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Hermeneutics, History and Memory
Hermeneutics, History and Memory History is the true record of an absent past. The trust between historians and their readers has always been founded upon this traditional claim. In a postmodern world, that claim and that trust have both been challenged as never before, draw- ing either angry or apologetic responses from historians. Hermeneutics, History and Memory answers differently. It sees the sceptical chal- lenge as an opportunity for reflection on history’s key processes and practices, and draws upon methodological resources that are truly history’s own, but from which it has become estranged. In seeking to restore these resources, this book presents a novel contribution to topical academic debate, focusing principally upon: • the challenges and detours of historical methodology; • hermeneutic interpretation; • the work of Paul Ricoeur; • the relation between history and memory. Hermeneutics, History and Memory will appeal to experienced researchers who seek to explore the theoretical and methodological foundations of their empir- ical investigations. It will also be highly beneficial to research students in history and the social sciences concerned with understanding the principles and practices through which documentary analysis and in- depth interview can be both validated and conducted. Philip Gardner is a Senior Lecturer in the School of Education at the University of Cambridge, UK. Hermeneutics, History and Memory Philip Gardner First published 2010 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Avenue, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2010. -
Rethinking France's “Memory Wars”: Harki and Pied-Noir
RETHINKING FRANCE’S “MEMORY WARS”: HARKI AND PIED-NOIR COLLECTIVE MEMORIES IN FIFTH REPUBLIC FRANCE Laura Jeanne Sims A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2015 Approved by: Donald Reid W. Fitzhugh Brundage Lloyd Kramer Daniel Sherman Jay Smith © 2015 Laura Jeanne Sims ALL RIGHTS RESERVED ii ABSTRACT Laura Jeanne Sims: “Rethinking France’s “Memory Wars”: Harki and Pied-Noir Collective Memories in Fifth Republic France” (Under the direction of Donald Reid) This dissertation is a cultural history of the memory narratives and practices of two postcolonial communities in France. The Harkis, Algerians who fought with the French Army during the Algerian War of Independence, and the Pieds-Noirs, settlers of European origin in Algeria, were forced to migrate to France when Algeria gained its independence in 1962. Analyzing the various memory carriers, including “cyber” carriers, that Harkis, Pieds-Noirs, and their descendants have used to transmit understandings of the colonial past reveals the evolving concerns of members of these communities and the changing ways in which they have imagined themselves, particularly in relation to the rest of French society. Harki and Pied-Noir case studies offer insight into the politics of collective memory in Fifth Republic France. As groups with different racial and cultural backgrounds, they have radically dissimilar levels of power, resources, and visibility. Pieds-Noirs have constructed the only museum currently dedicated to the colonial past in France, the Centre de Documentation des Français d’Algérie, while children of Harkis have relied more heavily on the opportunities for social networking and the quick, public transmission of information afforded by the Internet. -
Homosexualité Mon Amour : Derrida and the Haunting of Sodom
UCLA Paroles gelées Title Homosexualité mon amour : Derrida and the Haunting of Sodom Permalink https://escholarship.org/uc/item/5f57h784 Journal Paroles gelées, 19(2) ISSN 1094-7264 Author Johnson, Michael Publication Date 2001 DOI 10.5070/PG7192003122 Peer reviewed eScholarship.org Powered by the California Digital Library University of California HOMOSEXUALITE MON AMOUR: DERRIDAAND THE HAUNTING OF SODOM^ Michael Jbhnson /.r d doctom/ candidate at Emory University. In Lee Edelman's work, Homographesis, a seminal reiteration of queer theory in tiie language of Derridian deconstruction, Edelman quotes Stanley CavelTs essay "Postscript" while reading the "Envois'" section of Derrida's Post Card. Cavell writes: I am from time to time haunted—I rather take it for granted that this is quite generally tme of male heterosexual philosophers—by the origin of philosophy (in ancient Greece) in an environment of homosexual intimacy." Edelman then continues: What haunts Derrida is not just (whatever ""just" in this case might mean) the homophobic, homosocial, homoerotic. and homosexual relations that endlessly circulate within and as "the philosophical tradition"; at issue for him is the irreducibility of both sodomy and writing to a binary logic predicated on the determinacy ^ of presence or absence. From here Edelman's argument continues as it began, a reading of "the sodomitic spectacle" as the primal scene of writing. In it, we find a reading of the "Envois" as the staging of a peephole from which a voyeuristic Derrida would witness this scene of writing/sodomy. We might expect the Cavell quotation 57 Michael Johnson to function for Edelman simply as an example among others of this voyeurism, an apostrophe, set aside ahnost parenthetically if it weren't for the appearance of a new term: haunting. -
By Roland Barthes and "La Carte Postale" by Jacques Derrida
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1995 Re: (Writing) Desire in "Fragments d'Un Discours Amoureux" by Roland Barthes and "La Carte Postale" by Jacques Derrida. Laura Elizabeth Volpe Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Volpe, Laura Elizabeth, "Re: (Writing) Desire in "Fragments d'Un Discours Amoureux" by Roland Barthes and "La Carte Postale" by Jacques Derrida." (1995). LSU Historical Dissertations and Theses. 6141. https://digitalcommons.lsu.edu/gradschool_disstheses/6141 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master, UMX films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Going Postcard: the Letter(S) of Jacques Derrida
Going Postcard: The Letter(s) of Jacques Derrida Edited by Michael O’Rourke (Independent Colleges, Dublin) A special issue of Glossator: Practice and Theory of the Commentary (Fall 2012) glossator.org To produce this signifying structure obviously cannot consist of reproducing, by the effaced and respectful doubling of commentary, the conscious, voluntary, intentional relationship that the writer insitutes in his exchanges with the history to which he belongs thanks to the element of language. This moment of doubling commentary should no doubt have its place in a critical reading. To recognize and respect all its classical exigencies is not easy and requires all the instruments of traditional criticism. Without this recognition and this respect, critical production would risk developing in any direction at all and authorize itself to say almost anything. But this indispensable guardrail has always only protected, it has never opened, a reading—Jacques Derrida, Of Grammatology, 158. On the same page of Of Grammatology as the most quoted (and most misunderstood) phrase in all of the works of Jacques Derrida, “there is nothing outside of the text”(158), he talks about what he means by commentary which is, for him, nothing less than the “task of reading”. And, for Derrida, this task both is and is not commentary, at least not in the traditional sense of the word. Glossing a text, attending to its passages, its passageways, what passes in and out of it, is a task which should not take the form of straightforward exposition and explanation. Rather a gloss involves what Derrida in On Touching calls “the closure of a combinatory play around a vacant center” (16). -
Going Postcard: the Letter(S) of Jacques Derrida Edited
Going Postcard: The Letter(s) of Jacques Derrida Edited by Michael O’Rourke (Independent Colleges, Dublin) A special issue of Glossator: Practice and Theory of the Commentary (Fall 2012) glossator.org To produce this signifying structure obviously cannot consist of reproducing, by the effaced and respectful doubling of commentary, the conscious, voluntary, intentional relationship that the writer insitutes in his exchanges with the history to which he belongs thanks to the element of language. This moment of doubling commentary should no doubt have its place in a critical reading. To recognize and respect all its classical exigencies is not easy and requires all the instruments of traditional criticism. Without this recognition and this respect, critical production would risk developing in any direction at all and authorize itself to say almost anything. But this indispensable guardrail has always only protected, it has never opened, a reading—Jacques Derrida, Of Grammatology, 158. On the same page of Of Grammatology as the most quoted (and most misunderstood) phrase in all of the works of Jacques Derrida, “there is nothing outside of the text”(158), he talks about what he means by commentary which is, for him, nothing less than the “task of reading”. And, for Derrida, this task both is and is not commentary, at least not in the traditional sense of the word. Glossing a text, attending to its passages, its passageways, what passes in and out of it, is a task which should not take the form of straightforward exposition and explanation. Rather a gloss involves what Derrida in On Touching calls “the closure of a combinatory play around a vacant center” (16). -
62633085.Pdf
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of the Western Cape Research Repository De Ville, J. (2008). Derrida’s The Purveyor of Truth and Constitutional Reading. INTERNATIONAL JOURNAL FOR THE SEMIOTICS OF LAW, 21: 117-137 Derrida’s The Purveyor of Truth and Constitutional Reading Jacques de Ville Abstract In this article the author explores Jacques Derrida’s reading in The Purveyor of Truth of Edgar Allan Poe’s The Purloined Letter . In his essay, Derrida proposes a reading which differs markedly from the interpretation proposed by Lacan in his Seminar on ‘The Purloined Letter’ . To appreciate Derrida’s reading, which is not hermeneutic-semantic in nature like that of Lacan, it is necessary to look at the relation of Derrida’s essay to his other texts on psychoanalysis, more specifically insofar as the Freudian death drive is concerned. The present article explores this ‘notion’ as elaborated on by Freud in Beyond the Pleasure Principle as well as Derrida’s reading of this text. It also investigates the importance of the ‘notion’ of the death drive as well as the significance of Derrida’s reading of The Purloined Letter for constitutional interpretation. The hermeneutic compulsion: that is what superstition and ‘normal’ psychoanalysis have in common, and Freud says so very plainly [ en toutes lettres ]. Derrida [1, p. 367] 1 Introduction In The Purveyor of Truth , Derrida [2, 3] provides a very different reading from that of Lacan [4] in his Seminars (1955–1957) of Edgar Allan Poe’s The Purloined Letter (1845 [5]). Derrida’s The Purveyor of Truth has thus far found little favour with scholars. -
Derrida's Declarations of Independence
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of the Western Cape Research Repository De Ville, J. (2008). Sovereignty without sovereignty: Derrida’s Declarations of Independence. LAW AND CRITIQUE, 19: 87-114 Sovereignty without sovereignty: Derrida’s Declarations Of Independence Jacques de Ville Abstract This article questions the common assumptions in legal theory regarding Derrida’s well-known Declarations of Independence . Through a close reading of this text, well-known ground such as the relation between speech and writing, the notion of representation, speech act theory, the signature, and the proper name is covered. The contribution that this analysis makes in the present context lies in the additional ‘step’ that it takes. The article seeks to give an explanation of the laws at work in Derrida’s thinking in the above respects and to explain more specifically how they find expression in Declarations of Independence . The article in this regard also investigates the importance and role of the ‘notions’ of death, loss of meaning, loss of ownership, and loss of sovereignty in Derrida’s thinking. The contention is that if we take account of Derrida’s reading in Declarations of Independence , it is possible to view constitutions in a very different way, more specifically their ‘origins’, with inevitable implications for constitutional interpretation. Keywords constitution, Derrida, interpretation, iterability, justice, proper name, representation, signature, sovereignty, speech acts INTRODUCTION The importance for constitutional theory of Jacques Derrida’s 1976 essay Declarations of Independence 1 has been acknowledged and commented on by a number of scholars. -
The State, the Individual, and Marcel Proust
Indiana Law Journal Volume 80 Issue 3 Article 2 Summer 2005 In Search of a Theory of Public Memory: The State, the Individual, and Marcel Proust Brian F. Havel DePaul University College of Law, [email protected] Follow this and additional works at: https://www.repository.law.indiana.edu/ilj Part of the Evidence Commons, and the Public Law and Legal Theory Commons Recommended Citation Havel, Brian F. (2005) "In Search of a Theory of Public Memory: The State, the Individual, and Marcel Proust," Indiana Law Journal: Vol. 80 : Iss. 3 , Article 2. Available at: https://www.repository.law.indiana.edu/ilj/vol80/iss3/2 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Indiana Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. In Search of a Theory of Public Memory: The State, the Individual, and Marcel Proust BRIAN F. HAVEL* This Article posits the existence and pervasiveness of an official public (or State) memory that is primarily constructed using public law devices and statements of official policy. While official public memory serves the purposes of social control and stability, it also seeks to mask contestation and is, accordingly, neither complete nor authentic. Using philosophical, scientific, and literary sources, this Article demonstrates how the affective (emotional) memory that is unique to individuals creates a permanentpotential for contestation and authenticity and therefore sets a natural conceptual limit to the power of officially managed memory to contrive the past. -
AUTOMATON," Infour Fundamental Concepts of Psychoanalysis', Pierre Bayard, How to Talk About Books You Haven't Read', Géra
ENG 6075Deconstruction and New Media Theory Fall 2013 R, Periods 3-5 Professor Richard Burt Course Description: This will survey some of the central text written by Jacques Derrida, particularly those that bear on new media. The premise of this course is that books are random access machines that both resist and seduce their readers. As we read Derrida's texts, we will also read book history, focusing on the ways in which distinction between scroll and codex is reworked in new media (scrolling functions, keyboards, pdfs). That history will be under constant philosophical pressure about what a book is, what a machine is, what it means to read and to reconstitute a reading, the fate or the chances of reading, and what Derrida “calls “unreadability.” We will consider the book on paper and online as a more or less resistant random access machine. Readings will include Jacques Derrida, Paper Machine', "Typewriter Ribbon. Ink (2)" in Without Alibi', Jacques Derrida, Archive Fever, Jacques Derrida"Meschances"; Jacques Lacan "TUCHE AND AUTOMATON," inFour Fundamental Concepts of Psychoanalysis', Pierre Bayard, How to Talk About Books You Haven't Gérard Read', Genette, Paratexts', Matthew Kirschenbaum, "Extreme Inscription: A Grammatolosv of the Hard. " Drive in Mechanisms, Henry Petroski, Book on the Book Shelf, Jacques Derrida, "The Double Session"; Edgar Allen Poe, The Purloined Letter, Jacques Lacan, "Seminar on The Purloined Letter', Jacques Derrida, "Le facteur de la vérité," Jacques Derrida, "For the Love of Lacan." Two short papers and weekly written questions on the reading. Requirements: Books: Honore de Balzac, Peau de Chagrin (WildAss's SkinfJacques Derrida, Paper Machine', Jacques Derrida, Dessimination', Jacques Derrida, Archive Fever: A Freudian Impression', Jacques Derrida, The Post Card', Jacques Derrida, Truth in Painting', Cornelia Vismann./ri/tw Law and Media Technology, Franz Kafka, The Trial, E.T.A. -
What Postcards Want to Say
人間生活文化研究 Int J Hum Cult Stud. No. 28 2018 What postcards want to say Sanae Tokizane1 1 Department of English Language and Literature, Otsuma Women’s University 12 Sanban-cho, Chiyoda-ku, Tokyo, Japan 102-8357 Key words:Travel, Postcards, Epistolarity, Post-modernism Abstract Annie Proulx’s first novel Postcards is a saga of the disintegration of a rural New England family, which is so realistically rendered that any connection with Jacques Derrida’s philosophical theory of the post in The Post Card seems unlikely to exist. At the same time, it is evident that the novel is committed to the quiddity of the postcard as a medium that is simultaneously postal and postmodern. Through the clever use of graphically presented patchwork postcards, the novel epitomizes the economical and cultural transfiguration of the twentieth century America. In Derrida’s postal theory, the postcard marks the end of the age of the postal system that transmits documents. This paper argues that what the postcards in the eponymous novel want to say is how Derridian “postcardization” corresponds to postmodernization at the most basic and personal level. The condition of Postcards may not be manifestly postcolonial, and the epistolary space is only partial, but the idea of the postmodern postal principle prevails in the novel, which registers the diasporic flux of people, place, and time with no destination whatsoever. to be displaced by the hollowness of twentieth-century What does a post card want to say to you? technology and consumerism. To put it another way, (The back cover of The Post Card) postcardization is postmodernization. -
The Post-Age *
The Johns Hopkins University Press http://www.jstor.org/stable/464513 . Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Diacritics. http://www.jstor.org This content downloaded on Wed, 2 Jan 2013 06:56:16 AM All use subject to JSTOR Terms and Conditions 2i~. :::Y:::'- ;:i 4: THE POST-AGE * _:-:-::: GREGORYL. ULMER ~.-i~- -:~~ &NOV29 P-i-iii:< ~:i::-Pi:i--::-?a;:-.19 7 Jacques Derrida. La Carte Postale: de Socrate a Freud et au-deli. Paris: Flammarion, 1980. For two days in June, 1979, a meeting of "The Estates General of took at the Sorbonne for the of atten- Philosophy" place purpose calling N47:-i:::i:.:-:. tion to, and finding remedies for, the diminishing role of philosophy in French education. Derrida, one of the five-member preparation com- :~::::~ -i ..C.. mittee for the meeting, delivered the principal address, one of the es- sential points of which was an appeal for the humanities disciplines to enter into the media revolution. His comments were not designed to lessen the anxiety of the professional philosophers in attendance, for he reminds them that many of the changes taking place that seem so 00-:?' threatening to philosophy, that may indeed be causes of the "atrophy- ing" of philosophy which motivated the appeal for a meeting, may not simply be condemned and rejected.