Robert Southey Bristol

Total Page:16

File Type:pdf, Size:1020Kb

Robert Southey Bristol BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION ROBERT SOUTHEY THE UNIVERSITY, BRISTOL AND Price 60p. 1980 BRISTOL by BASIL COTTLE BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION LOCAL HISTORY PAMPHLETS Hon. General Editor: PATRICK McGRATH ROBERT SOUTHEY AND BRISTOL Assistant General Editor: PETER HARRIS Robert Southey was born in this parish on 12 August 1774, over his father's draper's shop at No. 9 Wine St, and was baptized in Robert Southey and Bristol is the forty-seventh pamphlet to be published by the Bristol Branch of the Historical Association. It is the predecessor of this church, in the 17th-century font from St. Ewen's. His father came from a prosperous Wellington family, the First Annual Southey Lecture, and, it was delivered by Dr his mother Margaret Hill from substantial people in Bedminster. Cottle at Christ Church, City, Bristol in 1979. The Southey At 2, he was absurdly whisked away to live with his mother's Lectures are promoted by the Rector and Church Council of Old half-sister Elizabeth Tyler, in Bath; she had some money and Bristol Parish (Christ Church with St Ewen and All Saints, City). looks, but was an overbearing snob. He had to share her bed, They are intended to consider Bristolians who have made a major and not stir till she rose at 9, 10, or even 11. He endured silence, contribution to the Arts, Literature, Philosophy, Science, Politics loneliness, and obsessive cleanliness, but it was good discipline and Religion, The series is named after Robert Southey, who was for life, and at least they often went to the theatre. He was home baptized in Christ Church in 1774. off and on, and loved going to his grandparents at Bedminster, The Branch wishes to acknowledge a grant from the where he could get dirty in the garden - the house was Georgian Publications Committee of the University of Bristol and a very of 1740, with dairy and stables and laundry, an orchard and a generous gift from an anonymous donor to help with the cost of vine. The smell of syringa or sweet pea or evening primrose publication. always brought back Bedminster to him. Future pamphlets will deal with the history of the electricity At 3, he went to a nasty dame's school kept by Ma'am Powell, supply of Bristol, with the bombing of Bristol in World War II, who had no eyelashes. At 6, in a green suit, he was home again with the Post Office in the nineteenth century, with Edward and sent to a nasty brutish school on St. Michael's Hill kept by an Colston and with the Civil War. old Baptist minister called Foot. Thence to a school at Manor A list of pamphlets in print is given on the inside back cover. Farm, Carston, where the Flower family ran an utterly inefficient Pamphlets can be obtained from most Bristol booksellers, from but not unhappy set-up; their son did most of the teaching, and the Porters' Lodge in the Wills Memorial Building and in the was called Charley, but the food was awful, Mrs. Flower drank, Senate House and from Mr Peter Harris, 74 Bell Barn Road, and the Bristol children were withdrawn when 'the itch' broke Stoke Bishop, Bristol 9. out. Visiting it years later, and finding it closed, he wrote 'Silent and sad the scene; I heard no more/Mirth's honest cry, and childhood's cheerful roar'. Then a year in a school at 'The -Fort' Cover illustrations: Shield of the Somerset Southeys (Collinson, on St. Michael's Hill, kept happily but not very culturally by a Somerset, ii.495, and British Library MS Cotton Tiberius D.10) Welshman called William Williams. Then 4 hours a day at a crammer in Redcliffe Parade kept by a man called Lewis who had left Bristol Grammar School, and who taught Southey that 'it was not more difficult to write in prose than in verse'. Southey still had to spend his holidays with Aunt Tyler, and when she moved 1 to Terril St, Bristol, he had to live with her permanently; then his his family. Yet, despite her calling, Mary was a respectable and Uncle Herbert Hill, chaplain at Oporto, volunteered to put him talented girl, even though her father had unsuccessfully through Westminster and Oxford. He would be getting the best manufactured sugar-boiling pans; her sisters Sara and Edith were possible education. soon the wi�es of Coleridge and Southey - the ohe disastrously, The mature Southey was a conformist of great rectitude; the the other bhssfully - and another sister, Martha, was intended young Southey sounds like a graceless dropout. Enabled by a for Burnett. generous uncle to attend Westminster School, one of the Big 8, Their father, Stephen Fricker, had ( according to Southey's he got himself expelled for writing an article against flogging, in son) manufactured his sugarpans at Westbury. The American the school magazine. Admitted, despite this, to Balliol College, �evo!ution ruined this trade, he became an innkeeper and potter Oxford, he left after a couple of years without taking a degree. m Bnstol, the manager of a coalwharf in Bath, and a bankrupt in He adopted vague revolutionary ideas - which are almost as 1786, when he died. His widow and 6 children were left penni­ harmful as precise ones - and was a declared French­ less, though he had been an honest and responsible man. She Revolutionary Jacobin at a time when France was the national m<?ved to Bristol and opened a school, assisted by Martha and enemy. His religious beliefs were equally vague; he toyed for a Elizabeth. Mary, when nearly 90, was still keeping np her Latin time with Unitarianism, but gives the impression of an agnostic, and French by reading Horace and Madame de Stael; Sara to whom - say - the reading of the Bible meant nothing. wrote verses, and taught her daughter Italian; Edith Southey So it might seem strange than in 1794 he gravitated to Bristol. sounds the dull one, not involved in her husband's literary The city was mercantile, prosperous, with a strong middle class, activity; but all were handsome and wellbred. actively relgious, and patriotic; the rumour had even been . The revolution was to be taken out of the country; there is spread that it was philistine, since it had allowed young httle doubt that P ANTISOCRACY began in Southey's restless Chatterton and the poet Richard Savage to starve. But there was scheme of emigrating, and that the name and shape were given another side to its political and cultural life: there had been a by Coleridge. These two had first met at Oxford on 11 June 1794 body of support for the American colonists, and now there were and Burnett says that the plan was sketched out in rooms a� opponents of slavery - not just in the colonies, but in English Worcester College. The party to emigrate would consist of factories and London milliners'; the city had a great group of Southey, Coleridge, Burnett, Lovell, two other men unconnected schools, and the oldest public library, and of course a famous with Bristol, and wives existing or hypothetical; and Bristol was theatre, and a decent newspaper, Felix Parley's Journal; Hannah obvi?u�ly the place to recruit wives. Later, the young men were to More 's successful play, Percy, had contained pacifist sentiments be hm1ted to 12 only, then they gained a Bristol apothecary which even criticized the Crusades; the city's pulpits, of all called Heath, then the number was 20, and by mid-October it had denominations, were vocal and influential; and the religious life risen to 27, still predominantly Bristolian. of the city was by no means all 'establishment' - Quakers, Now we know so much about Pantisocracy because Joseph Unitarians and Methodists were wielding great importance. And Cottle tells us about it in his published memoirs. The lads came over on the opposite corner from here, in a shop now devoted to to his shop, used his books, wrote poems which he published and photography, was a generous and enlightened young bookseller sold at a loss ( all save Southey, who was profitable); and it was and publisher named Joseph Cottle. Lovell who, towards the end of 1794, whispered to him the far Thus there assembled at Bristol in 1794 a group of young music of the Susquehannah. I believe they had decided to settle unemployed intellectuals fired by quaint revolutionary dreams. by th�s American river because it sounded nice: there they would practI from corruption, and Two of them, Robert Southey and George Burnett, the son of a se_ an unselfish economy, free farmer from Huntspill in Somerset, had met at Balliol. The third, applymg sound principles 'in an unrestrained manner'; they whom Southey had met at Bath, was a little older - Robert would exclude 'all the little deteriorating passions'. Cottle was Lovell, the son of a rich Quaker; he had inherited no liking for invited to join the .party, but he was too aware of what he calls commerce, and his marriage with the beautiful Mary Fricker of 'the old and intractable leaven in human nature', and anyway he Redcliffe Hill, who had been on the stage, estranged him from was too lame for such an adventure. They were going to take out 2 3 ploughs and so forth; money? - well, said Lovell pretty taste' or 'the Celtic taste' or 'the Hindu taste', Southey still being tactlessly, 'We all contribute what we can, and I shall introduce pretty easy in theological matters; they rhyme and scan correctly, all my dear friends to you, immediately on their arrival in because he was a natural who could spin empty verse endlessly, Bristol'.
Recommended publications
  • Robert Southey: Poetical Works 1793–1810; Joan Of
    Southey 1-prelim.fm Page i Tuesday, April 6, 2004 1:37 PM THE PICKERING MASTERS Robert Southey: Poetical Works 1793–1810 General Editor: Lynda Pratt Southey 1-prelim.fm Page ii Tuesday, April 6, 2004 1:37 PM Robert Southey: Poetical Works 1793–1810 Volume 1: Joan of Arc, ed. Lynda Pratt Volume 2: Madoc, ed. Lynda Pratt Volume 3: Thalaba the Destroyer, ed. Tim Fulford Volume 4: The Curse of Kehama, ed. Daniel Sanjiv Roberts Volume 5: Selected Shorter Poems c. 1793–1810, ed. Lynda Pratt Southey 1-prelim.fm Page iii Tuesday, April 6, 2004 1:37 PM Robert Southey: Poetical Works 1793–1810 General Editor: Lynda Pratt Volume 1 Joan of Arc Edited by Lynda Pratt Southey 1-prelim.fm Page iv Tuesday, April 6, 2004 1:37 PM First published 2004 by Pickering & Chatto (Publishers) Limited Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © Taylor & Francis 2004 All rights reserved, including those of translation into foreign languages. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. BRITISH LIBRARY CATALOGUING IN PUBLICATION DATA Southey, Robert, 1774–1843 Robert Southey : poetical works 1793–1810.
    [Show full text]
  • Lyrical Ballads
    LYRICAL BALLADS Also available from Routledge: A SHORT HISTORY OF ENGLISH LITERATURE Second Edition Harry Blamires ELEVEN BRITISH POETS* An Anthology Edited by Michael Schmidt WILLIAM WORDSWORTH Selected Poetry and Prose Edited by Jennifer Breen SHELLEY Selected Poetry and Prose Edited by Alasdair Macrae * Not available from Routledge in the USA Lyrical Ballads WORDSWORTH AND COLERIDGE The text of the 1798 edition with the additional 1800 poems and the Prefaces edited with introduction, notes and appendices by R.L.BRETT and A.R.JONES LONDON and NEW YORK First published as a University Paperback 1968 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Second edition published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Introduction and Notes © 1963, 1991 R.L.Brett and A.R.Jones All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Wordsworth, William 1770–1850 Lyrical ballads: the text of the 1978 edition with the additional 1800 poems and the prefaces.
    [Show full text]
  • 1 in Search of Robert Lovell: Poet and Pantisocrat I. Introduction 'At The
    In Search of Robert Lovell: Poet and Pantisocrat I. Introduction ‘At the close of the year 1794, a clever young man, of the Society of Friends, of the name of Robert Lovell, who had married a Miss Fricker, informed me that a few friends of his from Oxford and Cambridge, with himself, were about to sail to America, and, on the banks of the Susquehannah, to form a Social Colony, in which there was to be a community of property, and where all that was selfish was to be proscribed.’1 Thus wrote Bristol publisher Joseph Cottle in his Reminiscences published in 1847. As any serious student of Romanticism knows, the most important of those ‘few friends’ mentioned by Cottle were Robert Southey and Samuel Taylor Coleridge, who were then gathering support for a small-scale transatlantic emigration scheme founded on radical egalitarian or so-called ‘Pantisocratic’ principles. It is chiefly in connection with this utopian venture that the ‘clever young man’ described by Cottle has, until now, typically featured in Romantic criticism, very much in a supporting if not peripheral role. But how much do we know about Robert Lovell? What kind of person was he? Why did Southey, and subsequently Coleridge, embrace him enthusiastically on first acquaintance and later downgrade their estimate of his qualities? What was Lovell’s achievement as a poet, and what was his place in the early history of Romanticism in the South West? In this essay I attempt to answer these questions by re- examining established ‘facts’, gathering fresh evidence, and treating Lovell and his poetry as valid subjects in their own right rather than as a footnote to the budding careers of Coleridge and Southey.
    [Show full text]
  • French Nationalism and Joan of Arc the Use of the Cult of Joan of Arc in France Between 1871-1926
    Beteckning: HRV:D09:2 Institutionen för humaniora och samhällsvetenskap French Nationalism and Joan of Arc The use of the Cult of Joan of Arc in France between 1871-1926 Jakob Ringbom Januari 2010 D-uppsats, 15 högskolepoäng Religionsvetenskap Religionsvetenskap med inriktning mot historiska perspektiv D Handledare: Sten O Karlsson Abstract The cult of Joan of Arc has always had an effect on the people of France, throughout history. It has aspired too many different views and re-surfaced at times in crisis for France. During some turbulent years after the mid 19th century the cult seems to have gained popularity. Emotional and historical writing became a fashion and Joan was presented in different ways depending on the writer and his motifs. As nationalistic front gained in popularity they understood to use her symbol in the name of France. This following study, named French Nationalism and Joan of Arc: the Use of the Cult of Joan of Arc in France between 1871-1926, has been an attempt to study her cult from an ultra nationalistic point of view. By approaching the subject by a History of Ideas theory I have tried to answer my questions in the matter, and tried to de-code the image of Joan of Arc in the name of nationalism. By first studying the nationalistic development in France as background and the basics and philosophy of the ideas I have then begun the research of the period mentioned. First and foremost I have studied the framework of nationalism and then I have used material coherent to my study, such as Action Française, writers of the 19th-20th century and other studies.
    [Show full text]
  • Literary Convention in Paul Muldoon's Madoc
    ABSTRACT MULLINS, MATTHEW RYAN. 20th Century Texts—19th Century Narratives: Literary Convention in Paul Muldoon’s Madoc: A Mystery and Ishmael Reed’s Flight to Canada. (Under the direction of Thomas Lisk.) This thesis explores how Paul Muldoon and Ishmael Reed use literary and historical conventions to comment on the value of literary conventions in the context of contemporary literature and culture. Muldoon uses poetic conventions in Madoc: A Mystery, while Reed uses slave narrative conventions in Flight to Canada. The value of reexamining these conventions in a contemporary context is to see their persisting importance and influence in literature and culture, and also to see where, perhaps, they may have fallen short as is the case with some of the slave narrative conventions appropriated by Reed. No previous research has placed Madoc and Flight to Canada side by side. By placing these two texts side by side, we can get a better idea of the irreducible complexity of language. Both Muldoon and Reed use language that can only be reduced to a lowest common denominator that is, in itself, complex. Both authors also offer a revisionist history that questions capital “T” truth, and the concepts of time and history in general. And, in both texts, America is critiqued for falling short of its once-ripe New World aspirations. By appropriating literary conventions, Muldoon and Reed pull two hundred years into the span of a few hundred pages, and use convention to challenge convention while learning from convention in the process. 20th Century Texts—19th Century Narratives: Literary Convention in Paul Muldoon’s Madoc: A Mystery and Ishmael Reed’s Flight to Canada.
    [Show full text]
  • Introduction: Professionalism and the Lake School of Poetry
    Cambridge University Press 978-0-521-15279-2 - The Lake Poets and Professional Identity Brian Goldberg Excerpt More information Introduction: Professionalism and the Lake School of Poetry When William Wordsworth, Robert Southey, and Samuel Taylor Coleridge – the Lake school – formulated their earliest descrip- tions of the role of the poet, two models of vocational identity exerted special pressure on their thinking. One was the idea of the professional gentleman. In their association of literary composi- tion with socially useful action, their conviction that the judgment of the poet should control the literary marketplace, and their efforts to correlate personal status with the poet’s special training, the Lake writers modified a progressive version of intellectual labor that was linked, if sometimes problematically, to develop- ments in the established professions of medicine, church, and law. In short, they attempted to write poetry as though writing poetry could duplicate the functions of the professions. The other model, and it is related to the first, is literary. Like the Lake poets, earlier eighteenth-century authors had been stimulated, if occasionally frustrated, by the puzzle of how to write poetry in the face of changing conceptions of intellectual work. While ideals of medi- cal, legal, and theological effectiveness that measured ‘‘techni- que’’ were competing with those that emphasized ‘‘character,’’ literary production was moving (more slowly and less completely than is sometimes thought) from a patronage- to a market-based 1 model. Eighteenth-century writers developed a body of figural resources such as the poetic wanderer that responded to new constructions of experience, merit, and evaluation, and the Lake writers seized on these resources in order to describe their own professional situation.
    [Show full text]
  • Robert Southey Poems Pdf
    Robert southey poems pdf Continue For the chairman of the Australian Ballet, see Robert Southee (businessman). This article needs additional quotes to verify. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: Robert Southee - news newspaper book scientist JSTOR (August 2018) (Learn, how and when to remove this template message) Robert SoutheyPortrait, c. 1795Born (1774-08-12)12 August 1774Bristole, EnglandDied21 March 1843 (1843-03-21) (age 68)London, EnglandOccupationPoet, historian, historian, historian, historian, historian, historian, historian, biographer, essayistLiter movementRoantisisspehit Fricker (1795-1838; her death)Carolina Ann Bowles (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (183 /ˈsaʊði/ or /ˈsʌði/; August 12, 1774 -March 21, 1843) was an English romantic poet and poet laureate from 1813 until his death. Like other lake poets, William Wordsworth and Samuel Taylor Coleridge, Southee began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics, notably Byron, accused him of siding with the institution for money and status. He is remembered as the author of the poem After Blenheim and the original version of Goldilocks and the Three Bears. Life Robert Southey, Sir Francis Chantrey, 1832, National Portrait Gallery, London Robert Southee was born in Wine Street, Bristol, Robert Southey and Margaret Hill. He was educated at Westminster School in London (where he was expelled for writing an article in The Flagellant, attributing the invention to the devil), and at Balliol College, Oxford.
    [Show full text]
  • English Paper-2 (Literature)
    Section A : Drama Chapter - 1 : The Merchant of Venice About the Author William Shakespeare was born on 26th April, 1564. He was the son of John Shakespeare and Mary Arden. He was born and brought up in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway and they had three children. William Shakespeare was an English poet and a playwright. He is regarded as the greatest writer in the English language. He wrote 37 plays, 154 sonnets, two long narrative poems. His plays are divided into four main categories: comedies, tragedies, histories and romances. His characters were always fresh and life-like. About the Play “The Merchant of Venice” written by the great Elizabethan dramatist, William Shakespeare, between 1596 and 1598, is a comedy exploring the themes of love, money, prejudice and social injustice. The play is classified as the comedy, because it shares the basic elements typical of all Shakespeare’s comedies. However, in words of Nicholas Rose, “There appears in [The Merchant of Venice] such a deadly spirit of revenge, such a savage fierceness and fellness, and such a bloody designation of cruelty and mischief, as cannot agree either with the style or characters of comedy.” Bassanio, a noble but penniless Venetian, asks his wealthy merchant friend Antonio for a loan so that Bassanio can undertake a journey to woo the heiress, Portia. Antonio, whose money is invested in foreign ventures, borrows the sum from Shylock, a Jewish moneylender, on the condition that, if the loan cannot be repaid in time, Antonio will forfeit a pound of flesh.
    [Show full text]
  • “After Blenheim” Y “The Inchcape Rock” De Robert Southey: La Balada Como Expresión Moral E Ideológica
    ISSN: 1579-9794 “After Blenheim” y “The Inchcape Rock” de Robert Southey: la balada como expresión moral e ideológica MARÍA DEL MAR RIVAS CARMONA Universidad de Sevilla Fecha de recepción: 12 de febrero de 2009 Fecha de aceptación: 15 de abril de 2009 Resumen: La calidad literaria de los escritos en prosa de Robert Southey es incuestionable. Destacan especialmente por la sencillez y claridad de la expresión formal. Sin embargo, también estas características se convierten en rasgo esencial en sus composiciones en verso, en especial en baladas tan populares como “After Blenheim” y “The Inchcape Rock”. En estas dos composiciones, en concreto, dichas características no sólo suponen una calidad estética, sino también un instrumento eficaz para la transmisión de mensajes de extrema importancia. El autor se vale de la aparentemente paradójica o contradictoria elección de un léxico y una sintaxis muy simples para expresar verdades trascendentes y que “deberían” ser igual de claras y evidentes para todos: los que hacen las guerras no son héroes; más tarde o más temprano la maldad encuentra su merecido. Palabras clave: Robert Southey. Baladas románticas. “After Blenheim”. Poema anti- bélico. “The Inchcape Rock”. Leyendas populares. Abstract: Robert Southey‟s prose writings are undoubtedly highly valued mostly for the great clarity and simplicity of the formal expression. These are, we believe, the most outstanding features of his style. Nevertheless, these same traits are also the most relevant features in his verse compositions, especially in such popular ballads as “After Blenheim” and “The Inchcape Rock”. In these two poems, in particular, the above characteristics reveal not only highly aesthetic qualities but also become an efficient tool for the transmission of an utterly relevant message.
    [Show full text]
  • English Language and Literature in Borrowdale
    English Language and Literature Derwentwater Independent Hostel is located in the Borrowdale Valley, 3 miles south of Keswick. The hostel occupies Barrow House, a Georgian mansion that was built for Joseph Pocklington in 1787. There are interesting references to Pocklington, Barrow House, and Borrowdale by Wordsworth, Coleridge, and Southey. Borrowdale and Keswick have been home to Coleridge, Southey and Walpole. Writer Born Selected work Places to visit John Dalton 1709 Poetry Whitehaven, Borrowdale William Wordsworth 1770 Poetry: The Prelude Cockermouth (National Trust), Dove Cottage (Wordsworth Trust) in Grasmere, Rydal Mount, Allan Bank (National Trust) in Grasmere Dorothy Wordsworth 1771 Letters and diaries Cockermouth (National Trust), Dove Cottage (Wordsworth Trust), Rydal Mount, Grasmere Samuel Taylor Coleridge 1772 Poetry Dove Cottage, Greta Hall (Keswick), Allan Bank Robert Southey 1774 Poetry: The Cataract of Lodore Falls and the Bowder Stone (Borrowdale), Dove Lodore Cottage, Greta Hall, grave at Crosthwaite Church Thomas de Quincey 1785 Essays Dove Cottage John Ruskin 1819 Essays, poetry Brantwood (Coniston) Beatrix Potter 1866 The Tale of Squirrel Lingholm (Derwent Water), St Herbert’s Island (Owl Island Nutkin (based on in the Tale of Squirrel Nutkin), Hawkshead, Hill Top Derwent Water) (National Trust), Armitt Library in Ambleside Hugh Walpole 1884 The Herries Chronicle Watendlath (home of fictional character Judith Paris), (set in Borrowdale) Brackenburn House on road beneath Cat Bells (private house with memorial plaque on wall), grave in St John’s Church in Keswick Arthur Ransome 1884 Swallows and Amazons Coniston and Windermere Norman Nicholson 1914 Poetry Millom, west Cumbria Hunter Davies 1936 Journalist, broadcaster, biographer of Wordsworth Margaret Forster 1938 Novelist Carlisle (Forster’s birthplace) Melvyn Bragg 1939 Grace & Mary (novel), Words by the Water Festival (March) Maid of Buttermere (play) Resources and places to visit 1.
    [Show full text]
  • Paper 4 Romanticism: the French Revolution and After And
    Paper IV Unit I Romanticism: The French Revolution and After and Romantic Themes 1.1. Introduction During the second half of the 18th century economic and social changes took place in England. The country went through the so-called Industrial Revolution when new industries sprang up and new processes were applied to the manufacture of traditional products. During the reign of King George III (1760-1820) the face of England changed. The factories were built, the industrial development was marked by an increase in the export of finished cloth rather than of raw material, coal and iron industries developed. Internal communications were largely funded. The population increased from 7 million to 14 million people. Much money was invested in road- and canal-building. The first railway line which was launched in 1830 from Liverpool to Manchester allowed many people inspired by poets of Romanticism to discover the beauty of their own country. Just as we understand the tremendous energizing influence of Puritanism in the matter of English liberty by remembering that the common people had begun to read, and that their book was the bible, so we may understand this age of popular government by remembering that the chief subject of romantic literature was the essential nobleness of common men and the value of the individual. As we read now that brief portion of history which lies between the Declaration of Independence (1776) and the English Reform Bill of 1832, we are in the presence of such mighty political upheavals that “the age of revolution” is the only name by which we can adequately characterize it.
    [Show full text]
  • Historical Onomastic Variation and Its Impact On
    Alts, Abbreviations, and AKAs: Historical onomastic variation and automated named entity recognition. James O. Butler, Christopher E. Donaldson, Joanna E. Taylor, and Ian N. Gregory. ABSTRACT: The accurate automated identification of named places is a major concern for scholars in the digital humanities, and especially for those engaged in research that depends upon the gazetteer-led recognition of specific aspects. The field of onomastics examines the linguistic roots and historical development of names, which have for the most part only standardised into single officially recognised forms since the late nineteenth century. Even slight spelling variations can introduce errors in geotagging techniques, and these differences in place-name spellings are thus vital considerations when seeking high rates of correct geospatial identification in historical texts. This article offers an overview of typical name-based variation that can cause issues in the accurate geotagging of any historical resource. The article argues that the careful study and documentation of these variations can assist in the development of more complete onymic records, which in turn may inform geotaggers through a cycle of variational recognition. It demonstrates how patterns in regional naming variation and development, across both specific and generic name elements, can be identified through the historical records of each known location. The article uses examples taken from a digitised corpus of writing about the English Lake District, a collection of 80 texts that date from between 1622 and 1900. Four of the more complex spelling-based problems encountered during the creation of a manual gazetteer for this corpus are examined. Specifically, the article demonstrates how and why such variation must be expected, particularly in the years preceding the standardisation of place-name spellings.
    [Show full text]