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'Little Terrors'
Don DeLillo’s Promiscuous Fictions: The Adulterous Triangle of Sex, Space, and Language Diana Marie Jenkins A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The School of English University of NSW, December 2005 This thesis is dedicated to the loving memory of a wonderful grandfather, and a beautiful niece. I wish they were here to see me finish what both saw me start. Contents Acknowledgements 1 Introduction 2 Chapter One 26 The Space of the Hotel/Motel Room Chapter Two 81 Described Space and Sexual Transgression Chapter Three 124 The Reciprocal Space of the Journey and the Image Chapter Four 171 The Space of the Secret Conclusion 232 Reference List 238 Abstract This thesis takes up J. G. Ballard’s contention, that ‘the act of intercourse is now always a model for something else,’ to show that Don DeLillo uses a particular sexual, cultural economy of adultery, understood in its many loaded cultural and literary contexts, as a model for semantic reproduction. I contend that DeLillo’s fiction evinces a promiscuous model of language that structurally reflects the myth of the adulterous triangle. The thesis makes a significant intervention into DeLillo scholarship by challenging Paul Maltby’s suggestion that DeLillo’s linguistic model is Romantic and pure. My analysis of the narrative operations of adultery in his work reveals the alternative promiscuous model. I discuss ten DeLillo novels and one play – Americana, Players, The Names, White Noise, Libra, Mao II, Underworld, the play Valparaiso, The Body Artist, Cosmopolis, and the pseudonymous Amazons – that feature adultery narratives. -
Homosexualité Mon Amour : Derrida and the Haunting of Sodom
UCLA Paroles gelées Title Homosexualité mon amour : Derrida and the Haunting of Sodom Permalink https://escholarship.org/uc/item/5f57h784 Journal Paroles gelées, 19(2) ISSN 1094-7264 Author Johnson, Michael Publication Date 2001 DOI 10.5070/PG7192003122 Peer reviewed eScholarship.org Powered by the California Digital Library University of California HOMOSEXUALITE MON AMOUR: DERRIDAAND THE HAUNTING OF SODOM^ Michael Jbhnson /.r d doctom/ candidate at Emory University. In Lee Edelman's work, Homographesis, a seminal reiteration of queer theory in tiie language of Derridian deconstruction, Edelman quotes Stanley CavelTs essay "Postscript" while reading the "Envois'" section of Derrida's Post Card. Cavell writes: I am from time to time haunted—I rather take it for granted that this is quite generally tme of male heterosexual philosophers—by the origin of philosophy (in ancient Greece) in an environment of homosexual intimacy." Edelman then continues: What haunts Derrida is not just (whatever ""just" in this case might mean) the homophobic, homosocial, homoerotic. and homosexual relations that endlessly circulate within and as "the philosophical tradition"; at issue for him is the irreducibility of both sodomy and writing to a binary logic predicated on the determinacy ^ of presence or absence. From here Edelman's argument continues as it began, a reading of "the sodomitic spectacle" as the primal scene of writing. In it, we find a reading of the "Envois" as the staging of a peephole from which a voyeuristic Derrida would witness this scene of writing/sodomy. We might expect the Cavell quotation 57 Michael Johnson to function for Edelman simply as an example among others of this voyeurism, an apostrophe, set aside ahnost parenthetically if it weren't for the appearance of a new term: haunting. -
"One Nation •¦ Indivisible": Jacques Derrida on the Autoimmunity
RP 36_f4_12-44 11/13/06 11:56 AM Page 15 “ONE NATION . INDIVISIBLE”: JACQUES DERRIDA ON THE AUTOIMMUNITY OF DEMOCRACY AND THE SOVEREIGNTY OF GOD by MICHAEL NAAS DePaul University ABSTRACT During the final decade of his life, Jacques Derrida came to use the trope of autoimmunity with greater and greater frequency. Indeed it today appears that autoimmunity was to have been the last iteration of what for more than forty years Derrida called decon- struction. This essay looks at the consequences of this terminological shift for our under- standing not only of Derrida’s final works (such as Rogues) but of his entire corpus. By taking up a term from the biological sciences that describes the process by which an organism turns in quasi-suicidal fashion against its own self-protection, Derrida was able to rethink the very notion of life otherwise and demonstrate the way in which every sovereign identity, from the self to the nation-state to, most provocatively, God, is open to a process that both threatens to destroy it and gives it its only chance of living on. 1. Pledge of Allegiance I In a volume of remembrance, a volume “in memory of Jacques Derrida,” it is perhaps not inappropriate to begin with a personal memory, even if it might initially appear to have little to do with Derrida.1 It is an old memory, a quintessentially American memory, and one that I suspect many readers of this journal may share. It is the memory of a speech act, a sort of originary profession of faith, the memory of a pledge that I, like most other American school children, recited by heart, that is, in my case, thoughtlessly, mechani- cally, irresponsibly, with the regularity of a tape recording played back in an endless loop, at the beginning of every single school day. -
Expanded Academic ASAP - Document 8/21/13 1:27 PM
Expanded Academic ASAP - Document 8/21/13 1:27 PM Title: The rhetoric of drugs: an interview Author(s): Michael Israel Source: differences: A Journal of Feminist Cultural Studies. 5.1 (Spring 1993): p1. Document Type: Interview Full Text: COPYRIGHT 1993 Duke University Press http://dukeupress.edu/ Full Text: Works Cited Adorno, Theodor W., and Max Horkheimer. Dialectic of Enlightenment. Trans. John Cumming. London: Verso, 1979. Artaud, Antonin. "Letter to the Legislator of the Drug Act." Collected Works of Antonin Artaud. Trans. Victor Conti. Vol. 1. London: Calder, 1968. 58-62. 4 vols. 1968-74. Baudelaire, Charles. "Les Paradis artificiels." Oeuvres completes. Ed. Claude Pichois. Vol. 2. Paris: Gallimard, 1975. The following interview originally appeared in a special issue of Autrement 106 (1989) edited by J.-M. Hervieu and then in the collection, Points de suspension: Entretiens (Paris: Galilee, 1992). Michael Israel's translation was first published in 1-800 2 (1991). Eds. When the sky of transcendence comes to be emptied, a fatal rhetoric fills the void, and this is the fetishism of drug addiction. A: You are not a specialist in the study of drug addiction, yet we suppose that as a philosopher you may have something of particular interest to say on this subject. At the very least, we assume that your thinking might be pertinent here, if only by way of those concepts common both to philosophy and addictive studies, for example dependency, liberty, pleasure, jouissance. JD: O.K. Let us speak then from the point of view of the non-specialist which indeed I am. -
By Roland Barthes and "La Carte Postale" by Jacques Derrida
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1995 Re: (Writing) Desire in "Fragments d'Un Discours Amoureux" by Roland Barthes and "La Carte Postale" by Jacques Derrida. Laura Elizabeth Volpe Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Volpe, Laura Elizabeth, "Re: (Writing) Desire in "Fragments d'Un Discours Amoureux" by Roland Barthes and "La Carte Postale" by Jacques Derrida." (1995). LSU Historical Dissertations and Theses. 6141. https://digitalcommons.lsu.edu/gradschool_disstheses/6141 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master, UMX films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
The Rhetoric of Substance Use Disorder Morgan Carter Kennesaw State University, [email protected]
Kennesaw State University DigitalCommons@Kennesaw State University Master of Arts in Professional Writing Capstones Professional Writing Spring 4-24-2019 The Rhetoric of Substance Use Disorder Morgan Carter Kennesaw State University, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/mapw_etd Part of the Creative Writing Commons Recommended Citation Carter, Morgan, "The Rhetoric of Substance Use Disorder" (2019). Master of Arts in Professional Writing Capstones. 48. https://digitalcommons.kennesaw.edu/mapw_etd/48 This Capstone is brought to you for free and open access by the Professional Writing at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Master of Arts in Professional Writing Capstones by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. The Rhetoric of Substance Use Disorder By Morgan Carter A capstone project submitted in partial fulfillment of the Requirements for the degree of Master of Arts in Professional Writing in the Department of English In the College of Humanities and Social Sciences of Kennesaw State University Kennesaw, Georgia 2019 Contents Introduction 1 Literature Review 4 Chapter One: Narrative 15 Chapter Two: Critique 30 Chapter Three: Conclusion 45 Works Cited 49 iii For those who are still sick and suffering and for the kids caught in the cross-fire Introduction The addict and alcoholic are members of society who are continuously marginalized by the language used to describe them, both by media coverage and everyday language. The nature of their disease creates a space of self-identification that is outside the norm of normal illness. -
Going Postcard: the Letter(S) of Jacques Derrida
Going Postcard: The Letter(s) of Jacques Derrida Edited by Michael O’Rourke (Independent Colleges, Dublin) A special issue of Glossator: Practice and Theory of the Commentary (Fall 2012) glossator.org To produce this signifying structure obviously cannot consist of reproducing, by the effaced and respectful doubling of commentary, the conscious, voluntary, intentional relationship that the writer insitutes in his exchanges with the history to which he belongs thanks to the element of language. This moment of doubling commentary should no doubt have its place in a critical reading. To recognize and respect all its classical exigencies is not easy and requires all the instruments of traditional criticism. Without this recognition and this respect, critical production would risk developing in any direction at all and authorize itself to say almost anything. But this indispensable guardrail has always only protected, it has never opened, a reading—Jacques Derrida, Of Grammatology, 158. On the same page of Of Grammatology as the most quoted (and most misunderstood) phrase in all of the works of Jacques Derrida, “there is nothing outside of the text”(158), he talks about what he means by commentary which is, for him, nothing less than the “task of reading”. And, for Derrida, this task both is and is not commentary, at least not in the traditional sense of the word. Glossing a text, attending to its passages, its passageways, what passes in and out of it, is a task which should not take the form of straightforward exposition and explanation. Rather a gloss involves what Derrida in On Touching calls “the closure of a combinatory play around a vacant center” (16). -
Learning to Live Finally Learning to Live Finally the Last Interview
ZJ ~T~} 'Along with Ludwig Wittgenstein and Martin Heidegger, Jacques Q, Qj Derrida, who died in Paris at the age of 74, will be remembered as —— one of the three most important philosophers of the 20th century.' LEARNING TO >*J — The New York Times r— ^-» With death looming, Jacques Derrida, the world's most famous __ *T\ philosopher - known as the father of 'deconstruction' - sat down ~' with journalist Jean Birnbaum of the French daily Le Monde. They LIVE FINALLY revisited his life's work and his impending death in a long, surpris• ingly accessible, and moving final interview. The Last Interview Sometimes called 'obscure' and branded 'abstruse' by his critics, the Derrida found in this book is open and engaging, reflecting on a long career challenging important tenets of European philosophy 'ACOUES DERRIDA from Plato to Marx. The contemporary meaning of Derrida's work is also examined, including a discussion of his many political activities. But, as Derrida says, 'To philosophize is to learn to die'; as such, this philosophical discussion turns to the realities of his imminent death-including life with a fatal cancer. In the end, this interview remains a touching final look at a long and distinguished career. The late Jacques Derrida was Director of Studies at the Ecole des Hautes Etudes en Sciences Sociales, France, and Professor of Humanities at the University of California, Irvine. ISBN 978-0-230-53785-9 9 780230 537859 Cover illustration © Carol Hayes Learning to Live Finally Learning to Live Finally The Last Interview Jacques Derrida An Interview with Jean Birnbaum Translated by Pascale-Anne Brault and Michael Naas With a bibliography by Peter Krapp All rights reserved. -
Trauma and Psychoanalysis, Beyond Life and Death
SUFFERING AND SURVIVAL: CONSIDERING TRAUMA, TRAUMA STUDIES AND LIVING ON MARK DAWSON Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Fine Art, History of Art and Cultural Studies September, 2010 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2010: The University of Leeds and Mark Dawson. ACKNOWLEDGEMENTS What remains beyond this thesis are the others to whom it is indebted; though it is impossible to name them all, I would like to acknowledge the sustained and indispensable guidance of my supervisors, Dr. Ashley Thompson and Professor Griselda Pollock. I would also like to acknowledge the support of Dr. Barbara Engh and Dr. Rowan Bailey, as well as note the unique and stimulating environment of the School of Fine Art, History of Art and Cultural Studies at The University of Leeds. I would also like to thank the Arts and Humanities Research Council for their financial assistance. I want especially to thank my mother, for her love as well as her unwavering support, and Sarah, for her love, belief, and the remarkable capacity to welcome the uncertainties of this process. ABSTRACT Referring to the academic phenomenon of ‗Trauma Studies‘, this thesis argues that if it is possible to ‗speak about and speak through‘ trauma (Caruth, 1996), such a double operation can only occur through a writing which, paradoxically, touches on what exceeds it. -
Going Postcard: the Letter(S) of Jacques Derrida Edited
Going Postcard: The Letter(s) of Jacques Derrida Edited by Michael O’Rourke (Independent Colleges, Dublin) A special issue of Glossator: Practice and Theory of the Commentary (Fall 2012) glossator.org To produce this signifying structure obviously cannot consist of reproducing, by the effaced and respectful doubling of commentary, the conscious, voluntary, intentional relationship that the writer insitutes in his exchanges with the history to which he belongs thanks to the element of language. This moment of doubling commentary should no doubt have its place in a critical reading. To recognize and respect all its classical exigencies is not easy and requires all the instruments of traditional criticism. Without this recognition and this respect, critical production would risk developing in any direction at all and authorize itself to say almost anything. But this indispensable guardrail has always only protected, it has never opened, a reading—Jacques Derrida, Of Grammatology, 158. On the same page of Of Grammatology as the most quoted (and most misunderstood) phrase in all of the works of Jacques Derrida, “there is nothing outside of the text”(158), he talks about what he means by commentary which is, for him, nothing less than the “task of reading”. And, for Derrida, this task both is and is not commentary, at least not in the traditional sense of the word. Glossing a text, attending to its passages, its passageways, what passes in and out of it, is a task which should not take the form of straightforward exposition and explanation. Rather a gloss involves what Derrida in On Touching calls “the closure of a combinatory play around a vacant center” (16). -
Jacques Derrida PDF Book
JACQUES DERRIDA PDF, EPUB, EBOOK Nicholas Royle | 208 pages | 01 Jun 2003 | Taylor & Francis Ltd | 9780415229319 | English | London, United Kingdom Jacques Derrida PDF Book Derrida argues that intention cannot possibly govern how an iteration signifies, once it becomes hearable or readable. This danger explains why unconditional openness of the borders is not the best as opposed to what we were calling the worst above ; it is only the less bad or less evil, the less violence. Jacques Derrida. Oxford Bibliographies Online is available by subscription and perpetual access to institutions. The event that projected him into the international limelight was a conference at Johns Hopkins University in Baltimore in , where the relatively unknown but incontrovertibly glamorous young philosopher upstaged the likes of Lacan and Jean Hyppolite. Derrida insisted that a distinct political undertone had pervaded his texts from the very beginning of his career. Yet each of these concepts excludes the other. And this is what I confide in secret to whomever allies himself to me. For example, an image needs to be held by something, just as a mirror will hold a reflection. The giver cannot even recognise that they are giving, for that would be to reabsorb their gift to the other person as some kind of testimony to the worth of the self — ie. The intimacy of friendship, Derrida writes, lies in the sensation of recognizing oneself in the eyes of another. I deployed all my resources to uncover a range of meanings fanning out from each sentence, each word. These are, of course, themes reflected upon at length by Derrida, and they have an immediate consequence on the meta-theoretical level. -
62633085.Pdf
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of the Western Cape Research Repository De Ville, J. (2008). Derrida’s The Purveyor of Truth and Constitutional Reading. INTERNATIONAL JOURNAL FOR THE SEMIOTICS OF LAW, 21: 117-137 Derrida’s The Purveyor of Truth and Constitutional Reading Jacques de Ville Abstract In this article the author explores Jacques Derrida’s reading in The Purveyor of Truth of Edgar Allan Poe’s The Purloined Letter . In his essay, Derrida proposes a reading which differs markedly from the interpretation proposed by Lacan in his Seminar on ‘The Purloined Letter’ . To appreciate Derrida’s reading, which is not hermeneutic-semantic in nature like that of Lacan, it is necessary to look at the relation of Derrida’s essay to his other texts on psychoanalysis, more specifically insofar as the Freudian death drive is concerned. The present article explores this ‘notion’ as elaborated on by Freud in Beyond the Pleasure Principle as well as Derrida’s reading of this text. It also investigates the importance of the ‘notion’ of the death drive as well as the significance of Derrida’s reading of The Purloined Letter for constitutional interpretation. The hermeneutic compulsion: that is what superstition and ‘normal’ psychoanalysis have in common, and Freud says so very plainly [ en toutes lettres ]. Derrida [1, p. 367] 1 Introduction In The Purveyor of Truth , Derrida [2, 3] provides a very different reading from that of Lacan [4] in his Seminars (1955–1957) of Edgar Allan Poe’s The Purloined Letter (1845 [5]). Derrida’s The Purveyor of Truth has thus far found little favour with scholars.