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Wavelength (October 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1981 Wavelength (October 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1981) 12 https://scholarworks.uno.edu/wavelength/12 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Pipes of Pan Presents ... A best seller. versus the best. icro-Acoustics Bose 301 FRM-3dx *33QOOper patr. *34900per pair Compare these two speakers, and you'd probably expect the one on the left - with the lower price - to be the better seller. You'd be right ... but is it the better value? Before you aecide, it pays to consider how much more a little more money will bu~: Comfare bass. The new FRM-3dx uses a twin-ducted enclosure with thicker cabine panels and larger cubic volume for rich, full bass. Compare highs. The new FRM-3dx1s unique Vari-AxiSTM control system, damped isolated tweeter suspension and rim-damped cone give lifelike h1ghs. Compare warranties. The new FRM-3dx is warrantied twice as long. The Micro-Acoustics new FRM-3dx. When you compare, there's really no com parison. Quality worth a 10-year warranty Micro-Acoustics Reg. $349.00 Bose 301" FRM·3dx Tweeter One, fixed. One, rotatable, rim·damped. Tweeter Attached Isolated from SALE NOW directly to baffle. -
Chris Reynolds: This Is an Interview with Charlie Harmony on Thursday
Charlie Harmony Memoir Springfield, Illinois October 9, 2006 Chris Reynolds: This is an interview with Charlie Harmony on Thursday. November the 9th, 2006 at Dean Williams Studio in Springfield, Illinois which oddly enough is on Harmony Court. We’re working on an oral history on the Harmony Brother’s musical career. My name is Chris Reynolds; the taping is being done by Dean Williams, and let’s just go ahead and get started here. Charlie, I want to do this in time frames, so the first time frame I want to work on is the pre-1956, before the band got started. But I want to start out with a question that I really failed to ask Ben which was can we talk a little bit about your family? How many brothers and sisters you had and what your mom and dad did and those kinds of things ? Charlie Harmony: Sure, there were eight of us in the family, four boys and four girls. My dad was a coal miner; my mom was a housewife, as was the case in those days. Of course she had eight kids to raise so she had quite a job. They were all like Ben and I, wild and crazy so she really had her work cut out for her. Chris: And you lived in Springfield at that same home over there? Where, near Ben is now? Charlie: Right in front of where Ben’s house was, the house in front of it is the family home. Chris: And the whole time you lived there, so that goes way back? Charlie: Yes, the house was built in 1940, the year that I was born, I was the first child to live in that house, prior to that, behind the house there was a little two room shack and that is where all of my family and the other six kids were born, Ben was born there, I was the only one born in a hospital. -
Ted Savoie COLLECTION: 4700.2089 IDENTIFI
T. Harry Williams Center for Oral History Collection ABSTRACT INTERVIEWEE NAME: Ted Savoie COLLECTION: 4700.2089 IDENTIFICATION: Galliano, Louisiana, native [b. 1943]; Larose, Louisiana resident; tugboat owner/operator; Catholic; Oyster Festival founder INTERVIEWER: Chaffie Jenkins, Amber Breaux SERIES: Bayou Lafourche Oral History INTERVIEW DATE: October 15, 2010 FOCUS DATES: 1940s-1950s [childhood]; 2010 ABSTRACT: Tape 3935 Interview in Larose, Louisiana; Ted Savoie’s house; Savoie was born in 1943 in Galliano, Louisiana; grew up in maternal grandfather’s house; Larose, Louisiana, was “daddy’s area” [sugarcane farming]; spent more time with family in Galliano; got married at 21 and moved to Larose; maternal grandfather was in oyster business; community leader and involved at church; people said “I need some help with the …”, offered political advice; grandfather was an elder of community; Savoie got to meet many people because of it; Daddy grew up in Larose sugarcane business; married mom and moved down bayou, which doubled his salary [$1/day working for his father, $2/day working on oyster boats]; difference was in Larose he was home every night; on boats: leave for thirty days, have three days off; different lifestyle; career developed from farmer to oysterman to tugboat business; Savoie took over father’s tugboat business; background: family belongs to St. Joseph Catholic Church in Galliano; at time church was strictly chapel of parish in Cut Off, Louisiana; great grandfather was first person buried in cemetery in Galliano; grandfather -
Wavelength (July 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 7-1984 Wavelength (July 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (July 1984) 45 https://scholarworks.uno.edu/wavelength/45 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 0 ·.::.: •• :·: :· :· .:·•• . .. .. :-:::: ... ~ ·: ~--~~\:§;;~ ....... :~ ......·.: .:::"" .: : :.;. ·~ ·• :;~~ .. : ... , ·:.·.. ~ . .: ... ::.: ~·\::~:}~ ·.. :: .. :. ::.-::·.:~~:~':: .: . • •• :·,; :·;:;;t .... .•: .... ·:_.::··.~::::~~l : .. ::: FRANKIE FORD .......... .: ·•· . • 0 .;·.. ~~ . ::. ~ . • . : .-:s ·.· :::·.~.... .. ..... .... , · . .. ..... 'SN11 3l~O 1d30 SNOiliSinOJ~ ..... A~~~ 9I l ~NOl ~ 1~~ 3 :. · : . SN~~l~O M3N ~0 A1ISM3AINn . .·. .... .·. .... 66/66/66 ;o~ o .···. :::/. .-:::.:'.':·::.:::: =:· :·:;.. :: '\?@?·1<·;·::.:.::• • • • ••• •• • • • • • • • • • • • • ::~=:·~• •• • • • • · • ••• 0. 0 • • • • •• • • • • • • • • • • • •••••·: • ••• • • • • •• • . • . • • • ••• : • • • • • • ... • • • : • 0 0 • • • • • • • • • • • • • • •• • • • • • • • • • • •• ... NEW ORLEANS M u s I c MAGAZINE __ UJauelenalh For ISSUE NO. 45 e .JULY 1984 ISSN 07 41 · 2460 New "''m not sure, but I'm almost positive, that all music came from -
21S NOLA Syllabus Part I Graphicsa
HISTORY OF NEW ORLEANS MUSIC 2021S History of New Orleans Music 21S- MUGN-O246-W01 Spring 2021 16-Week Session 1/19/2021 - 5/7/2021 Instructor Information Name: Sanford Hinderlie Phone: (504) 865 2773 (Not to be used with Online course) Email: [email protected] (Preferred contact method. I usually reply to emails within 1-12 hours.) Office Location: World Wide Web Office Hours: By email appointment Terms of Use A student's continued enrollment in this course signifies acknowledgment of agreement with the statements, disclaimers, policies, and procedures outlined within this syllabus and elsewhere in the Canvas environment. This Syllabus is a dynamic document. Elements of the course structure (e.g., dates and topics covered, but not policies) may be changed at the discretion of the professor. Sanford Hinderlie, jazz piano Course Information Prerequisite Courses: ENGL T122 or Equivalent Course Location: Online in Canvas (NOTE: This is an asynchronous online course. However, it is NOT self-paced. Readings as well as all learning activities must be completed according to the weekly schedule provided in this syllabus.) Credit Hours: 3 Credit hours Weeks and Dates of the Course: 16 weeks (full semester), from Wednesday, Jan. 20, 2021 to Friday, May 5, 2021 Class Meeting Time: Each week begins on Monday at 12:00 am and ends on Sunday at 11:59 pm in Canvas Expectations of Workload: e.g. According to the Loyola University Credit Hour Policy http://academicaffairs.loyno.edu/credit-hour-policy, you are supposed to spend at least 6300 minutes (that is 105 hours including 35 hours of classwork and 70 hours of out-of-class work) for the whole semester regardless of how many weeks it is offered. -
Nostalgierock 1955 Ain't Gonna Do It Dave Bartholomew
Nostalgierock 1955 Ain't Gonna Do It Dave Bartholomew Anytime, Anyplace, Anywhere Joe Morris (Laurie Tate) At Night Orioles Bad Bad Whiskey Amos Milburn Bald Head Roy Byrd (Professor Longhair) Big Fat Mamas Are Back In Style Bullmoose Jackson Birmingham Bounce Red Foley / Hardrock Gunter Blue Light Boogie Louis Jordan Blue Shadows Lowell Fulson Bon Ton Roula Clarence Garlow Breaking Up The House Tiny Bradshaw C.C. Baby Brownie McGhee Cadillac Baby Roy Brown Carnival Day Dave Bartholomew Chicken Blues Dominoes Count Every Star Ravens Cry, Cry Baby Ed Wiley (Teddy Reynolds) Cupid's Boogie Johnny Otis (Little Esther & Mel Walker) Daddy's Little Girl Mills Brothers Deceivin' Blues Johnny Otis (Little Esther & Mel Walker) Detroit City Blues Fats Domino Do Something For Me Dominoes Double Crossing Blues Johnny Otis (Little Esther & the Robins) Every Night About This Time Fats Domino Everybody's Somebody's Fool Lionel Hampton (Little Jimmie Scott) Everyday I Have The Blues Lowell Fulson Foggy Mountain Breakdown Lester Flatt & Earl Scruggs Go Back To The One You Love T-Bone Walker Golden Rocket Hank Snow Good Morning Judge Wynonie Harris Goodnight, Irene Weavers with Gordon Jenkins Orchestra Hard Luck Blues Roy Brown Hey La Bas Boogie Fats Domino Hot Rod Race Tiny Hill I Don't Have To Ride No More Ravens I Just Don't Like This Kind Of Livin' Hank Williams I Like My Baby's Pudding Wynonie Harris I Love My Baby Larry Darnell I Need You So Ivory Joe Hunter I Wanna Be Loved Dinah Washington I Will Wait Four Buddies I'll Never Be Free Paul Gayten (Annie Laurie) / Dinah Washington I'm Going To Have Myself A Ball Tiny Bradshaw I'm Movin' On Hank Snow I'm So Crazy For Love Cap-Tans If You've Got The Money I've Got . -
Cosimo Recording Studios on Governor Nicholls Street Turned out a Remarkable Number of Hits in Its Ten Year Run
Cosimo Recording Studios on Governor Nicholls Street turned out a remarkable number of hits in its ten year run. Important hit recordings 1956-59 Fats Domino (Imperial) “I’m Walkin’” “Whole Lotta Loving” “I Want To Walk You Home” “Be My Guest” Little Richard (Specialty) “Long Tall Sally” “Lucille” “Good Golly, Miss Molly” Other national hits “Let The Good Times Roll” – Shirley & Lee (Aladdin) “Ain’t Got No Home” – Clarence “Frogman” Henry (Argo) “Let The Four Winds Blow” – Roy Brown (Imperial) “Don’t Know Just Know It” – Huey “Piano” Smith and the Clowns (Ace) “Just A Dream” – Jimmy Clanton (Ace) “Sea Cruise” – Frankie Ford (Ace) Regional hits “Shame, Shame, Shame” – Smiley Lewis (Imperial) “Sick And Tired” – Chris Kenner (Imperial) “I’m Gonna Be A Wheel Someday” – Bobby Mitchell (Imperial) “Lights Out” – Jerry Byrne (Specialty) “Go To The Mardi Gras” – Professor Longhair (Ron) Hit recordings 1960-1966 National hits “Ooh Poo Pah Doo” – Jessie Hill (Minit) “But I Do” – Clarence “Frogman” Henry (Argo) “Mother-In-Law” – Ernie K-Doe (Minit) “I Like It Like That” – Chris Kenner (Instant) “I Know” – Barbara George (A.F.O.) “Ya Ya” – Lee Dorsey (Fury) “You’ll Lose A Good Thing” – Barbara Lynn (Jamie) “Barefootin’” – Robert Parker (Nola) “Tell It Like It Is” – Aaron Neville (Par Lo) Regional hits “She Put The Hurt On Me” – Prince La La (A.F.O.) “Trick Bag” – Earl King (Imperial) “It’s Raining” – Irma Thomas (Minit) “Kiss Tomorrow Goodbye” – Danny White (Frisco) “It Ain’t My Fault” – Smokey Johnson (Nola) (From Billboard chart data) Compiled by John Broven, author of Rhythm and Blues in New Orleans; South to Louisiana: The Music of the Cajun Bayous; and Record Makers and Breakers: The Voices of the Independent Rock ’n’ Roll Pioneers. -
Chris Reynolds: This Is an Interview with Charlie Harmony on Thursday
Chris Reynolds: This is an interview with Charlie Harmony on Thursday. November the 9th, 2006 at Dean Williams Studio in Springfield, Illinois which oddly enough is on Harmony Court. We’re working on an oral history on the Harmony Brother’s musical career. My name is Chris Reynolds; the taping is being done by Dean Williams, and let’s just go ahead and get started here. Charlie, I want to do this in time frames, so the first time frame I want to work on is the pre-1956, before the band got started. But I want to start out with a question that I really failed to ask Ben which was can we talk a little bit about your family? How many brothers and sisters you had and what your mom and dad did and those kinds of things ? Charlie Harmony: Sure, there were eight of us in the family, four boys and four girls. My dad was a coal miner; my mom was a house wife, as was the case in those days. Of course she had eight kids to raise so she had quite a job. They were all like Ben and I, wild and crazy so she really had her work cut out for her. Chris: And you lived in Springfield at that same home over there? Where, near Ben is now? Charlie: Right in front of where Ben’s house was, the house in front of it is the family home. Chris: And the whole time you lived there, so that goes way back? Charlie: Yes, the house was built in 1940, the year that I was born, I was the first child to live in that house, prior to that, behind the house there was a little two room shack and that is where all of my family and the other six kids were born, Ben was born there, I was the only one born in a hospital. -
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Random Reveries of New Orleans Long before the development of Photoshop and other means of image manipulation, there were artists who had no problem creating their own version of reality. Below is a postcard featuring a view of the Crescent City’s second oldest restaurant, Tujague’s, located on Decatur Street in the French Quarter. But if one looks closely, on either side of the historic dining establishment, there are no adjacent buildings pictured. Tujague’s in a park-like setting It seems as if Tujague’s has been transported by the Abry Brothers to City Park, since (to the right and rear of the building in the postcard view) there appears to be a verdant and perfectly manicured lawn with beautiful trees in the background. The photographic artist operating three-quarters of a century ago decided that the neighboring buildings created perhaps a little too much visual clutter. No problem – just paint in some vegetation. Speaking of City Park, everyone seems to remember that evening in September, 1964, when the Beatles appeared at City Park Stadium. I myself was there surrounded by ecstatic young women, screaming their heads off for the “Fab Four.” Still, I was loving the music. But how many people remember the appearance in concert two years later of two other British groups: the Dave Clark Five on July 13th, 1966, and Herman’s Hermits on July 24th. The stadium had just been renamed Tad Gormley Stadium for the Park’s longtime Athletic Director, who died the previous December. -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1984 Wavelength (April 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1984) 42 https://scholarworks.uno.edu/wavelength/42 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1984 Inside: Jazz Fest Schedule Chris Kenner George Dureau Photographs BULK RATE U.S POSTAGE PAID ALEXANDRIA, LA. PERMIT N0.69 C M A GA ZIN INTRODUCING 'MSAVE SUN BELT AUDIO VIDEO ENTERPRISES, FEATURES ADVANTAGES SAVE High output, low noise Dynamic range for true reproduction. The Best Tape The effects of pre- and post -echo ore Lowest print-through largely alleviated. Minimum 6 dB lower The Best Service print through compared to other topes Excellent slitting of its kind. The Best Price Consistency Consistent phose stability. Superior Immediate shipment winding characteristics. No slow from our floor stock. Tensilized base winding necessary. High frequency stability. The acknowledged Reliable mechanical and acoustical leader in Europe and properties lessen the need for machine United Kingdom realignment. now readily Insures tope life against transport available in the U.S. mishandling. AtlSTERS'' il'VYIIIIVI <liftefory Of etudrOS and ana teceive a FREE sample and phone listing to Louisiana 70458. ISSUE NO. 42 • APRll. 1984 For ISSN 0741 . 2460 New ''I'm not sure, but I'm almost positive, that all music came from New Orleans. -
Le Monde De Merde and the LUST for GREEN Vol
The Krewe du Vieux Presents PURPLE PROSE, YELLOW JOURNALISM Le Monde de Merde AND THE LUST FOR GREEN Vol. 18, No. 1 February 7, 2009 Priceless Krewe du Vieux Releases Its “Stimulus Package” Frankie Ford Named As Cruise Director NEW ORLEANS – The whole damn thing nearly went down this year. The hot reality shows of the last twelve months were “American Idle” and “Survivor – Detroit”, while “Nightmare on Wall Street” dominated the silvery screen. The S&M 500 reached painful new lows, the stock xxx- change went totally limp (though bondage remained tight), and the Federal Re-Serve Soup Kitchen helped financial executives re- tain their golden parachutes while laying golden showers on the American public. Moose hunting came darn close to becom- trashed as well, while alleged mayor C. Ray The Krewe du Vieux’s seventeen sub- ing the new national pastime. But Joe the Nagin danced to a new musical genre known krewes will each present their own stimu- Dumber Plumber couldn’t unclog the voter as clusterfunk. lated, simulated, marinated, consummated, pipeline for Sen. John the Gone Pecan, and Meanwhile, two lonely cranes flew over- investigated, instigated, implicated, inti- defeated Republicans were left to console head in the sky…. mated, but never imitated interpretations of themselves with forty ounces and a drug As the economic ejaculation trickled down the theme. Subkrewes include the Krewe of mule. Illinois conclusively demonstrated that the legs of American taxpayers, Krewe du C.R.U.D.E., Krewe of Space Age Love, Krewe it is the new Louisiana, with Gov. Vieux decided it was time for overnight deliv- of Underwear, Seeds of Decline, Krewe of Blowdryovich taking corruption, crudity and ery of a new Stimulus Package. -
2011–2012 Season Sponsors
SEASON CERRITOS CENTER FOR THE PERFORMING ARTS 2011–2012 SEASON SPONSORS The City of Cerritos gratefully thanks our 2011–2012 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. SEASON YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. SEASON CERRITOS CENTER FOR THE PERFORMING ARTS THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. ENCORE Beth Anderson Rodolfo Chavez Bryan A. Stirrat & Associates Hedy Harrison-Anduha and Liming Chen Jose Iturbi Foundation Larry Anduha Wanda Chen National Endowment for the Susan and Clifford Asai Margie and Ned Cherry Arts Larry Baggs Frances and Philip Chinn Eleanor and David St. Clair Marilyn Baker Nancy and Lance Chontos Terry Bales Patricia Christie HEADLINER Sallie Barnett Richard Christy The Capital Group Companies Alan Barry Rozanne and James Churchill Charitable Foundation Cynthia Bates Neal Clyde Chamber Music Society of Dennis Becker Mark Cochrane Detroit Barbara S. Behrens Michael Cohn The Gettys Family Aldenise Belcer Claire Coleman Los Cerritos Center Yvette Belcher Mr.