Mcguffey's Fifth Eclectic Reader
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Lyrical Ballads
LYRICAL BALLADS Also available from Routledge: A SHORT HISTORY OF ENGLISH LITERATURE Second Edition Harry Blamires ELEVEN BRITISH POETS* An Anthology Edited by Michael Schmidt WILLIAM WORDSWORTH Selected Poetry and Prose Edited by Jennifer Breen SHELLEY Selected Poetry and Prose Edited by Alasdair Macrae * Not available from Routledge in the USA Lyrical Ballads WORDSWORTH AND COLERIDGE The text of the 1798 edition with the additional 1800 poems and the Prefaces edited with introduction, notes and appendices by R.L.BRETT and A.R.JONES LONDON and NEW YORK First published as a University Paperback 1968 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Second edition published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Introduction and Notes © 1963, 1991 R.L.Brett and A.R.Jones All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Wordsworth, William 1770–1850 Lyrical ballads: the text of the 1978 edition with the additional 1800 poems and the prefaces. -
Robert Southey Poems Pdf
Robert southey poems pdf Continue For the chairman of the Australian Ballet, see Robert Southee (businessman). This article needs additional quotes to verify. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: Robert Southee - news newspaper book scientist JSTOR (August 2018) (Learn, how and when to remove this template message) Robert SoutheyPortrait, c. 1795Born (1774-08-12)12 August 1774Bristole, EnglandDied21 March 1843 (1843-03-21) (age 68)London, EnglandOccupationPoet, historian, historian, historian, historian, historian, historian, historian, biographer, essayistLiter movementRoantisisspehit Fricker (1795-1838; her death)Carolina Ann Bowles (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (183 /ˈsaʊði/ or /ˈsʌði/; August 12, 1774 -March 21, 1843) was an English romantic poet and poet laureate from 1813 until his death. Like other lake poets, William Wordsworth and Samuel Taylor Coleridge, Southee began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics, notably Byron, accused him of siding with the institution for money and status. He is remembered as the author of the poem After Blenheim and the original version of Goldilocks and the Three Bears. Life Robert Southey, Sir Francis Chantrey, 1832, National Portrait Gallery, London Robert Southee was born in Wine Street, Bristol, Robert Southey and Margaret Hill. He was educated at Westminster School in London (where he was expelled for writing an article in The Flagellant, attributing the invention to the devil), and at Balliol College, Oxford. -
English Language and Literature in Borrowdale
English Language and Literature Derwentwater Independent Hostel is located in the Borrowdale Valley, 3 miles south of Keswick. The hostel occupies Barrow House, a Georgian mansion that was built for Joseph Pocklington in 1787. There are interesting references to Pocklington, Barrow House, and Borrowdale by Wordsworth, Coleridge, and Southey. Borrowdale and Keswick have been home to Coleridge, Southey and Walpole. Writer Born Selected work Places to visit John Dalton 1709 Poetry Whitehaven, Borrowdale William Wordsworth 1770 Poetry: The Prelude Cockermouth (National Trust), Dove Cottage (Wordsworth Trust) in Grasmere, Rydal Mount, Allan Bank (National Trust) in Grasmere Dorothy Wordsworth 1771 Letters and diaries Cockermouth (National Trust), Dove Cottage (Wordsworth Trust), Rydal Mount, Grasmere Samuel Taylor Coleridge 1772 Poetry Dove Cottage, Greta Hall (Keswick), Allan Bank Robert Southey 1774 Poetry: The Cataract of Lodore Falls and the Bowder Stone (Borrowdale), Dove Lodore Cottage, Greta Hall, grave at Crosthwaite Church Thomas de Quincey 1785 Essays Dove Cottage John Ruskin 1819 Essays, poetry Brantwood (Coniston) Beatrix Potter 1866 The Tale of Squirrel Lingholm (Derwent Water), St Herbert’s Island (Owl Island Nutkin (based on in the Tale of Squirrel Nutkin), Hawkshead, Hill Top Derwent Water) (National Trust), Armitt Library in Ambleside Hugh Walpole 1884 The Herries Chronicle Watendlath (home of fictional character Judith Paris), (set in Borrowdale) Brackenburn House on road beneath Cat Bells (private house with memorial plaque on wall), grave in St John’s Church in Keswick Arthur Ransome 1884 Swallows and Amazons Coniston and Windermere Norman Nicholson 1914 Poetry Millom, west Cumbria Hunter Davies 1936 Journalist, broadcaster, biographer of Wordsworth Margaret Forster 1938 Novelist Carlisle (Forster’s birthplace) Melvyn Bragg 1939 Grace & Mary (novel), Words by the Water Festival (March) Maid of Buttermere (play) Resources and places to visit 1. -
Historical Onomastic Variation and Its Impact On
Alts, Abbreviations, and AKAs: Historical onomastic variation and automated named entity recognition. James O. Butler, Christopher E. Donaldson, Joanna E. Taylor, and Ian N. Gregory. ABSTRACT: The accurate automated identification of named places is a major concern for scholars in the digital humanities, and especially for those engaged in research that depends upon the gazetteer-led recognition of specific aspects. The field of onomastics examines the linguistic roots and historical development of names, which have for the most part only standardised into single officially recognised forms since the late nineteenth century. Even slight spelling variations can introduce errors in geotagging techniques, and these differences in place-name spellings are thus vital considerations when seeking high rates of correct geospatial identification in historical texts. This article offers an overview of typical name-based variation that can cause issues in the accurate geotagging of any historical resource. The article argues that the careful study and documentation of these variations can assist in the development of more complete onymic records, which in turn may inform geotaggers through a cycle of variational recognition. It demonstrates how patterns in regional naming variation and development, across both specific and generic name elements, can be identified through the historical records of each known location. The article uses examples taken from a digitised corpus of writing about the English Lake District, a collection of 80 texts that date from between 1622 and 1900. Four of the more complex spelling-based problems encountered during the creation of a manual gazetteer for this corpus are examined. Specifically, the article demonstrates how and why such variation must be expected, particularly in the years preceding the standardisation of place-name spellings. -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-03397-9 - The Late Poetry of the Lake Poets: Romanticism Revised Tim Fulford Index More information Index Ackermann, Rudolph, 274 Byron, Lord, 1, 11–12, 17–19, 27–8, 49, 51–2, 71, Adams, John, 78 73–7, 79–89, 95, 100–2, 109, 115, 127–8, Allston, Washington, 170 130–3, 137–40, 144, 148, 151, 155, 157, 217 Anti-Jacobin Review and Magazine, 11, 149 Cain (1821), 74 Augustan Review, 26 Childe Harold’s Pilgrimage (1812–18), 18, 88, Austen, Jane, 163 137, 155 Northanger Abbey (1818), 159 Don Juan, 12, 18, 47 Heaven and Earth (1821), 74 Banks, Joseph, 31, 43 Manfred (1817), 74 Barbauld, Anna Letitia, 10, 120 The Island (1823), 74–5, 77, 79, 86–9, 100 Bate, Jonathan, 207 The Siege of Corinth (1816), 100, 128, 137 Beaumont family, 114 The Vision of Judgment (1821), 75–7 Beaumont, George, 31, 41, 43, 258 Beddoes, Thomas, 129 Canning, George, 149 Bentham, Jeremy, 73 Carlson, Julia S., 16 Bewell, Alan, 74 Chatterton, Thomas, 214 Black’s Picturesque Guide to the English Chaucer, Geoffrey Lakes, 241–2 Canterbury Tales, 221 Blackwood’s Magazine, 10, 13, 228, 251, 257 Christian, Fletcher, 74, 78–9, 81, 83–4, 88 Blake, William, 1, 106 Clifford family, 214–16 Songs of Innocence and of Experience, Clifford, Henry, 64 1, 56 Cobbett, William, 15 Bligh, William, 77–9, 84 Cochrane, Thomas, 100 Bloom, Harold, 18 Cockburn, Henry, 10 Bloomfield, Robert, 11, 32 Coleridge, Hartley, 245, 266 Bolivar, Simon, 99 Coleridge, John, 151 Bonaparte, Napoleon, 71, 81, 83 Coleridge, John Taylor, 25 Bowles, William Lisle, 89 Coleridge, Samuel -
An Index to the Catalogue of an Exhibition from the W. Hugh Peal Collection John Spalding Gatton Bellarmine College
The Kentucky Review Volume 11 | Number 1 Article 3 Winter 1991 An Index to the Catalogue of an Exhibition from the W. Hugh Peal Collection John Spalding Gatton Bellarmine College Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1991) "An Index to the Catalogue of an Exhibition from the W. Hugh Peal Collection," The Kentucky Review: Vol. 11 : No. 1 , Article 3. Available at: https://uknowledge.uky.edu/kentucky-review/vol11/iss1/3 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. An Index to the Catalogue of an Exhibition from the W. Hugh Peal Collection John Spalding Gatton On 15 October 1982 the University of Kentucky Libraries formally dedicated the W. Hugh Peal Collection of rare books and manuscripts, the majority of which its donor had recently presented to his alma mater. A seminar on the Early Romantic Poets (whose writings underpin the collection), a dinner at Spindletop Hall, and a two-month exhibition of over two hundred items from the 15,000-piece gift marked the occasion and honored Mr. Peal for his incomparable generosity. The Kentucky Review also devoted the first number of its fourth volume to a biographical and descriptive catalogue of the exhibit. -
Robert Southey John Spalding Gatton University of Kentucky
The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 8 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 Catalog of the Peal Exhibition: Robert Southey John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1982) "Catalog of the Peal Exhibition: Robert Southey," The Kentucky Review: Vol. 4 : No. 1 , Article 8. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/8 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Robert Southey An intimate of Coleridge and Wordsworth, and their neighbor at Keswick, Robert Southey (1774-1843) merits the title of "Lake mb. Poet," but being also prolix and prolific, he remains forever saddled l- with the Byronic rhyming epithet of "mouthey"; never collected, his writings would fill upwards of one hundred volumes. His longer poems, though little read today, earned the admiration of uch contemporaries as diverse as Scott, Shelley, and Macaulay. His prose, which evidences an unexpected simplicity and frankness, ater impressed even Byron as "perfect." ge Born in Bristol, Southey attended London's Westminster School, where he roomed with Charles Watkin Williams Wynn, a lifelong friend and a future Member of Parliament. -
Henry Wadsworth Longfellow
1 “ONE IF BY DAY AND TWO IF BY NIGHT …” “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY 1.This is the manner in which President Ford recited the poem as he stood at Concord Bridge during the Bicentennial Celebration. HDT WHAT? INDEX HENRY WADSWORTH LONGFELLOW a 1314 Dante Alighieri’s INFERNO: Nel mezzo del cammin di nostra vita mi ritrovai per una selva oscura ché la diritta via era smarrita. which Henry Wadsworth Longfellow would render as:2 MIDWAY upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost. LA DIVINA COMMEDIA, I 2. You’ll do considerably better with Robert Pinsky’s THE INFERNO OF DANTE (Farrar, Straus & Giroux, 1994). HDT WHAT? INDEX HENRY WADSWORTH LONGFELLOW 1451 It was possibly in about this year that the Iroquois tribes of the area that would become upstate New York were tugged out of their incessant internal struggles by the appearance of Deganawida (Two River Currents Flowing Together), a Huron who would become famous as the “Peacemaker.” This negotiator apparently was hindered, like Moses, by some sort of language or speech difficulty, but eventually won the support of Ayawentha (He Makes Rivers), an Onondaga who became a war chief among the Mohawk (and who would achieve a posthumous poetic fame as “Hiawatha”).3 The distinguished duo were somehow able to convince the other Iroquois tribes that in order to achieve ascendancy over other redskins, they needed to bring their own incessant internal strugglings to an end. Since the legend has it that Deganawida produced a miracle of blotting out the sun, and since we know that a solar eclipse would have occurred in upstate New York in 1451 if it wasn’t too cloudy that day to be seen, this would be a possible year for the conciliation work that would bring peace and unprecedented prosperity, and political unity and unprecedented military power. -
<H1>The Home Book of Verse, Volume 3 by Burton Egbert Stevenson</H1>
The Home Book of Verse, Volume 3 by Burton Egbert Stevenson The Home Book of Verse, Volume 3 by Burton Egbert Stevenson This etext was prepared by Dennis Schreiner, [email protected] The Home Book of Verse, Volume 3 by Burton Egbert Stevenson Contents of Volume I of the two volume set are in our Volume 1 This includes contents of Volumes 1 through 4 of our Etext editions. PART III POEMS OF NATURE The world is too much with us; late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; page 1 / 666 We have given our hearts away, a sordid boon! This sea that bares her bosom to the moon, The winds that will be howling at all hours, And are up-gathered now like sleeping flowers; For this, for everything, we are out of tune; It moves us not. - Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn. William Wordsworth [1770-1850] MOTHER NATURE THE BOOK OF THE WORLD Of this fair volume which we World do name, If we the sheets and leaves could turn with care, Of him who it corrects, and did it frame, We clear might read the art and wisdom rare; Find out his power which wildest powers doth tame, His providence extending everywhere, His justice which proud rebels doth not spare, In every page, no, period of the same. -
Proofs of Genius: Collected Editions from the American Revolution to the Digital Age, by Amanda Gailey Revised Pages
Revised Pages Proofs of Genius Revised Pages editorial theory and literary criticism George Bornstein, Series Editor Palimpsest: Editorial Theory in the Humanities, edited by George Bornstein and Ralph G. Williams Contemporary German Editorial Theory, edited by Hans Walter Gabler, George Bornstein, and Gillian Borland Pierce The Hall of Mirrors: Drafts & Fragments and the End of Ezra Pound’s Cantos, by Peter Stoicheff Emily Dickinson’s Open Folios: Scenes of Reading, Surfaces of Writing, by Marta L. Werner Scholarly Editing in the Computer Age: Theory and Practice, Third Edition, by Peter L. Shillingsburg The Literary Text in the Digital Age, edited by Richard J. Finneran The Margins of the Text, edited by D. C. Greetham A Poem Containing History: Textual Studies in The Cantos, edited by Lawrence S. Rainey Much Labouring: The Texts and Authors of Yeats’s First Modernist Books, by David Holdeman Resisting Texts: Authority and Submission in Constructions of Meaning, by Peter L. Shillingsburg The Iconic Page in Manuscript, Print, and Digital Culture, edited by George Bornstein and Theresa Tinkle Collaborative Meaning in Medieval Scribal Culture: The Otho Laȝamon, by Elizabeth J. Bryan Oscar Wilde’s Decorated Books, by Nicholas Frankel Managing Readers: Printed Marginalia in English Renaissance Books, by William W. E. Slights The Fluid Text: A Theory of Revision and Editing for Book and Screen, by John Bryant Textual Awareness: A Genetic Study of Late Manuscripts by Joyce, Proust, and Mann by Dirk Van Hulle The American Literature Scholar in the Digital Age, edited by Amy E. Earhart and Andrew Jewell Publishing Blackness: Textual Constructions of Race Since 1850, edited by George Hutchinson and John K. -
Hartford's Ann Plato and the Native Borders of Identity
Hartford’s Ann Plato and the Native Borders of Identity Hartford’s Ânn Plato and the Native Borders of Identity RON WELBURN SUNY PRESS Published by State University of New York Press, Albany © 2015 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production and book design, Laurie D. Searl Marketing, Kate R. Seburyamo Library of Congress Cataloging-in-Publication Data Welburn, Ron, 1944– Hartford’s Ann Plato and the native borders of identity / Ron Welburn. pages cm Includes bibliographical references and index. ISBN 978-1-4384-5577-8 (hardcover : alk. paper) ISBN 978-1-4384-5578-5 (ebook) 1. Plato, Ann—Criticism and interpretation. 2. African American women authors. 3. African American women educators. 4. Hartford (Conn.)—Intellectual life. I. Title. PS2593.P347Z93 2015 818'.309—dc23 2014017459 10 9 8 7 6 5 4 3 2 1 To Missinnuok of Towns and Cities Contents Figures and Maps ix Prologue xi Acknowledgments xiii A Speculative and Factual Chronology for Ann Plato xvii Introduction 1 1. Ann Plato: Hartford’s Literary Enigma 17 2. “The Natives of America” and “To the First of August”: Contrasts in Cultural Investment 33 3. -
A Walk of Art Discover Three Centuries of Landscape Art in the Borrowdale Valley
A walk of art Discover three centuries of landscape art in the Borrowdale Valley Experience the ‘savage grandeur’ of the Lake District Walk in the footsteps of Romantic artists Find out how this landscape was shaped by ice Explore a hanging valley, a mountain-top village and tumbling waterfalls .discoveringbritain www .org ies of our land the stor scapes throug discovered h walks 2 Contents Introduction 4 Route overview 5 Practical information 6 Detailed route maps 8 Commentary 11 Further information 41 Credits 42 © The Royal Geographical Society with the Institute of British Geographers, London, 2013 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Farm at Watendlath by Dora Carrington (1921) © Tate Britain 3 A walk of art Discover three centuries of landscape art in the Borrowdale Valley In 1698 Daniel Defoe described the Lake District as ‘the wildest, the most barren and frightful place’ that he had ever seen. How have people responded to the Lake District since then? As road maps and the turnpike system allowed people greater accessibility, visitor numbers began to increase gradually. From the mid eighteenth century the Lake District became popular with poets, artists, and polymaths who View of Watendlath Tarn travelled for pleasure and stimulation. © Katy Moore Unlike Defoe these artistic visitors were interested in the aesthetics of the landscape; they looked for beauty, the ‘picturesque’ and searched for the ‘sublime terrors’ of the area’s rugged crags and tumbling waterfalls.