Typography in the Creative Suite
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Unicode Nearly Plain-Text Encoding of Mathematics Murray Sargent III Office Authoring Services, Microsoft Corporation 4-Apr-06
Unicode Nearly Plain Text Encoding of Mathematics Unicode Nearly Plain-Text Encoding of Mathematics Murray Sargent III Office Authoring Services, Microsoft Corporation 4-Apr-06 1. Introduction ............................................................................................................ 2 2. Encoding Simple Math Expressions ...................................................................... 3 2.1 Fractions .......................................................................................................... 4 2.2 Subscripts and Superscripts........................................................................... 6 2.3 Use of the Blank (Space) Character ............................................................... 7 3. Encoding Other Math Expressions ........................................................................ 8 3.1 Delimiters ........................................................................................................ 8 3.2 Literal Operators ........................................................................................... 10 3.3 Prescripts and Above/Below Scripts........................................................... 11 3.4 n-ary Operators ............................................................................................. 11 3.5 Mathematical Functions ............................................................................... 12 3.6 Square Roots and Radicals ........................................................................... 13 3.7 Enclosures..................................................................................................... -
End-Of-Line Hyphenation of Chemical Names (IUPAC Provisional
Pure Appl. Chem. 2020; aop IUPAC Recommendations Albert J. Dijkstra*, Karl-Heinz Hellwich, Richard M. Hartshorn, Jan Reedijk and Erik Szabó End-of-line hyphenation of chemical names (IUPAC Provisional Recommendations) https://doi.org/10.1515/pac-2019-1005 Received October 16, 2019; accepted January 21, 2020 Abstract: Chemical names and in particular systematic chemical names can be so long that, when a manu- script is printed, they have to be hyphenated/divided at the end of a line. Many systematic names already contain hyphens, but sometimes not in a suitable division position. In some cases, using these hyphens as end-of-line divisions can lead to illogical divisions in print, as can also happen when hyphens are added arbi- trarily without considering the ‘chemical’ context. The present document provides recommendations and guidelines for authors of chemical manuscripts, their publishers and editors, on where to divide chemical names at the end of a line and instructions on how to avoid these names being divided at illogical places as often suggested by desk dictionaries. Instead, readability and chemical sense should prevail when authors insert optional hyphens. Accordingly, the software used to convert electronic manuscripts to print can now be programmed to avoid illogical end-of-line hyphenation and thereby save the author much time and annoy- ance when proofreading. The recommendations also allow readers of the printed article to determine which end-of-line hyphens are an integral part of the name and should not be deleted when ‘undividing’ the name. These recommendations may also prove useful in languages other than English. -
Community College of Denver's Style Guide for Web and Print Publications
Community College of Denver’s Style Guide for Web and Print Publications CCD’s Style Guide supplies all CCD employees with one common goal: to create a functioning, active, and up-to-date publications with universal and consistent styling, grammar, and punctuation use. About the College-Wide Editorial Style Guide The following strategies are intended to enhance consistency and accuracy in the written communications of CCD, with particular attention to local peculiarities and frequently asked questions. For additional guidelines on the mechanics of written communication, see The AP Style Guide. If you have a question about this style guide, please contact the director of marketing and communication. Web Style Guide Page 1 of 10 Updated 2019 Contents About the College-Wide Editorial Style Guide ............................................... 1 One-Page Quick Style Guide ...................................................................... 4 Building Names ............................................................................................................. 4 Emails .......................................................................................................................... 4 Phone Numbers ............................................................................................................. 4 Academic Terms ............................................................................................................ 4 Times .......................................................................................................................... -
User Name Character Restrictions
User Name Character Restrictions • Feature Summary and Revision History, page 1 • Feature Changes, page 2 Feature Summary and Revision History Summary Data Applicable Product(s) or Functional All Area Applicable Platform(s) All Feature Default Enabled - Always-on Related Changes in This Release Not Applicable Related Documentation • System Administration Guide Revision History Note Revision history details are not provided for features introduced before releases 21.2 and N5.5. Revision Details Release User names can now only contain alphanumeric characters (a-z, A-Z, 0-9), hyphen, 21.3 underscore, and period. The hyphen character cannot be the first character. Release Change Reference, StarOS Release 21.3/Ultra Services Platform Release N5.5 1 User Name Character Restrictions Feature Changes Feature Changes Previous Behavior: User names previously could be made up of any string, including spaces within quotations. New Behavior: With this release, AAA user names and local user names can only use alphanumeric characters (a-z, A-Z, 0-9), hyphen, underscore, and period. The hyphen character cannot be the first character. If you attempt to create a user name that does not adhere to these standards, you will receive the following message: "Invalid character; legal characters are "0123456789.-_abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ". Impact on Customer: Existing customers with user names configured with special characters must re-configure those impacted users before upgrading to 21.3. Otherwise, those users will no longer be able to login after the upgade as their user name is invalid and is removed from the user database. Release Change Reference, StarOS Release 21.3/Ultra Services Platform Release N5.5 2. -
Copy Editing and Proofreading Symbols
Copy Editing and Proofreading Symbols Symbol Meaning Example Delete Remove the end fitting. Close up The tolerances are with in the range. Delete and Close up Deltete and close up the gap. not Insert The box is inserted correctly. # # Space Theprocedure is incorrect. Transpose Remove the fitting end. / or lc Lower case The Engineer and manager agreed. Capitalize A representative of nasa was present. Capitalize first letter and GARRETT PRODUCTS are great. lower case remainder stet stet Let stand Remove the battery cables. ¶ New paragraph The box is full. The meeting will be on Thursday. no ¶ Remove paragraph break The meeting will be on Thursday. no All members must attend. Move to a new position All members attended who were new. Move left Remove the faulty part. Flush left Move left. Flush right Move right. Move right Remove the faulty part. Center Table 4-1 Raise 162 Lower 162 Superscript 162 Subscript 162 . Period Rewrite the procedure. Then complete the tasks. ‘ ‘ Apostrophe or single quote The companys policies were rewritten. ; Semicolon He left however, he returned later. ; Symbol Meaning Example Colon There were three items nuts, bolts, and screws. : : , Comma Apply pressure to the first second and third bolts. , , -| Hyphen A valuable byproduct was created. sp Spell out The info was incorrect. sp Abbreviate The part was twelve feet long. || or = Align Personnel Facilities Equipment __________ Underscore The part was listed under Electrical. Run in with previous line He rewrote the pages and went home. Em dash It was the beginning so I thought. En dash The value is 120 408. -
Classifying Type Thunder Graphics Training • Type Workshop Typeface Groups
Classifying Type Thunder Graphics Training • Type Workshop Typeface Groups Cla sifying Type Typeface Groups The typefaces you choose can make or break a layout or design because they set the tone of the message.Choosing The the more right you font know for the about job is type, an important the better design your decision.type choices There will are be. so many different fonts available for the computer that it would be almost impossible to learn the names of every one. However, manys typefaces share similar qualities. Typographers classify fonts into groups to help Typographers classify type into groups to help remember the different kinds. Often, a font from within oneremember group can the be different substituted kinds. for Often, one nota font available from within to achieve one group the samecan be effect. substituted Different for anothertypographers usewhen different not available groupings. to achieve The classifi the samecation effect. system Different used by typographers Thunder Graphics use different includes groups. seven The major groups.classification system used byStevenson includes seven major groups. Use the Right arrow key to move to the next page. • Use the Left arrow key to move back a page. Use the key combination, Command (⌘) + Q to quit the presentation. Thunder Graphics Training • Type Workshop Typeface Groups ����������������������� ��������������������������������������������������������������������������������� ���������������������������������������������������������������������������� ������������������������������������������������������������������������������ -
I. In-Text Citations in Turabian-Style Papers, Superscript Numbers
MAX Center Writing References Turabian Style I. In-Text Citations In Turabian-style papers, superscript numbers (1) are placed at the end of sentences in which a source is used (quotations, paraphrasing, or any other attribution). The source of the citation is then cited in a correspondingly numbered note which provides extended information. These notes can appear as footnotes at the bottom of the page or endnotes in a list at the end of the paper. In most cases, you will also list sources at the end of the paper in a bibliography. The format for these notes is different from the format of bibliography entries. Superscript numbers should appear at the end of the cited material after all punctuation marks, except when the note refers to material before a dash, in which case the superscript should appear after it. Don’t use more than one reference number at a time if a sentence cites multiple sources—instead, use one number and include all citations in a single note. II. Foot- and Endnotes If you choose to use Endnotes instead of footnotes, they should appear on a separate page entitled Notes. Both footnotes and endnotes are formatted as follows: 1. Single Author or Editor Note Number. Author’s (or Editor’s) First and Last Names, Title of Book: Subtitle of Book (Place of Publication: Publisher’s Name, Date of Publication), XX-XX. 2. Multiple Authors Note Number. Author #1’s First and Last Names and Author #2’s First and Last Names, Title of Book: Subtitle of Book (Place of Publication: Publisher’s Name, Date of Publication), XX-XX. -
Quarkxpress 9.1 Keyboard Command Guide: Mac OS
QuarkXPress 9.1 Keyboard Command Guide: Mac OS Menu commands (Mac OS®) ...................................................................................................... 2 Dialog box commands (Mac OS) ................................................................................................ 7 Palette commands (Mac OS) ...................................................................................................... 8 Project and layout commands (Mac OS) ................................................................................... 10 Item commands (Mac OS) ........................................................................................................ 12 Text commands (Mac OS) ........................................................................................................ 14 Picture commands (Mac OS) .................................................................................................... 20 1 Menu commands (Mac OS®) QuarkXPress menu QuarkXPress® Environment dialog box Option+About QuarkXPress or Control+Option+E Preferences +Option+Shift+Y Quit +Q File menu New Project +N New Library +Option+N Open +O Close +W Save +S Save As +Shift+S Revert to last Auto Save Option+Revert to Saved Import +E Save Text +Option+E Append +Option+A Export Layout as PDF +Option+P Export Page as EPS +Option+Shift+S Print +P Output Job +Option+Shift+O Edit menu Undo +Z Redo +Y, +Z, or +Shift+Z (configurable) Cut +X Copy +C Paste +V Paste without Formatting +Option+V Paste In Place +Option+Shift+V Select All +A -
Zapfcoll Minikatalog.Indd
Largest compilation of typefaces from the designers Gudrun and Hermann Zapf. Most of the fonts include the Euro symbol. Licensed for 5 CPUs. 143 high quality typefaces in PS and/or TT format for Mac and PC. Colombine™ a Alcuin™ a Optima™ a Marconi™ a Zapf Chancery® a Aldus™ a Carmina™ a Palatino™ a Edison™ a Zapf International® a AMS Euler™ a Marcon™ a Medici Script™ a Shakespeare™ a Zapf International® a Melior™ a Aldus™ a Melior™ a a Melior™ Noris™ a Optima™ a Vario™ a Aldus™ a Aurelia™ a Zapf International® a Carmina™ a Shakespeare™ a Palatino™ a Aurelia™ a Melior™ a Zapf book® a Kompakt™ a Alcuin™ a Carmina™ a Sistina™ a Vario™ a Zapf Renaissance Antiqua® a Optima™ a AMS Euler™ a Colombine™ a Alcuin™ a Optima™ a Marconi™ a Shakespeare™ a Zapf Chancery® Aldus™ a Carmina™ a Palatino™ a Edison™ a Zapf international® a AMS Euler™ a Marconi™ a Medici Script™ a Shakespeare™ a Zapf international® a Aldus™ a Melior™ a Zapf Chancery® a Kompakt™ a Noris™ a Zapf International® a Car na™ a Zapf book® a Palatino™ a Optima™ Alcuin™ a Carmina™ a Sistina™ a Melior™ a Zapf Renaissance Antiqua® a Medici Script™ a Aldus™ a AMS Euler™ a Colombine™ a Vario™ a Alcuin™ a Marconi™ a Marconi™ a Carmina™ a Melior™ a Edison™ a Shakespeare™ a Zapf book® aZapf international® a Optima™ a Zapf International® a Carmina™ a Zapf Chancery® Noris™ a Optima™ a Zapf international® a Carmina™ a Sistina™ a Shakespeare™ a Palatino™ a a Kompakt™ a Aurelia™ a Melior™ a Zapf Renaissance Antiqua® Antiqua® a Optima™ a AMS Euler™ a Introduction Gudrun & Hermann Zapf Collection The Gudrun and Hermann Zapf Collection is a special edition for Macintosh and PC and the largest compilation of typefaces from the designers Gudrun and Hermann Zapf. -
Top Ten Tips for Effective Punctuation in Legal Writing
TIPS FOR EFFECTIVE PUNCTUATION IN LEGAL WRITING* © 2005 The Writing Center at GULC. All Rights Reserved. Punctuation can be either your friend or your enemy. A typical reader will seldom notice good punctuation (though some readers do appreciate truly excellent punctuation). However, problematic punctuation will stand out to your reader and ultimately damage your credibility as a writer. The tips below are intended to help you reap the benefits of sophisticated punctuation while avoiding common pitfalls. But remember, if a sentence presents a particularly thorny punctuation problem, you may want to consider rephrasing for greater clarity. This handout addresses the following topics: THE COMMA (,)........................................................................................................................... 2 PUNCTUATING QUOTATIONS ................................................................................................. 4 THE ELLIPSIS (. .) ..................................................................................................................... 4 THE APOSTROPHE (’) ................................................................................................................ 7 THE HYPHEN (-).......................................................................................................................... 8 THE DASH (—) .......................................................................................................................... 10 THE SEMICOLON (;) ................................................................................................................ -
Revised Proposal to Encode a Punctuation Mark "Double Hyphen"
Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Revised Proposal to encode a punctuation mark "Double Hyphen" Source: German NB Status: National Body Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Date: 2011-01-17 Replaces: N3917 = L2/10-361, L2/10-162 Dashes and Hyphens A U+2E4E DOUBLE HYPHEN → 2010 hyphen → 2E17 double oblique hyphen → 003D equals sign → A78A modifier letter short equals sign · used in transcription of old German prints and handwritings · used in some non-standard punctuation · not intended for standard hyphens where the duplication is only a font variant Properties: 2E4E;DOUBLE HYPHEN;Pd;0;ON;;;;;N;;;;; Entry in LineBreak.TXT: 2E4E;BA # DOUBLE HYPHEN 1. Introduction The "ordinary" hyphen, which is representable by U+002D HYPHEN-MINUS or U+2010 HYPHEN, usually is displayed by a single short horizontal dash, but has a considerable glyph variation: it can be slanted to oblique or doubled (stacked) according to the used font. For instance, in Fraktur (Blackletter) fonts, it commonly is represented by two stacked short oblique dashes. However, in certain applications, double hyphens (consisting of two stacked short dashes) are used as characters with semantics deviating from the "ordinary" hyphen, e.g. to represent a definite unit in transliteration. For such a special application, in this case for transliteration of Coptic, U+2E17 DOUBLE OBLIQUE HYPHEN was encoded ([1], example on p. 9). However, there are other applications where the double hyphen is usually not oblique. For such applications, a "DOUBLE HYPHEN" is proposed here, which consists of two stacked short dashes which usually are horizontal. -
These Guidelines Are Designed to Assist SBL Editors As They Prepare Manuscript Files to Submit for Typesetting
GUIDELINES FOR EDITORS OF COLLECTED WORKS SOCIETY OF BIBLICAL LITERATURE These guidelines are designed to assist SBL editors as they prepare manuscript files to submit for typesetting. Although the following guidelines do not address every possible question that might arise, and although every manuscript will require some work by the SBL staff, adherence to these guidelines will minimize the delays and added costs that improperly or inadequately edited books inevitably create. We strongly recommend that editors familiarize themselves with these guidelines, which address the most common problems encountered, and to use them throughout their editing work. Please feel free to contact Bob Buller ([email protected]) and Leigh Andersen (leigh.andersen@sbl- site.org) whenever you encounter questions not addressed below. 1. THE GOAL 1.1. Coherence. One mark of a well-edited volume is the level of internal coherence that it evidences. Such coherence begins, of course, with the selection and arrangement of the essays, but it does not end there. Rather, one should seek to enhance the coherence of the volume during the editing process, by striving for internal consistency in conformity to an accepted standard. 1.2. Consistency. Internal consistency enhances the reader’s sense of a volume’s overall coherence. So, for example, careful editors do not allow the same word to be spelled in several different ways (even if both are acceptable) or some essays to use footnotes for bibliographical citations and others to use the author-date system or still others to be lax in citing their references at all. Furthermore, volumes will appear more consistent if the essays evidence a certain degree of structural consistency, such as in the use of subheads (always helpful) and in the way they are labeled (e.g., numbered or unnumbered but not both; using arabic numerals, not arabic in some essays and roman numerals in others).