school, Jeremy went on to study drama at Ithaca College and moved to New York City after graduating in 2007. After about a year of catering and waiting tables, he began to book some regional theatre work, and in early 2009, landed his first Broadway show, Rock of Ages. He was a swing, understudying several roles including the lead. In December of 2009, he left Rock of Ages to play Tony in Broadway's West Side Story. After West Side Story, Jeremy traveled to Sarasota, Florida to play Clyde Barrow opposite Laura Osnes in Bonnie & Clyde. He then headed to Atlanta, Georgia to shoot his first feature film, “Joyful Noise,” opposite Dolly Parton and Queen Latifah. Todd Graff, who wrote and directed the film, decided to cast him in the movie after coincidentally attending Jeremy's very first performance as the lead in Rock of Ages. In the fall of 2011, Jeremy fulfilled a childhood dream when he was cast as Jack Kelly in Disney's world premiere production of Newsies at Paper Mill Playhouse in New Jersey. He played Jack at night, and during the day rehearsed Bonnie & Clyde, which was coming to Broadway shortly after Newsies finished its regional run. Bonnie & Clyde opened on Broadway in November, 2011 but sadly would close after only 69 performances. -
Vine Racial Comedy As a Sociopolitical Discourse Genre
! UNIVERSITY OF CALIFORNIA Santa Barbara “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Linguistics by Kendra Nicole Calhoun Committee in charge: Professor Mary Bucholtz, Chair Professor Stephanie Leigh Batiste Professor John W. Du Bois December 2016 ! ! The thesis of Kendra Nicole Calhoun is approved. _____________________________________________ Stephanie Leigh Batiste _____________________________________________ John W. Du Bois _____________________________________________ Mary Bucholtz, Committee Chair December 2016 ! ! “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre Copyright © 2016 by Kendra Nicole Calhoun iii! ! ABSTRACT “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre by Kendra Nicole Calhoun This thesis analyzes the generic features and social significance of Vine racial comedy, a genre of sociopolitical humor on the video-sharing social media platform Vine. Comedy is the most popular category of videos on the platform, and for the majority of Vine’s existence since its launch in 2013, comedy has been dominated by King Bach (pronounced “batch”). Andrew Bachelor, the actor and producer behind the King Bach persona, is a 28-year-old Black comedian with more than 16 million Vine followers (as of October 2016), making him the most followed comedy Viner and the most followed Viner overall. King Bach has created a dominant form of Vine racial comedy, a unique style of audio-visual comedy that incorporates features of both face-to-face and online discourse genres and adapts them to the affordances of the Vine platform. -
Indian Warfare, Household Competency, and the Settlement of the Western Virginia Frontier, 1749 to 1794
Graduate Theses, Dissertations, and Problem Reports 2007 Indian warfare, household competency, and the settlement of the western Virginia frontier, 1749 to 1794 John M. Boback West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Boback, John M., "Indian warfare, household competency, and the settlement of the western Virginia frontier, 1749 to 1794" (2007). Graduate Theses, Dissertations, and Problem Reports. 2566. https://researchrepository.wvu.edu/etd/2566 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Indian Warfare, Household Competency, and the Settlement of the Western Virginia Frontier, 1749 to 1794 John M. Boback Dissertation submitted to the College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor -
The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Screen Rant Supergirl Season 2 Confirmed for the CW Next: 15
Screen Rant Share On Facebook Comments (45) Follow Us Like 658K Follow @screenrant 80.4K followers SR EXCLUSIVES MOVIE NEWS TV NEWS REVIEWS VIDEOS LISTS + TRAILERS PODCASTS TOP MOVIES Up Next Supergirl Season 2 Confirmed For The CW By Molly Freeman 10 hours ago 45 Comments 839shares 45 Developed by The CW’s DC Comics TV universe architect, Greg Berlanti, along with Ali Adlier (No Ordinary Family, Chuck), Supergirl was first thought to land at the network alongside previously established superhero dramas Arrow and The Flash. However, CBS picked up Supergirl and debuted the first season, which followed Kara Danvers a.k.a. Kara Zor-El (Melissa Benoist) as she began to take on the mantle of Supegirl and avoid the shadow of her cousin, Superman. However, recently the future CBS’s DC Comics series seemed to be in question. Although CBS CEO Les Moonves seemed to indicate Supergirl would receive a second season order, the deadline for an official announcement began to draw closer without any confirmation from the network. Now, it seems Supergirl will receive a second season, but not at CBS. The Wrap is reporting Supergirl has been renewed for season 2, but it will move to The CW – which CBS co-owns with Warner Bros. Television. The report is in line with previous rumors of Supergirl moving to The CW amidst talks of cutting the superhero drama’s budget after a costly freshman season. In addition to the network change, the production of Supergirl will move from Los Angeles, California to Vancouver, Canada where fellow CW shows Arrow, The Flash, and Legends of Tomorrow film – all of which were renewed earlier this year by The CW. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
White Squaws: Work As a Factor in Choosing Indian Life
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2004 White Squaws: Work as a Factor in Choosing Indian Life Karen L. Hines College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Indigenous Studies Commons Recommended Citation Hines, Karen L., "White Squaws: Work as a Factor in Choosing Indian Life" (2004). Dissertations, Theses, and Masters Projects. Paper 1539626465. https://dx.doi.org/doi:10.21220/s2-4dn4-xw28 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. WHITE SQUAWS: WORK AS A FACTOR IN CHOOSING INDIAN LIFE A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Karen L. Hines 2004 APPROVAL SHEET This thesis is submitted in partial fulfillment of The requirements for the degree of Master of Arts Karen L. Hines Approved by the Committee, May 2004 A k UU James L. Axtell, Chair Le . Meyer Nwando Aphebe ii TABLE OF CONTENTS Page Acknowledgments iv Abstract v Introduction 2 Chapter I. The Squaw’s Work World: A Hard Row to Hoe? 14 Chapter II. The Colonial Woman: Housewife’s Matter ‘Have Never an End’ 30 Chapter III. Work Culture - Keeping Pace 48 Bibliography 64 Vita 70 iii ACKNOWLEDGMENTS The writer wishes to express her appreciation to Professor James Axtell, whose first-semester three-page assignment on Indians stirred my interest in colonial contact and conflict between cultures. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
Cast Biographies
CAST BIOGRAPHIES MICHAEL SHANNON (Gary Noesner) Academy Award®, Golden Globe® and Tony Award® nominated actor Michael Shannon continues to make his mark in entertainment, working with the industry's most respected talent and treading the boards in notable theaters around the world. Shannon will next be seen in Guillermo del Toro's The Shape of Water, a love story set against the backdrop of Cold War-era America. The film co-stars Sally Hawkins, Richard Jenkins, Michael Stuhlbarg and Octavia Spencer. Fox Searchlight will release the film December 2017. In 2018, Shannon will return to Red Orchard Theatre for its 25th Anniversary to direct the world premiere of Traitor, Brett Neveu's adaption of Henrik Ibsen's Enemy of the People. Traitor will include ensemble members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West and will run from January 5, 2018 through February 25, 2018. Back on the big screen, Shannon will then be seen in the Nicolai Fuglsig’s 12 Strong opposite Chris Hemsworth. The project follows a team of CIA agents and special forces who head into Afghanistan in the aftermath of the 9/11 attacks in an attempt to dismantle the Taliban. Warner Brothers is releaseing the film in January 2018. Later next year, Shannon will also be seen in writer-director Elizabeth Chomko’s drama, What They Had, opposite Hilary Swank. The story centers on a woman who must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard and the return home forces her to confront her past, which includes her brother (Shannon). -
And So We Walked Delanna Studi and the Trail of Tears
Monday, October 12, 7:30 PM EDT AND SO WE WALKED DELANNA STUDI AND THE TRAIL OF TEARS Moss Arts Center HomeStage Series AND SO WE WALKED DELANNA STUDI AND THE TRAIL OF TEARS Moderated by Mae Hey, assistant professor of American Indian Studies, Virginia Tech Produced by Octopus Theatricals Mara Isaacs, executive/creative producer Creator and Performer DeLanna Studi Director Corey Madden Excerpts from And So We Walked: Andrew Jackson Fort Cass Stomp Dance Presented in celebration of Indigenous People’s Day, in partnership with the Virginia Tech American Indian and Indigenous Community Center Program Notes PLAYWRIGHT’S NOTE This is a story about a journey. Perhaps that is a statement of the obvious, since you are here to see a play about “An Artist’s Journey along the Trail of Tears.” But it is more than that. It isn’t just my story about my journey. It is a Cherokee story, one that transcends my own personal identity and experiences. It belongs to the Cherokee people, past and present; to the Cherokee Nation in Oklahoma and Eastern Band of Cherokee in North Carolina; and to the dozens of people across the country who helped me complete this project. The Cherokee have a word, gadugi (written in Cherokee as “ᎦᏚᎩ”), which describes the tradition of coming together as a community to promote, support, and celebrate each other. Gadugi is a reflection of the tribal mentality and the awareness of our ancestors that we are stronger together. By helping one another, we help the collective. While the word is often connected to communal work (such as barn raisings), it also has a more spiritual meaning.