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UC San Diego UC San Diego Previously Published Works UC San Diego UC San Diego Previously Published Works Title Mex/L.A. "Mexican" modernism(s) in Los Angeles, 1930-1985 Permalink https://escholarship.org/uc/item/9ht811hx ISBN 9780980108033 Author Preciado, Selene Publication Date 2011 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Mex/L.A. “MexicAn” ModernisM(s) in Los AngeLes, 1930--1 985 10 rúBen ortiz-torres AgrAdeciMientos ESTE PROYECTO ESTÁ EN DEUDA con infinidad de Oriol, Carolina Ponce de León, Rita González, personas y condiciones que lo han permitido. Ondine Chavoya, Esperanza Valverde, Armando Algunas de ellas de manera más consciente y Cristeto, James Oles, Carla Stellweg, René directa que otras. Yáñez, Río Yáñez, Emma Tramposch y la Pocha Primero que nada agradecer al Getty Research Nostra, y otros. Institute y a Pacific Standard Time por darnos la Hay que mencionar el trabajo y la ayuda oportunidad de dar nuestra versión de los hechos. del departamento de estudios chicanos de UCLA Quisiera personalmente agradecer a Cecilia y su tremendo esfuerzo y productividad. Fajardo-Hill por correr el riesgo y ser cómplice Gracias a Chon Noriega, Karen Mary Dávalos y a nivel continental de la redefinición de Lati- Michael Stone. noamérica y su arte y por entender que lo global Gracias a Efraín Garza Fuentes, Director de es lo local. A Selene Preciado por su entusiasmo, programas multiculturales en The Walt Disney trabajo y desarrollo que me han confirmado que Company. Como egresado de CalArts y antiguo dar clases no es siempre una pérdida de tiempo. caricaturista, agradezco profundamente la Quisiera agradecer también al resto del equipo posibilidad de dialogar con la obra original de de MOLAA: Idurre Alonso, curadora. Gabriela un maestro modernista tan complejo. Corchado, registro de obra. A las asistentes Este proyecto se debe más que nada a los Tracy Gorden, Marisol Rojas, Patricia Quines y artistas. A Harry Gamboa Jr., Roberto Gil de Gretchen Reyes. En el departamento de Montes, John Valadez, Graciela Iturbide, Rubén comunicación a: Susan Golden, Martha Guzmán, Guevara, Guillermo Gómez-Peña y Yolanda Steve Vladimiroff y Adrián Covarrubias. López les debo mucho más que su trabajo. Les A Bill Kelley Jr. le agradezco haber sugerido debo su ejemplo de maestros Jedi. mi participación en la exposición y a Cynthia Lamento mucho que Olivier Debroise no MacMullin el haberla considerado. esté con nosotros pero de alguna forma todo A los escritores e investigadores del catálogo esto es una colaboración con él. Agradezco la les debo su colaboración especializada, ayuda de su madre Jacqueline Debroise y su información y deseo de explorar territorios no hermana Veronique Debroise Blanchard-Dignac. del todo conocidos: Mariana Botey, Jennifer Un agradecimiento muy especial a Jesse Flores Sternad, Harry Gamboa Jr., Renato Valadez Jr. y al Imperials Car Club. Quisiéramos González Mello, Anna Indych-López, Josh Kun, que esta exposición sea un homenaje al trabajo Jesse Lerner, Ana Elena Mallet, Cuauhtémoc de Jesse Valadez padre y un reconocimiento Medina, Catha Paquette y Denise Sandoval. oficial de su obra maestra. Agradecemos la posibilidad de producir A mi socio Jesse Lerner más que nada le este catálogo con Hatje Cantz y su equipo de doy gracias por reafirmarme que la amistad y la trabajo: Annette Kulenkampff, directora; curiosidad no tienen fronteras. Christine Emter, producción; Martina Reitz, Por último: sin Francesco Siqueiros, Fernando publicidad; Tas Skorupa, editor en jefe. Quisiera Valenzuela, Roberto Gil de Montes, Frank Zappa, mencionar en particular a Jonathan Fox, editor los hermanos Hernández y Catherine Hardwicke en inglés, por su profesionalidad. tal vez yo no hubiera acabado aquí. Sin Rhonda, Muchisísimas gracias a Jessica Fleischmann María Regina de Los Ángeles y Naomi Valentina por su diseño gráfico y paciencia para trabajar Ortiz tal vez no seguiría aquí. bajo presión. A Fabián Cereijido por su humor y sabiduría en la cronología y otros temas. A los TAMBIÉN AGRADECemOS A: traductores Amalia Caputo, Grady Miller y Naomi Abe, Assistant Registrar, Museum Soledad Judge de The Language Corner LLC of Contemporary Art, Los Angeles que además de inglés y español tuvieron que Lisa Banks, Registrar, The Alfredo Ramos entender caló, espanglish y pocho. Agradecemos Martínez Research Project, Los Angeles también a Rodrigo Fernández de Gortari de la Jeremy Bigalke and Katherine Mintie from Fundación Gurrola A.C. por su edición en Curatorial Assistance, Pasadena español al texto de Mariana Botey. Patricia Brambila Gómez, Coordinadora de Reconocemos la ayuda de personas como Documentación, CENIDIAP Jan Baum, Louis Stern, Tobey Moss, Steve Steve Comba, Assistant Director/Registrar, Turner, Rose Shoshana, Holly Ollivander, Esteban Pomona College Museum of Art 11 AcKnowLedgMents THIS PROJECT IS INDEBTED to the many people Turner, Rose Shoshana, Holly Ollivander, Esteban and circumstances that have made it possible, Oriol, Carolina Ponce de León, Rita González, some more directly than others. Ondine Chavoya, Esperanza Valverde, Armando First, I would like to thank the Getty Research Cristeto, James Oles, Carla Stellweg, René Yáñez, Institute and Pacific Standard Time for the Río Yáñez, Emma Tramposch and la Pocha opportunity of telling our own side of the story. Nostra, Jesse Valadez Jr., and others. I would like to personally thank Cecilia We have to mention the work and assistance Fajardo-Hill for taking a risk and being an to the exhibition of the Chicano Studies Research accomplice—across two continents—to the Center at UCLA, and their incredible effort and redefinition of Latin America and its art, and for efficiency. Thanks to Chon Noriega, Karen Mary understanding that the global is indeed truly Dávalos, and Michael Stone. local. To Selene Preciado for her enthusiasm, work, Thanks to Efraín Garza Fuentes, Ed.D., and development, which have confirmed to me Director, Multicultural Programs, the Walt Disney that teaching is not always a waste of time. I would Company. As a CalArts alumnus and a former also like to thank the rest of the staff at MOLAA, cartoonist, I profoundly appreciate the possibility particularly Idurre Alonso, Curator, and Gabriela to dialogue with the original work of such a Corchado, Associate Registrar; the interns Tracy complex modernist master. Gorden, Marisol Rojas, Patricia Quines, and This project is indebted mostly to the artists. Gretchen Reyes; and, in the communications Harry Gamboa Jr., Roberto Gil de Montes, John department, Susan Golden, Martha Guzmán, Valadez, Graciela Iturbide, Rubén Guevara, Steve Vladimiroff, and Adrián Covarrubias. Guillermo Gómez-Peña, and Yolanda López: I am To Bill Kelley Jr. for having suggested my grateful for more than your work. I am grateful participation in the show and to Cynthia for your Jedi Master examples. MacMullin for having considered it. I deeply regret that Olivier Debroise is no To the writers and researchers of the catalogue: longer with us, but in a way all of this is a I am grateful for their specialized contribution, collaboration with him. I am grateful for the help information, and their desire to explore unknown we received from his mother Jacqueline territory: Mariana Botey, Jennifer Flores Debroise and his sister Veronique Debroise Sternad, Harry Gamboa Jr., Renato González Blanchard-Dignac. Mello, Anna Indych-López, Josh Kun, Jesse Very special thanks to Jesse Valadez Jr. and Lerner, Ana Elena Mallet, Cuauhtémoc Medina, the Imperials Car Club. We would like this show Catha Paquette, and Denise Sandoval. to be an homage to the work of Jesse Valadez Sr., We are grateful for the possibility of producing and serve as an official recognition of his this catalogue with Hatje Cantz and their team: masterpiece. Annette Kulenkampff, Managing Director; To my associate Jesse Lerner, to whom I am Christine Emter, Production; Martina Reitz, most grateful for reaffirming that friendship and Advertising; and Tas Skorupa, Editor. I would curiosity have no borders. like to give a special mention to Jonathan Fox, Lastly: without Francesco Siqueiros, Fernando English copyeditor, for his professionalism. Valenzuela, Roberto Gil de Montes, Frank Zappa, Many, many thanks to Jessica Fleischmann the Bros. Hernández, and Catherine Hardwicke for her graphic design and patience under pressure. I would have never ended up here. Without To Fabián Cereijido for his good humor and Rhonda, María Regina de Los Ángeles, and wisdom in the chronology and other areas of Naomi Valentina Ortiz I would not be still here. the catalogue. To the translators Amalia Caputo, Grady Miller, and Soledad Judge from The ALSO THANKS TO: Language Corner, who apart from translating Naomi Abe, Assistant Registrar, Museum English and Spanish, had to interpret slang, of Contemporary Art, Los Angeles Spanglish, and pocho. Thanks also to Fernández Lisa Banks, Registrar, The Alfredo Ramos de Gortari from Fundación Gurrola A.C. in Mexico, Martínez Research Project, Los Angeles for editing Mariana Botey’s text in Spanish. Jeremy Bigalke and Katherine Mintie from We acknowledge the help of people such Curatorial Assistance, Pasadena as Jan Baum, Louis Stern, Tobey Moss, Steve 12 rubÉN ortiz-torres Tammy Carter, Licensing Specialist, Image Bronwen Solyom, Curator, Jean Charlot Resources & Copyright Management, Center for Collection, University of Hawaii at Manoa Library Creative Photography, University of Arizona, Michael R. Stone, Archives-Film-Digital Tucson Projects Manager, Chicano Studies Research Genevieve
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